The Fame Monster: Difference between revisions
The main Lady Gaga articles classifies 'Born This Way' as her third major release; 'The Fame Monster' is the second. |
→Year-end charts: + Swedish year-end |
||
Line 542: | Line 542: | ||
!scope="row"|Japanese Albums Chart<ref>{{cite web |url=http://www.oricon.co.jp/rank/ja/y/2011/more/3/|title=2011 Year End Charts – Oricon CD Albums Top 100 |language=Japanese |publisher=[[Oricon]] |accessdate=2012-01-03}}</ref> |
!scope="row"|Japanese Albums Chart<ref>{{cite web |url=http://www.oricon.co.jp/rank/ja/y/2011/more/3/|title=2011 Year End Charts – Oricon CD Albums Top 100 |language=Japanese |publisher=[[Oricon]] |accessdate=2012-01-03}}</ref> |
||
|align="center"|44 |
|align="center"|44 |
||
|- |
|||
!scope="row"|Swedish Albums Chart<ref>{{cite web |url=http://www.hitlistan.se/netdata/ghl002.mbr/lista?liid=83&dfom=20110001&navi=no |title=Årslista Album – År 2011 |language=Swedish |publisher=[[Sverigetopplistan]]. [[Swedish Recording Industry Association]] |accessdate=2012-01-25}}</ref> |
|||
|align="center"|93 |
|||
|- |
|- |
||
!scope="row"|US Dance/Electronic Albums<ref>{{cite web |url=http://www.billboard.biz/bbbiz/charts/yearendcharts/2011/dance-electronic-albums |title=2011 Year End Charts – Dance/Electronic Albums |work=Billboard |publisher=Prometheus Global Media |accessdate=2011-12-09}}</ref> |
!scope="row"|US Dance/Electronic Albums<ref>{{cite web |url=http://www.billboard.biz/bbbiz/charts/yearendcharts/2011/dance-electronic-albums |title=2011 Year End Charts – Dance/Electronic Albums |work=Billboard |publisher=Prometheus Global Media |accessdate=2011-12-09}}</ref> |
Revision as of 21:23, 25 January 2012
Untitled | |
---|---|
The Fame Monster is the third EP and second major release by American recording artist Lady Gaga. It was released on November 18, 2009 through Interscope Records. Initially planned to be included on a re-release of Gaga's debut studio album, The Fame, she announced that the eight tracks would be included on a standalone release, saying that she thought the re-release was too expensive and that the albums were each conceptually different, describing them as Yin and yang respectively. A Super Deluxe edition of The Fame Monster including The Fame and additional merchandise, including a lock of her wig, was released on December 15, 2009.
Musically, The Fame Monster is a pop album influenced by a number of genres, prominently the disco, glam rock and synthpop music of the 1970s and 1980s, as well as industrial and Gothic music. The album was also inspired by fashion shows and runways. According to Gaga, the album deals with the darker side of fame, including love, sex, alcohol and more. Lyrically, they are expressed through a monster metaphor. The cover artwork was done by Hedi Slimane and has a Gothic theme, as described by Gaga herself. The artwork was originally declined by her record company, however, Gaga convinced them to go through with it. The Fame Monster received generally favorable reviews from music critics, who commended the EP's production, as well as Gaga's musicianship. However, criticism was directed toward its lyrical content. In some countries, the album charted with The Fame, and topped the charts in multiple nations, including the United Kingdom, Australia, Austria, Belgium, Finland, Germany, Ireland, New Zealand, Poland, and Switzerland. In the United States, it reached number five on the Billboard 200 albums chart, and topped the Dance/Electronic Albums chart.
Its lead single, "Bad Romance", was a commercial success, topping the charts in more than twenty countries worldwide, while reaching number two on the Billboard Hot 100 in the United States. The next two singles, "Telephone" and "Alejandro" were successful as well, reaching the top ten in multiple countries worldwide. "Dance in the Dark" was only released as a single in select territories, but received moderate success in some countries, and receiving a nomination for Best Dance Recording at the 53rd Grammy Awards. "Speechless" and "Monster" charted in multiple countries as well, despite not being released as singles. The Fame Monster has won multiple awards since its release. It was nominated in a total of six categories at the 53rd Grammy Awards, winning Best Pop Vocal Album.
Background and development
During the collaborative launch of her similarly titled headphones with Dr. Dre, Gaga commented that she planned to release a new album and said: "I think re-releases are unfair, [...] it’s artists sneaking singles onto an already finished piece of work in an effort to keep the album afloat. Originally [my label] only wanted me to put out three songs and now it’s much more than that. It’s a new album’s worth of material."[2] Regarding the title The Fame Monster, Gaga said that it was a coincidence that the name was similar to the headphones she launched called "Heartbeats." She had already written a song titled "Monster" in March, before she met with Dr. Dre and the Noel Lee, the CEO of Monster Cable Products, to discuss the collaboration.[2] Gaga further explained that she was obsessed with monster movies and "the decay of the celebrity and the way that fame is a monster in society! That’s what my new record is about, so it was kind of a perfect fit."[2][3] Gaga later revealed that the re-release will contain eight new songs, along with her whole original debut album.[4] The Fame Monster deals with the seamier side of fame, as experienced by Gaga over the course of the year 2008–2009. She explains:
"On my re-release The Fame Monster, I wrote about everything I didn't write on The Fame. While traveling the world for two years, I've encountered several monsters, each represented by a different song on the new record: my 'Fear of Sex Monster,' my 'Fear of Alcohol Monster,' my 'Fear of Love Monster,' my 'Fear of Death Monster,' my 'Fear of Loneliness Monster,' etc."
"I spent a lot of nights in Eastern Europe, and this album is a pop experimentation with industrial/Goth beats, 90's dance melodies, an obsession with the lyrical genius of 80's melancholic pop, and the runway. I wrote while watching muted fashion shows and I am compelled to say my music was scored for them."[4]
She also commented that the new songs do not deal with money or fame, rather it is about everything in-between and it was for her fans.[4] Gaga compared the mood of The Fame and The Fame Monster as opposites, and called them Yin and yang respectively. According to her, she felt a dichotomy within herself while developing the album. With MTV she explained that, "I am ready for the future, but I mourn the past, [...] And it's a very real rite of passage—you have to let go of things. You have to mourn them like a death so that you can move on, and that's sort of what the album is about."[5] In North America, The Fame Monster was released as an eight-track album on November 23, 2009. Gaga's website also confirmed a Deluxe Edition featuring the entirety of her first album, The Fame, as a bonus disc. Solely a deluxe edition had been previously planned, however, Gaga cited cost being an issue in deciding on the additional single disc release.[6]
Composition
"Well, my dad has had a heart condition for about 15 years. He has or he had a bad aortic valve, and his body for a very long time was only pumping a third of the blood that you're supposed to get every time his heart beat. So he [was] resigned that he wasn't going to get the surgery and told my mother and I that he was going to let his life take its course. [...] And I was on tour and I couldn't leave, so I went into the studio and I wrote this song 'Speechless'. [...] My dad used to call me after he'd had a few drinks and I wouldn't know what to say. I was speechless and I just feared that I would lose him and I wouldn't be there. [...] I wrote this song as a plea to him."[7]
—Lady Gaga on the inspiration behind "Speechless"
The Independent felt that the first song from the album, "Bad Romance", set the tone for the album, whose dominant atmosphere and aesthetic, from the monochrome cover shot and the crucifix logo onwards, is gothic. The refrain of "Bad Romance" has similarities to Boney M and the music recalls Depeche Mode's fifth studio album Black Celebration (1986).[8][9] The lyrics contain zombie metaphors in songs like "Monster" ("He ate my heart..."), the Cossack like music in "Teeth" ("Take a bite of my bad-girl meat...") and "Dance in the Dark" ("Silicone, saline, poison, inject me..."). The latter's lyrics also refer to famous people who met a tragic end: Marilyn Monroe, Judy Garland, Sylvia Plath, Princess Diana, Liberace and JonBenét Ramsey.[8][10] "Monster" consists of stuttering synths and instrumentation from heavy drums.[11] Among other songs is the ballad "Speechless" which is a 1970s rock-inspired number that touches upon abusive relationships in lyrics upon "I can't believe how you slurred at me with your half-wired broken jaw". It consists of vocal harmonies and guitar riffs, which according to PopMatters, is comparable to the work of Freddie Mercury and Queen.[11] Produced by Ron Fair,[12] the song was recorded with all live instruments such as drums, guitars and bass. Gaga plays piano.
The album's fifth track, "Dance in the Dark", depicts a girl being uncomfortable when having sex. Speaking about the song, Gaga said, "She doesn’t want her man to see her naked. She will be free, and she will let her inner animal out, but only when the lights are out."[13] In "So Happy I Could Die", Gaga presents an ode to sexual feeling and actions, stating, "I love that lavender blonde/ The way she moves the way she walks/ I touch myself, can't get enough." Essentially a love song, the object of affection in "So Happy" becomes Gaga herself as she talks about drinking, dancing, observing, and touching herself. Gaga's voice appears sedated in the song.[8][10] The song also uses auto-tune in its music.[9] "Alejandro" incorporates elements of the music of ABBA and Ace of Base with the lyrics talking about Gaga fending off a harem of Latino men. "Telephone" talks about the singer preferring the dance floor rather than answering her lover's call.[10] The verses are sung in a rapid-fire way, accompanied by double beats.[10] Gaga explained that the song deals with her fear of suffocation, "fear [of] never being able to enjoy myself. 'Cause I love my work so much, I find it really hard to go out and have a good time." The phone on the song is not just a physical phone, but also the voice of a person in her head telling her to keep working harder and harder.[14] The last song, "Teeth", contains gospel music and the lyrics are written in S&M style, telling that the closest she will get to another human being involves being tied up and bitten.[10]
Release and artwork
![](http://upload.wikimedia.org/wikipedia/commons/thumb/7/76/So_Happy_I_Could_Die.jpg/170px-So_Happy_I_Could_Die.jpg)
Originally the album was intended to be a two-disc re-release of The Fame, but Gaga told MTV on November 12, 2009 that the album is to be a standalone piece. Gaga has also announced the release of The Fame Monster Deluxe Edition, and the Super Deluxe Fame Monster Pack, the latter of which was released on December 15, 2009. The pack will provide an assortment of products from Gaga's production collaborative, Haus of Gaga, and even included a lock of hair of the singer.[15] Gaga explained this decision by saying,
"In the midst of my creative journey composing The Fame Monster, there came an exciting revelation that this was in fact my sophomore album, [...] I would not add, nor take away any songs from this EP. It is a complete conceptual and musical body of work that can stand on its own two feet. It doesn't need The Fame. For those who do not have my debut album, there are a series of collectible double-disc editions that include both albums and artwork conceived by the Haus of Gaga in collaboration with our mentor, Hedi Slimane," she said. "Hear the music, see the show, live and love yourself."[15]
On May 3, 2010, The Fame Monster Limited Edition USB Drive was released. It included the explicit version of The Fame Monster album, as well as nine remixes, eight music videos, a digital booklet, single covers, and a photo gallery.[16]
Two cover arts for the re-release were shot by designer and photographer Hedi Slimane. One shows Gaga in a blond wig and wearing a black jacket while the other shows her with thick brown hair and heavy eyeliner running down her face.[17] Regarding the cover art, Gaga said that when she sat down to create the concept for the album, she wanted to make sure the look was darker and edgier than anything she had done before.[5] However, her record label found the brunette cover to be too confusing and gothic while believing it to be less pop. Gaga responded saying,
"You don't know what pop is, because everyone was telling me I wasn't pop last year, and now look—so don't tell me what pop is, I know what pop is. [...] It's funny, because I fought and fought and fought, and I actually ended up having two covers, because I wanted to do this yin and yang presentation with the covers. [....] I don't want to do a really glamorous photo of me rubbing myself like every other blond girl. I want my fans to see this image and say, 'I feel just like she feels.'"[12]
Critical reception
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | (77/100)[18] |
Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | (A-)[20] |
The Independent | (favorable)[8] |
Los Angeles Times | ![]() ![]() ![]() ![]() |
NME | (8/10)[22] |
The Observer | ![]() ![]() ![]() ![]() ![]() |
Pitchfork Media | (7.8/10)[24] |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Slant Magazine | ![]() ![]() ![]() ![]() ![]() |
Spin | (6/10)[26] |
The Fame Monster was well-received by most music critics upon its release.[27] Sal Cinquemani from Slant Magazine felt that the album was not a huge leap forward for Gaga, but provided "small, if fleeting, glimpses behind the pretense." He remarked that "[t]here's something instructive about the way Gaga rejects any and all intimacy with others." Songs like "Bad Romance" and "Dance in the Dark" were called the highlights of the album.[10] Simon Price of The Independent praised the album calling it "a whole new piece of art in its own right."[8] Kitty Empire from The Observer said that the album is "a lot more splendidly deranged." Although Empire dismissed the ballad "Speechless", commenting that ballads "remain her weak point," compared to her upbeat work, and she went on to praise "Bad Romance" while writing that "[it] make[s] an even more persuasive case for this driven, uncharismatic Italian-American being the new Madonna."[23] Paul Lester from BBC complimented the eight songs from the album and commented that "[The album is] hardly original, and nor is it exactly a triumph of DIY feminist invention [...] But she’s bringing eccentric couture to the masses and is certainly fun to have around."[9] Sarah Hajibagheri from The Times commented that the album "lack[ed] the beat and bite that made us all go Gaga for the eccentric New Yorker."[28] Josh Modell of Spin commented that "When Gaga reaches for sincere balladry [...] she sounds lost".[26] Evan Sawdey from PopMatters felt that the album shows "she’s not complacent with doing the same thing over again. She’s willing to try new things, branching out at a time when it feels like every lone pop diva is more than willing to compromise their artistic growth just for the sake of having a radio hit. [...] Gaga is allowed to make a few mistakes on her way towards pop nirvana—and judging what she’s aiming for with The Fame Monster, there’s a good chance she’s going to get there sooner than later."[11]
Bill Lamb from About.com gave the album five out of five stars and said "The Fame Monster is the most compelling pop concept piece in recent memory. There are clear signs of influence from some of the top pop women of the past including Madonna, Annie Lennox and Debbie Harry, but Lady Gaga makes it emphatically her own. If this is the direction of contemporary pop, we are in good hands indeed."[29] Mikael Woods from Los Angeles Times felt that The Fame Monster continued to demonstrate Gaga's creative ambition and stylistic range.[21] Jon Dolan from Rolling Stone felt that "Half the disc is Madonna knock-offs, but that's part of the concept—fame monsters needn't concern themselves with originality."[25] Edna Gundersen from USA Today believed that on The Fame Monster, "Gaga's icy aloofness and seeming aversion to a genuine human connection leave a disturbing void. With an avant-garde intellect, pop-electro eccentricities and freaky theatrics competing for attention, there's no room for heart."[30] Michael Hubbard from MusicOMH complimented the eight songs on the album.[31] Neil McCormick from The Daily Telegraph commented that the album has an "an irrepressible quality that is given full rein. [...] Although not as thematically integrated as the original Fame, Gaga’s vivacious energy, bold melodies and almost comically relentless sensationalism keeps things interesting."[32] In his consumer guide for MSN Music, critic Robert Christgau commended Lady Gaga for her songwriting and gave the album an A- rating,[20] indicating it as "the kind of garden-variety good record that is the great luxury of musical micromarketing and overproduction".[33] Metacritic scored the album as having an average score of 77 out of 100, indicating "generally favorable reviews" from critics.[27]
In 2010, Gaga won the "Outstanding Music Artist" award for The Fame Monster, during the 21st GLAAD Media Awards.[34] The album and its songs were nominated for six awards at the 53rd Grammy Awards. The EP in its entirety was nominated for Album of the Year and won the Grammy Award for Best Pop Vocal Album.[35][36] "Bad Romance" won for Best Female Pop Vocal Performance and Best Short Form Music Video; her single "Telephone" was nominated for Best Pop Collaboration with Vocals, and "Dance in the Dark" earned a nomination for Best Dance Recording.[36][37]
Chart performance
![](http://upload.wikimedia.org/wikipedia/commons/thumb/5/50/The_Monster_Ball_-_Monster_revamped2.jpg/220px-The_Monster_Ball_-_Monster_revamped2.jpg)
In the United States, the individual disc of The Fame Monster charted at number five with sales of 174,000 while the double disc deluxe edition including the original The Fame charted at number six with sales of 151,000.[38] The album also topped the Top Digital Albums chart with sales of 65,000. Seven of the eight songs from the album also charted on the Hot Digital Songs chart.[39] The album also topped the Dance/Electronic Albums chart, replacing the original version of The Fame.[40] In January 2010, the album was certified platinum by the Recording Industry Association of America (RIAA) for shipment of a million copies of the album.[41] As of October 8, 2011, The Fame Monster has sold 1,510,000 copies in the United States, according to Nielsen Soundscan.[42] In Canada, the album debuted and peaked at six on the Canadian Albums Chart.[43]
In Australia, The Fame Monster initially charted with its predecessor, but was later considered as a stand-alone album. In its eighteenth week of release on the Australian chart, it climbed to number one, and was certified two times platinum by the Australian Recording Industry Association (ARIA) for shipment of 140,000 copies of the album.[44][45] The combined album also charted in Denmark, Ireland and Germany, where it reached the top in the last two territories.[46][47] The album charted at number two on the Japanese Oricon albums chart.[48] It has sold 577,000 copies in Japan.[49]
In the United Kingdom, The Fame Monster was released as a deluxe edition only with The Fame, and not as a stand-alone album, hence it charted under The Fame. On January 3, 2010, the album climbed to number two in the album chart.[50] All of the new tracks from The Fame Monster charted within the top 110 singles there, with the most popular un-released track, "Telephone", charting inside the top-forty at number thirty.[51] In the week ending February 28, 2010, Gaga reached the top of the UK Albums Chart for a fifth week with The Fame Monster, coupled with The Fame. On March 21, 2010, the album went back up the UK chart to again take the number one spot beating the likes of the Glee Cast who were expected to reach the summit.[50] The album has reached thirteen on the European Top 100 Albums chart.[52] It was certified three times platinum by the International Federation of the Phonographic Industry (IFPI) for shipment of a three million copies across Europe.[53]
Singles
![](http://upload.wikimedia.org/wikipedia/commons/thumb/8/87/Lady_Gaga_BR_GMA.jpg/220px-Lady_Gaga_BR_GMA.jpg)
"Bad Romance" was confirmed as the first single from the album.[3] A brief portion of the song was performed on Saturday Night Live on October 3, 2009, along with other songs like "Poker Face" and "LoveGame"[54][55] "Bad Romance" premiered during the show finale of fashion designer Alexander McQueen's Spring/Summer 2010 Paris Fashion Week show on October 6, 2009.[56] It was released for digital download on October 27, 2009. The song topped the Canadian Hot 100, UK Singles Chart, European Hot 100, German Singles Chart and the Austrian, Bulgarian, Danish, Finnish, French, Hungarian, Irish, Italian, Norwegian, Romanian, Slovak, Spanish, and Swedish charts as well as reaching a peak of two in the United States, Australia, New Zealand, Belgium, and Switzerland.[57][58] On February 13, 2011, the single received the Grammy Award for Best Female Pop Vocal Performance; the accompanying video received a Grammy for Best Short Form Music Video.[36]
"Telephone" was released as the album's second single.[59] The song features American R&B singer Beyoncé Knowles. Gaga first performed the song live at the 2010 BRIT Awards along with another song from The Fame Monster, "Dance in the Dark", as a tribute to Alexander McQueen.[60] The music video for "Telephone" premiered on E! News on March 11, 2010.[61] Gaga stated that the video is a continuation of the "Paparazzi" music video, and it is in a similar short-film style. "Telephone" has been appreciated by critics as being a standout track from The Fame Monster, and charted in numerous countries prior to its release as a single. On March 22, 2010 it reached number one on the UK Singles Chart, becoming her second consecutive UK chart topper and fourth in total. It peaked at number three on the Billboard Hot 100, making it her sixth straight single to reach the top ten.[62] It also reached number one on the Pop Songs chart, thus becoming Gaga's sixth consecutive number-one on the chart, tying with Beyoncé and Mariah Carey for most number-ones since the Nielsen BDS-based radio airplay chart launched in 1992.[63] The single received a Grammy nomination for Best Pop Collaboration with Vocals.[37]
"Alejandro" was released as the album's third single. Originally "Dance in the Dark" was planned to follow the previous single, "Telephone", as a preference of Gaga's record label. Gaga had chosen this song to be the third single on her own without consulting the label. An argument then arose between Gaga and her label where "Alejandro" was ultimately chosen to be released. Through her account on Twitter, the singer remarked on the decision, "Alejandro is on the radio. Fuck it sounds so good, we did it little monsters."[64][65] The single was officially sent to radio on April 20, 2010 in the United States.[66] "Alejandro" reached the top five on the Australian and Canadian charts, as well as in the top ten of the charts of other nations.[67] In the United States, it reached number five, becoming her seventh consecutive single to reach the top ten on the Billboard Hot 100.[68]
"Dance in the Dark" was released as the fourth and final single from the album in Australia, New Zealand, and France. It was originally released as a promotional single from the album as a part of the Countdown to Lady Gaga's The Fame Monster on iTunes. On November 9, 2009, the song was released on the United Kingdom's iTunes, as a promotional single for the Countdown to Lady Gaga's The Fame Monster, alongside with "Alejandro". The song was initially planned to be released as a worldwide single after "Telephone", but Gaga had a dispute with her record label to release "Alejandro" instead.[69][70]
Promotion
![](http://upload.wikimedia.org/wikipedia/commons/thumb/c/ca/Monster-ball-speechless1.jpg/220px-Monster-ball-speechless1.jpg)
Promotion for The Fame Monster began through a performance on Saturday Night Live, which contained segments of a piano version of "Bad Romance". Gaga has also appeared on various talk shows, such as It's On with Alexa Chung and Germany's Wetten, dass..?. On November 16, 2009, Gaga performed the song "Speechless" at Los Angeles Museum of Contemporary Art's 30th Anniversary celebrations. She collaborated with artist Francesco Vezzolli and members of Russia's Bolshoi Ballet Academy.[71] On November 16, 2009, Gaga appeared on an episode of the CW's Gossip Girl in an episode titled "The Last Days of Disco Stick". She performed the lead single from The Fame Monster, "Bad Romance". Other songs that were referenced and played throughout the episode were "Alejandro", "Dance in the Dark", and "Telephone".[72] The song was also performed at the 2009 American Music Awards, The Jay Leno Show and The Ellen DeGeneres Show.[73][74][75] On January 15, 2010, Gaga appeared on The Oprah Winfrey Show and performed a medley of "Monster", "Bad Romance", and "Speechless".[76] At the 52nd Grammy Awards, Gaga opened the show by performing a medley of "Poker Face", "Speechless", and "Your Song" with Elton John.[77] On February 16, 2010, she performed at the 2010 BRIT Awards in memory of Alexander McQueen, she performed a ballad version of "Telephone" and then performed the song "Dance in the Dark".[78] In March 2010, "Bad Romance" and "Monster" were added as downloadable content for the Rock Band video game series, along with "Just Dance" and "Poker Face" from The Fame.[79]
Previously, Gaga had announced that she was going to tour with Kanye West. The tour was titled Fame Kills Starring: Lady Gaga and Kanye West.[80] However, after the incident at the 2009 MTV Video Music Awards with Taylor Swift, West announced that he was taking a break from music. Following the announcement, all of the tour dates were immediately cancelled. Later, Gaga confirmed that she was going to tour by herself for The Fame Monster.[81] The show, called The Monster Ball Tour, had dates starting from November 2009 and finishing in early May 2011. The tour featured opening acts like Kid Cudi and Jason Derülo.[82] Described by Gaga as "the first-ever pop electro opera", The Monster Ball began four days after the release of The Fame Monster.[82]
Gaga and her production team developed a stage that looks like a frame with forced perspectives and everything for the show fitted within it. She felt that the design would allow her creative control.[83] Since the album dealt with the paranoias faced by Gaga over the year, the main theme of the show became evolution, with Gaga portraying growth as the show progressed.[84] She compared the setting of the stage with that of a hollowed-out television set. Elements of the cancelled tour with Kanye West were incorporated in some parts.[85] The set list of the tour consisted of songs from The Fame Monster as well as her debut album The Fame. For the 2010 shows, Gaga felt that a revamp of the show was needed as the original tour was constructed in a very short span of time. The revamped shows has a New York theme, and portrays a story where Gaga and her friends are in New York and get lost while going to the Monster Ball.[85] The show was divided into five segments with the last one being the encore. Each segment featured Gaga in a new dress and was followed by a video interlude, portraying Gaga in Gothic and artsy poses, to the next one. The 2009 concerts began with Gaga appearing from behind an electric maze of lights.[86] It continued with acoustic piano playing, dancing in costumes made of guns, Egyptian style head gears[87] and fairy-tale Rapunzel style hair.[88] The revamped shows consisted of more theatrics, and stage props that consisted of the pyrotechnics bra, a car turning into a keyboard, an enormous angler fish-cum-octopus, and Gaga herself in a number of costumes.[89] Contemporary critics praised the show, commending Gaga's singing abilities and sense of style and fashion. They were also impressed by the pompousness and the theatricality of the show, comparing it to the tours of artists like Madonna.[90]
Track listing
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Bad Romance" | RedOne, Lady Gaga | RedOne, Lady Gaga* | 4:54 |
2. | "Alejandro" | RedOne, Lady Gaga | RedOne, Lady Gaga* | 4:34 |
3. | "Monster" | RedOne, Lady Gaga, Space Cowboy | RedOne, Lady Gaga* | 4:10 |
4. | "Speechless" | Lady Gaga | Ron Fair, Lady Gaga*, Tal Herzberg* | 4:31 |
5. | "Dance in the Dark" | Lady Gaga, Fernando Garibay | Garibay, Lady Gaga* | 4:49 |
6. | "Telephone" (featuring Beyoncé) | Lady Gaga, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin, Beyoncé | Jerkins, Lady Gaga* | 3:41 |
7. | "So Happy I Could Die" | Lady Gaga, RedOne, Space Cowboy | RedOne, Lady Gaga, Space Cowboy | 3:55 |
8. | "Teeth" | Lady Gaga, Taja Riley | Teddy Riley, Lady Gaga* | 3:41 |
Total length: | 34:15 |
No. | Title | Writer(s) | Remixer(s) | Length |
---|---|---|---|---|
9. | "Bad Romance" (Starsmith Remix) | RedOne, Lady Gaga | Starsmith | 4:56 |
Total length: | 39:11 |
No. | Title | Writer(s) | Remixer(s) | Length |
---|---|---|---|---|
9. | "Bad Romance" (Starsmith Remix) | RedOne, Lady Gaga | Starsmith | 4:56 |
10. | "Telephone" (Passion Pit Remix) (featuring Beyoncé) | Lady Gaga, Jerkins, Daniels, Franklin, Beyoncé | Passion Pit | 5:13 |
11. | "Paparazzi" (Demolition Crew Remix) | Lady Gaga, Rob Fusari | Demolition Crew | 3:54 |
12. | "Just Dance" (Deewan Remix) (featuring Ashking, Wedis, Lush and Young Thoro) | Lady Gaga, RedOne, Aliaune Thiam | Deewaan | 4:17 |
13. | "LoveGame" (Robots to Mars Remix) | Lady Gaga, RedOne | Robots to Mars | 3:14 |
14. | "Eh, Eh (Nothing Else I Can Say)" (Frankmusik Remix) | Lady Gaga, Martin Kierszenbaum | Frankmusik | 3:48 |
15. | "Poker Face (Piano & Voice Version)" (Live at The Cherrytree House) | Lady Gaga, RedOne | Kierszenbaum | 3:38 |
16. | "Bad Romance" (Grum Remix) | RedOne, Lady Gaga | Grum | 4:51 |
17. | "Telephone" (Alphabeat Remix) (featuring Beyoncé) | Lady Gaga, Jerkins, Daniels, Franklin, Beyoncé | Alphabeat | 5:13 |
Total length: | 73:19 |
No. | Title | Director | Length |
---|---|---|---|
1. | "Just Dance" | Melina Matsoukas | 4:06 |
2. | "Poker Face" | Ray Kay | 3:40 |
3. | "Paparazzi" (Full Length Master With Strobing, With Text) | Jonas Åkerlund | 7:43 |
4. | "LoveGame" | Joseph Kahn | 3:43 |
5. | "Eh, Eh (Nothing Else I Can Say)" | Joseph Kahn | 3:03 |
6. | "Bad Romance" | Francis Lawrence | 5:14 |
7. | "Telephone" (Explicit Version) (featuring Beyoncé) | Jonas Åkerlund | 9:27 |
Total length: | 35:79 |
(*) denotes co-producer
Personnel
|
|
Credits for The Fame Monster adapted from liner notes.[1]
Charts and certifications
- A^ In certain territories, The Fame Monster charted in conjunction with The Fame under the same title, sales are also combined.
Release history
Region | Date | Format | Label | Edition(s) |
---|---|---|---|---|
Japan | November 18, 2009[133] | CD, digital download | Universal Music | Deluxe |
Italy[134] | ||||
Australia | November 20, 2009[135][136][137] | Deluxe, Limited | ||
Chile | Standard, Deluxe | |||
Germany | ||||
Ireland | Deluxe | |||
United States | November 23, 2009[138] | Interscope, Streamline, Kon Live, Cherrytree | ||
United Kingdom | Polydor | |||
Canada | Universal Music | |||
Argentina[139] | ||||
Canada | December 1, 2009[140] | Standard | ||
Colombia[141] | December 4, 2009[142] | CD | Universal Music, Interscope | |
United States | December 15, 2009[143] | Box-set | Interscope, Streamline, Kon Live, Cherrytree | Super Deluxe |
LP | Standard | |||
Australia | December 18, 2009[144] | Digital download | Universal Music | Standard (Explicit version) |
December 21, 2009[145] | CD | |||
United States | January 26, 2010[146] | Digital download | Interscope, Streamline, Kon Live, Cherrytree | |
China | February 1, 2010[147] | CD | Universal Music | Standard |
Japan | April 16, 2010[148] | CD + DVD | Universal Music | Standard (Explicit Version) |
Worldwide | May 3, 2010[16] | USB Drive | Interscope, Streamline, Kon Live, Cherrytree | Limited (Explicit Version) |
Italy | June 8, 2010[149] | CD | Universal Music | Limited Slipcase |
Germany | October 22, 2010[150][151] | CD | Standard (Explicit Version) | |
November 20, 2010[152] | Digital download |
References
- ^ a b The Fame Monsrer (Media notes). Interscope Records. 2009.
{{cite AV media notes}}
:|format=
requires|url=
(help); Unknown parameter|artist=
ignored (|others=
suggested) (help) Cite error: The named reference "liner" was defined multiple times with different content (see the help page). - ^ a b c Carpenter, Ellen (October 1, 2009). "Lady Gaga Unleashes "Monster" With Dr. Dre: Headphones First, Song Next?". Rolling Stone. Jann Wenner. ISSN 0035-791X.
{{cite journal}}
:|access-date=
requires|url=
(help) - ^ a b Harding, Cortney (October 1, 2009). "Lady Gaga: First Lady". Billboard. Nielsen Business Media, Inc. Retrieved October 8, 2009.
- ^ a b c Press Release (October 8, 2009). "Lady Gaga Returns With 8 New Songs on The Fame Monster". Yahoo!. Retrieved October 9, 2009.
- ^ a b Vena, Jocelyn; Calloway, Sway (November 23, 2009). "Lady Gaga Gets 'Dark' On The Fame Monster". MTV. MTV Networks. Retrieved November 24, 2009.
- ^ Dinh, James (November 10, 2009). "Lady Gaga's Fame Monster: New Songs To Be Released On Single CD". MTV. MTV Networks. Retrieved November 10, 2009.
- ^ Vena, Jocelyn (November 23, 2009). "Lady Gaga Says She Wrote 'Speechless' As 'Plea' To Father". MTV. MTV Networks. Retrieved November 24, 2009.
- ^ a b c d e Price, Simon (November 22, 2009). "Album: Lady Gaga, The Fame Monster (Polydor)". The Independent. UK. Retrieved November 23, 2009.
- ^ a b c Lester, Paul (November 20, 2009). "Lady Gaga The Fame Monster Review". BBC. BBC Online. Retrieved November 23, 2009.
- ^ a b c d e f g Cinquemani, Sal (November 18, 2009). "Lady Gaga: The Fame Monster". Slant Magazine. Retrieved November 19, 2009.
- ^ a b c Sawdey, Evan (November 23, 2009). "Lady Gaga: The Fame Monster < Reviews". PopMatters. Retrieved November 23, 2009.
- ^ a b Hiatt, Brian (October 21, 2009). "Inside The Monster Ball: Lady Gaga Reveals Plans for Ambitious New Tour". Rolling Stone. Jann Wenner. ISSN 0035-791X.
{{cite journal}}
:|access-date=
requires|url=
(help) - ^ Ditzian, Eric (December 16, 2009). "Lady Gaga Explains Real Meaning Of 'Dance In The Dark'". MTV. MTV Networks. Retrieved December 18, 2009.
- ^ Vena, Jocelyn (November 25, 2009). "Lady Gaga Explains Inspiration Behind Beyonce Collabo, 'Telephone'". MTV. MTV Networks. Retrieved November 30, 2009.
{{cite news}}
: Unknown parameter|coauthors=
ignored (|author=
suggested) (help) - ^ a b Vena, Jocelyn (November 13, 2009). "Lady Gaga Is 'Honoring' Fans With Cheaper Fame Monster". MTV Networks. Retrieved November 13, 2009.
- ^ a b "The Fame Monster Limited Edition USB Drive". LadyGaga.com. April 21, 2010. Retrieved April 22, 2010.
- ^ Lamb, Bill (October 10, 2009). "Lady GaGa Shows Off The Fame Monster Cover Art". About.com. Retrieved October 13, 2009.
{{cite news}}
: Italic or bold markup not allowed in:|work=
(help) - ^ "Metacritic: The Fame Monster". Metacritic. Retrieved December 17, 2012.
- ^ Erlewine, Stephen Thomas (November 25, 2009). "Lady Gaga – The Fame Monster Overview". Allmusic. Rovi Corporation. Retrieved November 25, 2009.
- ^ a b Christgau, Robert. "Consumer Guide: The Fame Monster". MSN Music. Retrieved March 2, 2010. Archived from the original on 2010-03-26.
- ^ a b Wood, Mikael (November 23, 2009). "Album review: Lady Gaga's The Fame Monster". Los Angeles Times. Retrieved November 24, 2009.
- ^ Patashnik, Ben (December 3, 2009). "Album review: Lady Gaga – The Fame Monster (Polydor)". NME. UK: IPC Media.
{{cite web}}
:|access-date=
requires|url=
(help); Missing or empty|url=
(help) - ^ a b Empire, Kitty (November 22, 2009). "Lady Gaga: The Fame Monster". The Guardian. UK. Retrieved November 23, 2009.
- ^ Plagenhoef, Scott (January 13, 2009). "Album review: Lady Gaga – The Fame Monster". Pitchfork Media. Retrieved January 14, 2009.
- ^ a b Dolan, Jon (November 23, 2010). "The Fame Monster by Lady GaGa". Rolling Stone. Jann Wenner. Retrieved October 30, 2010.
- ^ a b Modell, Josh (November 30, 2009). "Lady Gaga, The Fame Monster (Cherrytree/Interscope)". Spin. US: SPIN Media LLC. Retrieved February 21, 2011.
- ^ a b "Metacritic: The Fame Monster". Metacritic. Retrieved February 23, 2010.
- ^ Hajibagheri, Sarah (November 21, 2009). "Lady GaGa: The Fame Monster". The Times. UK. Retrieved November 23, 2009.
- ^ Lamb, Bill (November 23, 2009). "A Real Work of Pop Art – Not a Stopgap Release". About.com. Retrieved November 23, 2009.
{{cite news}}
: Italic or bold markup not allowed in:|work=
(help) - ^ Gundersen, Edna (November 23, 2009). "Lady Gaga's 'Fame Monster' is so cool, it's cold". USA Today. Retrieved November 24, 2009.
- ^ Hubbard, Michael (November 23, 2009). "Lady Gaga: The Fame Monster, track-by-track". MusicOMH. Retrieved November 24, 2009.
- ^ McCormick, Neil (November 27, 2009). "Lady GaGa: The Fame Monster, CD review". The Daily Telegraph. UK. Retrieved November 30, 2009.
- ^ Christgau, Robert. "CG Keys to Icons: Grades 1990". RobertChristgau.com. Retrieved February 28, 2010.
- ^ "21st Annual GLAAD Media Awards –English Language Nominees". Gay & Lesbian Alliance Against Defamation. February 20, 2010. Retrieved February 21, 2010.
- ^ Grein, Paul (December 1, 2010). "Eminem, Lady A Lead Grammy Noms". Yahoo! Music. Yahoo! Inc. Retrieved December 29, 2010.
- ^ a b c "53rd annual, Grammy awards: The winners list". The Marquee Blog. CNN. February 13, 2011. Retrieved February 21, 2011.
- ^ a b Farber, Jim (December 3, 2010). "Eminem Leads Grammy Nominations". The New York Times. Retrieved December 27, 2010.
- ^ a b Pietrolungo, Silvio (December 2, 2009). "Susan Boyle Sees Dream Soar To No. 1 On Billboard 200". Billboard. Nielsen Business Media, Inc. Retrieved December 3, 2009.
- ^ Grein, Paul (December 2, 2009). "Week Ending Nov. 29, 2009: Women Take Charge". Yahoo!. Retrieved December 3, 2009.
- ^ a b "Billboard Dance/Electronic Albums". Billboard. Nielsen Business Media, Inc. December 12, 2009. Retrieved December 4, 2009.
- ^ a b "Searchable Database – RIAA – Lady Gaga". Recording Industry Association of America. January 7, 2010. Retrieved January 13, 2010.
- ^ Grein, Paul (August 12, 2010). "Week Ending Nov. 28, 2010: The King and Queen of Hip Hop". Yahoo!. Retrieved December 1, 2010.
- ^ a b "Canadian Albums Chart: Week Ending January 20, 2010". Billboard. Nielsen Business Media, Inc. January 30, 2010. Retrieved November 3, 2010.
- ^ "Lady Gaga – The Fame Monster (album)". Australian Recording Industry Associationaustralian-charts.com. April 12, 2010. Retrieved April 12, 2010.
- ^ a b "ARIA album Chart week of 05/04/2010". Australian Recording Industry Association. 2010. Retrieved April 5, 2010.
- ^ a b c d e f g h i j k l m n o "Lady Gaga – The Fame Monster(album)". Ultratop 50. Hung Medien. Retrieved December 1, 2009.
- ^ a b Reporter, MC. "Lady Gaga an der Spitze der Album-Charts". Media Control Charts. Retrieved January 5, 2010.
- ^ a b "Japanese Oricon Top 30 Albums". Oricon (in Japanese). Retrieved May 15, 2010.
- ^ "【オリコン】ガガ、アヴリル以来2作連続50万枚突破 11年海外歌手暫定首位" (in Japanese). Oricon. July 26, 2011. Retrieved July 26, 2011.
- ^ a b c "Lady Gaga – The Fame positions". The Official Charts Company. ChartStats.com. November 30, 2009. Retrieved December 2, 2009. Cite error: The named reference "uk" was defined multiple times with different content (see the help page).
- ^ "Lady Gaga and Beyoncé – Telephone". The Official Charts Company. ChartStats.com. November 30, 2009. Retrieved December 2, 2009.
- ^ a b c Sexton, Paul (February 4, 2010). "Lady Gaga, Ke$ha Rule Euro Charts". Billboard. Nielsen Business Media, inc. Retrieved February 5, 2010.
- ^ a b "IFPI Platinum Europe Awards – Q4 2010". International Federation of the Phonographic Industry. July 2010. Archived from the original on January 27, 2011. Retrieved August 18, 2010.
- ^ Reporter, RS (September 29, 2009). "Lady Gaga Readies New Single for "SNL," "The Fame" Re-Release". Rolling Stone. Jann Wenner. ISSN 0035-791X.
{{cite journal}}
:|access-date=
requires|url=
(help) - ^ Reporter, RS (October 5, 2009). "Lady Gaga Fights Madonna, Debuts "Bad Romance" on "Saturday Night Live"". Rolling Stone. Jann Wenner. ISSN 0035-791X. Retrieved October 7, 2009.
- ^ "SHOWstudio presents Alexander McQueen S/S10 Live". SHOWstudio.com. October 7, 2009. Retrieved October 8, 2009.
- ^ Pietroluongo, Silvio (November 5, 2009). "DeRulo Tops Hot 100 But Swift Swoops In". Billboard. Nielsen Business Media, Inc. Retrieved November 5, 2009.
- ^ "Canadian Hot 100 – Week of November 14, 2009". Billboard. Nielsen Business Media, Inc. November 14, 2009. Retrieved November 5, 2009.
- ^ "Chartifacts – Week Commencing: November 30, 2009 Issue #1031" (PDF). ARIA Charts Pandora.nla.gov.au. November 30, 2009. Retrieved December 2, 2009.
- ^ Vena, Jocelyn (February 16, 2010). "Lady Gaga Pays Tribute To Alexander McQueen At Brit Awards". MTV (MTV Networks). Retrieved February 17, 2010.
- ^ Vena, Jocelyn (March 8, 2010). "Lady Gaga's 'Telephone' Video To Premiere Thursday Night". MTV (MTV Networks). Retrieved March 8, 2010.
- ^ Pietrolungo, Silvio (March 17, 2010). "Rihanna's 'Rude Boy' rules Hot 100". Billboard. Nielsen Business Media, Inc. Retrieved March 18, 2010.
- ^ Trust, Gary (March 15, 2010). "Lady Gaga, Beyonce Match Mariah's Record". Billboard. Nielsen Business Media, Inc. Retrieved March 18, 2010.
- ^ "Lady Gaga – Gaga Still Releasing Alejandro In U.S." contactmusic. April 5, 2010. Retrieved April 6, 2010.
- ^ "Lady GaGa Will Release Alejandro As Next Single". MTV (MTV Networks). April 6, 2010. Retrieved April 16, 2010.
- ^ "Future Releases". FMQB. Retrieved March 17, 2010.
- ^ "Lady Gaga – Alejandro (Song)". Ultratop 50. Hung Medien. Retrieved May 31, 2010.
- ^ "Billboard – Lady Gaga – Alejandro". Billboard. Nielsen Business Media, Inc. Retrieved May 31, 2010.
- ^ Gagapedia: Dance in the Dark (song), Gagapedia.com Retrieved 2011-11-19.
- ^ Gagapedia: The Fame Monster (album), Gagapedia.com Retrieved 2011-11-19.
- ^ Vena, Jocelyn; Vaca, Damien; Elias, Matt (November 16, 2009). "Lady Gaga Is 'Fantastic Creature,' Say Fellow Celebs". MTV. MTV Networks. Retrieved November 18, 2009.
- ^ Vena, Jocelyn (November 17, 2009). "Lady Gaga Performs 'Bad Romance' In 'Gossip Girl' Cameo". MTV. MTV Networks. Retrieved November 19, 2009.
- ^ Kung, Michelle (November 22, 2009). "American Music Awards 2009: Adam Lambert, Lady Gaga Dazzle". The Wall Street Journal. Dow Jones & Company. Retrieved November 23, 2009.
- ^ Dinh, James (November 24, 2009). "Lady Gaga Brings S&M 'Bad Romance' To 'Jay Leno Show'". MTV. MTV Networks. Retrieved November 25, 2009.
- ^ Vena, Jocelyn (November 25, 2009). "Lady Gaga Tells Fans 'It's OK' To Be A Freak". MTV. MTV Networks. Retrieved November 30, 2009.
- ^ Press, Associated (January 15, 2010). "Lady Gaga Performs on 'Oprah,' Pledges Support to Haiti". Billboard. Nielsen Business Media, Inc. Retrieved February 3, 2010.
- ^ Smith, Elizabeth (February 1, 2010). "Elton John gets dirty with Lady Gaga as they duet at the Grammys". Daily Mail. UK: Associated Newspapers. Retrieved February 3, 2010.
- ^ Sexton, Paul (February 17, 2010). "Lady Gaga Honors Alexander McQueen at Brit Awards". Billboard. Nielsen Business Media, Inc. Retrieved February 17, 2010.
- ^ "Lady GAGA Makes Her Debut On Rock Band With A Hot Four Pack!". Rock Band. March 9, 2010. Retrieved September 5, 2010.
- ^ Kreps, Daniel (September 11, 2009). ""Fame Kills Starring Kanye West and Lady Gaga" Tour: First Dates". Rolling Stone. Jann Wenner.
{{cite journal}}
:|access-date=
requires|url=
(help) - ^ Montogomery, James (October 1, 2009). "Kanye West/ Lady Gaga's Fame Kills Tour Canceled". MTV. MTV Networks. Retrieved October 1, 2009.
- ^ a b Herrera, Monica (October 15, 2009). "Lady Gaga Announces 'The Monster Ball'". Billboard. Nielsen Business Media, Inc. Retrieved October 15, 2009.
- ^ Hiatt, Brian (October 21, 2009). "Inside The Monster Ball: Lady Gaga Reveals Plans for Ambitious New Tour". Rolling Stone. Jann Wenner. ISSN 0035-791X. Retrieved October 22, 2009.
- ^ "Lady Gaga's Monster Ball Tour: The Concept". MTV. MTV Networks. November 4, 2009. Retrieved November 11, 2009.
- ^ a b Dinh, James (February 18, 2010). "Lady Gaga Dishes On Revamped Monster Ball Tour". MTV. MTV Networks. Retrieved February 18, 2010.
- ^ Harrington, Jim (December 14, 2009). "Review: Lady Gaga thrills S.F. crowd with strange, sexy show". San Jose Mercury News. MediaNews Group. Retrieved December 15, 2009.
- ^ Stevenson, Jane (November 29, 2009). "Lady Gaga puts on a Monster show". Toronto Sun. Sun Media Corporation. Retrieved November 30, 2009.
- ^ Powers, Ann (December 13, 2009). "Frank talk with Lady Gaga". Los Angeles Times. Tribune Company. Retrieved December 15, 2009.
- ^ Brown, Helen (December 17, 2010). "Live Music Reviews: Lady Gaga, O2, review". The Daily Telegraph. London. Retrieved December 31, 2010.
- ^ Carter, Lauren (December 2, 2009). "Lady Gaga bares her 'Teeth,' 'Poker Face'". Boston Herald. Herald Media Ltd. Retrieved December 2, 2009.
- ^ http://itunes.apple.com/au/album/the-fame-monster-videos/id371449747
- ^ "CAPIF –Argentinian Albums Chart". Argentine Chamber of Phonograms and Videograms Producers. August 9, 2010. Retrieved August 9, 2010.
- ^ "CD – TOP 20 Semanal" (in Brazilian Portuguese). Associação Brasileira dos Produtores de Discos. Retrieved May 14, 2010.
- ^ "Croatian International Albums Chart" (in Croatian). HDU-Toplista.com. December 8, 2009. Retrieved February 2, 2011.
- ^ "Fame Monster – TOP50 Prodejní". International Federation of the Phonographic Industry. TOP50 Prodejní. January 17, 2010. Retrieved January 25, 2010.
- ^ "Ελληνικό Chart (Week 44/2010)". IFPI Greece. November 2010. Retrieved November 18, 2010.
- ^ "Top 40 album – és válogatáslemez – lista". Mahasz (in Hungarian). Magyar Hanglemezkiadók Szövetsége. Retrieved July 8, 2010.
- ^ "Lady Gaga – The Fame Monster (Album)". Recording Industry Association of New Zealand. Hung Medien. Retrieved September 27, 2010.
- ^ "Official Retail Sales Chart – OLiS Poland". OLiS. Retrieved January 15, 2010.
- ^ "Российский чарт 01-2010". 2M-Online (in Russian). Retrieved January 25, 2010.
- ^ "Brazil certifications 2010" (in Spanish). Associação Brasileira dos Produtores de Discos. Retrieved April 22, 2010.
- ^ "Gold and Platinum – Albums − 2010" (in Dutch). International Federation of the Phonographic Industry. December 24, 2010. Retrieved December 24, 2010.
- ^ "Album Top 20 Week 41 2010" (in German). International Federation of the Phonographic Industry. accessdate=2010-10-23.
{{cite web}}
: Check date values in:|date=
(help); Missing pipe in:|date=
(help) - ^ "Finnish Certification" (in Dutch). International Federation of the Phonographic Industry. 2009. Retrieved October 21, 2010.
- ^ "Double Platinum certifications Albums – 2009". Syndicat National de l'Édition Phonographique (in French). Disqueenfrance. December 21, 2009. Retrieved June 11, 2010.
{{cite web}}
: Italic or bold markup not allowed in:|work=
(help) - ^ "IFPI Middle East Awards – 2010". International Federation of the Phonographic Industry. Retrieved July 2, 2011.
- ^ "Gaga Got Best Selling Album In Indonesia – 2011". Universal Music Indonesia. Retrieved July 23, 2011.
- ^ "GFK Certificazioni Album e Compilation" (PDF) (in Italian). Federation of the Italian Music Industry. Retrieved September 9, 2010.
- ^ "2009 certification awards- multi platinum". Irish Recorded Music Association. November 20, 2009. Retrieved June 11, 2010.
- ^ "ゴールド等認定作品一覧 2010年12月". RIAJ (in Japanese). December 9, 2010. Retrieved January 14, 2011.
{{cite web}}
: Unknown parameter|trans_title=
ignored (|trans-title=
suggested) (help) - ^ "Oficjalna Lista Sprzedazy" (in Polish). OLiS. January 31, 2010. Retrieved February 10, 2010.
- ^ "Russia Top 25>> 23-2010" (in Russian). 2m-online. August 5, 2010. Retrieved June 20, 2010.
- ^ "ARIA Charts: Year End: Top 100 Albums 2009". Australian Recording Industry Association. Retrieved December 30, 2009.
- ^ "Album 2009 Top-100" (in Danish). IFPI Denmark. Hitlisten.NU. Archived from the original on September 26, 2010. Retrieved October 12, 2011.
- ^ "Best of 2009: Irish Albums Chart". Irish Recorded Music Association. Retrieved February 2, 2010.
- ^ "Årslista Albums – År 2009". Swedish Recording Industry Association. Retrieved October 9, 2010.
- ^ "ARIA Charts – End Of Year – Top 100 Albums". Australian Recording Industry Association. Retrieved May 18, 2011.
- ^ "Jaaroverzichten 2010 (Flanders)" (in Dutch). Ultratop. Hung Medien. Retrieved December 26, 2010.
- ^ "Ultratop Belgian Charts". Ultratop. Hung Medien. December 26, 2010. Retrieved December 26, 2010.
- ^ "Charts Year End: Canadian Albums Chart". Billboard. Nielsen Business Media, Inc. December 11, 2009. Retrieved December 26, 2010.
- ^ "Album 2010 Top-100" (in Danish). IFPI Denmark. Hitlisten.NU. Archived from the original on January 29, 2010.
- ^ "Jaaroverzichten 2010" (in Dutch). MegaCharts. Hung Medien. Retrieved December 26, 2010.
- ^ "Charts Year End: European Top 100 Albums". Billboard. Nielsen Business Media, Inc. December 22, 2010. Retrieved December 26, 2010.
- ^ "Myydyimmät levyt – 2010". IFPI. Retrieved December 31, 2010.
- ^ "Italian Annual Top 100 Download Chart" (in Italian). Federation of the Italian Music Industry. January 17, 2011. Retrieved January 17, 2011.
- ^ "アルバム 年間ランキング-ORICON STYLE ランキング" (in Japanese). Oricon. December 20, 2010. Archived from the original on December 20, 2010. Retrieved December 20, 2010.
- ^ "Best of 2010: Top Billboard 200". Billboard. Prometheus Global Media. Retrieved December 9, 2010.
- ^ "Best of 2010: Top Dance/Electronic Albums". Billboard. Prometheus Global Media. Retrieved December 26, 2010.
- ^ "ARIA Charts – End Of Year Charts – Top 100 Albums 2011". Australian Recording Industry Association. Retrieved January 4, 2012.
- ^ "2011 Year End Charts – Oricon CD Albums Top 100" (in Japanese). Oricon. Retrieved January 3, 2012.
- ^ "Årslista Album – År 2011" (in Swedish). Sverigetopplistan. Swedish Recording Industry Association. Retrieved January 25, 2012.
- ^ "2011 Year End Charts – Dance/Electronic Albums". Billboard. Prometheus Global Media. Retrieved December 9, 2011.
- ^ "The Monster – Lady Gaga". Universal Music. October 30, 2009. Retrieved October 30, 2009.
- ^ "The Monster (Deluxe)". iTunes. November 18, 2009. Retrieved September 4, 2010.
- ^ "The Fame Monster". ladygaga.com.au. Retrieved March 19, 2010.
- ^ "The Fame Monster: Limited Edition Dual Album CD". ladygaga.com.au. Retrieved March 19, 2010.
- ^ "The Fame Monster – Lady GaGa (Mimix Chile)". Mimix.cl. Retrieved November 20, 2009.
- ^ "The Fame Moster 2 Disc". Billboard. Nielsen Business Media, Inc. November 24, 2009. Retrieved October 8, 2009.
- ^ "THE FAME MONSTER (2CDS)". Musimundo. November 23, 2009. Retrieved July 26, 2010.
- ^ "The Fame Monster". HMV Group. Retrieved November 22, 2009.
- ^ "Lady Gaga – The Fame Monster" (in Spanish). Entertainment Store. Retrieved November 18, 2011.
- ^ "Lady Gaga estrenó The Fame Monster". El Espectador. Retrieved October 20, 2010.
- ^ "Lady Gaga Releases Brand New Album on November 23". Interscope Records. November 12, 2009. Retrieved November 15, 2009.
- ^ "The Fame Monster Australia". iTunes. Retrieved April 22, 2010.
- ^ "Lady Gaga – The Fame Monster (CD, Album, Exp) at Discogs". Discogs. Retrieved March 17, 2010.
- ^ "The Fame Monster (Explicit)". iTunes. Retrieved February 4, 2010.
- ^ "Lady Gaga: The Fame Monster". Amazon.cn. February 1, 2010. Retrieved February 9, 2010.
- ^ "The Fame Monster (Explicit)". Discogs. Retrieved June 16, 2010.
- ^ "Italian release of The Fame Monster". IBS.it. June 8, 2010. Retrieved July 9, 2010.
- ^ "Lady Gaga: The Fame Monster (8-Track)". Amazon.cn. October 22, 2010. Retrieved October 26, 2010.
- ^ "Lady Gaga: The Fame Monster (8-Track)". bravado.de. Retrieved October 26, 2010.
- ^ "Lady Gaga: The Fame Monstermp3". Amazon.de. November 20, 2010. Retrieved November 5, 2010.
External links
- The Fame Monster at Metacritic
- The Fame Monster at Ladygaga.com
Order of precedence | ||
---|---|---|
Preceded by | US Billboard Dance/Electronic Albums number-one album December 12, 2009 December 18, 2010 |
Succeeded by |
Preceded by | Polish Albums Chart number-one album January 4, 2010 – January 10, 2010 |
Succeeded by Magia del Tango by Marcin Wyrostek
|
Preceded by | German Albums Chart number-one album January 5, 2010 – February 4, 2010 |
Succeeded by Schall & Wahn by Tocotronic
|
Preceded by | Swiss Albums Chart number-one album January 10, 2010 |
Succeeded by |
Preceded by | Irish Albums Chart number-one album January 21, 2010 – February 11, 2010 |
Succeeded by |
Preceded by | UK Albums Chart number-one album February 28, 2010 – March 8, 2010 (first run) March 21, 2010 – March 28, 2010 (second run) April 11, 2010 – April 18, 2010 (third run) |
Succeeded by |
Preceded by | Finnish Albums Chart number-one album March 4, 2010 – March 11, 2010 |
Succeeded by Singlet 2004–2009 by Apulanta
|
Preceded by | New Zealand Albums Chart number-one album March 15, 2010 March 29, 2010 |
Succeeded by |
Preceded by April Uprising by the John Butler Trio
|
Australian Albums Chart number-one album April 12, 2010 – May 3, 2010 |
Succeeded by |
Preceded by Teardrops by Tom Dice
|
Belgian (Flanders) Albums Chart number-one album June 26, 2010 |
Succeeded by Registrated 2 by Regi Penxten
|
Template:Link FA Template:Link GA Template:Link GA Template:Link GA
- Pages with empty short description
- 2009 EPs
- Albums produced by RedOne
- Albums produced by Rodney Jerkins
- Albums produced by Ron Fair
- Albums produced by Teddy Riley
- English-language EPs
- Interscope Records EPs
- Lady Gaga albums
- Albums certified double platinum by the Recording Industry Association of Japan
- Albums certified triple platinum by the Australian Recording Industry Association
- Albums certified double platinum by the Associação Brasileira dos Produtores de Discos
- Albums certified double platinum by the Belgian Entertainment Association
- Albums certified platinum by the International Federation of the Phonographic Industry of Denmark
- Albums certified triple platinum by the International Federation of the Phonographic Industry
- Albums certified double platinum by the Syndicat National de l'Édition Phonographique
- Albums certified diamond by the Polish Producers of Audio and Video
- Albums certified platinum by the Recording Industry Association of America
- Albums certified nonuple platinum by the Irish Recorded Music Association
- Albums certified double platinum by the Federation of the Italian Music Industry
- Albums certified gold by the International Federation of the Phonographic Industry of the GCC
- Grammy Award for Best Pop Vocal Album