Chicago house: Difference between revisions
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| filename = Jesse Saunders - On and On.ogg |
| filename = Jesse Saunders - On and On.ogg |
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| title = Jesse Saunders - "On and On" (1984) |
| title = Jesse Saunders - "On and On" (1984) |
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| description = "On and On" (1984) by [[Jesse Saunders]] is often cited as the 'first' [[house music|house]] record. |
| description = "On and On" (1984) by [[Jesse Saunders]] is often cited as the 'first' [[house music|house]] record. It utilized the [[Roland TB-303|TB-303]], [[Roland TR-808|TR-808]], [[Korg Poly-61]], minimal vocals, and [[sampling (music)|sampled]] [[bassline]] from Player One's [[disco]] song "[[Space Invaders#In popular culture|Space Invaders]]" (1979). |
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===Increasing popularity and divergent styles=== |
===Increasing popularity and divergent styles=== |
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{{see also|Deep house|Acid house}} |
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As with other dance music, DJs and local club-goers were the primary audience for this relatively noncommercial music, which was more conceptual and longer than the music usually played on commercial radio. Mainstream record stores often did not carry it, as the records were not available through the major record distributors. In Chicago, only record stores such as Importes Etc., State Street Records, JR’s Music shop and Gramaphone Records were the primary suppliers of this music. Despite the music's limited commercial availability, house records sold in the tens of thousands, and the music was further popularized via radio station 102.7 WBMX-FM, where Program Director Lee Michaels gave airtime to the station's resident DJ team, the Hot Mix 5 (Ralph Rosario, Mickey "Mixin" Oliver, Scott "Smokin" Silz, Kenny "Jammin" Jason, and Farley "Jackmaster" Funk). The Hot Mix 5 shows started with the station's launch in 1981, and was widely listened to by DJs and dance music fans in Chicago as well as visiting DJs and producers from Detroit.<ref>{{cite web|url=http://pitchfork.com/features/articles/6204-from-the-autobahn-to-i-94/|last=Hoffman|first=Heiko|title=From The Autobahn to I-94|date=2005-11-28|accessdate=2010-04-11}}</ref> |
As with other dance music, DJs and local club-goers were the primary audience for this relatively noncommercial music, which was more conceptual and longer than the music usually played on commercial radio. Mainstream record stores often did not carry it, as the records were not available through the major record distributors. In Chicago, only record stores such as Importes Etc., State Street Records, JR’s Music shop and Gramaphone Records were the primary suppliers of this music. Despite the music's limited commercial availability, house records sold in the tens of thousands, and the music was further popularized via radio station 102.7 WBMX-FM, where Program Director Lee Michaels gave airtime to the station's resident DJ team, the Hot Mix 5 (Ralph Rosario, Mickey "Mixin" Oliver, Scott "Smokin" Silz, Kenny "Jammin" Jason, and Farley "Jackmaster" Funk). The Hot Mix 5 shows started with the station's launch in 1981, and was widely listened to by DJs and dance music fans in Chicago as well as visiting DJs and producers from Detroit.<ref>{{cite web|url=http://pitchfork.com/features/articles/6204-from-the-autobahn-to-i-94/|last=Hoffman|first=Heiko|title=From The Autobahn to I-94|date=2005-11-28|accessdate=2010-04-11}}</ref> |
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Many of the songs that defined the Chicago house music sound were released primarily on vinyl by the labels DJ International Records and Trax Records, both of which had distribution outside of Chicago, leading to house's popularity in other cities, including New York and London. |
Many of the songs that defined the Chicago house music sound were released primarily on vinyl by the labels DJ International Records and Trax Records, both of which had distribution outside of Chicago, leading to house's popularity in other cities, including New York and London. |
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{{Listen |
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| ⚫ | Trends in house music soon became subgenres, such as the lush, slower-tempo [[deep house]], and the stark, especially hypnotic [[acid house]]. Deep house's origins can be traced to Chicago producer [[Larry Heard|Mr Fingers]]'s relatively jazzy, soulful recordings "Mystery of Love" (1985) and "[[Can You Feel It?]]" (1986). Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's earliest release on vinyl is generally cited as [[Phuture]]'s "Acid |
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| filename = Phuture - Acid Tracks.ogg |
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| title = Phuture - "Acid Tracks" (1987) |
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| description = [[Phuture]]'s "[[Acid Tracks]]" (1987) is often considered the 'first' [[acid house]] record. |
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| ⚫ | Trends in house music soon became subgenres, such as the lush, slower-tempo [[deep house]], and the stark, especially hypnotic [[acid house]]. Deep house's origins can be traced to Chicago producer [[Larry Heard|Mr Fingers]]'s relatively jazzy, soulful recordings "Mystery of Love" (1985) and "[[Can You Feel It?]]" (1986). Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's earliest release on vinyl is generally cited as [[Phuture]]'s "[[Acid Tracks]]" (1987). |
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Several house tracks became #1 hits on the [[UK Singles Chart]], starting with Chicago musician [[Steve "Silk" Hurley]]'s "Jack Your Body" (1987). Music was being licensed to UK Labels by DJ International, Tracks, KMS and the Transmat record labels, and with that the music began to expand throughout Europe as many homegrown UK artist, DJ's and producers began to have their own releases influenced by the Chicago and Detroit music they were importing. |
Several house tracks became #1 hits on the [[UK Singles Chart]], starting with Chicago musician [[Steve "Silk" Hurley]]'s "Jack Your Body" (1987). Music was being licensed to UK Labels by DJ International, Tracks, KMS and the Transmat record labels, and with that the music began to expand throughout Europe as many homegrown UK artist, DJ's and producers began to have their own releases influenced by the Chicago and Detroit music they were importing. |
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Revision as of 20:07, 6 July 2012
| Chicago house | |
|---|---|
| Stylistic origins | Post-disco Synthpop Dub Old school hip hop R&B Jazz Latin soul |
| Cultural origins | Early 1980s; Chicago, U.S. |
| Typical instruments | Sampler • Drum machine/Drums • Synthesizer • Sequencer |
| Derivative forms | Detroit techno • Techno |
| Fusion genres | |
| Deep house, Acid House | |
Chicago house is geographical reference that generally applies to house music, a genre of electronic dance music, that was produced in Chicago in the mid-1980s and late-1980s. Stylistically, Chicago house is not a sub-genre in itself, but generally includes the first house music productions by Chicago-based artists throughout the 1980s.
History
Disco edits
Following Chicago's Disco Demolition Night in mid-1979, disco music's mainstream popularity fell into decline. In the early 1980s, fewer and fewer disco records were being released, but the genre remained popular in some Chicago nightclubs and on at least one radio station, WBMX-FM.
In this era, Chicago radio jocks The Hot Mix 5 and club DJs like Ron Hardy, Frankie Knuckles, and Marshall Jefferson played various styles of dance music, including older disco records, newer Italo Disco, hip hop and electro funk tracks, as well as electronic pop music by Kraftwerk and Yellow Magic Orchestra, and recent danceable R&B productions in the genre now known as boogie.
Some of these DJs also made and played their own edits of their favorite songs on reel-to-reel tape, focusing on the portions of songs which worked well on the dancefloor. Some even mixed in effects, drum machines, and other rhythmic electronic instrumentation in an effort to give songs more appeal. These edits and remixes were rarely released to the public, and even then were available only on privately pressed vinyl records or on mixtapes.
Original productions
One DJ, Jesse Saunders, ran a vanity record label through which he released original dance music productions which emulated various popular styles of the day. In 1984, the label released, on 12-inch single, a song called "On and On". Saunders composed the track with Vince Lawrence in order to replace a record which had been stolen from Saunders' collection, the "On & On" bootleg disco megamix by Mach. That megamix, a pastiche of loops from several disco records, particularly the bassline from Player One's "Space Invaders" (1979), had been Saunders' "signature" tune as a DJ; it was one that other DJs in the city didn't have or didn't play. Saunders & Lawrence added hypnotic lyrics and electronic instruments, utilizing a Roland TR-808 drum machine as electronic percussion as well as a Korg Poly-61 synthesizer and Roland TB-303 bass synthesizer. In a 2010 interview, Saunders claimed the song sought to capture the essence of the style of disco that other local DJs were playing at the time, a style which he says was already known locally as "house".[1][2]
Saunders' success with the relatively unpolished "On & On" inspired other Chicago DJs to try their hand at producing and releasing original songs in a similar style, using electronic instrumentation. Early such recordings included Jamie Principle and Frankie Knuckles' "Your Love"; and Chip E.'s "The Jack Trax" record, featuring the songs “It’s House” and “Time to Jack”, each of which used complex rhythms, simple bassline, sampling technology, and sparse vocals.
These producers were aided in their efforts by the availability of affordable, mass-produced electronic music instruments, including synthesizers, compact sequencers, drum machines (like the Roland TR-909, TR-808 and TR-707, and Latin percussion machine the TR-727) and bass modules (such as the Roland TB-303).
Although there are conflicting accounts of the term's etymology, by 1985, "house music" was synonymous with these homegrown dance music productions.
Increasing popularity and divergent styles
As with other dance music, DJs and local club-goers were the primary audience for this relatively noncommercial music, which was more conceptual and longer than the music usually played on commercial radio. Mainstream record stores often did not carry it, as the records were not available through the major record distributors. In Chicago, only record stores such as Importes Etc., State Street Records, JR’s Music shop and Gramaphone Records were the primary suppliers of this music. Despite the music's limited commercial availability, house records sold in the tens of thousands, and the music was further popularized via radio station 102.7 WBMX-FM, where Program Director Lee Michaels gave airtime to the station's resident DJ team, the Hot Mix 5 (Ralph Rosario, Mickey "Mixin" Oliver, Scott "Smokin" Silz, Kenny "Jammin" Jason, and Farley "Jackmaster" Funk). The Hot Mix 5 shows started with the station's launch in 1981, and was widely listened to by DJs and dance music fans in Chicago as well as visiting DJs and producers from Detroit.[3]
Many of the songs that defined the Chicago house music sound were released primarily on vinyl by the labels DJ International Records and Trax Records, both of which had distribution outside of Chicago, leading to house's popularity in other cities, including New York and London.
Trends in house music soon became subgenres, such as the lush, slower-tempo deep house, and the stark, especially hypnotic acid house. Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's earliest release on vinyl is generally cited as Phuture's "Acid Tracks" (1987).
Several house tracks became #1 hits on the UK Singles Chart, starting with Chicago musician Steve "Silk" Hurley's "Jack Your Body" (1987). Music was being licensed to UK Labels by DJ International, Tracks, KMS and the Transmat record labels, and with that the music began to expand throughout Europe as many homegrown UK artist, DJ's and producers began to have their own releases influenced by the Chicago and Detroit music they were importing.
House dance
At least three styles of dancing are associated with house music: Footwork, Jacking, and Lofting.[citation needed] These include a variety of techniques and sub-styles, including skating, stomping, and shuffling.[citation needed] House music dancing styles can include movements from many other forms of dance, such as whacking, voguing, African, Latin, Brazilian (including Capoeira), jazz, Lindy era, tap, and even modern.[citation needed]. House dancing is concerned with the sensuality of the body and setting oneself free—without the worry of outside barriers.
One of the primary elements in house dancing is a technique that came from Chicago that involves moving the torso forward and backward in a rippling motion, as if a wave were passing through it. When this movement is repeated and sped up to match the beat of a song it is called jacking, or "the jack". All footwork in house dancing is said to initiate from the way the jack moves the center of gravity through space.[4]
List of notable artists
See also
References
- ^ Church, Terry (2010-02-09). "Black History Month: Jesse Saunders and house music". BeatPortal. Retrieved 2010-04-10.
- ^ "Jesse Saunders – On And On". Discogs. Retrieved 23 May 2012.
- ^ Hoffman, Heiko (2005-11-28). "From The Autobahn to I-94". Retrieved 2010-04-11.
- ^ Reynolds, Simon. Generation Ecstasy. Little, Brown & Co., 1998, pp. 29–31.
External links
- History of Chicago House Music
- 5 Magazine - Chicago House Music magazine
- Larry Heard (aka Mr Fingers) 2012 Audio Interview at Soulinterviews.com
- Marshall Jefferson 2012 Audio Interview at Soulinterviews.com