List of compositions by Franz Schubert: Difference between revisions
The "List of compositions by Franz Schubert by genre" article lists the instruments as "two violins, two violas and basso". I've changed it here to add consistency between the two articles. |
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[[File:Erlkonig1sted.jpg|thumb|300px|Schubert's [[opus number|Opus]] 1: "[[Erlkönig (Schubert)|Erlkönig]]", [[Deutsch number|D]] 328, fourth version, was published by [[Diabelli]] as Schubert's "1<sup>tes</sup> Werk" in 1821. The [[Lied]], composed in 1815, was later adopted along with its prior versions in [[AGA (Schubert)|AGA]] [[scores:Franz Peter Schubert - Complete Works Edition/Band XX#Band 3|XX, 3]] [[scores:Erlkönig, D.328 (Schubert, Franz)|No. 178]] (1895) and [[NSE (Schubert)|NSE]] [https://www.baerenreiter.com/en/sheetmusic/product/?artNo=BA5506 IV, 1] (1970).]] |
[[File:Erlkonig1sted.jpg|thumb|300px|Schubert's [[opus number|Opus]] 1: "[[Erlkönig (Schubert)|Erlkönig]]", [[Deutsch number|D]] 328, fourth version, was published by [[Diabelli]] as Schubert's "1<sup>tes</sup> Werk" in 1821. The [[Lied]], composed in 1815, was later adopted along with its prior versions in [[AGA (Schubert)|AGA]] [[scores:Franz Peter Schubert - Complete Works Edition/Band XX#Band 3|XX, 3]] [[scores:Erlkönig, D.328 (Schubert, Franz)|No. 178]] (1895) and [[NSE (Schubert)|NSE]] [https://www.baerenreiter.com/en/sheetmusic/product/?artNo=BA5506 IV, 1] (1970).]] |
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{{Lists of compositions by Franz Schubert}} |
{{Lists of compositions by Franz Schubert}} |
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;"Setting" vs. "version" distinction : the New Schubert Edition distinguishes between Bearbeitung (setting) and Fassung (version), the first meaning an independent composition, the second stages of the same composition (modifications of essentially the same composition). Usually different settings have different D numbers, while versions are grouped under the same D number, unless when set for a different (group of) performer(s). The first edition of the Deutsch catalogue was less strict on that point, leading to Deutsch number reassignments in later publications. Example: {{D.|number=174}} is described as two settings of the same text in the original catalogue, the second having become "D [[deest (music)|deest]]" by the time it was published in Series IV, Volume 8 of the New Schubert Edition (while the music has no resemblance to the earlier setting). On the other hand, despite a difference in [[Key (music)|key]] and number of movements, the original {{D.|number=567}} and {{D.|number=568}} were ultimately published under the same D number as two versions of the same sonata.{{sfn|Deutsch|1951}}{{sfn|Deutsch|1978}}{{sfn|NSA scores}}{{sfn|NSA website}} |
;"Setting" vs. "version" distinction : the New Schubert Edition distinguishes between Bearbeitung (setting) and Fassung (version), the first meaning an independent composition, the second stages of the same composition (modifications of essentially the same composition). Usually different settings have different D numbers, while versions are grouped under the same D number, unless when set for a different (group of) performer(s). The first edition of the Deutsch catalogue was less strict on that point, leading to Deutsch number reassignments in later publications. Example: {{D.|number=174}} is described as two settings of the same text in the original catalogue, the second having become "D [[deest (music)|deest]]" by the time it was published in Series IV, Volume 8 of the New Schubert Edition (while the music has no resemblance to the earlier setting). On the other hand, despite a difference in [[Key (music)|key]] and number of movements, the original {{D.|number=567}} and {{D.|number=568}} were ultimately published under the same D number as two versions of the same sonata.{{sfn|Deutsch|1951}}{{sfn|Deutsch|1978}}{{sfn|NSA scores}}{{sfn|NSA website}} |
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{{Schubert's compositions (legend)}} |
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{| class="wikitable" |
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|+ Legend to the table |
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|- |
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!column |
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! content |
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|- |
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! D utd |
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| most recent (utd = up to date) Deutsch catalogue number;{{sfn|NSA website}} the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
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|- |
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! Op.<br />pbl |
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|[[Opus number]] ('''Op.'''; p indicates Post. = [[wikt:posthumous|posthumous]]) and date of first publication ('''pbl'''; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
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|- |
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! Name |
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| unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
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|- |
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! Key / incipit |
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|[[incipit]] mostly for songs{{sfn|Reed|1997}} (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),{{sfn|LiederNet Archive}} other compositions by [[Key (music)|key]], except for theatre works: type of composition in brackets. |
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|- |
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! Date |
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| (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his [[String Quartet No. 3 (Schubert)|3rd String Quartet]] on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
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|- |
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! Additional info |
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| may include: |
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{{Schubert's compositions (header)}} |
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* Information about the text (lyrics,{{sfn|Reed|1997}}{{sfn|LiederNet Archive}} libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) |
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* Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) |
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* Forces needed for performance ("For ..."): |
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** may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano |
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** "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see [[SATB]]). |
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* Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") |
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* Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" |
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* Information about versions (e.g. "Two versions: ...") |
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|} |
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{| class="wikitable sortable" id="TOP" |
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|+ Compositions by Franz Schubert listed in the Deutsch catalogue |
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|- |
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! D<br>utd |
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! Op.<br>pbl |
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! Name |
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! Key |
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! Date |
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! Additional info |
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|- id="1–1C" style="text-align: center; background: #D8D8D8;" |
|- id="1–1C" style="text-align: center; background: #D8D8D8;" |
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|'''1–1C''' |
| data-sort-value="000.9" colspan="2" | '''1–1C''' |
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| data-sort-value="ZZZZZ1810" colspan="5" | |
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| colspan="3" ZZZZZ1810 | |
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---- |
---- |
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| 1809-12-31 | '''[[ |
| data-sort-value="1809-12-31" | '''[[List of compositions by Franz Schubert (1810)|1810]]''' |
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| ZZZZZ1810 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1810" | [[#TOP|Up ↑]] |
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{{:List of compositions by Franz Schubert (1810)}} |
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|- |
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| 001 | [[D. 1|1]] |
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| XXX,1888 | (1888) |
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| Fantasy, D 001 | [[Fantasy in G major for piano four-hands, D 1 (Schubert)|Fantasy, D 1]] |
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| key G major | G major |
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| 1810-05-01 | 8/4/1810–<br />1/5/1810 |
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| For piano duet; Two versions of Finale |
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|- |
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| 001.1 | [[D. 1A|1A]] |
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| XXX,1969 | (1969) |
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| Song, D 001A | [[Song in C minor, D 1A (Schubert)|Song, D 1A]] |
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| key C minor | C minor |
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| 1809-01-01 | before<br>1810? |
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| For [[SATB|b]] and piano; Sketch; Music partly reused in {{D.|number=39}} |
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|- |
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| 001.2 | [[D. 1B|1B]] |
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| ZZZZ | |
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| Fantasy, D 001B | [[Fantasy in G major for piano four-hands, D 1B (Schubert)|Fantasy, D 1B]] |
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| key G major | G major |
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| 1810-01-01 | 1810–1811 |
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| For piano duet; Fragment; Music related to {{D.|number=1}} and [[D. 7|7]] |
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|- |
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| 001.3 | [[D. 1C|1C]] |
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| ZZZZ | |
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| Sonata, D 001C | [[Sonata in F major for piano four-hands, D 1C (Schubert)|Sonata, D 1C]] |
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| key F major | F major |
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| 1810-01-01 | 1810–1811 |
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| For piano duet; Largo (fragment) |
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|- id="2–12" style="text-align: center; background: #D8D8D8;" |
|- id="2–12" style="text-align: center; background: #D8D8D8;" |
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|'''2–12''' |
| data-sort-value="001.9" colspan="2" | '''2–12''' |
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| data-sort-value="ZZZZZ1811" colspan="5" | |
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| colspan="3" ZZZZZ1811 | |
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---- |
---- |
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| 1810-12-31 | '''[[ |
| data-sort-value="1810-12-31" | '''[[List of compositions by Franz Schubert (1810)|1811]]''' |
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| ZZZZZ1811 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1811" | [[#TOP|Up ↑]] |
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{{:List of compositions by Franz Schubert (1811)}} |
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|- |
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| 002.1 | [[D. 2A|2A]] |
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| ZZZZ | |
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| Overture, D 002A | [[Overture in D major, D 2A (Schubert)|Overture, D 2A]] |
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| key D major | D major |
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| 1811-01-01 | 1811? |
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| For orchestra |
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|- |
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| 002.2 | [[D. 2B|2B]] |
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| ZZZZ | |
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| Symphony, D 002B | [[Symphony, D 2B (Schubert)|Symphony, D 2B]] |
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| key D major | D major |
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| 1811-01-01 | 1811? |
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| Adagio, Allegro con moto (fragment) |
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|- |
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| 002.3 | [[D. 2C|2C]] |
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| XXX,1978 | (1978) |
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| String Quartet, D 002C | [[String Quartet movement, D 2C (Schubert)|String Quartet, D 2C]] |
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| key D minor F major | D minor or F major |
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| 1811-01-01 | 1811? |
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| Fragment |
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|- |
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| 002.4 | [[D. 2D|2D]] |
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| XXX,1956 | (1956)<br>(1970) |
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| Minuets, 06, D 002D | [[Six Minuets, D 2D (Schubert)|Six Minuets, D 2D]] |
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| key I | Various keys |
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| 1811-01-01 | 1811 |
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| For [[wind instrument|winds]]; Nos. 1–2: piano version publ. in 1956; Nos. 4-6: sketches |
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|- |
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| 002.5 | [[D. 2E|2E]] |
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| ZZZZ | |
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| Fantasy, D 002E | [[Fantasy in C minor, D 2E (Schubert)|Fantasy, D 2E]] |
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| key C minor | C minor |
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| 1811-01-01 | 1811 |
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| For piano |
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|- |
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| 002.6 | [[D. 2F|2F]] |
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| ZZZZ | |
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| Trio, D 002F | [[Trio, D 2F (Schubert)|Trio, D 2F]] |
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| ZZZZ | |
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| 1811-01-01 | 1811 |
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| For [[wind instrument|winds]]?; Sketch; Belongs to a lost Minuet |
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|- |
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| 002.7 | [[D. 2G|2G]] |
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| ZZZZ | |
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| Overture, D 002G | [[Overture in D major, D 2G (Schubert)|Overture, D 2G]] |
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| key D major | D major |
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| 1810-01-01 | 1810–1811? |
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| For orchestra; Fragment |
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|- |
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| 003 | [[D. 3|3]] |
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| XXX,1978 | (1978) |
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| String Quartet, D 003 | [[String Quartet movement, D 3 (Schubert)|String Quartet, D 3]] |
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| key C major | C major |
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| 1812-01-01 | 1812? |
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| Andante (fragment); Partly reused in {{D.|number=29}} and in an early sketch of {{D.|number=36}} |
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|- |
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| 004 | [[D. 4|4]] |
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| XXX,1886 | (1886) |
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| Teufel als Hydraulicus, Der | [[Der Teufel als Hydraulicus|Overture to the play ''Der Teufel als Hydraulicus'']] |
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| theatre (Overture to a comedy with singing) | (Overture to a comedy with singing)<br />D major |
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| 1812-01-01 | 1812? |
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| For orchestra; Play by {{illm|Johann Friedrich Ernst Albrecht|de|lt=Albrecht}} (plot similar to {{illm|Paul Weidmann|de|lt=Weidmann}}'s ''[https://books.google.com/books?id=sG0yAQAAMAAJ Der Bettelstudent]'') |
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|- |
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| 005 | [[D. 5|5]] |
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| XXX,1894 | (1894) |
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| [[Hagars Klage]] |
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| text Hier am Hugel heissen Sandes | |
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| 1811-03-30 | 30/03/1811 |
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| Text by Schucking, Clemens August, Hier am Hugel heissen Sandes | Text by {{illm|Clemens August Schücking|scores|Category:Schücking, Clemens August|lt=Schücking}}; Music partly reused in {{D.|number=8}} and [[D. 9|9]] |
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|- |
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| 006 | [[D. 6|6]] |
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| XXX,1894 | (1894) |
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| Madchens Klage, Des, D 006 | [[Des Mädchens Klage]], D 6 |
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| text Der Eichwald brauset 1 | |
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| 1811-01-01 | 1811–1812 |
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| Text by Schiller, Friedrich from Wallenstein: Die Piccolomini III, 7 Der Eichwald brauset 1 | Text by [[Friedrich Schiller|Schiller]], from ''[[Wallenstein (play)|Wallenstein]]'': ''Die Piccolomini'' III, 7 (other settings: {{D.|number=191}} and [[D. 389|389]]) |
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|- |
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| 007 | [[D. 7|7]] |
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| XXX,1894 | (1894) |
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| [[Leichenfantasie]] |
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| text Mit erstorbnem Scheinen | |
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| 1811-01-01 | 1811? |
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| Text by Schiller, Friedrich, Mit erstorbnem Scheinen | Text by [[Friedrich Schiller|Schiller]]; reuses music of {{D.|number=1B}} |
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|- |
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| 008 | [[D. 8|8]] |
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| XXX,1970 | (1970) |
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| Overture, D 008 | [[Overture in C minor for string quintet, D 8 (Schubert)|Overture, D 8]] |
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| key C minor | C minor |
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| 1811-06-29 | 29/6/1811 |
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| For string quintet (two violins, two violas and basso); Music reappears in {{D.|number=8A}} |
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|- |
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| 008.1 | [[D. 8A|8A]] |
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| XXX,1970 | (1970) |
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| Overture, D 008A | [[Overture in C minor for string quartet, D 8A (Schubert)|Overture, D 8A]] |
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| key C minor | C minor |
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| 1811-07-13 | After<br />12/7/1811 |
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| For string quartet; Based on {{D.|number=8}} |
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|- |
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| 009 | [[D. 9|9]] |
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| XXX,1888 | (1888) |
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| Fantasy, D 009 | [[Fantasy in G minor for piano four-hands, D 9 (Schubert)|Fantasy, D 9]] |
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| key G minor | G minor |
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| 1811-09-20 | 20/9/1811 |
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| For piano duet |
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|- |
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| 010 | [[D. 10|10]] |
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| XXX,1894 | (1894) |
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| Vatermorder, Der | [[Der Vatermörder]] |
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| text Ein Vater starb von des Sohnes Hand | |
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| 1811-12-26 | 26/12/1811 |
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| Text by Pfeffel, Gottlieb Konrad, Ein Vater starb von des Sohnes Hand | Text by [[Gottlieb Konrad Pfeffel|Pfeffel]] |
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|- |
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| 011 | [[D. 11|11]] |
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| XXX,1893 | (1893)<br>(1897) |
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| Spiegelritter, Der | ''[[Der Spiegelritter]]'' |
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| theatre (Singspiel in 3 acts) | (Singspiel in three acts) |
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| 1811-12-01 | December<br>1811? |
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| Text by Kotzebue, August von Spiegelritter, Der | Text by [[August von Kotzebue|Kotzebue]]; For [[SATB|ssssstttbbbbSATB]] and orchestra; Overture (publ. in 1897) – Nos. 1–8 (Act I, Nos. 2–3 and 8 are fragments, No. 3 not in AGA, part of No. 3 was {{D.|number=966}}) |
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|- |
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| 012 | [[D. 12|12]] |
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| XXX,1897 | (1897) |
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| Overture, D 012 | [[Overture in D major, D 12 (Schubert)|Overture, D 12]] |
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| key D major | D major |
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| 1811-01-01 | 1811–1812 |
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| For orchestra; Music partly reused in {{D.|number=94}} |
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|- id="13–37" style="text-align: center; background: #D8D8D8;" |
|- id="13–37" style="text-align: center; background: #D8D8D8;" |
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|'''13–37''' |
| data-sort-value="012.9" colspan="2" | '''13–37''' |
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| data-sort-value="ZZZZZ1812" colspan="5" | |
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| colspan="3" ZZZZZ1812 | |
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---- |
---- |
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| 1811-12-31 | '''[[ |
| data-sort-value="1811-12-31" | '''[[List of compositions by Franz Schubert (1812)|1812]]''' |
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| ZZZZZ1812 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1812" | [[#TOP|Up ↑]] |
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{{:List of compositions by Franz Schubert (1812)}} |
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|- |
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| 013 | [[D. 13|13]] |
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| ZZZZ | |
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| Fugue, D 013 | [[Fugue in D minor, D 13 (Schubert)|Fugue, D 13]] |
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| key D minor | D minor |
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| 1812-01-01 | {{Circa|1812}} |
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| For piano?; By Schubert? |
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|- |
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| 014 | 14 |
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| ZZZZ | |
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| Overture, D 014 | Overture, D 14 |
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| ZZZZ | |
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| 1812-01-01 | {{Circa|1812}} |
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| Piano sketch; Lost |
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|- |
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| 015 | [[D. 15|15]] |
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| XXX,1895 | (1895) |
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| Geistertanz, Der, D 015 | [[Der Geistertanz]], D 15 |
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| text Die bretterne Kammer der Toten erbebt 1 | |
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| 1812-01-01 | {{Circa|1812}} |
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| Text by Matthisson, Friedrich von, Die bretterne Kammer der Toten erbebt 1 | Text by [[Friedrich von Matthisson|Matthisson]] (other settings: {{D.|number=15A}}, [[D. 116|116]] and [[D. 494|494]]); Fragment |
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|- |
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| 015.1 | [[D. 15A|15A]] |
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| XXX,1895 | (1895) |
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| Geistertanz, Der, D 015A | [[Der Geistertanz]], D 15A |
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| text Die bretterne Kammer der Toten erbebt 2 | |
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| 1812-01-02 | {{Circa|1812}} |
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| Text by Matthisson, Friedrich von, Die bretterne Kammer der Toten erbebt 2 | Text by [[Friedrich von Matthisson|Matthisson]] (other settings: {{D.|number=15}}, [[D. 116|116]] and [[D. 494|494]]); Fragment |
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|- |
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| 016 | [[D. 16|16]] |
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| XXX,1940 | (1940) |
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| Counterpoint exercises, D 016 | [[Counterpoint exercises, D 16 (Schubert)|Counterpoint exercises, D 16]] |
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| key G minor A minor | G minor (Nos. 1–4); A minor (Nos. 5–7) |
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| 1823-01-01 | 1823? |
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| Seven exercises in double counterpoint |
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|- |
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| 017 | [[D. 17|17]] |
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| XXX,1940 | (1940) |
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| Composition exercises, D 17 | [[Composition exercises on "Aria dell' Angelo"|Composition exercises, D 17]] |
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| text Quell' innocente figlio | |
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| 1812-01-01 | 1812? |
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| Text by [[Metastasio]], from ''Isacco'' I, "Aria dell' Angelo"; Nine settings with corrections by [[Antonio Salieri|Salieri]]; No. 1, for [[SATB|s]], related to {{D.|number=30}}; No. 2 for [[SATB|ss]]; Nos. 3 and 5–6 for [[SATB|sat]]; Nos. 4 and 7–8 for [[SATB|satb]] (No. 7 not in 1940 publ.) |
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|- |
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| 018 | [[D. 18|18]] |
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| XXX,1890 | (1890) |
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| String Quartet, D 018 | [[String Quartet No. 1 (Schubert)|String Quartet No. 1]] |
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| key G minor B major | G minor / B major |
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| 1810-01-01 | 1810–1811 |
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| Andante, Presto vivace – Minuet – Andante – Presto |
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|- |
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| 019 | 19 |
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| ZZZZ | |
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| String Quartet, D 019 | String Quartet, D 19 |
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| ZZZZ | |
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| 1810-01-01 | 1810–1811 |
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| Lost |
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|- |
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| 019.1 | 19A |
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| ZZZZ | |
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| String Quartet, D 019A | String Quartet, D 19A |
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| ZZZZ | |
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| 1810-01-01 | 1810–1811 |
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| Lost |
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|- |
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| 019.2 | 19B |
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| ZZZZ | |
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| Waltzes and a March, D 019B | Waltzes and a March, D 19B |
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| ZZZZ | |
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| 1812-01-01 | 1812–1813? |
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| For piano; Lost |
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|- |
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| 020 | 20 |
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| ZZZZ | |
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| Overture, D 020 | Overture, D 20 |
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| key B-flat major |B{{flat}} major |
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| 1812-01-01 | 1812 |
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| For string quartet; Lost |
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|- |
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| 021 | 21 |
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| ZZZZ | |
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| Variations, 06, D 021 | Six Variations, D 21 |
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| key E-flat major |E{{flat}} major |
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| 1812-01-01 | 1812 |
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| For piano; Lost |
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|- |
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| 022 | 22 |
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| ZZZZ | |
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| Minuets, 12, D 022 | Twelve Minuets with Trios, D 22 |
|||
| ZZZZ | |
|||
| 1812-01-01 | 1812 |
|||
| For piano; Lost |
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|- |
|||
| 023 | [[D. 23|23]] |
|||
| 131,1830-3 | 131p,3<br>(1830) |
|||
| [[Klaglied]] |
|||
| text Meine Ruh ist dahin, meine Freud ist entflohn | |
|||
| 1812-01-01 | 1812 |
|||
| Text by Rochlitz, Johann Friedrich, Meine Ruh ist dahin, meine Freud ist entflohn | Text by [[Johann Friedrich Rochlitz|Rochlitz]] |
|||
|- |
|||
| 024 | 24 |
|||
| ZZZZ | |
|||
| Variations, 07, D 024 | Seven Variations, D 24 |
|||
| key F major |F major |
|||
| 1812-01-01 | 1812? |
|||
| For piano; Fragment; Lost |
|||
|- |
|||
| 024.1 | [[D. 24A|24A]] |
|||
| ZZZZ | |
|||
| Fugue, D 024A | [[Fugue in C major, D 24A (Schubert)|Fugue, D 24A]] |
|||
| key C major | C major |
|||
| 1812-06-21 | summer<br />1812? |
|||
| For keyboard (organ or piano); Partly reused in {{D.|number=24E}} |
|||
|- |
|||
| 024.2 | [[D. 24B|24B]] |
|||
| ZZZZ | |
|||
| Fugue, D 024B | [[Fugue in G major, D 24B (Schubert)|Fugue, D 24B]] |
|||
| key G major | G major |
|||
| 1812-06-21 | summer<br />1812? |
|||
| For keyboard (organ or piano); Two versions |
|||
|- |
|||
| 024.3 | [[D. 24C|24C]] |
|||
| ZZZZ | |
|||
| Fugue, D 024C | [[Fugue in D minor, D 24C (Schubert)|Fugue, D 24C]] |
|||
| key D minor | D minor |
|||
| 1812-06-21 | summer<br />1812? |
|||
| For keyboard (organ or piano) |
|||
|- |
|||
| 024.4 | [[D. 24D|24D]] |
|||
| ZZZZ | |
|||
| Fugue, D 024D | [[Fugue in C major, D 24D (Schubert)|Fugue, D 24D]] |
|||
| key C major | C major |
|||
| 1812-06-21 | summer<br />1812? |
|||
| For piano; Fragment; Partly reused in {{D.|number=46}} |
|||
|- |
|||
| 024.5 | [[D. 24E|24E]] |
|||
| ZZZZ | |
|||
| Mass, D 024E | [[Mass in F major, D 24E (Schubert)|Mass, D 24E]] |
|||
| key F major | F major?<br />Gloria – Credo |
|||
| 1812-06-21 | summer<br />1812? |
|||
| Text: Mass ordinary 01 | Text: [[Mass ordinary]] (other settings: {{D.|number=31}}, [[D. 45|45]], [[D. 49|49]], [[D. 56|56]], [[D. 66|66]], [[D. 105|105]], [[D. 167|167]], [[D. 324|324]], [[D. 452|452]], [[D. 678|678]], [[D. 755|755]] and [[D. 950|950]]); For [[SATB]] and orchestra; Fragment of a Gloria and a Credo; Partly based on {{D.|number=24A}} |
|||
|- |
|||
| 025 | [[D. 25|25]] |
|||
| ZZZZ | |
|||
| Counterpoint exercises, D 025 | [[Counterpoint exercises, D 25 (Schubert)|Counterpoint exercises, D 25]] |
|||
| ZZZZ | |
|||
| 1812-06-18 | started<br />18/6/1812 |
|||
| Four 2-part and three 3-part counterpoint exercises; Four 2-part imitation exercises |
|||
|- |
|||
| 025.1 | [[D. 25A|25A]] |
|||
| ZZZZ | |
|||
| Counterpoint exercises, D 025A | [[Counterpoint exercises, D 25A (Schubert)|Counterpoint exercises, D 25A]] |
|||
| ZZZZ | |
|||
| 1812-06-21 | summer<br />1812? |
|||
| Two 4-part counterpoint exercises |
|||
|- |
|||
| 025.2 | [[D. 25B|25B]] |
|||
| ZZZZ | |
|||
| Counterpoint exercises, D 025B | [[Counterpoint exercises, D 25B (Schubert)|Counterpoint exercises, D 25B]] |
|||
| ZZZZ | |
|||
| 1812-06-21 | summer<br />1812? |
|||
| Fifteen 3-part counterpoint exercises |
|||
|- |
|||
| 025.3 | [[D. 25C|25C]] |
|||
| ZZZZ | |
|||
| Fugue, D 025C | [[Fugue in F major, D 25C (Schubert)|Fugue, D 25C]] |
|||
| key F major | F major |
|||
| 1812-06-21 | summer<br />1812? |
|||
| Counterpoint exercise for two voices; Fragment |
|||
|- |
|||
| 026 | [[D. 26|26]] |
|||
| XXX,1886 | (1886) |
|||
| Overture, D 026 | [[Overture in D major, D 26 (Schubert)|Overture, D 26]] |
|||
| key D major | D major |
|||
| 1812-06-26 | 26/6/1812 |
|||
| For orchestra |
|||
|- |
|||
| 027 | [[D. 27|27]] |
|||
| XXX,1928 | (1928) |
|||
| Salve Regina, D 027 | [[Salve Regina, D 27 (Schubert)|Salve Regina, D 27]] |
|||
| key F major | F major<br />Salve Regina |
|||
| 1812-06-28 | 28/06/1812 |
|||
| Text: Salve Regina 1 | Text: [[Salve Regina]] (other settings: {{D.|number=106}}, [[D. 223|223]], [[D. 386|386]], [[D. 676|676]] and [[D. 811|811]]); For [[SATB|s]] and orchestra |
|||
|- |
|||
| 028 | [[D. 28|28]] |
|||
| XXX,1923 | (1923) |
|||
| Piano Trio No. 0 | [[Piano Trio, D 28 (Schubert)|Piano Trio, D 28]], a.k.a. Sonata |
|||
| key B-flat major | B{{flat}} major |
|||
| 1812-08-28 | 27/7/1812–<br />28/8/1812 |
|||
| Allegro |
|||
|- |
|||
| 029 | [[D. 29|29]] |
|||
| XXX,1888 | (1888) |
|||
| Andante, D 029 | [[Andante in C major, D 29 (Schubert)|Andante, D 29]] |
|||
| key C major | C major |
|||
| 1812-09-09 | 9/9/1812 |
|||
| For piano; Related to {{D.|number=3}} and [[D. 36|36]] |
|||
|- |
|||
| 030 | [[D. 30|30]] |
|||
| XXX,1894 | (1894) |
|||
| Jungling am Bache, Der, D 030 | [[Der Jüngling am Bache]], D 30 |
|||
| text An der Quelle sass der Knabe 1 | |
|||
| 1812-09-24 | 24/9/1812 |
|||
| Text by Schiller, Friedrich, An der Quelle sass der Knabe 1 | Text by [[Friedrich Schiller|Schiller]] (other settings: {{D.|number=192}} and [[D. 638|638]]) |
|||
|- |
|||
| 031 | [[D. 31|31]] |
|||
| XXX,1888 | (1888) |
|||
| Kyrie, D 031 | [[Kyrie in D minor, D 31 (Schubert)|Kyrie, D 31]] |
|||
| key D minor | D minor<br />Kyrie |
|||
| 1812-09-25 | 25/9/1812 |
|||
| Text: Mass ordinary 02 | Text: [[Mass ordinary]] (other settings: {{D.|number=24E}}, [[D. 45|45]], [[D. 49|49]], [[D. 56|56]], [[D. 66|66]], [[D. 105|105]], [[D. 167|167]], [[D. 324|324]], [[D. 452|452]], [[D. 678|678]], [[D. 755|755]] and [[D. 950|950]]); For [[SATB|stSATB]] and orchestra; First part of a Mass |
|||
|- |
|||
| 032 | [[D. 32|32]] |
|||
| XXX,1890 | (1890)<br />(1897)<br />(1954) |
|||
| String Quartet, D 032 | [[String Quartet No. 2 (Schubert)|String Quartet No. 2]] |
|||
| key C major | C major |
|||
| 1812-10-01 | Sep.–Oct.<br />1812 |
|||
| Presto (publ. in 1890) – Andante – Minuet (publ. in 1890, music partly reappears in {{D.|number=128}} No. 12) – Allegro con spirito (publ. partly in 1897) |
|||
|- |
|||
| 033 | [[D. 33|33]] |
|||
| XXX,1940 | (1940) |
|||
| Composition exercises, D 33 | [[Composition exercises on "Aria di Abramo"|Composition exercises, D 33]] |
|||
| text Entra l'uomo allor che nasce | |
|||
| 1812-10-01 | Sep.–Oct.<br />1812 |
|||
| Text by [[Metastasio]], from ''Isacco'' II, "Aria di Abramo"; Six settings (No. 1 for [[SATB|s]], Nos. 2 for [[SATB|sa]], No. 3 for [[SATB|sat]], Nos. 4–6 for [[SATB|satb]]) and an Allegretto ([[SATB|b]]?), with corrections by [[Antonio Salieri|Salieri]] |
|||
|- |
|||
| 034 | [[D. 34|34]] |
|||
| XXX,1940 | (1940) |
|||
| Composition exercises, D 34 | [[Composition exercises on "Aria di Achior"|Composition exercises, D 34]] |
|||
| text Te solo adoro | |
|||
| 1812-11-05 | 5/11/1812 |
|||
| Text by [[Metastasio]], from ''[[Betulia liberata]]'' II, "Aria di Achior"; For [[SATB|satb]]; Two versions of start; With corrections by [[Antonio Salieri|Salieri]] |
|||
|- |
|||
| 035 | [[D. 35|35]] |
|||
| XXX,1940 | (1940) |
|||
| Composition exercises, D 35 | [[Composition exercises on "Serbate, o Dei custodi"|Composition exercises, D 35]] |
|||
| text Serbate, o Dei custodi | |
|||
| 1812-12-01 | Oct.–Dec.<br />1812 |
|||
| Text by [[Metastasio]], from ''[[La clemenza di Tito (disambiguation)|La clemenza di Tito]]'' I, 5; Three settings (No. 1 for [[SATB|satb]], No. 2 for [[SATB]], No. 3 for [[SATB|t]] and accompaniment); With corrections by [[Antonio Salieri|Salieri]] |
|||
|- |
|||
| 036 | [[D. 36|36]] |
|||
| XXX,1890 | (1890) |
|||
| String Quartet, D 036 | [[String Quartet No. 3 (Schubert)|String Quartet No. 3]] |
|||
| key B-flat major | B{{flat}} major |
|||
| 1813-02-21 | 19/11/1812–<br />21/2/1813 |
|||
| Allegro – Andante – Minuet – Allegretto |
|||
|- |
|||
| 037 | [[D. 37|37]] |
|||
| 074,1827 | 74<br>(1827) |
|||
| Advokaten, Die | [[Die Advokaten]] |
|||
| text Mein Herr, ich komm' mich anzufragen | |
|||
| 1812-12-27 | 25/12/1812–<br />27/12/1812 |
|||
| Text by Rustenfeld, Eduard von, Mein Herr, ich komm' mich anzufragen | Text by {{illm|Eduard von Rustenfeld|scores|Category:Rustenfeld, Eduard von/Librettist|lt=Rustenfeld}}; For [[SATB|ttb]] and piano |
|||
|- id="37A–91" style="text-align: center; background: #D8D8D8;" |
|- id="37A–91" style="text-align: center; background: #D8D8D8;" |
||
|'''37A–91''' |
| data-sort-value="037.09" colspan="2" | '''37A–91''' |
||
| data-sort-value="ZZZZZ1813" colspan="5" | |
|||
| colspan="3" ZZZZZ1813 | |
|||
---- |
---- |
||
| 1812-12-31 | '''[[ |
| data-sort-value="1812-12-31" | '''[[List of compositions by Franz Schubert (1813)|1813]]''' |
||
| ZZZZZ1813 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1813" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1813)}} |
|||
|- |
|||
| 037.1 | [[D. 37A|37A]] |
|||
| ZZZZ | |
|||
| Fugue, D 037A | [[Fugue sketches, D 37A (Schubert)|Fugue sketches, D 37A]] |
|||
| ZZZZ | |
|||
| 1813-01-01 | 1813? |
|||
| For piano |
|||
|- |
|||
| 038 | [[D. 38|38]] |
|||
| XXX,1892 | (1892) |
|||
| Totengraberlied, D 38 | [[Totengräberlied]], D 38 |
|||
| text Grabe, Spaden, grabe! 1 | |
|||
| 1813-01-01 | 1813? |
|||
| Text by Holty, Ludwig Heinrich Christoph, Grabe, Spaden, grabe! 1 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other setting: {{D.|number=44}}); For [[SATB|ttb]] |
|||
|- |
|||
| 039 | [[D. 39|39]] |
|||
| XXX,1969 | (1969) |
|||
| Lebenstraum | [[Lebenstraum]] |
|||
| text Ich sass an einer Tempelhalle | |
|||
| 1810-01-01 | early 1810? |
|||
| Text by Baumberg, Gabriele von, Ich sass an einer Tempelhalle | Text by [[Gabriele von Baumberg|Baumberg]]; Sketch; Music related to {{D.|number=1A}} |
|||
|- |
|||
| 039.1 | 39A |
|||
| ZZZZ | |
|||
| Minuets, 03, D 039A | Three Minuets with Trios, D 39A |
|||
| ZZZZ | |
|||
| 1813-01-01 | 1813 |
|||
| For orchestra; Lost |
|||
|- |
|||
| 041 | [[D. 41|41]] |
|||
| XXX,1889 | (1889) |
|||
| Minuets, 30, D 041 | [[Thirty Minuets, D 41 (Schubert)|Thirty Minuets with Trios, D 41]] |
|||
| key I | Various keys |
|||
| 1813-01-01 | 1813 |
|||
| For piano; Nos. 1–8, 11–18 and 20–23 are extant |
|||
|- |
|||
| 041.1 | [[D. 41A|41A]] |
|||
| ZZZZ | |
|||
| Fugue, D 041A | [[Fugue in E minor, D 41A (Schubert)|Fugue, D 41A]] |
|||
| key E minor | E minor |
|||
| 1813-01-01 | 1813 |
|||
| For piano; Fragment |
|||
|- |
|||
| 042 | [[D. 42|42]] |
|||
| XXX,1895 | (1895)<br>(1969) |
|||
| Aria di Timante | [[Aria di Timante]] |
|||
| text Misero pargoletto | |
|||
| 1813-01-01 | 1813? |
|||
| Text by [[Metastasio]], from ''[[Demofoonte]]'' III, 5; For [[SATB|s]] and piano; Two settings: 1st, not in AGA, consisting of two variant fragments |
|||
|- |
|||
| 043 | [[D. 43|43]] |
|||
| XXX,1897 | (1897) |
|||
| Spruche des Confucius, D 43 | [[Sprüche des Confucius]], D 43 |
|||
| text Dreifach ist der Schritt der Zeit 1 | |
|||
| 1813-07-08 | 8/7/1813 |
|||
| Text by Schiller, Friedrich, Dreifach ist der Schritt der Zeit 1 | Text by [[Friedrich Schiller|Schiller]] (other settings: {{D.|number=69}} and [[D. 70|70]]); For [[SATB|ttb]] |
|||
|- |
|||
| 044 | [[D. 44|44]] |
|||
| XXX,1894 | (1894) |
|||
| Totengraberlied, D 44 | [[Totengräberlied]], D 44 |
|||
| text Grabe, Spaden, grabe! 2 | |
|||
| 1813-01-19 | 19/1/1813 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Grabe, Spaden, grabe! 2 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other setting: {{D.|number=38}}) |
|||
|- |
|||
| 045 | [[D. 45|45]] |
|||
| XXX,1888 | (1888) |
|||
| Kyrie, D 045 | [[Kyrie in B-flat major, D 45 (Schubert)|Kyrie, D 45]] |
|||
| key B-flat major | B{{flat}} major<br />Kyrie |
|||
| 1813-03-01 | 1/3/1813 |
|||
| Text: Mass ordinary 03 | Text: [[Mass ordinary]] (other settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 49|49]], [[D. 56|56]], [[D. 66|66]], [[D. 105|105]], [[D. 167|167]], [[D. 324|324]], [[D. 452|452]], [[D. 678|678]], [[D. 755|755]] and [[D. 950|950]]); For [[SATB]] |
|||
|- |
|||
| 046 | [[D. 46|46]] |
|||
| XXX,1890 | (1890) |
|||
| String Quartet, D 046 | [[String Quartet No. 4 (Schubert)|String Quartet No. 4]] |
|||
| key C major | C major |
|||
| 1813-03-07 | 3/3/1813–<br />7/3/1813 |
|||
| Adagio – Andante con moto – Minuet – Finale |
|||
|- |
|||
| 047 | [[D. 47|47]] |
|||
| XXX,1974 | (1974) |
|||
| Dithyrambe, D 047 | [[Dithyrambe, D 47 (Schubert)|Dithyrambe, D 47]] |
|||
| text Nimmer, das glaubt mir, erscheinen die Gotter 1 | |
|||
| 1813-03-29 | 29/3/1813 |
|||
| Text by Schiller, Friedrich, Nimmer, das glaubt mir, erscheinen die Gotter 1 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=801}}); For [[SATB|tbSATB]] and piano; Fragment |
|||
|- |
|||
| 048 | [[D. 48|48]] |
|||
| XXX,1871 | (1871)<br>(1888) |
|||
| Fantasy, D 048 | [[Fantasy in C minor for piano four-hands, D 48 (Schubert)|Fantasy, D 48]], a.k.a. ''[[Grand Sonata in C minor for piano four-hands, D 48 (Schubert)|Grand Sonata]]'' |
|||
| key C minor | C minor |
|||
| 1813-06-10 | April 1813–<br />10/6/1813 |
|||
| For piano duet; AGA includes concluding fugue |
|||
|- |
|||
| 049 | [[D. 49|49]] |
|||
| XXX,1888 | (1888) |
|||
| Kyrie, D 049 | [[Kyrie in D minor, D 49 (Schubert)|Kyrie, D 49]] |
|||
| key D minor | D minor<br />Kyrie |
|||
| 1813-04-15 | early April<br />1813–<br />15/4/1813 |
|||
| Text: Mass ordinary 04 | Text: [[Mass ordinary]] (other settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 45|45]], [[D. 56|56]], [[D. 66|66]], [[D. 105|105]], [[D. 167|167]], [[D. 324|324]], [[D. 452|452]], [[D. 678|678]], [[D. 755|755]] and [[D. 950|950]]); For [[SATB|satbSATB]] and orchestra; First part of a Mass |
|||
|- |
|||
| 050 | [[D. 50|50]] |
|||
| XXX,1894 | (1894) |
|||
| Schatten, Die | [[Die Schatten]] |
|||
| text Freunde, deren Grufte sich schon bemoosten! | |
|||
| 1813-04-12 | 12/4/1813 |
|||
| Text by Matthisson, Friedrich von, Freunde, deren Grufte sich schon bemoosten! | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| 051 | [[D. 51|51]] |
|||
| XXX,1897 | (1897) |
|||
| Unendliche Freude, D 51 | [[Unendliche Freude]], D 51 |
|||
| text Unendliche Freude durchwallet das Herz 1 | |
|||
| 1813-04-15 | 15/4/1813 |
|||
| Text by Schiller, Friedrich from Elysium 03 1 | Text by [[Friedrich Schiller|Schiller]], stanza 3 from "Elysium" (other stanzas and settings: {{D.|number=53}}, [[D. 54|54]], [[D. 57|57]], [[D. 58|58]], [[D. 60|60]] and [[D. 584|584]]); For [[SATB|ttb]] |
|||
|- |
|||
| 052 | [[D. 52|52]] |
|||
| XXX,1868 | (1868) |
|||
| Sehnsucht, D 052 | [[Sehnsucht (Schubert)|Sehnsucht]], D 52 |
|||
| text Ach, aus dieses Tales Grunden 1 | |
|||
| 1813-04-17 | 15/4/1813–<br>17/4/1813 |
|||
| Text by Schiller, Friedrich, Ach, aus dieses Tales Grunden 1 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=636}}); For [[SATB|b]] and piano |
|||
|- |
|||
| 053 | [[D. 53|53]] |
|||
| XXX,1892 | (1892) |
|||
| Voruber die stohnende Klage | [[Vorüber die stöhnende Klage]] |
|||
| text Voruber die stohnende Klage! 1 | |
|||
| 1813-04-18 | 18/4/1813 |
|||
| Text by Schiller, Friedrich from Elysium 01 | Text by [[Friedrich Schiller|Schiller]], stanza 1 from "Elysium" (other stanzas and settings: {{D.|number=51}}, [[D. 54|54]], [[D. 57|57]], [[D. 58|58]], [[D. 60|60]] and [[D. 584|584]]); For [[SATB|ttb]] |
|||
|- |
|||
| 054 | [[D. 54|54]] |
|||
| XXX,1873 | (1873) |
|||
| Unendliche Freude, D 54 | [[Unendliche Freude]], D 54 |
|||
| text Unendliche Freude durchwallet das Herz 2 | |
|||
| 1813-04-19 | 19/4/1813 |
|||
| Text by Schiller, Friedrich from Elysium 03 2 | Text by [[Friedrich Schiller|Schiller]], stanza 3 from "Elysium" (other stanzas and settings: {{D.|number=51}}, [[D. 53|53]], [[D. 57|57]], [[D. 58|58]], [[D. 60|60]] and [[D. 584|584]]); Canon for three male voices |
|||
|- |
|||
| 055 | [[D. 55|55]] |
|||
| XXX,1892 | (1892) |
|||
| Selig durch die Liebe | [[Selig durch die Liebe]] |
|||
| text Selig durch die Liebe Gotter | |
|||
| 1813-04-21 | 21/4/1813 |
|||
| Text by Schiller, Friedrich from Triumph der Liebe, Der 01 1 | Text by [[Friedrich Schiller|Schiller]], from "Der Triumph der Liebe": stanza 1; Other: {{D.|number=61}}, [[D. 62|62]], [[D. 63|63]], [[D. 64|64]], [[D. 983A|983A]]; For [[SATB|ttb]] |
|||
|- |
|||
| 056 | [[D. 56|56]] |
|||
| XXX,1892 | (1892) |
|||
| Sanctus, D 056 | [[Sanctus, D 56 (Schubert)|Sanctus, D 56]] |
|||
| key B-flat major | B{{flat}} major<br />Sanctus |
|||
| 1813-04-21 | 21/4/1813 |
|||
| Text: Mass ordinary 05 | Text: [[Mass ordinary]] (other settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 45|45]], [[D. 49|49]], [[D. 66|66]], [[D. 105|105]], [[D. 167|167]], [[D. 324|324]], [[D. 452|452]], [[D. 678|678]], [[D. 755|755]] and [[D. 950|950]]); Canon for three voices; Two versions |
|||
|- |
|||
| 057 | [[D. 57|57]] |
|||
| XXX,1897 | (1897) |
|||
| Hier strecket der wallende Pilger | [[Hier strecket der wallende Pilger]] |
|||
| text Hier strecket der wallende Pilger | |
|||
| 1813-04-29 | 29/4/1813 |
|||
| Text by Schiller, Friedrich from Elysium 04 | Text by [[Friedrich Schiller|Schiller]], stanza 4 from "Elysium" (other stanzas and settings: {{D.|number=51}}, [[D. 53|53]], [[D. 54|54]], [[D. 58|58]], [[D. 60|60]] and [[D. 584|584]]); For [[SATB|ttb]] |
|||
|- |
|||
| 058 | [[D. 58|58]] |
|||
| XXX,1892 | (1892) |
|||
| Dessen Fahne Donnersturme wallte | [[Dessen Fahne Donnerstürme wallte]] |
|||
| text Dessen Fahne Donnerstürme wallte | |
|||
| 1813-05-01 | May 1813 |
|||
| Text by Schiller, Friedrich from Elysium 05 | Text by [[Friedrich Schiller|Schiller]], stanza 5 from "Elysium" (other stanzas and settings: {{D.|number=51}}, [[D. 53|53]], [[D. 54|54]], [[D. 57|57]], [[D. 60|60]] and [[D. 584|584]]); For [[SATB|ttb]] |
|||
|- |
|||
| 059 | [[D. 59|59]] |
|||
| XXX,1832 | (1832) |
|||
| Verklarung | [[Verklärung]] |
|||
| text Lebensfunke, vom Himmel entgluht | |
|||
| 1813-05-04 | 4/5/1813 |
|||
| Text by Herder, Johann Gottfried after Pope's The dying Christian to his soul | Text by [[Johann Gottfried Herder|Herder]] after [[Alexander Pope|Pope]]'s "The dying Christian to his soul" |
|||
|- |
|||
| 060 | [[D. 60|60]] |
|||
| XXX,1892 | (1892) |
|||
| Hier umarmen sich getreue Gatten | [[Hier umarmen sich getreue Gatten]] |
|||
| text Hier umarmen sich getreue Gatten | |
|||
| 1813-10-03 | 3/10/1813 |
|||
| Text by Schiller, Friedrich from Elysium 06 | Text by [[Friedrich Schiller|Schiller]], stanza 6 from "Elysium" (other stanzas and settings: {{D.|number=51}}, [[D. 53|53]], [[D. 54|54]], [[D. 57|57]], [[D. 58|58]] and [[D. 584|584]]); For [[SATB|ttb]] |
|||
|- |
|||
| 061 | [[D. 61|61]] |
|||
| XXX,1897 | (1897) |
|||
| Ein jugendlicher Maienschwung | [[Ein jugendlicher Maienschwung]] |
|||
| text Ein jugendlicher Maienschwung | |
|||
| 1813-05-08 | 8/5/1813 |
|||
| Text by Schiller, Friedrich from Triumph der Liebe, Der 09 2 | Text by [[Friedrich Schiller|Schiller]], from "Der Triumph der Liebe": stanza 9; Other: {{D.|number=55}}, [[D. 62|62]], [[D. 63|63]], [[D. 64|64]], [[D. 983A|983A]]; Canon for three voices |
|||
|- |
|||
| 062 | [[D. 62|62]] |
|||
| XXX,1897 | (1897) |
|||
| Thronend auf erhabnem Sitz | [[Thronend auf erhabnem Sitz]] |
|||
| text Thronend auf erhabnem Sitz | |
|||
| 1813-05-09 | 9/5/1813 |
|||
| Text by Schiller, Friedrich from Triumph der Liebe, Der 15 3 | Text by [[Friedrich Schiller|Schiller]], from "Der Triumph der Liebe": stanza 15; Other: {{D.|number=55}}, [[D. 61|61]], [[D. 63|63]], [[D. 64|64]], [[D. 983A|983A]] |
|||
|- |
|||
| 063 | [[D. 63|63]] |
|||
| XXX,1892 | (1892) |
|||
| Wer die steile Sternenbahn | [[Wer die steile Sternenbahn]] |
|||
| text Wer die steile Sternenbahn | |
|||
| 1813-05-10 | 10/5/1813 |
|||
| Text by Schiller, Friedrich from Triumph der Liebe, Der 26 4 | Text by [[Friedrich Schiller|Schiller]], from "Der Triumph der Liebe": stanza 26; Other: {{D.|number=55}}, [[D. 61|61]], [[D. 62|62]], [[D. 64|64]], [[D. 983A|983A]]; For [[SATB|ttb]] |
|||
|- |
|||
| 064 | [[D. 64|64]] |
|||
| XXX,1897 | (1897) |
|||
| Majestat'sche Sonnenrosse | [[Majestät'sche Sonnenroße]] |
|||
| text Majestat'sche Sonnenrosse | |
|||
| 1813-05-10 | 10/5/1813 |
|||
| Text by Schiller, Friedrich from Triumph der Liebe, Der 16 5 | Text by [[Friedrich Schiller|Schiller]], from "Der Triumph der Liebe": stanza 16; Other: {{D.|number=55}}, [[D. 61|61]], [[D. 62|62]], [[D. 63|63]], [[D. 983A|983A]]; For [[SATB|ttb]] |
|||
|- |
|||
| 065 | [[D. 65|65]] |
|||
| XXX,1892 | (1892) |
|||
| Schmerz verzerret ihr Gesicht | [[Schmerz verzerret ihr Gesicht]] |
|||
| text Schmerz verzerret ihr Gesicht | |
|||
| 1813-05-11 | 11/5/1813 |
|||
| Text by Schiller, Friedrich from Gruppe aus dem Tartarus 02 1 | Text by [[Friedrich Schiller|Schiller]], from "Gruppe aus dem Tartarus": stanza 2 (other settings: {{D.|number=396}} and [[D. 583|583]]); For [[SATB|ttb]]; Sketch |
|||
|- |
|||
| 066 | [[D. 66|66]] |
|||
| XXX,1888 | (1888) |
|||
| Kyrie, D 066 | [[Kyrie in F major, D 66 (Schubert)|Kyrie, D 66]] |
|||
| key F major | F major<br />Kyrie |
|||
| 1813-05-12 | 12/5/1813 |
|||
| Text: Mass ordinary 06 | Text: [[Mass ordinary]] (other settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 45|45]], [[D. 49|49]], [[D. 56|56]], [[D. 105|105]], [[D. 167|167]], [[D. 324|324]], [[D. 452|452]], [[D. 678|678]], [[D. 755|755]] and [[D. 950|950]]); For [[SATB]] and orchestra |
|||
|- |
|||
| 067 | [[D. 67|67]] |
|||
| XXX,1897 | (1897) |
|||
| Frisch atmet des Morgens lebendiger Hauch, D 067 | [[Frisch atmet des Morgens lebendiger Hauch]] |
|||
| text Frisch atmet des Morgens lebendiger Hauch 1 | |
|||
| 1813-05-15 | 15/5/1813 |
|||
| Text by Schiller, Friedrich, Frisch atmet des Morgens lebendiger Hauch 1 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=402}}); For [[SATB|ttb]] |
|||
|- |
|||
| 068 | [[D. 68|68]] |
|||
| XXX,1890 | (1890) |
|||
| String Quartet, D 068 | [[String Quartet No. 5 (Schubert)|String Quartet No. 5]] |
|||
| key B-flat major | B{{flat}} major |
|||
| 1813-08-18 | 8/6/1813–<br />18/8/1813 |
|||
| Allegro maestoso – Allegro; Middle movements missing |
|||
|- |
|||
| 069 | [[D. 69|69]] |
|||
| XXX,1892 | (1892) |
|||
| Spruche des Confucius, D 69 | [[Sprüche des Confucius]], D 69 |
|||
| text Dreifach ist der Schritt der Zeit 2 | |
|||
| 1813-07-08 | 8/7/1813 |
|||
| Text by Schiller, Friedrich, Dreifach ist der Schritt der Zeit 2 | Text by [[Friedrich Schiller|Schiller]] (other settings: {{D.|number=43}} and [[D. 70|70]]); Canon for three voices |
|||
|- |
|||
| 070 | [[D. 70|70]] |
|||
| XXX,1974 | (1974) |
|||
| Spruche des Confucius, D 70 | [[Sprüche des Confucius]], D 70 |
|||
| text Dreifach ist der Schritt der Zeit | |
|||
| 1813-07-08 | 8/7/1813 |
|||
| Text by Schiller, Friedrich, Dreifach ist der Schritt der Zeit 3 | Text by [[Friedrich Schiller|Schiller]] (other settings: {{D.|number=43}} and [[D. 69|69]]); For [[SATB|ttb]]; Fragment |
|||
|- |
|||
| 071 | [[D. 71|71]] |
|||
| XXX,1892 | (1892) |
|||
| Zwei Tugendwege, Die, | [[Die zwei Tugendwege]] |
|||
| text Zwei sind der Wege | |
|||
| 1813-07-15 | 15/7/1813 |
|||
| Text by Schiller, Friedrich, Zwei sind der Wege | Text by [[Friedrich Schiller|Schiller]]; For [[SATB|ttb]] |
|||
|- |
|||
| 071.1 | [[D. 71A|71A]] |
|||
| XXX,1956 | (1956) |
|||
| Alleluja, D 071A | [[Alleluja, D 71A (Schubert)|Alleluja, D 71A]] |
|||
| key F major | F major |
|||
| 1813-07-01 | July 1813? |
|||
| Canon for three voices |
|||
|- |
|||
| 071.2 | [[D. 71B|71B]] |
|||
| ZZZZ | |
|||
| Fugue, D 071B | [[Fugue in E minor, D 71B (Schubert)|Fugue, D 71B]] |
|||
| key E minor | E minor |
|||
| 1813-07-01 | July 1813 |
|||
| For piano; Fragment |
|||
|- |
|||
| 071.3 | [[D. 71C|71C]] |
|||
| ZZZZ | |
|||
| Orchestral piece, D 071C | [[Orchestral piece in D major, D 71C (Schubert)|Orchestral piece, D 71C]] |
|||
| key D major | D major |
|||
| 1813-08-01 | Aug. or<br />Sep. 1813 |
|||
| Fragment; First pages, a.k.a. {{D.|number=74A}}, based on {{D.|number=74}} |
|||
|- |
|||
| 072 | [[D. 72|72]] |
|||
| XXX,1889 | (1889)<br>(1890) |
|||
| [[Wind Octet (Schubert)|Wind Octet]] |
|||
| key F major | F major |
|||
| 1813-08-18 | completed<br />18/8/1813 |
|||
| Allegro (fragment, publ. in 1890) – Minuet – Allegro; Slow middle movement lost? |
|||
|- |
|||
| 073 | [[D. 73|73]] |
|||
| XXX,1868 | (1868) |
|||
| Thekla: Eine Geisterstimme, D 073 | [[Thekla: Eine Geisterstimme]], D 73 |
|||
| text Wo ich sei, und wo mich hingewendet 1 | |
|||
| 1813-08-23 | 22/8/1813–<br>23/8/1813 |
|||
| Text by Schiller, Friedrich, Wo ich sei, und wo mich hingewendet 1 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=595}}) |
|||
|- |
|||
| 074 | [[D. 74|74]] |
|||
| XXX,1890 | (1890) |
|||
| String Quartet, D 074 | [[String Quartet No. 6 (Schubert)|String Quartet No. 6]] |
|||
| key D major | D major |
|||
| 1813-09-01 | 22/8/1813–<br />Sep. 1813 |
|||
| Allegro ma non troppo – Andante – Minuet – Allegro |
|||
|- |
|||
| 074.1 | [[D. 74A|74A]] |
|||
| ZZZZ | |
|||
| Orchestral piece, D 074A | [[Orchestral piece in D major, D 74A (Schubert)|Orchestral piece, D 74A]] |
|||
| key D major | D major |
|||
| 1813-08-01 | Aug. or<br />Sep. 1813 |
|||
| Fragment; Variant D number for first pages of {{D.|number=71C}} |
|||
|- |
|||
| 075 | [[D. 75|75]] |
|||
| XXX,1850 | (1850) |
|||
| Trinklied, D 075 | [[Trinklied (Schubert)|Trinklied]], D 75 |
|||
| text Freunde, sammelt euch im Kreise | |
|||
| 1813-08-29 | 29/08/1813 |
|||
| Text by Schaffer, Friedrich, Freunde, sammelt euch im Kreise | Text by {{illm|Friedrich Schäffer|scores|Category:Schäffer, Friedrich|lt=Schäffer}}; For [[SATB|bTTB]] and piano |
|||
|- |
|||
| 076 | [[D. 76|76]] |
|||
| XXX,1871 | (1871)<br>(1969) |
|||
| Aria di Fronimo | [[Aria di Fronimo]] |
|||
| text Pensa, che questo istante | |
|||
| 1813-09-13 | 7 and 13<br>Sep. 1813 |
|||
| Text by [[Metastasio]], from ''Alcide al bivio'', 1; For [[SATB|b]] and piano; Two versions (2nd in AGA) |
|||
|- |
|||
| 077 | [[D. 77|77]] |
|||
| XXX,1831 | (1831)<br>(1894) |
|||
| Taucher, Der | [[Der Taucher]] |
|||
| text Wer wagt es, Rittersmann oder Knapp | |
|||
| 1815-01-01 | 17/9/1813–<br>early 1815 |
|||
| Text by Schiller, Friedrich, Wer wagt es, Rittersmann oder Knapp | Text by [[Friedrich Schiller|Schiller]]; Two versions: 2nd, publ. in 1894, was {{D.|number=111}} |
|||
|- |
|||
| 078 | [[D. 78|78]] |
|||
| XXX,1895 | (1895) |
|||
| [[Aria di Venere]] |
|||
| text Son fra l'onde | |
|||
| 1813-09-18 | 18/9/1813 |
|||
| Text by [[Metastasio]], from ''Gli orti esperdi'', I; For [[SATB|s]] and piano |
|||
|- |
|||
| 079 | [[D. 79|79]] |
|||
| XXX,1889 | (1889) |
|||
| Wind Nonet | [[Wind Nonet (Schubert)|Wind Nonet]], a.k.a. ''[[Eine kleine Trauermusik]]'' or ''[[Franz Schuberts Begräbniß-Feyer]]'' |
|||
| key E-flat minor | E{{flat}} minor |
|||
| 1813-09-19 | 19/9/1813 |
|||
| Grave con espressione |
|||
|- |
|||
| 080 | [[D. 80|80]] |
|||
| XXX,1892 | (1892) |
|||
| [[Zur Namensfeier meines Vaters]] |
|||
| text Ertone Leier zur Festesfeier! | |
|||
| 1813-09-27 | 27/9/1813 |
|||
| Text by Schubert, Franz, Ertone Leier zur Festesfeier! | Text by [[Franz Schubert|Schubert]]; For [[SATB|ttb]] and guitar |
|||
|- |
|||
| 081 | [[D. 81|81]] |
|||
| XXX,1895 | (1895) |
|||
| [[Auf den Sieg der Deutschen]] |
|||
| text Verschwunden sind die Schmerzen 1 | |
|||
| 1813-09-21 | fall 1813 |
|||
| Text by Schubert, Franz?, Verschwunden sind die Schmerzen 1 | Text by [[Franz Schubert|Schubert]]? (other setting: {{D.|number=88}}); For voice, two violins and cello |
|||
|- |
|||
| 082 | [[D. 82|82]] |
|||
| XXX,1884 | (1884) |
|||
| Symphony No. 01 | [[Symphony No. 1 (Schubert)|Symphony No. 1]] |
|||
| key D major | D major |
|||
| 1813-10-28 | completed<br />28/10/1813 |
|||
| Adagio, Allegro vivace – Andante – Minuet – Allegro vivace |
|||
|- |
|||
| 083 | [[D. 83|83]] |
|||
| XXX,1895 | (1895) |
|||
| [[Zur Namensfeier des Herrn Andreas Siller]] |
|||
| text Des Phobus Strahlen | |
|||
| 1813-11-04 | 28/10/1813–<br />4/11/1813 |
|||
| For voice, violin and harp |
|||
|- |
|||
| 084 | [[D. 84|84]] |
|||
| XXX,1888 | (1888) |
|||
| Teufels Lustschloss, Des | ''[[Des Teufels Lustschloß]]'' |
|||
| theatre (Singspiel in 3 acts) | (Singspiel in three acts) |
|||
| 1814-10-22 | 30/10/1813–<br />22/10/1814 |
|||
| Text by Kotzebue, August von Teufels Lustschloss, Des | Text by [[August von Kotzebue|Kotzebue]]; Music for [[SATB|sssttbbbSSSATTBB]] and orchestra; Two versions: Overture (2nd version in AGA) – Act I (Nos. 1–11, 2nd version in AGA) – Act II (Nos. 12–17, 1st version only, in AGA) – Act III (Nos. 18–23, 1st version Nos. 21 and 23 only, 2nd version in AGA); Sketch of an orchestral piece (from 1st version of Act III?): compare {{D.|number=94A}} |
|||
|- |
|||
| 086 | [[D. 86|86]] |
|||
| XXX,1886 | (1886) |
|||
| Minuet, D 086 | [[Minuet for string quartet, D 86 (Schubert)|Minuet, D 86]] |
|||
| key D major | D major |
|||
| 1813-11-01 | November<br />1813? |
|||
| For string quartet |
|||
|- |
|||
| 087 | [[D. 87|87]] |
|||
| 125,1840-1 | 125p,1<br>(1840) |
|||
| String Quartet, D 087 | [[String Quartet No. 10 (Schubert)|String Quartet No. 10]] |
|||
| key E-flat major | E{{flat}} major |
|||
| 1813-11-01 | November<br />1813 |
|||
| Allegro piu moderato – Scherzo – Adagio – Allegro | Allegro più moderato – Scherzo – Adagio – Allegro |
|||
|- |
|||
| 087.1 | [[D. 87A|87A]] |
|||
| ZZZZ | |
|||
| Andante, D 087A | [[Andante in C major, D 87A (Schubert)|Andante, D 87A]] |
|||
| key C major | C major |
|||
| 1813-11-01 | November<br />1813 |
|||
| For four voices (string quartet or vocal ensemble?); Fragment |
|||
|- |
|||
| 088 | [[D. 88|88]] |
|||
| XXX,1892 | (1892) |
|||
| [[Verschwunden sind die Schmerzen]] |
|||
| text Verschwunden sind die Schmerzen 2 | |
|||
| 1813-11-15 | 15/11/1813 |
|||
| Text by Schubert, Franz?, Verschwunden sind die Schmerzen 2 | Text by [[Franz Schubert|Schubert]]? (other setting: {{D.|number=88}}); Canon for [[SATB|ttb]] |
|||
|- |
|||
| 089 | [[D. 89|89]] |
|||
| XXX,1886 | (1886) |
|||
| Minuets, 05, D 089 | [[Five Minuets and Five German Dances, D 89 (Schubert)|Five Minuets and Five German Dances]] |
|||
| key I | Various keys |
|||
| 1813-11-19 | 19/11/1813 |
|||
| For string quartet; Minuets have six Trios, German Dances have seven Trios and a Coda |
|||
|- |
|||
| 091 | [[D. 91|91]] |
|||
| XXX,1956 | (1956) |
|||
| Minuets, 02, D 091 | [[Two Minuets, D 91 (Schubert)|Two Minuets, D 91]] |
|||
| key I | Various keys |
|||
| 1813-11-22 | 22/11/1813 |
|||
| For piano; Each minuet with two Trios |
|||
|- id="92–126" style="text-align: center; background: #D8D8D8;" |
|- id="92–126" style="text-align: center; background: #D8D8D8;" |
||
|'''92–126''' |
| data-sort-value="091.9" colspan="2" | '''92–126''' |
||
| data-sort-value="ZZZZZ1814" colspan="5" | |
|||
| colspan="3" ZZZZZ1814 | |
|||
---- |
---- |
||
| 1813-12-31 | '''[[ |
| data-sort-value="1813-12-31" | '''[[List of compositions by Franz Schubert (1814)|1814]]''' |
||
| ZZZZZ1814 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1814" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1814)}} |
|||
|- |
|||
| 093 | [[D. 93|93]] |
|||
| XXX,1894 | (1894) |
|||
| ''[[Don Gayseros]]'' |
|||
| text Don Gayseros | |
|||
| 1815-01-01 | 1815? |
|||
| Text by Motte Fouque, Friedrich de la, Don Gayseros | Text by [[Friedrich de la Motte Fouqué|Motte Fouqué]], from ''Der Zauberring''; Nos. 2 and 3 incomplete |
|||
|- |
|||
| 094 | [[D. 94|94]] |
|||
| XXX,1871 | (1871) |
|||
| String Quartet, D 094 | [[String Quartet No. 7 (Schubert)|String Quartet No. 7]] |
|||
| key D major | D major |
|||
| 1811-01-01 | 1811 or<br>1812? |
|||
| Allegro (partly reused in {{D.|number=12}}) – Andante con moto – Minuet – Presto |
|||
|- |
|||
| 094.1 | [[D. 94A|94A]] |
|||
| ZZZZ | |
|||
| Orchestral piece, D 094A | [[Orchestral piece in B-flat major, D 94A (Schubert)|Orchestral piece, D 94A]] |
|||
| key B-flat major | B{{flat}} major |
|||
| 1814-01-01 | {{Circa|1814}} |
|||
| Fragment; For 1st version of {{D.|number=84}}, Act III? |
|||
|- |
|||
| 094.2 | 94B |
|||
| ZZZZ | |
|||
| Minuets, 05, D 094B | Five Minuets and Six German Dances, D 94B |
|||
| ZZZZ | |
|||
| 1814-01-01 | 1814 |
|||
| For string quartet and two horns; Lost |
|||
|- |
|||
| 095 | [[D. 95|95]] |
|||
| XXX,1848 | (1848) |
|||
| [[Adelaide (Schubert)|Adelaide]] |
|||
| text Einsam wandelt dein Freund | |
|||
| 1814-01-01 | 1814 |
|||
| Text by Matthisson, Friedrich von, Einsam wandelt dein Freund | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| 097 | [[D. 97|97]] |
|||
| XXX,1894 | (1894) |
|||
| [[Trost: An Elisa]] |
|||
| text Lehnst du deine bleichgeharmte Wange | |
|||
| 1814-01-01 | 1814 |
|||
| Text by Matthisson, Friedrich von, Lehnst du deine bleichgeharmte Wange | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| 098 | [[D. 98|98]] |
|||
| XXX,1894 | (1894)<br>(1968) |
|||
| Erinnerungen, D 098 | [[Erinnerungen]], D 98 |
|||
| text Am Seegestad, in lauen Vollmondsnachten 1 | |
|||
| 1814-09-21 | fall 1814 |
|||
| Text by Matthisson, Friedrich von, Am Seegestad, in lauen Vollmondsnachten 1 | Text by [[Friedrich von Matthisson|Matthisson]] (other setting: {{D.|number=424}}); Two versions: 1st is fragment, 2nd in AGA |
|||
|- |
|||
| 099 | [[D. 99|99]] |
|||
| XXX,1894 | (1894) |
|||
| Andenken, D 099 | [[Andenken]], D 99 |
|||
| text Ich denke dein wenn durch den Hain 1 | |
|||
| 1814-04-01 | April 1814 |
|||
| Text by Matthisson, Friedrich von, Ich denke dein wenn durch den Hain 1 | Text by [[Friedrich von Matthisson|Matthisson]] (other setting: {{D.|number=423}}) |
|||
|- |
|||
| [[D. 100|100]] |
|||
| XXX,1894 | (1894) |
|||
| Geisternahe | [[Geisternähe]] |
|||
| text Der Damm’rung Schein durchblinkt den Hain | |
|||
| 1814-04-01 | April 1814 |
|||
| Text by Matthisson, Friedrich von, Der Damm’rung Schein durchblinkt den Hain | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| [[D. 101|101]] |
|||
| XXX,1894 | (1894) |
|||
| [[Erinnerung]], D 101, a.k.a. [[Todtenopfer]] |
|||
| text Kein Rosenschimmer leuchtet | |
|||
| 1814-04-01 | April 1814 |
|||
| Text by Matthisson, Friedrich von, Kein Rosenschimmer leuchtet | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| [[D. 102|102]] |
|||
| XXX,1840 | (1840) |
|||
| Betende, Die | [[Die Betende]] |
|||
| text Laura betet! | |
|||
| 1814-09-21 | fall 1814 |
|||
| Text by Matthisson, Friedrich von, Laura betet! | Text by [[Friedrich von Matthisson|Matthisson]]; Partly reused in {{D.|number=918}} |
|||
|- |
|||
| [[D. 103|103]] |
|||
| XXX,1939 | (1939) |
|||
| [[Quartettsatz, D 103 (Schubert)|Quartettsatz, D 103]] |
|||
| key C minor | C minor |
|||
| 1814-04-23 | 23/4/1814 |
|||
| Grave, Allegro (fragment); Completed by Alfred Orel in 1st ed. |
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|- |
|||
| [[D. 104|104]] |
|||
| XXX,1895 | (1895) |
|||
| Befreier Europas in Paris, Die | [[Die Befreier Europas in Paris]] |
|||
| text Sie sind in Paris! | |
|||
| 1814-05-16 | 16/5/1814 |
|||
| Text by Mikan, Johann Christian Mikan, Sie sind in Paris! | Text by [[Johann Christian Mikan|Mikan]]; Two drafts and a final version |
|||
|- |
|||
| [[D. 105|105]] |
|||
| XXX,1856 | (1856) |
|||
| [[Mass No. 1 (Schubert)|Mass No. 1]] |
|||
| key F major | F major<br />Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei |
|||
| 1814-07-22 | 17/5/1814–<br>22/7/1814 |
|||
| Text: Mass ordinary 07 | Text: [[Mass ordinary]] (other settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 45|45]], [[D. 49|49]], [[D. 56|56]], [[D. 66|66]], [[D. 167|167]], [[D. 324|324]], [[D. 452|452]], [[D. 678|678]], [[D. 755|755]] and [[D. 950|950]]); For [[SATB|ssattbSATB]] and orchestra; 2nd setting of Dona nobis pacem was {{D.|number=185}}; Partly reused in {{D.|number=484}} |
|||
|- |
|||
| [[D. 106|106]] |
|||
| XXX,1888 | (1888) |
|||
| Salve Regina, D 106 | [[Salve Regina, D 106 (Schubert)|Salve Regina, D 106]] |
|||
| key B-flat major | B{{flat}} major<br />Salve Regina |
|||
| 1814-07-01 | 28/6/1814–<br>1/7/1814 |
|||
| Text: Salve Regina 2 | Text: [[Salve Regina]] (other settings: {{D.|number=27}}, [[D. 223|223]], [[D. 386|386]], [[D. 676|676]] and [[D. 811|811]]); For [[SATB|t]] and orchestra |
|||
|- |
|||
| [[D. 107|107]] |
|||
| XXX,1894 | (1894)<br>(1968) |
|||
| [[Lied aus der Ferne]] |
|||
| text Wenn in des Abends letztem Scheine | |
|||
| 1814-07-01 | July 1814 |
|||
| Text by Matthisson, Friedrich von, Wenn in des Abends letztem Scheine | Text by [[Friedrich von Matthisson|Matthisson]]; Two versions: 1st in AGA |
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|- |
|||
| [[D. 108|108]] |
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| XXX,1894 | (1894) |
|||
| Abend, Der, D 108 | [[Der Abend]], D 108 |
|||
| text Purpur malt die Tannenhugel | |
|||
| 1814-07-01 | July 1814 |
|||
| Text by Matthisson, Friedrich von, Purpur malt die Tannenhugel | Text by [[Friedrich von Matthisson|Matthisson]] |
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|- |
|||
| [[D. 109|109]] |
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| XXX,1894 | (1894) |
|||
| [[Lied der Liebe]] |
|||
| text Durch Fichten am Hugel | |
|||
| 1814-07-01 | July 1814 |
|||
| Text by Matthisson, Friedrich von, Durch Fichten am Hugel | Text by [[Friedrich von Matthisson|Matthisson]] |
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|- |
|||
| [[D. 110|110]] |
|||
| XXX,1891 | (1891) |
|||
| Wer ist gross? | [[Wer ist groß?]] |
|||
| text Wer ist wohl gross? | |
|||
| 1814-07-25 | 24/7/1814–<br>25/7/1814 |
|||
| For [[SATB|bTTBB]] and orchestra |
|||
|- |
|||
| 111.1 | [[D. 111A|111A]] |
|||
| ZZZZ | |
|||
| [[String Trio, D 111A (Schubert)|String Trio, D 111A]] |
|||
| key B-flat major | B{{flat}} major |
|||
| 1814-09-13 | 5/9/1814–<br>13/9/1814 |
|||
| Allegro (fragment); early version of {{D.|number=112}} |
|||
|- |
|||
| [[D. 112|112]] |
|||
| 168,1863 | 168p<br>(1863) |
|||
| String Quartet, D 112 | [[String Quartet No. 8 (Schubert)|String Quartet No. 8]] |
|||
| key B-flat major | B{{flat}} major |
|||
| 1814-09-13 | 5/9/1814–<br>13/9/1814 |
|||
| Allegro ma non troppo – Andante sostenuto – Minuet – Presto; Based on {{D.|number=111A}} |
|||
|- |
|||
| [[D. 113|113]] |
|||
| 058,1821-2 | 58,2<br>(1821)<br>(1826)<br>(1894) |
|||
| [[An Emma]] |
|||
| text Weit in nebelgrauer Ferne | |
|||
| 1814-09-17 | 17/9/1814 |
|||
| Text by Schiller, Friedrich, Weit in nebelgrauer Ferne | Text by [[Friedrich Schiller|Schiller]]; Three versions: 2nd publ. in 1821 – 3rd is Op. 58 No. 2 |
|||
|- |
|||
| [[D. 114|114]] |
|||
| XXX,1868 | (1868)<br>(1901) |
|||
| [[Romanze]], D 114 |
|||
| text Ein Fraulein klagt' im finstern Turm | |
|||
| 1814-09-01 | September<br>1814 |
|||
| Text by Matthisson, Friedrich von, Ein Fraulein klagt' im finstern Turm | Text by [[Friedrich von Matthisson|Matthisson]]; Two versions: 2nd in AGA |
|||
|- |
|||
| [[D. 115|115]] |
|||
| XXX,1840 | (1840) |
|||
| An Laura, als sie Klopstocks Auferstehungslied sang | [[An Laura, als sie Klopstocks Auferstehungslied sang]] |
|||
| text Herzen, die gen Himmel sich erheben | |
|||
| 1814-10-07 | 2/10/1814–<br>7/10/1814 |
|||
| Text by Matthisson, Friedrich von, Herzen, die gen Himmel sich erheben | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| [[D. 116|116]] |
|||
| XXX,1840 | (1840) |
|||
| Geistertanz, Der, D 116 | [[Der Geistertanz]], D 116 |
|||
| text Die bretterne Kammer der Toten erbebt 3 | |
|||
| 1814-10-14 | 14/10/1814 |
|||
| Text by Matthisson, Friedrich von, Die bretterne Kammer der Toten erbebt 3 | Text by [[Friedrich von Matthisson|Matthisson]] (other settings: {{D.|number=15}}, [[D. 15A|15A]] and [[D. 494|494]]) |
|||
|- |
|||
| [[D. 117|117]] |
|||
| XXX,1894 | (1894) |
|||
| Madchen aus der Fremde, Das, D 117 | [[Das Mädchen aus der Fremde]], D 117 |
|||
| text In einem Tal bei armen Hirten 1 | |
|||
| 1814-10-16 | 16/10/1814 |
|||
| Text by Schiller, Friedrich, In einem Tal bei armen Hirten 1 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=252}}) |
|||
|- |
|||
| [[D. 118|118]] |
|||
| 002,1821-0 | 2<br>(1821) |
|||
| [[Gretchen am Spinnrade]] |
|||
| text Meine Ruh' ist hin | |
|||
| 1814-10-19 | 19/10/1814 |
|||
| Text by Goethe, Johann Wolfgang von from Faust I, 15 Meine Ruh ist hin | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Goethe's Faust|Faust]]'' I, 15 |
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|- |
|||
| [[D. 119|119]] |
|||
| XXX,1850 | (1850) |
|||
| [[Nachtgesang]], D 119 |
|||
| text O! gib vom weichen Pfuhle | |
|||
| 1814-11-30 | 30/11/1814 |
|||
| Text by Goethe, Johann Wolfgang von, O gib vom weichen Pfuhle | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| [[D. 120|120]] |
|||
| XXX,1835 | (1835) |
|||
| Trost in Tranen | [[Trost in Tränen]] |
|||
| text Wie kommt's, dass du so traurig bist | |
|||
| 1814-11-30 | 30/11/1814 |
|||
| Text by Goethe, Johann Wolfgang von, Wie kommt's dass du so traurig bist | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| [[D. 121|121]] |
|||
| 003,1821-1 | 3,1<br>(1821)<br>(1894) |
|||
| Schafers Klagelied | [[Schäfers Klagelied]] |
|||
| text Da droben auf jenem Berge | |
|||
| 1819-02-28 | 30/11/1814–<br />28/2/1819? |
|||
| Text by Goethe, Johann Wolfgang von, Da droben auf jenem Berge | Text by [[Johann Wolfgang von Goethe|Goethe]]; Two versions: 1st is Op. 3 No. 1 – 2nd composed for 28/2/1819? |
|||
|- |
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| [[D. 122|122]] |
|||
| XXX,1872 | (1872) |
|||
| [[Ammenlied]] |
|||
| text Am hohen, hohen Turm | |
|||
| 1814-12-01 | early Dec.<br />1814 |
|||
| Text by Lubi, Michael, Am hohen, hohen Turm | Text by {{illm|Michael Lubi|scores|Category:Lubi, Michael/Librettist|lt=Lubi}} |
|||
|- |
|||
| [[D. 123|123]] |
|||
| XXX,1842 | (1842) |
|||
| Sehnsucht, D 123 | [[Sehnsucht (Schubert)|Sehnsucht]], D 123 |
|||
| text Was zieht mir das Herz so? | |
|||
| 1814-12-03 | 3/12/1814 |
|||
| Text by Goethe, Johann Wolfgang von, Was zieht mir das Herz so | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| [[D. 124|124]] |
|||
| XXX,1885 | (1885)<br />(1894)<br />(1968) |
|||
| [[Am See]], D 124 |
|||
| text Sitz' ich im Gras am glatten See | |
|||
| 1814-12-07 | 3/12/1814–<br />7/12/1814 |
|||
| Text by Mayrhofer, Johann, Sitz' ich im Gras am glatten See | Text by [[Johann Mayrhofer|Mayrhofer]]; Two versions: 1st is fragment – 2nd, modified in 1885 publ., in AGA |
|||
|- |
|||
| [[D. 125|125]] |
|||
| XXX,1884 | (1884) |
|||
| Symphony No. 02 | [[Symphony No. 2 (Schubert)|Symphony No. 2]] |
|||
| key B-flat major | B{{flat}} major |
|||
| 1815-03-24 | 10/12/1814–<br>24/3/1815 |
|||
| Largo, Allegro vivace – Andante – Minuet – Presto vivace |
|||
|- |
|||
| [[D. 126|126]] |
|||
| XXX,1832 | (1832)<br>(1873) |
|||
| [[Scene from Faust (Schubert)|Scene from ''Faust'']] |
|||
| text Wie anders, Gretchen, war dir's | |
|||
| 1814-12-12 | early Dec.–<br />12/12/1814 |
|||
| Text by Goethe, Johann Wolfgang von from Faust I, 20 | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Goethe's Faust|Faust]]'' I, 20; Two versions: 2nd, publ. in 1832, in AGA |
|||
|- id="127–330" style="text-align: center; background: #D8D8D8;" |
|- id="127–330" style="text-align: center; background: #D8D8D8;" |
||
|'''127–330''' |
| data-sort-value="126.9" colspan="2" | '''127–330''' |
||
| data-sort-value="ZZZZZ1815" colspan="5" | |
|||
| colspan="3" ZZZZZ1815 | |
|||
---- |
---- |
||
| 1814-12-31 | '''[[ |
| data-sort-value="1814-12-31" | '''[[List of compositions by Franz Schubert (1815)|1815]]''' |
||
| ZZZZZ1815 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1815" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1815)}} |
|||
|- |
|||
| [[D. 128|128]] |
|||
| XXX,1897 | (1897) |
|||
| Viennese German Dances, 12 | [[Twelve Viennese German Dances (Schubert)|Twelve Viennese German Dances]] |
|||
| key I | Various keys |
|||
| 1812-01-01 | 1812? |
|||
| For piano; Includes introduction; No. 12 related to {{D.|number=32}} |
|||
|- |
|||
| [[D. 129|129]] |
|||
| XXX,1892 | (1892) |
|||
| [[Mailied]], D 129 |
|||
| text Gruner wird die Au 1 | |
|||
| 1815-01-01 | 1815? |
|||
| Text by Holty, Ludwig Heinrich Christoph, Gruner wird die Au 1 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other settings: {{D.|number=199}} and [[D. 503|503]]); For [[SATB|ttb]] |
|||
|- |
|||
| [[D. 130|130]] |
|||
| XXX,1892 | (1892) |
|||
| Schnee Zerrinnt, Der | [[Der Schnee Zerrinnt]] |
|||
| text Der Schnee Zerrinnt 1 | |
|||
| 1815-01-01 | 1815? |
|||
| Text by Holty, Ludwig Heinrich Christoph, Der Schnee Zerrinnt 1 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other setting: {{D.|number=202}}); Canon for three voices |
|||
|- |
|||
| [[D. 131|131]] |
|||
| XXX,1892 | (1892) |
|||
| [[Lacrimoso son io (Schubert)|Lacrimoso son io]] |
|||
| text Lacrimoso son io | |
|||
| 1815-01-01 | 1815? |
|||
| Canon for three voices; Two versions: 2nd is "Lacrimosa son io" |
|||
|- |
|||
| [[D. 134|134]] |
|||
| 126,1830 | 126p<br>(1830) |
|||
| [[Ballade (Schubert)|Ballade]] |
|||
| text Ein Fraulein schaut vom hohen Turm | |
|||
| 1815-01-01 | 1815? |
|||
| Text by Kenner, Joseph, Ein Fraulein schaut vom hohen Turm | Text by [[Joseph Kenner|Kenner]] |
|||
|- |
|||
| [[D. 135|135]] |
|||
| XXX,1930 | (1930) |
|||
| German Dance with Trio, D 135 | [[German Dance with Trio, D 135 (Schubert)|German Dance with Trio, D 135]] |
|||
| key E major | E major |
|||
| 1815-01-01 | 1815 |
|||
| For piano; Variant of {{D.|number=146}} No. 3 (other Trio) |
|||
|- |
|||
| [[D. 136|136]] |
|||
| 046,1825 | 46<br>(1825) |
|||
| Offertory, D 136 | [[Offertory in C major, D 136 (Schubert)|Offertory, D 136]], a.k.a. Offertory No. 1 |
|||
| text Totus in corde langueo | Totus in corde langueo<br />C major |
|||
| 1815-01-01 | 1815? |
|||
| For [[SATB|s]] or [[SATB|t]], clarinet or violin, and orchestra |
|||
|- |
|||
| [[D. 137|137]] |
|||
| XXX,1893 | (1893) |
|||
| ''[[Adrast]]'' |
|||
| theatre (Singspiel) | (Singspiel) |
|||
| 1820-01-01 | fall 1819–<br />early<br />1820{{sfn|NSA II, 15|page=IX (in [https://www.baerenreiter.com/resource/public/products/BA5561/infoitems/vw/01.pdf Introduction])}} |
|||
| Text by Mayrhofer, Johann Adrast | Text by [[Johann Mayrhofer|Mayrhofer]]; For [[SATB|stbTTBB]] and orchestra; Nos. 1–8 complete (abandoned variants for some numbers, Nos. 1–7 in AGA) and sketches and fragments for six further numbers; Overture: {{D.|number=648}}? |
|||
|- |
|||
| [[D. 138|138]] |
|||
| 005,1821-1 | 5,1<br>(1821)<br>(1970) |
|||
| [[Rastlose Liebe]] |
|||
| text Dem Schnee, dem Regen, dem Wind entgegen | |
|||
| 1821-05-01 | 19/5/1815–<br />May 1821 |
|||
| Text by Goethe, Johann Wolfgang von, Dem Schnee dem Regen dem Wind entgegen | Text by [[Johann Wolfgang von Goethe|Goethe]]; Two versions: 1st, in AGA, is Op. 5 No. 1 |
|||
|- |
|||
| [[D. 139|139]] |
|||
| XXX,1930 | (1930) |
|||
| German Dance with Trio, D 139 | [[German Dance with Trio, D 139 (Schubert)|German Dance with Trio, D 139]] |
|||
| key C-sharp major A major | C{{sharp}} major (Trio in A major) |
|||
| 1815-01-01 | 1815 |
|||
| For piano |
|||
|- |
|||
| [[D. 140|140]] |
|||
| XXX,1850 | (1850) |
|||
| [[Klage um Ali Bey]], D 140 |
|||
| text Lasst mich! lasst mich! ich will klagen 1 | |
|||
| 1815-01-01 | 1815 |
|||
| Text by Claudius, Matthias, Lasst mich! lasst mich! ich will klagen 1 | Text by [[Matthias Claudius|Claudius]] (other setting: {{D.|number=496A}}); For [[SATB|ttb]] (and piano?) |
|||
|- |
|||
| [[D. 141|141]] |
|||
| 131,1830-1 | 131p,1<br>(1830) |
|||
| Mondabend, Der | [[Der Mondabend]] |
|||
| text Rein und freundlich lacht der Himmel | |
|||
| 1815-01-01 | 1815 |
|||
| Text by Kumpf, Johann Gottfried, Rein und freundlich lacht der Himmel"| Text by {{illm|Johann Gottfried Kumpf|de|lt=Kumpf}} |
|||
|- |
|||
| [[D. 142|142]] |
|||
| 092,1828-3 | 92,3<br />(1828)<br />(1885)<br />(1895) |
|||
| Geistes-Gruss | [[Geistes-Gruß]] |
|||
| text Hoch auf dem alten Turme steht | |
|||
| 1821-12-01 | before<br />Apr. 1816–<br />after<br />Nov. 1821 |
|||
| Text by Goethe, Johann Wolfgang von, Hoch auf dem alten Turme steht | Text by [[Johann Wolfgang von Goethe|Goethe]]; Six versions: 2nd publ. in 1885 – 3rd and 5th not in AGA – 6th is Op. 92 No. 3 |
|||
|- |
|||
| [[D. 143|143]] |
|||
| 109,1829-2 | 109p,2<br>(1829) |
|||
| Genugsamkeit | [[Genügsamkeit]] |
|||
| text Dort raget ein Berg aus den Wolken her | |
|||
| 1815-01-01 | 1815 |
|||
| Text by Schober, Franz von, Dort raget ein Berg aus den Wolken her | Text by [[Franz von Schober|Schober]]; Intro in 1st ed. not by Schubert |
|||
|- |
|||
| [[D. 144|144]] |
|||
| XXX,1895 | (1895) |
|||
| [[Romanze]], D 144 |
|||
| text In der Vater Hallen ruhte | |
|||
| 1816-04-01 | April 1816 |
|||
| Text by Stolberg-Stolberg, Friedrich Leopold zu, In der Vater Hallen ruhte | Text by [[Friedrich Leopold zu Stolberg-Stolberg|Stolberg-Stolberg]]; Fragment |
|||
|- |
|||
| [[D. 145|145]] |
|||
| 018,1823-0 | 18<br>(1823) |
|||
| Waltzes, 12, D 145 | [[Twelve Waltzes, Seventeen Ländler and Nine Écossaises, D 145 (Schubert)|12 Waltzes, 17 Ländler and 9 Écossaises, D 145]] |
|||
| key I | Various keys |
|||
| 1821-07-01 | {{Circa|1815}}–<br />July 1821 |
|||
| For piano; Waltz No. 7 ≈ {{D.|number=970}} No. 2; Écossaises Nos. 5 and 6 identical to {{D.|number=421}} No. 1 and [[D. 697|697]] No. 5 |
|||
|- |
|||
| [[D. 146|146]] |
|||
| 127,1830-0 | 127p<br />(1824)<br />(1830) |
|||
| Waltzes, 20, D 146 | [[Twenty Waltzes, D 146 (Schubert)|20 Waltzes, D 146]], a.k.a. ''Letzte Walzer'' |
|||
| key I | Various keys |
|||
| 1823-02-01 | 1815–<br>Feb. 1823 |
|||
| For piano; No. 2 publ. in 1824, all 20 as Op. posth. 127 in 1830 |
|||
|- |
|||
| [[D. 147|147]] |
|||
| XXX,1892 | (1892) |
|||
| [[Bardengesang]] |
|||
| text Rolle, du stromigter Carun | |
|||
| 1816-01-20 | 20/1/1816? |
|||
| Text by Macpherson, James (Ossian) from Comala, Rolle, du stromigter Carun | Text by [[James Macpherson|Macpherson]] ([[Ossian]]), from ''Comala'', transl. by E. Baron de Harold |
|||
|- |
|||
| [[D. 148|148]] |
|||
| 131,1830-2 | 131p,2<br>(1830) |
|||
| Trinklied, D 148 | [[Trinklied (Schubert)|Trinklied]], D 148 |
|||
| text Bruder! unser Erdenwallen | |
|||
| 1815-02-01 | February<br>1815 |
|||
| Text by Castelli, Ignaz Franz, Bruder! unser Erdenwallen | Text by [[Ignaz Franz Castelli|Castelli]]; For [[SATB|tTTB]] and piano |
|||
|- |
|||
| [[D. 149|149]] |
|||
| 117,1829-0 | 117p<br>(1829)<br>(1894) |
|||
| Sanger, Der | [[Der Sänger]] |
|||
| text Was hor' ich draussen vor dem Tur | |
|||
| 1815-02-01 | February<br>1815 |
|||
| Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, Was hor ich draussen vor dem Tur | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Wilhelm Meister's Apprenticeship]]''; Two versions: 2nd is Op. posth. 117, AGA switches 1st and 2nd |
|||
|- |
|||
| [[D. 150|150]] |
|||
| XXX,1830 | (1830) |
|||
| [[Lodas Gespenst]] |
|||
| text Der bleiche, kalte Mond erhob sich im Osten | |
|||
| 1816-01-17 | 17/1/1816 |
|||
| Text by Macpherson, James (Ossian) from Carric-thura, Der bleiche, kalte Mond erhob sich im Osten | Text by [[James Macpherson|Macpherson]] ([[Ossian]]), from ''Carric-thura'', transl. by E. Baron de Harold; 1st ed. replaces end by music from {{D.|number=277}} |
|||
|- |
|||
| [[D. 151|151]] |
|||
| XXX,1850-2 | (1850) |
|||
| [[Auf einen Kirchhof]] |
|||
| text Sei gegrusst, geweihte Stille | |
|||
| 1815-02-02 | 2/2/1815 |
|||
| Text by Schlechta, Franz Xaver von, Sei gegrusst, geweihte Stille"| Text by {{illm|Franz Xaver von Schlechta|de|Franz Xaver Schlechta von Wschehrd|lt=Schlechta}} |
|||
|- |
|||
| [[D. 152|152]] |
|||
| XXX,1894 | (1894) |
|||
| [[Minona]] |
|||
| text Wie treiben die Wolken so finster und schwer | |
|||
| 1815-02-08 | 8/2/1815 |
|||
| Text by Bertrand, Friedrich Anton Franz, Wie treiben die Wolken so finster und schwer | Text by {{illm|Friedrich Anton Franz Bertrand|scores|Category:Bertrand, Friedrich Anton Franz|lt=Bertrand}} |
|||
|- |
|||
| [[D. 153|153]] |
|||
| XXX,1845 | (1845) |
|||
| Als ich sie erroten sah | [[Als ich sie erröten sah]] |
|||
| text All mein Wirken, all mein Leben | |
|||
| 1815-02-10 | 10/2/1815 |
|||
| Text by Ehrlich, Bernhard Ambros, All mein Wirken, all mein Leben | Text by {{illm|Bernhard Ambros Ehrlich|scores|Category:Ehrlich, Bernhard Ambros|lt=Ehrlich}} |
|||
|- |
|||
| [[D. 154|154]] |
|||
| XXX,1897 | (1897) |
|||
| [[Piano Sonata in E major, D 154 (Schubert)|Piano Sonata, D 154]] |
|||
| key E major | E major |
|||
| 1815-02-11 | 11/2/1815 |
|||
| Allegro (fragment); Partly reused in {{D.|number=157}} |
|||
|- |
|||
| [[D. 155|155]] |
|||
| 165,1862-3 | 165p,3<br>(1862) |
|||
| Bild, Das | [[Das Bild (Schubert)|Das Bild]] |
|||
| text Ein Madchen ist's | |
|||
| 1815-02-10 | 10/2/1815 |
|||
| ZZZZ | |
|||
|- |
|||
| [[D. 156|156]] |
|||
| XXX,1887 | (1887) |
|||
| Variations, 10, D 156 | [[Ten Variations in F major, D 156 (Schubert)|Ten Variations, D 156]] |
|||
| key F major | F major |
|||
| 1815-02-15 | completed<br />15/2/1815 |
|||
| For piano; Variant of Theme and Var. II |
|||
|- |
|||
| [[D. 157|157]] |
|||
| XXX,1888 | (1888) |
|||
| [[Piano Sonata in E major, D 157 (Schubert)|Piano Sonata, D 157]] |
|||
| key E major | E major |
|||
| 1815-02-18 | started<br />18/2/1815 |
|||
| Allegro ma non troppo (partly reuses {{D.|number=154}}) – Andante – Minuet |
|||
|- |
|||
| [[D. 158|158]] |
|||
| XXX,1889 | (1889) |
|||
| Ecossaise, D 158 | [[Écossaise, D 158 (Schubert)|Écossaise, D 158]] |
|||
| key D minor F major | D minor – F major |
|||
| 1815-02-21 | 21/2/1815 |
|||
| For piano |
|||
|- |
|||
| [[D. 159|159]] |
|||
| 116,1829 | 116p<br>(1829)<br>(1968) |
|||
| Erwartung, Die | [[Die Erwartung]] |
|||
| text Hor' ich das Pfortchen nicht gehen? | |
|||
| 1816-05-01 | May 1816 |
|||
| Text by Schiller, Friedrich, Hor' ich das Pfortchen nicht gehen? | Text by [[Friedrich Schiller|Schiller]]; Two versions: 2nd, in AGA, is Op. posth. 116 |
|||
|- |
|||
| [[D. 160|160]] |
|||
| XXX,1894 | (1894) |
|||
| [[Am Flusse]], D 160 |
|||
| text Verfliesset, vielgeliebte Lieder 1 | |
|||
| 1815-02-27 | 27/2/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Verfliesset vielgeliebte Lieder 1 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other setting: {{D.|number=766}}) |
|||
|- |
|||
| [[D. 161|161]] |
|||
| 019,1825-2 | 19,2<br>(1825)<br>(1894) |
|||
| [[An Mignon]] |
|||
| text Uber Tal und Fluss getragen | |
|||
| 1815-02-27 | 27/2/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Uber Tal und Fluss getragen | Text by [[Johann Wolfgang von Goethe|Goethe]]; Two versions: 2nd is Op. 19 No. 2 |
|||
|- |
|||
| [[D. 162|162]] |
|||
| 005,1821-2 | 5,2<br>(1821)<br>(1894) |
|||
| Nahe des Geliebten | [[Nähe des Geliebten]] |
|||
| text Ich denke dein, wenn mir der Sonne Schimmer | |
|||
| 1815-02-27 | 27/2/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Ich denke dein, wenn mir der Sonne Schimmer | Text by [[Johann Wolfgang von Goethe|Goethe]]; Two versions: 2nd is Op. 5 No. 2 |
|||
|- |
|||
| [[D. 163|163]] |
|||
| XXX,1894 | (1894) |
|||
| Sangers Morgenlied, D 163 | [[Sängers Morgenlied]], D 163 |
|||
| text Susses Licht! Aus goldnen Pforten, 1 | |
|||
| 1815-02-27 | 27/2/1815 |
|||
| Text by Korner, Theodor, Susses Licht! Aus goldnen Pforten, 1 | Text by [[Theodor Körner (author)|Körner]] (other setting: {{D.|number=165}}) |
|||
|- |
|||
| [[D. 164|164]] |
|||
| ZZZZ | |
|||
| [[Liebesrausch]], D 164 |
|||
| text Glanz des Guten und des Schonen strahlt mir dein hohes Bild 1 | |
|||
| 1815-03-01 | March 1815 |
|||
| Text by Korner, Theodor, Glanz des Guten und des Schonen strahlt mir dein hohes Bild 1 | Text by [[Theodor Körner (author)|Körner]] (other setting: {{D.|number=179}}); Fragment |
|||
|- |
|||
| [[D. 165|165]] |
|||
| XXX,1872 | (1872) |
|||
| Sangers Morgenlied, D 165 | [[Sängers Morgenlied]], D 165 |
|||
| text Susses Licht! Aus goldnen Pforten, 2 | |
|||
| 1815-03-01 | 1/3/1815 |
|||
| Text by Korner, Theodor, Susses Licht! Aus goldnen Pforten, 2 | Text by [[Theodor Körner (author)|Körner]] (other setting: {{D.|number=163}}) |
|||
|- |
|||
| [[D. 166|166]] |
|||
| XXX,1894 | (1894) |
|||
| [[Amphiaraos (Schubert)|Amphiaraos]] |
|||
| text Vor Thebens siebenfach gahnenden Toren | |
|||
| 1815-03-01 | 1/3/1815 |
|||
| Text by Korner, Theodor, Vor Thebens siebenfach gahnenden Toren | Text by [[Theodor Körner (author)|Körner]] |
|||
|- |
|||
| [[D. 167|167]] |
|||
| XXX,1846 | (1846) |
|||
| [[Mass No. 2 (Schubert)|Mass No. 2]] |
|||
| key G major | G major<br />Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei |
|||
| 1815-03-07 | 2/3/1815–<br />7/3/1815 |
|||
| Text: Mass ordinary 08 | Text: [[Mass ordinary]] (other settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 45|45]], [[D. 49|49]], [[D. 56|56]], [[D. 66|66]], [[D. 105|105]], [[D. 324|324]], [[D. 452|452]], [[D. 678|678]], [[D. 755|755]] and [[D. 950|950]]); For [[SATB|stbSATB]] and orchestra; [[Trumpet|Tr]] and [[Timpani|Ti]] added by [[Ferdinand Schubert|Ferd. Schubert]]; [[Robert Führer|R. Führer]] as composer in 1st publ. |
|||
|- |
|||
| [[D. 168|168]] |
|||
| XXX,1872 | (1872) |
|||
| Nun lasst uns den Leib begraben | [[Nun laßt uns den Leib begraben, D 168 (Schubert)|Nun laßt uns den Leib begraben]], a.k.a. [[Begräbnislied]] |
|||
| text Begrabt den Leib in seiner Gruft | |
|||
| 1815-03-09 | 9/3/1815 |
|||
| Text by Klopstock, Friedrich Gottlieb, Begrabt den Leib in seiner Gruft | Text by [[Friedrich Gottlieb Klopstock|Klopstock]]; For [[SATB]] and piano |
|||
|- |
|||
| 168.1 | [[D. 168A|168A]] |
|||
| XXX,1872 | (1872) |
|||
| Jesus Christus unser Heiland, der den Tod uberwand | [[Jesus Christus unser Heiland, der den Tod überwand (Schubert)|Jesus Christus unser Heiland, der den Tod überwand]], a.k.a. [[Osterlied]] |
|||
| text Uberwunden hat der Herr den Tod! | |
|||
| 1815-03-09 | 9/3/1815 |
|||
| Text by Klopstock, Friedrich Gottlieb, Uberwunden hat der Herr den Tod! | Text by [[Friedrich Gottlieb Klopstock|Klopstock]]; For [[SATB]] and piano |
|||
|- |
|||
| [[D. 169|169]] |
|||
| XXX,1894 | (1894) |
|||
| [[Trinklied vor der Schlacht]] |
|||
| text Schlacht, du brichst an! | |
|||
| 1815-03-12 | 12/3/1815 |
|||
| Text by Korner, Theodor, Schlacht, du brichst an! | Text by [[Theodor Körner (author)|Körner]]; For double unison choir and piano |
|||
|- |
|||
| [[D. 170|170]] |
|||
| XXX,1873 | (1873) |
|||
| [[Schwertlied]] |
|||
| text Du Schwert an meiner Linken | |
|||
| 1815-03-12 | 12/3/1815 |
|||
| Text by Korner, Theodor, Du Schwert an meiner Linken | Text by [[Theodor Körner (author)|Körner]]; For voice, unison choir and piano |
|||
|- |
|||
| [[D. 171|171]] |
|||
| XXX,1831 | (1831) |
|||
| Gebet wahrend der Schlacht | [[Gebet während der Schlacht]] |
|||
| text Vater, ich rufe dich! | |
|||
| 1815-03-12 | 12/3/1815 |
|||
| Text by Korner, Theodor, Vater, ich rufe dich! | Text by [[Theodor Körner (author)|Körner]] |
|||
|- |
|||
| [[D. 172|172]] |
|||
| ZZZZ | |
|||
| Morgenstern, Der, D 172 | [[Der Morgenstern]], D 172 |
|||
| text Stern der Liebe, Glanzgebilde 1 | |
|||
| 1815-03-12 | 12/3/1815 |
|||
| Text by Korner, Theodor, Stern der Liebe, Glanzgebilde 1 | Text by [[Theodor Körner (author)|Körner]] (other setting: {{D.|number=203}}); Fragment |
|||
|- |
|||
| [[D. 173|173]] |
|||
| XXX,1871 | (1871) |
|||
| String Quartet, D 173 | [[String Quartet No. 9 (Schubert)|String Quartet No. 9]] |
|||
| key G minor | G minor |
|||
| 1815-04-01 | 25/3/1815–<br>1/4/1815 |
|||
| Allegro con brio – Andantino – Minuet – Allegro |
|||
|- |
|||
| [[D. 174|174]] |
|||
| XXX,1845 | (1845) |
|||
| [[Das war ich]], D 174 |
|||
| text Jungst traumte mir | |
|||
| 1815-03-26 | 26/3/1815 |
|||
| Text by Korner, Theodor, Jungst traumte mir | Text by [[Theodor Körner (author)|Körner]]; D. 174 used to include [[Das war ich, D deest]] |
|||
|- |
|||
| [[D. 175|175]] |
|||
| XXX,1888 | (1888) |
|||
| Stabat Mater, D 175 | [[Stabat Mater in G minor (Schubert)|Stabat Mater, D 175]] |
|||
| key G minor | G minor<br />Stabat Mater dolorosa |
|||
| 1815-04-06 | 4/4/1815–<br>6/4/1815 |
|||
| For [[SATB]] and orchestra |
|||
|- |
|||
| [[D. 176|176]] |
|||
| XXX,1872 | (1872) |
|||
| Sterne, Die, D 176 | [[Die Sterne, D 176 (Schubert)|Die Sterne, D 176]] |
|||
| text Was funkelt ihr so mild mich an | |
|||
| 1815-04-06 | 6/4/1815 |
|||
| Text by Fellinger, Johann Georg, Was funkelt ihr so mild mich an | Text by {{illm|Johann Georg Fellinger|wikisource:de|ADB:Fellinger, Johann Georg|lt=Fellinger}} |
|||
|- |
|||
| [[D. 177|177]] |
|||
| 173,1867-3 | 173p,3<br>(1867) |
|||
| Vergebliche Liebe | [[Vergebliche Liebe]] |
|||
| text Ja, ich weiss es, diese treue Liebe | |
|||
| 1815-04-06 | 6/4/1815 |
|||
| Text by Bernard, Joseph Karl, Ja, ich weiss es, diese treue Liebe"| Text by [[Joseph Karl Bernard|Bernard]] |
|||
|- |
|||
| 177.1 | [[D. 177A|177A]] |
|||
| ZZZZ | |
|||
| [[Am ersten Mai]] |
|||
| text Ich ging mit ihr im Freien | |
|||
| 1820-12-31 | before<br>1821 |
|||
| Text by Bernard, Joseph Karl, Ja, ich weiss es, diese treue Liebe"| Text by [[Joseph Karl Bernard|Bernard]]; Music lost; Spurious? |
|||
|- |
|||
| [[D. 178|178]] |
|||
| XXX,1897 | (1897) |
|||
| Adagio in G major, D 178 | [[Adagio in G major, D 178 (Schubert)|Adagio in G major, D 178]] |
|||
| key G major | G major |
|||
| 1815-04-08 | 8/4/1815 |
|||
| For piano; Two versions: 2nd is a fragment |
|||
|- |
|||
| [[D. 179|179]] |
|||
| XXX,1872 | (1872) |
|||
| [[Liebesrausch]], D 179 |
|||
| text Dir, Madchen, schlagt mit leisem Beben 2 | |
|||
| 1815-04-08 | 8/4/1815 |
|||
| Text by Korner, Theodor, Dir, Madchen, schlagt mit leisem Beben 2 | Text by [[Theodor Körner (author)|Körner]]; (other setting: {{D.|number=164}}) |
|||
|- |
|||
| [[D. 180|180]] |
|||
| XXX,1894 | (1894) |
|||
| [[Sehnsucht der Liebe]] |
|||
| text Wie die Nacht mit heil'gem Beben | |
|||
| 1815-04-08 | 8/4/1815 |
|||
| Text by Korner, Theodor, Wie die Nacht mit heil'gem Beben | Text by [[Theodor Körner (author)|Körner]] |
|||
|- |
|||
| [[D. 181|181]] |
|||
| XXX,1888 | (1888) |
|||
| Offertory, D 181 | [[Offertory in A minor, D 181 (Schubert)|Offertory, D 181]] |
|||
| text Tres sunt, qui testimonium dant in coelo | |
|||
| 1815-04-11 | 10/4/1815–<br>11/4/1815 |
|||
| For [[SATB]] and orchestra |
|||
|- |
|||
| [[D. 182|182]] |
|||
| XXX,1842 | (1842) |
|||
| Erste Liebe, Die | [[Die erste Liebe]] |
|||
| text Die erste Liebe fullt das Herz | |
|||
| 1815-04-12 | 12/4/1815 |
|||
| Text by Fellinger, Johann Georg, Die erste Liebe fullt das Herz | Text by {{illm|Johann Georg Fellinger|wikisource:de|ADB:Fellinger, Johann Georg|lt=Fellinger}} |
|||
|- |
|||
| [[D. 183|183]] |
|||
| XXX,1887 | (1887) |
|||
| Trinklied, D 183 | [[Trinklied (Schubert)|Trinklied]], D 183 |
|||
| text Ihr Freunde und du, gold'ner Wein | |
|||
| 1815-04-12 | 12/4/1815 |
|||
| Text by Zettler, Alois, Ihr Freunde und du, gold'ner Wein | Text by {{illm|Alois Zettler|wikisource:de|BLKÖ:Zettler, Alois|lt=Zettler}}; For voice, unison choir and piano |
|||
|- |
|||
| [[D. 184|184]] |
|||
| 150,1843 | 150p<br>(1843) |
|||
| Gradual, D 184 | [[Gradual in C major, D 184 (Schubert)|Gradual, D 184]] |
|||
| text Benedictus es, Domine | Benedictus es, Domine<br />C major |
|||
| 1815-04-07 | 15/4/1815–<br>17/4/1815 |
|||
| For [[SATB]] and orchestra |
|||
|- |
|||
| [[D. 186|186]] |
|||
| XXX,1894 | (1894) |
|||
| Sterbende, Die | [[Die Sterbende]] |
|||
| text Heil! dies ist die letze Zahre | |
|||
| 1815-05-01 | May 1815 |
|||
| Text by Matthisson, Friedrich von, Heil! dies ist die letze Zahre | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| [[D. 187|187]] |
|||
| XXX,1894 | (1894) |
|||
| [[Stimme der Liebe]], D 187 |
|||
| text Abendgewolke schweben hell 1 | |
|||
| 1815-05-01 | May 1815 |
|||
| Text by Matthisson, Friedrich von, Abendgewolke schweben hell 1 | Text by [[Friedrich von Matthisson|Matthisson]] (other setting: {{D.|number=418}}) |
|||
|- |
|||
| [[D. 188|188]] |
|||
| XXX,1887 | (1887) |
|||
| Naturgenuss, D 188 | [[Naturgenuß]], D 188 |
|||
| text Im Abendschimmer wallt der Quell 1 | |
|||
| 1815-05-01 | May 1815 |
|||
| Text by Matthisson, Friedrich von, Im Abendschimmer wallt der Quell 1 | Text by [[Friedrich von Matthisson|Matthisson]] (other setting: {{D.|number=422}}) |
|||
|- |
|||
| [[D. 189|189]] |
|||
| 111,1829 | 111p,1<br>(1829) |
|||
| [[An die Freude (Schubert)|An die Freude]] |
|||
| text Freude, schoner Gotterfunken | |
|||
| 1815-05-01 | May 1815 |
|||
| Text by Schiller, Friedrich, Freude, schoner Gotterfunken | Text by [[Friedrich Schiller|Schiller]]; For voice, unison choir and piano |
|||
|- |
|||
| [[D. 190|190]] |
|||
| XXX,1888 | (1888) |
|||
| Vierjahrige Posten, Der | ''[[Der vierjährige Posten]]'' |
|||
| theatre (Singspiel in 1 act) | (Singspiel in one act)<br />Includes: 5. Gott! Gott! höre meine Stimme |
|||
| 1815-05-19 | 8/5/1815–<br>19/5/1815 |
|||
| Text by Korner, Theodor, Vierjahrige Posten, Der | Text by [[Theodor Körner (author)|Körner]]; Music for [[SATB|stttbSATB]] and orchestra; Overture – Nos. 1–8 (No. 5 also for voice and piano) |
|||
|- |
|||
| [[D. 191|191]] |
|||
| 058,1826-3 | 58,3<br>(1826)<br>(1894) |
|||
| Madchens Klage, Des, D 191 | [[Des Mädchens Klage]], D 191 |
|||
| text Der Eichwald brauset 2 | |
|||
| 1815-05-15 | 15/5/1815 |
|||
| Text by Schiller, Friedrich from Wallenstein: Die Piccolomini III, 7 Der Eichwald brauset 2 | Text by [[Friedrich Schiller|Schiller]], from ''[[Wallenstein (play)|Wallenstein]]'': ''Die Piccolomini'' III, 7 (other settings: {{D.|number=6}} and [[D. 389|389]]); Two versions: 2nd is Op. 58 No. 3 |
|||
|- |
|||
| [[D. 192|192]] |
|||
| XXX,1887 | (1887) |
|||
| Jungling am Bache, Der, D 192 | [[Der Jüngling am Bache]], D 192 |
|||
| text An der Quelle sass der Knabe 2 | |
|||
| 1815-05-15 | 15/5/1815 |
|||
| Text by Schiller, Friedrich, An der Quelle sass der Knabe 2 | Text by [[Friedrich Schiller|Schiller]] (other settings: {{D.|number=30}} and [[D. 638|638]]) |
|||
|- |
|||
| [[D. 193|193]] |
|||
| 057,1826-3 | 57,3<br>(1826) |
|||
| [[An den Mond, D 193 (Schubert)|An den Mond, D 193]] |
|||
| text Geuss, lieber Mond, geuss deine Silberflimmer | |
|||
| 1815-05-17 | 17/5/1815 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Geuss, lieber Mond, geuss deine Silberflimmer 1 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]]; Autograph without piano intro |
|||
|- |
|||
| [[D. 194|194]] |
|||
| XXX,1894 | (1894) |
|||
| Mainacht, Die | [[Die Mainacht]] |
|||
| text Wann der silberne Mond | |
|||
| 1815-05-17 | 17/5/1815 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Wann der silberne Mond | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
|||
|- |
|||
| [[D. 195|195]] |
|||
| 173,1867-1 | 173p,1<br>(1867) |
|||
| [[Amalia (Schubert)|Amalia]] |
|||
| text Schon wie Engel voll Walhallas Wonne | |
|||
| 1815-05-19 | 19/5/1815 |
|||
| Text by Schiller, Friedrich from Rauber, Die III,1 | Text by [[Friedrich Schiller|Schiller]], from ''[[Die Räuber]]'' III, 1 |
|||
|- |
|||
| [[D. 196|196]] |
|||
| 172,1865-3 | 172p,3<br>(1865) |
|||
| [[An die Nachtigall]] |
|||
| text Geuss nicht so laut der liebentflammten Lieder | |
|||
| 1815-05-22 | 22/5/1815 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Geuss nicht so laut der liebentflammten Lieder | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
|||
|- |
|||
| [[D. 197|197]] |
|||
| XXX,1850 | (1850) |
|||
| An die Apfelbaume, wo ich Julien erblickte | [[An die Apfelbäume, wo ich Julien erblickte]] |
|||
| text Ein heilig Sauseln und ein Gesangeston | |
|||
| 1815-05-22 | 22/5/1815 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Ein heilig Sauseln und ein Gesangeston | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
|||
|- |
|||
| [[D. 198|198]] |
|||
| XXX,1894 | (1894) |
|||
| [[Seufzer]] |
|||
| text Die Nachtigall singt uberall | |
|||
| 1815-05-22 | 22/5/1815 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Die Nachtigall singt uberall | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
|||
|- |
|||
| [[D. 199|199]] |
|||
| XXX,1885 | (1885) |
|||
| [[Mailied]], D 199 |
|||
| text Gruner wird die Au 2 | |
|||
| 1815-05-24 | 24/5/1815 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Gruner wird die Au 2 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other settings: {{D.|number=129}} and [[D. 503|503]]); For two voices or two [[French horn|horns]] |
|||
|- |
|||
| [[D. 200|200]] |
|||
| XXX,1884 | (1884) |
|||
| Symphony No. 03 | [[Symphony No. 3 (Schubert)|Symphony No. 3]] |
|||
| key D major | D major |
|||
| 1815-06-19 | 24/5/1815–<br>19/6/1815 |
|||
| Adagio maestoso, Allegro con brio – Allegretto – Minuet – Presto vivace |
|||
|- |
|||
| [[D. 201|201]] |
|||
| XXX,1970 | (1970) |
|||
| [[Auf den Tod einer Nachtigall]], D 201 |
|||
| text Sie ist dahin, die Maienlieder tonte 1 | |
|||
| 1815-05-25 | 25/5/1815 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Sie ist dahin, die Maienlieder tonte 1 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other setting: {{D.|number=399}}); Fragment |
|||
|- |
|||
| [[D. 202|202]] |
|||
| XXX,1885 | (1885) |
|||
| [[Mailied]], D 202 |
|||
| text Der Schnee Zerrinnt 2 | |
|||
| 1815-05-26 | 26/5/1815 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Der Schnee Zerrinnt 2 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other setting: {{D.|number=130}}); For two voices or two [[French horn|horns]] |
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|- |
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| [[D. 203|203]] |
|||
| XXX,1892 | (1892) |
|||
| Morgenstern, Der, D 203 | [[Der Morgenstern]], D 203 |
|||
| text Stern der Liebe, Glanzgebilde 2 | |
|||
| 1815-05-26 | 26/5/1815 |
|||
| Text by Korner, Theodor, Stern der Liebe, Glanzgebilde 2 | Text by [[Theodor Körner (author)|Körner]] (other setting: {{D.|number=172}}); For two voices or two [[French horn|horns]] |
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|- |
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| [[D. 204|204]] |
|||
| XXX,1892 | (1892) |
|||
| Jagerlied | [[Jägerlied]] |
|||
| text Frisch auf, ihr Jager | |
|||
| 1815-05-26 | 26/5/1815 |
|||
| Text by Korner, Theodor, Frisch auf, ihr Jager | Text by [[Theodor Körner (author)|Körner]]; For two voices or two [[French horn|horns]] |
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|- |
|||
| 204.1 | 204A |
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| ZZZZ | |
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| Traumbild, Das | Das Traumbild |
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| ZZZZ | |
|||
| 1815-05-01 | May 1815 |
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| Text by Holty, Ludwig Heinrich Christoph; Music lost | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]]; Music lost |
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|- |
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| [[D. 205|205]] |
|||
| XXX,1892 | (1892) |
|||
| Lutzows wilde Jagd | [[Lützows wilde Jagd]] |
|||
| text Was glanzt dort vom Walde im Sonnenschein? | |
|||
| 1815-05-26 | 26/5/1815 |
|||
| Text by Korner, Theodor, Was glanzt dort vom Walde im Sonnenschein? | Text by [[Theodor Körner (author)|Körner]]; For two voices or two [[French horn|horns]] |
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|- |
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| [[D. 206|206]] |
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| XXX,1872 | (1872) |
|||
| Liebestandelei | [[Liebeständelei]] |
|||
| text Susses Liebchen | |
|||
| 1815-05-26 | 26/5/1815 |
|||
| Text by Korner, Theodor, Susses Liebchen | Text by [[Theodor Körner (author)|Körner]] |
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|- |
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| [[D. 207|207]] |
|||
| XXX,1894 | (1894) |
|||
| Liebende, Der | [[Der Liebende]] |
|||
| text Begluckt, begluckt | |
|||
| 1815-05-29 | 29/5/1815 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Begluckt, begluckt | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
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|- |
|||
| [[D. 208|208]] |
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| XXX,1895 | (1895)<br>(1897) |
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| Nonne, Die | [[Die Nonne]] |
|||
| text Es liebt' in Welschland irgendwo | |
|||
| 1815-05-29 | 29/5/1815 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Balladen, No. 5; 2 versions | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]], from ''Balladen'', No. 5; Two versions: 1st is fragment, incomplete in AGA – 2nd was {{D.|number=212}} |
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|- |
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| [[D. 209|209]] |
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| 038,1825 | 38<br>(1825) |
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| Liedler, Der | [[Der Liedler]] |
|||
| text Gib, Schwester, mir die Harf herab | |
|||
| 1815-01-01 | January 1815 |
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| Text by Kenner, Joseph, Gib, Schwester, mir die Harf herab | Text by [[Joseph Kenner|Kenner]] |
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|- |
|||
| 210 |
|||
| XXX,1838 | (1838) |
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| Liebe, Die, D 210 | Die Liebe, D 210, a.k.a. Klärchens Lied |
|||
| text Freudvoll und leidvoll | |
|||
| 1815-06-03 | 3/6/1815 |
|||
| Text by Goethe, Johann Wolfgang von from Egmont, Act III, Scene 2, Clarchen's song | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Egmont (play)|Egmont]]'', Act III, Scene 2, Clärchen's song |
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|- |
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| 211 |
|||
| XXX,1894 | (1894) |
|||
| Adelwold und Emma |
|||
| text Hoch und ehern schier von Dauer | |
|||
| 1815-06-14 | 5/6/1815–<br />14/6/1815 |
|||
| Text by Bertrand, Friedrich Anton Franz, Hoch und ehern schier von Dauer | Text by {{illm|Friedrich Anton Franz Bertrand|scores|Category:Bertrand, Friedrich Anton Franz|lt=Bertrand}} |
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|- |
|||
| 213 |
|||
| 172,1865-1 | 172p,1<br>(1865) |
|||
| Traum, Der | Der Traum |
|||
| text Mir traumt', ich war ein Vogelein | |
|||
| 1815-06-17 | 17/6/1815 |
|||
| Text by Holty, Ludwig Heinrich Christoph from Balladen, No. 6 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]], from ''Balladen'', No. 6 |
|||
|- |
|||
| 214 |
|||
| 172,1865-2 | 172p,2<br>(1865) |
|||
| Laube, Die | Die Laube |
|||
| text Nimmer werd' ich, nimmer dein vergessen | |
|||
| 1815-06-17 | 17/6/1815 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Nimmer werd' ich, nimmer dein vergessen | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
|||
|- |
|||
| 215 |
|||
| XXX,1906 | (1906) |
|||
| Jagers Abendlied, D 215 | Jägers Abendlied, D 215 |
|||
| text Im Felde schleich ich, still und wild 1 | |
|||
| 1815-06-20 | 20/6/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Im Felde schleich ich, still und wild 1 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other setting: {{D.|number=368}}) |
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|- |
|||
| 215.1 | 215A |
|||
| XXX,1952 | (1952) |
|||
| Meeres Stille, D 215A |
|||
| text Tiefe Stille herrscht im Wasser 1 | |
|||
| 1815-06-20 | 20/6/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Tiefe Stille herrscht im Wasser 1 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other setting: {{D.|number=216}}) |
|||
|- |
|||
| 216 |
|||
| 003,1821-2 | 3,2<br>(1821) |
|||
| Meeres Stille, D 216 |
|||
| text Tiefe Stille herrscht im Wasser 2 | |
|||
| 1815-06-21 | 21/6/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Tiefe Stille herrscht im Wasser 2 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other setting: {{D.|number=215A}}) |
|||
|- |
|||
| 217 |
|||
| XXX,1830 | (1830) |
|||
| Kolmas Klage |
|||
| text Rund um mich Nacht | |
|||
| 1815-06-22 | 22/6/1815 |
|||
| Text by Macpherson, James (Ossian) from The Songs of Selma, Rund um mich Nacht | Text by [[James Macpherson|Macpherson]] ([[Ossian]]), from ''The Songs of Selma'' (transl.) |
|||
|- |
|||
| 218 |
|||
| XXX,1848 | (1848) |
|||
| Grablied |
|||
| text Er fiel den Tod fur's Vaterland | |
|||
| 1815-06-24 | 24/6/1815 |
|||
| Text by Kenner, Joseph, Er fiel den Tod fur's Vaterland | Text by [[Joseph Kenner|Kenner]] |
|||
|- |
|||
| 219 |
|||
| XXX,1848 | (1848) |
|||
| Finden, Das | Das Finden |
|||
| text Ich hab ein Madchen funden | |
|||
| 1815-06-25 | 25/6/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Ich hab ein Madchen funden | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| [[D. 220|220]] |
|||
| XXX,1888 | (1888) |
|||
| Fernando | ''[[Fernando (Schubert)|Fernando]]'' |
|||
| theatre (Singspiel in 1 act) | (Singspiel in one act) |
|||
| 1815-07-09 | Jun. 1815–<br />9/7/1815 |
|||
| Text by Stadler, Albert Fernando | Text by {{illm|Albert Stadler|scores|Category:Stadler, Albert|lt=Stadler, A.}}; Music for [[SATB|sstbb]] and orchestra; Nos. 1–7 |
|||
|- |
|||
| 221 |
|||
| 118,1829-2 | 118p,2<br>(1829) |
|||
| Abend, Der, D 221 | [[Der Abend]], D 221 |
|||
| text Der Abend bluht, Temora gluht | |
|||
| 1815-07-15 | 15/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Der Abend bluht, Temora gluht | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 222 |
|||
| XXX,1885 | (1885) |
|||
| Lieb Minna: Romanze |
|||
| text Schwuler Hauch weht mir heruber | |
|||
| 1815-07-02 | 2/7/1815 |
|||
| Text by Stadler, Albert, Schwuler Hauch weht mir heruber | Text by {{illm|Albert Stadler|scores|Category:Stadler, Albert|lt=Stadler, A.}} |
|||
|- |
|||
| 223 |
|||
| 047,1825-0 | 47<br />(1825) |
|||
| Salve Regina, D 223, a.k.a. Offertory No. 2 |
|||
| key F major | F major<br />Salve Regina |
|||
| 1823-01-23 | 5/7/1815<br />28/1/1823 |
|||
| Text: Salve Regina 3 | Text: [[Salve Regina]] (other settings: {{D.|number=27}}, [[D. 106|106]], [[D. 386|386]], [[D. 676|676]] and [[D. 811|811]]); For [[SATB|s]] and orchestra; Two versions: 2nd, in AGA, is Op. 47 |
|||
|- |
|||
| 224 |
|||
| 004,1821-3 | 4,3<br />(1821) |
|||
| [[Wandrers Nachtlied]], D 224 |
|||
| text Der du von dem Himmel bist | |
|||
| 1815-07-05 | 5/7/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Der du von dem Himmel bist | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 225 |
|||
| 005,1821-3 | 5,3<br />(1821)<br />(1970) |
|||
| Fischer, Der | Der Fischer |
|||
| text Das Wasser rauscht', das Wasser schwoll | |
|||
| 1815-07-05 | 5/7/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Das Wasser rauscht', das Wasser schwoll | Text by [[Johann Wolfgang von Goethe|Goethe]]; Two versions: 2nd, in AGA, is Op. 5 No. 3 |
|||
|- |
|||
| 226 |
|||
| 005,1821-4 | 5,4<br>(1821) |
|||
| Erster Verlust |
|||
| text Ach, wer bringt die schonen Tage | |
|||
| 1815-07-05 | 5/7/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Ach, wer bringt die schonen Tage | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 227 |
|||
| XXX,1885 | (1885) |
|||
| Idens Nachtgesang |
|||
| text Vernimm es Nacht, was Ida dir vertrauet | |
|||
| 1815-07-07 | 7/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Vernimm es Nacht, was Ida dir vertrauet | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 228 |
|||
| XXX,1894 | (1894) |
|||
| Von Ida |
|||
| text Der Morgen bluht, der Osten gluht | |
|||
| 1815-07-07 | 7/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Der Morgen bluht, der Osten gluht | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 229 |
|||
| 108,1824-3 | 108,3<br />(1824) |
|||
| Erscheinung, Die | Die Erscheinung, a.k.a. Erinnerung, D 229 |
|||
| text Ich lag auf grunen Matten | |
|||
| 1815-07-07 | 7/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Ich lag auf grunen Matten | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]]; Publ. as Op. 108 No. 3 in 1829 |
|||
|- |
|||
| 230 |
|||
| 165,1855-4 | 165p,4<br>(1855) |
|||
| Tauschung, Die | Die Täuschung |
|||
| text Im Erlenbusch, im Tannenhain | |
|||
| 1815-07-07 | 7/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Im Erlenbusch, im Tannenhain | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]]; Publ. as Op. posth. 165 No. 4 in 1862 |
|||
|- |
|||
| 231 |
|||
| 172,1865-4 | 172p,4<br />(1865) |
|||
| Sehnen, Das | Das Sehnen |
|||
| text Wehmut, die mich hullt | |
|||
| 1815-07-08 | 8/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Wehmut, die mich hullt | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 232 |
|||
| 112,1829-3 | 112p,3<br />(1829) |
|||
| Hymne an den Unendlichen |
|||
| text Zwischen Himmel und Erd' | |
|||
| 1815-07-11 | 11/7/1815 |
|||
| Text by Schiller, Friedrich, Zwischen Himmel und Erd' | Text by [[Friedrich Schiller|Schiller]]; For [[SATB|satb]] and piano |
|||
|- |
|||
| 233 |
|||
| 118,1829-1 | 118p,1<br>(1829) |
|||
| Geist der Liebe, D 233 |
|||
| text Wer bist du, Geist der Liebe | |
|||
| 1815-07-15 | 15/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Wer bist du, Geist der Liebe | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 234 |
|||
| 118,1829-3 | 118p,3<br>(1829) |
|||
| Tischlied |
|||
| text Mich ergreift, ich weiss nicht wie | |
|||
| 1815-07-15 | 15/7/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Mich ergreift, ich weiss nicht wie | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 235 |
|||
| XXX,1894 | (1894) |
|||
| Abends unter der Linde, D 235 |
|||
| text Woher, o namenloses Sehnen 1 | |
|||
| 1815-07-24 | 24/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Woher, o namenloses Sehnen 1 | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] (other setting: {{D.|number=237}}) |
|||
|- id="D 236" |
|||
| 236 |
|||
| XXX,1892 | (1892) |
|||
| Abendrot, Das, D 236 | Das Abendrot, D 236 |
|||
| text Der Abend bluht, der Westen gluht! | |
|||
| 1815-07-20 | 20/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Der Abend bluht, der Westen gluht! | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]]; for [[SATB|ssb]] and piano |
|||
|- |
|||
| 237 |
|||
| XXX,1872 | (1872) |
|||
| Abends unter der Linde, D 237 |
|||
| text Woher, o namenloses Sehnen 2 | |
|||
| 1815-07-25 | 25/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Woher, o namenloses Sehnen 2 | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] (other setting: {{D.|number=235}}) |
|||
|- |
|||
| 238 |
|||
| XXX,1894 | (1894) |
|||
| Mondnacht, Die | Die Mondnacht |
|||
| text Siehe, wie die Mondesstrahlen | |
|||
| 1815-07-25 | 25/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Siehe, wie die Mondesstrahlen | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| [[D. 239|239]] |
|||
| XXX,1893 | (1893) |
|||
| ''[[Claudine von Villa Bella]]'' |
|||
| theatre (Singspiel in 3 acts) | (Singspiel in three acts) |
|||
| 1815-07-26 | started<br />26/7/1815 |
|||
| Text by Goethe, Johann Wolfgang von Claudine von Villa Bella | Text by [[Johann Wolfgang von Goethe|Goethe]]; For [[SATB|ssttbbSATB]] and orchestra; Overture (in AGA) – Nos. 1–8 (Act I, in AGA) – No. 9 (fragment from Act II) – No. 10 (fragment from Act III); Other music lost |
|||
|- |
|||
| 240 |
|||
| XXX,1894 | (1894) |
|||
| Huldigung |
|||
| text Ganz verloren, ganz versunken | |
|||
| 1815-07-27 | 27/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Ganz verloren, ganz versunken | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 241 |
|||
| XXX,1894 | (1894) |
|||
| Alles um Liebe |
|||
| text Was ist es, das die Seele füllt? | |
|||
| 1815-07-27 | 27/7/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Was ist es, das die Seele füllt? | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 242 |
|||
| XXX,1892 | (1892) |
|||
| Trinklied im Winter, a.k.a. Winterlied, D 242 |
|||
| text Das Glas gefullt! 1 | |
|||
| 1815-08-01 | August<br />1815? |
|||
| Text by Holty, Ludwig Heinrich Christoph, Das Glas gefullt! 1 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other setting: {{D.|number=242A}}); For [[SATB|ttb]] |
|||
|- |
|||
| 242.1 | 242A |
|||
| ZZZZ | |
|||
| Winterabend, D 242A,{{sfn|NSA website|loc=[http://schubert-ausgabe.de/en/research/schubert-database/?FORM%5Border%5D=bandnr&FORM%5Bseite%5D=1&FORM%5Bdetail%5D=724 Winterabend]}} a.k.a. Winterlied |
|||
| text Das Glas gefullt! 2 | |
|||
| 1815-01-01 | 1815? |
|||
| Text by Holty, Ludwig Heinrich Christoph, Das Glas gefullt! 2 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other setting: {{D.|number=242}}) |
|||
|- |
|||
| 243 |
|||
| XXX,1892 | (1892) |
|||
| Fruhlingslied, D 243 | Frühlingslied, D 243 |
|||
| text Die Luft ist blau 1 | |
|||
| 1815-08-01 | August<br />1815? |
|||
| Text by Holty, Ludwig Heinrich Christoph, Die Luft ist blau 1 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other setting: {{D.|number=398}}); For [[SATB|ttb]] |
|||
|- |
|||
| 244 |
|||
| XXX,1892 | (1892) |
|||
| Willkommen, lieber schoner Mai | Willkommen, lieber schöner Mai |
|||
| text Willkommen, lieber schoner Mai | |
|||
| 1815-08-01 | August<br />1815? |
|||
| Text by Holty, Ludwig Heinrich Christoph, Willkommen, lieber schoner Mai | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]]; Canon for three voices in two sections |
|||
|- |
|||
| [[D. 246|246]] |
|||
| XXX,1830 | (1830) |
|||
| Burgschaft, Die, D 246 | [[Die Bürgschaft (Schubert)|Die Bürgschaft]], D 246 |
|||
| text Zu Dionys, dem Tyrannen | |
|||
| 1815-08-01 | August<br />1815 |
|||
| Text by Schiller, Friedrich, Zu Dionys, dem Tyrannen | Text by [[Friedrich Schiller|Schiller]]; Partly reused in {{D.|number=435}} |
|||
|- |
|||
| 247 |
|||
| 118,1829-6 | 118p,6<br>(1829) |
|||
| Spinnerin, Die | Die Spinnerin |
|||
| text Als ich still und ruhig spann | |
|||
| 1815-08-01 | August<br />1815 |
|||
| Text by Goethe, Johann Wolfgang von, Als ich still und ruhig spann | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 248 |
|||
| 118,1829-4 | 118p,4<br>(1829) |
|||
| Lob des Tokayers |
|||
| text O kostlicher Tokayer, o koniglicher Wein | |
|||
| 1815-08-01 | August<br />1815 |
|||
| Text by Baumberg, Gabriele von, O kostlicher Tokayer, o koniglicher Wein | Text by [[Gabriele von Baumberg|Baumberg]] |
|||
|- |
|||
| 249 |
|||
| ZZZZ | |
|||
| Schlacht, Die, D 249 | Die Schlacht, D 249 |
|||
| text Schwer und dumpfig 1 | |
|||
| 1815-08-01 | 1/8/1815 |
|||
| Text by Schiller, Friedrich, Schwer und dumpfig 1 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=387}}); Sketch |
|||
|- |
|||
| 250 |
|||
| XXX,1872 | (1872) |
|||
| Geheimnis, Das, D 250 | Das Geheimnis, D 250 |
|||
| text Sie konnte mir kein Wortchen sagen 1 | |
|||
| 1815-08-07 | 7/8/1815 |
|||
| Text by Schiller, Friedrich, Sie konnte mir kein Wortchen sagen 1 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=793}}) |
|||
|- |
|||
| 251 |
|||
| XXX,1872 | (1872) |
|||
| Hoffnung, D 251 |
|||
| text Es reden und traumen die Menschen viel 1 | |
|||
| 1815-08-07 | 7/8/1815 |
|||
| Text by Schiller, Friedrich, Es reden und traumen die Menschen viel 1 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=637}}) |
|||
|- |
|||
| 252 |
|||
| XXX,1887 | (1887) |
|||
| Madchen aus der Fremde, Das, D 252 | [[Das Mädchen aus der Fremde]], D 252 |
|||
| text In einem Tal bei armen Hirten 2 | |
|||
| 1815-08-12 | 12/8/1815 |
|||
| Text by Schiller, Friedrich, In einem Tal bei armen Hirten 2 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=117}}) |
|||
|- |
|||
| 253 |
|||
| XXX,1887 | (1887) |
|||
| Punschlied: Im Norden zu singen |
|||
| text Auf der Berge freien Hohen | |
|||
| 1815-08-18 | 18/8/1815 |
|||
| Text by Schiller, Friedrich, Auf der Berge freien Hohen | Text by [[Friedrich Schiller|Schiller]]; Two versions: 2nd for two voices |
|||
|- |
|||
| 254 |
|||
| XXX,1887 | (1887) |
|||
| Gott und die Bajadere, Der | Der Gott und die Bajadere |
|||
| text Mahadoh, der Herr der Erde | |
|||
| 1815-08-18 | 18/8/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Mahadoh, der Herr der Erde | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 255 |
|||
| XXX,1850 | (1850) |
|||
| Rattenfanger, Der | Der Rattenfänger |
|||
| text Ich bin der wohlbekannte Sanger | |
|||
| 1815-08-19 | 19/8/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Ich bin der wohlbekannte Sanger | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 256 |
|||
| XXX,1887 | (1887) |
|||
| Schatzgraber, Der | Der Schatzgräber |
|||
| text Arm am Beutel, krank am Herzen | |
|||
| 1815-08-19 | 19/8/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Arm am Beutel, krank am Herzen | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| [[D. 257|257]] |
|||
| 003,1821-3 | 3,3<br>(1821) |
|||
| Heidenroslein | [[Heidenröslein]] |
|||
| text Sah ein Knab' ein Roslein stehn | |
|||
| 1815-08-19 | 19/8/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Sah ein Knab' ein Roslein stehn | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 258 |
|||
| XXX,1887 | (1887) |
|||
| Bundeslied |
|||
| text In allen guten Stunden | |
|||
| 1815-08-19 | 19/8/1815 |
|||
| Text by Goethe, Johann Wolfgang von, In allen guten Stunden | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 259 |
|||
| XXX,1850 | (1850) |
|||
| An den Mond, D 259 |
|||
| text Fullest wieder Busch und Tal 1 | |
|||
| 1815-08-19 | 19/8/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Fullest wieder Busch und Tal 1 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other setting: {{D.|number=296}}) |
|||
|- |
|||
| 260 |
|||
| 115,1829-2 | 115p,2<br>(1829) |
|||
| Wonne der Wehmut |
|||
| text Trocknet nicht, trocknet nicht | |
|||
| 1815-08-20 | 20/8/1815 |
|||
| Text by Goethe, Johann Wolfgang von, Trocknet nicht, trocknet nicht | Text by [[Johann Wolfgang von Goethe|Goethe]]; Reused in {{D.|numner=918}} |
|||
|- |
|||
| 261 |
|||
| XXX,1850 | (1850) |
|||
| Wer kauft Liebesgotter | Wer kauft Liebesgötter? |
|||
| text Von allen schonen Waren | |
|||
| 1815-08-21 | 21/8/1815 |
|||
| Text by Goethe, Johann Wolfgang von from Zauberflote, Der, II, Von allen schonen Waren | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''Der Zauberflöte zweiter Teil'' |
|||
|- |
|||
| 262 |
|||
| XXX,1895 | (1895) |
|||
| Frohlichkeit, Die | Die Fröhlichkeit |
|||
| text Wess' Adern leichtes Blut durchspringt | |
|||
| 1815-08-22 | 22/8/1815 |
|||
| Text by Prandstatter, Martin Joseph, Wess' Adern leichtes Blut durchspringt"| Text by {{illm|Martin Joseph Prandstätter|de|lt=Prandstätter}} |
|||
|- |
|||
| 263 |
|||
| XXX,1848 | (1848) |
|||
| Cora an die Sonne |
|||
| text Nach so vielen truben Tagen | |
|||
| 1815-08-22 | 22/8/1815 |
|||
| Text by Baumberg, Gabriele von, Nach so vielen truben Tagen | Text by [[Gabriele von Baumberg|Baumberg]] |
|||
|- |
|||
| 264 |
|||
| XXX,1850 | (1850)<br />(1872) |
|||
| Morgenkuss, Der | Der Morgenkuß |
|||
| text Durch eine ganze Nacht sich nah zu sein | |
|||
| 1815-08-22 | 22/8/1815 |
|||
| Text by Baumberg, Gabriele von, Durch eine ganze Nacht sich nah zu sein | Text by [[Gabriele von Baumberg|Baumberg]]; Two versions: 2nd, publ. in 1850, in AGA |
|||
|- id="D 265" |
|||
| 265 |
|||
| XXX,1895 | (1895) |
|||
| Abendstandchen: An Lina | Abendständchen: An Lina |
|||
| text Sei sanft wie ihre Seele | |
|||
| 1815-08-23 | 23/8/1815 |
|||
| Text by Baumberg, Gabriele von, Sei sanft wie ihre Seele | Text by [[Gabriele von Baumberg|Baumberg]] |
|||
|- |
|||
| 266 |
|||
| XXX,1895 | (1895) |
|||
| Morgenlied, D 266 |
|||
| text Willkommen, rotes Morgenlicht! | |
|||
| 1815-08-24 | 24/8/1815 |
|||
| Text by Stolberg-Stolberg, Friedrich Leopold zu, Willkommen, rotes Morgenlicht! | Text by [[Friedrich Leopold zu Stolberg-Stolberg|Stolberg-Stolberg]] |
|||
|- |
|||
| 267 |
|||
| XXX,1872 | (1872) |
|||
| Trinklied, D 267 | [[Trinklied (Schubert)|Trinklied]], D 267 |
|||
| text Auf! Jeder sei nun froh und sorgenfrei! | |
|||
| 1815-08-25 | 25/8/1815 |
|||
| For [[SATB|ttbb]] and piano |
|||
|- |
|||
| 268 |
|||
| XXX,1872 | (1872) |
|||
| Bergknappenlied |
|||
| text Hinab, ihr Bruder, in den Schacht! | |
|||
| 1815-08-25 | 25/8/1815 |
|||
| For [[SATB|ttbb]] and piano |
|||
|- |
|||
| 269 |
|||
| XXX,1848 | (1848) |
|||
| Leben, Das | Das Leben |
|||
| text Das Leben ist ein Traum | |
|||
| 1815-08-25 | 25/8/1815 |
|||
| Text by Wannovius, Johann Christoph, Das Leben ist ein Traum | Text by {{illm|Johann Christoph Wannovius|scores|Category:Wannovius, Johann Christoph|lt=Wannovius}}; Two versions: 1st for [[SATB|tbb]] and piano – 2nd, in AGA, for [[SATB|ssa]] and piano |
|||
|- |
|||
| 270 |
|||
| 118,1829-5 | 118p,5<br>(1829) |
|||
| An die Sonne, D 270 |
|||
| text Sinke, liebe Sonne | |
|||
| 1815-08-25 | 25/8/1815 |
|||
| Text by Baumberg, Gabriele von, Sinke, liebe Sonne | Text by [[Gabriele von Baumberg|Baumberg]] |
|||
|- |
|||
| 271 |
|||
| XXX,1895 | (1895) |
|||
| Weiberfreund, Der | Der Weiberfreund |
|||
| text Noch fand von Evens Tochterscharen ich keine | |
|||
| 1815-08-25 | 25/8/1815 |
|||
| Text by Ratschky, Joseph Franz, Noch fand von Evens Tochterscharen ich keine | Text by {{illm|Joseph Franz Ratschky|de|lt=Ratschky}}, after [[Abraham Cowley|Cowley]] |
|||
|- |
|||
| 272 |
|||
| XXX,1872 | (1872) |
|||
| An die Sonne, D 272 |
|||
| text Konigliche Morgensonne | |
|||
| 1815-08-25 | 25/8/1815 |
|||
| Text by Tiedge, Christoph August, Königliche Morgensonne | Text by [[Christoph August Tiedge|Tiedge]] |
|||
|- |
|||
| 273 |
|||
| XXX,1895 | (1895) |
|||
| Lilla an die Morgenrote | Lilla an die Morgenröte |
|||
| text Wie schon bist du, du guldne Morgenrote | |
|||
| 1815-08-25 | 25/8/1815 |
|||
| ZZZZ | |
|||
|- |
|||
| 274 |
|||
| XXX,1850 | (1850) |
|||
| Tischlerlied |
|||
| text Mein Handwerk geht durch alle Welt | |
|||
| 1815-08-25 | 25/8/1815 |
|||
| ZZZZ | |
|||
|- |
|||
| 275 |
|||
| XXX,1895 | (1895) |
|||
| Totenkranz fur ein Kind | Totenkranz für ein Kind |
|||
| text Sanft wehn, im Hauch der Abendluft | |
|||
| 1815-08-25 | 25/8/1815 |
|||
| Text by Matthisson, Friedrich von, Sanft wehn, im Hauch der Abendluft | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| 276 |
|||
| XXX,1895 | (1895) |
|||
| Abendlied, D 276 |
|||
| text Gross und rotenflammet | |
|||
| 1815-08-28 | 28/8/1815 |
|||
| Text by Stolberg-Stolberg, Friedrich Leopold zu, Gross und rotenflammet | Text by [[Friedrich Leopold zu Stolberg-Stolberg|Stolberg-Stolberg]] |
|||
|- |
|||
| 277 |
|||
| XXX,1892 | (1892) |
|||
| Punschlied, D 277 |
|||
| text Vier Elemente, inning gesellt | |
|||
| 1815-08-29 | 29/8/1815 |
|||
| Text by Schiller, Friedrich, Vier Elemente, inning gesellt | Text by [[Friedrich Schiller|Schiller]]; For [[SATB|ttb]] and piano |
|||
|- |
|||
| 277.1 | [[D. 277A|277A]] |
|||
| XXX,1925 | (1925) |
|||
| [[D. 277A|Minuet with Trio, D 277A]] |
|||
| key A minor F major | A minor (minuet) / F major (trio) |
|||
| 1815-09-01 | September<br />1815? |
|||
| For piano; Partly reused in {{D.|number=279}} |
|||
|- |
|||
| 278 |
|||
| XXX,1830 | (1830)<br />(1897) |
|||
| Ossians Lied nach dem Falle Nathos |
|||
| text Beugt euch aus euren Wolken nieder | |
|||
| 1815-01-01 | 1815 |
|||
| Text by Macpherson, James (Ossian) from Dar-Thula, Beugt euch aus euren Wolken nieder | Text by [[James Macpherson|Macpherson]] ([[Ossian]]), from ''Dar-Thula'', transl. by E. Baron de Harold; Two versions: 1st is a fragment – 2nd publ. in 1830 |
|||
|- |
|||
| [[D. 279|279]] |
|||
| XXX,1888 | (1888) |
|||
| [[Piano Sonata in C major, D 279 (Schubert)|Piano Sonata, D 279]] |
|||
| key C major | C major |
|||
| 1815-09-01 | September<br />1815 |
|||
| Allegro moderato – Andante – Minuet (partly based on {{D.|number=277A}}); {{D.|number=309A}}, or [[D. 346|346]], may be 4th movement |
|||
|- |
|||
| 280 |
|||
| XXX,1837 | (1837) |
|||
| Rosenband, Das | Das Rosenband |
|||
| text Im Fruhlingsgarten fand ich sie | |
|||
| 1815-09-01 | September<br />1815 |
|||
| Text by Klopstock, Friedrich Gottlieb, Im Fruhlingsgarten fand ich sie | Text by [[Friedrich Gottlieb Klopstock|Klopstock]] |
|||
|- |
|||
| 281 |
|||
| XXX,1830 | (1830) |
|||
| Madchen von Inistore, Das | Das Mädchen von Inistore |
|||
| text Madchen Inistores, wein auf dem Felsen | |
|||
| 1815-09-01 | September<br />1815 |
|||
| Text by Macpherson, James (Ossian) from Fingal, Book I, Rolle, Madchen Inistores, wein auf dem Felsen | Text by [[James Macpherson|Macpherson]] ([[Ossian]]), from ''[[Fingal (poem)|Fingal]]'', Book I, transl. by E. Baron de Harold |
|||
|- |
|||
| 282 |
|||
| XXX,1830 | (1830) |
|||
| Cronnan |
|||
| text Ich sitz' bei der moosigten Quelle | |
|||
| 1815-09-05 | 5/9/1815 |
|||
| Text by Macpherson, James (Ossian) from Carric-thura, Ich sitz' bei der moosigten Quelle | Text by [[James Macpherson|Macpherson]] ([[Ossian]]), from ''Carric-thura'', transl. by E. Baron de Harold |
|||
|- |
|||
| 283 |
|||
| 172,1865-5 | 172p,5<br>(1865) |
|||
| An den Fruhling, D 283 | An den Frühling, D 283 |
|||
| text Willkommen, schoner Jungling! 1 | |
|||
| 1815-09-06 | 6/9/1815 |
|||
| Text by Schiller, Friedrich, Willkommen, schoner Jungling! 1 | Text by [[Friedrich Schiller|Schiller]] (other settings: {{D.|number=338}} and [[D. 587|587]]) |
|||
|- |
|||
| 284 |
|||
| XXX,1895 | (1895) |
|||
| Lied, D 284 |
|||
| text Es ist so angenehm, so suss | |
|||
| 1815-09-06 | 6/9/1815 |
|||
| Text by Schiller, Friedrich, Es ist so angenehm, so suss | Text by [[Friedrich Schiller|Schiller]](?) |
|||
|- |
|||
| 285 |
|||
| XXX,1885 | (1885)<br />(1895) |
|||
| Furcht der Geliebten, a.k.a. An Cidli |
|||
| text Cidli, du weinest | |
|||
| 1815-09-12 | 12/9/1815 |
|||
| Text by Klopstock, Friedrich Gottlieb from Oden, Cidli, du weinest | Text by [[Friedrich Gottlieb Klopstock|Klopstock]], from ''Oden''; Two versions: 2nd publ. in 1885 |
|||
|- |
|||
| 286 |
|||
| XXX,1837 | (1837)<br />(1895) |
|||
| Selma und Selmar |
|||
| text Weine du nicht | |
|||
| 1815-09-14 | 14/9/1815 |
|||
| Text by Klopstock, Friedrich Gottlieb, Weine du nicht | Text by [[Friedrich Gottlieb Klopstock|Klopstock]]; Two versions: 2nd publ. in 1837 |
|||
|- |
|||
| [[D. 287|287]] |
|||
| XXX,1895 | (1895) |
|||
| [[Vaterlandslied]] |
|||
| text Ich bin ein deutsches Madchen | |
|||
| 1815-09-14 | 14/9/1815 |
|||
| Text by Klopstock, Friedrich Gottlieb from Oden, Ich bin ein deutsches Mädchen | Text by [[Friedrich Gottlieb Klopstock|Klopstock]], from ''Oden''; Two versions |
|||
|- |
|||
| 288 |
|||
| XXX,1895 | (1895) |
|||
| An Sie |
|||
| text Zeit, Verkundigerin der besten Freuden | |
|||
| 1815-09-14 | 14/9/1815 |
|||
| Text by Klopstock, Friedrich Gottlieb from Oden, Zeit, Verkundigerin der besten Freuden | Text by [[Friedrich Gottlieb Klopstock|Klopstock]], from ''Oden'' |
|||
|- |
|||
| 289 |
|||
| XXX,1895 | (1895) |
|||
| Sommernacht, Die | Die Sommernacht |
|||
| text Wenn der Schimmer von dem Monde | |
|||
| 1815-09-14 | 14/9/1815 |
|||
| Text by Klopstock, Friedrich Gottlieb, Wenn der Schimmer von dem Monde | Text by [[Friedrich Gottlieb Klopstock|Klopstock]]; Two versions |
|||
|- |
|||
| 290 |
|||
| XXX,1837 | (1837) |
|||
| Fruhen Graber, Die | Die frühen Gräber |
|||
| text Willkommen, o silberner Mond | |
|||
| 1815-09-14 | 14/9/1815 |
|||
| Text by Klopstock, Friedrich Gottlieb from Oden, Willkommen, o silberner Mond | Text by [[Friedrich Gottlieb Klopstock|Klopstock]], from ''Oden'' |
|||
|- |
|||
| 291 |
|||
| XXX,1831 | (1831)<br />(1895) |
|||
| Unendlichen, Dem | Dem Unendlichen |
|||
| text Wie erhebt sich das Herz | |
|||
| 1815-09-15 | 15/9/1815 |
|||
| Text by Klopstock, Friedrich Gottlieb, Wie erhebt sich das Herz | Text by [[Friedrich Gottlieb Klopstock|Klopstock]]; Three versions: 2nd publ. in 1831 |
|||
|- |
|||
| 293 |
|||
| XXX,1830 | (1830) |
|||
| Shilric und Vinvela |
|||
| text Mein Geliebter ist ein Sohn des Hugels | |
|||
| 1815-09-20 | 20/9/1815 |
|||
| Text by Macpherson, James (Ossian) from Carric-thura, Mein Geliebter ist ein Sohn des Hugels | Text by [[James Macpherson|Macpherson]] ([[Ossian]]), from ''Carric-thura'', transl. by E. Baron de Harold |
|||
|- |
|||
| 294 |
|||
| XXX,1892 | (1892) |
|||
| ''Namensfeier für [[Franz Michael Vierthaler]]'', a.k.a. Gratulations-Kantate |
|||
| |
|||
| 1815-09-27 | 27/9/1815 |
|||
| For [[SATB|stbSTB]] and orchestra |
|||
|- |
|||
| 295 |
|||
| XXX,1872 | (1872)<br />(1895) |
|||
| Hoffnung, D 295 |
|||
| text Schaff, das Tagwerk meiner Hande | |
|||
| 1815-01-01 | 1815 or<br />1816? |
|||
| Text by Goethe, Johann Wolfgang von, Schaff, das Tagwerk meiner Hande | Text by [[Johann Wolfgang von Goethe|Goethe]]; Two versions: 1st publ. in 1872 |
|||
|- |
|||
| 296 |
|||
| XXX,1868 | (1868) |
|||
| An den Mond, D 296 |
|||
| text Fullest wieder Busch und Tal 2 | |
|||
| 1815-01-01 | 1815 or<br />1816? |
|||
| Text by Goethe, Johann Wolfgang von, Fullest wieder Busch und Tal 2 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other setting: {{D.|number=259}}) |
|||
|- |
|||
| 297 |
|||
| XXX,1850 | (1850)<br />(1895) |
|||
| Augenlied |
|||
| text Susse Augen, klare Bronnen! | |
|||
| 1817-03-21 | spring<br />1817? |
|||
| Text by Mayrhofer, Johann, Susse Augen, klare Bronnen! | Text by [[Johann Mayrhofer|Mayrhofer]]; Two versions: 2nd publ. in 1850 |
|||
|- |
|||
| 298 |
|||
| XXX,1895 | (1895) |
|||
| Liane |
|||
| text Hast du Lianen nicht gesehen? | |
|||
| 1815-10-01 | October<br />1815 |
|||
| Text by Mayrhofer, Johann, Hast du Lianen nicht gesehen? | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 299 |
|||
| XXX,1897 | (1897)<br />(1912) |
|||
| Ecossaises, 12, D 299 | Twelve Écossaises, D 299 |
|||
| key I | Various keys |
|||
| 1815-10-03 | 3/10/1815 |
|||
| For piano; No. 1 similar to {{D.|number=145}} Écoss. No. 1; Nos. 9–12 publ. in 1912 |
|||
|- |
|||
| 300 |
|||
| XXX,1842 | (1842) |
|||
| Jungling an der Quelle, Der | Der Jüngling an der Quelle |
|||
| text Leise, rieselnder Quell | |
|||
| 1816-01-01 | 1816 or<br />1817? |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Leise, rieselnder Quell | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] |
|||
|- |
|||
| 301 |
|||
| XXX,1842 | (1842) |
|||
| Lambertine |
|||
| text O Liebe, die mein Herz erfullet | |
|||
| 1815-10-12 | 12/10/1815 |
|||
| Text by Stoll, Josef Ludwig, O Liebe, die mein Herz erfullet | Text by {{illm|Josef Ludwig Stoll|scores|Category:Stoll, Josef Ludwig|lt=Stoll}} |
|||
|- |
|||
| 302 |
|||
| XXX,1895 | (1895) |
|||
| Labetrank der Liebe |
|||
| text Wenn im Spiele leiser Tone | |
|||
| 1815-10-15 | 15/10/1815 |
|||
| Text by Stoll, Josef Ludwig, Wenn im Spiele leiser Tone | Text by {{illm|Josef Ludwig Stoll|scores|Category:Stoll, Josef Ludwig|lt=Stoll}} |
|||
|- |
|||
| 303 |
|||
| XXX,1887 | (1887) |
|||
| An die Geliebte |
|||
| text O, dass ich dir vom stillen Auge | |
|||
| 1815-10-15 | 15/10/1815 |
|||
| Text by Stoll, Josef Ludwig, O, dass ich dir vom stillen Auge | Text by {{illm|Josef Ludwig Stoll|scores|Category:Stoll, Josef Ludwig|lt=Stoll}}; Music partly reused in {{D.|number=497}} |
|||
|- |
|||
| 304 |
|||
| XXX,1895 | (1895) |
|||
| Wiegenlied, D 304 |
|||
| text Schlumm're sanft! Noch an dem Mutterherzen | |
|||
| 1815-10-15 | 15/10/1815 |
|||
| Text by Korner, Theodor, Schlumm're sanft! Noch an dem Mutterherzen | Text by [[Theodor Körner (author)|Körner]] |
|||
|- |
|||
| 305 |
|||
| XXX,1895 | (1895) |
|||
| Mein Gruss an den Mai | Mein Gruß an den Mai |
|||
| text Sei mir gegrusst, o Mai | |
|||
| 1815-10-15 | 15/10/1815 |
|||
| Text by Kumpf, Johann Gottfried, Sei mir gegrusst, o Mai | Text by {{illm|Johann Gottfried Kumpf|de|lt=Kumpf}} |
|||
|- |
|||
| 306 |
|||
| XXX,1895 | (1895) |
|||
| Skolie, D 306 |
|||
| text Lasst im Morgenstrahl des Mai'n | |
|||
| 1815-10-15 | 15/10/1815 |
|||
| Text by Deinhardstein, Johann Ludwig, Lasst im Morgenstrahl des Mai'n | Text by {{illm|Johann Ludwig Deinhardstein|de|lt=Deinhardstein}} |
|||
|- |
|||
| 307 |
|||
| XXX,1895 | (1895) |
|||
| Sternenwelten, Die | Die Sternenwelten |
|||
| text Oben drehen sich die grossen unbekannten Welten dort | |
|||
| 1815-10-15 | 15/10/1815 |
|||
| Text by Fellinger, Johann Georg, Oben drehen sich die großen unbekannten Welten dort | Text by {{illm|Johann Georg Fellinger|wikisource:de|ADB:Fellinger, Johann Georg|lt=Fellinger}}, after [[Urban Jarnik|Jarnik]] |
|||
|- |
|||
| 308 |
|||
| XXX,1895 | (1895) |
|||
| Macht der Liebe, Die | Die Macht der Liebe |
|||
| text Uberall, wohin mein Auge blicket | |
|||
| 1815-10-15 | 15/10/1815 |
|||
| Text by Kalchberg, Johann von, Uberall, wohin mein Auge blicket | Text by {{illm|Johann von Kalchberg|wikisource:de|lt=Kalchberg}} |
|||
|- |
|||
| 309 |
|||
| XXX,1872 | (1872) |
|||
| Gestorte Gluck, Das | Das gestörte Glück |
|||
| text Ich hab' ein heisses junges Blut | |
|||
| 1815-10-15 | 15/10/1815 |
|||
| Text by Korner, Theodor, Ich hab' ein heisses junges Blut | Text by [[Theodor Körner (author)|Körner]] |
|||
|- |
|||
| 309.1 | [[D. 309A|309A]] |
|||
| ZZZZ | |
|||
| [[Rondo, D 309A (Schubert)|Rondo, D 309A]] |
|||
| key C major | C major |
|||
| 1815-01-01 | 1815 |
|||
| For piano; Fragment; 4th movement of {{D.|number=279}}? |
|||
|- |
|||
| [[D. 310|310]] |
|||
| XXX,1895 | (1895) |
|||
| Sehnsucht, D 310 | [[Sehnsucht, D 310 (Schubert)|Sehnsucht, D 310]], a.k.a. [[Mignon (Schubert)#Songs from Wilhelm Meister|Lied der Mignon]] |
|||
| text Nur wer die Sehnsucht kennt 1 | |
|||
| 1815-10-18 | 18/10/1815 |
|||
| Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, Nur wer die Sehnsucht kennt 1 | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Wilhelm Meister's Apprenticeship]]'' (other settings: {{D.|number=359}}, [[D. 481|481]], [[D. 656|656]] and [[D. 877|877]] Nos. 1 & 4); Two versions |
|||
|- |
|||
| 311 |
|||
| ZZZZ | |
|||
| An den Mond, D 311 |
|||
| ZZZZ | |
|||
| 1815-10-19 | 19/10/1815? |
|||
| For voice and piano; Sketch without text |
|||
|- |
|||
| 312 |
|||
| 058,1826-1 | 58,1<br>(1826)<br />(1895) |
|||
| Hektors Abschied |
|||
| text Will sich Hektor ewig von mir wenden | |
|||
| 1815-10-19 | 19/10/1815 |
|||
| Text by Schiller, Friedrich, Will sich Hektor ewig von mir wenden | Text by [[Friedrich Schiller|Schiller]]; Two versions: 2nd is Op. 58 No. 1 |
|||
|- |
|||
| 313 |
|||
| XXX,1895 | (1895) |
|||
| Sterne, Die, D 313 | Die Sterne, D 313 |
|||
| text Wie wohl ist mir im Dunkeln! | |
|||
| 1815-10-19 | 19/10/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Wie wohl ist mir im Dunkeln! | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 314 |
|||
| XXX,1887 | (1887) |
|||
| [[Nachtgesang]], D 314 |
|||
| text Tiefe Feier schauert um die Welt | |
|||
| 1815-10-19 | 19/10/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Tiefe Feier schauert um die Welt | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 315 |
|||
| XXX,1895 | (1895) |
|||
| An Rosa I |
|||
| text Warum bist du nicht hier | |
|||
| 1815-10-19 | 19/10/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Warum bist du nicht hier | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 316 |
|||
| XXX,1895 | (1895) |
|||
| An Rosa II |
|||
| text Rosa, denkst du an mich? | |
|||
| 1815-10-19 | 19/10/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Rosa, denkst du an mich? | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]]; Two versions |
|||
|- |
|||
| 317 |
|||
| XXX,1895 | (1895) |
|||
| Idens Schwanenlied |
|||
| text Wie schaust du aus dem Nebelflor | |
|||
| 1815-10-19 | 19/10/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Wie schaust du aus dem Nebelflor | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]]; Two versions: 2nd in AGA |
|||
|- id="D 318" |
|||
| 318 |
|||
| XXX,1895 | (1895) |
|||
| Schwangesang |
|||
| text Endlich stehn die Pforten offen | |
|||
| 1815-10-19 | 19/10/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Endlich stehn die Pforten offen | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 319 |
|||
| XXX,1895 | (1895) |
|||
| Luisens Antwort |
|||
| text Wohl weinen Gottes Engel | |
|||
| 1815-10-19 | 19/10/1815 |
|||
| Text by Kosegarten, Ludwig Gotthard, Wohl weinen Gottes Engel | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 320 |
|||
| XXX,1895 | (1895) |
|||
| Zufriedene, Der | Der Zufriedene |
|||
| text Zwar schuf das Gluck hienieden | |
|||
| 1815-10-23 | 23/10/1815 |
|||
| Text by Reissig, Christian Ludwig von, Zwar schuf das Gluck hienieden"| Text by {{illm|Christian Ludwig von Reissig|de|lt=Reissig}} |
|||
|- |
|||
| [[D. 321|321]] |
|||
| XXX,1832 | (1832) |
|||
| [[Mignon (Schubert)|Mignon]] a.k.a. Mignons Gesang |
|||
| text Kennst du das Land | |
|||
| 1815-10-23 | 23/10/1815 |
|||
| Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship III, 1 Kennst du das Land | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Wilhelm Meister's Apprenticeship]]'' III, 1 |
|||
|- |
|||
| [[D. 322|322]] |
|||
| XXX,1837 | (1837) |
|||
| [[Hermann und Thusnelda]] |
|||
| text Ha, dort kommt er | |
|||
| 1815-10-27 | 27/10/1815 |
|||
| Text by Klopstock, Friedrich Gottlieb, Ha, dort kommt er | Text by [[Friedrich Gottlieb Klopstock|Klopstock]] |
|||
|- |
|||
| 323 |
|||
| XXX,1895 | (1895) |
|||
| Klage der Ceres |
|||
| text Ist der holde Lenz erschienen? | |
|||
| 1816-06-01 | 9/11/1815–<br />June 1816 |
|||
| Text by Schiller, Friedrich, Ist der holde Lenz erschienen? | Text by [[Friedrich Schiller|Schiller]]; Two versions: 2nd in AGA; A fragment of the last part was D 991 |
|||
|- |
|||
| [[D. 324|324]] |
|||
| 141,1837-0 | 141p<br>(1837) |
|||
| [[Mass No. 3 (Schubert)|Mass No. 3]] |
|||
| key B-flat major | B{{flat}} major<br />Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei |
|||
| 1815-11-11 | started<br />11/11/1815 |
|||
| Text: Mass ordinary 09 | Text: [[Mass ordinary]] (other settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 45|45]], [[D. 49|49]], [[D. 56|56]], [[D. 66|66]], [[D. 105|105]], [[D. 167|167]], [[D. 452|452]], [[D. 678|678]], [[D. 755|755]] and [[D. 950|950]]); For [[SATB|satbSATB]] and orchestra |
|||
|- |
|||
| 324.1 | 324A |
|||
| ZZZZ | |
|||
| Winterlied, D 324A |
|||
| ZZZZ | |
|||
| 1816?{{sfn|NSA website|loc=[http://schubert-ausgabe.de/en/research/schubert-database/?FORM%5Border%5D=bandnr&FORM%5Bseite%5D=1&FORM%5Bdetail%5D=1244 Winterlied, D 324A]}} |
|||
| ZZZZ | |
|||
|- |
|||
| [[D. 325|325]] |
|||
| XXX,1895 | (1895) |
|||
| [[Harfenspieler]], D 325 |
|||
| text Wer sich der Einsamkeit ergibt 1 | |
|||
| 1815-11-13 | 13/11/1815 |
|||
| Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, Wer sich der Einsamkeit ergibt 1 | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Wilhelm Meister's Apprenticeship]]'' (other setting: {{D.|number=478}} No. 1) |
|||
|- |
|||
| [[D. 326|326]] |
|||
| XXX,1888 | (1888) |
|||
| Freunde von Salamanka, Die | ''[[Die Freunde von Salamanka]]'' |
|||
| theatre (Singspiel in 2 acts) | (Singspiel in two acts) |
|||
| 1815-12-30 | 18/11/1815–<br />31/12/1815 |
|||
| Text by Mayrhofer, Johann Freunde von Salamanka, Die | Text by [[Johann Mayrhofer|Mayrhofer]]; Music for [[SATB|ssstttbbbbbbSATB]] and orchestra; Overture – Act I (Nos. 1–7) – Act II (Nos. 8–18, with music of No. 12 reappearing in {{D.|number=803}} and of No. 14 in {{D.|number=796}} No. 15) |
|||
|- |
|||
| 327 |
|||
| ZZZZ | |
|||
| Lorma, D 327 |
|||
| text Lorma sass in der Halle von Aldo 1 | |
|||
| 1815-11-28 | 28/11/1815 |
|||
| Text by Macpherson, James (Ossian) from The Battle of Lora, Lorma sass in der Halle von Aldo 1 | Text by [[James Macpherson|Macpherson]] ([[Ossian]]), from ''The Battle of Lora'', transl. by E. Baron de Harold (other setting: {{D.|number=376}}); Fragment |
|||
|- |
|||
| [[D. 328|328]] |
|||
| 001,1821-0 | 1<br />(1821)<br />(1895) |
|||
| Erlkonig | [[Erlkönig (Schubert)|Erlkönig]] |
|||
| text Wer reitet so spat durch Nacht und Wind? | |
|||
| 1815-11-01 | October<br />1815? |
|||
| Text by Goethe, Johann Wolfgang von, Wer reitet so spat durch Nacht und Wind? | Text by [[Johann Wolfgang von Goethe|Goethe]]; Four versions: 2nd and 3rd switched in AGA – 4th is Op. 1 |
|||
|- |
|||
| 329 |
|||
| XXX,1895 | (1895) |
|||
| Drei Sanger, Die | Die drei Sänger |
|||
| text Der Konig sass beim frohen Mahle | |
|||
| 1815-12-23 | 23/12/1815 |
|||
| Text by Bobrik, Johann Friedrich Ludwig, Der Konig sass beim frohen Mahle | Text by {{illm|Johann Friedrich Ludwig Bobrik|scores|Category:Bobrik, Johann Friedrich Ludwig|lt=Bobrik}}; Fragment |
|||
|- |
|||
| 329.1 | 329A |
|||
| ZZZZ | |
|||
| Grab, Das, D 329A | Das Grab, D 329A |
|||
| text Das Grab ist tief und stille 1 | |
|||
| 1815-12-28 | 28/12/1815? |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Das Grab ist tief und stille 1 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other settings: {{D.|number=330}}, [[D. 377|377]], [[D. 569|569]] and [[D. 643A|643A]]); Canon for [[SATB]]; Sketch |
|||
|- |
|||
| 330 |
|||
| XXX,1895 | (1895) |
|||
| Grab, Das, D 330 | Das Grab, D 330 |
|||
| text Das Grab ist tief und stille 2 | |
|||
| 1815-12-28 | 28/12/1815 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Das Grab ist tief und stille 2 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other settings: {{D.|number=329A}}, [[D. 377|377]], [[D. 569|569]] and [[D. 643A|643A]]); For choir and piano |
|||
|- id="331–510" style="text-align: center; background: #D8D8D8;" |
|- id="331–510" style="text-align: center; background: #D8D8D8;" |
||
|'''331–510''' |
| data-sort-value="330.9" colspan="2" | '''331–510''' |
||
| data-sort-value="ZZZZZ1816" colspan="5" | |
|||
| colspan="3" ZZZZZ1816 | |
|||
---- |
---- |
||
| 1815-12-31 | '''[[ |
| data-sort-value="1815-12-31" | '''[[List of compositions by Franz Schubert (1816)|1816]]''' |
||
| ZZZZZ1816 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1816" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1816)}} |
|||
|- |
|||
| 331 |
|||
| XXX,1866 | (1866) |
|||
| Entfernten, Der, D 331 | Der Entfernten, D 331 |
|||
| text Wohl denk' ich allenthalben 1 | |
|||
| 1816-01-01 | {{circa|1816}} |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Wohl denk' ich allenthalben 1 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other setting: {{D.|number=350}}); For [[SATB|ttbb]]; Identical to former {{D.|number=332}} |
|||
|- |
|||
| 334 |
|||
| XXX,1897 | (1897) |
|||
| Minuet with Trio, D 334 |
|||
| key A major E major | A major (minuet) / E major (trio) |
|||
| 1815-09-20 | before<br />fall 1815 |
|||
| For piano |
|||
|- |
|||
| 335 |
|||
| XXX,1897 | (1897) |
|||
| Minuet with two Trios |
|||
| key E major | E major |
|||
| 1813-01-01 | 1813? |
|||
| For piano |
|||
|- |
|||
| 337 |
|||
| XXX,1860 | (1860) |
|||
| Einsiedelei, Die, D 337 | Die Einsiedelei, D 337, a.k.a. Lob der Einsamkeit |
|||
| text Es rieselt klar und wehend ein Quell 1 | |
|||
| 1816-01-01 | {{circa|1816}} |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Es rieselt klar und wehend ein Quell 1 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other settings: {{D.|number=393}} and [[D. 563|563]]); For [[SATB|ttbb]] |
|||
|- |
|||
| 338 |
|||
| XXX,1891 | (1891) |
|||
| An den Fruhling, D 338 | An den Frühling, D 338 |
|||
| text Willkommen, schoner Jungling! 2 | |
|||
| 1816-01-01 | {{circa|1816}} |
|||
| Text by Schiller, Friedrich, Willkommen, schoner Jungling! 2 | Text by [[Friedrich Schiller|Schiller]] (other settings: {{D.|number=283}} and [[D. 587|587]]); For [[SATB|ttbb]] |
|||
|- |
|||
| 342 |
|||
| XXX,1885 | (1885) |
|||
| An mein Klavier a.k.a. Seraphine an ihr Klavier |
|||
| text Sanftes Klavier, welche Entzuckungen schaffest du mir | |
|||
| 1816-01-01 | {{circa|1816}} |
|||
| Text by Schubart, Christian Friedrich Daniel, Sanftes Klavier, welche Entzuckungen schaffest du mir | Text by [[Christian Friedrich Daniel Schubart|Schubart]] |
|||
|- |
|||
| 343 |
|||
| XXX,1831 | (1831) |
|||
| Am Tage Aller Seelen a.k.a. Litanei auf das Fest Aller Seelen |
|||
| text Ruh'n in Frieden alle Seelen | |
|||
| 1816-08-01 | August<br />1816 |
|||
| Text by Jacobi, Johann Georg, Ruh'n in Frieden alle Seelen | Text by [[Johann Georg Jacobi|Jacobi]]; Two versions: 1st, in AGA, publ. in 1831 |
|||
|- |
|||
| 344 |
|||
| ZZZZ | |
|||
| Am ersten Maimorgen |
|||
| text Heute will ich frohlich sein | |
|||
| 1816-01-01 | 1816? |
|||
| Text by Claudius, Matthias, Heute will ich frohlich sein | Text by [[Matthias Claudius|Claudius]] |
|||
|- |
|||
| 345 |
|||
| XXX,1897 | (1897) |
|||
| Violin Concerto | Violin Concerto, a.k.a. Konzertstück (Concert Piece) |
|||
| key D major | D major |
|||
| 1816-01-01 | 1816 |
|||
| Adagio, Allegro |
|||
|- |
|||
| [[D. 346|346]] |
|||
| XXX,1897 | (1897) |
|||
| [[Allegretto, D 346]] |
|||
| key C major | C major |
|||
| 1816-01-01 | 1816? |
|||
| For piano; Fragment; 4th movement of {{D.|number=279}}? |
|||
|- |
|||
| 347 |
|||
| XXX,1897 | (1897) |
|||
| Allegro moderato, D 347 |
|||
| key C major | C major |
|||
| 1813-01-01 | 1813? |
|||
| For piano; Fragment |
|||
|- |
|||
| 348 |
|||
| XXX,1897 | (1897) |
|||
| Andantino, D 348 |
|||
| key C major | C major |
|||
| 1816-01-01 | 1816? |
|||
| For piano; Fragment |
|||
|- |
|||
| 349 |
|||
| XXX,1897 | (1897) |
|||
| Adagio, D 349 |
|||
| key C major | C major |
|||
| 1816-01-01 | 1816? |
|||
| For piano; Fragment |
|||
|- |
|||
| 350 |
|||
| XXX,1885 | (1885) |
|||
| Entfernten, Der, D 350 | Der Entfernten, D 350 |
|||
| text Wohl denk' ich allenthalben 2 | |
|||
| 1816-01-01 | 1816? |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Wohl denk' ich allenthalben 2 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other setting: {{D.|number=331}}) |
|||
|- |
|||
| 351 |
|||
| XXX,1895 | (1895) |
|||
| Fischerlied, D 351 |
|||
| text Das Fischergewerbe gibt rustigen Mut 1 | |
|||
| 1816-01-01 | 1816? |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Das Fischergewerbe gibt rustigen Mut 1 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other settings: {{D.|number=364}} and [[D. 562|562]]) |
|||
|- |
|||
| 352 |
|||
| XXX,1847 | (1847) |
|||
| Licht und Liebe a.k.a. Nachtgesang |
|||
| text Liebe ist ein susses Licht | |
|||
| 1816-01-01 | 1816? |
|||
| Text by Collin, Matthaus Casimir von, Liebe ist ein susses Licht | Text by [[Matthäus Casimir von Collin|Collin, M. C.]]; For [[SATB|st]] and piano |
|||
|- |
|||
| [[D. 353|353]] |
|||
| 125,1840-2 | 125p,2<br>(1840) |
|||
| String Quartet, D 353 | [[String Quartet No. 11 (Schubert)|String Quartet No. 11]] |
|||
| key E major | E major |
|||
| 1816-01-01 | 1816 |
|||
| Allegro con fuoco – Andante – Minuet – Rondo |
|||
|- |
|||
| 354 |
|||
| XXX,1930 | (1930) |
|||
| Komische Landler, 4 | Four ''Komische Ländler'' |
|||
| key D major | D major |
|||
| 1816-01-01 | January<br />1816 |
|||
| For two violins |
|||
|- |
|||
| 355 |
|||
| XXX,1928 | (1928) |
|||
| Landler, 08, D 355 | Eight Ländler, D 355 |
|||
| key F-sharp minor | F{{sharp}} minor |
|||
| 1816-01-01 | January<br />1816 |
|||
| For violin(?) |
|||
|- |
|||
| 356 |
|||
| XXX,1844 | (1844) |
|||
| Trinklied, D 356 | [[Trinklied (Schubert)|Trinklied]], D 356 |
|||
| |
|||
| 1816-01-01 | 1816 |
|||
| For vocal soloist, [[SATB|TTBB]] and piano; Piano part lost (by [[Carl Czerny|Czerny]] in 1844 ed.) |
|||
|- |
|||
| 357 |
|||
| XXX,1892 | (1892) |
|||
| Goldner Schein |
|||
| text Goldner Schein deckt den Hain | |
|||
| 1816-05-01 | 1/5/1816 |
|||
| Text by Matthisson, Friedrich von, Goldner Schein deckt den Hain | Text by [[Friedrich von Matthisson|Matthisson]]; Canon for three voices |
|||
|- |
|||
| 358 |
|||
| XXX,1849 | (1849) |
|||
| Nacht, Die, D 358 | Die Nacht, D 358 |
|||
| text Du verstorst uns nicht, o Nacht! | |
|||
| 1816-01-01 | 1816 |
|||
| Text by Uz, Johann, Du verstorst uns nicht, o Nacht! | Text by [[Johann Uz|Uz]] |
|||
|- |
|||
| [[D. 359|359]] |
|||
| XXX,1872 | (1872) |
|||
| Sehnsucht, D 359 | [[Sehnsucht, D 359 (Schubert)|Sehnsucht, D 359]] a.k.a. Lied der Mignon |
|||
| text Nur wer die Sehnsucht kennt 2 | |
|||
| 1816-01-01 | 1816 |
|||
| Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, Nur wer die Sehnsucht kennt 2 | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Wilhelm Meister's Apprenticeship]]'' (other settings: {{D.|number=310}}, [[D. 481|481]], [[D. 656|656]] and [[D. 877|877]] Nos. 1 & 4) |
|||
|- |
|||
| 360 |
|||
| 065,1826-1 | 65,1<br>(1826) |
|||
| Lied eines Schiffers an die Dioskuren |
|||
| text Dioskuren, Zwillingssterne | |
|||
| 1816-01-01 | 1816 |
|||
| Text by Mayrhofer, Johann, Dioskuren, Zwillingssterne | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 361 |
|||
| 109,1829-1 | 109p,1<br>(1829) |
|||
| Am Bach im Fruhling | Am Bach im Frühling |
|||
| text Du brachst sie nun, die kalte Rinde | |
|||
| 1816-01-01 | 1816 |
|||
| Text by Schober, Franz von, Du brachst sie nun, die kalte Rinde | Text by [[Franz von Schober|Schober]]; Piano intro probably not by Schubert |
|||
|- |
|||
| 362 |
|||
| XXX,1895 | (1895) |
|||
| Zufriedenheit, D 362, a.k.a. Lied |
|||
| text Ich bin vergnugt 1 | |
|||
| 1815-01-01 | 1815 or<br />1816? |
|||
| Text by Claudius, Matthias, Ich bin vergnugt 1 | Text by [[Matthias Claudius|Claudius]] (other setting: {{D.|number=501}}) |
|||
|- |
|||
| 363 |
|||
| ZZZZ | |
|||
| An Chloen, D 363 |
|||
| text Die Munterkeit ist meinen Wangen | |
|||
| 1816-01-01 | 1816 |
|||
| Text by Uz, Johann, Die Munterkeit ist meinen Wangen | Text by [[Johann Uz|Uz]]; Fragment |
|||
|- |
|||
| 364 |
|||
| XXX,1897 | (1897) |
|||
| Fischerlied, D 364 |
|||
| text Das Fischergewerbe gibt rustigen Mut 2 | |
|||
| 1816-01-01 | 1816 or<br />1817? |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Das Fischergewerbe gibt rustigen Mut 2 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other settings: {{D.|number=351}} and [[D. 562|562]]); For [[SATB|ttbb]] |
|||
|- |
|||
| 365 |
|||
| 009,1821.1 | 9<br>(1821) |
|||
| Original Dances, 36 | 36 Original Dances a.k.a. ''Erste Walzer'' |
|||
| key I | Various keys |
|||
| 1821-07-01 | {{circa|Mar. 1818–<br />Jul. 1821}} |
|||
| For piano; No. 2 publ. in 1826 as [[Ludwig van Beethoven|Beethoven]]'s ([[List of compositions by Ludwig van Beethoven#Works with Anhang (Anh.) numbers|Kinksky Anh.]] 14 No. 1) |
|||
|- |
|||
| 366 |
|||
| XXX,1824 | (1824)<br />(1869) |
|||
| Landler, 17, D 366 | 17 Ländler, D 366 |
|||
| key I | Various keys |
|||
| 1824-11-01 | {{circa|Jul. 1824–<br />Nov. 1824}} |
|||
| For piano; Nos. 6 and 17 publ. in 1824; No. 7 partly reappears in {{D.|number=618}} and No. 17 in {{D.|number=814}} |
|||
|- |
|||
| [[D. 367|367]] |
|||
| 005,1821-5 | 5,5<br>(1821) |
|||
| Konig in Thule, Der | [[Der König in Thule]] |
|||
| text Es war ein Konig in Thule | |
|||
| 1816-01-01 | early 1816 |
|||
| Text by Goethe, Johann Wolfgang von from Faust I, 8, Es war ein Konig in Thule | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Goethe's Faust|Faust]]'' I, 8 |
|||
|- |
|||
| 368 |
|||
| 003,1821-4 | 3,4<br>(1821) |
|||
| Jagers Abendlied, D 368 | Jägers Abendlied, D 368 |
|||
| text Im Felde schleich ich, still und wild 2 | |
|||
| 1816-01-01 | early 1816? |
|||
| Text by Goethe, Johann Wolfgang von, Im Felde schleich ich, still und wild 2 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other setting: {{D.|number=215}}) |
|||
|- |
|||
| 369 |
|||
| 019,1825-1 | 19,1<br>(1825) |
|||
| An Schwager Kronos |
|||
| text Spute dich, Kronos! | |
|||
| 1816-01-01 | 1816 |
|||
| Text by Goethe, Johann Wolfgang von, Spute dich, Kronos! | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 370 |
|||
| XXX,1930 | (1930) |
|||
| Landler, 09, D 370 | Nine Ländler, D 370 |
|||
| key D major | D major |
|||
| 1816-01-01 | January<br />1816 |
|||
| For violin?; No. 7 reused in {{D.|number=378}} No. 6 |
|||
|- |
|||
| 371 |
|||
| XXX,1872 | (1872) |
|||
| Klage, D 371 |
|||
| text Trauer umfliesst mein Leben | |
|||
| 1816-01-01 | January<br />1816 |
|||
| Two versions: 1st, a sketch, was {{D.|number=292}} |
|||
|- |
|||
| 372 |
|||
| XXX,1895 | (1895) |
|||
| An die Natur |
|||
| text Susse, heilige Natur | |
|||
| 1816-01-15 | 15/1/1816 |
|||
| Text by Stolberg-Stolberg, Friedrich Leopold zu, Susse, heilige Natur | Text by [[Friedrich Leopold zu Stolberg-Stolberg|Stolberg-Stolberg]] |
|||
|- |
|||
| 373 |
|||
| XXX,1895 | (1895) |
|||
| Lied, D 373 |
|||
| text Mutter geht durch ihre Kammern | |
|||
| 1816-01-15 | 15/1/1816? |
|||
| Text by Motte Fouque, Friedrich de la, Mutter geht durch ihre Kammern | Text by [[Friedrich de la Motte Fouqué|Motte Fouqué]], from ''[[Undine (novella)|Undine]]'' |
|||
|- |
|||
| 374 |
|||
| XXX,1902 | (1902) |
|||
| Landler, 11, D 374 | 11 Ländler, D 374 |
|||
| key B-flat major | B{{flat}} major |
|||
| 1816-02-01 | February<br />1816? |
|||
| For violin; Nos. 1–3, 5, 7 and 11 reused in Nos. 1–5 and 7 of {{D.|number=378}}; No. 2 also partly in {{D.|number=146}} No. 10 |
|||
|- |
|||
| 375 |
|||
| XXX,1830 | (1830) |
|||
| Tod Oskars, Der | Der Tod Oskars |
|||
| text Warum offnest du wieder | |
|||
| 1816-02-01 | February<br />1816 |
|||
| Text by Macpherson, James (Ossian), Warum offnest du wieder | Text by [[James Macpherson|Macpherson]] ([[Ossian]]), transl. by E. Baron de Harold |
|||
|- |
|||
| 376 |
|||
| XXX,1895 | (1895) |
|||
| Lorma, D 376 |
|||
| text Lorma sass in der Halle von Aldo 2 | |
|||
| 1816-02-10 | 10/2/1816 |
|||
| Text by Macpherson, James (Ossian) from The Battle of Lora, Lorma sass in der Halle von Aldo 2 | Text by [[James Macpherson|Macpherson]] ([[Ossian]]), from ''The Battle of Lora'', transl. by E. Baron de Harold (other setting: {{D.|number=327}}); Fragment |
|||
|- |
|||
| 377 |
|||
| XXX,1872 | (1872) |
|||
| Grab, Das, D 377 | Das Grab, D 377 |
|||
| text Das Grab ist tief und stille 3 | |
|||
| 1816-02-11 | 11/2/1816 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Das Grab ist tief und stille 3 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other settings: {{D.|number=329A}}, [[D. 330|330]], [[D. 569|569]] and [[D. 643A|643A]]); For [[SATB|TTBB]] and piano |
|||
|- |
|||
| 378 |
|||
| XXX,1889 | (1889) |
|||
| Landler, 08, D 378 | Eight Ländler, D 378 |
|||
| key B-flat major | B{{flat}} major |
|||
| 1816-02-13 | 13/2/1816 |
|||
| For piano; Nos. 1–5 and 7 reuse {{D.|number=374}} Nos. 1–3, 7, 11 and 5; No. 2 partly in {{D.|number=146}} No. 10; No. 6 reuses {{D.|number=370}} No. 7 |
|||
|- |
|||
| 379 |
|||
| XXX,1859 | (1859) |
|||
| ''Deutsches Salve Regina'' (German Salve Regina) |
|||
| text Sei, Mutter der Barmherzigkeit | Sei, Mutter der Barmherzigkeit<br>F major |
|||
| 1816-02-21 | 21/2/1816 |
|||
| Text: after [[Salve Regina]]; For [[SATB]] and organ |
|||
|- |
|||
| 380 |
|||
| XXX,1897 | (1897)<br />(1956)<br />(1989) |
|||
| Minuets, 03, D 380 | Three Minuets, each with Two Trios |
|||
| key E major A major C major |E major (No. 1)<br />A major (No. 2)<br />C major (No. 3) |
|||
| 1816-02-22 | 22/2/1816 |
|||
| For piano; AGA only Nos. 1–2; Start of No. 3, a fragment (1st trio incomplete, 2nd trio missing), reused in {{D.|number=557}} |
|||
|- |
|||
| 381 |
|||
| XXX,1895 | (1895) |
|||
| Morgenlied, D 381 |
|||
| text Die frohe, neubelebte Flur | |
|||
| 1816-02-24 | 24/2/1816 |
|||
| ZZZZ | |
|||
|- |
|||
| 382 |
|||
| XXX,1895 | (1895) |
|||
| Abendlied, D 382 |
|||
| text Sanft glanzt die Abendsonne | |
|||
| 1816-02-24 | 24/2/1816 |
|||
| ZZZZ | |
|||
|- |
|||
| [[D. 383|383]] |
|||
| XXX,1888 | (1888) |
|||
| [[Stabat Mater in F minor (Schubert)|Stabat Mater, D 383]], a.k.a. ''Deutsches Stabat Mater'' (German Stabat Mater) |
|||
| text Jesus Christus schwebt am Kreuze | Jesus Christus schwebt am Kreuze<br />F minor |
|||
| 1816-02-28 | started<br />28/2/1816 |
|||
| Text by Klopstock, Friedrich Gottlieb, Jesus Christus schwebt am Kreuze | Text by [[Friedrich Gottlieb Klopstock|Klopstock]] after [[Stabat Mater]]; For [[SATB|stbSATB]] and orchestra; Sketch for Nos. 5–6 was {{D.|number=992}} |
|||
|- |
|||
| [[D. 384|384]] |
|||
| 137,1836-1 | 137p,1<br>(1836) |
|||
| [[Violin Sonata in D major, D 384 (Schubert)|Violin Sonata, D 384]], a.k.a. Sonatina No. 1 |
|||
| key D major | D major |
|||
| 1816-03-01 | March 1816 |
|||
| Allegro molto (+early version in NSA) – Andante – Allegro vivace |
|||
|- |
|||
| [[D. 385|385]] |
|||
| 137,1836-2 | 137p,2<br>(1836) |
|||
| [[Violin Sonata in A minor, D 385 (Schubert)|Violin Sonata, D 385]], a.k.a. Sonatina No. 2 |
|||
| key A minor | A minor |
|||
| 1816-03-01 | March 1816 |
|||
| Allegro moderato – Andante – Minuet – Allegro |
|||
|- |
|||
| 386 |
|||
| XXX,1833 | (1833) |
|||
| Salve Regina, D 386 |
|||
| key B-flat major | B{{flat}} major<br />Salve Regina |
|||
| 1816-01-01 | early 1816 |
|||
| Text: Salve Regina 4 | Text: [[Salve Regina]] (other settings: {{D.|number=27}}, [[D. 106|106]], [[D. 223|223]], [[D. 676|676]] and [[D. 811|811]]); For [[SATB]] |
|||
|- |
|||
| 387 |
|||
| XXX,1897 | (1897) |
|||
| Schlacht, Die, D 387 | Die Schlacht, D 387 |
|||
| text Schwer und dumpfig 2 | |
|||
| 1816-03-01 | March 1816 |
|||
| Text by Schiller, Friedrich, Schwer und dumpfig 2 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=249}}); Sketch for vocal soloists, choir and piano; Music partly in {{D.|number=249}} and [[D. 602|602]] No. 1 |
|||
|- |
|||
| 388 |
|||
| XXX,1895 | (1895) |
|||
| Laura am Klavier |
|||
| text Wenn dein Finger durch die Saiten meistert | |
|||
| 1816-03-01 | March 1816 |
|||
| Text by Schiller, Friedrich, Wenn dein Finger durch die Saiten meistert | Text by [[Friedrich Schiller|Schiller]]; Two versions |
|||
|- |
|||
| 389 |
|||
| XXX,1873 | (1873) |
|||
| Madchens Klage, Des, D 389 | [[Des Mädchens Klage]], D 389 |
|||
| text Der Eichwald brauset 3 | |
|||
| 1816-03-01 | March 1816 |
|||
| Text by Schiller, Friedrich from Wallenstein: Die Piccolomini III, 7 Der Eichwald brauset 3 | Text by [[Friedrich Schiller|Schiller]], from ''[[Wallenstein (play)|Wallenstein]]'': ''Die Piccolomini'' III, 7 (other settings: {{D.|number=6}} and [[D. 191|191]]) |
|||
|- |
|||
| 390 |
|||
| XXX,1895 | (1895) |
|||
| Entzuckung an Laura, D 390 | Entzückung an Laura, D 390 |
|||
| text Laura, uber diese Welt 1 | |
|||
| 1816-03-01 | March 1816 |
|||
| Text by Schiller, Friedrich, Laura, uber diese Welt 1 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=577}}) |
|||
|- |
|||
| 391 |
|||
| 111,1829-3 | 111p,3<br>(1829) |
|||
| Vier Weltalter, Die | Die vier Weltalter |
|||
| text Wohl perlet im Glase | |
|||
| 1816-03-01 | March 1816 |
|||
| Text by Schiller, Friedrich, Wohl perlet im Glase | Text by [[Friedrich Schiller|Schiller]] |
|||
|- |
|||
| 392 |
|||
| XXX,1895 | (1895) |
|||
| Pflugerlied | Pflügerlied |
|||
| text Arbeitsam und wacker | |
|||
| 1816-03-01 | March 1816 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Arbeitsam und wacker | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] |
|||
|- |
|||
| 393 |
|||
| XXX,1845 | (1845) |
|||
| Einsiedelei, Die, D 393 | Die Einsiedelei, D 393 |
|||
| text Es rieselt klar und wehend ein Quell 2 | |
|||
| 1816-03-01 | March 1816 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Es rieselt klar und wehend ein Quell 2 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other settings: {{D.|number=337}} and [[D. 563|563]]) |
|||
|- |
|||
| 394 |
|||
| XXX,1895 | (1895) |
|||
| An die Harmonie a.k.a. Gesang an die Harmonie |
|||
| text Schopferin beseelter Tone! | |
|||
| 1816-03-01 | March 1816 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Schopferin beseelter Tone! | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] |
|||
|- |
|||
| 395 |
|||
| 111,1829-2 | 111p,2<br>(1829) |
|||
| Lebensmelodien |
|||
| text Auf den Wassern wohnt mein stilles Leben | |
|||
| 1816-03-01 | March 1816 |
|||
| Text by Schlegel, August Wilhelm, Auf den Wassern wohnt mein stilles Leben | Text by [[August Wilhelm Schlegel|Schlegel, A. W.]] |
|||
|- |
|||
| 396 |
|||
| XXX,1975 | (1975) |
|||
| Gruppe aus dem Tartarus, D 396 |
|||
| text Horch, wie Murmeln des emporten Meeres 1 | |
|||
| 1816-03-01 | March 1816 |
|||
| Text by Schiller, Friedrich from Gruppe aus dem Tartarus 00 1 | Text by [[Friedrich Schiller|Schiller]] (other settings: {{D.|number=65}} and [[D. 583|583]]); Fragment |
|||
|- |
|||
| 397 |
|||
| XXX,1832 | (1832) |
|||
| Ritter Toggenburg |
|||
| text Ritter, treue Schwesterliebe | |
|||
| 1816-03-13 | 13/3/1816 |
|||
| Text by Schiller, Friedrich, Ritter, treue Schwesterliebe | Text by [[Friedrich Schiller|Schiller]] |
|||
|- |
|||
| 398 |
|||
| XXX,1887 | (1887) |
|||
| Fruhlingslied, D 398 | Frühlingslied, D 398 |
|||
| text Die Luft ist blau 2 | |
|||
| 1816-05-13 | 13/5/1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Die Luft ist blau 2 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other setting: {{D.|number=243}}) |
|||
|- |
|||
| 399 |
|||
| XXX,1895 | (1895) |
|||
| [[Auf den Tod einer Nachtigall]], D 399 |
|||
| text Sie ist dahin, die Maienlieder tonte 2 | |
|||
| 1816-05-13 | 13/5/1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Sie ist dahin, die Maienlieder tonte 2 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other setting: {{D.|number=201}}) |
|||
|- |
|||
| 400 |
|||
| XXX,1895 | (1895) |
|||
| Knabenzeit, Die | Die Knabenzeit |
|||
| text Wie glucklich, wem das Knabenkleid | |
|||
| 1816-05-13 | 13/5/1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Wie glucklich, wem das Knabenkleid | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
|||
|- |
|||
| 401 |
|||
| XXX,1895 | (1895) |
|||
| Winterlied, D 401 |
|||
| text Keine Blumen bluhn | |
|||
| 1816-05-13 | 13/5/1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Keine Blumen bluhn | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
|||
|- |
|||
| 402 |
|||
| XXX,1872 | (1872) |
|||
| Fluchtling, Der | Der Flüchtling |
|||
| text Frisch atmet des Morgens lebendiger Hauch 2 | |
|||
| 1816-03-18 | 18/3/1816 |
|||
| Text by Schiller, Friedrich, Frisch atmet des Morgens lebendiger Hauch 2 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=67}}) |
|||
|- |
|||
| 403 |
|||
| XXX,1845 | (1845)<br />(1895) |
|||
| Lied, D 403 |
|||
| text In's stille Land | |
|||
| 1816-03-27 | 27/3/1816 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, In's stille Land | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]]; Four versions: 1st, publ. in 1845, and 2nd in AGA; Music partly reappears in {{D.|number=877}} No. 4 |
|||
|- |
|||
| 404 |
|||
| XXX,1885 | (1885) |
|||
| Herbstnacht, Die | Die Herbstnacht a.k.a. Die Wehmuth |
|||
| text Mit leisen Harfentonen | |
|||
| 1816-03-01 | March 1816 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Mit leisen Harfentonen | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] |
|||
|- |
|||
| 405 |
|||
| XXX,1895 | (1895) |
|||
| Herbstabend, Der | Der Herbstabend |
|||
| text Abendglockenhalle zittern | |
|||
| 1816-04-01 | April 1816 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Abendglockenhalle zittern | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]]; Two versions: 1st in AGA |
|||
|- |
|||
| 406 |
|||
| XXX,1887 | (1887) |
|||
| Abschied von der Harfe |
|||
| text Noch einmal ton, o Harfe | |
|||
| 1816-03-01 | March 1816 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Noch einmal ton, o Harfe | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] |
|||
|- |
|||
| 407 |
|||
| XXX,1891 | (1891)<br />(1892) |
|||
| Beitrag zur funfzigjahrigen Jubelfeier des Herrn von Salieri | Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri |
|||
| text Gutigster, Bester! Weisester Grosster! | |
|||
| 1816-06-15 | before<br />16/6/1816 |
|||
| Text by Schubert, Franz, Gutigster, Bester! Weisester Grosster! | Text by [[Franz Schubert|Schubert]]; Quartet for [[SATB|ttbb]] (+variant in AGA XIX, formerly {{D.|number=441}}, for ttb and piano) – Aria for t and piano – Canon for three voices |
|||
|- |
|||
| [[D. 408|408]] |
|||
| 137,1836-3 | 137p,3<br>(1836) |
|||
| [[Violin Sonata in G minor, D 408 (Schubert)|Violin Sonata, D 408]], a.k.a. Sonatina No. 3 |
|||
| key G minor | G minor |
|||
| 1816-04-01 | April 1816 |
|||
| Allegro giusto – Andante – Minuet – Allegro moderato |
|||
|- |
|||
| 409 |
|||
| XXX,1872 | (1872) |
|||
| Verfehlte Stunde, Die | Die verfehlte Stunde |
|||
| text Qualend ungestilltes Sehnen | |
|||
| 1816-04-01 | April 1816 |
|||
| Text by Schlegel, August Wilhelm, Qualend ungestilltes Sehnen | Text by [[August Wilhelm Schlegel|Schlegel, A. W.]] |
|||
|- |
|||
| 410 |
|||
| 115,1829-3 | 115p,3<br>(1829) |
|||
| Sprache der Liebe |
|||
| text Lass dich mit gelinden Schlagen ruhren | |
|||
| 1816-04-01 | April 1816 |
|||
| Text by Schlegel, August Wilhelm, Lass dich mit gelinden Schlagen ruhren | Text by [[August Wilhelm Schlegel|Schlegel, A. W.]] |
|||
|- |
|||
| 411 |
|||
| XXX,1887 | (1887) |
|||
| Daphne am Bach |
|||
| text Ich hab' ein Bachlein funden | |
|||
| 1816-04-01 | April 1816 |
|||
| Text by Stolberg-Stolberg, Friedrich Leopold zu, Ich hab' ein Bachlein funden | Text by [[Friedrich Leopold zu Stolberg-Stolberg|Stolberg-Stolberg]] |
|||
|- |
|||
| 412 |
|||
| XXX,1838 | (1838) |
|||
| Stimme der Liebe, D 412 |
|||
| text Meine Selinde | |
|||
| 1816-04-01 | April 1816 |
|||
| Text by Stolberg-Stolberg, Friedrich Leopold zu, Meine Selinde | Text by [[Friedrich Leopold zu Stolberg-Stolberg|Stolberg-Stolberg]]; Two versions: 2nd in AGA |
|||
|- |
|||
| 413 |
|||
| XXX,1895 | (1895) |
|||
| Entzuckung | Entzückung |
|||
| text Tag voll Himmel! | |
|||
| 1816-04-01 | April 1816 |
|||
| Text by Matthisson, Friedrich von, Tag voll Himmel! | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| 414 |
|||
| XXX,1895 | (1895) |
|||
| Geist der Liebe, D 414 |
|||
| text Der Abend schleiert Flur und Hain 1 | |
|||
| 1816-04-01 | April 1816 |
|||
| Text by Matthisson, Friedrich von, Der Abend schleiert Flur und Hain 1 | Text by [[Friedrich von Matthisson|Matthisson]] (other setting: {{D.|number=747}}) |
|||
|- |
|||
| 415 |
|||
| XXX,1895 | (1895) |
|||
| Klage, D 415 |
|||
| text Die Sonne steigt, die Sonne sinkt | |
|||
| 1816-04-01 | April 1816 |
|||
| Text by Matthisson, Friedrich von, Die Sonne steigt, die Sonne sinkt | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| 416 |
|||
| XXX,1825 | (1825) |
|||
| Lied in der Abwesenheit |
|||
| text Ach, mir ist das Herz so schwer | |
|||
| 1816-04-01 | April 1816 |
|||
| Text by Stolberg-Stolberg, Friedrich Leopold zu, Ach, mir ist das Herz so schwer | Text by [[Friedrich Leopold zu Stolberg-Stolberg|Stolberg-Stolberg]]; Fragment |
|||
|- |
|||
| [[D. 417|417]] |
|||
| XXX,1884 | (1884) |
|||
| Symphony No. 04 | [[Symphony No. 4 (Schubert)|Symphony No. 4]]<br>''Tragic'' |
|||
| key C minor | C minor |
|||
| 1816-04-27 | completed<br />27/4/1816 |
|||
| Adagio molto, Allegro vivace – Andante – Minuet – Allegro |
|||
|- |
|||
| 418 |
|||
| XXX,1895 | (1895) |
|||
| [[Stimme der Liebe]], D 418 |
|||
| text Abendgewolke schweben hell 2 | |
|||
| 1816-04-29 | 29/4/1816 |
|||
| Text by Matthisson, Friedrich von, Abendgewolke schweben hell 2 | Text by [[Friedrich von Matthisson|Matthisson]] (other setting: {{D.|number=187}}) |
|||
|- |
|||
| 419 |
|||
| XXX,1895 | (1895) |
|||
| Julius an Theone |
|||
| text Nimmer, nimmer darf ich dir gestehen | |
|||
| 1816-04-30 | 30/4/1816 |
|||
| Text by Matthisson, Friedrich von, Nimmer, nimmer darf ich dir gestehen | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| 420 |
|||
| XXX,1871 | (1871) |
|||
| German Dances, 12, D 420 | Twelve German Dances, D 420 |
|||
| key I | Various keys |
|||
| 1816-01-01 | 1816 |
|||
| For piano; No. 10 reappears in {{D.|number=679}} No. 1 |
|||
|- |
|||
| 421 |
|||
| XXX,1889 | (1889) |
|||
| Ecossaises, 06, D 421 | Six Écossaises, D 421 |
|||
| key I | Various keys |
|||
| 1816-05-01 | May 1816 |
|||
| For piano; No. 1 after {{D.|number=145}} Écoss. No. 5 |
|||
|- |
|||
| 422 |
|||
| 016,1823-2 | 16,2<br>(1823) |
|||
| Naturgenuss, D 422 | [[Naturgenuß]], D 422 |
|||
| text Im Abendschimmer wallt der Quell 2 | |
|||
| 1822-01-01 | 1822? |
|||
| Text by Matthisson, Friedrich von, Im Abendschimmer wallt der Quell 2 | Text by [[Friedrich von Matthisson|Matthisson]] (other setting: {{D.|number=188}}); For [[SATB|ttbb]] and piano |
|||
|- |
|||
| 423 |
|||
| XXX,1974 | (1974) |
|||
| Andenken, D 423 | [[Andenken]], D 423 |
|||
| text Ich denke dein wenn durch den Hain 2 | |
|||
| 1816-05-01 | May 1816 |
|||
| Text by Matthisson, Friedrich von, Ich denke dein wenn durch den Hain 2 | Text by [[Friedrich von Matthisson|Matthisson]] (other setting: {{D.|number=99}}); For [[SATB|ttb]] |
|||
|- |
|||
| 424 |
|||
| XXX,1974 | (1974) |
|||
| Erinnerungen, D 424 | [[Erinnerungen]], D 424 |
|||
| text Am Seegestad, in lauen Vollmondsnachten 2 | |
|||
| 1816-05-01 | May 1816 |
|||
| Text by Matthisson, Friedrich von, Am Seegestad, in lauen Vollmondsnachten 2 | Text by [[Friedrich von Matthisson|Matthisson]] (other setting: {{D.|number=98}}); For [[SATB|ttb]] |
|||
|- |
|||
| 425 |
|||
| ZZZZ | |
|||
| Lebensbild |
|||
| ZZZZ | |
|||
| 1816-05-01 | May 1816 |
|||
| Lost: may be related to {{D.|number=Anh. I/23}} with the same lyrics as {{D.|number=508}}; For [[SATB|ttb]] |
|||
|- |
|||
| 426 |
|||
| ZZZZ | |
|||
| Trinklied, D 426 | [[Trinklied (Schubert)|Trinklied]], D 426 |
|||
| |
|||
| 1816-05-01 | May 1816 |
|||
| Lost; Text by [[Gottfried August Bürger|Bürger]](?); For [[SATB|ttb]] |
|||
|- |
|||
| 427 |
|||
| XXX,1892 | (1892) |
|||
| Trinklied im Mai |
|||
| text Bekranzet die Tonnen | |
|||
| 1816-05-01 | May 1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Bekranzet die Tonnen | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]]; For [[SATB|ttb]] |
|||
|- |
|||
| 428 |
|||
| XXX,1974 | (1974) |
|||
| Widerhall |
|||
| text Auf ewig dein, wenn Berg und Meere trennen | |
|||
| 1816-05-01 | May 1816 |
|||
| Text by Matthisson, Friedrich von, Auf ewig dein, wenn Berg und Meere trennen | Text by [[Friedrich von Matthisson|Matthisson]]; For [[SATB|ttb]] |
|||
|- |
|||
| 429 |
|||
| XXX,1885 | (1885) |
|||
| Minnelied |
|||
| text Holder klingt der Vogelsang | |
|||
| 1816-05-01 | May 1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Holder klingt der Vogelsang | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
|||
|- |
|||
| 430 |
|||
| XXX,1895 | (1895) |
|||
| Fruhe Liebe, Die | Die frühe Liebe |
|||
| text Schon im bunten Knabenkleide | |
|||
| 1816-05-01 | May 1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Schon im bunten Knabenkleide | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]]; Two versions: 1st in AGA |
|||
|- |
|||
| 431 |
|||
| XXX,1887 | (1887) |
|||
| Blumenlied |
|||
| text Es ist ein halbes Himmelreich | |
|||
| 1816-05-01 | May 1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Es ist ein halbes Himmelreich | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
|||
|- |
|||
| 432 |
|||
| XXX,1850 | (1850)<br />(1895) |
|||
| Leidende, Der | Der Leidende a.k.a. Klage, D 432 |
|||
| text Nimmer trag' ich langer | |
|||
| 1816-05-01 | May 1816 |
|||
| Other setting Nimmer trag' ich langer 1 | Other setting: {{D.|number=Anh. I/28}}; Two versions: 1st publ. in 1850 |
|||
|- |
|||
| 433 |
|||
| XXX,1895 | (1895) |
|||
| Seligkeit |
|||
| text Freuden sonder Zahl | |
|||
| 1816-05-01 | May 1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Freuden sonder Zahl | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
|||
|- |
|||
| 434 |
|||
| XXX,1850 | (1850) |
|||
| Erntelied |
|||
| text Sicheln schallen, Ahren fallen | |
|||
| 1816-05-01 | May 1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Sicheln schallen, Ahren fallen | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
|||
|- |
|||
| [[D. 435|435]] |
|||
| XXX,1893 | (1893) |
|||
| Burgschaft, Die, D 435 | ''[[Die Bürgschaft (Schubert)|Die Bürgschaft]]'', D 435 |
|||
| theatre (Opera in 3 acts) | (Opera in three acts) |
|||
| 1816-05-02 | started<br />2/5/1816 |
|||
| For four sopranos, three tenors, three basses, two baritones, [[SATB]] and orchestra; Unfinished: Nos. 1–9 (Act I) – Nos. 10–14 (Act II, No. 13 in {{nowrap|NSA III, 4}}, No. 14 reuses part of {{D.|number=246}}) – Nos. 15–16 (Act III, No. 16 is fragment) |
|||
|- |
|||
| 436 |
|||
| XXX,1850 | (1850) |
|||
| Klage, D 436 |
|||
| text Dein Silber schien durch Eichengrun | |
|||
| 1816-05-12 | 12/5/1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Dein Silber schien durch Eichengrun | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]]; Two versions: 1st publ. in 1850 – 2nd was D 437 |
|||
|- |
|||
| [[D. 438|438]] |
|||
| XXX,1897 | (1897) |
|||
| [[Rondo in A major for Violin and Strings, D 438 (Schubert)|Rondo, D 438]] |
|||
| key A major | A major |
|||
| 1816-06-01 | June 1816 |
|||
| For violin and string orchestra |
|||
|- |
|||
| 439 |
|||
| XXX,1872 | (1872) |
|||
| An die Sonne, D 439 |
|||
| text O Sonne, Konigin der Welt | |
|||
| 1816-06-01 | June 1816 |
|||
| Text by Uz, Johann, O Sonne, Konigin der Welt | Text by [[Johann Uz|Uz]]; For [[SATB|satb]] and piano |
|||
|- |
|||
| 440 |
|||
| XXX,1839 | (1839) |
|||
| Chor der Engel |
|||
| text Christ ist erstanden | |
|||
| 1816-06-01 | June 1816 |
|||
| Text by Goethe, Johann Wolfgang von from Faust I, 01 Christ ist erstanden | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Goethe's Faust|Faust]]'' I, 1; For [[SATB]] |
|||
|- |
|||
| 442 |
|||
| XXX,1847 | (1847) |
|||
| Grosse Halleluja, Das | Das große Halleluja |
|||
| text Ehre sei dem Hocherhabnen | |
|||
| 1816-06-01 | June 1816 |
|||
| Text by Klopstock, Friedrich Gottlieb, Ehre sei dem Hocherhabnen | Text by [[Friedrich Gottlieb Klopstock|Klopstock]]; For voice(s?) and piano |
|||
|- |
|||
| 443 |
|||
| XXX,1895 | (1895) |
|||
| Schlachtlied, D 443, a.k.a. Schlachtgesang |
|||
| text Mit unserm Arm ist nichts getan 1 | |
|||
| 1816-06-01 | June 1816 |
|||
| Text by Klopstock, Friedrich Gottlieb from Oden, Mit unserm Arm ist nichts getan 1 | Text by [[Friedrich Gottlieb Klopstock|Klopstock]], from ''Oden'' (other setting: {{D.|number=912}}); For voice(s?) and piano |
|||
|- |
|||
| 444 |
|||
| XXX,1831 | (1831) |
|||
| Gestirne, Die | Die Gestirne |
|||
| text Es tonet sein Lob | |
|||
| 1816-06-01 | June 1816 |
|||
| Text by Klopstock, Friedrich Gottlieb from Oden, Es tonet sein Lob | Text by [[Friedrich Gottlieb Klopstock|Klopstock]], from ''Oden'' |
|||
|- |
|||
| 445 |
|||
| XXX,1837 | (1837) |
|||
| Edone |
|||
| text Dein susses Bild, Edone | |
|||
| 1816-06-01 | June 1816 |
|||
| Text by Klopstock, Friedrich Gottlieb from Oden, Dein susses Bild, Edone | Text by [[Friedrich Gottlieb Klopstock|Klopstock]], from ''Oden'' |
|||
|- |
|||
| 446 |
|||
| XXX,1887 | (1887) |
|||
| Liebesgotter, Die | Die Liebesgötter |
|||
| text Cypris, meiner Phyllis gleich | |
|||
| 1816-06-01 | June 1816 |
|||
| Text by Uz, Johann, Cypris, meiner Phyllis gleich | Text by [[Johann Uz|Uz]] |
|||
|- |
|||
| 447 |
|||
| XXX,1895 | (1895) |
|||
| An den Schlaf |
|||
| text Komm und senke die umflorten Schwingen | |
|||
| 1816-06-01 | June 1816 |
|||
| ZZZZ | |
|||
|- |
|||
| 448 |
|||
| XXX,1887 | (1887) |
|||
| Gott im Fruhlinge | Gott im Frühlinge |
|||
| text In seinem schimmernden Gewand | |
|||
| 1816-06-01 | June 1816 |
|||
| Text by Uz, Johann, In seinem schimmernden Gewand | Text by [[Johann Uz|Uz]]; Two versions: 1st, publ. in 1887, in AGA |
|||
|- |
|||
| 449 |
|||
| XXX,1872 | (1872) |
|||
| Gute Hirt, Der | Der gute Hirt |
|||
| text Was sorgest du? | |
|||
| 1816-06-01 | June 1816 |
|||
| Text by Uz, Johann, Was sorgest du? | Text by [[Johann Uz|Uz]] |
|||
|- |
|||
| 450 |
|||
| XXX,1832 | (1832)<br />(1895) |
|||
| Fragment from Aeschylus |
|||
| text So wird der Mann | |
|||
| 1816-06-01 | June 1816 |
|||
| Text by Mayrhofer, Johann after Aeschylus, So wird der Mann | Text by [[Johann Mayrhofer|Mayrhofer]] after Aeschylus' ''Eumenides'' (''[[Oresteia]]'' III); Two versions: 2nd publ. in 1832 |
|||
|- |
|||
| 451 |
|||
| ZZZZ | |
|||
| Prometheus, D 451 |
|||
| text Hervor aus Buschen und Baumen | |
|||
| 1816-06-17 | 17/6/1816 |
|||
| Text by Draexler von Carin, Philipp, Rein und freundlich lacht der Himmel"| Text by {{illm|Philipp Draexler von Carin|de|lt=Draexler von Carin}}; Lost; Cantata for soprano, bass, choir and orchestra |
|||
|- |
|||
| [[D. 452|452]] |
|||
| 048,1825-0 | 48<br />(1825)<br />(1829) |
|||
| [[Mass No. 4 (Schubert)|Mass No. 4]] |
|||
| key C major | C major<br />Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei |
|||
| 1828-10-01 | Jun. 1816–<br />Oct. 1828 |
|||
| Text: Mass ordinary 10 | Text: [[Mass ordinary]] (other settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 45|45]], [[D. 49|49]], [[D. 56|56]], [[D. 66|66]], [[D. 105|105]], [[D. 167|167]], [[D. 324|324]], [[D. 678|678]], [[D. 755|755]] and [[D. 950|950]]); For [[SATB|satbSATB]] and orchestra; 2nd setting of "Benedictus", publ. in 1829, was {{D.|number=961}} |
|||
|- |
|||
| 453 |
|||
| ZZZZ | |
|||
| Requiem |
|||
| key C minor | C minor<br />Introitus – Kyrie |
|||
| 1816-07-01 | July 1816 |
|||
| Fragment; For [[SATB]] and orchestra |
|||
|- |
|||
| 454 |
|||
| XXX,1872 | (1872) |
|||
| Grablied auf einen Soldaten |
|||
| text Zieh hin, du braver Krieger du! | |
|||
| 1816-07-01 | July 1816 |
|||
| Text by Schubart, Christian Friedrich Daniel, Zieh hin, du braver Krieger du! | Text by [[Christian Friedrich Daniel Schubart|Schubart]] |
|||
|- |
|||
| 455 |
|||
| XXX,1887 | (1887) |
|||
| Freude der Kinderjahre |
|||
| text Freude, die im fruhen Lenze | |
|||
| 1816-07-01 | July 1816 |
|||
| Text by Köpken, Friedrich von, Freude, die im fruhen Lenze | Text by {{illm|Friedrich von Köpken|scores|Category:Köpken, Friedrich von|lt=Köpken}} |
|||
|- |
|||
| 456 |
|||
| XXX,1887 | (1887) |
|||
| Heimweh, Das, D 456 | Das Heimweh, D 456 |
|||
| text Oft in einsam stillen Stunden | |
|||
| 1816-07-01 | July 1816 |
|||
| Text by Hell, Theodor, Oft in einsam stillen Stunden | Text by [[Theodor Hell|Hell]] |
|||
|- |
|||
| 457 |
|||
| 044,1827-0 | 44<br />(1827) |
|||
| An die untergehende Sonne |
|||
| text Sonne, du sinkst | |
|||
| 1817-05-01 | July 1816–<br />May 1817 |
|||
| Text by Kosegarten, Ludwig Gotthard, Sonne, du sinkst | Text by [[Ludwig Gotthard Kosegarten|Kosegarten]] |
|||
|- |
|||
| 458 |
|||
| XXX,1872 | (1872) |
|||
| Aus Diego Manazares: Ilmerine |
|||
| text Wo irrst du durch einsame Schatten | |
|||
| 1816-07-30 | 30/07/1816 |
|||
| Text by Schlechta, Franz Xaver von from Diego Manazares, Wo irrst du durch einsame Schatten"| Text by {{illm|Franz Xaver von Schlechta|de|Franz Xaver Schlechta von Wschehrd|lt=Schlechta}} from ''Diego Manazares'' |
|||
|- |
|||
| [[D. 459|459]] |
|||
| XXX,1843 | (1843) |
|||
| [[Piano Sonata in E major, D 459 (Schubert)|Piano Sonata, D 459]] |
|||
| key E major | E major |
|||
| 1816-08-01 | August<br />1816 |
|||
| Allegro moderato – Scherzo; With {{D.|number=459A}} a.k.a. ''[[Fünf Klavierstücke]]'' |
|||
|- |
|||
| [[D. 459A|459A]] |
|||
| XXX,1843 | (1843) |
|||
| Piano pieces, 3, D 459A | [[Fünf Klavierstücke|Three piano pieces, D 459A]] |
|||
| key C major A major E major | C major (No. 1)<br />A major (No. 2)<br />E major (No. 3) |
|||
| 1816-07-01 | 1816? |
|||
| Adagio – Scherzo – Allegro patetico; With {{D.|number=459}} a.k.a. ''[[Fünf Klavierstücke]]'' |
|||
|- |
|||
| 460 |
|||
| XXX,1888 | (1888) |
|||
| Tantum ergo, D 460 |
|||
| key C major | C major |
|||
| 1816-08-01 | August<br />1816 |
|||
| Text by Aquinas, Thomas, Tantum ergo 1 | [[Tantum Ergo|Text by Aquinas]] (other settings: {{D.|number=461}}, [[D. 730|730]], [[D. 739|739]], [[D. 750|750]], [[D. 962|962]] and [[D. Anh. I/17|Anh. I/17]]); For [[SATB|sSATB]] and orchestra |
|||
|- |
|||
| 461 |
|||
| XXX,1935 | (1935) |
|||
| Tantum ergo, D 461 |
|||
| key C major | C major |
|||
| 1816-08-01 | August<br />1816 |
|||
| Text by Aquinas, Thomas, Tantum ergo 2 | [[Tantum Ergo|Text by Aquinas]] (other settings: {{D.|number=460}}, [[D. 730|730]], [[D. 739|739]], [[D. 750|750]], [[D. 962|962]] and [[D. Anh. I/17|Anh. I/17]]); For [[SATB|satbSATB]] and orchestra |
|||
|- |
|||
| 462 |
|||
| XXX,1895 | (1895) |
|||
| An Chloen, D 462 |
|||
| text Bei der Liebe reinsten Flammen | |
|||
| 1816-08-01 | August<br />1816 |
|||
| Text by Jacobi, Johann Georg, Bei der Liebe reinsten Flammen | Text by [[Johann Georg Jacobi|Jacobi]] |
|||
|- |
|||
| 463 |
|||
| XXX,1895 | (1895) |
|||
| Hochzeit-Lied |
|||
| text Will singen euch im alten Ton | |
|||
| 1816-08-01 | August<br />1816 |
|||
| Text by Jacobi, Johann Georg, Will singen euch im alten Ton | Text by [[Johann Georg Jacobi|Jacobi]] |
|||
|- |
|||
| 464 |
|||
| XXX,1895 | (1895) |
|||
| In der Mitternacht |
|||
| text Todesstille deckt das Tal | |
|||
| 1816-08-01 | August<br />1816 |
|||
| Text by Jacobi, Johann Georg, Todesstille deckt das Tal | Text by [[Johann Georg Jacobi|Jacobi]] |
|||
|- |
|||
| 465 |
|||
| XXX,1885 | (1885) |
|||
| Trauer der Liebe |
|||
| text Wo die Taub' in stillen Buchen | |
|||
| 1816-08-01 | August<br />1816 |
|||
| Text by Jacobi, Johann Georg, Wo die Taub' in stillen Buchen | Text by [[Johann Georg Jacobi|Jacobi]]; Two versions: 1st, in AGA, publ. 1885 |
|||
|- |
|||
| 466 |
|||
| XXX,1872 | (1872) |
|||
| Perle, Die | Die Perle |
|||
| text Es ging ein Mann zur Fruhlingszeit | |
|||
| 1816-08-01 | August<br />1816 |
|||
| Text by Jacobi, Johann Georg, Es ging ein Mann zur Fruhlingszeit | Text by [[Johann Georg Jacobi|Jacobi]] |
|||
|- |
|||
| 467 |
|||
| XXX,1885 | (1885) |
|||
| Pflicht und Liebe |
|||
| text Du, der ewig um mich trauert | |
|||
| 1816-08-01 | August<br />1816 |
|||
| Text by Gotter, Friedrich Wilhelm, Du, der ewig um mich trauert | Text by [[Friedrich Wilhelm Gotter|Gotter]]; Fragment |
|||
|- |
|||
| 468 |
|||
| XXX,1895 | (1895) |
|||
| An den Mond, D 468 |
|||
| text Was schauest du so hell | |
|||
| 1816-08-07 | 07/08/1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Was schauest du so hell | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] |
|||
|- |
|||
| [[D. 469|469]] |
|||
| XXX,1897 | (1897) |
|||
| [[Mignon, D 469 (Schubert)|Mignon, D 469]] |
|||
| text So lasst mich scheinen, bis ich werde 1 | |
|||
| 1816-09-01 | September<br />1816 |
|||
| Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, So lasst mich scheinen, bis ich werde 1 | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Wilhelm Meister's Apprenticeship]]'' (other settings: {{D.|number=727}} and [[D. 877|877]] No. 3); Two versions, both fragments |
|||
|- |
|||
| 470 |
|||
| XXX,1886 | (1886) |
|||
| Overture, D 470 |
|||
| key B-flat major | B{{flat}} major |
|||
| 1816-09-01 | September<br />1816 |
|||
| For orchestra; Overture to {{D.|number=472}}(?); Fragment for string quartet was {{D.|number=601}} |
|||
|- |
|||
| [[D. 471|471]] |
|||
| XXX,1890 | (1890)<br />(1897) |
|||
| [[String Trio, D 471 (Schubert)|String Trio, D 471]] |
|||
| key B-flat major | B{{flat}} major |
|||
| 1816-09-01 | September<br />1816 |
|||
| Allegro (AGA VI) – Andante sostenuto (fragment, in AGA XXII) |
|||
|- |
|||
| 472 |
|||
| 128,1830-0 | 128p<br />(1830)<br />(1892) |
|||
| Kantate zu Ehren von Josef Spendou |
|||
| text Da liegt er, starr | |
|||
| 1816-09-01 | September<br />1816 |
|||
| Text by Hoheisel, Johann Baptist, Da liegt er, starr | Text by {{illm|Johann Baptist Hoheisel|scores|Category:Hoheisel, Johann Baptist|lt=Hoheisel}}; For [[SATB|sstbSSATB]] and orchestra ([[piano reduction]] in 1st ed.); Overture: {{D.|number=470}}(?); Recitative, aria with choir – Recitative, duet – Recitative, choir – Recitative, quartet with choir |
|||
|- |
|||
| 473 |
|||
| XXX,1833 | (1833)<br />(1895) |
|||
| Liedesend |
|||
| text Auf seinem gold'nen Throne | |
|||
| 1816-09-01 | September<br />1816 |
|||
| Text by Mayrhofer, Johann, Auf seinem gold'nen Throne | Text by [[Johann Mayrhofer|Mayrhofer]]; Two versions: 2nd in 1st ed. |
|||
|- |
|||
| 474 |
|||
| XXX,1832 | (1832)<br />(1895) |
|||
| Lied des Orpheus, als er in die Hölle ging |
|||
| text Walze dich hinweg | |
|||
| 1816-09-01 | September<br />1816 |
|||
| Text by Jacobi, Johann Georg, Walze dich hinweg | Text by [[Johann Georg Jacobi|Jacobi]]; Two versions: 2nd in 1st ed. |
|||
|- |
|||
| 475 |
|||
| XXX,1885 | (1885) |
|||
| Abschied: Nach einer Wallfahrts-Arie bearbeitet |
|||
| text Uber die Berge zieht ihr fort | |
|||
| 1816-09-01 | September<br />1816 |
|||
| Text by Jacobi, Johann Georg, Uber die Berge zieht ihr fort | Text by [[Johann Georg Jacobi|Jacobi]] |
|||
|- |
|||
| 476 |
|||
| XXX,1872 | (1872) |
|||
| Ruckweg | Rückweg |
|||
| text Zum Donaustrom, zur Kaiserstadt | |
|||
| 1816-09-01 | September<br />1816 |
|||
| Text by Mayrhofer, Johann, Zum Donaustrom, zur Kaiserstadt | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 477 |
|||
| XXX,1895 | (1895) |
|||
| Alte Liebe rostet nie |
|||
| text Alte Liebe rostet nie | |
|||
| 1816-09-01 | September<br />1816 |
|||
| Text by Mayrhofer, Johann, Alte Liebe rostet nie | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| [[D. 478|478]] |
|||
| 012,1822-0 | 12<br>(1822)<br />(1895) |
|||
| Gesange des Harfners aus Wilhelm Meister | ''[[Gesänge des Harfners aus "Wilhelm Meister"]]'' |
|||
| text Wer sich der Einsamkeit ergibt 2 | |
|||
| 1822-01-01 | September<br />1816–1822 |
|||
| Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, Wer sich der Einsamkeit ergibt 2 | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Wilhelm Meister's Apprenticeship]]'' (other setting of No. 1: {{D.|number=325}}); No. 2 was D 480; No. 3 was D 479; Two versions: 1st, Harfenspieler I/III/II, composed 1816, publ. 1895, has two variants of No. 2 – 2nd, 1822, is Op. 12 |
|||
|- |
|||
| [[D. 481|481]] |
|||
| XXX,1895 | (1895) |
|||
| Sehnsucht, D 481 | [[Sehnsucht, D 481 (Schubert)|Sehnsucht, D 481]] |
|||
| text Nur wer die Sehnsucht kennt 3 | |
|||
| 1816-09-01 | September<br />1816 |
|||
| Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, Nur wer die Sehnsucht kennt 3 | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Wilhelm Meister's Apprenticeship]]'' (other settings: {{D.|number=310}}, [[D. 359|359]], [[D. 656|656]] and [[D. 877|877]] Nos. 1 & 4) |
|||
|- |
|||
| 482 |
|||
| XXX,1895 | (1895) |
|||
| Sanger am Felsen, Der | Der Sänger am Felsen |
|||
| text Klage, meine Flote, klage | |
|||
| 1816-09-01 | September<br />1816 |
|||
| Text by Pichler, Karoline from Idyllen, Klage, meine Flote, klage | Text by [[Karoline Pichler|Pichler]], from ''Idyllen'' |
|||
|- |
|||
| 483 |
|||
| XXX,1895 | (1895) |
|||
| Lied, D 483 |
|||
| text Ferne von der grossen Stadt | |
|||
| 1816-09-01 | September<br />1816 |
|||
| Text by Pichler, Karoline from Idyllen, Ferne von der grossen Stadt | Text by [[Karoline Pichler|Pichler]], from ''Idyllen'' |
|||
|- |
|||
| 484 |
|||
| XXX,1895 | (1895) |
|||
| Gesang der Geister uber den Wassern, D 484 | Gesang der Geister über den Wassern, D 484 |
|||
| text Des Menschen Seele gleicht dem Wasser 1 | |
|||
| 1816-09-01 | September<br />1816 |
|||
| Text by Goethe, Johann Wolfgang von, Des Menschen Seele gleicht dem Wasser 1 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other settings: {{D.|number=538}}, [[D. 705|705]] and [[D. 714|714]]); Fragment |
|||
|- |
|||
| [[D. 485|485]] |
|||
| XXX,1885 | (1885) |
|||
| Symphony No. 05 | [[Symphony No. 5 (Schubert)|Symphony No. 5]] |
|||
| key B-flat major | B{{flat}} major |
|||
| 1816-10-03 | Sept.–3 Oct.<br />1816 |
|||
| Allegro – Andante con moto – Minuet – Allegro vivace |
|||
|- |
|||
| [[D. 486|486]] |
|||
| XXX,1888 | (1888) |
|||
| [[Magnificat (Schubert)|Magnificat]] |
|||
| text Magnificat anima mea Dominum | Magnificat anima mea Dominum<br />C major |
|||
| 1815-09-15 | 15/09/1815 |
|||
| Text by Luke, Magnificat anima mea Dominum | [[Magnificat#Latin|Text by Luke (Vulgate translation)]]; For [[SATB|satbSATB]] and orchestra |
|||
|- |
|||
| [[D. 487|487]] |
|||
| XXX,1865 | (1865) |
|||
| [[Adagio and Rondo concertante in F major, D 487 (Schubert)|Adagio e Rondo concertante]] |
|||
| key F major | F major |
|||
| 1816-10-01 | October 1816 |
|||
| For [[piano quartet]] |
|||
|- |
|||
| 488 |
|||
| XXX,1888 | (1888) |
|||
| Auguste jam coelestium |
|||
| text Auguste jam coelestium | |
|||
| 1816-10-01 | October 1816 |
|||
| Duet for [[SATB|st]] and orchestra |
|||
|- |
|||
| [[D. 489|489]] |
|||
| 004,1821-1 | 4,1<br />(1821)<br />(1895)<br />(1970) |
|||
| Wanderer, Der, D 489 | [[Der Wanderer|Der Wanderer, D 489]], a.k.a. Der Unglückliche |
|||
| text Ich komme vom Gebirge her | |
|||
| 1816-10-01 | October 1816 |
|||
| Text by Schmidt von Lubeck, Georg Philipp, Ich komme vom Gebirge her | Text by [[Georg Philipp Schmidt von Lübeck|Schmidt von Lübeck]]; Three versions: 1st and 3rd in AGA 1895 – 2nd and 3rd were {{D.|number=493}} (2nd publ. 1970 – 3rd is Op. 4 No. 1); Music partly reappears in {{D.|number=760}} |
|||
|- |
|||
| 490 |
|||
| XXX,1895 | (1895) |
|||
| Hirt, Der | Der Hirt |
|||
| text Du Turm! zu meinem Leide | |
|||
| 1816-10-01 | October 1816 |
|||
| Text by Mayrhofer, Johann, Du Turm! zu meinem Leide | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 491 |
|||
| XXX,1887 | (1887) |
|||
| Geheimnis: An F. Schubert |
|||
| text Sag an, wer lehrt dich Lieder | |
|||
| 1816-10-01 | October 1816 |
|||
| Text by Mayrhofer, Johann, Sag an, wer lehrt dich Lieder | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 492 |
|||
| XXX,1849 | (1849) |
|||
| Zum Punsche, D 492 |
|||
| text Woget brausend, Harmonien | |
|||
| 1816-10-01 | October 1816 |
|||
| Text by Mayrhofer, Johann, Woget brausend, Harmonien | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 494 |
|||
| XXX,1871 | (1871) |
|||
| Geistertanz, Der, D 494 | [[Der Geistertanz]], D 494 |
|||
| text Die bretterne Kammer der Toten erbebt 4 | |
|||
| 1816-11-01 | November 1816 |
|||
| Text by Matthisson, Friedrich von, Die bretterne Kammer der Toten erbebt 4 | Text by [[Friedrich von Matthisson|Matthisson]] (other settings: {{D.|number=15}}, [[D. 15A|15A]] and [[D. 116|116]]); For [[SATB|ttbbb]] |
|||
|- |
|||
| 495 |
|||
| XXX,1868 | (1868) |
|||
| Abendlied der Furstin | Abendlied der Fürstin |
|||
| text Der Abend rotet nun das Tal | |
|||
| 1816-11-01 | November 1816 |
|||
| Text by Mayrhofer, Johann, Der Abend rotet nun das Tal | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 496 |
|||
| XXX,1885 | (1885) |
|||
| Bei dem Grabe meines Vaters |
|||
| text Friede sei um diesen Grabstein her! | |
|||
| 1816-11-01 | November 1816 |
|||
| Text by Claudius, Matthias, Friede sei um diesen Grabstein her! | Text by [[Matthias Claudius|Claudius]] |
|||
|- |
|||
| 496A |
|||
| XXX,1968 | (1968) |
|||
| [[Klage um Ali Bey]], D 496A |
|||
| text Lasst mich! lasst mich! ich will klagen 2 | |
|||
| 1816-11-01 | November 1816 |
|||
| Text by Claudius, Matthias, Lasst mich! lasst mich! ich will klagen 2 | Text by [[Matthias Claudius|Claudius]] (other setting: {{D.|number=140}}) |
|||
|- |
|||
| 497 |
|||
| 098,1829-1 | 98,1<br />(1829) |
|||
| An die Nachtigall, D 497 |
|||
| text Er liegt und schlaft | |
|||
| 1816-11-01 | November 1816 |
|||
| Text by Claudius, Matthias, Er liegt und schlaft | Text by [[Matthias Claudius|Claudius]] |
|||
|- |
|||
| [[D. 498|498]] |
|||
| 098,1829-2 | 98,2<br />(1829) |
|||
| [[Wiegenlied, D 498 (Schubert)|Wiegenlied, D 498]] |
|||
| text Schlafe, schlafe, holder susser Knabe | |
|||
| 1816-11-01 | November 1816 |
|||
| ZZZZ | |
|||
|- |
|||
| 499 |
|||
| XXX,1885 | (1885) |
|||
| Abendlied, D 499 |
|||
| text Der Mond ist aufgegangen | |
|||
| 1816-11-01 | November 1816 |
|||
| Text by Claudius, Matthias, Der Mond ist aufgegangen | Text by [[Matthias Claudius|Claudius]] |
|||
|- id="D 500" |
|||
| 500 |
|||
| XXX,1895 | (1895) |
|||
| Phidile |
|||
| text Ich war erst sechzehn Sommer alt | |
|||
| 1816-11-01 | November 1816 |
|||
| Text by Claudius, Matthias, Ich war erst sechzehn Sommer alt | Text by [[Matthias Claudius|Claudius]] |
|||
|- id="D 501" |
|||
| 501 |
|||
| XXX,1895 | (1895) |
|||
| Zufriedenheit, D 501 |
|||
| text Ich bin vergnugt 2 | |
|||
| 1816-11-01 | November 1816 |
|||
| Text by Claudius, Matthias, Ich bin vergnugt 2 | Text by [[Matthias Claudius|Claudius]] (other setting: {{D.|number=362}}); Two versions: 1st in AGA |
|||
|- |
|||
| 502 |
|||
| XXX,1872 | (1872) |
|||
| Herbstlied, D 502 |
|||
| text Bunt sind schon die Walder | |
|||
| 1816-11-01 | November 1816 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Bunt sind schon die Walder | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] |
|||
|- |
|||
| 503 |
|||
| ZZZZ | |
|||
| [[Mailied]], D 503 |
|||
| text Gruner wird die Au 3 | |
|||
| 1816-11-01 | November 1816 |
|||
| Text by Holty, Ludwig Heinrich Christoph, Gruner wird die Au 3 | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]] (other settings: {{D.|number=129}} and [[D. 199|199]]) |
|||
|- |
|||
| 504 |
|||
| 006,1821-3 | 6,3<br />(1821)<br />(1970) |
|||
| Am Grabe Anselmos |
|||
| text Dass ich dich verloren habe | |
|||
| 1816-11-04 | 4/11/1816 |
|||
| Text by Claudius, Matthias, Dass ich dich verloren habe | Text by [[Matthias Claudius|Claudius]]; Two versions: 1st, in AGA, is Op. 6 No. 3 |
|||
|- id="D 505" |
|||
| [[D. 505|505]] |
|||
| 145,1848-1 | 145p,1<br />(1848)<br />(1897) |
|||
| [[Adagio in D-flat major for piano, D 505 (Schubert)|Adagio, D 505]] |
|||
| key D-flat major | D{{flat}} major |
|||
| 1818-09-01 | September<br />1818? |
|||
| For piano; 2nd movement of {{D.|number=625}}?; Abridged variant in E major, in AGA XXI, is Op. posth. 145 No. 1 |
|||
|- |
|||
| [[D. 506|506]] |
|||
| 145,1848-2 | 145p,2<br />(1848) |
|||
| [[Rondo in E major for piano, D 506 (Schubert)|Rondo, D 506]] |
|||
| key E major | E major |
|||
| 1817-06-01 | June 1817? |
|||
| For piano; 4th movement of {{D.|number=566}}? |
|||
|- |
|||
| 507 |
|||
| XXX,1895 | (1895) |
|||
| Skolie, D 507 |
|||
| text Madchen entsiegelten | |
|||
| 1816-12-01 | December 1816 |
|||
| Text by Matthisson, Friedrich von, Madchen entsiegelten | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| 508 |
|||
| XXX,1845 | (1845) |
|||
| Lebenslied, D 508 |
|||
| text Kommen und Scheiden 1 | |
|||
| 1816-12-01 | December 1816 |
|||
| Text by Matthisson, Friedrich von, Kommen und Scheiden 1 | Text by [[Friedrich von Matthisson|Matthisson]] (other settings: {{D.|number=Anh. I, 23}}, and possibly [[D. 425|425]]) |
|||
|- |
|||
| 509 |
|||
| XXX,1872 | (1872) |
|||
| Leiden der Trennung |
|||
| text Vom Meere trennt sich die Welle | |
|||
| 1816-12-01 | December 1816 |
|||
| Text by [[Metastasio]], from ''[[Artaserse]]'' III, 1, "L'onda dal mar divisa", transl. by [[Heinrich Joseph von Collin|Collin, H. J.]]; Two versions: 1st is a fragment – 2nd in AGA |
|||
|- |
|||
| 510 |
|||
| XXX,1895 | (1895) |
|||
| Vedi quanto adoro |
|||
| text Vedi quanto adoro | |
|||
| 1816-12-01 | December 1816 |
|||
| Text by [[Metastasio]], from ''[[Didone abbandonata]]'' II, 4; Aria for soprano and piano; Clean copy and three sketches; Last extant autograph with corrections by [[Antonio Salieri|Salieri]]{{sfn|NSA II, 15|page=IX (in [https://www.baerenreiter.com/resource/public/products/BA5561/infoitems/vw/01.pdf Introduction])}} |
|||
|- id="511–598" style="text-align: center; background: #D8D8D8;" |
|- id="511–598" style="text-align: center; background: #D8D8D8;" |
||
|'''511–598''' |
| data-sort-value="510Z" colspan="2" | '''511–598''' |
||
| data-sort-value="ZZZZZ1817" colspan="5" | |
|||
| colspan="3" ZZZZZ1817 | |
|||
---- |
---- |
||
| 1816-12-31 | '''[[ |
| data-sort-value="1816-12-31" | '''[[List of compositions by Franz Schubert (1817)|1817]]''' |
||
| ZZZZZ1817 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1817" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1817)}} |
|||
|- |
|||
| 511 |
|||
| ZZZZ | |
|||
| Ecossaise, D 511 | Écossaise, D 511 |
|||
| key E-flat major | E{{flat}} major |
|||
| 1817-01-01 | {{Circa|1817}} |
|||
| For piano |
|||
|- |
|||
| 513 |
|||
| XXX,1891 | (1891) |
|||
| Pastorella al prato, La, D 513 | La pastorella al prato, D 513 |
|||
| text La pastorella al prato 1 | |
|||
| 1817-01-01 | 1817? |
|||
| Text by Goldoni, Carlo from Il filosofo di campagna II, 16, La pastorella al prato 1 | Text by [[Carlo Goldoni|Goldoni]], from ''[[Il filosofo di campagna (libretto)|Il filosofo di campagna]]'' II, 16 (other setting: {{D.|number=528}}); For [[SATB|ttbb]] and piano |
|||
|- |
|||
| 513.1 | 513A |
|||
| ZZZZ | |
|||
| Nur wer die Liebe kennt |
|||
| text Nur wer die Liebe kennt | |
|||
| 1817-01-01 | 1817? |
|||
| Text by Werner, Zacharias, Nur wer die Liebe kennt | Text by [[Zacharias Werner|Werner]]; Sketch |
|||
|- |
|||
| 514 |
|||
| 007,1823-1 | 7,1<br>(1823) |
|||
| Abgebluhte Linde, Die | Die abgeblühte Linde |
|||
| text Wirst du halten, was du schwurst | |
|||
| 1817-01-01 | 1817? |
|||
| Text by Szechenyi, Ludwig von, Wirst du halten, was du schwurst | Text by {{illm|Ludwig von Széchényi|scores|Category:Széchényi, Ludwig von|lt=Széchényi}} |
|||
|- |
|||
| 515 |
|||
| 007,1823-2 | 7,2<br>(1823) |
|||
| Flug der Zeit, Der | Der Flug der Zeit |
|||
| text Es floh die Zeit im Wirbelfluge | |
|||
| 1817-01-01 | 1817? |
|||
| Text by Szechenyi, Ludwig von, Es floh die Zeit im Wirbelfluge | Text by {{illm|Ludwig von Széchényi|scores|Category:Széchényi, Ludwig von|lt=Széchényi}} |
|||
|- |
|||
| 516 |
|||
| 008,1822-2 | 8,2<br>(1822) |
|||
| Sehnsucht, D 516 | [[Sehnsucht (Schubert)|Sehnsucht]], D 516 |
|||
| text Der Lerche wolkennahe Lieder | |
|||
| 1816-01-01 | 1816? |
|||
| Text by Mayrhofer, Johann, Der Lerche wolkennahe Lieder | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 517 |
|||
| 013,1822-1 | 13,1<br />(1822)<br />(1972) |
|||
| Schafer und der Reiter, Der | Der Schäfer und der Reiter |
|||
| text Ein Schafer sass im Grunen | |
|||
| 1817-04-01 | April 1817 |
|||
| Text by Motte Fouque, Friedrich de la, Ein Schafer sass im Grunen | Text by [[Friedrich de la Motte Fouqué|Motte Fouqué]]; Two versions: 2nd, in AGA, is Op. 13 No. 1 |
|||
|- |
|||
| 518 |
|||
| XXX,1824 | (1824) |
|||
| An den Tod |
|||
| text Tod, du Schrecken der Natur | |
|||
| 1816-01-01 | 1816 or 1817 |
|||
| Text by Schubart, Christian Friedrich Daniel, Tod, du Schrecken der Natur | Text by [[Christian Friedrich Daniel Schubart|Schubart]]; For [[SATB|b]] and piano |
|||
|- |
|||
| 519 |
|||
| 173,1867-5 | 173p,5<br>(1867) |
|||
| Blumensprache, Die | Die Blumensprache |
|||
| text Es deuten die Blumen des Herzens Gefuhle | |
|||
| 1817-01-01 | 1817? |
|||
| Text by Platner, Anton?, Es deuten die Blumen des Herzens Gefuhle | Text by {{illm|Anton Platner|scores|Category:Platner, Anton|lt=Platner}} (?) |
|||
|- |
|||
| 520 |
|||
| XXX,1850 | (1850)<br />(1895) |
|||
| Frohsinn |
|||
| text Ich bin von lockerem Schlage | |
|||
| 1817-01-01 | January<br />1817 |
|||
| Text by Castelli, Ignaz Franz, Ich bin von lockerem Schlage | Text by [[Ignaz Franz Castelli|Castelli]]; Two versions: 1st in AGA |
|||
|- |
|||
| 521 |
|||
| XXX,1830 | (1830)<br />(1895) |
|||
| Jagdlied |
|||
| text Trarah! Trarah! Wir kehren daheim | |
|||
| 1817-01-01 | January<br />1817 |
|||
| Text by Werner, Zacharias from Wanda, Konigin der Sarmaten I, Trarah! Trarah! Wir kehren daheim | Text by [[Zacharias Werner|Werner]], from ''Wanda, Königin der Sarmaten'' I (other text in 1830 ed.); For voice (or: unison choir) and piano |
|||
|- |
|||
| 522 |
|||
| XXX,1895 | (1895) |
|||
| Liebe, Die, D 522 | Die Liebe, D 522 |
|||
| text Wo weht der Liebe hoher Geist? | |
|||
| 1817-01-01 | January<br />1817 |
|||
| Text by Leon, Franz Gottlieb von, Wo weht der Liebe hoher Geist?"| Text by {{illm|Gottlieb von Leon|de|Gottlieb Leon|lt=Leon}} |
|||
|- |
|||
| 523 |
|||
| XXX,1885 | (1885) |
|||
| Trost, D 523 |
|||
| text Nimmer lange weil' ich hier | |
|||
| 1817-01-01 | January<br />1817 |
|||
| ZZZZ | |
|||
|- |
|||
| 524 |
|||
| 013,1822-3 | 13,3<br />(1822)<br />(1895)<br />(1970) |
|||
| Alpenjager, Der, D 524 | Der Alpenjäger, D 524 |
|||
| text Auf hohem Bergesrucken | |
|||
| 1817-01-01 | January<br />1817 |
|||
| Text by Mayrhofer, Johann, Auf hohem Bergesrucken | Text by [[Johann Mayrhofer|Mayrhofer]]; Three versions: 2nd, not in AGA, is for [[SATB|b]] and piano – 3rd is Op. 13 No. 3 |
|||
|- |
|||
| 525 |
|||
| 021,1823-3 | 21,3<br />(1823)<br />(1970) |
|||
| Wie Ulfru fischt |
|||
| text Der Angel zuckt, die Rute bebt | |
|||
| 1817-01-01 | January<br />1817 |
|||
| Text by Mayrhofer, Johann, Der Angel zuckt, die Rute bebt | Text by [[Johann Mayrhofer|Mayrhofer]]; For [[SATB|b]] and piano; Two versions: 2nd, in AGA, is Op. 21 No. 3 |
|||
|- |
|||
| 526 |
|||
| XXX,1832 | (1832) |
|||
| Fahrt zum Hades |
|||
| text Der Nachen drohnt | |
|||
| 1817-01-01 | January<br />1817 |
|||
| Text by Mayrhofer, Johann, Der Nachen drohnt | Text by [[Johann Mayrhofer|Mayrhofer]]; For [[SATB|b]] and piano |
|||
|- |
|||
| 527 |
|||
| 024,1823-2 | 24,2<br />(1823)<br />(1975) |
|||
| Schlaflied a.k.a. Abendlied a.k.a. Schlummerlied |
|||
| text Es mahnt der Wald | |
|||
| 1817-01-01 | January<br />1817 |
|||
| Text by Mayrhofer, Johann, Es mahnt der Wald | Text by [[Johann Mayrhofer|Mayrhofer]]; Two versions: 2nd, in AGA, is Op. 24 No. 2 |
|||
|- |
|||
| 528 |
|||
| XXX,1872 | (1872) |
|||
| Pastorella al prato, La, D 528 | La pastorella al prato, D 528 |
|||
| text La pastorella al prato 2 | |
|||
| 1817-01-01 | January<br />1817 |
|||
| Text by Goldoni, Carlo from Il filosofo di campagna II, 16, La pastorella al prato 2 | Text by [[Carlo Goldoni|Goldoni]], from ''[[Il filosofo di campagna (libretto)|Il filosofo di campagna]]'' II, 16 (other setting: {{D.|number=513}}); Arietta for soprano and piano |
|||
|- |
|||
| 529 |
|||
| XXX,1871 | (1871)<br />(1897) |
|||
| Ecossaises, 08, D 529 | Eight Écossaises, D 529 |
|||
| key I | Various keys |
|||
| 1817-02-01 | February<br />1817 |
|||
| For piano; Nos. 1–3, 6 and 8 publ. 1871 |
|||
|- |
|||
| 530 |
|||
| 109,1829-3 | 109p,3<br>(1829) |
|||
| An eine Quelle |
|||
| text Du kleine grunumwachs'ne Quelle | |
|||
| 1817-02-01 | February<br />1817 |
|||
| Text by Claudius, Matthias, Du kleine grunumwachs'ne Quelle | Text by [[Matthias Claudius|Claudius]] |
|||
|- |
|||
| [[D. 531|531]] |
|||
| 007,1823-3 | 7,3<br>(1823) |
|||
| Tod und das Madchen, Der | [[Der Tod und das Mädchen]] |
|||
| text Voruber, ach voruber | |
|||
| 1817-02-01 | February<br />1817 |
|||
| Text by Claudius, Matthias, Voruber, ach voruber | Text by [[Matthias Claudius|Claudius]]; Music partly reappears in {{D.|number=810}} |
|||
|- |
|||
| 532 |
|||
| XXX,1895 | (1895) |
|||
| Lied vom Reifen, Das | Das Lied vom Reifen |
|||
| text Seht meine lieben Baume an | |
|||
| 1817-02-01 | February<br />1817 |
|||
| Text by Claudius, Matthias, Seht meine lieben Baume an | Text by [[Matthias Claudius|Claudius]]; Fragment (completed in AGA) |
|||
|- |
|||
| 533 |
|||
| XXX,1876 | (1876)<br />(1895) |
|||
| Taglich zu singen | Täglich zu singen |
|||
| text Ich danke Gott und freue mich | |
|||
| 1817-02-01 | February<br />1817 |
|||
| Text by Claudius, Matthias, Ich danke Gott und freue mich | Text by [[Matthias Claudius|Claudius]]; 1876 publ. is [[piano reduction]] |
|||
|- |
|||
| 534 |
|||
| XXX,1830 | (1830) |
|||
| Nacht, Die, D 534 | Die Nacht, D 534 |
|||
| text Die Nacht ist dumpfig und finster | |
|||
| 1817-02-01 | February<br />1817 |
|||
| Text by Macpherson, James (Ossian) from Domhnull mac Fhionnlaidh, Die Nacht ist dumpfig und finster | Text by [[James Macpherson|Macpherson]] ([[Ossian]]), from ''Domhnull mac Fhionnlaidh'', transl. by E. Baron de Harold |
|||
|- |
|||
| 535 |
|||
| XXX,1853 | (1853)<br />(1895) |
|||
| Lied, D 535 |
|||
| text Bruder, schrecklich brennt die Trane | |
|||
| 1817-02-01 | February<br />1817 |
|||
| For [[SATB|s]] and small orchestra; 1853 ed. is arrangement |
|||
|- |
|||
| 536 |
|||
| 021,1823-2 | 21,2<br />(1823)<br />(1970) |
|||
| Schiffer, Der, D 536 | Der Schiffer, D 536 |
|||
| text Im winde, im Sturme | |
|||
| 1817-01-01 | 1817? |
|||
| Text by Mayrhofer, Johann, Im winde, im Sturme | Text by [[Johann Mayrhofer|Mayrhofer]]; For [[SATB|b]] and piano; Two versions: 2nd, in AGA, is Op. 21 No. 2 |
|||
|- |
|||
| 537 |
|||
| 164,1852.0 | 164p<br />(1852) |
|||
| [[Piano Sonata in A minor, D 537 (Schubert)|Piano Sonata, D 537]] |
|||
| key A minor | A minor |
|||
| 1817-03-01 | March 1817 |
|||
| Allegro ma non troppo – Allegretto quasi Andantino – Allegro vivace |
|||
|- |
|||
| 538 |
|||
| XXX,1891 | (1891) |
|||
| Gesang der Geister uber den Wassern, D 538 | Gesang der Geister über den Wassern, D 538 |
|||
| text Des Menschen Seele gleicht dem Wasser 2 | |
|||
| 1817-03-01 | March 1817 |
|||
| Text by Goethe, Johann Wolfgang von, Des Menschen Seele gleicht dem Wasser 2 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other settings: {{D.|number=484}}, [[D. 705|705]] and [[D. 714|714]]); For [[SATB|ttbb]] |
|||
|- |
|||
| 539 |
|||
| 008,1822-4 | 8,4<br>(1822) |
|||
| Am Strome |
|||
| text Ist mir's doch, als sei mein Leben | |
|||
| 1817-03-01 | March 1817 |
|||
| Text by Mayrhofer, Johann, Ist mir's doch, als sei mein Leben | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 540 |
|||
| XXX,1831 | (1831) |
|||
| Philoktet |
|||
| text Da sitz' ich ohne Bogen | |
|||
| 1817-03-01 | March 1817 |
|||
| Text by Mayrhofer, Johann, Da sitz' ich ohne Bogen | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 541 |
|||
| 006,1821-1 | 6,1<br />(1821) |
|||
| Memnon |
|||
| text Den Tag hindurch nur einmal mag ich sprechen | |
|||
| 1817-03-01 | March 1817 |
|||
| Text by Mayrhofer, Johann, Den Tag hindurch nur einmal mag ich sprechen | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 542 |
|||
| 006,1821-2 | 6,2<br />(1821) |
|||
| Antigone und Oedip |
|||
| text Ihr hohen Himmlischen | |
|||
| 1817-03-01 | March 1817 |
|||
| Text by Mayrhofer, Johann, Ihr hohen Himmlischen | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 543 |
|||
| 092,1828-2 | 92,2<br />(1828)<br />(1895) |
|||
| Auf dem See |
|||
| text Und frische Nahrung | |
|||
| 1817-03-01 | March 1817 |
|||
| Text by Goethe, Johann Wolfgang von, Und frische Nahrung | Text by [[Johann Wolfgang von Goethe|Goethe]]; Two versions: 2nd is Op. 92 No. 2 |
|||
|- |
|||
| 544 |
|||
| 019,1825-3 | 19,3<br>(1825) |
|||
| Ganymed |
|||
| text Wie im Morgenglanze | |
|||
| 1817-03-01 | March 1817 |
|||
| Text by Goethe, Johann Wolfgang von, Wie im Morgenglanze | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 545 |
|||
| XXX,1872 | (1872)<br />(1895) |
|||
| Jungling und der Tod, Der | Der Jüngling und der Tod |
|||
| text Die Sonne sinkt, o konnt ich | |
|||
| 1817-03-01 | March 1817 |
|||
| Text by Spaun, Joseph von, Die Sonne sinkt, o konnt ich | Text by [[Joseph von Spaun|Spaun]]; Two versions: 1st is duet – 2nd publ. 1872 |
|||
|- |
|||
| 546 |
|||
| 101,1827-3 | 101p,3<br />(1827) |
|||
| Trost im Liede |
|||
| text Braust des Unglucks Sturm empor | |
|||
| 1817-03-01 | March 1817 |
|||
| Text by Schober, Franz von, Braust des Unglucks Sturm empor | Text by [[Franz von Schober|Schober]]; Publ. as Op. posth. 101 No. 3 in 1828 |
|||
|- |
|||
| [[D. 547|547]] |
|||
| 088,1827-4 | 88,4<br />(1827)<br />(1895) |
|||
| [[An die Musik]] |
|||
| text Du holde Kunst | |
|||
| 1817-03-01 | March 1817 |
|||
| Text by Schober, Franz von, Du holde Kunst | Text by [[Franz von Schober|Schober]]; Two versions: 2nd is Op. 88 No. 4 |
|||
|- |
|||
| 548 |
|||
| XXX,1831 | (1831) |
|||
| Orest auf Tauris |
|||
| text Ist dies Tauris | |
|||
| 1817-03-01 | March 1817 |
|||
| Text by Mayrhofer, Johann, Ist dies Tauris | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 549 |
|||
| XXX,1895 | (1895) |
|||
| Mahomets Gesang, D 549 |
|||
| text Seht den Felsenquell 1 | |
|||
| 1817-03-01 | March 1817 |
|||
| Text by Goethe, Johann Wolfgang von, Seht den Felsenquell 1 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other setting: {{D.|number=721}}); Fragment |
|||
|- |
|||
| [[D. 550|550]] |
|||
| 032,1820-0 | 32<br />(1820)<br />(1895)<br />(1975) |
|||
| Forelle, Die | [[Die Forelle]] |
|||
| text In einem Bachlein helle | |
|||
| 1817-03-01 | late 1816–<br />October 1821 |
|||
| Text by Schubart, Christian Friedrich Daniel, In einem Bachlein helle | Text by [[Christian Friedrich Daniel Schubart|Schubart]]; Five versions: 1st–4th in AGA – 4th publ. as Op. 32 in 1827; Music partly reappears in {{D.|number=667}} |
|||
|- |
|||
| 551 |
|||
| XXX,1831 | (1831) |
|||
| Pax vobiscum |
|||
| text Der Friede sei mit euch! | |
|||
| 1817-04-01 | April 1817 |
|||
| Text by Schober, Franz von, Der Friede sei mit euch! | Text by [[Franz von Schober|Schober]] |
|||
|- |
|||
| 552 |
|||
| 020,1823-3 | 20,3<br />(1823)<br />(1970) |
|||
| Hanflings Liebeswerbung | Hänflings Liebeswerbung |
|||
| text Ahidi! ich liebe | |
|||
| 1817-04-01 | April 1817 |
|||
| Text by Kind, Johann Friedrich, Ahidi! ich liebe | Text by [[Johann Friedrich Kind|Kind]]; Two versions: 2nd, in AGA, is Op. 20 No. 3; Music related to {{D.|number=972}} No. 3 |
|||
|- |
|||
| 553 |
|||
| 021,1823-1 | 21,1<br />(1823) |
|||
| Auf der Donau |
|||
| text Auf der Wellen Spiegel | |
|||
| 1817-04-01 | April 1817 |
|||
| Text by Mayrhofer, Johann, Auf der Wellen Spiegel | Text by [[Johann Mayrhofer|Mayrhofer]]; For [[SATB|b]] and piano |
|||
|- |
|||
| 554 |
|||
| XXX,1895 | (1895) |
|||
| Uraniens Flucht |
|||
| text Lasst uns, ihr Himmlischen, ein Fest begehen! | |
|||
| 1817-04-01 | April 1817 |
|||
| Text by Mayrhofer, Johann, Lasst uns, ihr Himmlischen, ein Fest begehen! | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 555 |
|||
| XXX,1934 | (1934) |
|||
| Liedentwurf, D 555 |
|||
| key A minor | A minor |
|||
| 1817-05-01 | May 1817? |
|||
| Sketch without text |
|||
|- |
|||
| 556 |
|||
| XXX,1886 | (1886) |
|||
| Overture, D 556 |
|||
| key D major | D major |
|||
| 1817-05-01 | May 1817 |
|||
| For orchestra |
|||
|- |
|||
| [[D. 557|557]] |
|||
| XXX,1888 | (1888) |
|||
| [[Piano Sonata in A-flat major, D 557 (Schubert)|Piano Sonata, D 557]] |
|||
| key A-flat major | A{{flat}} major |
|||
| 1817-05-01 | May 1817 |
|||
| Allegro moderato – Andante – Allegro |
|||
|- |
|||
| 558 |
|||
| XXX,1887 | (1887) |
|||
| Liebhaber in allen Gestalten |
|||
| text Ich wollt', ich war' ein Fisch | |
|||
| 1817-05-01 | May 1817 |
|||
| Text by Goethe, Johann Wolfgang von, Ich wollt', ich war' ein Fisch | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 559 |
|||
| XXX,1885 | (1885) |
|||
| Schweizerlied |
|||
| text Uf'm Bergli bin i g'sasse | |
|||
| 1817-05-01 | May 1817 |
|||
| Text by Goethe, Johann Wolfgang von, Uf'm Bergli bin i g'sasse | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 560 |
|||
| XXX,1850 | (1850) |
|||
| Goldschmiedsgesell, Der | Der Goldschmiedsgesell |
|||
| text Es ist doch meine Nachbarin | |
|||
| 1817-05-01 | May 1817 |
|||
| Text by Goethe, Johann Wolfgang von, Es ist doch meine Nachbarin | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 561 |
|||
| XXX,1872 | (1872) |
|||
| Nach einem Gewitter |
|||
| text Auf den Blumen | |
|||
| 1817-05-01 | May 1817 |
|||
| Text by Mayrhofer, Johann, Auf den Blumen | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 562 |
|||
| XXX,1895 | (1895) |
|||
| Fischerlied, D 562 |
|||
| text Das Fischergewerbe gibt rustigen Mut 3 | |
|||
| 1817-05-01 | May 1817 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Das Fischergewerbe gibt rustigen Mut 3 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other settings: {{D.|number=351}} and [[D. 364|364]]) |
|||
|- |
|||
| 563 |
|||
| XXX,1887 | (1887) |
|||
| Einsiedelei, Die, D 563 | Die Einsiedelei, D 563 |
|||
| text Es rieselt klar und wehend ein Quell 3 | |
|||
| 1817-05-01 | May 1817 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Es rieselt klar und wehend ein Quell 3 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other settings: {{D.|number=337}} and [[D. 393|393]]) |
|||
|- |
|||
| 564 |
|||
| XXX,1838 | (1838) |
|||
| Gretchen im Zwinger a.k.a. Gretchens Bitte |
|||
| text Ach neige, du Schmerzensreiche | |
|||
| 1817-05-01 | May 1817 |
|||
| Text by Goethe, Johann Wolfgang von from Faust I, 18 Ach neige, du Schmerzensreiche | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Goethe's Faust|Faust]]'' I, 18; Fragment |
|||
|- |
|||
| 565 |
|||
| XXX,1876 | (1876) |
|||
| Strom, Der | Der Strom |
|||
| text Mein Leben walzt sich murrend fort | |
|||
| 1817-06-01 | June 1817? |
|||
| For [[SATB|b]] and piano |
|||
|- |
|||
| [[D. 566|566]] |
|||
| XXX,1888 | (1888)<br />(1907)<br />(1928-<br />29) |
|||
| [[Piano Sonata in E minor, D 566 (Schubert)|Piano Sonata, D 566]] |
|||
| key E minor | E minor |
|||
| 1817-06-01 | June 1817 |
|||
| Moderato (in AGA) – Allegretto (publ. 1907) – Scherzo (publ. 1928/29); {{D.|number=506}} 4th movement? |
|||
|- |
|||
| [[D. 568|568]] |
|||
| 122,1829-0 | 122p<br />(1829)<br />(1897) |
|||
| Piano Sonata, D 568 | [[Piano Sonata in D-flat major, D 568 (Schubert)|Piano Sonata in D{{flat}} major, D 568]]; <br />[[Piano Sonata in E-flat major, D 568 (Schubert)|Piano Sonata in E{{flat}} major, D 568]] |
|||
| key D-flat major / E-flat major | D{{flat}} major;<br />E{{flat}} major |
|||
| 1817-06-01 | June 1817 |
|||
| Two versions: 1st, in D{{flat}} major, composed June 1817 – 2nd, in E{{flat}} major, is Op. posth. 122; Allegro moderato – Andante molto – Minuet (2nd version only, {{D.|number=593}} No. 2 for 1st version?) – Allegro moderato (2nd version), Allegretto (fragment, 1st version) |
|||
|- |
|||
| 569 |
|||
| XXX,1895 | (1895) |
|||
| Grab, Das, D 569 | Das Grab, D 569 |
|||
| text Das Grab ist tief und stille 4 | |
|||
| 1817-06-01 | June 1817 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Das Grab ist tief und stille 4 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other settings: {{D.|number=329A}}, [[D. 330|330]], [[D. 377|377]] and [[D. 643A|643A]]); For unison men's choir and piano |
|||
|- |
|||
| [[D. 570|570]] |
|||
| XXX,1897 | (1897) |
|||
| [[Scherzo and Allegro, D 570 (Schubert)|Scherzo and Allegro]] |
|||
| key D major / F-sharp minor | D major (scherzo)<br />F{{sharp}} minor (allegro) |
|||
| 1817-07-01 | July 1817? |
|||
| For piano; Allegro is fragment; Last movements of {{D.|number=571}}? |
|||
|- |
|||
| [[D. 571|571]] |
|||
| XXX,1897 | (1897) |
|||
| [[Piano Sonata in F-sharp minor, D 571 (Schubert)|Piano Sonata, D 571]] |
|||
| key F-sharp minor | F{{sharp}} minor |
|||
| 1817-07-01 | July 1817 |
|||
| Allegro moderato; Fragment; Completed by ({{D.|number=604}} and) [[D. 570|570]]? |
|||
|- |
|||
| 572 |
|||
| XXX,1872 | (1872) |
|||
| Lied im Freien, D 572 |
|||
| text Wie schon ist's im Freien 1 | |
|||
| 1817-07-01 | July 1817 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Wie schon ist's im Freien 1 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other setting: {{D.|number=Anh. I/19}}; For [[SATB|ttbb]] |
|||
|- |
|||
| 573 |
|||
| 098,1829-3 | 98,3<br />(1829) |
|||
| Iphigenia |
|||
| text Bluht denn hier an Tauris Strande | |
|||
| 1817-07-01 | July 1817 |
|||
| Text by Mayrhofer, Johann, Bluht denn hier an Tauris Strande | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| [[D. 574|574]] |
|||
| 162,1851-0 | 162p<br />(1851) |
|||
| [[Violin Sonata in A major, D 574 (Schubert)|Violin Sonata, D 574]], a.k.a. (''Grand'') ''Duo'' |
|||
| key A major | A major |
|||
| 1817-08-01 | August 1817 |
|||
| Allegro moderato – Scherzo – Andantino – Allegro vivace |
|||
|- |
|||
| [[D. 575|575]] |
|||
| 147,1846-0 | 147p<br />(1846) |
|||
| [[Piano Sonata in B major, D 575 (Schubert)|Piano Sonata, D 575]] |
|||
| key B major | B major |
|||
| 1817-08-01 | August 1817 |
|||
| Allegro ma non troppo – Andante – Scherzo – Allegro giusto |
|||
|- |
|||
| 576 |
|||
| XXX,1867 | (1867) |
|||
| Variations, 13, on a theme by Anselm Huttenbrenner | 13 Variations on a theme by [[Anselm Hüttenbrenner]] |
|||
| key A minor | A minor |
|||
| 1817-08-01 | August 1817 |
|||
| For piano |
|||
|- |
|||
| 577 |
|||
| XXX,1895 | (1895) |
|||
| Entzuckung an Laura, D 577 | Entzückung an Laura, D 577 |
|||
| text Laura, uber diese Welt 2 | |
|||
| 1817-08-01 | August 1817 |
|||
| Text by Schiller, Friedrich, Laura, uber diese Welt 2 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=390}}); Two fragments of a sketch |
|||
|- |
|||
| 578 |
|||
| XXX,1838 | (1838) |
|||
| Abschied, D 578 |
|||
| text Lebe wohl! Du lieber Freund! | |
|||
| 1817-08-24 | 24/08/1817 |
|||
| Text by Schubert, Franz, Lebe wohl! Du lieber Freund! | Text by [[Franz Schubert|Schubert]] |
|||
|- |
|||
| 579 |
|||
| XXX,1872 | (1872)<br />(1897) |
|||
| Knabe in der Wiege, Der | Der Knabe in der Wiege |
|||
| text Er schlaft so suss | |
|||
| 1817-09-21 | Autumn<br />1817 |
|||
| Text by Ottenwalt, Anton, Er schlaft so suss | Text by {{illm|Anton Ottenwalt|scores|Category:Ottenwalt, Anton|lt=Ottenwalt}}; Two versions: 1st publ. 1872 – 2nd is fragment |
|||
|- |
|||
| 579A |
|||
| XXX,1970 | (1970) |
|||
| Vollendung |
|||
| text Wenn ich einst das Ziel errungen habe | |
|||
| 1817-09-01 | Sept. or Oct.<br />1817? |
|||
| Text by Matthisson, Friedrich von, Wenn ich einst das Ziel errungen habe | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| 579B |
|||
| XXX,1970 | (1970) |
|||
| Erde, Die | Die Erde |
|||
| text Wenn sanft entzuckt mein Auge sieht | |
|||
| 1817-09-01 | Sept. or Oct.<br />1817? |
|||
| Text by Matthisson, Friedrich von, Wenn sanft entzuckt mein Auge sieht | Text by [[Friedrich von Matthisson|Matthisson]] |
|||
|- |
|||
| 580 |
|||
| XXX,1928 | (1928) |
|||
| Polonaise, D 580 |
|||
| key B-flat major | B{{flat}} major |
|||
| 1817-09-01 | September<br />1817 |
|||
| For violin and orchestra |
|||
|- |
|||
| [[D. 581|581]] |
|||
| XXX,1897 | (1897) |
|||
| [[String Trio, D 581 (Schubert)|String Trio, D 581]] |
|||
| key B-flat major | B{{flat}} major |
|||
| 1817-09-01 | September<br />1817 |
|||
| Allegro moderato – Andante – Minuet – Rondo |
|||
|- |
|||
| 583 |
|||
| 024,1823-1 | 24,1<br />(1823) |
|||
| Gruppe aus dem Tartarus, D 583 |
|||
| text Horch, wie Murmeln des emporten Meeres 2 | |
|||
| 1817-09-01 | September<br />1817 |
|||
| Text by Schiller, Friedrich from Gruppe aus dem Tartarus 00 2 | Text by [[Friedrich Schiller|Schiller]] (other settings: {{D.|number=65}} and [[D. 396|396]]) |
|||
|- |
|||
| 584 |
|||
| XXX,1830 | (1830) |
|||
| Elysium |
|||
| text Voruber die stohnende Klage! 2 | |
|||
| 1817-09-01 | September<br />1817 |
|||
| Text by Schiller, Friedrich from Elysium 00 | Text by [[Friedrich Schiller|Schiller]] (settings of separate stanzas: {{D.|number=51}}, [[D. 53|53]], [[D. 54|54]], [[D. 57|57]], [[D. 58|58]] and [[D. 60|60]]) |
|||
|- |
|||
| 585 |
|||
| XXX,1833 | (1833) |
|||
| Atys |
|||
| text Der Knabe seufzt ubers grune Meer | |
|||
| 1817-09-01 | September<br />1817 |
|||
| Text by Mayrhofer, Johann, Der Knabe seufzt ubers grune Meer | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 586 |
|||
| 008,1818-3 | 8,3<br>(1818) |
|||
| Erlafsee |
|||
| text Mir ist so wohl, so weh' | |
|||
| 1817-09-01 | September<br />1817 |
|||
| Text by Mayrhofer, Johann, Mir ist so wohl, so weh' | Text by [[Johann Mayrhofer|Mayrhofer]]; Publ. as Op. 8 No. 3 in 1822 |
|||
|- |
|||
| 587 |
|||
| XXX,1885 | (1885)<br />(1895) |
|||
| An den Fruhling, D 587 | An den Frühling, D 587 |
|||
| text Willkommen, schoner Jungling! 3 | |
|||
| 1817-10-01 | October<br />1817 |
|||
| Text by Schiller, Friedrich, Willkommen, schoner Jungling! 3 | Text by [[Friedrich Schiller|Schiller]] (other settings: {{D.|number=283}} and [[D. 338|338]]); Two versions: 1st publ. 1885 – 2nd was {{D.|number=245}} |
|||
|- |
|||
| 588 |
|||
| 037,1825-2 | 37,2<br />(1825)<br />(1897)<br />(1975) |
|||
| Alpenjager, Der, D 588 | Der Alpenjäger, D 588 |
|||
| text Willst du nicht das Lammlein huten? | |
|||
| 1817-10-01 | October<br />1817 |
|||
| Text by Schiller, Friedrich, Willst du nicht das Lammlein huten? | Text by [[Friedrich Schiller|Schiller]]; Two versions: 1st incomplete in AGA – 2nd is Op. 37 No. 2 |
|||
|- |
|||
| [[D. 589|589]] |
|||
| XXX,1885 | (1885) |
|||
| Symphony No. 06 | [[Symphony No. 6 (Schubert)|Symphony No. 6]]<br>''Little C major'' |
|||
| key C major | C major |
|||
| 1818-02-01 | Oct. 1817–<br>Feb. 1818 |
|||
| Adagio, Allegro – Andante – Scherzo – Allegro moderato |
|||
|- |
|||
| 590 |
|||
| XXX,1886 | (1886) |
|||
| Overture in the Italian Style, D 590 |
|||
| key D major | D major |
|||
| 1817-11-01 | November<br />1817 |
|||
| For orchestra; Piano duet arrangement: {{D.|number=592}}; Music partly reappears in {{D.|number=644}} |
|||
|- |
|||
| 591 |
|||
| 170,1865-0 | 170p<br />(1865) |
|||
| Overture in the Italian Style, D 591 |
|||
| key C major | C major |
|||
| 1817-11-01 | November<br />1817 |
|||
| For orchestra; Piano duet arrangement: {{D.|number=597}} |
|||
|- |
|||
| 592 |
|||
| XXX,1872 | (1872) |
|||
| Overture in the Italian Style, D 592 |
|||
| key D major | D major |
|||
| 1817-12-01 | December<br />1817 |
|||
| For piano duet; Arrangement of {{D.|number=590}} |
|||
|- |
|||
| 593 |
|||
| XXX,1871 | (1871) |
|||
| Scherzos, 2 | Two Scherzi |
|||
| key I | Various keys |
|||
| 1817-11-01 | November<br />1817 |
|||
| For piano; No. 2 related to {{D.|number=568}} |
|||
|- |
|||
| 594 |
|||
| 110,1829-0 | 110p<br />(1829) |
|||
| Kampf, Der | Der Kampf |
|||
| text Nein, langer werd' ich diesen Kampf nicht kampfen | |
|||
| 1817-11-01 | November<br />1817 |
|||
| Text by Schiller, Friedrich, Nein, langer werd' ich diesen Kampf nicht kampfen | Text by [[Friedrich Schiller|Schiller]]; For [[SATB|b]] and piano |
|||
|- |
|||
| 595 |
|||
| 088,1827-2 | 88,2<br />(1827)<br />(1895) |
|||
| Thekla: Eine Geisterstimme, D 595 | [[Thekla: Eine Geisterstimme]], D 595 |
|||
| text Wo ich sei, und wo mich hingewendet 2 | |
|||
| 1817-11-01 | November<br />1817 |
|||
| Text by Schiller, Friedrich, Wo ich sei, und wo mich hingewendet 2 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=73}}); Two versions: 2nd is Op. 88 No. 2 |
|||
|- |
|||
| 596 |
|||
| XXX,1895 | (1895) |
|||
| Lied eines Kindes |
|||
| text Lauter Freude fuhl' ich | |
|||
| 1817-11-01 | November<br />1817 |
|||
| Fragment |
|||
|- |
|||
| 597 |
|||
| XXX,1872 | (1872) |
|||
| Overture in the Italian Style, D 597 |
|||
| key C major | C major |
|||
| 1817-11-01 | Nov. or Dec.<br />1817 |
|||
| For piano duet; Arrangement of {{D.|number=591}} |
|||
|- |
|||
| 597A |
|||
| ZZZZ | |
|||
| Variations |
|||
| key A major | A major |
|||
| 1817-12-01 | December<br />1817 |
|||
| Lost sketch for violin |
|||
|- |
|||
| 598 |
|||
| 011,1822-1 | 11,1<br />(1822)<br />(1891) |
|||
| Dorfchen, Das | Das Dörfchen |
|||
| text Ich ruhme mir mein Dorfchen hier | |
|||
| 1817-12-01 | December<br />1817 |
|||
| Text by Burger, Gottfried August, Ich ruhme mir mein Dorfchen hier | Text by [[Gottfried August Bürger|Bürger]]; For [[SATB|ttbb]] and piano; Two versions: 1st is sketch without piano – 2nd, Op. 11 No. 1, was {{D.|number=641}} |
|||
|- id="599–632" style="text-align: center; background: #D8D8D8;" |
|- id="599–632" style="text-align: center; background: #D8D8D8;" |
||
|'''599–632''' |
| data-sort-value="598Z" colspan="2" | '''599–632''' |
||
| data-sort-value="ZZZZZ1818" colspan="5" | |
|||
| colspan="3" ZZZZZ1818 | |
|||
---- |
---- |
||
| 1817-12-31 | '''[[ |
| data-sort-value="1817-12-31" | '''[[List of compositions by Franz Schubert (1818)|1818]]''' |
||
| ZZZZZ1818 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1818" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1818)}} |
|||
|- |
|||
| 599 |
|||
| 075,1827-0 | 75<br />(1827) |
|||
| Polonaises, 4 | Four Polonaises |
|||
| key I | Various keys |
|||
| 1818-07-01 | July 1818 |
|||
| For piano duet |
|||
|- |
|||
| 600 |
|||
| XXX,1897 | (1897) |
|||
| Minuet, D 600 |
|||
| key C-sharp minor | C{{sharp}} minor |
|||
| 1814-01-01 | early 1814? |
|||
| For piano; May combine with {{D.|number=610}} and/or {{D.|number=613}} |
|||
|- |
|||
| 602 |
|||
| 027,1824-0 | 27<br />(1824) |
|||
| Marches heroiques, 3 | ''Trois Marches héroiques'' |
|||
| key I | Various keys |
|||
| 1818-01-01 | 1818 or 1824 |
|||
| For piano duet |
|||
|- |
|||
| 604 |
|||
| XXX,1888 | (1888) |
|||
| Piano piece, D 604, a.k.a. Andante |
|||
| key A major | A major |
|||
| 1816-01-01 | 1816 or 1817 |
|||
| 2nd movement of {{D.|number=571}}? |
|||
|- |
|||
| 605 |
|||
| XXX,1897 | (1897) |
|||
| Fantasy, D 605 |
|||
| key C major | C major |
|||
| 1822-07-01 | 1821–1823 |
|||
| For piano; Fragment |
|||
|- |
|||
| 605.1 | 605A |
|||
| XXX,1969 | (1969) |
|||
| Fantasy, D 605A, a.k.a. ''Grazer Fantasy'' |
|||
| key C major | C major |
|||
| 1818-01-01 | 1818? |
|||
| For piano |
|||
|- |
|||
| 606 |
|||
| XXX,1840 | (1840) |
|||
| March, D 606 |
|||
| key E major | E major |
|||
| 1818-01-01 | 1818? |
|||
| For piano |
|||
|- |
|||
| 607 |
|||
| ZZZZ | |
|||
| Evangelium Johannis 6, Vers 55–58 |
|||
| text In der Zeit sprach der Herr Jesus | |
|||
| 1818-01-01 | 1818 |
|||
| Text by John, In der Zeit sprach der Herr Jesus | [[John 6|Text by John (Luther translation)]]; For voice and [[figured bass]] |
|||
|- |
|||
| 608 |
|||
| 138,1834-0 | 138p<br />(1834) |
|||
| Rondo, D 608, "Notre amitié est invariable" |
|||
| key D major | D major |
|||
| 1818-01-01 | January<br />1818 |
|||
| For piano duet; Two versions: 2nd, in AGA, is Op. posth. 138 |
|||
|- |
|||
| 609 |
|||
| XXX,1872 | (1872) |
|||
| Geselligkeit, Die | Die Geselligkeit a.k.a. Lebenslust |
|||
| text Wer Lebenslust fuhlet | |
|||
| 1818-01-01 | January<br />1818 |
|||
| Text by Unger, Johann Karl, Wer Lebenslust fuhlet | Text by {{illm|Johann Karl Unger|Wikisource:de|BLKÖ:Unger, Johann Karl|lt=Unger}}; For [[SATB|satb]] and piano; 2nd part of 1st stanza, "im traulichen Kreise", was {{D.|number=665}} |
|||
|- |
|||
| 610 |
|||
| XXX,1889 | (1889) |
|||
| Trio, D 610 |
|||
| key E major | E major |
|||
| 1818-02-01 | February<br />1818 |
|||
| For piano; May belong to {{D.|number=600}}, and together with that minuet to {{D.|number=613}} |
|||
|- |
|||
| 611 |
|||
| XXX,1850 | (1850) |
|||
| Auf der Riesenkoppe |
|||
| text Hoch auf dem Gipfel deiner Gebirge | |
|||
| 1818-03-01 | March 1818 |
|||
| Text by Korner, Theodor, Hoch auf dem Gipfel deiner Gebirge | Text by [[Theodor Körner (author)|Körner]] |
|||
|- |
|||
| 612 |
|||
| XXX,1869 | (1869) |
|||
| Adagio, D 612 |
|||
| key E major | E major |
|||
| 1818-04-01 | April 1818 |
|||
| For piano; 2nd movement of {{D.|number=613}}? |
|||
|- |
|||
| [[D. 613|613]] |
|||
| XXX,1897 | (1897) |
|||
| [[Piano Sonata in C major, D 613 (Schubert)|Piano Sonata, D 613]] |
|||
| key C major | C major |
|||
| 1818-04-01 | April 1818 |
|||
| Moderato – [?]; Fragments; {{D.|number=612}} and [[D. 600|600]]/[[D. 610|610]] may constitute its other movements |
|||
|- |
|||
| 614 |
|||
| XXX,1832 | (1832) |
|||
| An den Mond in einer Herbstnacht |
|||
| text Freundlich ist dein Antlitz | |
|||
| 1818-04-01 | April 1818 |
|||
| Text by Schreiber, Aloys, Freundlich ist dein Antlitz"| Text by {{illm|Aloys Schreiber|de|lt=Schreiber}} |
|||
|- |
|||
| [[D. 615|615]] |
|||
| ZZZZ | |
|||
| [[Symphony, D 615 (Schubert)|Symphony, D 615]] |
|||
| key D major | D major |
|||
| 1818-05-01 | May 1818 |
|||
| Adagio, Allegro moderato – [?]; Sketches |
|||
|- |
|||
| 616 |
|||
| XXX,1830 | (1830) |
|||
| Grablied fur die Mutter | Grablied für die Mutter |
|||
| text Hauche milder, Abendluft | |
|||
| 1818-06-01 | June 1818 |
|||
| ZZZZ | |
|||
|- |
|||
| [[D. 617|617]] |
|||
| 030,1823-0 | 30<br />(1823) |
|||
| [[Sonata in B-flat major for piano duet, D 617|Sonata, D 617]] |
|||
| key B-flat major | B{{flat}} major |
|||
| 1818-06-21 | Summer–<br />Autumn<br />1818(?) |
|||
| For piano duet; Allegro moderato – Andante con moto – Allegretto |
|||
|- |
|||
| 618 |
|||
| XXX,1909 | (1909) |
|||
| German Dance with Trios, 2, and Landler, 2 | German Dance with Two Trios and Two Ländler |
|||
| key G major | G major (Deutscher/Trios)<br />E major (Ländler) |
|||
| 1818-06-21 | Summer–<br />Autumn<br />1818 |
|||
| For piano duet |
|||
|- |
|||
| 618A |
|||
| XXX,1972 | (1972) |
|||
| Polonaise, D 618A |
|||
| key B-flat major | B{{flat}} major |
|||
| 1818-07-01 | July 1818 |
|||
| For piano duet; Sketch |
|||
|- |
|||
| 619 |
|||
| XXX,1892 | (1892) |
|||
| Sing-Ubungen | Sing-Übungen (vocal exercises) |
|||
| ZZZZ | |
|||
| 1818-07-01 | July 1818 |
|||
| For two voices and figured bass |
|||
|- |
|||
| 620 |
|||
| XXX,1840 | (1840) |
|||
| Einsamkeit, D 620 |
|||
| text Gib mir die Fulle der Einsamkeit! | |
|||
| 1818-07-01 | July 1818 |
|||
| Text by Mayrhofer, Johann, Gib mir die Fulle der Einsamkeit! | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 621 |
|||
| XXX,1826 | (1826) |
|||
| ''Deutsches Requiem'' (German Requiem) a.k.a. ''Deutsche Trauermesse'' |
|||
| key G minor | G minor<br />Bei des Entschlafnen Trauerbahre |
|||
| 1818-08-01 | August 1818 |
|||
| Text by Schmid, Christoph von, Bei des Entschlafnen Trauerbahre | Text by [[Christoph von Schmid|Schmid]]; Only known in [[Ferdinand Schubert|Ferd. Schubert]]'s arrangements; Publ. 1826 for [[SATB|satbSATB]] and organ{{sfn|Kube|2009}} |
|||
|- |
|||
| 622 |
|||
| XXX,1833 | (1833) |
|||
| Blumenbrief, Der | Der Blumenbrief |
|||
| text Euch Blumlein will ich senden | |
|||
| 1818-08-01 | August 1818 |
|||
| Text by Schreiber, Aloys, Euch Blumlein will ich senden"| Text by {{illm|Aloys Schreiber|de|lt=Schreiber}} |
|||
|- |
|||
| 623 |
|||
| XXX,1831 | (1831) |
|||
| Marienbild, Das | Das Marienbild |
|||
| text Sei gegrusst, du Frau der Huld | |
|||
| 1818-08-01 | August 1818 |
|||
| Text by Schreiber, Aloys, Sei gegrusst, du Frau der Huld"| Text by {{illm|Aloys Schreiber|de|lt=Schreiber}} |
|||
|- |
|||
| 624 |
|||
| 010,1822-0 | 10<br>(1822) |
|||
| Variations, 08, on a French Song | Eight Variations on a French Song (i.e. [http://www.lieder.net/lieder/get_text.html?TextId=1011 Le bon Chevalier]) |
|||
| key E minor | E minor |
|||
| 1818-09-01 | September<br />1818 |
|||
| Theme after [[Hortense de Beauharnais]]; For piano duet |
|||
|- |
|||
| [[D. 625|625]] |
|||
| XXX,1897 | (1897) |
|||
| [[Piano Sonata in F minor, D 625 (Schubert)|Piano Sonata, D 625]] |
|||
| key F minor | F minor |
|||
| 1818-09-01 | September<br />1818 |
|||
| Allegro (fragment) – Scherzo – Allegro (fragment); {{D.|number=505}} may be its 2nd movement |
|||
|- |
|||
| 626 |
|||
| XXX,1842 | (1842) |
|||
| Blondel zu Marien |
|||
| text In dustrer Nacht | |
|||
| 1818-09-01 | September<br />1818 |
|||
| ZZZZ | |
|||
|- |
|||
| 627 |
|||
| 173,1867-6 | 173p,6<br>(1867) |
|||
| Abendrot, Das, D 627 | Das Abendrot, D 627 |
|||
| text Du heilig, gluhend Abendrot! | |
|||
| 1818-11-01 | November<br />1818 |
|||
| Text by Schreiber, Aloys, Du heilig, gluhend Abendrot!"| Text by {{illm|Aloys Schreiber|de|lt=Schreiber}}; For [[SATB|b]] and piano |
|||
|- |
|||
| 628 |
|||
| XXX,1895 | (1895) |
|||
| Sonett I |
|||
| text Apollo, lebet noch dein hold Verlangen | |
|||
| 1818-11-01 | November<br />1818 |
|||
| Text by Petrarch, transl. by Schlegel, Apollo, lebet noch dein hold Verlangen"| Text by [[Petrarch]], transl. by [[August Wilhelm Schlegel|Schlegel, A. W.]] |
|||
|- |
|||
| 629 |
|||
| XXX,1895 | (1895) |
|||
| Sonett II |
|||
| text Allein, nachdenklich, wie gelahmt vom Krampfe | |
|||
| 1818-11-01 | November<br />1818 |
|||
| Text by Petrarch, transl. by Schlegel, Allein, nachdenklich, wie gelahmt vom Krampfe"| Text by [[Petrarch]], transl. by [[August Wilhelm Schlegel|Schlegel, A. W.]] |
|||
|- |
|||
| 630 |
|||
| XXX,1895 | (1895) |
|||
| Sonett III |
|||
| text Nunmehr, da Himmel, Erde schweigt | |
|||
| 1818-11-01 | November<br />1818 |
|||
| Text by Petrarch, transl. by Gries, Nunmehr, da Himmel, Erde schweigt"| Text by [[Petrarch]], transl. by [[Johann Diederich Gries|Gries]] |
|||
|- |
|||
| 631 |
|||
| XXX,1885 | (1885) |
|||
| Blanka a.k.a. Das Mädchen |
|||
| text Wenn mich einsam Lufte facheln | |
|||
| 1818-12-01 | December<br />1818 |
|||
| Text by Schlegel, Friedrich von, Wenn mich einsam Lufte facheln | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]] |
|||
|- |
|||
| 632 |
|||
| XXX,1831 | (1831) |
|||
| Vom Mitleiden Maria | Vom Mitleiden Mariä |
|||
| text Als bei dem Kreuz Maria stand | |
|||
| 1818-12-01 | December<br />1818 |
|||
| Text by Schlegel, Friedrich von, Als bei dem Kreuz Maria stand | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]] |
|||
|- id="633–678" style="text-align: center; background: #D8D8D8;" |
|- id="633–678" style="text-align: center; background: #D8D8D8;" |
||
|'''633–678''' |
| data-sort-value="632Z" colspan="2" | '''633–678''' |
||
| data-sort-value="ZZZZZ1819" colspan="5" | |
|||
| colspan="3" ZZZZZ1819 | |
|||
---- |
---- |
||
| 1818-12-31 | '''[[ |
| data-sort-value="1818-12-31" | '''[[List of compositions by Franz Schubert (1819)|1819]]''' |
||
| ZZZZZ1819 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1819" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1819)}} |
|||
|- |
|||
| 633 |
|||
| 057,1826-1 | 57,1<br>(1826) |
|||
| Schmetterling, Der | Der Schmetterling |
|||
| text Wie soll ich nicht tanzen | |
|||
| 1819-01-01 | 1819–1823? |
|||
| Text by Schlegel, Friedrich von from Abendrote I 07 | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]], from ''Abendröte'' I, 7 |
|||
|- |
|||
| 634 |
|||
| 057,1826-2 | 57,2<br>(1826) |
|||
| Berge, Die | Die Berge |
|||
| text Sieht uns der Blick gehoben | |
|||
| 1819-01-01 | 1819–1823? |
|||
| Text by Schlegel, Friedrich von from Abendrote I 01 | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]], from ''Abendröte'' I, 1 |
|||
|- id="D 635" |
|||
| 635 |
|||
| XXX,1900 | (1900)<br />(1906–<br />1907) |
|||
| Leise, leise lasst uns singen | Leise, leise laßt uns singen, later also: Ruhe, and: (Nächtliches) Ständchen |
|||
| text Leise, leise lasst uns singen | |
|||
| 1819-01-01 | {{Circa|1819}} |
|||
| For [[SATB|ttbb]]; later text versions, from 1900, by Robert Graf and Anton Weiß |
|||
|- |
|||
| 636 |
|||
| 039,1826-0 | 39<br />(1826)<br />(1895)<br />(1975) |
|||
| Sehnsucht, D 636 | [[Sehnsucht (Schubert)|Sehnsucht]], D 636 |
|||
| text Ach, aus dieses Tales Grunden 2 | |
|||
| 1821-01-01 | early<br />1821? |
|||
| Text by Schiller, Friedrich, Ach, aus dieses Tales Grunden 2 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=52}}); Three versions: 1st not in AGA – 3rd is Op. 39 |
|||
|- |
|||
| 637 |
|||
| 087,1827-2 | 87,2<br>(1827) |
|||
| Hoffnung, D 637 | (Die) Hoffnung, D 637 |
|||
| text Es reden und traumen die Menschen viel 2 | |
|||
| 1819-01-01 | {{Circa|1819}}? |
|||
| Text by Schiller, Friedrich, Es reden und traumen die Menschen viel 2 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=251}}) |
|||
|- |
|||
| 638 |
|||
| 087,1827-3 | 87,3<br />(1827)<br />(1895) |
|||
| Jungling am Bache, Der, D 638 | [[Der Jüngling am Bache]], D 638 |
|||
| text An der Quelle sass der Knabe 3 | |
|||
| 1819-04-01 | April 1819 |
|||
| Text by Schiller, Friedrich, An der Quelle sass der Knabe 3 | Text by [[Friedrich Schiller|Schiller]] (other settings: {{D.|number=30}} and [[D. 192|192]]); Two versions: 2nd is Op. 87 No. 3 |
|||
|- |
|||
| 639 |
|||
| XXX,1820 | (1820)<br />(1832) |
|||
| Widerschein |
|||
| text Fischer harrt am Bruckenbogen | |
|||
| 1828-05-01 | 1820;<br />May/Sept.<br />1828 |
|||
| Text by Schlechta, Franz Xaver von, Fischer harrt am Bruckenbogen"| Text by {{illm|Franz Xaver von Schlechta|de|Franz Xaver Schlechta von Wschehrd|lt=Schlechta}}; Two versions; 1st publ. 1820 – 2nd, in AGA with another text variant ("Harrt ein Fischer auf der Brücke"), was {{D.|number=949}} |
|||
|- |
|||
| 642 |
|||
| XXX,1937 | (1937) |
|||
| Viel tausend Sterne prangen |
|||
| text Viel tausend Sterne prangen | |
|||
| 1812-01-01 | 1812? |
|||
| Text by Eberhard, Christian August Gottlob, Viel tausend Sterne prangen | Text by [[Christian August Gottlob Eberhard|Eberhard]]; For [[SATB|satb]] and piano |
|||
|- |
|||
| 643 |
|||
| XXX,1889 | (1889) |
|||
| German Dance and Écossaise |
|||
| key C-sharp minor | C{{sharp}} minor (German dance)<br />D{{flat}} major (Écossaise) |
|||
| 1819-01-01 | 1819 |
|||
| For piano |
|||
|- |
|||
| 643.1 | 643A |
|||
| XXX,1972 | (1972) |
|||
| Grab, Das, D 643A | Das Grab, D 643A |
|||
| text Das Grab ist tief und stille 5 | |
|||
| 1819-01-01 | 1819 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Das Grab ist tief und stille 5 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other settings: {{D.|number=329A}}, [[D. 330|330]], [[D. 377|377]] and [[D. 569|569]]); For [[SATB|satb]] |
|||
|- |
|||
| [[D. 644|644]] |
|||
| XXX,1855 | (1855)<br />(1887)<br />(1891)<br />(1975) |
|||
| Zauberharfe, Die | ''[[Die Zauberharfe]]'' |
|||
| theatre (Incidental music) | |
|||
| 1820-08-01 | Apr.–Aug.<br />1820{{sfn|NSA II, 15|page=IX (in [https://www.baerenreiter.com/resource/public/products/BA5561/infoitems/vw/01.pdf Introduction])}} |
|||
| Text by Hofmann, Georg von, Zauberharfe, Die"| Text by {{illm|Georg von Hofmann|de|lt=Hofmann}}; Music for [[SATB|tSATB]] and orchestra; Three acts: Overture (reused in {{D.|number=797}}, publ. 1855) and Nos. 1–4 – Nos. 5–9 (Romanze from No. 9, not in AGA, publ. 1887 with piano reduction and 1975 in concert version) – Overture and Nos. 10–13 |
|||
|- |
|||
| 645 |
|||
| ZZZZ | |
|||
| Abend, D 645 |
|||
| text Wie ist es denn, dass trub und schwer | |
|||
| 1819-01-01 | early 1819 |
|||
| Text by Tieck, Ludwig, Wie ist es denn, dass trub und schwer | Text by [[Ludwig Tieck|Tieck]]; Fragment of a sketch |
|||
|- |
|||
| 646 |
|||
| XXX,1885 | (1885) |
|||
| Gebusche, Die | Die Gebüsche |
|||
| text Es wehet kuhl und leise | |
|||
| 1819-01-01 | January<br />1819 |
|||
| Text by Schlegel, Friedrich von from Abendrote II 09 | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]], from ''Abendröte'' II, 9 |
|||
|- |
|||
| [[D. 647|647]] |
|||
| XXX,1872 | (1872)<br />(1889) |
|||
| Zwillingsbruder, Die | ''[[Die Zwillingsbrüder]]'' |
|||
| theatre (Singspiel) | (Singspiel) |
|||
| 1819-01-01 | Oct. 1818–<br />1819{{sfn|NSA II, 15|page=IX (in [https://www.baerenreiter.com/resource/public/products/BA5561/infoitems/vw/01.pdf Introduction])}} |
|||
| For [[SATB|stbbbSATB]] and orchestra (piano reduction in 1872 edition); Overture and Nos. 1–10 |
|||
|- |
|||
| 648 |
|||
| XXX,1886 | (1886) |
|||
| Overture, D 648 |
|||
| key E minor | E minor |
|||
| 1819-02-01 | February<br />1819 |
|||
| For orchestra |
|||
|- |
|||
| 649 |
|||
| 065,1826-2 | 65,2<br>(1826) |
|||
| Wanderer, Der, D 649 | Der Wanderer, D 649 |
|||
| text Wie deutlich des Mondes Licht zu mir spricht | |
|||
| 1819-02-01 | February<br />1819 |
|||
| Text by Schlegel, Friedrich von from Abendrote II 01 | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]], from ''Abendröte'' II, 1; Two versions: 2nd is Op. 65 No. 2 |
|||
|- |
|||
| 650 |
|||
| XXX,1831 | (1831) |
|||
| Abendbilder |
|||
| text Still beginnt's im Hain zu tauen | |
|||
| 1819-02-01 | February<br />1819 |
|||
| Text by Silbert, Johann Peter, Still beginnt's im Hain zu tauen | Text by {{illm|Johann Peter Silbert|wikisource:de|BLKÖ:Silbert, Johann Peter|lt=Silbert}} |
|||
|- |
|||
| 651 |
|||
| XXX,1831 | (1831) |
|||
| Himmelsfunken |
|||
| text Der Odem Gottes weht | |
|||
| 1819-02-01 | February<br />1819 |
|||
| Text by Silbert, Johann Peter, Der Odem Gottes weht | Text by {{illm|Johann Peter Silbert|wikisource:de|BLKÖ:Silbert, Johann Peter|lt=Silbert}} |
|||
|- |
|||
| 652 |
|||
| XXX,1842 | (1842) |
|||
| Madchen, Das, D 652 | Das Mädchen, D 652 |
|||
| text Wie so innig, mocht ich sagen | |
|||
| 1819-02-01 | February<br />1819 |
|||
| Text by Schlegel, Friedrich von from Abendrote II 04 | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]], from ''Abendröte'' II, 4; Two versions: 1st, in AGA, publ. 1842 |
|||
|- |
|||
| 653 |
|||
| XXX,1842 | (1842) |
|||
| Bertas Lied in der Nacht |
|||
| text Nacht umhullt mit wehendem Flugel | |
|||
| 1819-02-01 | February<br />1819 |
|||
| Text by Grillparzer, Franz, Nacht umhullt mit wehendem Flugel | Text by [[Franz Grillparzer|Grillparzer]] |
|||
|- |
|||
| 654 |
|||
| XXX,1842 | (1842) |
|||
| An die Freunde |
|||
| text Im Wald, im Wald, da grabt mich ein | |
|||
| 1819-03-01 | March 1819 |
|||
| Text by Mayrhofer, Johann, Im Wald, im Wald, da grabt mich ein | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| [[D. 655|655]] |
|||
| XXX,1897 | (1897) |
|||
| [[Piano Sonata in C-sharp minor, D 655 (Schubert)|Piano Sonata, D 655]] |
|||
| key C-sharp minor | C{{sharp}} minor |
|||
| 1819-04-01 | April 1819 |
|||
| Allegro; Fragment |
|||
|- |
|||
| [[D. 656|656]] |
|||
| XXX,1867 | (1867) |
|||
| Sehnsucht, D 656 | [[Sehnsucht, D 656]] |
|||
| text Nur wer die Sehnsucht kennt 4 | |
|||
| 1819-04-01 | April 1819 |
|||
| Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, Nur wer die Sehnsucht kennt 4 | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Wilhelm Meister's Apprenticeship]]'' (other settings: {{D.|number=310}}, [[D. 359|359]], [[D. 481|481]] and [[D. 877|877]] Nos. 1 & 4); For [[SATB|ttbbb]] |
|||
|- |
|||
| 657 |
|||
| XXX,1871 | (1871) |
|||
| Ruhe, schonstes Gluck der Erde | Ruhe, schönstes Glück der Erde |
|||
| text Ruhe, schonstes Gluck der Erde | |
|||
| 1819-04-01 | April 1819 |
|||
| For [[SATB|ttbb]] |
|||
|- |
|||
| 658 |
|||
| XXX,1895 | (1895) |
|||
| Marie |
|||
| text Ich sehe dich in tausend Bildern | |
|||
| 1819-05-01 | May 1819? |
|||
| Text by Novalis from Geistliche Lieder No. 15 | Text by [[Novalis]], No. 15 from {{illm|Spiritual Songs|de|Geistliche Lieder|lt=''Geistliche Lieder''}} |
|||
|- |
|||
| 659 |
|||
| XXX,1872 | (1872) |
|||
| Hymn I |
|||
| text Wenige wissen das Geheimnis der Liebe | |
|||
| 1819-05-01 | May 1819 |
|||
| Text by Novalis from Geistliche Lieder No. 07 | Text by [[Novalis]], No. 7 from {{illm|Spiritual Songs|de|Geistliche Lieder|lt=''Geistliche Lieder''}} |
|||
|- |
|||
| 660 |
|||
| XXX,1872 | (1872) |
|||
| Hymn II |
|||
| text Wenn ich ihn nur habe | |
|||
| 1819-05-01 | May 1819 |
|||
| Text by Novalis from Geistliche Lieder No. 05 | Text by [[Novalis]], No. 5 from {{illm|Spiritual Songs|de|Geistliche Lieder|lt=''Geistliche Lieder''}} |
|||
|- |
|||
| 661 |
|||
| XXX,1872 | (1872) |
|||
| Hymn III |
|||
| text Wenn alle untreu werden | |
|||
| 1819-05-01 | May 1819 |
|||
| Text by Novalis from Geistliche Lieder No. 06 | Text by [[Novalis]], No. 6 from {{illm|Spiritual Songs|de|Geistliche Lieder|lt=''Geistliche Lieder''}} |
|||
|- |
|||
| 662 |
|||
| XXX,1872 | (1872) |
|||
| Hymn IV |
|||
| text Ich sag' es jedem, dass er lebt | |
|||
| 1819-05-01 | May 1819 |
|||
| Text by Novalis from Geistliche Lieder No. 09 | Text by [[Novalis]], No. 9 from {{illm|Spiritual Songs|de|Geistliche Lieder|lt=''Geistliche Lieder''}} |
|||
|- |
|||
| 663 |
|||
| ZZZZ | |
|||
| Psalm 13 (12) |
|||
| text Ach Herr, wie lange willst du mein so ganz vergessen? | |
|||
| 1819-06-01 | June 1819 |
|||
| Text by Mendelssohn, Moses translating Psalm 13 | Text by [[Moses Mendelssohn|Mendelssohn, M.]], translating [[Psalm 13]]; Fragment |
|||
|- |
|||
| [[D. 664|664]] |
|||
| 120,1829-0 | 120p<br />(1829) |
|||
| [[Piano Sonata in A major, D 664 (Schubert)|Piano Sonata, D 664]] |
|||
| key A major | A major |
|||
| 1819-06-21 | Summer 1819<br />or 1825 |
|||
| Allegro moderato – Andante – Allegro |
|||
|- |
|||
| 666 |
|||
| 158,1849-0 | 158p<br>(1849) |
|||
| Kantate zum Geburtstag des Sängers Johann Michael Vogl |
|||
| text Sanger, der von Herzen singet | |
|||
| 1819-08-10 | 10/08/1819 |
|||
| Text by Stadler, Albert, Sanger, der von Herzen singet | Text by {{illm|Albert Stadler|scores|Category:Stadler, Albert|lt=Stadler, A.}}; For [[SATB|stb]] and piano; Publ. 1849, with different text, as ''Der Frühlingsmorgen'' |
|||
|- |
|||
| [[D. 667|667]] |
|||
| 114,1829-0 | 114p<br>(1829) |
|||
| ''[[Trout Quintet]]'' |
|||
| key A major | A major |
|||
| 1819-01-01 | 1819? |
|||
| Allegro vivace – Andante – Scherzo – Theme and variations – Allegro giusto; For violin, viola, cello, double bass and piano; Reuses music of {{D.|number=550}} |
|||
|- |
|||
| 668 |
|||
| XXX,1897 | (1897) |
|||
| Overture, D 668 |
|||
| key G minor | G minor |
|||
| 1819-10-01 | October<br />1819 |
|||
| For piano duet |
|||
|- |
|||
| 669 |
|||
| XXX,1829 | (1829) |
|||
| Beim Winde |
|||
| text Es traumen die Wolken | |
|||
| 1819-10-01 | October<br />1819 |
|||
| Text by Mayrhofer, Johann, Es traumen die Wolken | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 670 |
|||
| 165,1862-2 | 165p,2<br>(1862) |
|||
| Sternennachte, Die | Die Sternennächte |
|||
| text In monderhellten Nachten | |
|||
| 1819-10-01 | October<br />1819 |
|||
| Text by Mayrhofer, Johann, In monderhellten Nachten | Text by [[Johann Mayrhofer|Mayrhofer]]; Two versions: 2nd is Op. posth. 165 No. 2 |
|||
|- |
|||
| 671 |
|||
| XXX,1849 | (1849) |
|||
| Trost, D 671 |
|||
| text Hornerklange rufen klagend | |
|||
| 1819-10-01 | October<br />1819 |
|||
| Text by Mayrhofer, Johann, Hornerklange rufen klagend | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 672 |
|||
| 036,1825-2 | 36,2<br />(1825)<br />(1975) |
|||
| Nachtstuck | Nachtstück |
|||
| text Wenn uber Berge sich der Nebel breitet | |
|||
| 1819-10-01 | October<br />1819 |
|||
| Text by Mayrhofer, Johann, Wenn uber Berge sich der Nebel breitet | Text by [[Johann Mayrhofer|Mayrhofer]]; Two versions: 2nd is Op. 36 No. 2 |
|||
|- |
|||
| 673 |
|||
| 165,1832-1 | 165p,1<br />(1832)<br />(1862) |
|||
| Liebende schreibt, Die | Die Liebende schreibt |
|||
| text Ein Blick von deinen Augen | |
|||
| 1819-10-01 | October<br />1819 |
|||
| Text by Goethe, Johann Wolfgang von, Ein Blick von deinen Augen | Text by [[Johann Wolfgang von Goethe|Goethe]]; Two versions: 1st publ. in 1832 – 2nd is Op. posth. 165 No. 1 |
|||
|- |
|||
| [[D. 674|674]] |
|||
| XXX,1850 | (1850) |
|||
| [[Prometheus (art song)|Prometheus, D 674]] |
|||
| text Bedecke deinen Himmel, Zeus | |
|||
| 1819-10-01 | October<br />1819 |
|||
| Text by Goethe, Johann Wolfgang von, Bedecke deinen Himmel, Zeus | Text by [[Johann Wolfgang von Goethe|Goethe]]; For [[SATB|b]] and piano |
|||
|- |
|||
| 675 |
|||
| 034,1825-0 | 34<br />(1825) |
|||
| Overture, D 675 |
|||
| key F major | F major |
|||
| 1819-11-01 | November<br />1819? |
|||
| For piano duet |
|||
|- |
|||
| 676 |
|||
| 153,1845-0 | 153p<br />(1845)<br />(1888) |
|||
| Salve Regina, D 676, a.k.a. ''Drittes Offertorium'' |
|||
| key A major | A major<br />Salve Regina |
|||
| 1819-11-01 | November<br />1819 |
|||
| Text: Salve Regina 5 | Text: [[Salve Regina]] (other settings: {{D.|number=27}}, [[D. 106|106]], [[D. 223|223]], [[D. 386|386]] and [[D. 811|811]]); For [[SATB|s]] and orchestra; Shortened in 1st ed., Op. posth. 153 |
|||
|- |
|||
| 677 |
|||
| XXX,1848 | (1848)<br />(1895) |
|||
| Gotter Griechenlands, Die, Stanza from | Stanza from "Die Götter Griechenlands" |
|||
| text Schone Welt, wo bist du? | |
|||
| 1819-11-01 | November<br />1819 |
|||
| Text by Schiller, Friedrich, Schone Welt, wo bist du? | Text by [[Friedrich Schiller|Schiller]]; Two versions: 2nd publ. in 1848 |
|||
|- |
|||
| [[D. 678|678]] |
|||
| XXX,1875 | (1875)<br />(1887) |
|||
| [[Mass No. 5 (Schubert)|Mass No. 5]] |
|||
| key A-flat major | A{{flat}} major<br />Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei |
|||
| 1822-09-01 | Nov. 1819–<br />Sept. 1822 |
|||
| Text: Mass ordinary 11 | Text: [[Mass ordinary]] (other settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 45|45]], [[D. 49|49]], [[D. 56|56]], [[D. 66|66]], [[D. 105|105]], [[D. 167|167]], [[D. 324|324]], [[D. 452|452]], [[D. 755|755]] and [[D. 950|950]]); For [[SATB|satbSATB]] and orchestra; Two versions: 1st publ. in 1875 – 2nd in AGA |
|||
|- id="679–708" style="text-align: center; background: #D8D8D8;" |
|- id="679–708" style="text-align: center; background: #D8D8D8;" |
||
|'''679–708''' |
| data-sort-value="678Z" colspan="2" | '''679–708''' |
||
| data-sort-value="ZZZZZ1820" colspan="5" | |
|||
| colspan="3" ZZZZZ1820 | |
|||
---- |
---- |
||
| 1819-12-31 | '''[[ |
| data-sort-value="1819-12-31" | '''[[List of compositions by Franz Schubert (1820)|1820]]''' |
||
| ZZZZZ1820 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1820" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1820)}} |
|||
|- |
|||
| 681 |
|||
| XXX,1930 | (1930) |
|||
| Landler, 12, D 681 | Twelve Ländler, D 681 |
|||
| key I | Various keys |
|||
| 1815-01-01 | {{Circa|1815}} |
|||
| For piano; Nos. 1–4 are lost |
|||
|- |
|||
| 682 |
|||
| XXX,1895 | (1895) |
|||
| Uber allen Zauber Liebe | Über allen Zauber Liebe |
|||
| text Sie hupfte mit mir auf grunem Plan | |
|||
| 1820-01-01 | 1820–1824 |
|||
| Text by Mayrhofer, Johann, Sie hupfte mit mir auf grunem Plan | Text by [[Johann Mayrhofer|Mayrhofer]]; Fragment |
|||
|- |
|||
| 684 |
|||
| XXX,1850 | (1850) |
|||
| Sterne, Die, D 684 | Die Sterne, D 684 |
|||
| text Du staunest, o Mensch | |
|||
| 1820-01-01 | 1820 |
|||
| Text by Schlegel, Friedrich von from Abendrote II 08 | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]], from ''Abendröte'' II, 8 |
|||
|- |
|||
| 685 |
|||
| 004,1821-2 | 4,2<br />(1821) |
|||
| Morgenlied, D 685 |
|||
| text Eh' die Sonne fruh aufersteht | |
|||
| 1820-01-01 | 1820 |
|||
| Text by Werner, Zacharias, Eh' die Sonne fruh aufersteht | Text by [[Zacharias Werner|Werner]] |
|||
|- |
|||
| 686 |
|||
| 020,1823-2 | 20,2<br />(1823)<br />(1970) |
|||
| Fruhlingsglaube | Frühlingsglaube |
|||
| text Die linden Lufte sind erwacht | |
|||
| 1822-11-01 | Sep. 1820–<br />Nov. 1822 |
|||
| Text by Uhland, Ludwig, Die linden Lufte sind erwacht | Text by [[Ludwig Uhland|Uhland]]; Three versions: 3rd, in AGA, is Op. 20 No. 2 |
|||
|- |
|||
| 687 |
|||
| XXX,1872 | (1872) |
|||
| Nachthymne |
|||
| text Hinuber wall' ich | |
|||
| 1820-01-01 | January<br />1820 |
|||
| Text by Novalis, Hinuber wall' ich | Text by [[Novalis]] |
|||
|- |
|||
| 688 |
|||
| XXX,1871 | (1871) |
|||
| Canzonen, 4 | Vier Canzonen |
|||
| text Non t'accostar all'urna | |
|||
| 1820-01-01 | January<br />1820 |
|||
| Text by Vittorelli, Iacopo, Non t'accostar all'urna"| Text by {{illm|Iacopo Vittorelli|de|lt=Vittorelli}} (Nos. 1–2) and [[Metastasio]] (No. 3 from ''L'eroe cinese'' I, 3 – No. 4 from ''Alessandro nell'Indie'' III, 7) |
|||
|- |
|||
| [[D. 689|689]] |
|||
| XXX,1865 | (1865)<br />(1892) |
|||
| ''[[Lazarus (Schubert)|Lazarus, oder: Die Feier der Auferstehung]]'' |
|||
| theatre (Scenic oratorio in 3 acts) | (Scenic oratorio in three acts) |
|||
| 1820-03-01 | early 1820–<br />Mar. 1820{{sfn|NSA II, 15|page=IX (in [https://www.baerenreiter.com/resource/public/products/BA5561/infoitems/vw/01.pdf Introduction])}} |
|||
| Text by Niemeyer, August Hermann, Lazarus | Text by [[August Hermann Niemeyer|Niemeyer]]; For [[SATB|sssttbSATB]] and orchestra (piano reduction in 1865 publ.); Unfinished: Nos. 1–21 (Act I) – Nos. 22–29 (Act II) |
|||
|- |
|||
| 690 |
|||
| XXX,1830 | (1830) |
|||
| Abendrote | Abendröte |
|||
| text Tiefer sinket schon die Sonne | |
|||
| 1823-03-01 | March 1823 |
|||
| Text by Schlegel, Friedrich von from Abendrote I 00 | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]], from ''Abendröte'' I |
|||
|- |
|||
| 691 |
|||
| 172,1865-6 | 172p,6<br>(1865) |
|||
| Vogel, Die | Die Vögel |
|||
| text Wie lieblich und frohlich | |
|||
| 1820-03-01 | March 1820 |
|||
| Text by Schlegel, Friedrich von from Abendrote I 02 | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]], from ''Abendröte'' I, 2 |
|||
|- |
|||
| 692 |
|||
| XXX,1872 | (1872) |
|||
| Knabe, Der | Der Knabe |
|||
| text Wenn ich nur ein Voglein ware | |
|||
| 1820-03-01 | March 1820 |
|||
| Text by Schlegel, Friedrich von from Abendrote I 03 | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]], from ''Abendröte'' I, 3 |
|||
|- |
|||
| 693 |
|||
| XXX,1872 | (1872) |
|||
| Fluss, Der | Der Fluß |
|||
| text Wie rein Gesang sich windet | |
|||
| 1820-03-01 | March 1820 |
|||
| Text by Schlegel, Friedrich von from Abendrote I 04 | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]], from ''Abendröte'' I, 4 |
|||
|- |
|||
| 694 |
|||
| XXX,1842 | (1842) |
|||
| Schiffer, Der, D 694 | Der Schiffer, D 694 |
|||
| text Friedlich lieg' ich hingegossen | |
|||
| 1820-03-01 | March 1820 |
|||
| Text by Schlegel, Friedrich von, Friedlich lieg' ich hingegossen | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]] |
|||
|- |
|||
| 695 |
|||
| XXX,1895 | (1895) |
|||
| Namenstagslied |
|||
| text Vater, schenk' mir diese Stunde | |
|||
| 1820-03-19 | 19/3/1820? |
|||
| Text by Stadler, Albert, Vater, schenk' mir diese Stunde | Text by {{illm|Albert Stadler|scores|Category:Stadler, Albert|lt=Stadler, A.}} |
|||
|- |
|||
| 696 |
|||
| 113,1829-0 | 113p<br />(1829) |
|||
| Antiphonen, 6, zum Palmsonntag | Sechs Antiphonen zum Palmsonntag |
|||
| text Hosanna filio David | |
|||
| 1820-03-26 | 26/3/1820 |
|||
| For [[SATB]] |
|||
|- |
|||
| 697 |
|||
| 018,1823-E6 | 18,É6<br />(1823)<br />(1889) |
|||
| Ecossaises, 06, D 697 | Six Écossaises, D 697 |
|||
| key A-flat major | A{{flat}} major |
|||
| 1820-05-01 | May 1820 |
|||
| For piano; No. 5 is 6th Écossaise of Op. 18 |
|||
|- |
|||
| 698 |
|||
| XXX,1832 | (1832) |
|||
| Frauleins Liebeslauschen, Des | Des Fräuleins Liebeslauschen |
|||
| text Hier unten steht ein Ritter | |
|||
| 1820-09-01 | September<br />1820 |
|||
| Text by Schlechta, Franz Xaver von, Hier unten steht ein Ritter"| Text by {{illm|Franz Xaver von Schlechta|de|Franz Xaver Schlechta von Wschehrd|lt=Schlechta}} |
|||
|- |
|||
| 699 |
|||
| XXX,1831 | (1831) |
|||
| Entsuhnte Orest, Der | Der entsühnte Orest |
|||
| text Zu meinen Fussen brichst du dich | |
|||
| 1820-09-01 | September<br />1820 |
|||
| Text by Mayrhofer, Johann, Zu meinen Fussen brichst du dich | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 700 |
|||
| XXX,1831 | (1831) |
|||
| Freiwilliges Versinken |
|||
| text Wohin? o Helios! | |
|||
| 1820-09-01 | September<br />1820 |
|||
| Text by Mayrhofer, Johann, Wohin? o Helios! | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| [[D. 701|701]] |
|||
| XXX,1929 | (1929) |
|||
| ''[[Sakuntala (opera)|Sakuntala]]'' (also spelled ''Sacontala'' or ''Sakontala'') |
|||
| theatre (Opera in 3 acts) | (Opera in three acts) |
|||
| 1820-03-21 | Oct. 1820–<br />spring<br />1821{{sfn|NSA II, 15|page=IX (in [https://www.baerenreiter.com/resource/public/products/BA5561/infoitems/vw/01.pdf Introduction])}} |
|||
| Text by Neumann, Johann Philipp Sakuntala | Text by [[Johann Philipp Neumann|Neumann]] after [[Kalidasa]]'s ''[[Shakuntala (play)|Shakuntala]]''; For [[SATB|ssssssttttttbbbbbbSATB]] and orchestra; Unfinished (all numbers are sketches): Nos. 1–7 (Act I, last pages publ. in 1929) – Nos. 8a–11 (Act II) |
|||
|- |
|||
| 702 |
|||
| 008,1822-1 | 8,1<br>(1822) |
|||
| Jungling auf dem Hugel, Der | Der Jüngling auf dem Hügel |
|||
| text Ein Jungling auf dem Hugel | |
|||
| 1820-11-01 | November<br />1820 |
|||
| Text by Hüttenbrenner, Heinrich, Ein Jungling auf dem Hugel"| Text by {{illm|Heinrich Hüttenbrenner|de|lt=Hüttenbrenner, H.}} |
|||
|- |
|||
| [[D. 703|703]] |
|||
| XXX,1870 | (1870)<br />(1897) |
|||
| String Quartet, D 703 | [[Quartettsatz, D. 703 (Schubert)|String Quartet No. 12]] |
|||
| key C minor | C minor |
|||
| 1820-12-01 | December<br />1820 |
|||
| Allegro assai (a.k.a. ''Quartettsatz'', publ. 1870) – Andante (fragment) |
|||
|- |
|||
| 705 |
|||
| XXX,1897 | (1897) |
|||
| Gesang der Geister uber den Wassern, D 705 | Gesang der Geister über den Wassern, D 705 |
|||
| text Des Menschen Seele gleicht dem Wasser 3 | |
|||
| 1820-12-01 | December<br />1820 |
|||
| Text by Goethe, Johann Wolfgang von, Des Menschen Seele gleicht dem Wasser 3 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other settings: {{D.|number=484}}, [[D. 538|538]] and [[D. 714|714]]); Sketch for [[SATB|ttbb]] and piano |
|||
|- |
|||
| 706 |
|||
| 132,1832-0 | 132p<br />(1832) |
|||
| Psalm 23 (22) |
|||
| text Gott ist mein Hirt, mir wird nichts mangeln | |
|||
| 1820-12-01 | December<br />1820 |
|||
| Text by Mendelssohn, Moses translating Psalm 23 | Text by [[Moses Mendelssohn|Mendelssohn, M.]], translating [[Psalm 23]]; For [[SATB|ssaa]] and piano |
|||
|- |
|||
| 707 |
|||
| 036,1825-1 | 36,1<br />(1825)<br />(1895) |
|||
| Zurnenden Diana, Der | Der zürnenden Diana |
|||
| text Ja, spanne nur den Bogen | |
|||
| 1820-12-01 | December<br />1820 |
|||
| Text by Mayrhofer, Johann, Ja, spanne nur den Bogen | Text by [[Johann Mayrhofer|Mayrhofer]]; Two versions: 2nd is Op. 36 No. 1 |
|||
|- |
|||
| 708 |
|||
| XXX,1832 | (1832) |
|||
| Im Walde, D 708, a.k.a. Waldesnacht |
|||
| text Windes Rauschen, Gottes Flugel | |
|||
| 1820-12-01 | December<br />1820 |
|||
| Text by Schlegel, Friedrich von, Windes Rauschen, Gottes Flugel | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]] |
|||
|- id="708A–732" style="text-align: center; background: #D8D8D8;" |
|- id="708A–732" style="text-align: center; background: #D8D8D8;" |
||
|'''708A–732''' |
| data-sort-value="708A" colspan="2" | '''708A–732''' |
||
| data-sort-value="ZZZZZ1821" colspan="5" | |
|||
| colspan="3" ZZZZZ1821 | |
|||
---- |
---- |
||
| 1820-12-31 | '''[[ |
| data-sort-value="1820-12-31" | '''[[List of compositions by Franz Schubert (1821)|1821]]''' |
||
| ZZZZZ1821 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1821" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1821)}} |
|||
|- |
|||
| 708B | [[D. 708A|708A]] |
|||
| ZZZZ | |
|||
| [[Symphony, D. 708a (Schubert)|Symphony, D 708A]] |
|||
| key D major | D major |
|||
| 1821-01-01 | 1821 or<br />later |
|||
| Sketches of four movements |
|||
|- |
|||
| 709 |
|||
| XXX,1891 | (1891) |
|||
| Fruhlingsgesang, D 709 | Frühlingsgesang, D 709 |
|||
| text Schmucket die Locken mit duftigen Kranzen 1 | |
|||
| 1822-03-01 | March 1822<br />or earlier |
|||
| Text by Schober, Franz von, Schmucket die Locken mit duftigen Kranzen 1 | Text by [[Franz von Schober|Schober]] (other setting, partly reusing music of this setting: {{D.|number=740}}); For [[SATB|ttbb]] |
|||
|- |
|||
| 710 |
|||
| XXX,1849 | (1849) |
|||
| Im Gegenwartigen Vergangenes | Im Gegenwärtigen Vergangenes |
|||
| text Ros und Lilie morgentaulich | |
|||
| 1821-03-01 | March 1821? |
|||
| Text by Goethe, Johann Wolfgang von, O gib vom weichen Pfuhle | Text by [[Johann Wolfgang von Goethe|Goethe]]; For [[SATB|ttbb]] and piano |
|||
|- |
|||
| 711 |
|||
| 013,1822-2 | 13,2<br />(1822)<br />(1970) |
|||
| Lob der Tranen | Lob der Tränen |
|||
| text Laue Lufte, Blumendufte | |
|||
| 1818-01-01 | 1818–1821? |
|||
| Text by Schlegel, August Wilhelm, Laue Lufte, Blumendufte | Text by [[August Wilhelm Schlegel|Schlegel, A. W.]]; Two versions: 2nd, in AGA, is Op. 13 No. 2 |
|||
|- |
|||
| 712 |
|||
| XXX,1842 | (1842) |
|||
| Gefangenen Sanger, Die | Die gefangenen Sänger |
|||
| text Horst du von den Nachtigallen | |
|||
| 1821-01-01 | January<br />1821 |
|||
| Text by Schlegel, August Wilhelm, Horst du von den Nachtigallen | Text by [[August Wilhelm Schlegel|Schlegel, A. W.]] |
|||
|- |
|||
| 713 |
|||
| 087,1827-1 | 87,1<br />(1827)<br />(1895) |
|||
| Ungluckliche, Der | Der Unglückliche |
|||
| text Die Nacht bricht an | |
|||
| 1821-01-01 | January<br />1821 |
|||
| Text by Pichler, Karoline, Die Nacht bricht an | Text by [[Karoline Pichler|Pichler]]; Two versions: 2nd is Op. 87 No. 1 |
|||
|- |
|||
| 714 |
|||
| 167,1858-0 | 167p<br />(1858)<br />(1891) |
|||
| Gesang der Geister uber den Wassern, D 714 | Gesang der Geister über den Wassern, D 714 |
|||
| text Des Menschen Seele gleicht dem Wasser 4 | |
|||
| 1821-02-01 | Dec. 1820–<br />Feb. 1821 |
|||
| Text by Goethe, Johann Wolfgang von, Des Menschen Seele gleicht dem Wasser 4 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other settings: {{D.|number=484}}, [[D. 538|538]] and [[D. 705|705]]); For [[SATB|ttttbbbb]], two violas, two cellos and double bass; Two versions: 1st, a sketch, was D 704 – 2nd is Op. posth. 167 |
|||
|- |
|||
| 715 |
|||
| XXX,1845 | (1845) |
|||
| Versunken |
|||
| text Voll Locken kraus ein Haupt so rund | |
|||
| 1821-02-01 | February<br />1821 |
|||
| Text by Goethe, Johann Wolfgang von, Voll Locken kraus ein Haupt so rund | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 716 |
|||
| XXX,1832 | (1832) |
|||
| Grenzen der Menschheit |
|||
| text Wenn der uralte heilige Vater | |
|||
| 1821-03-01 | March 1821 |
|||
| Text by Goethe, Johann Wolfgang von, Wenn der uralte heilige Vater | Text by [[Johann Wolfgang von Goethe|Goethe]]; For [[SATB|b]] and piano |
|||
|- |
|||
| 717 |
|||
| 031,1825-0 | 31<br />(1825) |
|||
| Suleika II |
|||
| text Ach um deine feuchten Schwingen | |
|||
| 1821-03-01 | March? 1821 |
|||
| Text by Willemer, Marianne von, Ach um deine feuchten Schwingen | Text by [[Marianne von Willemer|Willemer]] |
|||
|- |
|||
| 718 |
|||
| XXX,1824 | ([[scores:Vaterländischer Künstlerverein (Diabelli, Anton)|1824]]) |
|||
| Variation on a Waltz by [[Anton Diabelli]] |
|||
| key C minor | C minor |
|||
| 1821-03-01 | March 1821 |
|||
| For piano; No. 38 in [[Vaterländischer Künstlerverein#Part II, by various composers|''Vaterländischer Künstlerverein'' Vol. II]] |
|||
|- |
|||
| 719 |
|||
| 014,1822-2 | 14,2<br />(1822) |
|||
| Geheimes |
|||
| text Uber meines Liebchens Augeln | |
|||
| 1821-03-01 | March 1821 |
|||
| Text by Goethe, Johann Wolfgang von, Uber meines Liebchens Augeln | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 720 |
|||
| 014,1822-1 | 14,1<br />(1822) |
|||
| Suleika I |
|||
| text Was bedeutet die Bewegung? | |
|||
| 1821-03-01 | March 1821 |
|||
| Text by Willemer, Marianne von, Was bedeutet die Bewegung? | Text by [[Marianne von Willemer|Willemer]]; Two versions; 2nd, in AGA, is Op. 14 No. 1 |
|||
|- |
|||
| 721 |
|||
| XXX,1895 | (1895) |
|||
| Mahomets Gesang, D 721 |
|||
| text Seht den Felsenquell 2 | |
|||
| 1821-03-01 | March 1821 |
|||
| Text by Goethe, Johann Wolfgang von, Seht den Felsenquell 2 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other setting: {{D.|number=549}}); For [[SATB|b]] and piano; Fragment |
|||
|- |
|||
| 722 |
|||
| XXX,1889 | (1889) |
|||
| German Dance, D 722 |
|||
| key G-flat major | G{{flat}} major |
|||
| 1821-03-08 | 8/3/1821 |
|||
| For piano |
|||
|- |
|||
| [[D. 723|723]] |
|||
| XXX,1893 | (1893) |
|||
| Duet and Aria for Herold's Das Zauberglockchen | [[D. 723|Duet and Aria]] for [[Ferdinand Hérold|Hérold]]'s ''Das Zauberglöckchen'' |
|||
| text Nein, nein, nein, nein, das ist zu viel | |
|||
| 1821-05-01 | Apr.–May<br />1821{{sfn|NSA II, 15|page=IX (in [https://www.baerenreiter.com/resource/public/products/BA5561/infoitems/vw/01.pdf Introduction])}} |
|||
| Text by Theaulon, Emmanuel, transl. by Treitschke, Nein, nein, nein, nein, das ist zu viel"| Text by [[Emmanuel Théaulon|Théaulon]], transl. by [[Georg Friedrich Treitschke|Treitschke]];Duet for [[SATB|tb]] and aria for [[SATB|t]] (both with orchestra) |
|||
|- |
|||
| 724 |
|||
| 011,1822-2 | 11,2<br>(1822) |
|||
| Nachtigall, Die | Die Nachtigall |
|||
| text Bescheiden verborgen im buschigten Gang | |
|||
| 1821-04-22 | 22/4/1821<br />or earlier |
|||
| Text by Unger, Johann Karl, Bescheiden verborgen im buschigten Gang | Text by {{illm|Johann Karl Unger|Wikisource:de|BLKÖ:Unger, Johann Karl|lt=Unger}}; For [[SATB|ttbb]] and piano |
|||
|- |
|||
| 725 |
|||
| XXX,1929 | (1929) |
|||
| Duet, D 725 |
|||
| text Linde Lufte wehen | |
|||
| 1821-04-01 | April 1821 |
|||
| Fragment for mezzo-soprano, tenor and piano |
|||
|- |
|||
| 726 |
|||
| XXX,1870 | (1870) |
|||
| Mignon I, D 726 |
|||
| text Heiss mich nicht reden 1 | |
|||
| 1821-04-01 | April 1821 |
|||
| Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, Heiss mich nicht reden 1 | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Wilhelm Meister's Apprenticeship]]'' (other setting: {{D.|number=877}} No. 2) |
|||
|- |
|||
| 727 |
|||
| XXX,1850 | (1850) |
|||
| Mignon II, D 727 |
|||
| text So lasst mich scheinen, bis ich werde 2 | |
|||
| 1821-04-01 | April 1821 |
|||
| Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, So lasst mich scheinen, bis ich werde 2 | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Wilhelm Meister's Apprenticeship]]'' (other settings: {{D.|number=469}} and [[D. 877|877]] No. 3) |
|||
|- |
|||
| 728 |
|||
| XXX,1895 | (1895) |
|||
| Johanna Sebus |
|||
| text Der Damm zerreisst | |
|||
| 1821-04-01 | April 1821 |
|||
| Text by Goethe, Johann Wolfgang von, Der Damm zerreisst | Text by [[Johann Wolfgang von Goethe|Goethe]]; Fragment |
|||
|- |
|||
| [[D. 729|729]] |
|||
| XXX,1894 | (1894)<br />(1934) |
|||
| Symphony No. 07 | [[Symphony No. 7 (Schubert)|Symphony No. 7]] |
|||
| key E major | E major |
|||
| 1821-08-01 | August<br />1821 |
|||
| Adagio, Allegro – Andante – Scherzo – Allegro giusto; Sketches; First editions are completions by others (piano reduction in 1894) |
|||
|- |
|||
| 730 |
|||
| XXX,1926 | (1926) |
|||
| Tantum ergo, D 730 |
|||
| key B-flat major | B{{flat}} major |
|||
| 1821-08-16 | 16/8/1821 |
|||
| Text by Aquinas, Thomas, Tantum ergo 3 | [[Tantum Ergo|Text by Aquinas]] (other settings: {{D.|number=460}}, [[D. 461|461]], [[D. 739|739]], [[D. 750|750]], [[D. 962|962]] and [[D. Anh. I/17|Anh. I/17]]); For [[SATB|satbSATB]] and orchestra |
|||
|- |
|||
| 731 |
|||
| 173,1821-4 | 173p,4<br>(1821) |
|||
| Blumen Schmerz, Der | Der Blumen Schmerz |
|||
| text Wie tont es mir so schaurig | |
|||
| 1821-09-01 | September<br />1821 |
|||
| Text by Majlath, Janos, Wie tont es mir so schaurig | Text by [[János Majláth|Majláth]]; Publ. as Op. posth. 173 No. 4 in 1867 |
|||
|- |
|||
| [[D. 732|732]] |
|||
| XXX,1833 | (1833)<br />(1834)<br />(1867)<br />(1882)<br />(1892) |
|||
| ''[[Alfonso und Estrella]]'' |
|||
| theatre (Opera in 3 acts) | (Opera in three acts) |
|||
| 1822-02-27 | 20/9/1821–<br />27/2/1822 |
|||
| Text by Schober, Franz von Alfonso und Estrella | Text by [[Franz von Schober|Schober]]; For two sopranos, two tenors, bass, two baritones, [[SATB]] and orchestra (piano reduction in 1882 publ.); Overture (also used as overture to {{D.|number=797}}, publ. 1867, piano reductions: {{D.|number=759A}} and [[D. 773|773]]) – Act I: Nos. 1–10 (No. 8 publ. 1833 with piano reduction) – Act II: Nos. 11–22 (No. 11 was also {{D.|number=683}} and some of its music reappears in No. 19 of {{D.|number=911}}, No. 13 publ. 1834 with piano reduction) – Act III: Nos. 23–34 |
|||
|- id="733–767" style="text-align: center; background: #D8D8D8;" |
|- id="733–767" style="text-align: center; background: #D8D8D8;" |
||
|'''733–767''' |
| data-sort-value="732Z" colspan="2" | '''733–767''' |
||
| data-sort-value="ZZZZZ1822" colspan="5" | |
|||
| colspan="3" ZZZZZ1822 | |
|||
---- |
---- |
||
| 1821-12-31 | '''[[ |
| data-sort-value="1821-12-31" | '''[[List of compositions by Franz Schubert (1822)|1822]]''' |
||
| ZZZZZ1822 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1822" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1822)}} |
|||
|- |
|||
| [[D. 733|733]] |
|||
| 051,1826-0 | 51<br />(1826) |
|||
| Marches militaires, 3 | ''[[Three Marches militaires (Schubert)|Trois Marches militaires]]'' |
|||
| key D major | D major<br />G major<br />E{{flat}} major |
|||
| 1818-06-21 | Summer–<br />Autumn<br />1818? |
|||
| For piano duet |
|||
|- |
|||
| 734 |
|||
| 067,1826-0 | 67<br />(1826) |
|||
| Landler, 16 | 16 Ländler and 2 Écossaises, a.k.a. ''Wiener Damen-Ländler'' |
|||
| key I | Various keys |
|||
| 1826-12-15 | before<br />15/12/1826 |
|||
| For piano |
|||
|- |
|||
| 735 |
|||
| 049,1825-0 | 49<br />(1825) |
|||
| Galop and Ecossaises | Galop and Eight Écossaises |
|||
| key I | Various keys |
|||
| 1825-11-21 | before<br />21/11/1825 |
|||
| For piano |
|||
|- |
|||
| 736 |
|||
| XXX,1842 | (1842) |
|||
| Ihr Grab |
|||
| text Dort ist ihr Grab | |
|||
| 1822-01-01 | 1822? |
|||
| Text by Engelhardt, Karl August, Dort ist ihr Grab | Text by {{illm|Karl August Engelhardt|de|lt=Engelhardt (a.k.a. Richard Roos)}} |
|||
|- |
|||
| 737 |
|||
| 056,1826-2 | 56,2<br />(1826) |
|||
| An die Leier |
|||
| text Ich will von Atreus Sohnen | |
|||
| 1822-01-01 | 1822 or<br />1823? |
|||
| Text by Bruchmann, Franz von translating Anacreon, Ich will von Atreus Sohnen"| Text by {{illm|Franz von Bruchmann|de|lt=Bruchmann}} translating [[Anacreon]] |
|||
|- |
|||
| 738 |
|||
| 056,1826-3 | 56,3<br />(1826) |
|||
| Im Haine |
|||
| text Sonnenstrahlen durch die Tannen | |
|||
| 1822-01-01 | 1822 or<br />1823? |
|||
| Text by Bruchmann, Franz von, Sonnenstrahlen durch die Tannen"| Text by {{illm|Franz von Bruchmann|de|lt=Bruchmann}} |
|||
|- |
|||
| 739 |
|||
| 045,1825-0 | 45<br />(1825) |
|||
| Tantum ergo, D 739 |
|||
| key C major | C major |
|||
| 1814-01-01 | 1814 |
|||
| Text by Aquinas, Thomas, Tantum ergo 4 | [[Tantum Ergo|Text by Aquinas]] (other settings: {{D.|number=460}}, [[D. 461|461]], [[D. 730|730]], [[D. 750|750]], [[D. 962|962]] and [[D. Anh. I/17|Anh. I/17]]); For [[SATB]] and orchestra |
|||
|- |
|||
| 740 |
|||
| 016,1823-1 | 16,1<br>(1823) |
|||
| Fruhlingsgesang | Frühlingsgesang, D 740 |
|||
| text Schmucket die Locken mit duftigen Kranzen 2 | |
|||
| 1822-04-01 | January–<br />early April<br />1822 |
|||
| Text by Schober, Franz von, Schmucket die Locken mit duftigen Kranzen 2 | Text by [[Franz von Schober|Schober]] (other setting, of which the music is partly reused in this setting: {{D.|number=709}}); For [[SATB|ttbb]] and piano |
|||
|- |
|||
| 741 |
|||
| 020,1823-1 | 20,1<br />(1823) |
|||
| Sei mir gegrusst | Sei mir gegrüßt |
|||
| text O du Entriss'ne mir | |
|||
| 1822-09-21 | late 1821–<br />autumn 1822 |
|||
| Text by Ruckert, Friedrich, O du Entriss'ne mir | Text by [[Friedrich Rückert|Rückert]] |
|||
|- |
|||
| 742 |
|||
| 068,1822-0 | 68<br />(1822) |
|||
| Wachtelschlag, Der | Der Wachtelschlag |
|||
| text Ach! mir schallt's dorten so lieblich hervor | |
|||
| 1822-07-30 | before<br />30/7/1822 |
|||
| Text by Sauter, Samuel Friedrich, Ach! mir schallt's dorten so lieblich hervor"| Text by {{illm|Samuel Friedrich Sauter|de|lt=Sauter}}; Publ. as Op. 68 in 1827 |
|||
|- |
|||
| 743 |
|||
| 023,1823-2 | 23,2<br />(1823) |
|||
| Selige Welt |
|||
| text Ich treibe auf des Lebens Meer | |
|||
| 1822-09-21 | autumn<br />1822? |
|||
| Text by Senn, Johann, Ich treibe auf des Lebens Meer | Text by [[Johann Senn|Senn]]; For [[SATB|b]] and piano |
|||
|- id="D 744" |
|||
| 744 |
|||
| 023,1823-3 | 23,3<br />(1823) |
|||
| Schwanengesang, D 744 |
|||
| text Wie klag' ich's aus das Sterbegefuhl | |
|||
| 1822-09-21 | autumn<br />1822? |
|||
| Text by Senn, Johann, Wie klag' ich's aus das Sterbegefuhl | Text by [[Johann Senn|Senn]] |
|||
|- |
|||
| 745 |
|||
| 073,1822-0 | 73<br />(1822)<br />(1895) |
|||
| Rose, Die | Die Rose |
|||
| text Es lockte schone Warme | |
|||
| 1822-01-01 | 1822 |
|||
| Text by Schlegel, Friedrich von from Abendrote I 06 | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]], from ''Abendröte'' I, 6; Two versions: 1st publ. as Op. 73 in 1827 |
|||
|- |
|||
| 746 |
|||
| XXX,1831 | (1831) |
|||
| [[Am See]], D 746 |
|||
| text In des Sees Wogenspiele | |
|||
| 1822-01-01 | 1822 or<br />1823? |
|||
| Text by Bruchmann, Franz von, In des Sees Wogenspiele"| Text by {{illm|Franz von Bruchmann|de|lt=Bruchmann}} |
|||
|- |
|||
| 747 |
|||
| 011,1822-3 | 11,3<br>(1822) |
|||
| Geist der Liebe, D 747 |
|||
| text Der Abend schleiert Flur und Hain 2 | |
|||
| 1822-01-01 | January<br />1822 |
|||
| Text by Matthisson, Friedrich von, Der Abend schleiert Flur und Hain 2 | Text by [[Friedrich von Matthisson|Matthisson]] (other setting: {{D.|number=414}}); For [[SATB|ttbb]] and piano |
|||
|- |
|||
| 748 |
|||
| 157,1822-0 | 157p<br />(1822) |
|||
| Am Geburtstage des Kaisers |
|||
| text Steig empor, umbluht von Segen | |
|||
| 1822-01-01 | January<br />1822 |
|||
| Text by Deinhardstein, Johann Ludwig, Steig empor, umbluht von Segen | Text by {{illm|Johann Ludwig Deinhardstein|de|lt=Deinhardstein}}; For [[SATB|satbSATB]] and orchestra; Publ. with a modified text as Op. posth. 157 in 1849 |
|||
|- |
|||
| 749 |
|||
| XXX,1850 | (1850) |
|||
| Herrn Josef Spaun, Assessor in Linz |
|||
| text Und nimmer schreibst du? | |
|||
| 1822-01-01 | January<br />1822 |
|||
| Text by Collin, Matthaus Casimir von, Und nimmer schreibst du? | Text by [[Matthäus Casimir von Collin|Collin, M. C.]] |
|||
|- |
|||
| 750 |
|||
| XXX,1888 | (1888) |
|||
| Tantum ergo, D 750 |
|||
| key D major | D major |
|||
| 1822-22-03 | 22/3/1822 |
|||
| Text by Aquinas, Thomas, Tantum ergo 5 | [[Tantum Ergo|Text by Aquinas]] (other settings: {{D.|number=460}}, [[D. 461|461]], [[D. 730|730]], [[D. 739|739]], [[D. 962|962]] and [[D. Anh. I/17|Anh. I/17]]); For [[SATB]] and orchestra |
|||
|- |
|||
| 751 |
|||
| 023,1823-1 | 23,1<br />(1823) |
|||
| Liebe hat gelogen, Die | Die Liebe hat gelogen |
|||
| text Die Liebe hat gelogen | |
|||
| 1822-04-17 | before<br />17/4/1822 |
|||
| Text by Platen, August von, Die Liebe hat gelogen | Text by [[August von Platen-Hallermünde|Platen]] |
|||
|- |
|||
| 752 |
|||
| XXX,1872 | (1872) |
|||
| Nachtviolen |
|||
| text Nachtviolen, Nachtviolen | |
|||
| 1822-04-01 | April 1822 |
|||
| Text by Mayrhofer, Johann, Nachtviolen, Nachtviolen | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 753 |
|||
| 065,1826-3 | 65,3<br>(1826) |
|||
| Heliopolis I a.k.a. Aus Heliopolis |
|||
| text Im kalten, rauhen Norden | |
|||
| 1822-04-01 | April 1822 |
|||
| Text by Mayrhofer, Johann, Im kalten, rauhen Norden | Text by [[Johann Mayrhofer|Mayrhofer]] |
|||
|- |
|||
| 754 |
|||
| XXX,1842 | (1842) |
|||
| Heliopolis II a.k.a. Im Hochgebirge |
|||
| text Fels auf Felsen hingewalzet | |
|||
| 1822-04-01 | April 1822 |
|||
| Text by Mayrhofer, Johann, Fels auf Felsen hingewalzet | Text by [[Johann Mayrhofer|Mayrhofer]]; For [[SATB|b]] and piano |
|||
|- |
|||
| 755 |
|||
| ZZZZ | |
|||
| Kyrie, D 755 | Kyrie, D 755 |
|||
| key A minor | A minor<br />[[choralwiki:Kyrie|Kyrie]] |
|||
| 1822-05-01 | May 1822 |
|||
| Text: Mass ordinary 12 | Text: [[Mass ordinary]] (other settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 45|45]], [[D. 49|49]], [[D. 56|56]], [[D. 66|66]], [[D. 105|105]], [[D. 167|167]], [[D. 324|324]], [[D. 452|452]], [[D. 678|678]] and [[D. 950|950]]); For [[SATB|satbSATB]], strings and organ; Sketch |
|||
|- |
|||
| 756 |
|||
| 059,1826-1 | 59,1<br />(1826)<br />(1895) |
|||
| Du liebst mich nicht |
|||
| text Mein Herz ist zerrissen, du liebst mich nicht! | |
|||
| 1822-07-01 | July 1822 |
|||
| Text by Platen, August von, Mein Herz ist zerrissen, du liebst mich nicht! | Text by [[August von Platen-Hallermünde|Platen]]; Two versions: 2nd is Op. 59 No. 1 |
|||
|- |
|||
| 757 |
|||
| 133,1839-0 | 133p<br />(1839) |
|||
| Gott in der Natur |
|||
| text Gross ist der Herr! | |
|||
| 1822-08-01 | August<br />1822 |
|||
| Text by Kleist, Ewald Christian von, Gross ist der Herr! | Text by [[Ewald Christian von Kleist|Kleist]]; For [[SATB|ssaa]] and piano |
|||
|- |
|||
| 757.1 | 757A |
|||
| ZZZZ | |
|||
| March, D 757A |
|||
| key B minor | B minor |
|||
| 1822-01-01 | 1822 |
|||
| For piano |
|||
|- |
|||
| 758 |
|||
| 108,1829-2 | 108,2<br />(1829) |
|||
| Todesmusik |
|||
| text In des Todes Feierstunde | |
|||
| 1822-09-01 | September<br />1822 |
|||
| Text by Schober, Franz von, In des Todes Feierstunde | Text by [[Franz von Schober|Schober]]; Two versions: 2nd is Op. 108 No. 2 |
|||
|- |
|||
| [[D. 759|759]] |
|||
| XXX,1867 | (1867) |
|||
| Symphony No. 08 | [[Symphony No. 8 (Schubert)|Symphony No. 8]], a.k.a. ''Unfinished Symphony'' |
|||
| key B minor | B minor |
|||
| 1822-10-30 | 30/10/1822 |
|||
| Allegro moderato – Andante con moto – Scherzo (Fragment); {{D.|number=797}} No. 1 may be its 4th movement |
|||
|- |
|||
| [[D. 759A|759A]] |
|||
| 069,1839-0 | 69<br />(1839) |
|||
| [[Alfonso und Estrella (Overture)|Overture to ''Alfonso und Estrella'']], D 759A |
|||
| key D major | D major |
|||
| 1822-11-01 | November<br />1822 |
|||
| For piano; Arranged from {{D.|number=732}} (see also: {{D.|number=773}}) |
|||
|- |
|||
| [[D. 760|760]] |
|||
| 015,1823-0 | 15<br />(1823) |
|||
| Fantasy, D 760, a.k.a. ''[[Wanderer Fantasy]]'' |
|||
| key C major | C major |
|||
| 1822-11-01 | November<br />1822 |
|||
| For piano; Reuses music of {{D.|number=489}} |
|||
|- |
|||
| 761 |
|||
| 023,1823-4 | 23,4<br />(1823)<br />(1795) |
|||
| Schatzgrabers Begehr | Schatzgräbers Begehr |
|||
| text In tiefster Erde ruht ein alt Gesetz | |
|||
| 1822-11-01 | November<br />1822 |
|||
| Text by Schober, Franz von, In tiefster Erde ruht ein alt Gesetz | Text by [[Franz von Schober|Schober]]; Two versions: 2nd is Op. 23 No. 4 |
|||
|- |
|||
| 762 |
|||
| XXX,1833 | (1833) |
|||
| Schwestergruss | Schwestergruß |
|||
| text Im Mondenschein' wall' ich auf und ab | |
|||
| 1822-11-01 | November<br />1822 |
|||
| Text by Bruchmann, Franz von, Im Mondenschein' wall' ich auf und ab"| Text by {{illm|Franz von Bruchmann|de|lt=Bruchmann}} |
|||
|- |
|||
| 763 |
|||
| 146,1842-0 | 146p<br />(1842) |
|||
| Tages Weihe, Des | Des Tages Weihe |
|||
| text Schicksalslenker, blicke nieder | |
|||
| 1822-11-22 | 22/11/1822 |
|||
| For [[SATB|satb]] and piano |
|||
|- |
|||
| 764 |
|||
| 092,1828-1 | 92,1<br />(1828)<br />(1895) |
|||
| Musensohn, Der | Der Musensohn |
|||
| text Durch Feld und Wald zu schweifen | |
|||
| 1822-12-01 | early Dec.<br />1822 |
|||
| Text by Goethe, Johann Wolfgang von, Durch Feld und Wald zu schweifen | Text by [[Johann Wolfgang von Goethe|Goethe]]; Two versions: 2nd is Op. 92 No. 1 |
|||
|- |
|||
| 765 |
|||
| XXX,1868 | (1868) |
|||
| An die Entfernte |
|||
| text So hab' ich wirklich dich verloren? | |
|||
| 1822-12-01 | early Dec.<br />1822 |
|||
| Text by Goethe, Johann Wolfgang von, So hab' ich wirklich dich verloren? | Text by [[Johann Wolfgang von Goethe|Goethe]] |
|||
|- |
|||
| 766 |
|||
| XXX,1872 | (1872) |
|||
| [[Am Flusse]], D 766 |
|||
| text Verfliesset, vielgeliebte Lieder 2 | |
|||
| 1822-12-01 | early Dec.<br />1822 |
|||
| Text by Goethe, Johann Wolfgang von, Verfliesset vielgeliebte Lieder 2 | Text by [[Johann Wolfgang von Goethe|Goethe]] (other setting: {{D.|number=160}}) |
|||
|- |
|||
| 767 |
|||
| 056,1826-1 | 56,1<br />(1826)<br />(1895) |
|||
| [[Willkommen und Abschied]] |
|||
| text Es schlug mein Herz | |
|||
| 1822-12-01 | early Dec.<br />1822 |
|||
| Text by Goethe, Johann Wolfgang von, Es schlug mein Herz | Text by [[Johann Wolfgang von Goethe|Goethe]]; Two versions: 2nd is Op. 56 No. 1 |
|||
|- id="768–798" style="text-align: center; background: #D8D8D8;" |
|- id="768–798" style="text-align: center; background: #D8D8D8;" |
||
|'''768–798''' |
| data-sort-value="767Z" colspan="2" | '''768–798''' |
||
| data-sort-value="ZZZZZ1823" colspan="5" | |
|||
| colspan="3" ZZZZZ1823 | |
|||
---- |
---- |
||
| 1822-12-31 | '''[[ |
| data-sort-value="1822-12-31" | '''[[List of compositions by Franz Schubert (1823)|1823]]''' |
||
| ZZZZZ1823 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1823" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1823)}} |
|||
|- |
|||
| 768 |
|||
| 096,1827-3 | 96,3<br />(1827) |
|||
| [[Wandrers Nachtlied]], D 768 |
|||
| text Uber allen Gipfeln ist Ruh | |
|||
| 1824-06-01 | before<br />July 1824 |
|||
| Text by Goethe, Johann Wolfgang von, Uber allen Gipfeln ist Ruh | Text by [[Johann Wolfgang von Goethe|Goethe]]; Publ. as Op. 96 No. 3 in 1828 |
|||
|- |
|||
| 769 |
|||
| XXX,1823 | (1823)<br />(1889) |
|||
| German Dances, 02, D 769 | Two German Dances, D 769 |
|||
| key I | Various keys |
|||
| 1824-01-01 | before<br />19/12/1823<br />–Jan. 1824 |
|||
| For piano; No. 2 publ. in 1823 |
|||
|- |
|||
| [[D. 769A|769A]] |
|||
| ZZZZ | |
|||
| [[Piano Sonata in E minor, D 769a (Schubert)|Piano Sonata, D 769a]] |
|||
| key E minor | E minor |
|||
| 1823-01-01 | {{Circa|1823}} |
|||
| Allegro; Fragment |
|||
|- |
|||
| 770 |
|||
| 071,1823-0 | 71<br />(1823) |
|||
| Drang in die Ferne |
|||
| text Vater, du glaubst es nicht | |
|||
| 1823-01-01 | early 1823 |
|||
| Text by Leitner, Karl Gottfried von, Vater, du glaubst es nicht | Text by [[Karl Gottfried Ritter von Leitner|Leitner]]; Publ. as Op. 71 in 1827 |
|||
|- |
|||
| [[D. 771|771]] |
|||
| 022,1823-1 | 22,1<br />(1823) |
|||
| Zwerg, Der | [[Der Zwerg (Schubert)|Der Zwerg]] |
|||
| text Im truben Licht verschwinden schon die Berge | |
|||
| 1822-01-01 | 1822? |
|||
| Text by Collin, Matthaus Casimir von, Im truben Licht verschwinden schon die Berge | Text by [[Matthäus Casimir von Collin|Collin, M. C.]] |
|||
|- |
|||
| 772 |
|||
| 022,1823-2 | 22,2<br />(1823) |
|||
| Wehmut, D 772 |
|||
| text Wenn ich durch Wald und Fluren geh' | |
|||
| 1822-01-01 | 1822 or<br />1823? |
|||
| Text by Collin, Matthaus Casimir von, Wenn ich durch Wald und Fluren geh' | Text by [[Matthäus Casimir von Collin|Collin, M. C.]] |
|||
|- |
|||
| [[D. 773|773]] |
|||
| 069,1826-0 | 69<br />(1826) |
|||
| [[Alfonso und Estrella (Overture)|Overture to ''Alfonso und Estrella'']], D 773 |
|||
| ZZZZ | |
|||
| 1823-01-01 | 1823 |
|||
| For piano duet; Arranged from {{D.|number=732}} (see also: {{D.|number=759A}}); Publ. as Op. 69 in 1830 |
|||
|- |
|||
| [[D. 774|774]] |
|||
| 072,1823-0 | 72<br />(1823) |
|||
| [[Auf dem Wasser zu singen]] |
|||
| text Mitten im Schimmer der spiegelnden Wellen | |
|||
| 1823-01-01 | 1823 |
|||
| Text by Stolberg-Stolberg, Friedrich Leopold zu, Mitten im Schimmer der spiegelnden Wellen | Text by [[Friedrich Leopold zu Stolberg-Stolberg|Stolberg-Stolberg]]; Publ. as Op. 72 in 1827 |
|||
|- |
|||
| 775 |
|||
| 059,1826-2 | 59,2<br />(1826) |
|||
| Dass sie hier gewesen | Daß sie hier gewesen |
|||
| text Dass der Ostwind Dufte hauchet | |
|||
| 1823-01-01 | 1823? |
|||
| Text by Ruckert, Friedrich, Dass der Ostwind Dufte hauchet | Text by [[Friedrich Rückert|Rückert]] |
|||
|- |
|||
| [[D. 776|776]] |
|||
| 059,1826-3 | 59,3<br />(1826) |
|||
| [[Du bist die Ruh]] |
|||
| text Du bist die Ruh, der Friede mild | |
|||
| 1823-01-01 | 1823 |
|||
| Text by Ruckert, Friedrich, Du bist die Ruh, der Friede mild | Text by [[Friedrich Rückert|Rückert]] |
|||
|- |
|||
| [[D. 777|777]] |
|||
| 059,1826-4 | 59,4<br />(1826) |
|||
| [[Lachen und Weinen]] |
|||
| text Lachen und Weinen zu jeglicher Stunde | |
|||
| 1823-01-01 | 1823? |
|||
| Text by Ruckert, Friedrich, Lachen und Weinen zu jeglicher Stunde | Text by [[Friedrich Rückert|Rückert]] |
|||
|- |
|||
| 778 |
|||
| 060,1826-1 | 60,1<br />(1826) |
|||
| Greisengesang |
|||
| text Der Frost hat mir bereifet | |
|||
| 1823-01-01 | before<br />June 1823 |
|||
| Text by Ruckert, Friedrich, Der Frost hat mir bereifet | Text by [[Friedrich Rückert|Rückert]]; For [[SATB|b]] and piano; Two versions; 2nd, in AGA, is Op. 60 No. 1 |
|||
|- |
|||
| 778.1 | 778A |
|||
| XXX,1969 | (1969) |
|||
| Wallfahrt, Die | Die Wallfahrt |
|||
| text Meine Tranen im Bussgewand | |
|||
| 1823-01-01 | 1823? |
|||
| Text by Ruckert, Friedrich, Meine Tranen im Bussgewand | Text by [[Friedrich Rückert|Rückert]]; For [[SATB|b]] and piano |
|||
|- |
|||
| 778.2 | 778B |
|||
| ZZZZ | |
|||
| Ich hab' in mich gesogen |
|||
| text Ich hab' in mich gesogen den Fruhling treu und lieb | |
|||
| 1823-01-01 | 1823? |
|||
| Text by Ruckert, Friedrich, Ich hab' in mich gesogen den Fruhling treu und lieb | Text by [[Friedrich Rückert|Rückert]]; Sketch; For [[SATB|ttbb]] |
|||
|- |
|||
| [[D. 779|779]] |
|||
| 050,1825-0 | 50<br />(1825) |
|||
| Valses sentimentales, 34 | [[Valses Sentimentales and Valses Nobles (Schubert)|34 ''Valses sentimentales'']] |
|||
| key I | Various keys |
|||
| 1825-11-21 | Feb. 1823<br />–before<br />21/11/1825 |
|||
| For piano; Early versions of Nos. 1, 2, 4, 8, 9, 12, 14 and 33 in AGA Anh. |
|||
|- |
|||
| [[D. 780|780]] |
|||
| 094,1823-0 | 94<br />(1823)<br />(1824)<br />(1828) |
|||
| Moments musicaux, 6 | [[Six moments musicaux (Schubert)|Six ''Moments musicaux'']] |
|||
| key I | Various keys |
|||
| 1828-07-11 | before<br />Dec. 1823<br />–before<br />11/7/1828 |
|||
| For piano; No. 3 publ. in 1823; No. 6 publ. in 1824; Publ. as Op. 94 in 1828 |
|||
|- |
|||
| 781 |
|||
| XXX,1824 | (1824)<br />(1825)<br />(1889) |
|||
| Ecossaises, 12, D 781 | Twelve Écossaises, D 781 |
|||
| key I | Various keys |
|||
| 1823-01-01 | January<br />1823 |
|||
| For piano; No. 1 (=Écossaise No. 2 of {{D.|number=783}} and AGA XII No. 3) publ. in 1825; Nos. 4 and 7 publ. in 1824 |
|||
|- |
|||
| 782 |
|||
| XXX,1824 | (1824) |
|||
| Ecossaise, D 782 | Écossaise, D 782 |
|||
| key D major | D major |
|||
| 1824-02-21 | before<br />21/2/1824 |
|||
| For piano |
|||
|- |
|||
| 783 |
|||
| 033,1825-0 | 33<br />(1825) |
|||
| German Dances, 16 | Sixteen German Dances and Two Écossaises |
|||
| key I | Various keys |
|||
| 1825-01-08 | Jan. 1823<br />–before<br />8/1/1825 |
|||
| For piano; Related to other dances, e.g. {{D.|number=790}} No. 2, {{D.|number=781}} No. 1 |
|||
|- |
|||
| [[D. 784|784]] |
|||
| 143,1839-0 | 143p<br />(1839) |
|||
| [[Piano Sonata in A minor, D 784 (Schubert)|Piano Sonata, D 784]] |
|||
| key A minor | A minor |
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| 1823-02-01 | February<br />1823 |
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| Allegro giusto – Andante – Allegro vivace |
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|- |
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| 785 |
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| XXX,1831 | (1831) |
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| Zurnende Barde, Der | Der zürnende Barde |
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| text Wer wagt's, wer wagt's | |
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| 1823-02-01 | February<br />1823 |
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| Text by Bruchmann, Franz von, Wer wagt's, wer wagt's"| Text by {{illm|Franz von Bruchmann|de|lt=Bruchmann}}; For [[SATB|b]] and piano |
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|- |
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| 786 |
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| 123,1830-0 | 123p<br />(1830) |
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| Viola |
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| text Schneeglocklein, o Schneeglocklein | |
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| 1823-03-01 | March 1823 |
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| Text by Schober, Franz von, Schneeglocklein, o Schneeglocklein | Text by [[Franz von Schober|Schober]] |
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|- |
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| [[D. 787|787]] |
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| XXX,1889 | (1889)<br />(1964) |
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| Verschworenen, Die | ''[[Die Verschworenen]]'', a.k.a. ''Der haüsliche Krieg'' |
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| theatre (Singspiel in 1 act) | (Singspiel in one act) |
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| 1823-04-01 | completed<br />April 1823 |
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| Text by Castelli, Ignaz Franz Die Verschworenen | Text by [[Ignaz Franz Castelli|Castelli]]; For [[SATB|ssss(s)aatt(t)bbSATB]] and orchestra; Overture (fragment publ. in 1964) – Nos. 1–11 |
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|- |
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| 788 |
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| XXX,1838 | (1838) |
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| Lied, D 788, a.k.a. Die Mutter Erde |
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| text Des Lebens Tag ist schwer und schwul | |
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| 1823-04-01 | April 1823 |
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| Text by Stolberg-Stolberg, Friedrich Leopold zu, Des Lebens Tag ist schwer und schwul | Text by [[Friedrich Leopold zu Stolberg-Stolberg|Stolberg-Stolberg]] |
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|- |
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| 789 |
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| XXX,1832 | (1832) |
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| Pilgerweise |
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| text Ich bin ein Waller auf der Erde | |
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| 1823-04-01 | April 1823 |
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| Text by Schober, Franz von, Ich bin ein Waller auf der Erde | Text by [[Franz von Schober|Schober]] |
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|- |
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| 790 |
|||
| 171,1864-0 | 171p<br />(1864) |
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| German Dances, 12, D 790 | Twelve German Dances, D 790, a.k.a. Twelve Ländler |
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| key I | Various keys |
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| 1823-05-01 | May 1823 |
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| For piano; No. 2 = {{D.|number=783}} No. 1; No. 8 similar to D. 783 No. 1 |
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|- |
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| [[D. 791|791]] |
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| XXX,1867 | (1867) |
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| Rudiger | ''[[Rüdiger (opera)|Rüdiger]]'' |
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| theatre (Opera) | (Opera) |
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| 1823-05-01 | May 1823 |
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| Text by Mosel, Ignaz Franz von Rudiger"| Text by [[Ignaz Franz von Mosel|Mosel]]?; For [[SATB|ttTTBB]] and orchestra; Sketches of two numbers |
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|- |
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| 792 |
|||
| XXX,1833 | (1833) |
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| Vergissmeinnicht | Vergißmeinnicht |
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| text Als der Fruhling | |
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| 1823-05-01 | May 1823 |
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| Text by Schober, Franz von, Als der Fruhling | Text by [[Franz von Schober|Schober]] |
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|- |
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| 793 |
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| 173,1867-2 | 173p,2<br>(1867) |
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| Geheimnis, Das, D 793 | Das Geheimnis, D 793 |
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| text Sie konnte mir kein Wortchen sagen 2 | |
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| 1823-05-01 | May 1823 |
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| Text by Schiller, Friedrich, Sie konnte mir kein Wortchen sagen 2 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=250}}) |
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|- |
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| 794 |
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| 037,1825-1 | 37,1<br />(1825)<br />(1909) |
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| Pilgrim, Der | Der Pilgrim |
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| text Noch in meines Lebens Lenze | |
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| 1823-05-01 | May 1823 |
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| Text by Schiller, Friedrich, Noch in meines Lebens Lenze | Text by [[Friedrich Schiller|Schiller]]; Two versions (merged into one in AGA): 1st is fragment – 2nd is Op. 37 No. 1 |
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|- |
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| [[D. 795|795]] |
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| 025,1824-0 | 25<br />(1824) |
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| Schone Mullerin, Die | {{nowrap|''[[Die schöne Müllerin]]''}} (1. Das Wandern – 2. Wohin? – 3. Halt! – 4. Danksagung an den Bach – 5. Am Feierabend – 6. Der Neugierige – 7. Ungeduld – 8. Morgengruß – 9. Des Müllers Blumen – 10. Tränenregen – 11. Mein! – 12. Pause – 13. Mit dem grünen Lautenbande – 14. Der Jäger – 15. Eifersucht und Stolz – 16. Die liebe Farbe – 17. Die böse Farbe – 18. Trockne Blumen – 19. Der Müller und der Bach – 20. Des Baches Wiegenlied) |
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| text Das Wandern ist des Mullers Lust | |
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| 1823-11-01 | October?–<br />November<br />1823 |
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| Text by Muller, Wilhelm Die schone Mullerin | Text by [[Wilhelm Müller|Müller, W.]] |
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|- |
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| [[D. 796|796]] |
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| 076,1827-0 | 76<br />(1827)<br />(1840)<br />(1867)<br />(1872)<br />(1886) |
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| ''Fierabras'', also spelled ''[[Fierrabras (opera)|Fierrabras]]'' |
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| theatre (Opera in 3 acts) | (Opera in three acts)<br />Vocal numbers include |
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| 1823-10-02 | 25/5/1823–<br />2/10/1823 |
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| Text by Kupelwieser, Joseph Fierabras"| Text by [[Joseph Kupelwieser]]; Music for three sopranos, three tenors, three basses, baritone, [[SATB]] and orchestra; Overture (Schubert's piano duet version is {{D.|number=798}}, [[Carl Czerny|Czerny]]'s piano duet version publ. in 1827 as Schubert's Op. 76, orchestral score publ. in 1867) – Act I: Nos. 1–6 – Act II: Nos. 7–17 (No. 7 reuses music of {{D.|number=982}} No. 3, No. 15 reuses music of {{D.|number=326}} No. 14) – Act III: Nos. 18–23 (No. 21 publ. with piano reduction in 1840, last part of No. 21 was {{D.|number=333}}, No. 22 publ. with piano reduction in 1872) |
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|- |
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| [[D. 797|797]] |
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| 026,1824-0 | 26<br />(1824)<br />(1828)<br />(1866)<br />(1867)<br />(1891) |
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| ''[[Rosamunde]], Fürstin von Zypern''<br />(1. Entre'acte I – 2. Ballet I – 3a. Entre'acte II – 3b. Romanze a.k.a. Ariette – 4. Geisterchor – 5. Entre'acte III – 6. Hirtenmelodien – 7. Hirtenchor – 8. Jagerchor – 9. Ballet II) |
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| theatre (Incidental music for a play in 3 acts) | (Incidental music for a play in three acts)<br />Vocal numbers: |
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| 1823-09-21 | autumn 1823 |
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| Text by Chezy, Helmina von Rosamunde | Text by [[Helmina von Chézy|Chézy]]; For [[SATB|aSATB]] and orchestra; (Overture: see {{D.|number=644}} and [[D. 732|732]]) – Nos. 1–9 (Nos. 1 and 5 publ. in 1866, Nos. 2 and 9 publ. in 1867, No. 3b publ. with piano reduction as Op. 26 in 1824, Nos. 4, 7 and 8 publ. with piano reduction in 1828 or 1834, No. 4 publ. 1828; No. 5 partly reused in {{D.|number=935}} No. 3 and Andante of {{D.|number=804}}) |
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|- |
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| 798 |
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| XXX,1897 | (1897) |
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| Overture to ''[[Fierrabras (opera)|Fierabras]]'' |
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| ZZZZ | |
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| 1823-10-03 | after<br />2/10/1823 |
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| Arrangement for piano duet of {{D.|number=796}}'s overture |
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|- id="799–822" style="text-align: center; background: #D8D8D8;" |
|- id="799–822" style="text-align: center; background: #D8D8D8;" |
||
|'''799–822''' |
| data-sort-value="798Z" colspan="2" | '''799–822''' |
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| data-sort-value="ZZZZZ1824" colspan="5" | |
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| colspan="3" ZZZZZ1824 | |
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---- |
---- |
||
| 1823-12-31 | '''[[ |
| data-sort-value="1823-12-31" | '''[[List of compositions by Franz Schubert (1824)|1824]]''' |
||
| ZZZZZ1824 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1824" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1824)}} |
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|- |
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| 799 |
|||
| XXX,1832 | (1832) |
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| Im Abendrot, D 799 |
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| text Oh, wie schon ist deine Welt | |
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| 1824-01-01 | 1824 or<br />Feb. 1825 |
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| Text by Lappe, Karl, Oh, wie schon ist deine Welt"| Text by {{illm|Karl Lappe|de|lt=Lappe}} |
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|- |
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| 800 |
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| 041,1825-0 | 41<br />(1825)<br />(1827) |
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| Einsame, Der | Der Einsame |
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| text Wann meine Grillen schwirren | |
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| 1825-01-01 | early 1825 |
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| Text by Lappe, Karl, Wann meine Grillen schwirren"| Text by {{illm|Karl Lappe|de|lt=Lappe}}; Two near-identical versions: 2nd publ. as Op. 41 in 1827 |
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|- |
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| 801 |
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| 060,1826-2 | 60,2<br />(1826) |
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| Dithyrambe, D 801 | Dithyrambe, D 801 |
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| text Nimmer, das glaubt mir, erscheinen die Gotter 2 | |
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| 1826-06-10 | before<br />10/6/1826 |
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| Text by Schiller, Friedrich, Nimmer, das glaubt mir, erscheinen die Gotter 2 | Text by [[Friedrich Schiller|Schiller]] (other setting: {{D.|number=47}}); For [[SATB|b]] and piano |
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|- |
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| 802 |
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| 160,1850-0 | 160p<br />(1850) |
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| Variations on "[[Die schöne Müllerin#Song titles and keys|Trockne Blumen]]" |
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| key E minor | E minor |
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| 1824-01-01 | January<br />1824 |
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| For flute and piano; Introduction, Theme ({{D.|number=795}} No. 18) and 7 Variations |
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|- |
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| [[D. 803|803]] |
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| 166,1851-0 | 166p<br />(1851)<br />(1898) |
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| [[Octet (Schubert)|Octet, D 803]] |
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| key F major | F major |
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| 1824-03-01 | February–<br />1/3/1824 |
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| For clarinet, bassoon, horn, string quartet and double bass; Movements 4 and 5 missing in 1st publ. |
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|- |
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| [[D. 804|804]] |
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| 029,1824 | 29<br>(1824) |
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| String Quartet, D 804 | [[String Quartet No. 13 (Schubert)|String Quartet No. 13]] ''Rosamunde'' |
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| key A minor | A minor |
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| 1824-03-01 | Feb.–early<br />March 1824 |
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| Allegro ma non troppo – Andante (after {{D.|number=797}} No. 5) – Minuet – Allegro moderato |
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|- |
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| 805 |
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| XXX,1833 | (1833) |
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| Sieg, Der | Der Sieg |
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| text O unbewolktes Leben | |
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| 1824-03-01 | early March<br />1824 |
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| Text by Mayrhofer, Johann, O unbewolktes Leben | Text by [[Johann Mayrhofer|Mayrhofer]]; For [[SATB|b]] and piano |
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|- |
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| 806 |
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| XXX,1833 | (1833) |
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| Abendstern |
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| text Was weilst du einsam an dem Himmel | |
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| 1824-03-01 | early March<br />1824 |
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| Text by Mayrhofer, Johann, Was weilst du einsam an dem Himmel | Text by [[Johann Mayrhofer|Mayrhofer]] |
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|- |
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| 807 |
|||
| XXX,1842 | (1842) |
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| Auflosung | Auflösung |
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| text Verbirg dich, Sonne | |
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| 1824-03-01 | March 1824 |
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| Text by Mayrhofer, Johann, Verbirg dich, Sonne | Text by [[Johann Mayrhofer|Mayrhofer]] |
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|- |
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| 808 |
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| XXX,1872 | (1872) |
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| Gondelfahrer, D 808 |
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| text Es tanzen Mond und Sterne 1 | |
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| 1824-03-01 | early March<br />1824 |
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| Text by Mayrhofer, Johann, Es tanzen Mond und Sterne 1 | Text by [[Johann Mayrhofer|Mayrhofer]] (other setting: {{D.|number=809}}) |
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|- |
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| 809 |
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| 028,1824 | 28<br>(1824) |
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| Gondelfahrer, D 809 |
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| text Es tanzen Mond und Sterne 2 | |
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| 1824-03-01 | March 1824 |
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| Text by Mayrhofer, Johann, Es tanzen Mond und Sterne 2 | Text by [[Johann Mayrhofer|Mayrhofer]] (other setting: {{D.|number=808}}); For [[SATB|ttbb]] and piano |
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|- |
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| [[D. 810|810]] |
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| XXX,1831 | (1831) |
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| String Quartet, D 810 | [[String Quartet No. 14 (Schubert)|String Quartet No. 14]] ''Death and the Maiden'' |
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| key D minor | D minor |
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| 1824-03-01 | March 1824 |
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| Allegro – Andante con moto (after {{D.|number=531}}) – Scherzo – Presto |
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|- |
|||
| 811 |
|||
| 149,1850-0 | 149p<br />(1850) |
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| Salve Regina, D 811 |
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| key C major | C major<br />[http://www.lieder.net/lieder/get_text.html?TextId=1382 Salve Regina] |
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| 1824-03-01 | April 1824 |
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| Text: Salve Regina 6 | Text: [[Salve Regina]] (other settings: {{D.|number=27}}, [[D. 106|106]], [[D. 223|223]], [[D. 386|386]] and [[D. 676|676]]); For [[SATB|ttbb]] |
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|- |
|||
| [[D. 812|812]] |
|||
| 140,1837-0 | 140p<br />(1837) |
|||
| [[Sonata in C major for piano four-hands, D 812 (Schubert)|Sonata, D 812]], a.k.a. ''Grand Duo'' |
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| key C major | C major |
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| 1824-06-01 | June 1824 |
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| For piano duet; Allegro moderato – Andante – Scherzo – Allegro vivace |
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|- |
|||
| 813 |
|||
| 035,1825 | 35<br>(1825) |
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| Variations, 08, on an original theme | Eight Variations on an original theme |
|||
| key A-flat major | A{{flat}} major |
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| 1824-07-15 | late May–mid<br />July 1824 |
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| For piano duet |
|||
|- |
|||
| 814 |
|||
| XXX,1869 | (1869) |
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| Landler, 04, D 814 | Four Ländler, D 814 |
|||
| key I | Various keys |
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| 1824-07-01 | July 1824 |
|||
| For piano duet; No. 1 also as Allemande {{D.|number=366}} No. 17 |
|||
|- |
|||
| 815 |
|||
| 139,1840-1 | 139pI<br />(1840) |
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| Gebet, D 815 |
|||
| text Du Urquell aller Gute | |
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| 1824-09-01 | September<br />1824 |
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| Text by Motte Fouque, Friedrich de la, Du Urquell aller Gute | Text by [[Friedrich de la Motte Fouqué|Motte Fouqué]]; For [[SATB|satb]] and piano |
|||
|- |
|||
| 816 |
|||
| XXX,1956 | (1956) |
|||
| Ecossaises, 03 | Three Écossaises |
|||
| key I | Various keys |
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| 1824-09-01 | September<br />1824 |
|||
| For piano |
|||
|- |
|||
| 817 |
|||
| XXX,1928 | (1928) |
|||
| ''Ungarische Melodie'' |
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| key B minor | B minor |
|||
| 1824-09-02 | 2/9/1824 |
|||
| For piano; Reappears in {{D.|number=818}} |
|||
|- |
|||
| 818 |
|||
| 054,1826-0 | 54<br />(1826) |
|||
| Divertissement a l'hongroise | ''Divertissement à l'hongroise'' |
|||
| key G minor | G minor |
|||
| 1824-09-21 | autumn<br />1824? |
|||
| For piano duet; Partly based on {{D.|number=817}} |
|||
|- |
|||
| 819 |
|||
| 040,1825-0 | 40<br />(1825) |
|||
| Grandes Marches, 6 | Six ''Grandes Marches'' |
|||
| key I | Various keys |
|||
| 1818-01-01 | 1818 or<br />1824 |
|||
| For piano duet |
|||
|- |
|||
| 820 |
|||
| XXX,1931 | (1931) |
|||
| German Dances, 06, D 820 | Six German Dances, D 820 |
|||
| key I | Various keys |
|||
| 1824-10-01 | October<br />1824 |
|||
| For piano |
|||
|- |
|||
| [[D. 821|821]] |
|||
| XXX,1871 | (1871) |
|||
| [[Arpeggione Sonata]] |
|||
| key A minor | A minor |
|||
| 1824-11-01 | November<br />1824 |
|||
| Allegro moderato – Adagio – Allegretto |
|||
|- |
|||
| 822 |
|||
| XXX,1842 | (1842) |
|||
| Lied eines Kriegers |
|||
| text Des stolzen Mannerlebens schonste Zeichen | |
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| 1824-12-30 | 31/12/1824 |
|||
| For [[SATB|b]], unison men's choir and piano |
|||
|- id="823–862" style="text-align: center; background: #D8D8D8;" |
|- id="823–862" style="text-align: center; background: #D8D8D8;" |
||
|'''823–862''' |
| data-sort-value="822Z" colspan="2" | '''823–862''' |
||
| data-sort-value="ZZZZZ1825" colspan="5" | |
|||
| colspan="3" ZZZZZ1825 | |
|||
---- |
---- |
||
| 1824-12-31 | '''[[ |
| data-sort-value="1824-12-31" | '''[[List of compositions by Franz Schubert (1825)|1825]]''' |
||
| ZZZZZ1825 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1825" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1825)}} |
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|- |
|||
| 823 |
|||
| 063,1826-0 | 63 &<br />84<br />(1826)<br />(1827) |
|||
| ''Divertissement sur des motifs originaux français'' |
|||
| key E minor | E minor |
|||
| 1826-06-17 | before<br />17/6/1826–<br />before<br />6/7/1827 |
|||
| For piano duet; Tempo di Marcia (publ. as ''Divertissement en Forme d'une Marche brillante et raisonnée'' Op. 63 in 1826) – Theme and variations (publ. as ''Andantino varié'' Op. 84 No. 1 in 1827) – Rondo (publ. as ''Rondeau brillant'' Op. 84 No. 2 in 1827) |
|||
|- |
|||
| 824 |
|||
| 061,1826-0 | 61<br />(1826) |
|||
| Polonaises, 6 | Six Polonaises |
|||
| key I | Various keys |
|||
| 1826-04-01 | April 1826 |
|||
| For piano duet |
|||
|- |
|||
| 825 |
|||
| 064,1828-1 | 64,1<br />(1828) |
|||
| Wehmut, D 825 |
|||
| text Die Abendglocke tonet | |
|||
| 1826-06-20 | before<br />summer 1826 |
|||
| Text by Hüttenbrenner, Heinrich, Die Abendglocke tonet"| Text by {{illm|Heinrich Hüttenbrenner|de|lt=Hüttenbrenner, H.}}; For [[SATB|ttbb]] |
|||
|- |
|||
| 825A |
|||
| 064,1828-2 | 64,2<br />(1828) |
|||
| Ewige Liebe |
|||
| text Ertonet, ihr Saiten, in nachtlicher Ruh | |
|||
| 1826-06-20 | before<br />summer 1826 |
|||
| Text by Schulze, Ernst, Ertonet, ihr Saiten, in nachtlicher Ruh | Text by [[Ernst Schulze (poet)|Schulze]]; For [[SATB|ttbb]] |
|||
|- |
|||
| 825B |
|||
| 064,1828-3 | 64,3<br />(1828) |
|||
| Flucht |
|||
| text In der Freie will ich leben | |
|||
| 1825-01-01 | early 1825 |
|||
| Text by Lappe, Karl, In der Freie will ich leben"| Text by {{illm|Karl Lappe|de|lt=Lappe}}; For [[SATB|ttbb]] |
|||
|- |
|||
| 826 |
|||
| XXX,1892 | (1892) |
|||
| Tanz, Der | Der Tanz |
|||
| text Es redet und traumet die Jugend so viel | |
|||
| 1828-01-01 | early 1828 |
|||
| Text by Schnitzer von Meerau, Kolumban, Es redet und träumet die Jugend so viel | Text by {{illm|Kolumban Schnitzer von Meerau|scores|Category:Schnitzer von Meerau, Karl Kolumban|lt=Schnitzer von Meerau}}?; For [[SATB|satb]] and piano |
|||
|- |
|||
| [[D. 827|827]] |
|||
| 043,1825-2 | 43,2<br />(1825)<br />(1975) |
|||
| Nacht und Traume | [[Nacht und Träume]] |
|||
| text Heil'ge Nacht, du sinkest nieder! | |
|||
| 1823-05-31 | before<br />June 1823 |
|||
| Text by Collin, Matthaus Casimir von, Heil'ge Nacht, du sinkest nieder! | Text by [[Matthäus Casimir von Collin|Collin, M. C.]]; Two versions: 2nd, in AGA, is Op. 43 No. 2 |
|||
|- |
|||
| 828 |
|||
| 043,1825-1 | 43,1<br />(1825) |
|||
| Junge Nonne, Die | Die junge Nonne |
|||
| text Wie braust durch die Wipfel | |
|||
| 1825-01-01 | early 1825 |
|||
| Text by Craigher de Jachelutta, Jacob Nikolaus, Wie braust durch die Wipfel"| Text by {{illm|Jacob Nikolaus Craigher de Jachelutta|de|lt=Craigher de Jachelutta}} |
|||
|- |
|||
| 829 |
|||
| XXX,1873 | (1873) |
|||
| Abschied, D 829, a.k.a. Abschied von der Erde |
|||
| text Leb' wohl du schone Erde | |
|||
| 1826-02-17 | before<br />17/2/1826 |
|||
| Text by Pratobevera von Wiesborn, Adolf, Leb' wohl du schöne Erde"| Text by {{illm|Adolf Pratobevera von Wiesborn|cs|lt=Pratobevera}}; Melodrama for spoken voice and piano |
|||
|- |
|||
| 830 |
|||
| 085,1828-1 | 85,1<br />(1828) |
|||
| Lied der Anne Lyle |
|||
| text Warst du bei mir im Lebenstal | |
|||
| 1825-01-01 | early 1825? |
|||
| Text by Macdonald, Andrew quoted in Scott, Walter | Text by [[Andrew Macdonald (poet)|Macdonald]] quoted in [[Walter Scott|Scott]]'s ''[[A Legend of Montrose|Montrose]]'' (transl.) |
|||
|- |
|||
| 831 |
|||
| 085,1828-2 | 85,2<br />(1828) |
|||
| Gesang der Norna |
|||
| text Mich fuhrt mein Weg wohl meilenlang | |
|||
| 1825-01-01 | early 1825 |
|||
| Text by Scott, Walter from The Pirate | Text by [[Walter Scott|Scott]] from ''[[The Pirate (novel)|The Pirate]]'' transl. by {{illm|Samuel Heinrich Spiker|de|lt=Spiker}} |
|||
|- |
|||
| 832 |
|||
| XXX,1830 | (1830) |
|||
| Sangers Habe, Des | Des Sängers Habe |
|||
| text Schlagt mein ganzes Gluck in Splitter | |
|||
| 1825-02-01 | February<br />1825 |
|||
| Text by Schlechta, Franz Xaver von, Schlagt mein ganzes Gluck in Splitter"| Text by {{illm|Franz Xaver von Schlechta|de|Franz Xaver Schlechta von Wschehrd|lt=Schlechta}} |
|||
|- |
|||
| 833 |
|||
| 101,1827-2 | 101p,2<br />(1827)<br />(1895) |
|||
| Blinde Knabe, Der | Der blinde Knabe |
|||
| text O sagt, ihr Lieben, mir einmal | |
|||
| 1825-04-01 | April 1825 |
|||
| Text by Cibber, Colley transl. by Craigher de Jachelutta, O sagt, ihr Lieben, mir einmal | Text by [[Colley Cibber|Cibber]] transl. by {{illm|Jacob Nikolaus Craigher de Jachelutta|de|lt=Craigher de Jachelutta}}; Two versions: 2nd publ. as Op. posth. 101 No. 2 in 1828 |
|||
|- |
|||
| 834 |
|||
| 093,1828-1 | 93,1<br />(1828)<br />(1835) |
|||
| Im Walde, D 834 |
|||
| text Ich wandre uber Berg und Tal | |
|||
| 1827-09-01 | March 1825<br />–Sep. 1827 |
|||
| Text by Schulze, Ernst, Ich wandre uber Berg und Tal | Text by [[Ernst Schulze (poet)|Schulze]]; Two versions: 2nd, publ. 1828, in AGA |
|||
|- |
|||
| 835 |
|||
| 052,1826-3 | 52,3<br />(1826) |
|||
| Bootgesang a.k.a. Boat Song |
|||
| text Triumph, er naht | |
|||
| 1825-01-01 | 1825 |
|||
| Text by Scott, Walter from The Lady of the Lake transl. by Storck (Canto II, 19) | Text by [[Walter Scott|Scott]] from ''[[The Lady of the Lake (poem)|The Lady of the Lake]]'' transl. by {{illm|Adam Storck|de|lt=Storck}} (Canto II, 19); For [[SATB|ttbb]] and piano |
|||
|- |
|||
| 836 |
|||
| 052,1826-4 | 52,4<br />(1826) |
|||
| Coronach: Totengesang der Frauen und Mädchen |
|||
| text Er ist uns geschieden | |
|||
| 1825-01-01 | 1825 |
|||
| Text by Scott, Walter from The Lady of the Lake transl. by Storck (Canto III, 16) | Text by [[Walter Scott|Scott]] from ''[[The Lady of the Lake (poem)|The Lady of the Lake]]'' transl. by {{illm|Adam Storck|de|lt=Storck}} (Canto III, 16); For [[SATB|SSA]] and piano |
|||
|- |
|||
| 837 |
|||
| 052,1826-1 | 52,1<br />(1826) |
|||
| Ellens Gesang I a.k.a. Ellen's Song (I) |
|||
| text Raste, Krieger, Krieg ist aus | |
|||
| 1825-04-01 | April–<br />July 1825 |
|||
| Text by Scott, Walter from The Lady of the Lake transl. by Storck (Canto I, 31) | Text by [[Walter Scott|Scott]] from ''[[The Lady of the Lake (poem)|The Lady of the Lake]]'' transl. by {{illm|Adam Storck|de|lt=Storck}} (Canto I, 31) |
|||
|- |
|||
| 838 |
|||
| 052,1826-2 | 52,2<br />(1826) |
|||
| Ellens Gesang II a.k.a. Ellen's Song (II) |
|||
| text Jager, ruhe von der Jagd! | |
|||
| 1825-04-01 | April–<br />July 1825 |
|||
| Text by Scott, Walter from The Lady of the Lake transl. by Storck (Canto I, 32) | Text by [[Walter Scott|Scott]] from ''[[The Lady of the Lake (poem)|The Lady of the Lake]]'' transl. by {{illm|Adam Storck|de|lt=Storck}} (Canto I, 32) |
|||
|- |
|||
| 839 |
|||
| 052,1826-6 | 52,6<br />(1826) |
|||
| [[Ave Maria (Schubert)|Ave Maria]] a.k.a. Ellens Gesang III: Hymne an die Jungfrau |
|||
| text Ave Maria! Jungfrau mild | |
|||
| 1825-04-01 | April 1825 |
|||
| Text by Scott, Walter from The Lady of the Lake transl. by Storck (Canto III, 29) | Text by [[Walter Scott|Scott]] from ''[[The Lady of the Lake (poem)|The Lady of the Lake]]'' transl. by {{illm|Adam Storck|de|lt=Storck}} (Canto III, 29) |
|||
|- |
|||
| [[D. 840|840]] |
|||
| XXX,1839 | (1839)<br />(1861) |
|||
| [[Piano Sonata in C major, D 840 (Schubert)|Piano Sonata, D 840 ("Reliquie")]] |
|||
| key C major | C major |
|||
| 1825-04-01 | April 1825 |
|||
| Moderato – Andante (publ. 1839) – Minuet (fragment) – Rondo (fragment) |
|||
|- |
|||
| 841 |
|||
| XXX,1930 | (1930) |
|||
| German Dances, 02, D 841 | Two German Dances, D 841 |
|||
| key I | Various keys |
|||
| 1825-04-01 | April 1825 |
|||
| For piano |
|||
|- |
|||
| 842 |
|||
| XXX,1833 | (1833) |
|||
| Totengrabers Heimwehe | Totengräbers Heimwehe |
|||
| text O Menschheit, o Leben, was soll's? | |
|||
| 1825-04-01 | April 1825 |
|||
| Text by Craigher de Jachelutta, Jacob Nikolaus, O Menschheit, o Leben, was soll's?"| Text by {{illm|Jacob Nikolaus Craigher de Jachelutta|de|lt=Craigher de Jachelutta}} |
|||
|- |
|||
| 843 |
|||
| 052,1826-7 | 52,7<br />(1826) |
|||
| Lied des gefangenen Jagers | Lied des gefangenen Jägers – Lay of the Imprisoned Huntsman |
|||
| text Mein Ross so mud | |
|||
| 1825-04-01 | April 1825 |
|||
| Text by Scott, Walter from The Lady of the Lake transl. by Storck (Canto VI, 24) | Text by [[Walter Scott|Scott]] from ''[[The Lady of the Lake (poem)|The Lady of the Lake]]'' transl. by {{illm|Adam Storck|de|lt=Storck}} (Canto VI, 24) |
|||
|- |
|||
| 844 |
|||
| XXX,1897 | (1897) |
|||
| Waltz, D 844, a.k.a. Albumblatt |
|||
| key G major | G major |
|||
| 1825-04-16 | 16/4/1825 |
|||
| For piano |
|||
|- |
|||
| [[D. 845|845]] |
|||
| 042,1826-0 | 42<br />(1826) |
|||
| [[Piano Sonata in A minor, D 845 (Schubert)|Piano Sonata, D 845]] |
|||
| key A minor | A minor |
|||
| 1825-05-19 | before end<br />May 1825 |
|||
| Moderato – Andante – Scherzo – Rondo |
|||
|- |
|||
| 846 |
|||
| 052,1826-5 | 52,5<br />(1826) |
|||
| Normans Gesang |
|||
| text Die Nacht bricht bald herein | |
|||
| 1825-04-01 | April 1825 |
|||
| Text by Scott, Walter from The Lady of the Lake transl. by Storck (Canto II, 23) | Text by [[Walter Scott|Scott]] from ''[[The Lady of the Lake (poem)|The Lady of the Lake]]'' transl. by {{illm|Adam Storck|de|lt=Storck}} (Canto II, 23) |
|||
|- |
|||
| 847 |
|||
| 155,1849-0 | 155p<br />(1849) |
|||
| Trinklied aus dem 16. Jahrhundert |
|||
| text Edit Nonna, edit Clerus | |
|||
| 1825-07-01 | July 1825 |
|||
| Text by Graffer, Franz, Edit Nonna, edit Clerus"| Text by {{illm|Franz Gräffer|de|lt=Gräffer}}; For [[SATB|ttbb]] |
|||
|- |
|||
| 848 |
|||
| 156,1849-0 | 156p<br />(1849) |
|||
| Nachtmusik |
|||
| text Wir stimmen dir mit Flotensang | |
|||
| 1825-07-01 | July 1825 |
|||
| Text by Seckendorff, Karl Siegmund von, Wir stimmen dir mit Flotensang"| Text by [[Karl Siegmund von Seckendorff|Seckendorff]]; For [[SATB|ttbb]] |
|||
|- |
|||
| [[D. 850|850]] |
|||
| 053,1826-0 | 53<br />(1826) |
|||
| [[Piano Sonata in D major, D 850 (Schubert)|Piano Sonata, D 850 ("Gasteiner")]] |
|||
| key D major | D major |
|||
| 1825-08-01 | August 1825 |
|||
| Allegro vivace – Con moto – Scherzo – Rondo |
|||
|- |
|||
| 851 |
|||
| 079,1827-1 | 79,1<br />(1827)<br />(1895) |
|||
| Heimweh, Das, D 851 | Das Heimweh, D 851 |
|||
| text Ach, der Gebirgssohn | |
|||
| 1825-08-01 | August 1825 |
|||
| Text by Pyrker, Ladislaus, Ach, der Gebirgssohn"| Text by [[Ladislaus Pyrker|Pyrker]]; Two versions: 2nd is Op. 79 No. 1 |
|||
|- |
|||
| 852 |
|||
| 079,1827-2 | 79,2<br />(1827) |
|||
| Allmacht, Die, D 852 | Die Allmacht, D 852 |
|||
| text Gross ist Jehova, der Herr! 1 | |
|||
| 1825-08-01 | August 1825 |
|||
| Text by Pyrker, Ladislaus, Gross ist Jehova, der Herr! 1"| Text by [[Ladislaus Pyrker|Pyrker]] (other setting: {{D.|number=875A}}); Two versions: 2nd, in AGA, is Op. 79 No. 2 |
|||
|- |
|||
| 853 |
|||
| 093,1828-2 | 93,2<br />(1828)<br />(1835) |
|||
| Auf der Bruck |
|||
| text Frisch trabe sonder Ruh' und Rast | |
|||
| 1827-09-01 | Mar. or Aug.<br />1825–<br />Sep. 1827 |
|||
| Text by Schulze, Ernst, Frisch trabe sonder Ruh' und Rast | Text by [[Ernst Schulze (poet)|Schulze]]; Two versions: 2nd, publ. 1828, in AGA |
|||
|- |
|||
| 854 |
|||
| XXX,1830 | (1830) |
|||
| Fulle der Liebe | Fülle der Liebe |
|||
| text Ein sehnend Streben teilt mir das Herz | |
|||
| 1825-08-01 | August 1825 |
|||
| Text by Schlegel, Friedrich von, Ein sehnend Streben teilt mir das Herz | Text by [[Karl Wilhelm Friedrich Schlegel|Schlegel, F.]] |
|||
|- |
|||
| 855 |
|||
| XXX,1842 | (1842) |
|||
| Wiedersehn |
|||
| text Der Fruhlingssonne holdes Lacheln | |
|||
| 1825-09-01 | September<br />1825 |
|||
| Text by Schlegel, August Wilhelm, Der Fruhlingssonne holdes Lacheln | Text by [[August Wilhelm Schlegel|Schlegel, A. W.]] |
|||
|- |
|||
| 856 |
|||
| 088,1827-1 | 88,1<br />(1827) |
|||
| Abendlied fur die Entfernte | Abendlied für die Entfernte |
|||
| text Hinaus mein Blick, hinaus ins Tal | |
|||
| 1825-09-01 | September<br />1825 |
|||
| Text by Schlegel, August Wilhelm, Hinaus mein Blick, hinaus ins Tal | Text by [[August Wilhelm Schlegel|Schlegel, A. W.]] |
|||
|- |
|||
| 857 |
|||
| 124,1829-0 | 124p<br />(1829) |
|||
| Lacrimas, 2 scenes from | Two scenes from ''Lacrimas'': 1. Lied der Delphine – 2. Lied des Florio |
|||
| text Ach, was soll ich beginnen vor Liebe? | |
|||
| 1825-09-01 | September<br />1825 |
|||
| Text by Schutz, Wilhelm von from Lacrimas | Text by [[Wilhelm von Schütz|Schütz]] |
|||
|- |
|||
| 859 |
|||
| 055,1826-0 | 55<br />(1826) |
|||
| Grande Marche Funebre | ''Grande Marche Funèbre'' |
|||
| key C minor | C minor |
|||
| 1825-12-02 | after<br />1/12/1825 |
|||
| For piano duet |
|||
|- |
|||
| 860 |
|||
| XXX,1832 | (1832) |
|||
| An mein Herz |
|||
| text O Herz, sei endlich stille | |
|||
| 1825-12-01 | December<br />1825 |
|||
| Text by Schulze, Ernst, O Herz, sei endlich stille | Text by [[Ernst Schulze (poet)|Schulze]] |
|||
|- |
|||
| 861 |
|||
| XXX,1832 | (1832) |
|||
| Liebliche Stern, Der | Der liebliche Stern |
|||
| text Ihr Sternlein, still in der Hohe | |
|||
| 1825-12-01 | December<br />1825 |
|||
| Text by Schulze, Ernst, Ihr Sternlein, still in der Hohe | Text by [[Ernst Schulze (poet)|Schulze]] |
|||
|- |
|||
| 862 |
|||
| 088,1827-3 | 88,3<br />(1827) |
|||
| Um Mitternacht |
|||
| text Keine Stimme hor' ich schallen | |
|||
| 1826-03-01 | Dec. 1825–<br />Mar. 1826? |
|||
| Text by Schulze, Ernst, Keine Stimme hor' ich schallen | Text by [[Ernst Schulze (poet)|Schulze]]; Two versions: 2nd is Op. 88 No. 3 |
|||
|- id="863–895" style="text-align: center; background: #D8D8D8;" |
|- id="863–895" style="text-align: center; background: #D8D8D8;" |
||
|'''863–895''' |
| data-sort-value="862Z" colspan="2" | '''863–895''' |
||
| data-sort-value="ZZZZZ1826" colspan="5" | |
|||
| colspan="3" ZZZZZ1826 | |
|||
---- |
---- |
||
| 1825-12-31 | '''[[ |
| data-sort-value="1825-12-31" | '''[[List of compositions by Franz Schubert (1826)|1826]]''' |
||
| ZZZZZ1826 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1826" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1826)}} |
|||
|- |
|||
| 863 |
|||
| ZZZZ | |
|||
| An Gott |
|||
| text Kein Auge hat dein Angesicht geschaut | |
|||
| 1827-01-01 | 1827 or<br />earlier |
|||
| Text by Hohlfeld ([https://books.google.com/books?id=ooBEAAAAcAAJ&pg=RA1-PA2 setting by Rindler publ. 1826]); Music lost{{sfn|Kube|2009}} |
|||
|- |
|||
| 864 |
|||
| ZZZZ | |
|||
| Totenhemdchen, Das | Das Totenhemdchen |
|||
| text Starb das Kindlein | |
|||
| 1825-01-01 | 1825 or<br />later |
|||
| Text by Bauernfeld, Eduard von, Starb das Kindlein | Text by [[Eduard von Bauernfeld|Bauernfeld]]; Music lost |
|||
|- |
|||
| 865 |
|||
| 105,1828-1 | 105,1<br />(1828) |
|||
| Widerspruch |
|||
| text Wenn ich durch Busch und Zweig | |
|||
| 1826-01-01 | 1826?–1828? |
|||
| Text by Seidl, Johann Gabriel, Wenn ich durch Busch und Zweig | Text by [[Johann Gabriel Seidl|Seidl]]; Two versions: 1st for [[SATB|ttbb]] and piano |
|||
|- |
|||
| 866 |
|||
| 095,1828-0 | 95<br />(1828) |
|||
| Refrainlieder, 4 | ''Vier Refrainlieder'': 1. Die Unterscheidung – 2. Bei dir allein – 3. Die Männer sind méchant – 4. Irdisches Glück |
|||
| text Die Mutter hat mich jungst gescholten | |
|||
| 1828-06-21 | Summer<br />1828? |
|||
| Text by Seidl, Johann Gabriel, Die Mutter hat mich jungst gescholten | Text by [[Johann Gabriel Seidl|Seidl]] |
|||
|- |
|||
| 867 |
|||
| 105,1828-2 | 105,2<br />(1828) |
|||
| Wiegenlied, D 867 |
|||
| text Wie sich der Auglein kindlicher Himmel | |
|||
| 1826-01-01 | 1826?–1828? |
|||
| Text by Seidl, Johann Gabriel, Wie sich der Auglein kindlicher Himmel | Text by [[Johann Gabriel Seidl|Seidl]] |
|||
|- |
|||
| 869 |
|||
| XXX,1832 | (1832) |
|||
| Totengraber-Weise | Totengräber-Weise |
|||
| text Nicht so duster und so bleich | |
|||
| 1826-01-01 | 1826 |
|||
| Text by Schlechta, Franz Xaver von, Nicht so duster und so bleich"| Text by {{illm|Franz Xaver von Schlechta|de|Franz Xaver Schlechta von Wschehrd|lt=Schlechta}} |
|||
|- |
|||
| 870 |
|||
| 080,1827-1 | 80,1<br />(1827) |
|||
| Wanderer an den Mond, Der | Der Wanderer an den Mond |
|||
| text Ich auf der Erd', am Himmel du | |
|||
| 1826-01-01 | 1826 |
|||
| Text by Seidl, Johann Gabriel, Ich auf der Erd', am Himmel du | Text by [[Johann Gabriel Seidl|Seidl]] |
|||
|- |
|||
| 871 |
|||
| 080,1827-2 | 80,2<br />(1827)<br />(1979) |
|||
| Zugenglocklein, Das | Das Zügenglöcklein |
|||
| text Kling die Nacht durch, klinge | |
|||
| 1826-01-01 | 1826 |
|||
| Text by Seidl, Johann Gabriel, Kling die Nacht durch, klinge | Text by [[Johann Gabriel Seidl|Seidl]]; Two versions: 2nd, in AGA, is Op. 80 No. 2 |
|||
|- |
|||
| 872 |
|||
| XXX,1854 | (1854)<br />(1870) |
|||
| [[Deutsche Messe (Schubert)|Deutsche Messe]] mit dem Anhang "Das Gebet des Herrn" (German Mass with The Lord's Prayer appended): 1. Zum Eingang – 2. Zum Gloria – 3. Zum Evangelium und Credo – 4. Zum Offertorium – 5. Zum Sanctus – 6. Nach der Wandlung – 7. Zum Agnus Dei – 8. Schlussgesang – Anh.: Das Gebet des Herrn |
|||
| text Kling die Nacht durch, klinge | |
|||
| 1827-06-21 | summer or<br />early fall<br />1827 |
|||
| Text by Neumann, Johann Philipp Deutsche Messe | Text by [[Johann Philipp Neumann|Neumann]]; Two versions: 1st for [[SATB]] and organ – 2nd, in AGA, adds [[wind instrument|winds]], and optional double bass; [[Ferdinand Schubert|Ferd. Schubert]] started publishing his arrangements from before 1838; Vocal score publ. in 1854 |
|||
|- |
|||
| 873 |
|||
| XXX,1974 | (1974) |
|||
| Canon, D 873 |
|||
| key A major | A major |
|||
| 1826-01-01 | January<br />1826? |
|||
| For six voices; Sketch |
|||
|- |
|||
| 873.1 | 873A |
|||
| ZZZZ | |
|||
| Nachklange | Nachklänge |
|||
| ZZZZ | |
|||
| 1826-01-01 | January<br />1826? |
|||
| For [[SATB|ttbb]]; Sketch |
|||
|- |
|||
| 874 |
|||
| ZZZZ | |
|||
| O Quell, was stromst du rasch und wild | O Quell, was strömst du rasch und wild |
|||
| text O Quell, was stromst du rasch und wild | |
|||
| 1826-01-01 | January<br />1826? |
|||
| Text by Schulze, Ernst, O Quell, was stromst du rasch und wild | Text by [[Ernst Schulze (poet)|Schulze]]; Sketch |
|||
|- |
|||
| 875 |
|||
| 102,1831-0 | 102<br />(1831) |
|||
| Mondenschein |
|||
| text Des Mondes Zauberblume lacht | |
|||
| 1826-01-01 | January<br />1826 |
|||
| Text by Schober, Franz von, Des Mondes Zauberblume lacht | Text by [[Franz von Schober|Schober]]; For [[SATB|ttbbb]] and piano (only voices in AGA, piano score in 1st ed. not original) |
|||
|- |
|||
| 875.1 | 875A |
|||
| ZZZZ | |
|||
| Allmacht, Die, D 875A | Die Allmacht, D 875A |
|||
| text Gross ist Jehova, der Herr! 2 | |
|||
| 1826-01-01 | January<br />1826 |
|||
| Text by Pyrker, Ladislaus, Gross ist Jehova, der Herr! 2"| Text by [[Ladislaus Pyrker|Pyrker]] (other setting: {{D.|number=852}}); For [[SATB]] and piano; Sketch |
|||
|- |
|||
| 876 |
|||
| XXX,1838 | (1838) |
|||
| Im Janner 1817 | Im Jänner 1817 a.k.a. Tiefes Leid |
|||
| text Ich bin von aller Ruh' geschieden | |
|||
| 1826-01-01 | January<br />1826 |
|||
| Text by Schulze, Ernst, Ich bin von aller Ruh' geschieden | Text by [[Ernst Schulze (poet)|Schulze]] |
|||
|- |
|||
| [[D. 877|877]] |
|||
| 062,1827-0 | 62<br />(1827) |
|||
| Gesange aus Wilhelm Meister | [[Gesänge aus Wilhelm Meister|Gesänge aus ''Wilhelm Meister'']] (Songs from ''[[Wilhelm Meister's Apprenticeship|Wilhelm Meister]]''): 1. [[Nur wer die Sehnsucht kennt|Mignon und der Harfner]] – 2.–4. [[Mignon (Schubert)|Lied der Mignon]] |
|||
| text Nur wer die Sehnsucht kennt 5 | |
|||
| 1826-01-01 | January<br />1826 |
|||
| Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, Nur wer die Sehnsucht kennt 5 | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Wilhelm Meister's Apprenticeship]]'' (other settings: {{D.|number=310}}, [[D. 359|359]], [[D. 469|469]], [[D. 481|481]], [[D. 656|656]], [[D. 726|726]] and [[D. 727|727]]); No. 1 for two voices and piano; No. 2 has two versions; No. 4 reuses music of {{D.|number=403}} |
|||
|- |
|||
| 878 |
|||
| 105,1828-3 | 105,3<br />(1828) |
|||
| Am Fenster |
|||
| text Ihr lieben Mauern hold und traut | |
|||
| 1826-03-01 | March 1826 |
|||
| Text by Seidl, Johann Gabriel, Ihr lieben Mauern hold und traut | Text by [[Johann Gabriel Seidl|Seidl]] |
|||
|- |
|||
| 879 |
|||
| 105,1828-4 | 105,4<br />(1828) |
|||
| Sehnsucht, D 879 | [[Sehnsucht (Schubert)|Sehnsucht]], D 879 |
|||
| text Die Scheibe friert, der Wind ist rauh | |
|||
| 1826-03-01 | March 1826 |
|||
| Text by Seidl, Johann Gabriel, Die Scheibe friert, der Wind ist rauh | Text by [[Johann Gabriel Seidl|Seidl]] |
|||
|- |
|||
| 880 |
|||
| 080,1827-3 | 80,3<br />(1827) |
|||
| Im Freien |
|||
| text Draussen in der weiten Nacht | |
|||
| 1826-03-01 | March 1826 |
|||
| Text by Seidl, Johann Gabriel, Draussen in der weiten Nacht | Text by [[Johann Gabriel Seidl|Seidl]] |
|||
|- |
|||
| 881 |
|||
| 096,1828-4 | 96,4<br />(1828)<br />(1895) |
|||
| Fischerweise |
|||
| text Den Fischer fechten Sorgen und Gram und Leid nicht an | |
|||
| 1826-03-01 | March 1826 |
|||
| Text by Schlechta, Franz Xaver von, Den Fischer fechten Sorgen und Gram und Leid nicht an"| Text by {{illm|Franz Xaver von Schlechta|de|Franz Xaver Schlechta von Wschehrd|lt=Schlechta}}; Two versions: 2nd is Op. 96 No. 4 |
|||
|- |
|||
| [[D. 882|882]] |
|||
| 101,1828-1 | 101p,1<br />(1828) |
|||
| Im Fruhling | [[Im Frühling]] |
|||
| text Still sitz' ich an des Hugels Hang | |
|||
| 1826-03-01 | March 1826 |
|||
| Text by Schulze, Ernst, Still sitz' ich an des Hugels Hang | Text by [[Ernst Schulze (poet)|Schulze]] |
|||
|- |
|||
| 883 |
|||
| XXX,1832 | (1832) |
|||
| Lebensmut, D 883 |
|||
| text O wie dringt das junge Leben | |
|||
| 1826-03-01 | March 1826 |
|||
| Text by Schulze, Ernst, O wie dringt das junge Leben | Text by [[Ernst Schulze (poet)|Schulze]] |
|||
|- |
|||
| 884 |
|||
| 108,1829-1 | 108,1<br />(1829) |
|||
| Uber Wildemann | Über Wildemann |
|||
| text Die Winde sausen am Tannenhang | |
|||
| 1826-03-01 | March 1826 |
|||
| Text by Schulze, Ernst, Die Winde sausen am Tannenhang | Text by [[Ernst Schulze (poet)|Schulze]] |
|||
|- |
|||
| 885 |
|||
| 066,1826-0 | 66<br />(1826) |
|||
| Grande Marche Heroique | ''Grande Marche Héroique'' |
|||
| key A minor | A minor |
|||
| 1826-09-03 | {{Circa|3/9/1826}} |
|||
| For piano duet |
|||
|- |
|||
| [[D. 887|887]] |
|||
| 161,1851-0 | 161p<br>(1851) |
|||
| String Quartet, D 887 | [[String Quartet No. 15 (Schubert)|String Quartet No. 15]] |
|||
| key G major | G major |
|||
| 1826-06-30 | 20–<br />30/6/1826 |
|||
| Allegro molto moderato – Andante un poco mosso – Scherzo – Allegro assai |
|||
|- |
|||
| 888 |
|||
| XXX,1850 | (1850) |
|||
| Trinklied, D 888 | [[Trinklied (Schubert)|Trinklied]], D 888 |
|||
| text Bacchus, feister Furst des Weins | |
|||
| 1826-07-01 | July 1826 |
|||
| Text by Shakespeare, William from Antony and Cleopatra II, 07, transl. by Mayerhofer von Grunbuhel and Bauernfeld | Text by [[William Shakespeare|Shakespeare]] from ''[[Antony and Cleopatra]]'' II, 7, transl. by {{illm|Ferdinand Mayerhofer von Grünbühel|de|lt=Mayerhofer von Grünbühel}} and [[Eduard von Bauernfeld|Bauernfeld]] |
|||
|- |
|||
| [[D. 889|889]] |
|||
| XXX,1830 | (1830) |
|||
| Standchen, D 889 | [[Ständchen, D 889 (Schubert)|Ständchen, D 889]] |
|||
| text Horch, horch! die Lerch im Atherblau | |
|||
| 1826-07-01 | July 1826 |
|||
| Text by Shakespeare, William from Cymbeline II, 03, transl. by Mayerhofer von Grunbuhel and Bauernfeld | Text by [[William Shakespeare|Shakespeare]] from ''[[Cymbeline]]'' II, 3, transl. by [[August Wilhelm Schlegel|Schlegel, A. W.]] |
|||
|- |
|||
| 890 |
|||
| XXX,1830 | (1830) |
|||
| Hippolits Lied |
|||
| text Lasst mich, ob ich auch still vergluh | |
|||
| 1826-07-01 | July 1826 |
|||
| Text by Gerstenberg, Georg Friedrich von, Lasst mich, ob ich auch still vergluh | Text by {{illm|Georg Friedrich von Gerstenberg|scores|Category:Gerstenberg, Georg Friedrich von|lt=Gerstenberg}} |
|||
|- |
|||
| [[D. 891|891]] |
|||
| 106,1828-4 | 106,4<br />(1828) |
|||
| [[An Sylvia]] a.k.a. An Silvia a.k.a. Gesang, D 891 |
|||
| text Was ist Silvia, saget an | |
|||
| 1826-07-01 | July 1826 |
|||
| Text by Shakespeare, William from The Two Gentlemen of Verona IV, 02, transl. by Bauernfeld | Text by [[William Shakespeare|Shakespeare]] from ''[[The Two Gentlemen of Verona]]'' IV, 2, transl. by [[Eduard von Bauernfeld|Bauernfeld]] |
|||
|- |
|||
| 892 |
|||
| 134,1839-0 | 134p<br>(1839) |
|||
| Nachthelle |
|||
| text Die Nacht ist heiter | |
|||
| 1826-07-01 | September<br />1826 |
|||
| Text by Seidl, Johann Gabriel, Die Nacht ist heiter | Text by [[Johann Gabriel Seidl|Seidl]]; For tenor solo, [[SATB|ttbb]] and piano |
|||
|- |
|||
| 893 |
|||
| XXX,1827 | (1827) |
|||
| Grab und Mond |
|||
| text Silberblauer Mondenschein fallt herab | |
|||
| 1826-07-01 | September<br />1826 |
|||
| Text by Seidl, Johann Gabriel, Silberblauer Mondenschein fallt herab | Text by [[Johann Gabriel Seidl|Seidl]]; For [[SATB|ttbb]] |
|||
|- |
|||
| [[D. 894|894]] |
|||
| 078,1827-0 | 78<br />(1827) |
|||
| [[Piano Sonata in G major, D 894 (Schubert)|Piano Sonata, D 894 ("Fantasie")]] |
|||
| key G major | G major |
|||
| 1826-10-01 | October<br />1826 |
|||
| Molto moderato e cantabile – Andante – Minuet – Allegretto |
|||
|- |
|||
| [[D. 895|895]] |
|||
| 070,1827-0 | 70<br />(1827) |
|||
| [[Rondo in B minor for violin and piano, D 895 (Schubert)|Rondo, D 895]], a.k.a. ''Rondeau brillant'' |
|||
| key B minor | B minor |
|||
| 1826-10-01 | October<br />1826 |
|||
| For violin and piano |
|||
|- id="896–936" style="text-align: center; background: #D8D8D8;" |
|- id="896–936" style="text-align: center; background: #D8D8D8;" |
||
|'''896–936''' |
| data-sort-value="895Z" colspan="2" | '''896–936''' |
||
| data-sort-value="ZZZZZ1827" colspan="5" | |
|||
| colspan="3" ZZZZZ1827 | |
|||
---- |
---- |
||
| 1826-12-31 | '''[[ |
| data-sort-value="1826-12-31" | '''[[List of compositions by Franz Schubert (1827)|1827]]''' |
||
| ZZZZZ1827 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1827" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1827)}} |
|||
|- |
|||
| 896 |
|||
| ZZZZ | |
|||
| Frohliches Scheiden | Fröhliches Scheiden |
|||
| text Gar frohlich kann ich scheiden | |
|||
| 1827-09-21 | fall 1827–<br />early 1828 |
|||
| Text by Leitner, Karl Gottfried von, Gar frohlich kann ich scheiden | Text by [[Karl Gottfried Ritter von Leitner|Leitner]]; Sketch |
|||
|- |
|||
| 896.1 | 896A |
|||
| ZZZZ | |
|||
| Sie in jedem Liede |
|||
| text Nehm ich die Harfe | |
|||
| 1827-09-21 | fall 1827–<br />early 1828 |
|||
| Text by Leitner, Karl Gottfried von, Nehm ich die Harfe | Text by [[Karl Gottfried Ritter von Leitner|Leitner]]; Sketch |
|||
|- |
|||
| 896.2 | 896B |
|||
| ZZZZ | |
|||
| Wolke und Quelle |
|||
| text Auf meinen heimischen Bergen | |
|||
| 1827-09-21 | fall 1827–<br />early 1828 |
|||
| Text by Leitner, Karl Gottfried von, Auf meinen heimischen Bergen | Text by [[Karl Gottfried Ritter von Leitner|Leitner]]; Sketch |
|||
|- |
|||
| [[D. 897|897]] |
|||
| 148,1846-0 | 148p<br>(1846) |
|||
| [[Notturno (Schubert)|''Notturno'' (Piano Trio, D 897)]] |
|||
| key E-flat major | E{{flat}} major |
|||
| 1828-01-01 | 1828? |
|||
| Adagio |
|||
|- |
|||
| [[D. 898|898]] |
|||
| 099,1836-0 | 99p<br>(1836) |
|||
| [[Piano Trio No. 1 (Schubert)|Piano Trio No. 1]] |
|||
| key B-flat major | B{{flat}} major |
|||
| 1828-01-01 | 1828? |
|||
| Allegro moderato – Andante un poco mosso – Scherzo – Rondo |
|||
|- |
|||
| [[D. 899|899]] |
|||
| 090,1827-0 | 90<br />(1827)<br />(1857) |
|||
| [[Impromptus (Schubert)|Impromptus]] Nos. 1–4 |
|||
| key C minor | C minor – E{{flat}} major – G{{flat}} major – A{{flat}} major |
|||
| 1827-06-21 | summer–<br />fall 1827? |
|||
| For piano; Nos. 1–2 publ. 1827 |
|||
|- |
|||
| 900 |
|||
| XXX,1897 | (1897) |
|||
| Allegretto, D 900 |
|||
| key C minor | C minor |
|||
| 1821-01-01 | 1821 or<br />later? |
|||
| For piano; Fragment |
|||
|- |
|||
| 901 |
|||
| XXX,1827 | (1827) |
|||
| Wein und Liebe |
|||
| text Liebchen und der Saft der Reben | |
|||
| 1827-05-31 | before<br />June 1827 |
|||
| Text by Haug, Friedrich, Liebchen und der Saft der Reben"| Text by {{illm|Friedrich Haug|de|Friedrich Haug (Dichter)|lt=Haug}}; For [[SATB|ttbb]] |
|||
|- |
|||
| 902 |
|||
| 083,1827-0 | 83<br />(1827) |
|||
| Gesange, 3 | Drei Gesänge: 1. L'incanto degli occhi (Die Macht der Augen) – 2. Il traditor deluso (Der getäuschte Verräter) – 3. Il modo di prender moglie (Die Art ein Weib zu nehmen) |
|||
| text Da voi, cari lumi 2 | |
|||
| 1827-08-31 | 1827<br />(before<br />September) |
|||
| Text by [[Metastasio]], from ''Attilio Regolo'' II, 5 (No. 1, other version: {{D.|number=990E}}) and ''Gioas re di Giuda'' II (No. 2); For [[SATB|b]] and piano |
|||
|- |
|||
| 903 |
|||
| 081,1827-3 | 81,3<br />(1827) |
|||
| Zur guten Nacht |
|||
| text Horch auf! Es schlagt die Stunde | |
|||
| 1827-01-01 | January<br />1827 |
|||
| Text by Rochlitz, Johann Friedrich, Horch auf! Es schlagt die Stunde | Text by [[Johann Friedrich Rochlitz|Rochlitz]]; For vocal soloist, [[SATB|TTBB]] and piano |
|||
|- |
|||
| 904 |
|||
| 081,1827-1 | 81,1<br />(1827) |
|||
| Alinde |
|||
| text Die Sonne sinkt ins tiefe Meer | |
|||
| 1827-01-01 | January<br />1827 |
|||
| Text by Rochlitz, Johann Friedrich, Die Sonne sinkt ins tiefe Meer | Text by [[Johann Friedrich Rochlitz|Rochlitz]] |
|||
|- |
|||
| 905 |
|||
| 081,1827-2 | 81,2<br />(1827) |
|||
| An die Laute |
|||
| text Leiser, leiser, kleine Laute | |
|||
| 1827-01-01 | January<br />1827 |
|||
| Text by Rochlitz, Johann Friedrich, Leiser, leiser, kleine Laute | Text by [[Johann Friedrich Rochlitz|Rochlitz]] |
|||
|- |
|||
| 906 |
|||
| XXX,1832 | (1832) |
|||
| Der Vater mit dem Kind |
|||
| text Dem Vater liegt das kind in Arm | |
|||
| 1827-01-01 | January<br />1827 |
|||
| Text by Bauernfeld, Eduard von, Dem Vater liegt das kind in Arm | Text by [[Eduard von Bauernfeld|Bauernfeld]] |
|||
|- |
|||
| 907 |
|||
| 086,1828-0 | 86<br />(1828)<br />(1979) |
|||
| Romanze des Richard Lowenherz | Romanze des Richard Löwenherz |
|||
| text Grosser Taten tat der Ritter fern im heiligen Lande viel | |
|||
| 1826-03-01 | March<br />1826? |
|||
| Text by Scott, Walter from Ivanhoe, transl. by Muller, K. L. M. (Ch. 17) | Text by [[Walter Scott|Scott]] from ''[[Ivanhoe]]'' transl. by {{illm|Karl Ludwig Methusalem Müller|wikisource:de|lt=Müller, (K. L.) M.}} (Ch. 17); Two versions: 2nd, in AGA, is Op. 86 |
|||
|- |
|||
| 908 |
|||
| 082,1827-1 | 82,1<br />(1827) |
|||
| Variations, 08, on a theme from Herold's Marie | Eight Variations on a theme from [[Ferdinand Hérold|Hérold's]] ''Marie'' |
|||
| key C major | C major |
|||
| 1827-02-01 | February<br />1827 |
|||
| For piano duet |
|||
|- |
|||
| 909 |
|||
| 096,1828-2 | 96,2<br />(1828) |
|||
| Jagers Liebeslied | Jägers Liebeslied |
|||
| text Ich schiess' den Hirsch im grunen Forst | |
|||
| 1827-02-01 | February<br />1827 |
|||
| Text by Schober, Franz von, Ich schiess' den Hirsch im grunen Forst | Text by [[Franz von Schober|Schober]] |
|||
|- |
|||
| 910 |
|||
| XXX,1833 | (1833) |
|||
| Schiffers Scheidelied |
|||
| text Die Wogen am Gestade schwellen | |
|||
| 1827-02-01 | February<br />1827 |
|||
| Text by Schober, Franz von, Die Wogen am Gestade schwellen | Text by [[Franz von Schober|Schober]] |
|||
|- |
|||
| [[D. 911|911]] |
|||
| 089,1828-0 | 89<br />(1828) |
|||
| Winterreise | ''[[Winterreise]]'':<br />—Part I—<br />1. Gute Nacht – 2. Die Wetterfahne – 3. Gefror'ne Tränen – 4. Erstarrung – 5. [[Der Lindenbaum]] – 6. Wasserflut – 7. Auf dem Flusse – 8. Rückblick – 9. Irrlicht – 10. Rast – 11. Frühlingstraum – 12. Einsamkeit<br />—Part II—<br />13. Die Post – 14. Der greise Kopf – 15. Die Krähe – 16. Letzte Hoffnung – 17. Im Dorfe – 18. Der stürmische Morgen – 19. Täuschung – 20. Der Wegweiser – 21. Das Wirtshaus – 22. Mut – 23. Die Nebensonnen – 24. [[Der Leiermann]] |
|||
| text Fremd bin ich eingezogen | |
|||
| 1827-10-01 | February<br />1827<br />(Part I<br />started);<br />October<br />1827<br />(Part II<br />started) |
|||
| Text by Muller, Wilhelm Winterreise | Text by [[Wilhelm Müller|Müller, W.]]; Two versions for Nos. 7, 10, 11, 22 and 23; Music of No. 19 partly based on {{D.|number=732}} No. 11 |
|||
|- |
|||
| 912 |
|||
| 151,1845-0 | 151p<br>(1845) |
|||
| Schlachtlied, D 912 |
|||
| text Mit unserm Arm ist nichts getan 2 | |
|||
| 1827-02-28 | 28/2/1827 |
|||
| Text by Klopstock, Friedrich Gottlieb from Oden, Mit unserm Arm ist nichts getan 2 | Text by [[Friedrich Gottlieb Klopstock|Klopstock]], from ''Oden'' (other setting: {{D.|number=443}}); For [[SATB|TTBBTTBB]] |
|||
|- |
|||
| 913 |
|||
| 139,1846-2 | 139pII<br />(1846) |
|||
| Nachtgesang im Walde |
|||
| text Sei uns stets gegrusst, o Nacht! | |
|||
| 1827-04-01 | April 1827 |
|||
| Text by Seidl, Johann Gabriel, Sei uns stets gegrusst, o Nacht! | Text by [[Johann Gabriel Seidl|Seidl]]; For [[SATB|ttbb]] and four horns |
|||
|- |
|||
| 914 |
|||
| XXX,1897 | (1897) |
|||
| Fruhlingslied, D 914 | Frühlingslied, D 914 |
|||
| text Geoffnet sind des Winters Riegel 1 | |
|||
| 1827-04-01 | April 1827 |
|||
| Text by Pollak, Aaron, Geoffnet sind des Winters Riegel 1 | Text by [[Aaron Pollak|Pollak]]; Music reappears in other setting {{D.|number=919}}); For [[SATB|ttbb]] |
|||
|- |
|||
| 915 |
|||
| XXX,1870 | (1870) |
|||
| Allegretto, D 915 |
|||
| key C minor | C minor |
|||
| 1827-04-26 | 26/4/1827 |
|||
| For piano |
|||
|- |
|||
| 916 |
|||
| XXX,1961 | (1961) |
|||
| Stille Lied, Das | Das stille Lied |
|||
| text Schweige nur, susser Mund | |
|||
| 1827-05-01 | May 1827 |
|||
| Text by Seegemund, Johann Georg, Schweige nur, susser Mund | Text by [[Johann Georg Seegemund|Seegemund]]; For [[SATB|ttbb]]; Sketch |
|||
|- |
|||
| data-sort-value=916.1 | 916A |
|||
| ZZZZ | |
|||
| Liedentwurf, D 916A |
|||
| key C major | C major |
|||
| 1827-05-01 | May 1827? |
|||
| Sketch without text |
|||
|- |
|||
| data-sort-value=916.2 | 916B |
|||
| XXX,1978 | (1978) |
|||
| Piano piece, D 916B |
|||
| key C major | C major |
|||
| 1827-06-21 | summer–<br />fall 1827? |
|||
| Sketch |
|||
|- |
|||
| data-sort-value=916.3 | 916C |
|||
| XXX,1978 | (1978) |
|||
| Piano piece, D 916C |
|||
| key C minor | C minor |
|||
| 1827-06-21 | summer–<br />fall 1827? |
|||
| Sketch |
|||
|- |
|||
| 917 |
|||
| 115,1829-1 | 115p,1<br>(1829) |
|||
| Lied im Grunen, Das | Das Lied im Grünen |
|||
| text Ins Grune, ins Grune | |
|||
| 1827-06-01 | June 1827 |
|||
| Text by Reil, Johann Anton Friedrich, Ins Grune, ins Grune"| Text by {{illm|Johann Anton Friedrich Reil|de|lt=Reil}} |
|||
|- |
|||
| [[D. 918|918]] |
|||
| XXX,1868 | (1868)<br />(1962) |
|||
| Graf von Gleichen, Der | ''[[Der Graf von Gleichen]]'' |
|||
| theatre (Opera in 2 acts) | (Opera in two acts) |
|||
| 1827-06-19 | started<br />19/6/1827 |
|||
| Text by Bauernfeld, Eduard von Graf von Gleichen | Text by [[Eduard von Bauernfeld|Bauernfeld]]; For [[SATB|ssssttbbbbbbSATB]] and orchestra; Music for Nos. 1–20f (sketches); No. 13 partly based on {{D.|number=260}} and No. 20c on {{D.|number=102}}; Completions of No. 1 publ. in 1868, as "Morgengesang im Walde", and of No. 14 in 1962; Act I: Nos. 1–11 – Act II: Nos. 12–22 |
|||
|- |
|||
| 919 |
|||
| XXX,1897 | (1897) |
|||
| Fruhlingslied, D 919 | Frühlingslied, D 919 |
|||
| text Geoffnet sind des Winters Riegel 2 | |
|||
| 1827-03-21 | spring<br />1827? |
|||
| Text by Pollak, Aaron, Geoffnet sind des Winters Riegel 2 | Text by [[Aaron Pollak|Pollak]]; Music based on other setting {{D.|number=914}} |
|||
|- id="D 920" |
|||
| [[D. 920|920]] |
|||
| 135,1840-0 | 135p<br />(1840)<br />(1891) |
|||
| Standchen, D 920 | [[Ständchen, D 920 (Schubert)|Ständchen, D 920]], a.k.a. Notturno |
|||
| text Zogernd leise | |
|||
| 1827-07-01 | July 1827 |
|||
| Text by Grillparzer, Franz, Zogernd leise | Text by [[Franz Grillparzer|Grillparzer]]; For [[SATB|a]], choir and piano; Two versions: choir TTBB in 1st, and SSAA in 2nd (which was {{D.|number=921}}, publ. as Op. posth. 135) |
|||
|- |
|||
| 922 |
|||
| 106,1828-1 | 106,1<br />(1828)<br />(1895) |
|||
| Heimliches Lieben |
|||
| text O du, wenn deine Lippen mich beruhren | |
|||
| 1827-09-01 | September<br />1827 |
|||
| Text by Klencke, Caroline Louise von, O du, wenn deine Lippen mich beruhren"| Text by {{illm|Caroline Louise von Klencke|de|lt=Klen(c)ke}}; Two versions: 2nd is Op. 106 No. 1 |
|||
|- |
|||
| 923 |
|||
| 165,1862-5 | 165p,5<br />(1862)<br />(1895)<br />(1971) |
|||
| Altschottische Ballade, Eine | Eine altschottische Ballade |
|||
| text Dein Schwert, wie ist’s von Blut so rot | |
|||
| 1827-09-01 | September<br />1827 |
|||
| Text by Herder, Johann Gottfried after Edward, Edward from Percy's Reliques of Ancient English Poetry | Text by [[Johann Gottfried Herder|Herder]] after "Edward, Edward" from [[Thomas Percy (bishop of Dromore)|Percy]]'s ''[[Reliques of Ancient English Poetry]]''; For male voice, female voice and piano; Three versions: 1st is Op. posth. 165 No. 5 – 2nd for voice and piano – 3rd publ. in 1971 |
|||
|- |
|||
| 924 |
|||
| 091,1828-0 | 91<br />(1828) |
|||
| Grazer Waltzes, 12 | Twelve ''Grazer Waltzes'' |
|||
| key I | Various keys |
|||
| 1827-09-01 | September<br />1827? |
|||
| For piano |
|||
|- |
|||
| 925 |
|||
| XXX,1828 | (1828) |
|||
| ''Grazer Galopp'' |
|||
| key C major | C major |
|||
| 1827-09-01 | September<br />1827? |
|||
| For piano |
|||
|- |
|||
| 926 |
|||
| 106,1828-2 | 106,2<br />(1828) |
|||
| Weinen, Das | Das Weinen |
|||
| text Gar trostlich kommt geronnen | |
|||
| 1827-09-21 | fall 1827–<br />early 1828 |
|||
| Text by Leitner, Karl Gottfried von, Gar trostlich kommt geronnen | Text by [[Karl Gottfried Ritter von Leitner|Leitner]] |
|||
|- |
|||
| 927 |
|||
| 106,1828-3 | 106,3<br />(1828) |
|||
| Vor meiner Wiege |
|||
| text Das also, das ist der enge Schrein | |
|||
| 1827-09-21 | fall 1827–<br />early 1828 |
|||
| Text by Leitner, Karl Gottfried von, Das also, das ist der enge Schrei | Text by [[Karl Gottfried Ritter von Leitner|Leitner]] |
|||
|- |
|||
| 928 |
|||
| XXX,1870 | (1870) |
|||
| March, D 928, a.k.a. ''Kindermarsch'' |
|||
| key G major | G major |
|||
| 1827-10-12 | 12/10/1827 |
|||
| For piano duet |
|||
|- |
|||
| [[D. 929|929]] |
|||
| 100,1828-0 | 100<br />(1828)<br />(1975) |
|||
| [[Piano Trio No. 2 (Schubert)|Piano Trio No. 2]] |
|||
| key E-flat major | E{{flat}} major |
|||
| 1827-11-01 | started<br />Nov. 1827 |
|||
| Allegro – Andante con moto – Scherzando – Allegro moderato; Shortened version, in AGA, is Op. 100 |
|||
|- |
|||
| 930 |
|||
| 104,1829-0 | 104p<br />(1829) |
|||
| Hochzeitsbraten, Der | Der Hochzeitsbraten |
|||
| text Ach liebes Herz, ach Theobald | |
|||
| 1827-11-01 | November<br />1827 |
|||
| Text by Schober, Franz von, Ach liebes Herz, ach Theobald | Text by [[Franz von Schober|Schober]]; For [[SATB|stb]] and piano |
|||
|- |
|||
| 931 |
|||
| XXX,1835 | (1835) |
|||
| Wallensteiner Lanzknecht beim Trunk, Der | Der Wallensteiner Lanzknecht beim Trunk |
|||
| text He! schenket mir im Helme ein! | |
|||
| 1827-11-01 | November<br />1827 |
|||
| Text by Leitner, Karl Gottfried von, He! schenket mir im Helme ein! | Text by [[Karl Gottfried Ritter von Leitner|Leitner]] |
|||
|- |
|||
| 932 |
|||
| XXX,1832 | (1832) |
|||
| Kreuzzug, Der | Der Kreuzzug |
|||
| text Ein Munich steht in seiner Zell | |
|||
| 1827-11-01 | November<br />1827 |
|||
| Text by Leitner, Karl Gottfried von, Ein Munich steht in seiner Zell | Text by [[Karl Gottfried Ritter von Leitner|Leitner]] |
|||
|- |
|||
| 933 |
|||
| XXX,1835 | (1835) |
|||
| Fischers Liebesgluck, Des | Des Fischers Liebesglück |
|||
| text Dort blinket durch Weiden | |
|||
| 1827-11-01 | November<br />1827 |
|||
| Text by Leitner, Karl Gottfried von, Dort blinket durch Weiden | Text by [[Karl Gottfried Ritter von Leitner|Leitner]] |
|||
|- |
|||
| [[D. 934|934]] |
|||
| 159,1850-0 | 159p<br />(1850) |
|||
| [[Fantasy for violin and piano, D 934 (Schubert)|Fantasy, D 934]] |
|||
| key C major | C major |
|||
| 1827-12-01 | December<br />1827 |
|||
| For violin and piano; Reuses music of {{D.|number=741}} |
|||
|- |
|||
| [[D. 935|935]] |
|||
| 142,1839-0 | 142p<br />(1839) |
|||
| [[Impromptus (Schubert)|Impromptus]] Nos. 5–8 |
|||
| key F minor | F minor – A{{flat}} major – B{{flat}} major – F minor |
|||
| 1827-12-01 | December<br />1827 |
|||
| For piano; 7th Impromptu reuses music of {{D.|number=797}} |
|||
|- |
|||
| 936 |
|||
| XXX,1892 | (1892) |
|||
| Kantate fur Irene Kiesewetter | Kantate für Irene Kiesewetter a.k.a. ''Cantate zur Feier der Genesung der Irene Kiesewetter'' |
|||
| text Al par del ruscelletto chiaro | |
|||
| 1827-12-26 | 26/12/1827 |
|||
| for [[SATB|ttbbSATB]] and piano duet |
|||
|- id="936A–965B" style="text-align: center; background: #D8D8D8;" |
|- id="936A–965B" style="text-align: center; background: #D8D8D8;" |
||
|'''936A–965B''' |
| data-sort-value="936.09" colspan="2" | '''936A–965B''' |
||
| data-sort-value="ZZZZZ1828" colspan="5" | |
|||
| colspan="3" ZZZZZ1828 | |
|||
---- |
---- |
||
| 1827-12-31 | '''[[ |
| data-sort-value="1827-12-31" | '''[[List of compositions by Franz Schubert (1828)|1828]]''' |
||
| ZZZZZ1828 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1828" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (1828)}} |
|||
|- |
|||
| 936.1 | [[D. 936A|936A]] |
|||
| ZZZZ | |
|||
| Symphony No. 10 | [[Symphony No. 10 (Schubert)|Symphony No. 10]] |
|||
| key D major | D major |
|||
| 1828-03-21 | spring–<br />summer<br />1828? |
|||
| Sketches for [Allegro maestoso] (two versions) – Andante – Scherzo (two versions) |
|||
|- |
|||
| 937 |
|||
| XXX,1872 | (1872) |
|||
| Lebensmut, D 937 |
|||
| text Frohlicher Lebensmut | |
|||
| 1828-06-21 | summer<br />1828? |
|||
| Text by Rellstab, Ludwig, Frohlicher Lebensmut | Text by [[Ludwig Rellstab|Rellstab]]; Fragment |
|||
|- |
|||
| 938 |
|||
| XXX,1835 | (1835) |
|||
| Winterabend, D 938, Der | Der Winterabend, D 938 |
|||
| text Es ist so still, so heimlich um mich | |
|||
| 1828-01-01 | January<br />1828 |
|||
| Text by Leitner, Karl Gottfried von, Es ist so still, so heimlich um mich | Text by [[Karl Gottfried Ritter von Leitner|Leitner]] |
|||
|- |
|||
| 939 |
|||
| 096,1828-1 | 96,1<br />(1828) |
|||
| Sterne, Die, D 939 | Die Sterne, D 939 |
|||
| text Wie blitzen die Sterne so hell durch die Nacht | |
|||
| 1828-01-01 | January<br />1828 |
|||
| Text by Leitner, Karl Gottfried von, Wie blitzen die Sterne so hell durch die Nacht | Text by [[Karl Gottfried Ritter von Leitner|Leitner]] |
|||
|- |
|||
| [[D. 940|940]] |
|||
| 103,1829-0 | 103<br />(1829) |
|||
| [[Fantasia in F minor for piano four-hands, D 940 (Schubert)|Fantasy, D 940]] |
|||
| key F minor | F minor |
|||
| 1828-04-01 | January–<br />April 1828 |
|||
| For piano duet |
|||
|- |
|||
| 942 |
|||
| 136,1839-0 | 136p<br />(1839) |
|||
| Mirjams Siegesgesang |
|||
| text Ruhrt die Zimbel, schlagt die Saiten | |
|||
| 1828-03-01 | March 1828 |
|||
| Text by Grillparzer, Franz, Ruhrt die Zimbel, schlagt die Saiten | Text by [[Franz Grillparzer|Grillparzer]]; For [[SATB|sSATB]] and piano |
|||
|- |
|||
| 943 |
|||
| 119,1829-0 | 119p<br />(1829) |
|||
| Auf dem Strom |
|||
| text Nimm die letzten Abschiedskusse | |
|||
| 1828-03-01 | March 1828 |
|||
| Text by Rellstab, Ludwig, Nimm die letzten Abschiedskusse | Text by [[Ludwig Rellstab|Rellstab]]; For voice, horn (or cello) and piano |
|||
|- |
|||
| [[D. 944|944]] |
|||
| XXX,1840 | (1840) |
|||
| Symphony No. 09 | [[Symphony No. 9 (Schubert)|Symphony No. 9]], ''Great C major'' |
|||
| key C major | C major |
|||
| 1828-03-01 | summer<br />1825?–<br />March 1828 |
|||
| Andante, Allegro ma non troppo – Andante con moto – Scherzo – Allegro vivace; Probably identical to ''Gmunden-Gastein Symphony'', {{D.|number=849}}{{sfn|Kube|2009}} |
|||
|- |
|||
| 944.1 | 944A |
|||
| ZZZZ | |
|||
| German Dance, D 944A |
|||
| ZZZZ | |
|||
| 1828-03-01 | 1/3/1828 |
|||
| For piano; Lost |
|||
|- |
|||
| 945 |
|||
| XXX,1895 | (1895) |
|||
| Herbst, D 945 |
|||
| text Es rauschen die Winde | |
|||
| 1828-04-01 | April 1828 |
|||
| Text by Rellstab, Ludwig, Es rauschen die Winde | Text by [[Ludwig Rellstab|Rellstab]] |
|||
|- |
|||
| [[D. 946|946]] |
|||
| XXX,1868 | (1868) |
|||
| Piano pieces, 3, D 946 | Three piano pieces, a.k.a. [[Impromptus (Schubert)|Impromptus]], D 946 |
|||
| key E-flat minor | E{{flat}} minor – E{{flat}} major – C major |
|||
| 1828-05-01 | May 1828 |
|||
| Allegro assai, Andante – Allegretto – Allegro |
|||
|- |
|||
| 947 |
|||
| 144,1840-0 | 144p<br />(1840) |
|||
| Allegro, D 947, a.k.a. ''Lebensstürme'' |
|||
| key A minor | A minor |
|||
| 1828-05-01 | May 1828 |
|||
| For piano duet |
|||
|- id="D 948" |
|||
| 948 |
|||
| XXX,1891 | (1891)<br />154p<br />(1849) |
|||
| Hymnus an den heiligen Geist |
|||
| text Komm, heil'ger Geist | |
|||
| 1828-05-01 | May 1828 |
|||
| Text by Schmidl, Adolf, Komm, heil'ger Geist | Text by {{illm|Adolf Schmidl|de|lt=Schmidl}}; Two versions: 1st, for [[SATB|ttbbTTBB]], was {{D.|number=941}} – 2nd, Op. posth. 154 for [[SATB|ttbbTTBB]] and [[wind instrument|winds]], was {{D.|number=964}} |
|||
|- |
|||
| [[D. 950|950]] |
|||
| XXX,1865 | (1865) |
|||
| [[Mass No. 6 (Schubert)|Mass No. 6]] |
|||
| key E-flat major | |
|||
| 1828-06-01 | started<br />June 1828 |
|||
| Text: Mass ordinary 13 | Text: [[Mass ordinary]] (other settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 45|45]], [[D. 49|49]], [[D. 56|56]], [[D. 66|66]], [[D. 105|105]], [[D. 167|167]], [[D. 324|324]], [[D. 452|452]], [[D. 678|678]] and [[D. 755|755]]); For [[SATB|satbSATB]] and orchestra |
|||
|- |
|||
| 951 |
|||
| 107,1829-0 | 107<br />(1829) |
|||
| Rondo, D 951, a.k.a. ''Grand Rondeau'' |
|||
| A major | A major |
|||
| 1828-06-01 | June 1828 |
|||
| For piano duet |
|||
|- |
|||
| 952 |
|||
| 152,1848-0 | 152p<br />(1848) |
|||
| Fugue, D 952 | Fugue, D 952 |
|||
| key E minor | E minor |
|||
| 1828-06-03 | 3/6/1828 |
|||
| For organ duet or piano duet |
|||
|- id="D 953" |
|||
| 953 |
|||
| XXX,1841 | (1841) |
|||
| Psalm 92 (91) |
|||
| text Tow l'hodos ladonoj | |
|||
| 1828-07-01 | July 1828 |
|||
| Text: Psalm 92 | Text: [[Psalm 92]]; For baritone and [[SATB|satbSATB]] |
|||
|- |
|||
| 954 |
|||
| XXX,1828 | (1828) |
|||
| Glaube, Hoffnung und Liebe, D 954 |
|||
| text Gott, lass die Glocke glucklich steigen | |
|||
| 1828-09-02 | before<br />2/9/1828 |
|||
| Text by Reil, Johann Anton Friedrich, Gott, lass die Glocke glucklich steigen"| Text by {{illm|Johann Anton Friedrich Reil|de|lt=Reil}}; For [[SATB|ttbbSATB]] acc. by [[wind instrument|winds]] or piano |
|||
|- |
|||
| 955 |
|||
| 097,1828-0 | 97<br />(1828) |
|||
| Glaube, Hoffnung und Liebe, D 955 |
|||
| text Glaube, hoffe, liebe! | |
|||
| 1828-08-01 | August<br />1828 |
|||
| Text by Kuffner, Christoph, Gott, lass die Glocke glucklich steigen"| Text by {{illm|Christoph Kuffner|de|lt=Kuffner}} |
|||
|- |
|||
| [[D. 956|956]] |
|||
| 163,1853-0 | 163p<br />(1853) |
|||
| [[String Quintet (Schubert)|String Quintet]] |
|||
| key C major | C major |
|||
| 1828-09-01 | September<br />1828? |
|||
| Allegro ma non troppo – Adagio – Presto – Allegretto; For two violins, viola and two cellos |
|||
|- |
|||
| [[D. 957|957]] |
|||
| XXX,1829 | (1829) |
|||
| Schwanengesang, D 957 | ''[[Schwanengesang]]'', D 957, a.k.a. 13 Lieder nach Gedichten von [[Ludwig Rellstab|Rellstab]] und [[Heinrich Heine|Heine]]:<br />—Rellstab—<br />1. Liebesbotschaft – 2. Kriegers Ahnung – 3. Frühlingssehnsucht – 4. Ständchen – 5. Aufenhalt – 6. In der Ferne – 7. Abschied<br />—Heine—<br />8. Der Atlas – 9. Ihr Bild - 10. Das Fischermädchen – 11. Die Stadt – 12. Am Meer – 13. [[Der Doppelgänger]] |
|||
| text Rauschendes Bächlein, so silber und hell | |
|||
| 1828-09-01 | August–<br />September?<br />1828 |
|||
| Text by Rellstab, Ludwig, Frohlicher Lebensmut | Text by [[Ludwig Rellstab|Rellstab]] (Nos. 1–7) and [[Heinrich Heine|Heine, H.]] (Nos. 8–13); {{D.|number=965A}} was No. 14; Early versions for Nos. 1 and 3; Variant for No. 4 |
|||
|- |
|||
| [[D. 958|958]] |
|||
| XXX,1839 | (1839) |
|||
| [[Schubert's last sonatas|Piano Sonata, D 958]] |
|||
| key C minor | C minor |
|||
| 1828-09-01 | September<br />1828 |
|||
| Allegro – Adagio – Minuet – Allegro |
|||
|- |
|||
| [[D. 959|959]] |
|||
| XXX,1839 | (1839) |
|||
| [[Schubert's last sonatas|Piano Sonata, D 959]] |
|||
| key A major | A major |
|||
| 1828-09-01 | September<br />1828 |
|||
| Allegro – Andantino – Scherzo – Allegretto (partly based on 2nd movement of {{D.|number=537}}) |
|||
|- |
|||
| [[D. 960|960]] |
|||
| XXX,1839 | (1839) |
|||
| [[Schubert's last sonatas|Piano Sonata, D 960]] |
|||
| key B-flat major | B{{flat}} major |
|||
| 1828-09-01 | September<br />1828 |
|||
| Molto moderato – Andante sostenuto – Scherzo – Allegro ma non troppo |
|||
|- |
|||
| 962 |
|||
| XXX,1890 | (1890) |
|||
| Tantum ergo, D 962 |
|||
| key E-flat major | E{{flat}} major |
|||
| 1828-10-01 | October<br />1828 |
|||
| Text by Aquinas, Thomas, Tantum ergo 6 | [[Tantum Ergo|Text by Aquinas]] (other settings: {{D.|number=460}}, [[D. 461|461]], [[D. 730|730]], [[D. 739|739]], [[D. 750|750]] and [[D. Anh. I/17|Anh. I/17]]); For [[SATB|satbSATB]] and orchestra; Sketch in AGA [[scores:Franz Schubert's Werke (Schubert, Franz)#XIV. Kleinere Kirchenmusikwerke (Nos. 1-22)|XIV]] [[scores:Tantum ergo, D.962 (Schubert, Franz)|No. 22]] |
|||
|- |
|||
| 963 |
|||
| XXX,1890 | (1890) |
|||
| Intende voci, a.k.a. Offertory, D 963, or Aria for tenor with choir |
|||
| key B-flat major | B{{flat}} major |
|||
| 1828-10-01 | October<br />1828 |
|||
| Text: Psalm 05:3–4a | Text: [[Psalm 5]]:[[s:la:Biblia Sacra Vulgata (Stuttgartensia)/Psalmi#5:3|3]]–[[s:la:Biblia Sacra Vulgata (Stuttgartensia)/Psalmi#5:4|4a]], [[offertory]] for the Friday after [[Oculi Sunday]]; For [[SATB|tSATB]] and orchestra |
|||
|- |
|||
| [[D. 965|965]] |
|||
| 129,1830-0 | 129p<br />(1830) |
|||
| Hirt auf dem Felsen, Der | [[Der Hirt auf dem Felsen]] |
|||
| text Wenn auf dem hochsten Fels ich steh | |
|||
| 1828-10-01 | October<br />1828 |
|||
| Text by Muller, Wilhelm and Varnhagen von Ense, Karl August, Wenn auf dem hochsten Fels ich steh | Text by [[Wilhelm Müller|Müller, W.]], and [[Karl August Varnhagen von Ense|Varnhagen von Ense]]; For voice, clarinet and piano |
|||
|- |
|||
| 965.1 | [[D. 965A|965A]] |
|||
| XXX,1829 | (1829) |
|||
| Taubenpost, Die | [[Die Taubenpost]] |
|||
| text Ich hab' eine Brieftaub in meinem Sold | |
|||
| 1828-10-01 | October<br />1828 |
|||
| Text by Seidl, Johann Gabriel, Ich hab' eine Brieftaub in meinem Sold | Text by [[Johann Gabriel Seidl|Seidl]]; Was {{D.|number=957}} No. 14 |
|||
|- |
|||
| 965.2 | 965B |
|||
| ZZZZ | |
|||
| Fugal exercises, D 965B |
|||
| ZZZZ | |
|||
| 1828-11-04 | November<br />1828 |
|||
| Partly similar to {{D.|number=952}} |
|||
|- id="966–992" style="text-align: center; background: #D8D8D8;" |
|- id="966–992" style="text-align: center; background: #D8D8D8;" |
||
|'''966–992''' |
| data-sort-value="965Z" colspan="2" | '''966–992''' |
||
| data-sort-value="ZZZZZ1829" colspan="5" | |
|||
| colspan="3" ZZZZZ1829 | |
|||
---- |
---- |
||
| 1828-11-18 | '''[[ |
| data-sort-value="1828-11-18" | '''[[List of compositions by Franz Schubert (undated)|1810–1828]]''' |
||
| ZZZZZ1829 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1829" | [[#TOP|Up ↑]] |
||
{{:List of compositions by Franz Schubert (undated)}} |
|||
|- |
|||
| 966.2 | 966B |
|||
| ZZZZ | |
|||
| Orchestral piece, D 966B | Orchestral piece, D 966B |
|||
| key A major | A major |
|||
| 1820-01-01 | 1820 or<br />later |
|||
| Sketch |
|||
|- |
|||
| 968 |
|||
| XXX,1888 | (1888) |
|||
| Sonatina, D 968 |
|||
| key C major | C major – A minor |
|||
| 1815-01-01 | 1815–1819? |
|||
| For piano duet; Allegro moderato – Andante |
|||
|- |
|||
| 968.1 | 968A |
|||
| 082,1860-2 | 82p,2<br />(1860) |
|||
| Introduction, Variations and Finale |
|||
| key B-flat major | B{{flat}} major |
|||
| 1828-11-19 | ? |
|||
| For piano duet |
|||
|- |
|||
| 968.2 | 968B |
|||
| 121,1829-0 | 121p<br />(1829) |
|||
| Marches caracteristiques, 2 | ''Deux Marches caractéristiques'' |
|||
| key C major | C major |
|||
| 1826-03-21 | spring 1826? |
|||
| For piano duet |
|||
|- |
|||
| [[D. 969|969]] |
|||
| 077,1827-0 | 77<br />(1827) |
|||
| Valses nobles, 12 | [[Valses Sentimentales and Valses Nobles (Schubert)|12 ''Valses nobles'']] |
|||
| key I | Various keys |
|||
| 1827-01-21 | before<br />22/1/1827 |
|||
| For piano |
|||
|- |
|||
| 970 |
|||
| XXX,1889 | (1889) |
|||
| Landler, 06, D 970 | Six Ländler, D 970, a.k.a. German Dances |
|||
| key I | Various keys |
|||
| 1828-11-19 | ? |
|||
| For piano; No. 2 near-identical to {{D.|number=145}} No. 7 |
|||
|- |
|||
| 971 |
|||
| XXX,1823 | (1823) |
|||
| German Dances, 03, D 971 | Three German Dances, D 971 |
|||
| key I | Various keys |
|||
| 1823-01-09 | before<br />10/1/1823 |
|||
| For piano |
|||
|- |
|||
| 972 |
|||
| XXX,1889 | (1889) |
|||
| German Dances, 03, D 972 | Three German Dances, D 972 |
|||
| key I | Various keys |
|||
| 1817-03-01 | before<br />April 1817? |
|||
| For piano; No. 3 reused in {{D.|number=552}} |
|||
|- |
|||
| 973 |
|||
| XXX,1889 | (1889) |
|||
| German Dances, 03, D 973 | Three German Dances, D 973 |
|||
| key I | Various keys |
|||
| 1828-11-19 | ? |
|||
| For piano |
|||
|- |
|||
| 974 |
|||
| XXX,1889 | (1889) |
|||
| German Dances, 02, D 974 | Two German Dances, D 974 |
|||
| key I | Various keys |
|||
| 1828-11-19 | ? |
|||
| For piano |
|||
|- |
|||
| 975 |
|||
| XXX,1889 | (1889) |
|||
| German Dance, D 975 |
|||
| key D major | D major |
|||
| 1828-11-19 | ? |
|||
| For piano |
|||
|- |
|||
| 976 |
|||
| XXX,1825 | (1825) |
|||
| Cotillon |
|||
| key E-flat major | E{{flat}} major |
|||
| 1825-12-28 | before<br />29/12/1825 |
|||
| For piano |
|||
|- |
|||
| 977 |
|||
| XXX,1889 | (1889) |
|||
| Ecossaises, 08, D 977 | Eight Écossaises, D 977 |
|||
| key I | Various keys |
|||
| 1828-11-19 | ? |
|||
| For piano |
|||
|- |
|||
| 978 |
|||
| XXX,1825 | (1825) |
|||
| Waltz, D 978 |
|||
| key A-flat major | A{{flat}} major |
|||
| 1825-12-28 | before<br />29/12/1825 |
|||
| For piano |
|||
|- |
|||
| 979 |
|||
| XXX,1826 | (1826) |
|||
| Waltz, D 979 |
|||
| key G major | G major |
|||
| 1826-12-22 | before<br />23/12/1826 |
|||
| For piano |
|||
|- |
|||
| 980 |
|||
| XXX,1826 | (1826) |
|||
| Waltzes, 02, D 980 | Two Waltzes, D 980 |
|||
| key I | Various keys |
|||
| 1826-12-22 | before<br />23/12/1826 |
|||
| For piano |
|||
|- |
|||
| 980.1 | 980A |
|||
| ZZZZ | |
|||
| Dances, 02, D 980A | Two Dances, D 980A |
|||
| key I | Various keys |
|||
| 1828-11-19 | ? |
|||
| For piano; Sketches |
|||
|- |
|||
| 980.2 | 980B |
|||
| XXX,1925 | (1925) |
|||
| Landler, 02, D 980B | Two Ländler, D 980B |
|||
| key E-flat major | E{{flat}} major |
|||
| 1828-11-19 | ? |
|||
| For piano |
|||
|- |
|||
| 980.3 | 980C |
|||
| XXX,1930 | (1930) |
|||
| Landler, 02, D 980C | Two Ländler, D 980C |
|||
| key D-flat major | D{{flat}} major |
|||
| 1828-11-19 | ? |
|||
| For piano; Fragments |
|||
|- |
|||
| 980.4 | 980D |
|||
| XXX,1828 | (1828) |
|||
| Waltz, D 980D, a.k.a. ''Krähwinkler Tanz'' |
|||
| key C major | C major |
|||
| 1828-01-25 | before<br />26/1/1828 |
|||
| For piano |
|||
|- |
|||
| 980.5 | 980E |
|||
| ZZZZ | |
|||
| Dances, 02, D 980E | Two Dances, D 980E |
|||
| key I | Various keys |
|||
| 1818-01-01 | 1818 or<br />later |
|||
| For piano(?); Sketches |
|||
|- |
|||
| 980.6 | 980F |
|||
| ZZZZ | |
|||
| March, D 980F |
|||
| key G major | G major |
|||
| 1828-11-19 | ? |
|||
| For piano; Arr. of a lost march for orchestra? |
|||
|- |
|||
| [[D. 981|981]] |
|||
| ZZZZ | |
|||
| Minnesanger, Der | ''[[Der Minnesänger]]'' |
|||
| theatre (Singspiel) | (Singspiel) |
|||
| 1828-11-19 | ? |
|||
| Text by Kotzebue, August von? Minnesanger, Der | Text by [[August von Kotzebue|Kotzebue]]?; Lost |
|||
|- |
|||
| [[D. 982|982]] |
|||
| ZZZZ | |
|||
| Sketches for an opera a.k.a. ''[[Sophie (opera)|Sophie]]'' |
|||
| theatre (Opera) | (Opera) |
|||
| 1820-10-01 | Sep.–Oct.<br />1820{{sfn|NSA II, 15|page=IX (in [https://www.baerenreiter.com/resource/public/products/BA5561/infoitems/vw/01.pdf Introduction])}} |
|||
| For [[SATB|sstb]] and orchestra; Nos. 1–3 (No. 3 partly reused in {{D.|number=796}} No. 7) |
|||
|- |
|||
| 983 |
|||
| 017,1823-1 | 17,1<br />(1823) |
|||
| Junglingswonne | Jünglingswonne |
|||
| text So lang im deutschen Eichentale | |
|||
| 1823-10-08 | before<br />9/10/1823 |
|||
| Text by Matthisson, Friedrich von, So lang im deutschen Eichentale | Text by [[Friedrich von Matthisson|Matthisson]]; For [[SATB|ttbb]] |
|||
|- |
|||
| 983.1 | [[D. 983A|983A]] |
|||
| 017,1823-2 | 17,2<br />(1823) |
|||
| Liebe |
|||
| text Liebe rauscht der Silberbach | |
|||
| 1823-10-08 | before<br />9/10/1823 |
|||
|Text by Schiller, Friedrich from Triumph der Liebe, Der 25 6 | Text by [[Friedrich Schiller|Schiller]], from "Der Triumph der Liebe": stanza 25; Other: {{D.|number=55}}, [[D. 61|61]], [[D. 62|62]], [[D. 63|63]], [[D. 64|64]]; For [[SATB|ttbb]] |
|||
|- |
|||
| 983.2 | 983B |
|||
| 017,1823-3 | 17,3<br />(1823) |
|||
| Zum Rundetanz |
|||
| text Auf! es dunkelt; silbern funkelt 1 | |
|||
| 1823-10-08 | before<br />9/10/1823 |
|||
| Text by Salis-Seewis, Johann Gaudenz von, Auf! es dunkelt; silbern funkelt 1 | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other setting: {{D.|number=Anh. I/18}}); For [[SATB|ttbb]] |
|||
|- |
|||
| 983.3 | 983C |
|||
| 017,1823-4 | 17,4<br />(1823) |
|||
| Nacht, Die, D 983C | Die Nacht, D 983C |
|||
| text Wie schon bist du, freundliche Stille | |
|||
| 1823-10-08 | before<br />9/10/1823 |
|||
| Text by Krummacher, Friedrich Wilhelm, Wie schon bist du, freundliche Stille | Text by [[Friedrich Wilhelm Krummacher|Krummacher]](?); For [[SATB|ttbb]] |
|||
|- |
|||
| 984 |
|||
| 169,1865-0 | 169p<br />(1865) |
|||
| Wintertag, Der | Der Wintertag a.k.a. Geburtstaglied |
|||
| text In schoner heller Winterzeit ward eine Maid geboren | |
|||
| 1821-01-01 | 1821 or<br />later? |
|||
| For [[SATB|ttbb]] and piano; Fragment: piano part lost |
|||
|- |
|||
| 985 |
|||
| 112,1829-1 | 112p,1<br />(1829) |
|||
| Gott im Ungewitter |
|||
| text Du Schrecklicher, wer kann vor dir und deinem Donner stehn? | |
|||
| 1828-11-19 | ? |
|||
| Text by Uz, Johann, Du Schrecklicher, wer kann vor dir und deinem Donner stehn? | Text by [[Johann Uz|Uz]]; For [[SATB|satb]] and piano |
|||
|- |
|||
| 986 |
|||
| 112,1829-2 | 112p,2<br />(1829) |
|||
| Gott der Weltschopfer | Gott der Weltschöpfer |
|||
| text Zu Gott, zu Gott flieg auf | |
|||
| 1828-11-19 | ? |
|||
| Text by Uz, Johann, Zu Gott, zu Gott flieg auf | Text by [[Johann Uz|Uz]]; For [[SATB|satb]] and piano |
|||
|- |
|||
| 988 |
|||
| XXX,1873 | (1873) |
|||
| Liebe sauseln die Blätter | Liebe säuseln die Blätter |
|||
| text Liebe sauseln die Blatter | |
|||
| 1828-11-19 | ? |
|||
| Text by Holty, Ludwig Heinrich Christoph, Liebe sauseln die Blatter | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]]; Canon for three voices |
|||
|- |
|||
| 988.1 | 988A |
|||
| ZZZZ | |
|||
| Accompaniment part |
|||
| key B-flat major | B{{flat}} major |
|||
| 1821-01-01 | 1821 or<br />later |
|||
| For piano, as accompaniment for a vocal composition |
|||
|- |
|||
| 990 |
|||
| XXX,1853 | (1853) |
|||
| Graf von Habsburg, Der | Der Graf von Habsburg |
|||
| text Zu Aachen in seiner Kaiserpracht | |
|||
| 1815-01-01 | 1815–1820 |
|||
| Text by Schiller, Friedrich, Zu Aachen in seiner Kaiserpracht | Text by [[Friedrich Schiller|Schiller]] |
|||
|- |
|||
| 990.1 | 990A |
|||
| XXX,1853 | (1853) |
|||
| Kaiser Maximilian auf der Martinswand [in Tirol] |
|||
| text Hinauf! hinauf! in Sprung und Lauf | |
|||
| 1815-01-01 | 1815–1820 |
|||
| Text by Collin, Heinrich Joseph von, Hinauf! hinauf! in Sprung und Lauf | Text by [[Heinrich Joseph von Collin|Collin, H. J.]] |
|||
|- |
|||
| 990.2 | 990B |
|||
| ZZZZ | |
|||
| Augenblicke im Elysium |
|||
| text Vor der in Ehrfurcht all mein Wesen kniet | |
|||
| 1828-11-19 | ? |
|||
| Text by Schober, Franz von, Vor der in Ehrfurcht all mein Wesen kniet | Text by [[Franz von Schober|Schober]]; Music lost |
|||
|- |
|||
| 990.3 | 990C |
|||
| 130,1830-0 | 130p<br />(1830) |
|||
| Echo, Das | Das Echo |
|||
| text Herzliebe gute Mutter, o grolle nicht mit mir | |
|||
| 1828-11-19 | ? |
|||
| Text by Castelli, Ignaz Franz, Herzliebe gute Mutter, o grolle nicht mit mir | Text by [[Ignaz Franz Castelli|Castelli]] |
|||
|- |
|||
| 990.4 | 990D |
|||
| ZZZZ | |
|||
| Schiffende, Die | Die Schiffende |
|||
| text Sie wankt dahin! Die Abendwinde spielen | |
|||
| 1828-11-19 | ? |
|||
| Text by Holty, Ludwig Heinrich Christoph, Sie wankt dahin! Die Abendwinde spielen | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]]; Music lost |
|||
|- |
|||
| 990.5 | 990E |
|||
| ZZZZ | |
|||
| Incanto degli occhi, L' | L'incanto degli occhi |
|||
| text Da voi, cari lumi 1 | |
|||
| 1813-01-01 | 1813–1816? |
|||
| Text by [[Metastasio]], from ''Attilio Regolo'' II (other version: {{D.|number=902}} No. 1); Aria for [[SATB|s]] |
|||
|- |
|||
| 990.6 | 990F |
|||
| ZZZZ | |
|||
| Ombre amene a.k.a. La serenata |
|||
| text Ombre amene | |
|||
| 1813-01-01 | 1813–1816? |
|||
| Text by [[Metastasio]]; Aria for [[SATB|s]]; Formerly misidentified as an early setting of Il traditor deluso, {{D.|number=902}} No. 2 |
|||
|- id="obsolete" style="text-align: center; background: #D8D8D8;" |
|- id="obsolete" style="text-align: center; background: #D8D8D8;" |
||
|'''old→new''' |
| data-sort-value="992.9" colspan="2" | '''old→new''' |
||
| data-sort-value="ZZZZZ1830" colspan="5" | |
|||
| colspan="3" ZZZZZ1830 | |
|||
---- |
---- |
||
| 1829-12-31 | '''—''' |
| data-sort-value="1829-12-31" | '''—''' |
||
| ZZZZZ1830 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1830" | [[#TOP|Up ↑]] |
||
|- |
|- |
||
| [[D. 966|966]] |
|||
| data-sort-value="999.01103" | [[D. 11|11]] |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=11}} No. 3 |
| See {{D.|number=11}} No. 3 |
||
|- |
|- |
||
| [[D. 111|111]] |
|||
| data-sort-value="999.0077" | [[D. 77|77]] |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=77}} |
| See {{D.|number=77}} |
||
|- |
|- |
||
| [[D. 185|185]] |
|||
| data-sort-value="999.0105" | [[D. 105|105]] |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=105}} |
| See {{D.|number=105}} |
||
|- |
|- |
||
| [[D. 212|212]] |
|||
| data-sort-value="999.0208" | [[D. 208|208]] |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=208}} |
| See {{D.|number=208}} |
||
|- |
|- |
||
| 991 |
|||
| 999.0323 | 323 |
|||
| data-sort-value="999.0323" | 323 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| data-sort-value="ZZZZ" | |
|||
| O so lasst euch froh begrussen | O so laßt euch froh begrüssen |
|||
| text O so lasst euch froh begrussen | |
|||
| ZZZZ | |
|||
---- |
---- |
||
| data-sort-value="ZZZZ" | |
|||
| Text by Schiller, Friedrich, O so lasst euch froh begrussen | Text by [[Friedrich Schiller|Schiller]]; Last part of {{D.|number=323}} |
|||
---- |
|||
| data-sort-value="O so lasst euch froh begrussen" | O so laßt euch froh begrüssen |
|||
| data-sort-value="text O so lasst euch froh begrussen" | [http://www.lieder.net/lieder/get_text.html?TextId=14459 O so laßt euch froh begrüssen] |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="Text by Schiller, Friedrich, O so lasst euch froh begrussen" | Text by [[Friedrich Schiller|Schiller]]; Last part of {{D.|number=323}} |
|||
|- |
|- |
||
| 292 |
|||
| 999.0371 | 371 |
|||
| data-sort-value="999.0371" | 371 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| See {{D.|number=371}} |
| See {{D.|number=371}} |
||
|- |
|- |
||
| 992 |
|||
| 999.0383 | 383 |
|||
| data-sort-value="999.0383" | 383 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=383}} |
| See {{D.|number=383}} |
||
|- |
|- |
||
| 441 |
|||
| 999.0407 | 407 |
|||
| data-sort-value="999.0407" | 407 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=407}} |
| See {{D.|number=407}} |
||
|- |
|- |
||
| [[D. 961|961]] |
|||
| data-sort-value="999.0452" | [[D. 452|452]] |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=452}} |
| See {{D.|number=452}} |
||
|- |
|- |
||
| 601 |
|||
| 999.0470 | 470 |
|||
| data-sort-value="999.0470" | 470 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=470}} |
| See {{D.|number=470}} |
||
|- |
|- |
||
| [[D. 493|493]] |
|||
| data-sort-value="999.0489" | [[D. 489|489]] |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=489}} |
| See {{D.|number=489}} |
||
|- |
|- |
||
| 245 |
|||
| 999.0587 | 587 |
|||
| data-sort-value="999.0587" | 587 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| See {{D.|number=587}} |
| See {{D.|number=587}} |
||
|- |
|- |
||
| 641 |
|||
| 999.0598 | 598 |
|||
| data-sort-value="999.0598" | 598 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=598}} |
| See {{D.|number=598}} |
||
|- |
|- |
||
| 665 |
|||
| 999.0609 | 609 |
|||
| data-sort-value="999.0609" | 609 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=609}} |
| See {{D.|number=609}} |
||
|- |
|- |
||
| 949 |
|||
| 999.0639 | 639 |
|||
| data-sort-value="999.0639" | 639 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=639}} |
| See {{D.|number=639}} |
||
|- |
|- |
||
| 704 |
|||
| 999.0714 | 714 |
|||
| data-sort-value="999.0714" | 714 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=714}} |
| See {{D.|number=714}} |
||
|- |
|- |
||
| 683 |
|||
| 999.0732 | 732 |
|||
| data-sort-value="999.0732" | 732 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| data-sort-value="ZZZZ" | |
|||
| Wolkenbraut, Die | Die Wolkenbraut |
|||
---- |
|||
| text Der Jager ruhte hingegossen | |
|||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="Wolkenbraut, Die" | Die Wolkenbraut |
|||
| data-sort-value="text Der Jager ruhte hingegossen" | [http://www.lieder.net/lieder/get_text.html?TextId=82794 Der Jäger ruhte hingegossen] |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=732}} No. 11 |
| See {{D.|number=732}} No. 11 |
||
|- |
|- |
||
| 333 |
|||
| 999.0796 | 796 |
|||
| data-sort-value="999.0796" | 796 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| Laß dein Vertrauen nicht schwinden |
| Laß dein Vertrauen nicht schwinden |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| Part of {{D.|number=796}} No. 21 |
| Part of {{D.|number=796}} No. 21 |
||
|- |
|- |
||
| [[D. 849|849]] |
|||
| data-sort-value="999.0944" | [[D. 944|944]] |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| ''Gmunden-Gastein Symphony'' |
| ''Gmunden-Gastein Symphony'' |
||
| key C major | C major |
| data-sort-value="key C major" | C major |
||
| 1825-09-01 | Jun.–Sep.<br />1825 |
| data-sort-value="1825-09-01" | Jun.–Sep.<br />1825 |
||
| Probably identical to {{D.|number=944}} (if not: lost);{{sfn|Kube|2009}} See also {{D.|number=Anh. I/6A}} |
| Probably identical to {{D.|number=944}} (if not: lost);{{sfn|Kube|2009}} See also {{D.|number=Anh. I/6A}} |
||
|- id="D 941" |
|- id="D 941" |
||
| 941 |
|||
| 999.09480941 | [[D. 948|948]] |
|||
| data-sort-value="999.09480941" | [[D. 948|948]] |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
---- |
||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=948}}, 1st version |
| See {{D.|number=948}}, 1st version |
||
|- id="D 964" |
|- id="D 964" |
||
| 964 |
|||
| 999.09480964 | [[D. 948|948]] |
|||
| data-sort-value="999.09480964" | [[D. 948|948]] |
|||
| 154,1849-0 | 154p<br />(1849) |
|||
| data-sort-value="154,1849-0" | 154p<br />(1849) |
|||
| ZZZZ | |
|||
| data-sort-value="1600,002" | [[Scores:Franz Schubert's Werke (Schubert, Franz)#XVI. Werke für Männerchor (Nos. 1-46)|XVI]]<br />[[scores:Hymnus an den heiligen Geist, D.948 (Schubert, Franz)|No. 2]] |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| data-sort-value="ZZZZ" | |
|||
| text Herr, unser Gott! erhore unser Flehen | |
|||
---- |
|||
| ZZZZ | |
|||
| data-sort-value="text Herr, unser Gott! erhore unser Flehen" | [http://www.lieder.net/lieder/get_text.html?TextId=83998 Herr, unser Gott! erhöre unser Flehen] |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
---- |
||
| See {{D.|number=948}}, 2nd version |
| See {{D.|number=948}}, 2nd version |
||
|- id="Das war ich, D deest" |
|- id="Das war ich, D deest" |
||
| [[D. 174|174]] |
|||
| 999.09990174 | <small>deest</small> |
|||
| data-sort-value="999.09990174" | <small>deest</small> |
|||
| XXX,1894 | (1894) |
|||
| data-sort-value="XXX,1894" | (1894) |
|||
| Das war ich, D deest | [[Das war ich]], D deest |
|||
| data-sort-value="2211,056" | [[scores:Franz Schubert's Werke (Schubert, Franz)#XXII. Revisionsbericht|XXII]], [[scores:Schubert's Werke - Revisionsbericht (Schubert, Franz)|11<br>No. 56]] |
|||
| ZZZZ | |
|||
| data-sort-value="408,A2" | [https://www.baerenreiter.com/en/sheetmusic/product/?artNo=BA5564 IV, 8<br>Anh. No. 2] |
|||
| 1816-06-01 | June 1816 |
|||
| data-sort-value="Das war ich, D deest" | [[Das war ich]], D deest |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="1816-06-01" | June 1816 |
|||
| Fragment; Music without text, title identical to {{D.|number=174}} |
| Fragment; Music without text, title identical to {{D.|number=174}} |
||
|- id="Anh. I" style="text-align: center; background: #D8D8D8;" |
|||
| data-sort-value="999.1" colspan="2" | '''Anh. I''' |
|||
| data-sort-value="ZZZZZ1831" colspan="5" | Spurious and doubtful works |
|||
| data-sort-value="1830-12-31" | |
|||
---- |
|||
| data-sort-value="ZZZZZ1831" | [[#TOP|Up ↑]] |
|||
|- |
|||
| data-sort-value="040" | 40 |
|||
| data-sort-value="999.10010" | Anh.<br />I/1 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="String Quartet, D Anh. I/1" | String Quartet, D Anh. I/1 |
|||
| data-sort-value="key E-flat major" | E{{flat}} major |
|||
| data-sort-value="1813-01-01" | 1813 |
|||
| Doubtful: lost or identical to {{D.|number=87}} |
|||
|- |
|||
| data-sort-value="999.0999102" | |
|||
| data-sort-value="999.102" | Anh.<br />I/2 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="String Quartet, D Anh. I/2" | String Quartet, D Anh. I/2 |
|||
| data-sort-value="key F major" | F major |
|||
| data-sort-value="1816-01-01" | 1816 |
|||
| Doubtful: lost or identical to {{D.|number=353}} |
|||
|- |
|||
| data-sort-value="999.0999103" | |
|||
| data-sort-value="999.103" | Anh.<br />I/3 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="802,A2" | [https://www.baerenreiter.com/en/sheetmusic/product/?artNo=BA5524 VIII, 2<br>Anh. No. 2] |
|||
| Fugue, D Anh. I/3 |
|||
| data-sort-value="key C major" | C major |
|||
| data-sort-value="1812-01-01" | 1812? |
|||
| Spurious?; For string quartet?; Fragment: only viola part is extant |
|||
|- |
|||
| data-sort-value="002" | [[D. 2|2]] |
|||
| data-sort-value="999.104" | [[D. Anh. I/4|Anh.<br />I/4]] |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| Spurious: fragment of a string quartet movement in G major by {{illm|Albert Stadler|scores|Category:Stadler, Albert|lt=Stadler, A.}} |
|||
|- |
|||
| data-sort-value="999.0999105" | |
|||
| data-sort-value="999.105" | Anh.<br />I/5 |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| Spurious: sketch for the opening movement of a string quartet in E{{flat}} major |
|||
|- |
|||
| data-sort-value="999.0999106" | |
|||
| data-sort-value="999.106" | Anh.<br />I/6 |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| Spurious: Duet in D major for two violins |
|||
|- id="D Anh. I/6A" |
|||
| data-sort-value="999.09991061" | |
|||
| data-sort-value="999.1061" | Anh.<br />I/6A |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| Spurious:{{sfn|NSA website|loc=[http://schubert-ausgabe.de/en/research/schubert-database/?FORM%5Border%5D=bandnr&FORM%5Bseite%5D=1&FORM%5Bdetail%5D=1206 D. Anh. I/6A]}} Symphony in E major "1825" by Gunter Elsholz{{sfn|Elsholz|1982}} (fake ''Gmunden-Gastein Symphony'', {{D.|number=849}}){{sfn|Kube|2009}} |
|||
|- |
|||
| 858 |
|||
| data-sort-value="999.107" | Anh.<br />I/7 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="714,13" | [https://www.baerenreiter.com/en/sheetmusic/product/?artNo=BA5523 VII/1, 4] |
|||
| March, D Anh. I/7 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="1825-11-01" | November<br />1825 |
|||
| Doubtful; Lost; For two pianos, eight hands |
|||
|- |
|||
| data-sort-value="999.0999108" | |
|||
| data-sort-value="999.108" | Anh.<br />I/8 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| Piano Sonata, D Anh. I/8 |
|||
| data-sort-value="key F major" | F major |
|||
| data-sort-value="1815-01-01" | 1815 |
|||
| Doubtful: lost or identical to {{D.|number=157}} |
|||
|- |
|||
| data-sort-value="999.0999109" | |
|||
| data-sort-value="999.109" | Anh.<br />I/9 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| Piano Sonata, D Anh. I/9 |
|||
| data-sort-value="key F major" | F major |
|||
| data-sort-value="1816-01-01" | 1816 |
|||
| Doubtful: lost or identical to {{D.|number=459}} |
|||
|- |
|||
| data-sort-value="999.0999110" | |
|||
| data-sort-value="999.110" | Anh.<br />I/10 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| Fantasy, D Anh. I/10 |
|||
| data-sort-value="key E-flat major" | E{{flat}} major |
|||
| data-sort-value="1825-01-01" | 1825? |
|||
| Doubtful; Lost; For piano |
|||
|- |
|||
| data-sort-value="999.0999111" | |
|||
| data-sort-value="999.111" | Anh.<br />I/11 |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| Spurious: Allegro in G major and Minuet in C major, a.k.a. Sonatina; For piano; Publ. in 1967 |
|||
|- |
|||
| data-sort-value="999.0999112" | |
|||
| data-sort-value="999.112" | Anh.<br />I/12 |
|||
| data-sort-value="XXX,1810" | (1810) |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="Variations, Easy, 07" | ''Seven Easy Variations'' |
|||
| data-sort-value="key G major" | G major |
|||
| data-sort-value="1810-10-31" | before<br />Nov. 1810 |
|||
| Spurious?; For piano |
|||
|- |
|||
| data-sort-value="999.0999113" | |
|||
| data-sort-value="999.113" | Anh.<br />I/13 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="German Dances, 06, D Anh. I/13" | Six German Dances, D Anh. I/13 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="1814-01-01" | 1814 |
|||
| Doubtful; Lost; For piano |
|||
|- |
|||
| data-sort-value="999.0999114" | |
|||
| data-sort-value="999.114" | Anh.<br />I/14 |
|||
| data-sort-value="XXX,1970" | (1970) |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="801,00" | VIII, 1 |
|||
| Waltz, D Anh. I/4, a.k.a. Kupelwieser-Walzer |
|||
| data-sort-value="key G-flat major" | G{{flat}} major |
|||
| data-sort-value="1826-09-17" | 17/9/1826 |
|||
| Doubtful; For piano |
|||
|- |
|||
| 336 |
|||
| data-sort-value="999.115" | Anh.<br />I/15 |
|||
| data-sort-value="XXX,1897" | (1897) |
|||
| data-sort-value="2103,026" | [[scores:Franz Schubert's Werke (Schubert, Franz)#XXI. Supplement: Instrumentalmusik; Gesangsmusik|XXI, 3]]<br>[[scores:Minuet in D major, D.336 (Schubert, Franz)|No. 26]] |
|||
| data-sort-value="801,00" | VIII, 1 |
|||
| Minuet with Trio, D Anh. I/15 |
|||
| data-sort-value="key D major" | D major |
|||
| data-sort-value="ZZZZ" | |
|||
| Doubtful; For piano |
|||
|- |
|||
| data-sort-value="999.0999116" | |
|||
| data-sort-value="999.116" | Anh.<br />I/16 |
|||
| data-sort-value="XXX,1975" | (1975) |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="Ecossaise, D 158" | Écossaise de Vienne |
|||
| data-sort-value="key A-flat major" | A{{flat}} major |
|||
| data-sort-value="1821-01-01" | 1821? |
|||
| data-sort-value="Doubtful: by Huttenbrenner?; For piano" | Doubtful: by [[Anselm Hüttenbrenner|Hüttenbrenner]]?; For piano |
|||
|- |
|||
| data-sort-value="999.0999117" | |
|||
| data-sort-value="999.117" | Anh.<br />I/17 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="801,00" | VIII, 1 |
|||
| Tantum ergo, D Anh. I/17 |
|||
| data-sort-value="key B-flat major" | B{{flat}} major |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="Text by Aquinas, Thomas, Tantum ergo 7" | [[Tantum Ergo|Text by Aquinas]] (other settings: {{D.|number=460}}, [[D. 461|461]], [[D. 730|730]], [[D. 739|739]], [[D. 750|750]] and [[D. 962|962]]); Spurious?; Fragment: only [[SATB|s]] part |
|||
|- |
|||
| [[D. 132|132]] |
|||
| data-sort-value="999.118" | [[D. Anh. I/18|Anh.<br />I/18]] |
|||
| data-sort-value="XXX,1974" | (1974) |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="304,A2" | [https://www.baerenreiter.com/en/sheetmusic/product/?artNo=BA5509 III, 4<br>Anh. I No. 2] |
|||
| Lied beim Rundetanz |
|||
| data-sort-value="text Auf! es dunkelt; silbern funkelt 2" | [http://www.lieder.net/lieder/get_text.html?TextId=14269 Auf, es dunkelt, silbern funkelt] |
|||
| data-sort-value="1815-01-01" | 1815–1816 |
|||
| data-sort-value="Text by Salis-Seewis, Johann Gaudenz von, Auf! es dunkelt; silbern funkelt 2" | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other setting: {{D.|number=983B}}); Doubtful; Fragment: one voice of a part song |
|||
|- |
|||
| [[D. 133|133]] |
|||
| data-sort-value="999.119" | [[D. Anh. I/19|Anh.<br />I/19]] |
|||
| data-sort-value="XXX,1974" | (1974) |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="304,A3" | [https://www.baerenreiter.com/en/sheetmusic/product/?artNo=BA5509 III, 4<br>Anh. I No. 3] |
|||
| Lied im Freien, D Anh. I/19 |
|||
| data-sort-value="text Wie schon ist's im Freien 2" | [http://www.lieder.net/lieder/get_text.html?TextId=23536 Wie schön ist's im Freien] |
|||
| data-sort-value="1815-01-01" | 1815–1816 |
|||
| data-sort-value="Text by Salis-Seewis, Johann Gaudenz von, Wie schon ist's im Freien 2" | Text by [[Johann Gaudenz von Salis-Seewis|Salis-Seewis]] (other setting: {{D.|number=572}}); Doubtful; Fragment: one voice of a part song |
|||
|- |
|||
| 339 |
|||
| data-sort-value="999.120" | Anh.<br />I/20 |
|||
| data-sort-value="XXX,1974" | (1974) |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="304,A4" | [https://www.baerenreiter.com/en/sheetmusic/product/?artNo=BA5509 III, 4<br>Anh. I No. 4] |
|||
| Amors Macht |
|||
| data-sort-value="text Wo Amors Flugel weben" | Wo Amors Flügel weben |
|||
| data-sort-value="1815-01-01" | 1815–1816 |
|||
| data-sort-value="Text by Matthisson, Friedrich von, Wo Amors Flugel weben" | Text by [[Friedrich von Matthisson|Matthisson]]; Doubtful; Fragment: one voice of a part song |
|||
|- |
|||
| 340 |
|||
| data-sort-value="999.121" | Anh.<br />I/21 |
|||
| data-sort-value="XXX,1974" | (1974) |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="304,A5" | [https://www.baerenreiter.com/en/sheetmusic/product/?artNo=BA5509 III, 4<br>Anh. I No. 5] |
|||
| Badelied |
|||
| data-sort-value="text Zur Elbe, zur Elbe, des Athers Gewolbe" | Zur Elbe, zur Elbe, des Äthers Gewölbe |
|||
| data-sort-value="1815-01-01" | 1815–1816 |
|||
| data-sort-value="Text by Matthisson, Friedrich von, Zur Elbe, zur Elbe, des Athers Gewolbe" | Text by [[Friedrich von Matthisson|Matthisson]]; Doubtful; Fragment: one voice of a part song |
|||
|- |
|||
| 341 |
|||
| data-sort-value="999.122" | Anh.<br />I/22 |
|||
| data-sort-value="XXX,1974" | (1974) |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="304,A6" | [https://www.baerenreiter.com/en/sheetmusic/product/?artNo=BA5509 III, 4<br>Anh. I No. 6] |
|||
| Sylphen |
|||
| data-sort-value="text Was unterm Monde gleicht uns Sylphen flink und leicht" | [http://www.lieder.net/lieder/get_text.html?TextId=25215 Was unterm Monde gleicht uns Sylphen flink und leicht] |
|||
| data-sort-value="1815-01-01" | 1815–1816 |
|||
| data-sort-value="Text by Matthisson, Friedrich von, Was unterm Monde gleicht uns Sylphen flink und leicht" | Text by [[Friedrich von Matthisson|Matthisson]]; Doubtful; Fragment: one voice of a part song |
|||
|- |
|||
| 425 |
|||
| data-sort-value="999.123" | Anh.<br />I/23 |
|||
| data-sort-value="XXX,1974" | (1974) |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="304,A7" | [https://www.baerenreiter.com/en/sheetmusic/product/?artNo=BA5509 III, 4<br>Anh. I No. 7] |
|||
| Lebenslied, D Anh. I/23 |
|||
| data-sort-value="text Kommen und Scheiden 2" | [http://www.lieder.net/lieder/get_text.html?TextId=10925 Kommen und Scheiden] |
|||
| data-sort-value="1815-01-01" | 1815–1816 |
|||
| data-sort-value="Text by Matthisson, Friedrich von, Kommen und Scheiden 2" | Text by [[Friedrich von Matthisson|Matthisson]] (other setting: {{D.|number=508}}); Doubtful; Fragment: one voice of a part song; Related to {{D.|number=425}}? |
|||
|- |
|||
| data-sort-value="999.0999124" | |
|||
| data-sort-value="999.124" | Anh.<br />I/24 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| ''Kantate auf den Vater'' (Cantata to his father) |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="1816-01-01" | 27/9/1816 |
|||
| Doubtful; Lost |
|||
|- |
|||
| data-sort-value="999.0999125" | |
|||
| data-sort-value="999.125" | Anh.<br />I/25 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="801,00" | VIII, 1 |
|||
| data-sort-value="Drum Schwester und Bruder" | Drum Schwester und Brüder |
|||
| data-sort-value="text Drum Schwester und Bruder singt frohliche Liede" | Drum Schwester und Brüder singt fröhliche Liede |
|||
| data-sort-value="1819-10-01" | October<br />1819 |
|||
| Doubtful; For voices and instruments; Fragment: choir text, and violin II and cello parts extant |
|||
|- |
|||
| data-sort-value="999.0999126" | |
|||
| data-sort-value="999.126" | Anh.<br />I/26 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="801,00" | VIII, 1 |
|||
| data-sort-value="Sturmbeschworung" | Sturmbeschwörung |
|||
| data-sort-value="text Nirgends Rettung, nirgends Land" | Nirgends Rettung, nirgends Land |
|||
| data-sort-value="1840-12-31" | before<br />1840 |
|||
| Spurious?; For voices; Fragment: [[SATB|s]] part extant |
|||
|- |
|||
| data-sort-value="999.0999127" | |
|||
| data-sort-value="999.127" | Anh.<br />I/27 |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| Spurious: fragment of three [[SATB|TTB]] choirs with [[wind instrument|winds]] |
|||
|- |
|||
| 512 |
|||
| data-sort-value="999.128" | Anh.<br />I/28 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="801,00" | VIII, 1 |
|||
| Klage, D Anh. I/28 |
|||
| data-sort-value="text Nimmer langer trag ich dieser Leiden Last" | [http://www.lieder.net/lieder/get_text.html?TextId=585 Nimmer länger trag ich dieser Leiden Last] |
|||
| data-sort-value="1817-01-01" | {{Circa|1817}} |
|||
| data-sort-value="Other setting Nimmer trag' ich langer 2" | Other setting: {{D.|number=432}}; Spurious? |
|||
|- |
|||
| data-sort-value="999.0999129" | |
|||
| data-sort-value="999.129" | Anh.<br />I/29 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="801,00" | VIII, 1 |
|||
| Kaiser Ferdinand II. |
|||
| data-sort-value="text Was reget die Stadt sich in freudiger Hast?" | Was reget die Stadt sich in freudiger Hast? |
|||
| data-sort-value="1853-01-01" | 1853 or<br />earlier |
|||
| Doubtful |
|||
|- |
|||
| data-sort-value="999.0999130" | |
|||
| data-sort-value="999.130" | Anh.<br />I/30 |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| Spurious: "Mein Frieden" (Text [http://www.lieder.net/lieder/get_text.html?TextId=32925 Ferne, ferne flammen helle Sterne] by Heine, C.), publ. in 1823, by another Schubert{{sfn|NSA website|loc=[http://schubert-ausgabe.de/en/research/schubert-database/?FORM%5Border%5D=bandnr&FORM%5Bseite%5D=1&FORM%5Bdetail%5D=1200 D. Anh. I/30]}} |
|||
|- |
|||
| data-sort-value="999.0999131" | |
|||
| data-sort-value="999.131" | Anh.<br />I/31 |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="ZZZZ" | |
|||
---- |
|||
| data-sort-value="Spurious: Adieu!/Lebe wohl!" | Spurious: "Adieu!"/"Lebe wohl!" (Text [http://www.lieder.net/lieder/get_text.html?TextId=36595 Voici l'instant suprême] by Bélanger after [[Karl Friedrich Gottlob Wetzel|Wetzel]], re-translated in German as [http://www.lieder.net/lieder/get_text.html?TextId=25283 Schon naht, um uns zu scheiden]), publ. in 1824, by {{illm|August Heinrich von Weyrauch|et|lt=Weyrauch}} |
|||
|- |
|||
| data-sort-value="598.1" | 598A |
|||
| data-sort-value="999.132" | Anh.<br />I/32 |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="802,A1" | [https://www.baerenreiter.com/en/sheetmusic/product/?artNo=BA5524 VIII, 2<br>Anh. No. 1] |
|||
| Themes for thoroughbass exercises |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="1811-12-30" | before<br />1812 |
|||
| Doubtful |
|||
|- id="Anh. II" style="text-align: center; background: #D8D8D8;" |
|- id="Anh. II" style="text-align: center; background: #D8D8D8;" |
||
|'''Anh. II''' |
| data-sort-value="999.2" colspan="2" | '''Anh. II''' |
||
| colspan=" |
| data-sort-value="ZZZZZ1832" colspan="5" | Schubert's arrangements |
||
| 1831-12-31 | |
| data-sort-value="1831-12-31" | |
||
---- |
---- |
||
| ZZZZZ1832 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1832" | [[#TOP|Up ↑]] |
||
|- |
|- |
||
| data-sort-value="999.0999201" | |
|||
| 999.201 | Anh.<br>II/1 |
|||
| data-sort-value="999.201" | Anh.<br>II/1 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
| Arrangement of Gluck's Iphigenie en Aulide, overture | Arrangement of [[Christoph Willibald Gluck|Gluck]]'s overture to ''[[Iphigénie en Aulide]]'' |
|||
| ZZZZ | |
| data-sort-value="ZZZZ" | |
||
| data-sort-value="801,00" | VIII, 1 |
|||
| 1810-01-01 | early 1810? |
|||
| data-sort-value="Arrangement of Gluck's Iphigenie en Aulide, overture" | Arrangement of [[Christoph Willibald Gluck|Gluck]]'s overture to ''[[Iphigénie en Aulide]]'' |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="1810-01-01" | early 1810? |
|||
| Fragment for piano duet: last bars of the Primo part extant |
| Fragment for piano duet: last bars of the Primo part extant |
||
|- |
|- |
||
| |
| data-sort-value="096" | [[D. 96|96]] |
||
| data-sort-value="999.202" | [[D. Anh. II/2|Anh.<br>II/2]] |
|||
| XXX,1926 | ([[scores:Notturno for Flute, Viola and Guitar, Op.21 (Matiegka, Wenzel Thomas)#For Flute, Guitar, Viola and Cello (Schubert)|1926]]) |
|||
| data-sort-value="XXX,1926" | ([[scores:Notturno for Flute, Viola and Guitar, Op.21 (Matiegka, Wenzel Thomas)#For Flute, Guitar, Viola and Cello (Schubert)|1926]]) |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="801,00" | VIII, 1 |
|||
| Arrangement of [[Wenzel Thomas Matiegka|Matiegka]]'s [[scores:Notturno for Flute, Viola and Guitar, Op.21 (Matiegka, Wenzel Thomas)|''Notturno'' (Trio), Op. 21]], a.k.a. Quartet, D Anh. II/2 |
| Arrangement of [[Wenzel Thomas Matiegka|Matiegka]]'s [[scores:Notturno for Flute, Viola and Guitar, Op.21 (Matiegka, Wenzel Thomas)|''Notturno'' (Trio), Op. 21]], a.k.a. Quartet, D Anh. II/2 |
||
| key G major | G major |
| data-sort-value="key G major" | G major |
||
| 1814-02-26 | 26/2/1814 |
| data-sort-value="1814-02-26" | 26/2/1814 |
||
| For flute, viola, guitar, and a cello part added by Schubert; Movements 2 (Trio II) and 5 (Var. II) recomposed by Schubert |
| For flute, viola, guitar, and a cello part added by Schubert; Movements 2 (Trio II) and 5 (Var. II) recomposed by Schubert |
||
|- |
|- |
||
| data-sort-value="999.0999203" | |
|||
| 999.203 | Anh.<br>II/3 |
|||
| data-sort-value="999.203" | Anh.<br>II/3 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
| Arrangement of Gluck's Echo et Narcisse, arias, 2, from | Arrangement of two arias from [[Christoph Willibald Gluck|Gluck]]'s ''[[Echo et Narcisse]]'' |
|||
| data-sort-value="ZZZZ" | |
|||
| text Rien de la nature | |
|||
| |
| data-sort-value="801,00" | VIII, 1 |
||
| data-sort-value="Arrangement of Gluck's Echo et Narcisse, arias, 2, from" | Arrangement of two arias from [[Christoph Willibald Gluck|Gluck]]'s ''[[Echo et Narcisse]]'' |
|||
| Text by Tschudi, Jean-Baptiste-Louis-Théodore de, Rien de la nature | Text by [[Jean-Baptiste-Louis-Théodore de Tschudi|Tschudi]] |
|||
| data-sort-value="text Rien de la nature" | Rien de la nature – O combats, o désordre extrème! |
|||
| data-sort-value="1816-03-01" | March 1816 |
|||
| data-sort-value="Text by Tschudi, Jean-Baptiste-Louis-Théodore de, Rien de la nature" | Text by [[Jean-Baptiste-Louis-Théodore de Tschudi|Tschudi]] |
|||
|- |
|- |
||
| data-sort-value="999.0999204" | |
|||
| 999.204 | Anh.<br>II/4 |
|||
| data-sort-value="999.204" | Anh.<br>II/4 |
|||
| XXX,1960 | (1960) |
|||
| data-sort-value="XXX,1960" | (1960) |
|||
| Arrangement of Stadler, M.'s Psalm 08 | Arrangement of [[Maximilian Stadler|M. Stadler]]'s 8th Psalm (''[[scores:18 Psalmen David's (Stadler, Maximilian)|Zwölf Psalmen David's]]'' No. 1) |
|||
| data-sort-value="ZZZZ" | |
|||
| text Unendlicher, Gott, unser Herr | |
|||
| data-sort-value="801,00" | VIII, 1 |
|||
| 1823-08-29 | 29/8/1823 |
|||
| data-sort-value="Arrangement of Stadler, M.'s Psalm 08" | Arrangement of [[Maximilian Stadler|M. Stadler]]'s 8th Psalm (''[[scores:18 Psalmen David's (Stadler, Maximilian)|Zwölf Psalmen David's]]'' No. 1) |
|||
| Text by Mendelssohn, Moses translating Psalm 08 | Text by [[Moses Mendelssohn|Mendelssohn, M.]], translating [[Psalm 8]]; For voice and orchestra; Schubert adapted and orchestrated the piano accompaniment, slightly modifying the vocal part |
|||
| data-sort-value="text Unendlicher, Gott, unser Herr" | Unendlicher, Gott, unser Herr |
|||
| data-sort-value="1823-08-29" | 29/8/1823 |
|||
| data-sort-value="Text by Mendelssohn, Moses translating Psalm 08" | Text by [[Moses Mendelssohn|Mendelssohn, M.]], translating [[Psalm 8]]; For voice and orchestra; Schubert adapted and orchestrated the piano accompaniment, slightly modifying the vocal part |
|||
|- id="Anh. III" style="text-align: center; background: #D8D8D8;" |
|- id="Anh. III" style="text-align: center; background: #D8D8D8;" |
||
|'''Anh. III''' |
| data-sort-value="999.3" colspan="2" | '''Anh. III''' |
||
| |
| data-sort-value="ZZZZZ1833" colspan="5" | Schubert's copies of compositions by other composers |
||
| 1832-12-31 | |
| data-sort-value="1832-12-31" | |
||
---- |
---- |
||
| ZZZZZ1833 | [[#TOP|Up ↑]] |
| data-sort-value="ZZZZZ1833" | [[#TOP|Up ↑]] |
||
|- |
|- |
||
| data-sort-value="999.0999301" | |
|||
| 999.301 | Anh.<br />III/1 |
|||
| data-sort-value="999.301" | Anh.<br />III/1 |
|||
| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
| Schubert's copy of canons, 9, by Michael Haydn | Schubert's copy of nine canons by [[Michael Haydn]] and other composers: Nos. 1, 3, 4 and 6 by M. Haydn – No. 2 by M. or [[Joseph Haydn|J. Haydn]]{{sfn|Mozart|Haydn|Haydn|2008|loc=[http://www.panamusica.co.jp/en/product/8956#21 No. 21: "Vom Gluck sei alles dir beschert", MH 619]}}{{sfn|Hob.|loc=[http://www.klassika.info/Komponisten/Haydn/Kanon/Hob_27b_B1/index.html "Vom Glück sei alles Dir beschert", Hob XXVIIb:B1]}} – No. 5 by {{illm|Josef Otter|Wikisource:de|BLKÖ:Otter, Franz de Paula Joseph|lt=Otter}} – No. 9 by [[Wolfgang Amadeus Mozart|Mozart]] |
|||
| data-sort-value="ZZZZ" | |
|||
| text Es packe dich das Gluck beim Kragen | |
|||
| data-sort-value="ZZZZ" | |
|||
| 1810-06-21 | summer<br />1810{{sfn|Schubert-online|loc=[http://www.schubert-online.at/activpage/werke_einzelansicht.php?werke_id=449&lang=E Anhang III,1 Michael Haydn und andere Komponisten: Neun Kanons]}} |
|||
| data-sort-value="Schubert's copy of canons, 9, by Michael Haydn" | Schubert's copy of nine canons by [[Michael Haydn]] and other composers: Nos. 1, 3, 4 and 6 by M. Haydn – No. 2 by M. or [[Joseph Haydn|J. Haydn]]{{sfn|Mozart|Haydn|Haydn|2008|loc=[http://www.panamusica.co.jp/en/product/8956#21 No. 21: "Vom Gluck sei alles dir beschert", MH 619]}}{{sfn|Hob.|loc=[http://www.klassika.info/Komponisten/Haydn/Kanon/Hob_27b_B1/index.html "Vom Glück sei alles Dir beschert", Hob XXVIIb:B1]}} – No. 5 by {{illm|Josef Otter|Wikisource:de|BLKÖ:Otter, Franz de Paula Joseph|lt=Otter}} – No. 9 by [[Wolfgang Amadeus Mozart|Mozart]] |
|||
| For five voices | No. 1: for five voices ([[MH 577]], also [[K. Anh. C.10.14]]){{sfn|Mozart|Haydn|Haydn|2008|loc=[http://www.panamusica.co.jp/en/product/8956#18 No. 18: "Es packe dich das Gluck", MH 577]}}{{sfn|K.|loc=[http://www.klassika.info/Komponisten/Mozart/Kanon/KV_Anh_C10_14/index.html "Es packe dich das Glück beim Kragen", KV Anh C.10.14]}} – No. 2: for four voices ([[MH 619]] or [[Hob. XXVII]]b:Bb1)<ref>{{RISM|400187433}}</ref> – No. 3: for four voices ([[MH 582]]){{sfn|Mozart|Haydn|Haydn|2008|loc=[http://www.panamusica.co.jp/en/product/8956#19 No. 19: "Gluck fehl dir vor allen", MH 582]}} – No. 4: for five voices ([[MH 584]]){{sfn|Mozart|Haydn|Haydn|2008|loc=[http://www.panamusica.co.jp/en/product/8956#22 No. 22: "Wohlsein, Freude", MH 584]}} – No. 5: for nine voices{{sfn|Hilmar|Jestremski|2004|page=[https://books.google.com/books?id=qiIKAQAAMAAJ&dq=%22josef+otter%22 361]}} – No. 6: for four voices ([[MH 699]], also [[K. 562b]]){{sfn|Mozart|Haydn|Haydn|2008|loc=[http://www.panamusica.co.jp/en/product/8956#17 No. 17: "Adam hat sieben Sohn", MH 699]}}{{sfn|Keefe|2006|page=[https://books.google.com/books?id=7AiUpfaK3QUC&pg=PA135 135]}} – No. 7: ([[MH 714]]) – No. 8: ([[MH 723]]) – No. 9: for four voices ({{illm|Alleluia, K. 553|scores|Canon for 4 Voices in C major, K.553 (Mozart, Wolfgang Amadeus)|lt=K. 553}}) |
|||
| data-sort-value="text Es packe dich das Gluck beim Kragen" | 1. Es packe dich das Glück beim Kragen (F major) – 2. Vom Glück sei alles dir beschert (B{{flat}} major) – 3. Glück fehl dir vor allem (G major) – 4. Wohlsein und Freude (C major) – 5. Drum habe Dank, o Vater Hayden – 6. Adam hat siebn Söhn (F major) – 7. Cato, Plato, Cicero (F major) – 8. Was i beim Tag mit der Leiern gwinn (E minor) – 9. Alleluia (C major) |
|||
| data-sort-value="1810-06-21" | summer<br />1810{{sfn|Schubert-online|loc=[http://www.schubert-online.at/activpage/werke_einzelansicht.php?werke_id=449&lang=E Anhang III,1 Michael Haydn und andere Komponisten: Neun Kanons]}} |
|||
| data-sort-value="For five voices" | No. 1: for five voices ([[MH 577]], also [[K. Anh. C.10.14]]){{sfn|Mozart|Haydn|Haydn|2008|loc=[http://www.panamusica.co.jp/en/product/8956#18 No. 18: "Es packe dich das Gluck", MH 577]}}{{sfn|K.|loc=[http://www.klassika.info/Komponisten/Mozart/Kanon/KV_Anh_C10_14/index.html "Es packe dich das Glück beim Kragen", KV Anh C.10.14]}} – No. 2: for four voices ([[MH 619]] or [[Hob. XXVII]]b:Bb1)<ref>{{RISM|400187433}}</ref> – No. 3: for four voices ([[MH 582]]){{sfn|Mozart|Haydn|Haydn|2008|loc=[http://www.panamusica.co.jp/en/product/8956#19 No. 19: "Gluck fehl dir vor allen", MH 582]}} – No. 4: for five voices ([[MH 584]]){{sfn|Mozart|Haydn|Haydn|2008|loc=[http://www.panamusica.co.jp/en/product/8956#22 No. 22: "Wohlsein, Freude", MH 584]}} – No. 5: for nine voices{{sfn|Hilmar|Jestremski|2004|page=[https://books.google.com/books?id=qiIKAQAAMAAJ&dq=%22josef+otter%22 361]}} – No. 6: for four voices ([[MH 699]], also [[K. 562b]]){{sfn|Mozart|Haydn|Haydn|2008|loc=[http://www.panamusica.co.jp/en/product/8956#17 No. 17: "Adam hat sieben Sohn", MH 699]}}{{sfn|Keefe|2006|page=[https://books.google.com/books?id=7AiUpfaK3QUC&pg=PA135 135]}} – No. 7: ([[MH 714]]) – No. 8: ([[MH 723]]) – No. 9: for four voices ({{illm|Alleluia, K. 553|scores|Canon for 4 Voices in C major, K.553 (Mozart, Wolfgang Amadeus)|lt=K. 553}}) |
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|- |
|- |
||
| data-sort-value="999.0999302" | |
|||
| 999.302 | Anh.<br />III/2 |
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| data-sort-value="999.302" | Anh.<br />III/2 |
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| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
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| Schubert's copy of Roser's Teilung der Erde, Die | Schubert's copy of {{illm|Franz Roser|scores|Category:Roser, Franz|lt=Roser}}'s {{illm|Die Teilung der Erde|de}} |
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| data-sort-value="ZZZZ" | |
|||
| text Nehmt hin die Welt! rief Zeus aus seinen Hohen | |
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| data-sort-value="ZZZZ" | |
|||
| 1810-01-01 | {{Circa|1810}} |
|||
| data-sort-value="Schubert's copy of Roser's Teilung der Erde, Die" | Schubert's copy of {{illm|Franz Roser|scores|Category:Roser, Franz|lt=Roser}}'s {{illm|Die Teilung der Erde|de}} |
|||
| Text by Schiller, Friedrich, Nehmt hin die Welt! rief Zeus aus seinen Hohen | Text by [[Friedrich Schiller|Schiller]]; Also [[Hob. XXVI]]a:C1{{sfn|Hob.|loc=[http://www.klassika.info/Komponisten/Haydn/Lied/Hob_26a_C1/index.html "Die Teilung der Erde", Hob XXVIa:C1]}} |
|||
| data-sort-value="text Nehmt hin die Welt! rief Zeus aus seinen Hohen" | [http://www.lieder.net/lieder/get_text.html?TextId=14520 Nehmt hin die Welt! rief Zeus aus seinen Höhen] |
|||
| data-sort-value="1810-01-01" | {{Circa|1810}} |
|||
| data-sort-value="Text by Schiller, Friedrich, Nehmt hin die Welt! rief Zeus aus seinen Hohen" | Text by [[Friedrich Schiller|Schiller]]; Also [[Hob. XXVI]]a:C1{{sfn|Hob.|loc=[http://www.klassika.info/Komponisten/Haydn/Lied/Hob_26a_C1/index.html "Die Teilung der Erde", Hob XXVIa:C1]}} |
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|- |
|- |
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| data-sort-value="999.0999303" | |
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| 999.303 | Anh.<br />III/3 |
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| data-sort-value="999.303" | Anh.<br />III/3 |
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| ZZZZ | |
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| data-sort-value="ZZZZ" | |
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| data-sort-value="ZZZZ" | |
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| data-sort-value="ZZZZ" | |
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| Schubert's copy of part of [[Symphony No. 41 (Mozart)|Mozart's Symphony No. 41]] |
| Schubert's copy of part of [[Symphony No. 41 (Mozart)|Mozart's Symphony No. 41]] |
||
| key C major | C major |
| data-sort-value="key C major" | C major |
||
| 1813-03-29 | after<br />29/3/1813 |
| data-sort-value="1813-03-29" | after<br />29/3/1813 |
||
| Start of Minuet (3rd movement) |
| Start of Minuet (3rd movement) |
||
|- |
|- |
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| data-sort-value="999.0999304" | |
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| 999.304 | Anh.<br />III/4 |
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| data-sort-value="999.304" | Anh.<br />III/4 |
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| ZZZZ | |
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| data-sort-value="ZZZZ" | |
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| Schubert's copy of canon, 1, from Zumsteeg's Elbondocani | Schubert's copy of a canon from [[Johann Rudolf Zumsteeg|Zumsteeg]]'s ''Elbondocani'' |
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| data-sort-value="ZZZZ" | |
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| text Hoffnung Kind des Himmels | |
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| data-sort-value="ZZZZ" | |
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| 1813-09-20 | before<br />fall 1813? |
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| data-sort-value="Schubert's copy of canon, 1, from Zumsteeg's Elbondocani" | Schubert's copy of a canon from [[Johann Rudolf Zumsteeg|Zumsteeg]]'s ''Elbondocani'' |
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| Text by Haug, Friedrich, Hoffnung Kind des Himmels"| Text by {{illm|Friedrich Haug|de|Friedrich Haug (Dichter)|lt=Haug}} (transl. from French); For [[SATB|sstb]] and piano |
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| data-sort-value="text Hoffnung Kind des Himmels" | Hoffnung Kind des Himmels |
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| data-sort-value="1813-09-20" | before<br />fall 1813? |
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| data-sort-value="Text by Haug, Friedrich, Hoffnung Kind des Himmels"| Text by {{illm|Friedrich Haug|de|Friedrich Haug (Dichter)|lt=Haug}} (transl. from French); For [[SATB|sstb]] and piano |
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|- |
|- |
||
| data-sort-value="999.0999305" | |
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| 999.305 | Anh.<br />III/5 |
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| data-sort-value="999.305" | Anh.<br />III/5 |
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| ZZZZ | |
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| data-sort-value="ZZZZ" | |
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| data-sort-value="ZZZZ" | |
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| data-sort-value="ZZZZ" | |
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| Schubert's copy of [[Johann Rudolf Zumsteeg|Zumsteeg]]'s Chor der Derwische |
| Schubert's copy of [[Johann Rudolf Zumsteeg|Zumsteeg]]'s Chor der Derwische |
||
| text Ein Gott, ein wahrer Gott ist nur | |
| data-sort-value="text Ein Gott, ein wahrer Gott ist nur" | [http://www.lieder.net/lieder/get_text.html?TextId=8604 Ein Gott, ein wahrer Gott ist nur] |
||
| 1813-03-21 | spring<br />1813? |
| data-sort-value="1813-03-21" | spring<br />1813? |
||
| Text by Iffland, August Wilhelm, Ein Gott, ein wahrer Gott ist nur | Text by [[August Wilhelm Iffland|Iffland]], from ''[https://books.google.com/books?id=0KZJAAAAMAAJ&pg=PA3 Achmet und Zenide]''; for [[SATB|ttb]] |
| data-sort-value="Text by Iffland, August Wilhelm, Ein Gott, ein wahrer Gott ist nur" | Text by [[August Wilhelm Iffland|Iffland]], from ''[https://books.google.com/books?id=0KZJAAAAMAAJ&pg=PA3 Achmet und Zenide]''; for [[SATB|ttb]] |
||
|- |
|- |
||
| |
| data-sort-value="085" | [[D. 85|85]] |
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| data-sort-value="999.306" | [[D. Anh. III/6|Anh.<br />III/6]] |
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| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
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| Schubert's copy of Preindl's Offertory | Schubert's copy of {{illm|Joseph Preindl|de|lt=Preindl}}'s Offertory "Clamavi ad te", Op. 16 |
|||
| data-sort-value="ZZZZ" | |
|||
| key C major | C major |
|||
| data-sort-value="ZZZZ" | |
|||
| 1813-11-01 | November<br />1813? |
|||
| data-sort-value="Schubert's copy of Preindl's Offertory" | Schubert's copy of {{illm|Joseph Preindl|de|lt=Preindl}}'s Offertory "Clamavi ad te", Op. 16 |
|||
| data-sort-value="key C major" | C major |
|||
| data-sort-value="1813-11-01" | November<br />1813? |
|||
| Only the start of the [[SATB|s]] part is extant in Schubert's copy |
| Only the start of the [[SATB|s]] part is extant in Schubert's copy |
||
|- |
|- |
||
| data-sort-value="999.0999307" | |
|||
| 999.307 | Anh.<br />III/7 |
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| data-sort-value="999.307" | Anh.<br />III/7 |
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| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
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| Schubert's copy of Reichardt's Monolog aus Goethe's Iphigenie | Schubert's copy of [[Johann Friedrich Reichardt|Reichardt]]'s {{illm|Monolog aus Goethe's Iphigenie|scores|Lieder der Liebe und der Einsamkeit (Reichardt, Johann Friedrich)#Monolog aus Goethe's Iphigenia|lt=Monolog aus Goethe's ''Iphigenie''}} |
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| data-sort-value="ZZZZ" | |
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| text Heraus in eure Schatten | |
|||
| data-sort-value="ZZZZ" | |
|||
| 1815-01-01 | 1815 |
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| data-sort-value="Schubert's copy of Reichardt's Monolog aus Goethe's Iphigenie" | Schubert's copy of [[Johann Friedrich Reichardt|Reichardt]]'s {{illm|Monolog aus Goethe's Iphigenie|scores|Lieder der Liebe und der Einsamkeit (Reichardt, Johann Friedrich)#Monolog aus Goethe's Iphigenia|lt=Monolog aus Goethe's ''Iphigenie''}} |
|||
| Text by Goethe, Johann Wolfgang von from Iphigenia in Tauris | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Iphigenia in Tauris (Goethe)|Iphigenia in Tauris]]''; For voice, women's choir and piano |
|||
| data-sort-value="text Heraus in eure Schatten" | [http://www.lieder.net/lieder/get_text.html?TextId=32697 Heraus in eure Schatten] |
|||
| data-sort-value="1815-01-01" | 1815 |
|||
| data-sort-value="Text by Goethe, Johann Wolfgang von from Iphigenia in Tauris" | Text by [[Johann Wolfgang von Goethe|Goethe]], from ''[[Iphigenia in Tauris (Goethe)|Iphigenia in Tauris]]''; For voice, women's choir and piano |
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|- |
|- |
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| data-sort-value="999.0999308" | |
|||
| 999.308 | Anh.<br />III/8 |
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| data-sort-value="999.308" | Anh.<br />III/8 |
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| ZZZZ | |
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| data-sort-value="ZZZZ" | |
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| data-sort-value="ZZZZ" | |
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| data-sort-value="ZZZZ" | |
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| Schubert's copy of part of [[Symphony No. 4 (Beethoven)|Beethoven's Symphony No. 4]] |
| Schubert's copy of part of [[Symphony No. 4 (Beethoven)|Beethoven's Symphony No. 4]] |
||
| key B-flat major | B{{flat}} major |
| data-sort-value="key B-flat major" | B{{flat}} major |
||
| 1821-01-01 | 1821 or<br />later |
| data-sort-value="1821-01-01" | 1821 or<br />later |
||
| Start of Adagio, Allegro vivace (1st movement) |
| Start of Adagio, Allegro vivace (1st movement) |
||
|- |
|- |
||
| data-sort-value="999.0999309" | |
|||
| 999.309 | Anh.<br />III/9 |
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| data-sort-value="999.309" | Anh.<br />III/9 |
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| ZZZZ | |
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| data-sort-value="ZZZZ" | |
|||
| Schubert's copy of the organ part of M. Haydn's Deutsches Hochamt, MH 560 | Schubert's copy of the organ part of [[Deutsches Hochamt (Michael Haydn)|M. Haydn's ''Deutsches Hochamt'']], [[MH 560]] |
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| data-sort-value="ZZZZ" | |
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| text Hier liegt vor deiner Majestat | B{{flat}} major |
|||
| |
| data-sort-value="ZZZZ" | |
||
| data-sort-value="Schubert's copy of the organ part of M. Haydn's Deutsches Hochamt, MH 560" | Schubert's copy of the organ part of [[Deutsches Hochamt (Michael Haydn)|M. Haydn's ''Deutsches Hochamt'']], [[MH 560]] |
|||
| Text by Kohlbrenner, Franz Seraph von, Hier liegt vor deiner Majestat"| Text by [[Franz Seraph von Kohlbrenner|Kohlbrenner]]; For [[SATB]] and organ; Schubert's autograph lost |
|||
| data-sort-value="text Hier liegt vor deiner Majestat" | [[choralwiki:Deutsche Messe (Johann Michael Haydn)|Hier liegt vor deiner Majestät]]<br />B{{flat}} major |
|||
| data-sort-value="1828-11-19" | ? |
|||
| data-sort-value="Text by Kohlbrenner, Franz Seraph von, Hier liegt vor deiner Majestat"| Text by [[Franz Seraph von Kohlbrenner|Kohlbrenner]]; For [[SATB]] and organ; Schubert's autograph lost |
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|- |
|- |
||
| data-sort-value="999.0999310" | |
|||
| 999.310 | Anh.<br />III/10 |
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| data-sort-value="999.310" | Anh.<br />III/10 |
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| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
| Schubert's copy of Preindl's Mass | Schubert's copy of {{illm|Joseph Preindl|de|lt=Preindl}}'s Mass in C major |
|||
| data-sort-value="ZZZZ" | |
|||
| key C major | C major |
|||
| data-sort-value="ZZZZ" | |
|||
| 1821-01-01 | 1821 or<br />later |
|||
| data-sort-value="Schubert's copy of Preindl's Mass" | Schubert's copy of {{illm|Joseph Preindl|de|lt=Preindl}}'s Mass in C major |
|||
| Text: Mass ordinary 14 | Text: [[Mass ordinary]] (Schubert's settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 45|45]], [[D. 49|49]], [[D. 56|56]], [[D. 66|66]], [[D. 105|105]], [[D. 167|167]], [[D. 324|324]], [[D. 452|452]], [[D. 678|678]], [[D. 755|755]] and [[D. 950|950]]); For [[SATB]] and orchestra; Copied by Schubert and his brother [[Ferdinand Schubert|Ferdinand]] |
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| data-sort-value="key C major" | C major<br />[[choralwiki:Mass|Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei]] |
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| data-sort-value="1821-01-01" | 1821 or<br />later |
|||
| data-sort-value="Text: Mass ordinary 14" | Text: [[Mass ordinary]] (Schubert's settings: {{D.|number=24E}}, [[D. 31|31]], [[D. 45|45]], [[D. 49|49]], [[D. 56|56]], [[D. 66|66]], [[D. 105|105]], [[D. 167|167]], [[D. 324|324]], [[D. 452|452]], [[D. 678|678]], [[D. 755|755]] and [[D. 950|950]]); For [[SATB]] and orchestra; Copied by Schubert and his brother [[Ferdinand Schubert|Ferdinand]] |
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|- |
|- |
||
| |
| data-sort-value="092" | [[D. 92|92]] |
||
| data-sort-value="999.311" | [[D. Anh. III/11|Anh.<br />III/11]] |
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| ZZZZ | |
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| data-sort-value="ZZZZ" | |
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| Schubert's copy of canon, 1, by Mozart, K. 440d | Schubert's copy of a canon by [[Wolfgang Amadeus Mozart|Mozart]],{{sfn|Van Hoorickx 1974–1976}} [[K. 440d]] (formerly [[K. Anh. 134]]), after {{illm|K. 410/484d|scores|Adagio in F major, K.410/484d (Mozart, Wolfgang Amadeus)|lt=K. 410/484d}} |
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| data-sort-value="ZZZZ" | |
|||
| text Lass immer in der Jugend Glanz | |
|||
| |
| data-sort-value="ZZZZ" | |
||
| data-sort-value="Schubert's copy of canon, 1, by Mozart, K. 440d" | Schubert's copy of a canon by [[Wolfgang Amadeus Mozart|Mozart]],{{sfn|Van Hoorickx 1974–1976}} [[K. 440d]] (formerly [[K. Anh. 134]]), after {{illm|K. 410/484d|scores|Adagio in F major, K.410/484d (Mozart, Wolfgang Amadeus)|lt=K. 410/484d}} |
|||
| data-sort-value="text Lass immer in der Jugend Glanz" | Laß immer in der Jugend Glanz |
|||
| data-sort-value="1828-11-19" | ? |
|||
| For two voices; Schubert's autograph lost |
| For two voices; Schubert's autograph lost |
||
|- |
|- |
||
| [[D. 127|127]] |
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| data-sort-value="999.312" | [[D. Anh. III/12|Anh.<br />III/12]] |
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| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
| Schubert's copy of canon, 1, by Mozart's, K. 230/382b | Schubert's copy of a canon by [[Wolfgang Amadeus Mozart|Mozart]],{{sfn|Van Hoorickx 1974–1976}} {{illm|K. 230/382b|scores|Canon for 2 Voices in C minor, K.230/382b (Mozart, Wolfgang Amadeus)|lt=K. 230/382b}} |
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| data-sort-value="ZZZZ" | |
|||
| text Selig, selig alle, die im Herrn entschliefen! | |
|||
| |
| data-sort-value="ZZZZ" | |
||
| data-sort-value="Schubert's copy of canon, 1, by Mozart's, K. 230/382b" | Schubert's copy of a canon by [[Wolfgang Amadeus Mozart|Mozart]],{{sfn|Van Hoorickx 1974–1976}} {{illm|K. 230/382b|scores|Canon for 2 Voices in C minor, K.230/382b (Mozart, Wolfgang Amadeus)|lt=K. 230/382b}} |
|||
| Text by Holty, Ludwig Heinrich Christoph, Selig, selig alle, die im Herrn entschliefen! | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]]; For two voices; Schubert's autograph lost |
|||
| data-sort-value="text Selig, selig alle, die im Herrn entschliefen!" | [http://www.lieder.net/lieder/get_text.html?TextId=37259 Selig, selig alle, die im Herrn entschliefen!] |
|||
| data-sort-value="1828-11-19" | ? |
|||
| data-sort-value="Text by Holty, Ludwig Heinrich Christoph, Selig, selig alle, die im Herrn entschliefen!" | Text by [[Ludwig Heinrich Christoph Hölty|Hölty]]; For two voices; Schubert's autograph lost |
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|- |
|- |
||
| data-sort-value="999.0999313" | |
|||
| 999.313 | Anh.<br />III/13 |
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| data-sort-value="999.313" | Anh.<br />III/13 |
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| ZZZZ | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| data-sort-value="ZZZZ" | |
|||
| Schubert's copy of [[Ludwig van Beethoven|Beethoven]]'s {{illm|Abendlied unterm gestirnten Himmel|scores|Abendlied unter'm gestirnten Himmel, WoO 150 (Beethoven, Ludwig van)|lt=Abendlied unterm gestirnten Himmel, WoO 150}} |
| Schubert's copy of [[Ludwig van Beethoven|Beethoven]]'s {{illm|Abendlied unterm gestirnten Himmel|scores|Abendlied unter'm gestirnten Himmel, WoO 150 (Beethoven, Ludwig van)|lt=Abendlied unterm gestirnten Himmel, WoO 150}} |
||
| text Wenn die Sonne niedersinket | |
| data-sort-value="text Wenn die Sonne niedersinket" | [http://www.lieder.net/lieder/get_text.html?TextId=6250 Wenn die Sonne niedersinket] |
||
| 1820-04-01 | after<br />March 1820 |
| data-sort-value="1820-04-01" | after<br />March 1820 |
||
| Text by Goeble, Heinrich, Wenn die Sonne niedersinket | Text by [[Heinrich Goeble|Goeble]]; Schubert's autograph transposed, incomplete |
| data-sort-value="Text by Goeble, Heinrich, Wenn die Sonne niedersinket" | Text by [[Heinrich Goeble|Goeble]]; Schubert's autograph transposed, incomplete |
||
|} |
|} |
||
===1810=== |
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{{see also|#1–1C}} |
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Most of Schubert's compositions of 1810 (or earlier) are in the range [[#1–1C|D 1–1C]]: |
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* Instrumental works include: |
|||
** [[Fantasy in G major for piano four-hands, D 1 (Schubert)|Fantasy in G major for piano four-hands, D 1]] |
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* Vocal music includes: |
|||
** [[Song in C minor, D 1A (Schubert)|Song in C minor, D 1A]] |
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===1811=== |
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{{see also|#2–12}} |
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Most of Schubert's compositions of 1811 are in the range [[#2–12|D 2–12]]: |
|||
* Instrumental works include: |
|||
** [[Symphony, D 2B (Schubert)|Symphony, D 2B]] |
|||
** [[Der Teufel als Hydraulicus|Overture to the comedy ''Der Teufel als Hydraulicus'']], D 4 |
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* Vocal music includes: |
|||
** ''[[Der Spiegelritter]]'', D 11 |
|||
===1812=== |
|||
{{see also|#13–37}} |
|||
Most of Schubert's compositions of 1812 are in the range [[#13–37|D 13–37]]: |
|||
* Instrumental works include: |
|||
** [[String Quartet No. 1 (Schubert)|String Quartet No. 1]], D 18 |
|||
** [[String Quartet No. 2 (Schubert)|String Quartet No. 2]], D 32 |
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** [[String Quartet No. 3 (Schubert)|String Quartet No. 3]], D 36 |
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* Vocal music includes: |
|||
** [[Klaglied]], D 23 |
|||
===1813=== |
|||
{{see also|#37A–91}} |
|||
Most of Schubert's compositions of 1813 are in the range [[#37A–91|D 37A–91]]: |
|||
* Instrumental works include: |
|||
** [[Symphony No. 1 (Schubert)|Symphony No. 1]], D 82 |
|||
** [[String Quartet No. 4 (Schubert)|String Quartet No. 4]], D 46 |
|||
** [[String Quartet No. 5 (Schubert)|String Quartet No. 5]], D 68 |
|||
** [[String Quartet No. 6 (Schubert)|String Quartet No. 6]], D 74 |
|||
** [[String Quartet No. 10 (Schubert)|String Quartet No. 10]], D 87 |
|||
* Vocal music includes: |
|||
** ''[[Des Teufels Lustschloß]]'', D 84 (composition started late October 1813) |
|||
** "[[Trinklied (Schubert)|Trinklied]]", D 75 |
|||
** "[[Sehnsucht (Schubert)|Sehnsucht]]", D 52 |
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** "[[Der Taucher]]", D 77 |
|||
===1814=== |
|||
{{see also|#92–126}} |
|||
Most of Schubert's compositions of 1814 are in the range [[#92–126|D 92–126]]: |
|||
* Instrumental works include: |
|||
** [[Symphony No. 2 (Schubert)|Symphony No. 2]], D 125 (started December 1814) |
|||
** [[String Quartet No. 7 (Schubert)|String Quartet No. 7]], D 94 |
|||
** [[Quartettsatz, D 103 (Schubert)|Quartettsatz, D 103]] |
|||
** [[String Quartet No. 8 (Schubert)|String Quartet No. 8]], D 112 |
|||
* Vocal music includes: |
|||
** [[Mass No. 1 (Schubert)|Mass No. 1]], D 105 |
|||
** "[[Gretchen am Spinnrade]]", D 118 |
|||
** "[[Sehnsucht (Schubert)|Sehnsucht]]", D 123 |
|||
===1815=== |
|||
{{see also|#127–330}} |
|||
Most of Schubert's compositions of 1815 are in the range [[#127–330|D 127–330]]: |
|||
* Instrumental works include: |
|||
** [[Symphony No. 3 (Schubert)|Symphony No. 3]], D 200 |
|||
** [[String Quartet No. 9 (Schubert)|String Quartet No. 9]], D 173 |
|||
** [[Piano Sonata in E major, D 157 (Schubert)|Piano Sonata in E major, D 157]] |
|||
** [[Piano Sonata in C major, D 279 (Schubert)|Piano Sonata in C major, D 279]] |
|||
* Vocal music includes: |
|||
** ''[[Der vierjährige Posten]]'', D 190 |
|||
** ''[[Die Freunde von Salamanka]]'', D 326 |
|||
** [[Mass No. 2 (Schubert)|Mass No. 2]], D 167 |
|||
** [[Mass No. 3 (Schubert)|Mass No. 3]], D 324 |
|||
** [[Stabat Mater in G minor (Schubert)|Stabat Mater in G minor]], D 175 |
|||
** "[[Schwertlied]]", D 170 |
|||
** "[[An die Freude (Schubert)|An die Freude]]", D 189 |
|||
** "[[Rastlose Liebe]]", D 138 |
|||
** "[[Der Mondabend]]", D 141 |
|||
** "[[An Mignon]]", D 161 |
|||
** "[[Wandrers Nachtlied]]", D 224 |
|||
** "[[Heidenröslein]]", D 257 |
|||
** "[[Vaterlandslied]]", D 287 |
|||
** [[Sehnsucht, D 310 (Schubert)|"Sehnsucht", D 310]] |
|||
** "[[Mignon (Schubert)|Mignon]]", D 321 |
|||
** "[[Hermann und Thusnelda]]", D 322 |
|||
** "[[Harfenspieler]]", D 325 |
|||
** "[[Erlkönig (Schubert)|Erlkönig]]", D 328 |
|||
===1816=== |
|||
{{see also|#331–510}} |
|||
Most of Schubert's compositions of 1816 are in the range [[#331–510|D 331–510]]: |
|||
* Instrumental works include: |
|||
** [[Symphony No. 4 (Schubert)|Symphony No. 4]], D 417 |
|||
** [[Symphony No. 5 (Schubert)|Symphony No. 5]], D 485 |
|||
** [[Rondo in A major for Violin and Strings, D 438 (Schubert)|Rondo in A major for Violin and Strings, D 438]] |
|||
** [[Adagio and Rondo concertante in F major, D 487 (Schubert)|Adagio and Rondo concertante in F major, D 487]] |
|||
** [[String Quartet No. 11 (Schubert)|String Quartet No. 11]], D 353 |
|||
** [[String Trio, D 471 (Schubert)|String Trio, D 471]] |
|||
** [[Piano Sonata in E major, D 459 (Schubert)|Piano Sonata in E major, D 459]] |
|||
* Vocal music includes: |
|||
** [[Mass No. 4 (Schubert)|Mass No. 4]], D 452 |
|||
** [[Magnificat (Schubert)|Magnificat]], D 486 |
|||
** [[Stabat Mater in F minor (Schubert)|Stabat Mater in F minor]], D 383 |
|||
** ''[[Gesänge des Harfners aus "Wilhelm Meister"]]'', D 478 |
|||
** [[Sehnsucht, D 359 (Schubert)|"Sehnsucht", D 359]] |
|||
** "[[Der König in Thule]]", D 367 |
|||
** [[Mignon, D 469 (Schubert)|"Mignon", D 469]] |
|||
** [[Sehnsucht, D 481 (Schubert)|"Sehnsucht", D 481]] |
|||
** "[[Der Wanderer]]", D 489 |
|||
** [[Wiegenlied, D 498 (Schubert)|"Wiegenlied", D 498]] |
|||
===1817=== |
|||
{{see also|#511–598}} |
|||
Most of Schubert's compositions of 1817 are in the range [[#511–598|D 511–598]]: |
|||
* Instrumental works include: |
|||
** [[Symphony No. 6 (Schubert)|Symphony No. 6]], D 589 (composition started in October 1817) |
|||
** [[String Trio (Schubert)|String Trio]], D 581 |
|||
** [[Violin Sonata in A major, D 574 (Schubert)|Violin Sonata in A major, D 574]] |
|||
** [[Piano Sonata in A minor, D 537 (Schubert)|Piano Sonata in A minor, D 537]] |
|||
** [[Piano Sonata in A-flat major, D 557 (Schubert)|Piano Sonata in A-flat major, D 557]] |
|||
** [[Piano Sonata in E minor, D 566 (Schubert)|Piano Sonata in E minor, D 566]] |
|||
** [[Piano Sonata in D-flat major, D 568 (Schubert)|Piano Sonata in D-flat major, D 568]] |
|||
** [[Piano Sonata in E-flat major, D 568 (Schubert)|Piano Sonata in E-flat major, D 568]] |
|||
** [[Piano Sonata in F-sharp minor, D 571 (Schubert)|Piano Sonata in F-sharp minor, D 571]] |
|||
** [[Piano Sonata in B major, D 575 (Schubert)|Piano Sonata in B major, D 575]] |
|||
* Vocal music includes: |
|||
** "[[Der Tod und das Mädchen]]", D 531 |
|||
** "[[An die Musik]]", D 547 |
|||
** "[[Die Forelle]]", D 550 (not all versions of this Lied were composed in 1817) |
|||
===1818=== |
|||
{{see also|#599–632}} |
|||
Most of Schubert's compositions of 1818 are in the range [[#599–632|D 599–632]]: |
|||
* Instrumental works include: |
|||
** [[Symphony, D 615 (Schubert)|Symphony, D 615]] (sketch) |
|||
** [[Piano Sonata in C major, D 613 (Schubert)|Piano Sonata in C major, D 613]] |
|||
** [[Piano Sonata in F minor, D 625 (Schubert)|Piano Sonata in F minor, D 625]] |
|||
* Vocal music includes: |
|||
** Three Sonnets, D 628–630, with German texts after [[Petrarch]] |
|||
===1819=== |
|||
{{see also|#633–678}} |
|||
Most of Schubert's compositions of 1819 are in the range [[#633–678|D 633–678]]: |
|||
* Instrumental works include: |
|||
** ''[[Trout Quintet]]'', D 667 (year of composition however uncertain) |
|||
** [[Piano Sonata in C-sharp minor, D 655 (Schubert)|Piano Sonata in C-sharp minor, D 655]] |
|||
** [[Piano Sonata in A major, D 664 (Schubert)|Piano Sonata in A major, D 664]] (or 1825?) |
|||
* Vocal music includes: |
|||
** [[Mass No. 5 (Schubert)|Mass No. 5]], D 678 (first version started in 1819) |
|||
** ''[[Die Zwillingsbrüder]]'', D 647 |
|||
** "[[Prometheus (art song)|Prometheus]]", D 674 |
|||
===1820=== |
|||
{{see also|#679–708}} |
|||
Most of Schubert's compositions of 1820 are in the range [[#679–708|D 679–708]]: |
|||
* Instrumental works include: |
|||
** [[Quartettsatz, D 703 (Schubert)|Quartettsatz, D 703]] |
|||
* Vocal music includes: |
|||
** ''[[Lazarus (Schubert)|Lazarus]]'', D 689 |
|||
** ''[[Sakuntala (opera)|Sakuntala]]'', D 701 |
|||
===1821=== |
|||
{{see also|#708A–732}} |
|||
Most of Schubert's compositions of 1821 are in the range [[#708A–732|D 708A–732]]: |
|||
* Instrumental works include: |
|||
** [[Symphony No. 7 (Schubert)|Symphony No. 7]], D 728 |
|||
* Vocal music includes: |
|||
** ''[[Alfonso und Estrella]]'', D 732 (composition started in September 1821) |
|||
===1822=== |
|||
{{see also|#733–767}} |
|||
Most of Schubert's compositions of 1822 are in the range [[#733–767|D 733–767]]: |
|||
* Instrumental works include: |
|||
** [[Symphony No. 8 (Schubert)|Symphony No. 8]], D 759, a.k.a. ''Unfinished Symphony'' |
|||
** ''[[Wanderer Fantasy]]'', D 760 |
|||
** [[Three Marches Militaires (Schubert)|Three ''Marches militaires'']], D 733 |
|||
* Vocal music includes: |
|||
** "[[Willkommen und Abschied]]", D 767 |
|||
===1823=== |
|||
{{see also|#768–798}} |
|||
Most of Schubert's compositions of 1823 are in the range [[#768–798|D 768–798]]: |
|||
* Instrumental works include: |
|||
** [[Piano Sonata in E minor, D 769A (Schubert)|Piano Sonata in E minor, D 769A]] |
|||
** [[Piano Sonata in A minor, D 784 (Schubert)|Piano Sonata in A minor, D 784]] |
|||
** ''[[Six moments musicaux (Schubert)|Moments musicaux]]'', D 780 (composition dates however uncertain) |
|||
** ''[[Valses Sentimentales and Valses Nobles (Schubert)|Valses Sentimentales]]'', D 779 (not necessarily all composed in 1823) |
|||
* Vocal music includes: |
|||
** ''[[Die Verschworenen]]'', D 787 (completed in 1823) |
|||
** ''[[Fierrabras (opera)|Fierabras]]'', D 796 |
|||
** ''[[Rosamunde]]'', D 797 |
|||
** ''[[Die schöne Müllerin]]'', D 795 |
|||
** "[[Auf dem Wasser zu singen]]", D 774 |
|||
** "[[Du bist die Ruh]]", D 776 |
|||
** "[[Lachen und Weinen]]", D 777 |
|||
===1824=== |
|||
{{see also|#799–822}} |
|||
Most of Schubert's compositions of 1824 are in the range [[#799–822|D 799–822]]: |
|||
* Instrumental works include: |
|||
** [[Octet (Schubert)|Octet]], D 803 |
|||
** [[String Quartet No. 13 (Schubert)|String Quartet No. 13]], D 804 (''Rosamunde'') |
|||
** [[String Quartet No. 14 (Schubert)|String Quartet No. 14]], D 810 (''Death and the Maiden'') |
|||
** [[Arpeggione Sonata]], D 821 |
|||
** [[Sonata in C major for piano four-hands, D 812 (Schubert)|Sonata in C major for piano four-hands, D 812]] (''Grand Duo'') |
|||
* Vocal music includes: |
|||
** "Gebet", D 815 |
|||
===1825=== |
|||
{{see also|#823–862}} |
|||
Most of Schubert's compositions of 1825 are in the range [[#823–862|D 823–862]]: |
|||
* Instrumental works include: |
|||
** [[Piano Sonata in C major, D 840 (Schubert)|Piano Sonata in C major, D 840]] |
|||
** [[Piano Sonata in A minor, D 845 (Schubert)|Piano Sonata in A minor, D 845]] |
|||
** [[Piano Sonata in D major, D 850 (Schubert)|Piano Sonata in D major, D 850]] |
|||
* Vocal music includes: |
|||
** "[[Ave Maria (Schubert)|Ave Maria]]", D 839, and six other [[Seven songs from Walter Scott's Lady of the Lake|songs from Walter Scott's ''Lady of the Lake'', Op. 52]] |
|||
===1826=== |
|||
{{see also|#863–895}} |
|||
Most of Schubert's compositions of 1826 are in the range [[#863–895|D 863–895]]: |
|||
* Instrumental works include: |
|||
** [[String Quartet No. 15 (Schubert)|String Quartet No. 15]], D 887 |
|||
** [[Rondo in B minor for violin and piano, D 895 (Schubert)|Rondo in B minor for violin and piano, D 895]] |
|||
** [[Piano Sonata in G major, D 894 (Schubert)|Piano Sonata in G major, D 894]] |
|||
* Vocal music includes: |
|||
** ''[[Deutsche Messe (Schubert)|Deutsche Messe]]'', D 872 |
|||
** "[[Im Frühling]]", D 882 |
|||
** [[Ständchen, D 889 (Schubert)|"Ständchen", D 889]] |
|||
** "[[An Sylvia]]", D 891 |
|||
===1827=== |
|||
{{see also|#896–936}} |
|||
Most of Schubert's compositions of 1827 are in the range [[#896–936|D 896–936]]: |
|||
* Instrumental works include: |
|||
** [[Piano Trio No. 2 (Schubert)|Piano Trio No. 2]], D 929 |
|||
** [[Fantasy for violin and piano (Schubert)|Fantasy for violin and piano]], D 934 |
|||
** [[Impromptus (Schubert)|Impromptus]], D 899 and 935 |
|||
* Vocal music includes: |
|||
** ''[[Der Graf von Gleichen]]'', D 918 |
|||
** ''[[Winterreise]]'', D 911 |
|||
** [[Ständchen, D 920 (Schubert)|"Ständchen", D 920]] |
|||
===1828=== |
|||
{{see also|#936A–965B}} |
|||
Most of Schubert's compositions of 1828 are in the range [[#936A–965B|D 936A–965B]]: |
|||
* Instrumental works include: |
|||
** [[Symphony No. 9 (Schubert)|Symphony No. 9]], D 944 (completed in 1828) |
|||
** [[Symphony No. 10 (Schubert)|Symphony No. 10]], D 936A |
|||
** [[String Quintet (Schubert)|String Quintet]], D 956 |
|||
** [[Fantasia in F minor for piano four-hands, D 940 (Schubert)|Fantasia in F minor for piano four-hands, D 940]] |
|||
** [[Schubert's last sonatas|Three last piano sonatas]], D. 958–960 |
|||
* Vocal music includes: |
|||
** [[Mass No. 6 (Schubert)|Mass No. 6]], D 950 |
|||
** ''[[Schwanengesang]]'', D 957 |
|||
** "[[The Shepherd on the Rock]]", D 965 |
|||
===Composition date undetermined=== |
|||
{{see also|#966–992}} |
|||
Most of Schubert's compositions with an unknown or uncertain date of origin are in the range [[#966–992|D 966–992]]: |
|||
* Instrumental works include: |
|||
** ''[[Valses Sentimentales and Valses Nobles (Schubert)|Valses Nobles]]'', D 969 |
|||
* Vocal music includes: |
|||
** [[Sophie (opera)|Sketches for an opera known as ''Sophie'']], D 982 |
|||
==Not in the Deutsch catalogue== |
==Not in the Deutsch catalogue== |
||
Line 8,063: | Line 1,119: | ||
* Trio "?" ['?'] in D major for unspecified voices (date unknown, fragment without text) |
* Trio "?" ['?'] in D major for unspecified voices (date unknown, fragment without text) |
||
{{Schubert's compositions (references)}} |
|||
==References== |
|||
{{Reflist|20em}} |
|||
==Sources== |
|||
'''Multi-volume editions, websites and catalogues''' |
|||
* Alte Gesamt-Ausgabe (AGA) = [[Franz Schubert's Works]]: {{cite book |
|||
|last1 =Schubert |
|||
|first1 =Franz |
|||
|author-link1 =Franz Schubert |
|||
|others =Edited by [[Johannes Brahms]], [[Ignaz Brüll]], [[Anton Door]], [[Julius Epstein (pianist)|Julius Epstein]], [[Johann Nepomuk Fuchs (composer)|Johann Nepomuk Fuchs]], Josef Gänsbacher, [[Joseph Hellmesberger Sr.]] and [[Eusebius Mandyczewski]] |
|||
|title =[multiple volumes: 21 series + critical report] |
|||
|date =1884–1897 |
|||
|language =German |
|||
|series =[[Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe]] |
|||
|location =Leipzig |
|||
|publisher =[[Breitkopf & Härtel]] |
|||
|postscript =. Reprints of several volumes by [[Edwin F. Kalmus|Kalmus]] and [[Dover Publications]]; {{IMSLP |
|||
|work=Franz Schubert's Werke (Schubert, Franz)|cname=Franz Schubert's Werke (Series I–XIX and XXI) |
|||
|work2=Franz Peter Schubert - Complete Works Edition/Band XX|cname2=Series XX |
|||
|work3=Schubert's Werke - Revisionsbericht (Schubert, Franz)|cname3=Revisionsbericht}} |
|||
|ref ={{sfnref|AGA 1884–1897}} |
|||
}} |
|||
* Deutsch catalogue ({{D.}}) = ''[[Schubert Thematic Catalogue]]'': |
|||
** {{cite book |
|||
|last1 =Deutsch |
|||
|first1 =Otto Erich |
|||
|author-link1 =Otto Erich Deutsch |
|||
|collaboration =Donald R. Wakeling |
|||
|date =1951 |
|||
|title =[[Schubert: Thematic Catalogue of all his Works in Chronological Order]] |
|||
|location =London |
|||
|publisher =Dent |
|||
|edition =1st |
|||
|ref =harv |
|||
}} 1995 reprint, with errata correction: {{cite book |
|||
|last1 =Deutsch |
|||
|first1 =Otto Erich |
|||
|author-link1 =Otto Erich Deutsch |
|||
|collaboration =Donald R. Wakeling |
|||
|date =1995 |
|||
|title =The Schubert Thematic Catalogue |
|||
|location =Mineola, N.Y. |
|||
|publisher =Dover Publications |
|||
|edition =Dover |
|||
|url =https://books.google.com/books?id=SL3VXT875IQC |
|||
|isbn =0486286851 |
|||
|ref =harv |
|||
}} |
|||
** {{cite book |
|||
|last1 =Deutsch |
|||
|first1 =Otto Erich |
|||
|author-link1 =Otto Erich Deutsch |
|||
|collaboration =[[Walther Dürr]], {{ill|Arnold Feil|de}}, {{ill|Christa Landon|de}} and Werner Aderhold |
|||
|date =1978 |
|||
|title =Franz Schubert: Thematisches Verzeichnis seiner Werke in chronologischer Folge |
|||
|url =https://archive.org/details/FranzSchubert.ThematischesVerzeichnisSeinerWerkeInChronologischerFolge |
|||
|series =[[New Schubert Edition]] |
|||
|language =German |
|||
|volume =[https://www.baerenreiter.com/en/catalogue/complete-editions/schubert-franz/series-viii/#c1863 Series VIII (Supplement)], [https://www.baerenreiter.com/en/shop/product/details/BVK571/ Vol. 4] |
|||
|location =Kassel |
|||
|publisher =[[Bärenreiter]] |
|||
|isbn =9783761805718 |
|||
|ismn =9790006305148 |
|||
|ref =harv |
|||
}} |
|||
* [[Hoboken catalogue]] (Hob.): {{cite web |
|||
|url =http://www.klassika.info/Komponisten/Haydn/wv_wvz1.html |
|||
|title =Joseph Haydn (1732-1809): Werke sortiert nach Hob (Hoboken-Verzeichnis, 1957-78) |
|||
|publisher =Klassika |
|||
|location =Kaiserslautern |
|||
|language =German |
|||
|access-date =3 September 2017 |
|||
|ref ={{sfnref|Hob.}} |
|||
}} |
|||
* [[Köchel catalogue]] (K.): {{cite web |
|||
|url =http://www.klassika.info/Komponisten/Mozart/wv_wvz4.html |
|||
|title =Wolfgang Amadeus Mozart (1756-1791): Werke sortiert nach KV<sup>6</sup> (Köchel-Verzeichnis, 6. Auflage, 1964) |
|||
|publisher =Klassika |
|||
|location =Kaiserslautern |
|||
|language =German |
|||
|access-date =3 September 2017 |
|||
|ref ={{sfnref|K.}} |
|||
}} |
|||
* Neue Schubert-Ausgabe (NSA) = [[New Schubert Edition]]: |
|||
** NSA scores: {{cite book |
|||
|last1 =Schubert |
|||
|first1 =Franz |
|||
|author-link1 =Franz Schubert |
|||
|others =Edited by International Schubert Association (Tübingen) |
|||
|title =[over 80 volumes in eight series] |
|||
|date =1968–2017 |
|||
|language =German |
|||
|series =[https://www.baerenreiter.com/en/catalogue/complete-editions/schubert-franz/ Franz Schubert (1797–1828): New Edition of the Complete Works] |
|||
|location =Kassel |
|||
|publisher =[[Bärenreiter]] |
|||
|postscript =; Individual volumes: |
|||
|ref ={{sfnref|NSA scores}} |
|||
}} |
|||
*** {{nowrap|NSA II, 15}}: {{cite book |
|||
|last1 =Schubert |
|||
|first1 =Franz |
|||
|author-link1 =Franz Schubert |
|||
|last2 =Neumann |
|||
|first2 =Johann Philipp |
|||
|author-link2 =Johann Philipp Neumann |
|||
|editor1-last =Jahrmärker |
|||
|editor1-first =Manuela |
|||
|editor2-last =Aigner |
|||
|editor2-first =Thomas |
|||
|title =Sacontala |
|||
|url =https://www.baerenreiter.com/en/shop/product/details/BA5561/ |
|||
|date =2008 |
|||
|series =[[New Schubert Edition]] |
|||
|language =German |
|||
|volume =[https://www.baerenreiter.com/en/catalogue/complete-editions/schubert-franz/series-ii/ Series II (Stage Works)], Vol. 15 |
|||
|location =Kassel |
|||
|publisher =[[Bärenreiter]] |
|||
|ismn =9790006497294 |
|||
|ref ={{sfnref|NSA II, 15}} |
|||
}} |
|||
*** {{nowrap|NSA VIII, 4}}: See above {{harvtxt|Deutsch|1978}} |
|||
** NSA website: {{cite web |
|||
|url =http://schubert-ausgabe.de/en/ |
|||
|title =New Schubert Edition |
|||
|publisher =International Schubert Association |
|||
|location =Tübingen |
|||
|access-date =2 September 2017 |
|||
|ref ={{sfnref|NSA website}} |
|||
}} |
|||
* Schubert Online: {{cite web |
|||
|url =http://www.schubert-online.at/activpage/index.php?lang=E |
|||
|title =www.schubert-online.at: Schubert music manuscripts, first and early editions online |
|||
|publisher =[[Austrian Academy of Sciences]] (ÖAW) |
|||
|location =Vienna |
|||
|access-date =1 September 2017 |
|||
|ref ={{sfnref|Schubert-online}} |
|||
}} |
|||
* [[The LiederNet Archive]]: {{cite web |
|||
|url =http://www.lieder.net/lieder/get_settings.html?ComposerId=2520 |
|||
|title =Composer: Franz Peter Schubert (1797 - 1828) |
|||
|last =Ezust |
|||
|first =Emily |
|||
|collaboration =[http://www.lieder.net/lieder/contrib.html contributors] |
|||
|publisher =LiederNet Corporation |
|||
|location =Ontario |
|||
|access-date =1 September 2017 |
|||
|ref ={{sfnref|LiederNet Archive}} |
|||
}} |
|||
'''Other''' |
|||
* {{cite book |
|||
|editor1-last =Badura-Skoda |
|||
|editor1-first =Eva |
|||
|editor1-link =Eva Badura-Skoda |
|||
|editor2-last =Branscombe |
|||
|editor2-first =Peter |
|||
|editor2-link =Peter Branscombe |
|||
|date =2008 |
|||
|title =Schubert Studies: Problems of Style and Chronology |
|||
|url =https://books.google.com/books?id=zjH5IEXwIeUC |
|||
|others =Contributions by [[Walther Dürr]] ("Schubert's Songs and Their Poetry", pp. 1–24), Rufus Hallmark ("Schubert's 'Auf dem Strom'", pp. 25–46), Elaine Brody ("Schubert and Sulzer Revisited", pp. 47–60), Marius Flothuis ("Schubert Revises Schubert", pp. 61–84), [[Elizabeth Norman McKay]] ("Schubert as Composer of Operas", pp. 85–104), Peter Branscombe ("Schubert and the Melodrama", pp. 105–142), [[Christoph Wolff]] ("Schubert's 'Der Tod und dad Mädchen'", pp. 143–172), [[Peter Gülke]] (on String Quintet {{D.|number=956}}, pp. 173–186), [[Paul Badura-Skoda]] (on [[Symphony No. 9 (Schubert)|Schubert's 'Great' C major Symphony]], pp. 187–208), [[Robert Winter (musicologist)|Robert Winter]] ("Paper Studies and the Future of Schubert Research", pp. 209–276), Eva Badura-Skoda ("The Chronology of Schubert's Piano Trios", pp. 277–296), {{ill|Reinhard Van Hoorickx|de}} ("The Chronology of Schubert's Fragments and Sketches", pp. 297–326), {{ill|Arnold Feil|de}} ("Rhythm in Schubert", pp. 327–346) and {{ill|Alexander Weinmann|de}} (on Leopold Puschl and Schubert's sojourn in [[Zseliz]], pp. 347–356) |
|||
|publisher =[[Cambridge University Press]] |
|||
|isbn =0521088720 |
|||
|ref =harv |
|||
}} |
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* {{cite book |
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|last1 =Elsholz |
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|first1 =Gunter |
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|editor1-last =Vogel |
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|editor1-first =Reimut |
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|date =1982 |
|||
|title =Franz Schubert: Sinfonie in E-Dur 1825 |
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|url =http://catalogue.nla.gov.au/Record/116605 |
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|publisher =Goldoni |
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|location =Stuttgart |
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|isbn =3922044050 |
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|oclc =987719669 |
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}} |
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* {{cite book |
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|editor1-last =Hilmar |
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|editor1-first =Ernst |
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|editor1-link =Ernst Hilmar |
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|editor2-last =Jestremski |
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|editor2-first =Margret |
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|date =2004 |
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|others =Introduction by [[Alfred Brendel]] |
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|title =Schubert-Enzyklopädie |
|||
|url =https://commons.wikimedia.org/wiki/File:Schubert-Enzyklop%C3%A4die.jpg |
|||
|language =German |
|||
|volume =1 |
|||
|publisher ={{ill|Hans Schneider (antiquarian)|de|Hans Schneider (Antiquar)|lt=Hans Schneider}} |
|||
|location =Tutzing |
|||
|isbn =3795211557 |
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|ref =harv |
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}} |
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* {{cite book |
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|editor1-last =Keefe |
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|editor1-first =Simon P. |
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|date =2006 |
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|title =Mozart Studies |
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|url =https://books.google.com/books?id=7AiUpfaK3QUC |
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|publisher =[[Cambridge University Press]] |
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|isbn =0521851025 |
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|ref =harv |
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}} |
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* {{cite book |
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|last1 =Kube |
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|first1 =Michael |
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|date =2009 |
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|title =Was ist Textkritik?: Zur Geschichte und Relevanz eines Zentralbegriffs der Editionswissenschaft |
|||
|url =https://books.google.com/books?id=G78Fu6PnXl8C |
|||
|language =German |
|||
|chapter =Franz Schuberts ''Deutsche Trauermesse'' (D 621) als Problem der Text- und Stilkritik |
|||
|chapterurl =https://books.google.com/books?id=G78Fu6PnXl8C&pg=PA129 |
|||
|pages =129–140 |
|||
|editor1-last =Mitterauer |
|||
|editor1-first =Gertraud |
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|editor2-last =Müller |
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|editor2-first =Ulrich |
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|editor3-last =Springeth |
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|editor3-first =Margarete |
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|editor4-last =Vitzthum |
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|editor4-first =Verena |
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|publisher =Walter de Gruyter |
|||
|isbn =3484970782 |
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|ref =harv |
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}} |
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* {{cite book |
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|last1 =Mozart |
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|first1 =Wolfgang Amadeus |
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|author-link1 =Wolfgang Amadeus Mozart |
|||
|last2 =Haydn |
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|first2 =Joseph |
|||
|author-link2 =Joseph Haydn |
|||
|last3 =Haydn |
|||
|first3 =Michael |
|||
|author-link3 =Michael Haydn |
|||
|editor1-last =Kircher |
|||
|editor1-first =Armin |
|||
|editor1-link =Armin Kircher |
|||
|date =2008 |
|||
|title =Chorbuch Mozart • Haydn VII: Kanonsammlung |
|||
|trans-title =Choral Collection Mozart • Haydn, Vol. VII: Canon Collection |
|||
|language =German, Latin, English, Italian |
|||
|url =https://www.carus-verlag.com/en/choir/secular-choral-music/choral-collection-mozart-haydn-vol-vii-collection-of-canons.html |
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|publisher =[[Carus-Verlag]] |
|||
|location =Stuttgart |
|||
|oclc =274222567 |
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|ref =harv |
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}} |
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* {{cite book |
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|last1 =Newbould |
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|first1 =Brian |
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|author-link1 =Brian Newbould |
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|date =1999 |
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|title =Schubert: The Music and the Man |
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|url =https://books.google.com/books?id=-Faikq3F8VYC |
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|publisher =[[University of California Press]] |
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|isbn =0520219570 |
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|ref =harv |
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}} |
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* {{cite book |
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|last1 =Reed |
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|first1 =John |
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|date =1997 |
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|title =The Schubert Song Companion |
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|url =https://books.google.com/books?id=5MSxqOisofgC |
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|publisher =[[Manchester University Press]] |
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|isbn =1901341003 |
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|ref =harv |
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}} |
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* {{cite journal |
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|last1 =Van Hoorickx |
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|first1 =Reinhard |
|||
|author-link1 =Reinhard Van Hoorickx |
|||
|date =1971 |
|||
|title =Franz Schubert (1797–1828) List of the Dances in Chronological Order |
|||
|journal =Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap |
|||
|issn =0771-6788 |
|||
|publisher =Belgian Musicological Society |
|||
|volume =25 |
|||
|issue =1 |
|||
|pages =68–97 |
|||
|doi =10.2307/3686180 |
|||
|ref =harv |
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|jstor =3686180 |
|||
}} |
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* {{cite journal |
|||
|last1 =Van Hoorickx |
|||
|first1 =Reinhard |
|||
|author-link1 =Reinhard Van Hoorickx |
|||
|date =1974–1976 |
|||
|title =Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes |
|||
|journal =Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap |
|||
|issn =0771-6788 |
|||
|publisher =Belgian Musicological Society |
|||
|volume ='''28'''–'''30''' |
|||
|issue = |
|||
|pages =136–171 |
|||
|doi =10.2307/3686053 |
|||
|ref ={{sfnref|Van Hoorickx 1974–1976}} |
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|jstor =3686053 |
|||
}} |
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==External links== |
==External links== |
Revision as of 10:21, 12 December 2019
![](http://upload.wikimedia.org/wikipedia/commons/thumb/9/99/Erlkonig1sted.jpg/300px-Erlkonig1sted.jpg)
Lists of |
Compositions by Franz Schubert |
---|
By genre |
Publications |
Franz Schubert (31 January 1797 – 19 November 1828), a late Classical – early Romantic Viennese composer, left a very extended body of work notwithstanding his short life. He wrote some 1500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes a dozen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos.[1][2][3][4][5][6]
Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order.[7] A revised edition appeared in German in 1978.[8] Later editions of the catalogue contained minor updates.[9]
Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). In the meanwhile also publications without opus number had started, for instance, from shortly after the composer's death, many songs in Diabelli's fifty "Nachlaß-Lieferung" (instalment from the heritage) editions.[7]
There are two attempts to publish everything Schubert has composed in a single edition:
- From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the "Alte Gesamt-Ausgabe" (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website.[10]
- The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). It proposes around eighty-three volumes, in eight series. Publication of all volumes has been scheduled to conclude in 2016. Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany.[11][9]
Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work.[12] Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.[13]
Works listed in the Deutsch catalogue
The 1951 first edition of the Deutsch catalogue attempted to list all dated works by Schubert in chronological order, assigning them a number from 1 to 965. Undated works were ordered in the range 966–992. Nos. 993–998 referred to manuscripts that had resurfaced shortly before the catalogue was printed.[7]
Later versions of the catalogue adhered to the general principles that Deutsch numbers below 966 referred, in a chronological order, to compositions by Schubert with an established time of composition, and that the range 966–992 was reserved for his compositions with an uncertain date of composition. Thus "Die Taubenpost", the last Lied Schubert composed, was reassigned from D 957 No. 14 to D 965A, and D 993, an early piano composition, to D 2E.[8]
- Spurious and doubtful works (Anh. I)
- Annex I of the first edition of the catalogue contains only a single composition under the header Spurious and doubtful works, but however also points to some compositions with authentication issues elsewhere in the catalogue.[7] The 1978 edition of the catalogue lists 32 spurious and doubtful works in its first Anhang (annex), including some that were for that reason removed from the main catalogue.[8]
- Arrangements by Schubert (Anh. II)
- The 1978 version of the catalogue lists 4 arrangements by Schubert in its second Anhang[8]
- Works of others composers copied by Schubert (Anh. III)
- Annex II in the first edition of the catalogue contains compositions by other composers copied by Schubert.[7] In the 1978 edition the list was expanded and became Anhang III.[8]
- "Setting" vs. "version" distinction
- the New Schubert Edition distinguishes between Bearbeitung (setting) and Fassung (version), the first meaning an independent composition, the second stages of the same composition (modifications of essentially the same composition). Usually different settings have different D numbers, while versions are grouped under the same D number, unless when set for a different (group of) performer(s). The first edition of the Deutsch catalogue was less strict on that point, leading to Deutsch number reassignments in later publications. Example: D 174 is described as two settings of the same text in the original catalogue, the second having become "D deest" by the time it was published in Series IV, Volume 8 of the New Schubert Edition (while the music has no resemblance to the earlier setting). On the other hand, despite a difference in key and number of movements, the original D 567 and D 568 were ultimately published under the same D number as two versions of the same sonata.[7][8][11][9]
column | content | |
---|---|---|
1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951)[7] |
2 | D utd | most recent (utd = up to date) Deutsch catalogue number;[9] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
3 | Op. pbl |
Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[10]
|
5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[11]
|
6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
7 | Key / incipit | incipit mostly for songs[14] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[13] other compositions by key, except for Schubert's stage works: type of composition in brackets. |
8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
9 | Additional info | may include:
|
D '51 |
D utd |
Op. pbl |
AGA | NSA | Name | Key / incipit | Date | Additional info |
---|---|---|---|---|---|---|---|---|
1–1C |
|
1810 | Up ↑ | |||||
1 | 1 | (1888) | IX, 3 No. 30 |
VII/1, 1 No. 1 & Anh. No. 1 | Fantasy, D 1 | G major | 8/4/1810– 1/5/1810 |
For piano duet; Two versions of Finale |
1A | (1969) | IV, 6 Anh. No. 1 |
Song, D 1A | C minor | before 1810? |
For b and piano; Sketch; Music partly reused in D 39 | ||
1B | VII/1, 1 Anh. No. 2 | Fantasy, D 1B | G major | 1810–1811 | For piano duet; Fragment; Music related to D 1 and 7 | |||
1C | VII/1, 1 Anh. No. 3 | Sonata, D 1C | F major | 1810–1811 | For piano duet; Largo (fragment) | |||
2–12 |
|
1811 | Up ↑ | |||||
996 | 2A | V, 6 No. 1 | Overture, D 2A | D major | 1811? | For orchestra | ||
997 | 2B | V, 6 No. 2 | Symphony, D 2B | D major | 1811? | Adagio, Allegro con moto (fragment) | ||
998 | 2C | (1978) | VI, 3 Anh. No. 1 |
String Quartet, D 2C | D minor or F major | 1811? | Fragment | |
995 | 2D | (1956) (1970) |
VI, 9 | Six Minuets, D 2D | Various keys | 1811 | For winds; Nos. 1–2: piano version publ. in 1956; Nos. 4-6: sketches | |
993 | 2E | VII/2, 4 | Fantasy, D 2E | C minor | 1811 | For piano | ||
2F | VI, 9 | Trio, D 2F | 1811 | For winds?; Sketch; Belongs to a lost Minuet | ||||
2G | V, 6 No. 3 | Overture, D 2G | D major | 1810–1811? | For orchestra; Fragment | |||
3 | 3 | (1978) | VI, 3 Anh. No. 2 |
String Quartet, D 3 | C major | 1812? | Andante (fragment); Partly reused in D 29 and in an early sketch of D 36 | |
4 | 4 | (1886) | II No. 1 |
V, 5 | Overture to the play Der Teufel als Hydraulicus | (Overture to a comedy with singing) D major |
1812? | For orchestra; Play by Albrecht (plot similar to Weidmann 's Der Bettelstudent) |
5 | 5 | (1894) | XX, 1 No. 1 |
IV, 6 No. 1 |
Hagars Klage | Hier am Hügel heißen Sandes | 30/03/1811 | Text by Schücking ; Music partly reused in D 8 and 9 |
6 | 6 | (1894) | XX, 1 No. 2 |
IV, 3 | Des Mädchens Klage, D 6 | Der Eichwald brauset | 1811–1812 | Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 191 and 389) |
7 | 7 | (1894) | XX, 1 No. 3 |
IV, 6 No. 2 |
Leichenfantasie | Mit erstorbnem Scheinen | 1811? | Text by Schiller; reuses music of D 1B |
8 | 8 | (1970) | VI, 2 No. 1 | Overture, D 8 | C minor | 29/6/1811 | For string quintet (two violins, two violas and cello); Music reappears in D 8A | |
8A | (1970) | VI, 3 No. 3 | Overture, D 8A | C minor | After 12/7/1811 |
For string quartet; Based on D 8 | ||
9 | 9 | (1888) | IX, 3 No. 31 |
VII/1, 1 No. 2 |
Fantasy, D 9 | G minor | 20/9/1811 | For piano duet |
10 | 10 | (1894) | XX, 1 No. 4 |
IV, 6 No. 3 |
Der Vatermörder | Ein Vater starb von des Sohnes Hand | 26/12/1811 | Text by Pfeffel |
11 966 |
11 | (1893) (1897) |
XV, 7 No. 12 XXI, 1 No.1 |
II, 11 | Der Spiegelritter | (Singspiel in three acts) | December 1811? |
Text by Kotzebue; For ssssstttbbbbSATB and orchestra; Overture (publ. in 1897) – Nos. 1–8 (Act I, Nos. 2–3 and 8 are fragments, No. 3 not in AGA, part of No. 3 was D 966) |
12 | 12 | (1897) | XXI, 1 No. 2 |
V, 5 | Overture, D 12 | D major | 1811–1812 | For orchestra; Music partly reused in D 94 |
13–37 |
|
1812 | Up ↑ | |||||
13 | 13 | VII/2, 4 | Fugue, D 13 | D minor | c. 1812 | For piano?; By Schubert? | ||
14 | 14 | Overture, D 14 | c. 1812 | Piano sketch; Lost | ||||
15 | 15 | (1895) | XX, 10 No. 590/1 |
IV, 7 Anh. No. 5 |
Der Geistertanz, D 15 | Die bretterne Kammer der Toten erbebt | c. 1812 | Text by Matthisson (other settings: D 15A, 116 and 494); Fragment |
15 | 15A | (1895) | XX, 10 No. 590/2 |
IV, 7 Anh. No. 6 |
Der Geistertanz, D 15A | Die bretterne Kammer der Toten erbebt | c. 1812 | Text by Matthisson (other settings: D 15, 116 and 494); Fragment |
16 | 16 | (1940) | VIII, 2 No. 11 |
Counterpoint exercises, D 16 | G minor (Nos. 1–4); A minor (Nos. 5–7) | 1823? | Seven exercises in double counterpoint | |
17 | 17 | (1940) | VIII, 2 No. 37 |
Composition exercises, D 17 | Quell' innocente figlio | 1812? | Text by Metastasio, from Isacco I, "Aria dell' Angelo"; Nine settings with corrections by Salieri; No. 1, for s, related to D 30; No. 2 for ss; Nos. 3 and 5–6 for sat; Nos. 4 and 7–8 for satb (No. 7 not in 1940 publ.) | |
18 | 18 | (1890) | V No. 1 | VI, 3 No. 1 | String Quartet No. 1 | G minor / B major | 1810–1811 | Andante, Presto vivace – Minuet – Andante – Presto |
19 | 19 | String Quartet, D 19 | 1810–1811 | Lost | ||||
19A | 19A | String Quartet, D 19A | 1810–1811 | Lost | ||||
19B | Waltzes and a March, D 19B | 1812–1813? | For piano; Lost | |||||
20 | 20 | Overture, D 20 | B♭ major | 1812 | For string quartet; Lost | |||
21 | 21 | Six Variations, D 21 | E♭ major | 1812 | For piano; Lost | |||
22 | 22 | Twelve Minuets with Trios, D 22 | 1812 | For piano; Lost | ||||
23 | 23 | 131p,3 (1830) |
XX, 1 No. 6 |
IV, 6 No. 4 |
Klaglied | Meine Ruh ist dahin, meine Freud ist entflohn | 1812 | Text by Rochlitz |
24 | 24 | Seven Variations, D 24 | F major | 1812? | For piano; Fragment; Lost | |||
24A | VII/2, 4 | Fugue, D 24A | C major | summer 1812? |
For keyboard (organ or piano); Partly reused in D 24E | |||
24B | VII/2, 4 | Fugue, D 24B | G major | summer 1812? |
For keyboard (organ or piano); Two versions | |||
24C | VII/2, 4 | Fugue, D 24C | D minor | summer 1812? |
For keyboard (organ or piano) | |||
24D | VII/2, 4 Anh. | Fugue, D 24D | C major | summer 1812? |
For piano; Fragment; Partly reused in D 46 | |||
24E | I, 5 Anh. | Mass, D 24E | F major? Gloria – Credo |
summer 1812? |
Text: Mass ordinary (other settings: D 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Fragment of a Gloria and a Credo; Partly based on D 24A | |||
25 | 25 | VIII, 2 | Counterpoint exercises, D 25 | started 18/6/1812 |
Four 2-part and three 3-part counterpoint exercises; Four 2-part imitation exercises | |||
25A | VIII, 2 | Counterpoint exercises, D 25A | summer 1812? |
Two 4-part counterpoint exercises | ||||
25B | VIII, 2 | Counterpoint exercises, D 25B | summer 1812? |
Fifteen 3-part counterpoint exercises | ||||
25C | VIII, 2 | Fugue, D 25C | F major | summer 1812? |
Counterpoint exercise for two voices; Fragment | |||
26 | 26 | (1886) | II No. 2 | V, 5 | Overture, D 26 | D major | 26/6/1812 | For orchestra |
27 | 27 | (1928) | I, 8 | Salve Regina, D 27 | F major Salve Regina |
28/06/1812 | Text: Salve Regina (other settings: D 106, 223, 386, 676 and 811); For s and orchestra | |
28 | 28 | (1923) | VI, 7 No. 1 | Piano Trio, D 28, a.k.a. Sonata | B♭ major | 27/7/1812– 28/8/1812 |
Allegro | |
29 | 29 | (1888) | XI No. 9 | VII/2, 4 | Andante, D 29 | C major | 9/9/1812 | For piano; Related to D 3 and 36 |
30 | 30 | (1894) | XX, 1 No. 5 |
IV, 4 | Der Jüngling am Bache, D 30 | An der Quelle saß der Knabe | 24/9/1812 | Text by Schiller (other settings: D 192 and 638) |
31 | 31 | (1888) | XIV No. 14 | I, 5 | Kyrie, D 31 | D minor Kyrie |
25/9/1812 | Text: Mass ordinary (other settings: D 24E, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For stSATB and orchestra; First part of a Mass |
32 | 32 | (1890) (1897) (1954) |
V No. 2 XXII v5 |
VI, 3 No. 4 | String Quartet No. 2 | C major | Sep.–Oct. 1812 |
Presto (publ. in 1890) – Andante – Minuet (publ. in 1890, music partly reappears in D 128 No. 12) – Allegro con spirito (publ. partly in 1897) |
33 | 33 | (1940) | VIII, 2 No. 38 |
Composition exercises, D 33 | Entra l'uomo allor che nasce | Sep.–Oct. 1812 |
Text by Metastasio, from Isacco II, "Aria di Abramo"; Six settings (No. 1 for s, Nos. 2 for sa, No. 3 for sat, Nos. 4–6 for satb) and an Allegretto (b?), with corrections by Salieri | |
34 | 34 | (1940) | VIII, 2 No. 39 |
Composition exercises, D 34 | Te solo adoro | 5/11/1812 | Text by Metastasio, from Betulia liberata II, "Aria di Achior"; For satb; Two versions of start; With corrections by Salieri | |
35 | 35 | (1940) | VIII, 2 No. 40 |
Composition exercises, D 35 | Serbate, o Dei custodi | Oct.–Dec. 1812 |
Text by Metastasio, from La clemenza di Tito I, 5; Three settings (No. 1 for satb, No. 2 for SATB, No. 3 for t and accompaniment); With corrections by Salieri | |
36 | 36 | (1890) | V No. 3 | VI, 3 No. 5 | String Quartet No. 3 | B♭ major | 19/11/1812– 21/2/1813 |
Allegro – Andante – Minuet – Allegretto |
37 | 37 | 74 (1827) |
XIX No. 1 |
III, 3 No. 1 | Die Advokaten | Mein Herr, ich komm' mich anzufragen | 25/12/1812– 27/12/1812 |
Text by Rustenfeld ; For ttb and piano |
37A–91 |
|
1813 | Up ↑ | |||||
967 | 37A | VII/2, 4 Anh. VIII, 2 No. 13 |
Fugue sketches, D 37A | 1813? | For piano | |||
38 | 38 | (1892) | XIX No. 20 |
III, 4 No. 1 | Totengräberlied, D 38 | Grabe, Spaden, grabe! | 1813? | Text by Hölty (other setting: D 44); For ttb |
39 | 39 | (1969) | IV, 6 Anh No. 2 |
Lebenstraum | Ich saß an einer Tempelhalle | early 1810? | Text by Baumberg; Sketch; Music related to D 1A | |
39A | VI, 9 | Three Minuets with Trios, D 39A | 1813 | For orchestra; Lost | ||||
41 | 41 | (1889) | XII No. 30 |
VII/2, 6 | Thirty Minuets with Trios, D 41 | Various keys | 1813 | For piano; Nos. 1–8, 11–18 and 20–23 are extant |
41A | VII/2, 4 Anh. | Fugue, D 41A | E minor | 1813 | For piano; Fragment | |||
42 | 42 | (1895) (1969) |
XX, 10 No. 570 |
IV, 6 No. 5 Anh. No. 3 | Aria di Timante | Misero pargoletto | 1813? | Text by Metastasio, from Demofoonte III, 5; For s and piano; Two settings: 1st, not in AGA, consisting of two variant fragments |
43 | 43 | (1897) | XXI, 4 No. 43 |
III, 4 No. 2 VIII, 2 No. 34 |
Sprüche des Confucius, D 43 | Dreifach ist der Schritt der Zeit | 8/7/1813 | Text by Schiller (other settings: D 69 and 70); For ttb |
44 | 44 | (1894) | XX, 1 No. 7 |
IV, 6 No. 6 |
Totengräberlied, D 44 | Grabe, Spaden, grabe! | 19/1/1813 | Text by Hölty (other setting: D 38) |
45 | 45 | (1888) | XIV No. 21 | I, 5 | Kyrie, D 45 | B♭ major Kyrie |
1/3/1813 | Text: Mass ordinary (other settings: D 24E, 31, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB |
46 | 46 | (1890) | V No. 4 | VI, 3 No. 6 | String Quartet No. 4 | C major | 3/3/1813– 7/3/1813 |
Adagio – Andante con moto – Minuet – Finale |
47 | 47 | (1974) | III, 2b Anh. No. 1 |
Dithyrambe, D 47 | Nimmer, das glaubt mir, erscheinen die Götter | 29/3/1813 | Text by Schiller (other setting: D 801); For tbSATB and piano; Fragment | |
48 | 48 | (1871) (1888) |
IX, 3 No. 32 |
VII/1, 1 No. 3 |
Fantasy, D 48, a.k.a. Grand Sonata | C minor | April 1813– 10/6/1813 |
For piano duet; AGA includes concluding fugue |
49 | 49 | (1888) | XIV No. 15 | I, 5 | Kyrie, D 49 | D minor Kyrie |
early April 1813– 15/4/1813 |
Text: Mass ordinary (other settings: D 24E, 31, 45, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For satbSATB and orchestra; First part of a Mass |
50 | 50 | (1894) | XX, 1 No. 8 |
IV, 6 No. 7 |
Die Schatten | Freunde, deren Grüfte sich schon bemoosten! | 12/4/1813 | Text by Matthisson |
51 | 51 | (1897) | XXI, 4 No. 37 |
III, 4 No. 3 | Unendliche Freude, D 51 | Unendliche Freude durchwallet das Herz | 15/4/1813 | Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 53, 54, 57, 58, 60 and 584); For ttb |
52 | 52 | (1868) | XX, 1 No. 9 |
IV, 2b No. 8 | Sehnsucht, D 52 | Ach, aus dieses Tales Gründen | 15/4/1813– 17/4/1813 |
Text by Schiller (other setting: D 636); For b and piano |
53 | 53 | (1892) | XIX No. 9 |
III, 4 No. 4 | Vorüber die stöhnende Klage | Vorüber die stöhnende Klage! | 18/4/1813 | Text by Schiller, stanza 1 from "Elysium" (other stanzas and settings: D 51, 54, 57, 58, 60 and 584); For ttb |
54 | 54 | (1873) | XIX No. 22 |
III, 4 No. 5 VIII, 2 No. 17 |
Unendliche Freude, D 54 | Unendliche Freude durchwallet das Herz | 19/4/1813 | Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 51, 53, 57, 58, 60 and 584); Canon for three male voices |
55 | 55 | (1892) | XIX No. 12 |
III, 4 No. 6 | Selig durch die Liebe | Selig durch die Liebe Götter | 21/4/1813 | Text by Schiller, from "Der Triumph der Liebe": stanza 1; Other: D 61, 62, 63, 64, 983A; For ttb |
56 | 56 | (1892) | XIX No. 29 |
I, 5 VIII, 2 No. 18 |
Sanctus, D 56 | B♭ major Sanctus |
21/4/1813 | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 66, 105, 167, 324, 452, 678, 755 and 950); Canon for three voices; Two versions |
57 | 57 | (1897) | XXI, 4 No. 38 |
III, 4 No. 7 | Hier strecket der wallende Pilger | Hier strecket der wallende Pilger | 29/4/1813 | Text by Schiller, stanza 4 from "Elysium" (other stanzas and settings: D 51, 53, 54, 58, 60 and 584); For ttb |
58 | 58 | (1892) | XIX No. 10 |
III, 4 No. 8 | Dessen Fahne Donnerstürme wallte | Dessen Fahne Donnerstürme wallte | May 1813 | Text by Schiller, stanza 5 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 60 and 584); For ttb |
59 | 59 | (1832) | XX, 1 No. 10 |
IV, 6 No. 8 |
Verklärung | Lebensfunke, vom Himmel entglüht | 4/5/1813 | Text by Herder after Pope's "The dying Christian to his soul" |
60 | 60 | (1892) | XIX No. 11 |
III, 4 No. 16 | Hier umarmen sich getreue Gatten | Hier umarmen sich getreue Gatten | 3/10/1813 | Text by Schiller, stanza 6 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 58 and 584); For ttb |
61 | 61 | (1897) | XXI, 4 No. 39 |
III, 4 No. 9 VIII, 2 No. 19 |
Ein jugendlicher Maienschwung | Ein jugendlicher Maienschwung | 8/5/1813 | Text by Schiller, from "Der Triumph der Liebe": stanza 9; Other: D 55, 62, 63, 64, 983A; Canon for three voices |
62 | 62 | (1897) | XXI, 4 No. 40 |
III, 4 No. 10 VIII, 2 No. 35 |
Thronend auf erhabnem Sitz | Thronend auf erhabnem Sitz | 9/5/1813 | Text by Schiller, from "Der Triumph der Liebe": stanza 15; Other: D 55, 61, 63, 64, 983A |
63 | 63 | (1892) | XIX No. 13 |
III, 4 No. 11 | Wer die steile Sternenbahn | Wer die steile Sternenbahn | 10/5/1813 | Text by Schiller, from "Der Triumph der Liebe": stanza 26; Other: D 55, 61, 62, 64, 983A; For ttb |
64 | 64 | (1897) | XXI, 4 No. 41 |
III, 4 No. 12 VIII, 2 No. 36 |
Majestät'sche Sonnenroße | Majestät'sche Sonnenroße | 10/5/1813 | Text by Schiller, from "Der Triumph der Liebe": stanza 16; Other: D 55, 61, 62, 63, 983A; For ttb |
65 | 65 | (1892) | XIX Anh. I, No. 35 |
III, 4 Anh. II No. 1 VIII, 2 No. 20 |
Schmerz verzerret ihr Gesicht | Schmerz verzerret ihr Gesicht | 11/5/1813 | Text by Schiller, from "Gruppe aus dem Tartarus": stanza 2 (other settings: D 396 and 583); For ttb; Sketch |
66 | 66 | (1888) | XIV No. 16 | I, 5 | Kyrie, D 66 | F major Kyrie |
12/5/1813 | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra |
67 | 67 | (1897) | XXI, 4 No. 42 |
III, 4 No. 13 | Frisch atmet des Morgens lebendiger Hauch | Frisch atmet des Morgens lebendiger Hauch | 15/5/1813 | Text by Schiller (other setting: D 402); For ttb |
68 | 68 | (1890) | V No. 5 | VI, 3 No. 7 | String Quartet No. 5 | B♭ major | 8/6/1813– 18/8/1813 |
Allegro maestoso – Allegro; Middle movements missing |
69 | 69 | (1892) | XIX No. 23 |
III, 4 No. 14 VIII, 2 No. 21 |
Sprüche des Confucius, D 69 | Dreifach ist der Schritt der Zeit | 8/7/1813 | Text by Schiller (other settings: D 43 and 70); Canon for three voices |
70 | 70 | (1974) | III, 4 Anh. I No. 1 VIII, 2 No. 33 |
Sprüche des Confucius, D 70 | Dreifach ist der Schritt der Zeit | 8/7/1813 | Text by Schiller (other settings: D 43 and 69); For ttb; Fragment | |
71 | 71 | (1892) | XIX No. 14 |
III, 4 No. 15 |
Die zwei Tugendwege | Zwei sind der Wege | 15/7/1813 | Text by Schiller; For ttb |
71A | (1956) | I, 8 VIII, 2 No. 22 |
Alleluja, D 71A | F major | July 1813? | Canon for three voices | ||
71B | VII/2, 4 Anh. VIII, 2 No. 14 |
Fugue, D 71B | E minor | July 1813 | For piano; Fragment | |||
966A | 71C | V, 6 No. 5 | Orchestral piece, D 71C | D major | Aug. or Sep. 1813 |
Fragment; First pages, a.k.a. D 74A, based on D 74 | ||
72 | 72 | (1889) (1890) |
III No. 2 XXII v1 |
VI, 1 No. 1 & Anh. |
Wind Octet | F major | completed 18/8/1813 |
Allegro (fragment, publ. in 1890) – Minuet – Allegro; Slow middle movement lost? |
73 | 73 | (1868) | XX, 1 No. 11 |
IV, 4 | Thekla: Eine Geisterstimme, D 73 | Wo ich sei, und wo mich hingewendet | 22/8/1813– 23/8/1813 |
Text by Schiller (other setting: D 595) |
74 | 74 | (1890) | V No. 6 | VI, 4 No. 8 | String Quartet No. 6 | D major | 22/8/1813– Sep. 1813 |
Allegro ma non troppo – Andante – Minuet – Allegro |
966A | 74A | V, 6 No. 4 | Orchestral piece, D 74A | D major | Aug. or Sep. 1813 |
Fragment; Variant D number for first pages of D 71C | ||
75 | 75 | (1850) | XVI No. 16 |
III, 3 No. 18 | Trinklied, D 75 | Freunde, sammelt euch im Kreise | 29/08/1813 | Text by Schäffer ; For bTTB and piano |
76 | 76 | (1871) (1969) |
XX, 10 No. 571 |
IV, 6 No. 9 Anh. No. 4 | Aria di Fronimo | Pensa, che questo istante | 7 and 13 Sep. 1813 |
Text by Metastasio, from Alcide al bivio, 1; For b and piano; Two versions (2nd in AGA) |
77 111 |
77 | (1831) (1894) |
XX, 1 No. 12 |
IV, 6 No. 10 |
Der Taucher | Wer wagt es, Rittersmann oder Knapp | 17/9/1813– early 1815 |
Text by Schiller; Two versions: 2nd, publ. in 1894, was D 111 |
78 | 78 | (1895) | XX, 10 No. 572 |
IV, 6 No. 11 | Aria di Venere | Son fra l'onde | 18/9/1813 | Text by Metastasio, from Gli orti esperdi, I; For s and piano |
79 | 79 | (1889) | III No. 3 | VI, 1 No. 2 | Wind Nonet, a.k.a. Eine kleine Trauermusik or Franz Schuberts Begräbniß-Feyer | E♭ minor | 19/9/1813 | Grave con espressione |
80 | 80 | (1892) | XIX No. 4 |
III, 3 No. 2 Anh. III No. 1 Anh. IV No. 1 |
Zur Namensfeier meines Vaters | Ertöne Leier zur Festesfeier! | 27/9/1813 | Text by Schubert; For ttb and guitar |
81 | 81 | (1895) | XX, 10 No. 583 |
IV, 14 | Auf den Sieg der Deutschen | Verschwunden sind die Schmerzen | fall 1813 | Text by Schubert? (other setting: D 88); For voice, two violins and cello |
82 | 82 | (1884) | I, 1 No. 1 |
V, 1 No. 1 | Symphony No. 1 | D major | completed 28/10/1813 |
Adagio, Allegro vivace – Andante – Minuet – Allegro vivace |
83 | 83 | (1895) | XX, 10 No. 582 |
IV, 14 | Zur Namensfeier des Herrn Andreas Siller | Des Phöbus Strahlen | 28/10/1813– 4/11/1813 |
For voice, violin and harp |
84 | 84 | (1888) | XV, 1 No. 1 |
II, 1 | Des Teufels Lustschloß | (Singspiel in three acts) | 30/10/1813– 22/10/1814 |
Text by Kotzebue; Music for sssttbbbSSSATTBB and orchestra; Two versions: Overture (2nd version in AGA) – Act I (Nos. 1–11, 2nd version in AGA) – Act II (Nos. 12–17, 1st version only, in AGA) – Act III (Nos. 18–23, 1st version Nos. 21 and 23 only, 2nd version in AGA); Sketch of an orchestral piece (from 1st version of Act III?): compare D 94A |
86 | 86 | (1886) | II No. 10 |
VI, 4 Anh. No. 1 VI, 9 |
Minuet, D 86 | D major | November 1813? |
For string quartet |
87 | 87 | 125p,1 (1840) |
V No. 10 |
VI, 4 No. 9 | String Quartet No. 10 | E♭ major | November 1813 |
Allegro più moderato – Scherzo – Adagio – Allegro |
87A | VI, 4 Anh. No. 2 |
Andante, D 87A | C major | November 1813 |
For four voices (string quartet or vocal ensemble?); Fragment | |||
88 | 88 | (1892) | XIX No. 21 |
III, 4 No. 17 VIII, 2 No. 23 |
Verschwunden sind die Schmerzen | Verschwunden sind die Schmerzen | 15/11/1813 | Text by Schubert? (other setting: D 88); Canon for ttb |
89 90 |
89 | (1886) | II No. 8 and No. 9 |
VI, 9 | Five Minuets and Five German Dances | Various keys | 19/11/1813 | For string quartet; Minuets have six Trios, German Dances have seven Trios and a Coda |
91 | 91 | (1956) | VII/2, 6 | Two Minuets, D 91 | Various keys | 22/11/1813 | For piano; Each minuet with two Trios | |
92–126 |
|
1814 | Up ↑ | |||||
93 | 93 | (1894) | XX, 1 Nos. 13–15 |
IV, 7 Anh. No. 1 |
Don Gayseros | 1. Don Gayseros,... wunderlicher, schöner Ritter – 2. Nächtens klang die süße Laute – 3. An dem jungen Morgenhimmel | 1815? | Text by Motte Fouqué, from Der Zauberring; Nos. 2 and 3 incomplete |
94 | 94 | (1871) | V No. 7 | VI, 3 No. 2 | String Quartet No. 7 | D major | 1811 or 1812? |
Allegro (partly reused in D 12) – Andante con moto – Minuet – Presto |
94A | II, 1 V, 6 No. 6 |
Orchestral piece, D 94A | B♭ major | c. 1814 | Fragment; For 1st version of D 84, Act III? | |||
94B | VI, 9 | Five Minuets and Six German Dances, D 94B | 1814 | For string quartet and two horns; Lost | ||||
95 | 95 | (1848) | XX, 1 No. 25 |
IV, 7 No. 1 |
Adelaide | Einsam wandelt dein Freund | 1814 | Text by Matthisson |
97 | 97 | (1894) | XX, 1 No. 19 |
IV, 7 No. 2 |
Trost: An Elisa | Lehnst du deine bleichgehärmte Wange | 1814 | Text by Matthisson |
98 | 98 | (1894) (1968) |
XX, 1 No. 24 |
IV, 7 No. 3 Anh. No. 2 |
Erinnerungen, D 98 | Am Seegestad, in lauen Vollmondsnächten | fall 1814 | Text by Matthisson (other setting: D 424); Two versions: 1st is fragment, 2nd in AGA |
99 | 99 | (1894) | XX, 1 No. 16 |
IV, 7 No. 4 | Andenken, D 99 | Ich denke dein wenn durch den Hain | April 1814 | Text by Matthisson (other setting: D 423) |
100 | 100 | (1894) | XX, 1 No. 17 |
IV, 7 No. 5 | Geisternähe | Der Dämm’rung Schein durchblinkt den Hain | April 1814 | Text by Matthisson |
101 | 101 | (1894) | XX, 1 No. 18 |
IV, 7 No. 6 | Erinnerung, D 101, a.k.a. Todtenopfer | Kein Rosenschimmer leuchtet | April 1814 | Text by Matthisson |
102 | 102 | (1840) | XX, 1 No. 20 |
IV, 7 No. 7 | Die Betende | Laura betet! | fall 1814 | Text by Matthisson; Partly reused in D 918 |
103 | 103 | (1939) | VI, 4 Anh. No. 3 |
Quartettsatz, D 103 | C minor | 23/4/1814 | Grave, Allegro (fragment); Completed by Alfred Orel in 1st ed. | |
104 | 104 | (1895) | XX, 10 No. 584 |
IV, 7 No. 8 & Anh. No. 3 |
Die Befreier Europas in Paris | Sie sind in Paris! | 16/5/1814 | Text by Mikan; Two drafts and a final version |
105 185 |
105 | (1856) | XIII, 1 No. 1 |
I, 1a | Mass No. 1 | F major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei |
17/5/1814– 22/7/1814 |
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 167, 324, 452, 678, 755 and 950); For ssattbSATB and orchestra; 2nd setting of Dona nobis pacem was D 185; Partly reused in D 484 |
106 | 106 | (1888) | XIV No. 9 | I, 8 | Salve Regina, D 106 | B♭ major Salve Regina |
28/6/1814– 1/7/1814 |
Text: Salve Regina (other settings: D 27, 223, 386, 676 and 811); For t and orchestra |
107 | 107 | (1894) (1968) |
XX, 1 No. 21 |
IV, 7 No. 9 | Lied aus der Ferne | Wenn in des Abends letztem Scheine | July 1814 | Text by Matthisson; Two versions: 1st in AGA |
108 | 108 | (1894) | XX, 1 No. 22 |
IV, 7 No. 10 | Der Abend, D 108 | Purpur malt die Tannenhügel | July 1814 | Text by Matthisson |
109 | 109 | (1894) | XX, 1 No. 23 |
IV, 7 No. 11 | Lied der Liebe | Durch Fichten am Hügel | July 1814 | Text by Matthisson |
110 | 110 | (1891) | XVI No. 43 |
III, 1 | Wer ist groß? | Wer ist wohl groß? | 24/7/1814– 25/7/1814 |
For bTTBB and orchestra |
111 | 77 |
|
|
|
|
|
|
See D 77 |
111A | VI, 6 Anh. No. 1 |
String Trio, D 111A | B♭ major | 5/9/1814– 13/9/1814 |
Allegro (fragment); early version of D 112 | |||
112 | 112 | 168p (1863) |
V No. 8 | VI, 4 No. 10 |
String Quartet No. 8 | B♭ major | 5/9/1814– 13/9/1814 |
Allegro ma non troppo – Andante sostenuto – Minuet – Presto; Based on D 111A |
113 | 113 | 58,2 (1821) (1826) (1894) |
XX, 1 No. 26 |
IV, 3 | An Emma | Weit in nebelgrauer Ferne | 17/9/1814 | Text by Schiller; Three versions: 2nd publ. in 1821 – 3rd is Op. 58 No. 2 |
114 | 114 | (1868) (1901) |
XX, 1 No. 27 |
IV, 7 No. 12 & Anh. No. 4 |
Romanze, D 114 | Ein Fräulein klagt' im finstern Turm | September 1814 |
Text by Matthisson; Two versions: 2nd in AGA |
115 | 115 | (1840) | XX, 1 No. 28 |
IV, 7 No. 13 | An Laura, als sie Klopstocks Auferstehungslied sang | Herzen, die gen Himmel sich erheben | 2/10/1814– 7/10/1814 |
Text by Matthisson |
116 | 116 | (1840) | XX, 1 No. 29 |
IV, 7 No. 14 | Der Geistertanz, D 116 | Die bretterne Kammer der Toten erbebt | 14/10/1814 | Text by Matthisson (other settings: D 15, 15A and 494) |
117 | 117 | (1894) | XX, 1 No. 30 |
IV, 8 No. 45 |
Das Mädchen aus der Fremde, D 117 | In einem Tal bei armen Hirten | 16/10/1814 | Text by Schiller (other setting: D 252) |
118 | 118 | 2 (1821) |
XX, 1 No. 31 |
IV, 1a | Gretchen am Spinnrade | Meine Ruh' ist hin | 19/10/1814 | Text by Goethe, from Faust I, 15 |
119 | 119 | (1850) | XX, 1 No. 32 |
IV, 7 No. 15 | Nachtgesang, D 119 | O! gib vom weichen Pfühle | 30/11/1814 | Text by Goethe |
120 | 120 | (1835) | XX, 1 No. 33 |
IV, 7 No. 16 | Trost in Tränen | Wie kommt's, daß du so traurig bist | 30/11/1814 | Text by Goethe |
121 | 121 | 3,1 (1821) (1894) |
XX, 1 No. 34 |
IV, 1a & b No. 2 |
Schäfers Klagelied | Da droben auf jenem Berge | 30/11/1814– 28/2/1819? |
Text by Goethe; Two versions: 1st is Op. 3 No. 1 – 2nd composed for 28/2/1819? |
122 | 122 | (1872) | XX, 1 No. 38 |
IV, 7 No. 17 | Ammenlied | Am hohen, hohen Turm | early Dec. 1814 |
Text by Lubi |
123 | 123 | (1842) | XX, 1 No. 35 |
IV, 7 No. 18 | Sehnsucht, D 123 | Was zieht mir das Herz so? | 3/12/1814 | Text by Goethe |
124 | 124 | (1885) (1894) (1968) |
XX, 1 No. 36 |
IV, 7 No. 19 & Anh. No. 7 |
Am See, D 124 | Sitz' ich im Gras am glatten See | 3/12/1814– 7/12/1814 |
Text by Mayrhofer; Two versions: 1st is fragment – 2nd, modified in 1885 publ., in AGA |
125 | 125 | (1884) | I, 1 No. 2 |
V, 1 No. 2 | Symphony No. 2 | B♭ major | 10/12/1814– 24/3/1815 |
Largo, Allegro vivace – Andante – Minuet – Presto vivace |
126 | 126 | (1832) (1873) |
XX, 1 No. 37 |
IV, 7 No. 20 & Anh. No. 8 |
Scene from Faust | Wie anders, Gretchen, war dir's | early Dec.– 12/12/1814 |
Text by Goethe, from Faust I, 20; Two versions: 2nd, publ. in 1832, in AGA |
127–330 |
|
1815 | Up ↑ | |||||
128 | 128 | (1897) | XXI, 3 No. 23 |
VII/2, 6 | Twelve Viennese German Dances | Various keys | 1812? | For piano; Includes introduction; No. 12 related to D 32 |
129 | 129 | (1892) | XIX No. 16 |
III, 4 No. 18 | Mailied, D 129 | Grüner wird die Au | 1815? | Text by Hölty (other settings: D 199 and 503); For ttb |
130 | 130 | (1892) | XIX No. 25 |
III, 4 No. 19 VIII, 2 No. 24 |
Der Schnee Zerrinnt | Der Schnee Zerrinnt | 1815? | Text by Hölty (other setting: D 202); Canon for three voices |
131 | 131 | (1892) | XIX No. 28 |
III, 4 No. 20 VIII, 2 No. 26 |
Lacrimoso son io | Lacrimoso son io | 1815? | Canon for three voices; Two versions: 2nd is "Lacrimosa son io" |
134 | 134 | 126p (1830) |
XX, 2 No. 99 |
IV, 7 No. 21 | Ballade | Ein Fräulein schaut vom hohen Turm | 1815? | Text by Kenner |
135 | 135 | (1930) | VII/2, 6 | German Dance with Trio, D 135 | E major | 1815 | For piano; Variant of D 146 No. 3 (other Trio) | |
136 | 136 | 46 (1825) |
XIV No. 1 | I, 8 | Offertory, D 136, a.k.a. Offertory No. 1 | Totus in corde langueo C major |
1815? | For s or t, clarinet or violin, and orchestra |
137 | 137 | (1893) | XV, 7 No. 14 |
II, 12 | Adrast | (Singspiel) | fall 1819– early 1820[15] |
Text by Mayrhofer; For stbTTBB and orchestra; Nos. 1–8 complete (abandoned variants for some numbers, Nos. 1–7 in AGA) and sketches and fragments for six further numbers; Overture: D 648? |
138 | 138 | 5,1 (1821) (1970) |
XX, 3 No. 177 |
IV, 1a & b No. 6 |
Rastlose Liebe | Dem Schnee, dem Regen, dem Wind entgegen | 19/5/1815– May 1821 |
Text by Goethe; Two versions: 1st, in AGA, is Op. 5 No. 1 |
139 | 139 | (1930) | VII/2, 6 | German Dance with Trio, D 139 | C♯ major (Trio in A major) | 1815 | For piano | |
140 | 140 | (1850) | XVIII No. 6 |
III, 3 No. 3 | Klage um Ali Bey, D 140 | Laßt mich! laßt mich! ich will klagen | 1815 | Text by Claudius (other setting: D 496A); For ttb (and piano?) |
141 | 141 | 131p,1 (1830) |
XX, 2 No. 43 |
IV, 7 No. 23 | Der Mondabend | Rein und freundlich lacht der Himmel | 1815 | Text by Kumpf |
142 | 142 | 92,3 (1828) (1885) (1895) |
XX, 3 No. 174 |
IV, 5 | Geistes-Gruß | Hoch auf dem alten Turme steht | before Apr. 1816– after Nov. 1821 |
Text by Goethe; Six versions: 2nd publ. in 1885 – 3rd and 5th not in AGA – 6th is Op. 92 No. 3 |
143 | 143 | 109p,2 (1829) |
XX, 3 No. 181 |
IV, 7 No. 24 | Genügsamkeit | Dort raget ein Berg aus den Wolken her | 1815 | Text by Schober; Intro in 1st ed. not by Schubert |
144 | 144 | (1895) | XXII, 11 No. 209 |
IV, 7 Anh. No. 9 |
Romanze, D 144 | In der Väter Hallen ruhte | April 1816 | Text by Stolberg-Stolberg; Fragment |
145 | 145 | 18 (1823) |
XII No. 2 |
VII/2, 6 & 7a |
12 Waltzes, 17 Ländler and 9 Écossaises, D 145 | Various keys | c. 1815– July 1821 |
For piano; Waltz No. 7 ≈ D 970 No. 2; Écossaises Nos. 5 and 6 identical to D 421 No. 1 and 697 No. 5 |
146 | 146 | 127p (1824) (1830) |
XII No. 8 |
VII/2, 6 & 7a |
20 Waltzes, D 146, a.k.a. Letzte Walzer | Various keys | 1815– Feb. 1823 |
For piano; No. 2 publ. in 1824, all 20 as Op. posth. 127 in 1830 |
147 | 147 | (1892) | XIX No. 15 |
III, 4 No. 21 | Bardengesang | Rolle, du strömigter Carun | 20/1/1816? | Text by Macpherson (Ossian), from Comala, transl. by E. Baron de Harold |
148 | 148 | 131p,2 (1830) |
XIX No. 8 |
III, 3 No. 4 | Trinklied, D 148 | Brüder! unser Erdenwallen | February 1815 |
Text by Castelli; For tTTB and piano |
149 | 149 | 117p (1829) (1894) |
XX, 2 No. 45 |
IV, 7 No. 25 | Der Sänger | Was hör' ich draußen vor dem Tür | February 1815 |
Text by Goethe, from Wilhelm Meister's Apprenticeship; Two versions: 2nd is Op. posth. 117, AGA switches 1st and 2nd |
150 | 150 | (1830) | XX, 2 No. 44 |
IV, 7 No. 26 | Lodas Gespenst | Der bleiche, kalte Mond erhob sich im Osten | 17/1/1816 | Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold; 1st ed. replaces end by music from D 277 |
151 | 151 | (1850) | XX, 2 No. 39 |
IV, 7 No. 27 | Auf einen Kirchhof | Sei gegrüßt, geweihte Stille | 2/2/1815 | Text by Schlechta |
152 | 152 | (1894) | XX, 2 No. 40 |
IV, 7 No. 28 | Minona | Wie treiben die Wolken so finster und schwer | 8/2/1815 | Text by Bertrand |
153 | 153 | (1845) | XX, 2 No. 41 |
IV, 7 No. 29 | Als ich sie erröten sah | All mein Wirken, all mein Leben | 10/2/1815 | Text by Ehrlich |
154 | 154 | (1897) | XXI, 2 No. 8 |
VII/2, 1 Anh. No. 1 |
Piano Sonata, D 154 | E major | 11/2/1815 | Allegro (fragment); Partly reused in D 157 |
155 | 155 | 165p,3 (1862) |
XX, 2 No. 42 |
IV, 7 No. 30 | Das Bild | Ein Mädchen ist's | 10/2/1815 | |
156 | 156 | (1887) | XI No. 6 | VII/2, 4 & Anh. |
Ten Variations, D 156 | F major | completed 15/2/1815 |
For piano; Variant of Theme and Var. II |
157 | 157 | (1888) | X No. 1 | VII/2, 1 No. 1 |
Piano Sonata, D 157 | E major | started 18/2/1815 |
Allegro ma non troppo (partly reuses D 154) – Andante – Minuet |
158 | 158 | (1889) | XII No. 29 |
VII/2, 6 | Écossaise, D 158 | D minor – F major | 21/2/1815 | For piano |
159 | 159 | 116p (1829) (1968) |
XX, 2 No. 46 |
IV, 7 No. 31 | Die Erwartung | Hör' ich das Pförtchen nicht gehen? | May 1816 | Text by Schiller; Two versions: 2nd, in AGA, is Op. posth. 116 |
160 | 160 | (1894) | XX, 2 No. 47 |
IV, 13 | Am Flusse, D 160 | Verfließet, vielgeliebte Lieder | 27/2/1815 | Text by Goethe (other setting: D 766) |
161 | 161 | 19,2 (1825) (1894) |
XX, 2 No. 48 |
IV, 1a & b No. 14 |
An Mignon | Über Tal und Fluß getragen | 27/2/1815 | Text by Goethe; Two versions: 2nd is Op. 19 No. 2 |
162 | 162 | 5,2 (1821) (1894) |
XX, 2 No. 49 |
IV, 1a & Anh. No. 2 |
Nähe des Geliebten | Ich denke dein, wenn mir der Sonne Schimmer | 27/2/1815 | Text by Goethe; Two versions: 2nd is Op. 5 No. 2 |
163 | 163 | (1894) | XX, 2 No. 50 |
IV, 8 No. 1 |
Sängers Morgenlied, D 163 | Süßes Licht! Aus goldnen Pforten | 27/2/1815 | Text by Körner (other setting: D 165) |
164 | 164 | IV, 8 Anh. No. 1 |
Liebesrausch, D 164 | Glanz des Guten und des Schönen strahlt mir dein hohes Bild | March 1815 | Text by Körner (other setting: D 179); Fragment | ||
165 | 165 | (1872) | XX, 2 No. 51 |
IV, 8 No. 2 |
Sängers Morgenlied, D 165 | Süßes Licht! Aus goldnen Pforten | 1/3/1815 | Text by Körner (other setting: D 163) |
166 | 166 | (1894) | XX, 2 No. 52 |
IV, 8 No. 3 |
Amphiaraos | Vor Thebens siebenfach gähnenden Toren | 1/3/1815 | Text by Körner |
167 | 167 | (1846) | XIII, 1 No. 2 |
I, 1b | Mass No. 2 | G major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei |
2/3/1815– 7/3/1815 |
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 324, 452, 678, 755 and 950); For stbSATB and orchestra; Tr and Ti added by Ferd. Schubert; R. Führer as composer in 1st publ. |
168 | 168 | (1872) | XVII No. 16 |
III, 2a No. 2 |
Nun laßt uns den Leib begraben, a.k.a. Begräbnislied | Begrabt den Leib in seiner Gruft | 9/3/1815 | Text by Klopstock; For SATB and piano |
987 | 168A | (1872) | XVII No. 17 |
III, 2a No. 3 |
Jesus Christus unser Heiland, der den Tod überwand, a.k.a. Osterlied | Überwunden hat der Herr den Tod! | 9/3/1815 | Text by Klopstock; For SATB and piano |
169 | 169 | (1894) | XX, 2 No. 53 |
III, 3 No. 10 Anh. I No. 1 |
Trinklied vor der Schlacht | Schlacht, du brichst an! | 12/3/1815 | Text by Körner; For double unison choir and piano |
170 | 170 | (1873) | XX, 2 No. 54 |
III, 3 No. 11 | Schwertlied | Du Schwert an meiner Linken | 12/3/1815 | Text by Körner; For voice, unison choir and piano |
171 | 171 | (1831) | XX, 2 No. 55 |
IV, 8 No. 4 |
Gebet während der Schlacht | Vater, ich rufe dich! | 12/3/1815 | Text by Körner |
172 | 172 | IV, 8 Anh. No. 3 |
Der Morgenstern, D 172 | Stern der Liebe, Glanzgebilde | 12/3/1815 | Text by Körner (other setting: D 203); Fragment | ||
173 | 173 | (1871) | V No. 9 | VI, 4 No. 11 |
String Quartet No. 9 | G minor | 25/3/1815– 1/4/1815 |
Allegro con brio – Andantino – Minuet – Allegro |
174 | 174 | (1845) | XX, 2 No. 56 |
IV, 8 No. 5 |
Das war ich, D 174 | Jüngst träumte mir | 26/3/1815 | Text by Körner; D. 174 used to include Das war ich, D deest |
174 | deest | (1894) | XXII, 11 No. 56 |
IV, 8 Anh. No. 2 |
Das war ich, D deest | June 1816 | Fragment; Music without text, title identical to D 174 | |
175 | 175 | (1888) | XIV No. 12 |
I, 9 No. 1 |
Stabat Mater, D 175 | G minor Stabat Mater dolorosa |
4/4/1815– 6/4/1815 |
For SATB and orchestra |
176 | 176 | (1872) | XX, 2 No. 57 |
IV, 8 No. 6 |
Die Sterne, D 176 | Was funkelt ihr so mild mich an | 6/4/1815 | Text by Fellinger |
177 | 177 | 173p,3 (1867) |
XX, 2 No. 58 |
IV, 8 No. 7 |
Vergebliche Liebe | Ja, ich weiß es, diese treue Liebe | 6/4/1815 | Text by Bernard |
177A | VIII, 3 | Am ersten Mai | Ich ging mit ihr im Freien | before 1821 |
Text by Bernard; Music lost; Spurious? | |||
178 | 178 | (1897) | XXI, 3 No. 22 |
VII/2, 4 & Anh. |
Adagio in G major, D 178 | G major | 8/4/1815 | For piano; Two versions: 2nd is a fragment |
179 | 179 | (1872) | XX, 2 No. 59 |
IV, 8 No. 8 |
Liebesrausch, D 179 | Dir, Mädchen, schlägt mit leisem Beben | 8/4/1815 | Text by Körner; (other setting: D 164) |
180 | 180 | (1894) | XX, 2 No. 60 |
IV, 8 No. 9 |
Sehnsucht der Liebe | Wie die Nacht mit heil'gem Beben | 8/4/1815 | Text by Körner |
181 | 181 | (1888) | XIV No. 4 | I, 9 No. 2 |
Offertory, D 181 | Tres sunt, qui testimonium dant in coelo A minor |
10/4/1815– 11/4/1815 |
For SATB and orchestra |
182 | 182 | (1842) | XX, 2 No. 61 |
IV, 8 No. 10 |
Die erste Liebe | Die erste Liebe füllt das Herz | 12/4/1815 | Text by Fellinger |
183 | 183 | (1887) | XX, 2 No. 62 |
III, 3 No. 12 | Trinklied, D 183 | Ihr Freunde und du, gold'ner Wein | 12/4/1815 | Text by Zettler ; For voice, unison choir and piano |
184 | 184 | 150p (1843) |
XIV No. 5 | I, 9 No. 3 |
Gradual, D 184 | Benedictus es, Domine C major |
15/4/1815– 17/4/1815 |
For SATB and orchestra |
185 | 105 |
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|
|
See D 105 |
186 | 186 | (1894) | XX, 2 No. 65 |
IV, 8 No. 11 |
Die Sterbende | Heil! dies ist die letze Zähre | May 1815 | Text by Matthisson |
187 | 187 | (1894) | XX, 2 No. 63 |
IV, 10 | Stimme der Liebe, D 187 | Abendgewölke schweben hell | May 1815 | Text by Matthisson (other setting: D 418) |
188 | 188 | (1887) | XX, 2 No. 64 |
IV, 8 No. 12 |
Naturgenuß, D 188 | Im Abendschimmer wallt der Quell | May 1815 | Text by Matthisson (other setting: D 422) |
189 | 189 | 111p,1 (1829) |
XX, 2 No. 66 |
III, 3 No. 13 | An die Freude | Freude, schöner Götterfunken | May 1815 | Text by Schiller; For voice, unison choir and piano |
190 | 190 | (1888) | XV, 2 No. 2 |
II, 2 IV, 14 |
Der vierjährige Posten | (Singspiel in one act) Includes: 5. Gott! Gott! höre meine Stimme |
8/5/1815– 19/5/1815 |
Text by Körner; Music for stttbSATB and orchestra; Overture – Nos. 1–8 (No. 5 also for voice and piano) |
191 | 191 | 58,3 (1826) (1894) |
XX, 2 No. 67 |
IV, 3 | Des Mädchens Klage, D 191 | Der Eichwald brauset | 15/5/1815 | Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 389); Two versions: 2nd is Op. 58 No. 3 |
192 | 192 | (1887) | XX, 2 No. 68 |
IV, 4 | Der Jüngling am Bache, D 192 | An der Quelle saß der Knabe | 15/5/1815 | Text by Schiller (other settings: D 30 and 638) |
193 | 193 | 57,3 (1826) |
XX, 2 No. 69 |
IV, 3 | An den Mond, D 193 | Geuß, lieber Mond, geuß deine Silberflimmer | 17/5/1815 | Text by Hölty; Autograph without piano intro |
194 | 194 | (1894) | XX, 2 No. 70 |
IV, 8 No. 13 |
Die Mainacht | Wann der silberne Mond | 17/5/1815 | Text by Hölty |
195 | 195 | 173p,1 (1867) |
XX, 2 No. 71 |
IV, 8 No. 14 |
Amalia | Schön wie Engel voll Walhallas Wonne | 19/5/1815 | Text by Schiller, from Die Räuber III, 1 |
196 | 196 | 172p,3 (1865) |
XX, 2 No. 72 |
IV, 8 No. 15 |
An die Nachtigall | Geuß nicht so laut der liebentflammten Lieder | 22/5/1815 | Text by Hölty |
197 | 197 | (1850) | XX, 2 No. 73 |
IV, 8 No. 16 |
An die Apfelbäume, wo ich Julien erblickte | Ein heilig Säuseln und ein Gesangeston | 22/5/1815 | Text by Hölty |
198 | 198 | (1894) | XX, 2 No. 74 |
IV, 8 No. 17 |
Seufzer | Die Nachtigall singt überall | 22/5/1815 | Text by Hölty |
199 | 199 | (1885) | XIX No. 30 |
III, 4 No. 22 |
Mailied, D 199 | Grüner wird die Au | 24/5/1815 | Text by Hölty (other settings: D 129 and 503); For two voices or two horns |
200 | 200 | (1884) | I, 1 No. 3 |
V, 1 No. 3 |
Symphony No. 3 | D major | 24/5/1815– 19/6/1815 |
Adagio maestoso, Allegro con brio – Allegretto – Minuet – Presto vivace |
201 | 201 | (1970) | IV, 10 | Auf den Tod einer Nachtigall, D 201 | Sie ist dahin, die Maienlieder tönte | 25/5/1815 | Text by Hölty (other setting: D 399); Fragment | |
202 | 202 | (1885) | XIX No. 31 |
III, 4 No. 23 |
Mailied, D 202 | Der Schnee Zerrinnt | 26/5/1815 | Text by Hölty (other setting: D 130); For two voices or two horns |
203 | 203 | (1892) | XIX No. 32 |
III, 4 No. 24 |
Der Morgenstern, D 203 | Stern der Liebe, Glanzgebilde | 26/5/1815 | Text by Körner (other setting: D 172); For two voices or two horns |
204 | 204 | (1892) | XIX No. 33 |
III, 4 No. 25 |
Jägerlied | Frisch auf, ihr Jäger | 26/5/1815 | Text by Körner; For two voices or two horns |
204A | IV, 8 Anh. No. 4 |
Das Traumbild | May 1815 | Text by Hölty; Music lost | ||||
205 | 205 | (1892) | XIX No. 34 |
III, 4 No. 26 |
Lützows wilde Jagd | Was glänzt dort vom Walde im Sonnenschein? | 26/5/1815 | Text by Körner; For two voices or two horns |
206 | 206 | (1872) | XX, 2 No. 75 |
IV, 8 No. 18 |
Liebeständelei | Süßes Liebchen | 26/5/1815 | Text by Körner |
207 | 207 | (1894) | XX, 2 No. 76 |
IV, 8 No. 19 |
Der Liebende | Beglückt, beglückt | 29/5/1815 | Text by Hölty |
208 212 |
208 | (1895) (1897) |
XX, 2 No. 77; XXII, 11 No. 77 |
IV, 8 No. 20 & Anh. No. 5 | Die Nonne | Es liebt' in Welschland irgendwo | 29/5/1815 | Text by Hölty, from Balladen, No. 5; Two versions: 1st is fragment, incomplete in AGA – 2nd was D 212 |
209 | 209 | 38 (1825) |
XX, 2 No. 98 |
IV, 2a | Der Liedler | Gib, Schwester, mir die Harf herab | January 1815 | Text by Kenner |
210 | 210 | (1838) | XX, 2 No. 78 |
IV, 8 No. 21 | Die Liebe, D 210, a.k.a. Klärchens Lied | Freudvoll und leidvoll | 3/6/1815 | Text by Goethe, from Egmont, Act III, Scene 2, Clärchen's song |
211 | 211 | (1894) | XX, 2 No. 79 |
IV, 8 No. 22 | Adelwold und Emma | Hoch und ehern schier von Dauer | 5/6/1815– 14/6/1815 |
Text by Bertrand |
212 | 208 |
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|
See D 208 |
213 | 213 | 172p,1 (1865) |
XX, 2 No. 80 |
IV, 8 No. 23 | Der Traum | Mir träumt', ich war ein Vögelein | 17/6/1815 | Text by Hölty, from Balladen, No. 6 |
214 | 214 | 172p,2 (1865) |
XX, 2 No. 81 |
IV, 8 No. 24 | Die Laube | Nimmer werd' ich, nimmer dein vergessen | 17/6/1815 | Text by Hölty |
215 | 215 | (1906) | IV, 1b No. 4 | Jägers Abendlied, D 215 | Im Felde schleich ich, still und wild | 20/6/1815 | Text by Goethe (other setting: D 368) | |
216 | 215A | (1952) | IV, 1a & b No. 3 |
Meeres Stille, D 215A | Tiefe Stille herrscht im Wasser | 20/6/1815 | Text by Goethe (other setting: D 216) | |
216 | 216 | 3,2 (1821) |
XX, 2 No. 82 |
IV, 1a | Meeres Stille, D 216 | Tiefe Stille herrscht im Wasser | 21/6/1815 | Text by Goethe (other setting: D 215A) |
217 | 217 | (1830) | XX, 2 No. 83 |
IV, 8 No. 25 | Kolmas Klage | Rund um mich Nacht | 22/6/1815 | Text by Macpherson (Ossian), from The Songs of Selma (transl.) |
218 | 218 | (1848) | XX, 2 No. 84 |
IV, 8 No. 26 | Grablied | Er fiel den Tod für's Vaterland | 24/6/1815 | Text by Kenner |
219 | 219 | (1848) | XX, 2 No. 85 |
IV, 8 No. 27 | Das Finden | Ich hab ein Mädchen funden | 25/6/1815 | Text by Kosegarten |
220 | 220 | (1888) | XV, 2 No. 3 |
II, 2 | Fernando | (Singspiel in one act) | Jun. 1815– 9/7/1815 |
Text by Stadler, A. ; Music for sstbb and orchestra; Nos. 1–7 |
221 | 221 | 118p,2 (1829) |
XX, 2 No. 95 |
IV, 8 No. 28 | Der Abend, D 221 | Der Abend blüht, Temora glüht | 15/7/1815 | Text by Kosegarten |
222 | 222 | (1885) | XX, 2 No. 86 |
IV, 8 No. 29 | Lieb Minna: Romanze | Schwüler Hauch weht mir herüber | 2/7/1815 | Text by Stadler, A. |
223 | 223 | 47 (1825) |
XIV No. 2 | I, 8 | Salve Regina, D 223, a.k.a. Offertory No. 2 | F major Salve Regina |
5/7/1815 28/1/1823 |
Text: Salve Regina (other settings: D 27, 106, 386, 676 and 811); For s and orchestra; Two versions: 2nd, in AGA, is Op. 47 |
224 | 224 | 4,3 (1821) |
XX, 2 No. 87 |
IV, 1a | Wandrers Nachtlied, D 224 | Der du von dem Himmel bist | 5/7/1815 | Text by Goethe |
225 | 225 | 5,3 (1821) (1970) |
XX, 2 No. 88 |
IV, 1a & b No. 7 |
Der Fischer | Das Wasser rauscht', das Wasser schwoll | 5/7/1815 | Text by Goethe; Two versions: 2nd, in AGA, is Op. 5 No. 3 |
226 | 226 | 5,4 (1821) |
XX, 2 No. 89 |
IV, 1a | Erster Verlust | Ach, wer bringt die schönen Tage | 5/7/1815 | Text by Goethe |
227 | 227 | (1885) | XX, 2 No. 90 |
IV, 8 No. 30 | Idens Nachtgesang | Vernimm es Nacht, was Ida dir vertrauet | 7/7/1815 | Text by Kosegarten |
228 | 228 | (1894) | XX, 2 No. 91 |
IV, 8 No. 31 | Von Ida | Der Morgen blüht, der Osten glüht | 7/7/1815 | Text by Kosegarten |
229 | 229 | 108,3 (1824) |
XX, 2 No. 92 |
IV, 5 | Die Erscheinung, a.k.a. Erinnerung, D 229 | Ich lag auf grünen Matten | 7/7/1815 | Text by Kosegarten; Publ. as Op. 108 No. 3 in 1829 |
230 | 230 | 165p,4 (1855) |
XX, 2 No. 93 |
IV, 8 No. 32 | Die Täuschung | Im Erlenbusch, im Tannenhain | 7/7/1815 | Text by Kosegarten; Publ. as Op. posth. 165 No. 4 in 1862 |
231 | 231 | 172p,4 (1865) |
XX, 2 No. 94 |
IV, 8 No. 33 | Das Sehnen | Wehmut, die mich hüllt | 8/7/1815 | Text by Kosegarten |
232 | 232 | 112p,3 (1829) |
XVII No. 8 |
III, 2a No. 6 2b Anh. No. 2 |
Hymne an den Unendlichen | Zwischen Himmel und Erd' | 11/7/1815 | Text by Schiller; For satb and piano |
233 | 233 | 118p,1 (1829) |
XX, 2 No. 96 |
IV, 8 No. 34 | Geist der Liebe, D 233 | Wer bist du, Geist der Liebe | 15/7/1815 | Text by Kosegarten |
234 | 234 | 118p,3 (1829) |
XX, 2 No. 97 |
IV, 8 No. 35 | Tischlied | Mich ergreift, ich weiß nicht wie | 15/7/1815 | Text by Goethe |
235 | 235 | (1894) | XX, 2 No. 100 |
IV, 8 No. 36 | Abends unter der Linde, D 235 | Woher, o namenloses Sehnen | 24/7/1815 | Text by Kosegarten (other setting: D 237) |
236 | 236 | (1892) | XIX No. 6 |
III, 2a No. 7 |
Das Abendrot, D 236 | Der Abend blüht, der Westen glüht! | 20/7/1815 | Text by Kosegarten; for ssb and piano |
237 | 237 | (1872) | XX, 2 No. 101 |
IV, 8 No. 37 | Abends unter der Linde, D 237 | Woher, o namenloses Sehnen | 25/7/1815 | Text by Kosegarten (other setting: D 235) |
238 | 238 | (1894) | XX, 2 No. 102 |
IV, 8 No. 38 | Die Mondnacht | Siehe, wie die Mondesstrahlen | 25/7/1815 | Text by Kosegarten |
239 | 239 | (1893) | XV, 7 No. 11 |
II, 14 | Claudine von Villa Bella | (Singspiel in three acts) | started 26/7/1815 |
Text by Goethe; For ssttbbSATB and orchestra; Overture (in AGA) – Nos. 1–8 (Act I, in AGA) – No. 9 (fragment from Act II) – No. 10 (fragment from Act III); Other music lost |
240 | 240 | (1894) | XX, 2 No. 103 |
IV, 8 No. 39 | Huldigung | Ganz verloren, ganz versunken | 27/7/1815 | Text by Kosegarten |
241 | 241 | (1894) | XX, 2 No. 104 |
IV, 8 No. 40 | Alles um Liebe | Was ist es, das die Seele füllt? | 27/7/1815 | Text by Kosegarten |
242 | 242 | (1892) | XIX No. 18 |
III, 4 No. 27 |
Trinklied im Winter, a.k.a. Winterlied, D 242 | Das Glas gefüllt! | August 1815? |
Text by Hölty (other setting: D 242A); For ttb |
242A | IV, 8 No. 41 |
Winterabend, D 242A,[16] a.k.a. Winterlied | Das Glas gefüllt! | 1815? | Text by Hölty (other setting: D 242) | |||
243 | 243 | (1892) | XIX No. 19 |
III, 4 No. 28 |
Frühlingslied, D 243 | Die Luft ist blau | August 1815? |
Text by Hölty (other setting: D 398); For ttb |
244 | 244 | (1892) | XIX No. 27 |
III, 4 No. 29 VIII, 2 No. 25 |
Willkommen, lieber schöner Mai | Willkommen, lieber schöner Mai | August 1815? |
Text by Hölty; Canon for three voices in two sections |
245 | 587 |
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See D 587 |
246 | 246 | (1830) | XX, 3 No. 109 |
IV, 8 No. 42 |
Die Bürgschaft, D 246 | Zu Dionys, dem Tyrannen | August 1815 |
Text by Schiller; Partly reused in D 435 |
247 | 247 | 118p,6 (1829) |
XX, 3 No. 119 |
IV, 8 No. 43 |
Die Spinnerin | Als ich still und ruhig spann | August 1815 |
Text by Goethe |
248 | 248 | 118p,4 (1829) |
XX, 3 No. 135 |
IV, 8 No. 44 |
Lob des Tokayers | O köstlicher Tokayer, o königlicher Wein | August 1815 |
Text by Baumberg |
249 | 249 | III, 2b Anh. No. 4a |
Die Schlacht, D 249 | Schwer und dumpfig | 1/8/1815 | Text by Schiller (other setting: D 387); Sketch | ||
250 | 250 | (1872) | XX, 3 No. 105 |
IV, 13 | Das Geheimnis, D 250 | Sie konnte mir kein Wörtchen sagen | 7/8/1815 | Text by Schiller (other setting: D 793) |
251 | 251 | (1872) | XX, 3 No. 106 |
IV, 4 | Hoffnung, D 251 | Es reden und träumen die Menschen viel | 7/8/1815 | Text by Schiller (other setting: D 637) |
252 | 252 | (1887) | XX, 3 No. 108 |
IV, 8 No. 46 |
Das Mädchen aus der Fremde, D 252 | In einem Tal bei armen Hirten | 12/8/1815 | Text by Schiller (other setting: D 117) |
253 | 253 | (1887) | XX, 3 No. 110 |
III, 4 No. 30 IV, 8 No. 47 |
Punschlied: Im Norden zu singen | Auf der Berge freien Höhen | 18/8/1815 | Text by Schiller; Two versions: 2nd for two voices |
254 | 254 | (1887) | XX, 3 No. 111 |
IV, 8 No. 48 |
Der Gott und die Bajadere | Mahadöh, der Herr der Erde | 18/8/1815 | Text by Goethe |
255 | 255 | (1850) | XX, 3 No. 112 |
IV, 8 No. 49 |
Der Rattenfänger | Ich bin der wohlbekannte Sänger | 19/8/1815 | Text by Goethe |
256 | 256 | (1887) | XX, 3 No. 113 |
IV, 8 No. 50 |
Der Schatzgräber | Arm am Beutel, krank am Herzen | 19/8/1815 | Text by Goethe |
257 | 257 | 3,3 (1821) |
XX, 3 No. 114 |
IV, 1a | Heidenröslein | Sah ein Knab' ein Röslein stehn | 19/8/1815 | Text by Goethe |
258 | 258 | (1887) | XX, 3 No. 115 |
IV, 8 No. 51 |
Bundeslied | In allen guten Stunden | 19/8/1815 | Text by Goethe |
259 | 259 | (1850) | XX, 3 No. 116 |
IV, 9 No. 27 | An den Mond, D 259 | Füllest wieder Busch und Tal | 19/8/1815 | Text by Goethe (other setting: D 296) |
260 | 260 | 115p,2 (1829) |
XX, 3 No. 117 |
IV, 8 No. 52 |
Wonne der Wehmut | Trocknet nicht, trocknet nicht | 20/8/1815 | Text by Goethe; Reused in D |
261 | 261 | (1850) | XX, 3 No. 118 |
IV, 8 No. 53 |
Wer kauft Liebesgötter? | Von allen schönen Waren | 21/8/1815 | Text by Goethe, from Der Zauberflöte zweiter Teil |
262 | 262 | (1895) | XX, 3 No. 134 |
IV, 9 No. 1 | Die Fröhlichkeit | Wess' Adern leichtes Blut durchspringt | 22/8/1815 | Text by Prandstätter |
263 | 263 | (1848) | XX, 3 No. 123 |
IV, 9 No. 2 | Cora an die Sonne | Nach so vielen trüben Tagen | 22/8/1815 | Text by Baumberg |
264 | 264 | (1850) (1872) |
XX, 3 No. 124 |
IV, 9 No. 3 | Der Morgenkuß | Durch eine ganze Nacht sich nah zu sein | 22/8/1815 | Text by Baumberg; Two versions: 2nd, publ. in 1850, in AGA |
265 | 265 | (1895) | XX, 3 No. 125 |
IV, 9 No. 4 | Abendständchen: An Lina | Sei sanft wie ihre Seele | 23/8/1815 | Text by Baumberg |
266 | 266 | (1895) | XX, 3 No. 126 |
IV, 9 No. 5 | Morgenlied, D 266 | Willkommen, rotes Morgenlicht! | 24/8/1815 | Text by Stolberg-Stolberg |
267 | 267 | (1872) | XVI No. 17 |
III, 3 No. 19 | Trinklied, D 267 | Auf! Jeder sei nun froh und sorgenfrei! | 25/8/1815 | For ttbb and piano |
268 | 268 | (1872) | XVI No. 18 |
III, 3 No. 20 | Bergknappenlied | Hinab, ihr Brüder, in den Schacht! | 25/8/1815 | For ttbb and piano |
269 | 269 | (1848) | XVIII No. 5 |
III, 3 No. 5 Anh. IV No. 2 |
Das Leben | Das Leben ist ein Traum | 25/8/1815 | Text by Wannovius ; Two versions: 1st for tbb and piano – 2nd, in AGA, for ssa and piano |
270 | 270 | 118p,5 (1829) |
XX, 3 No. 127 |
IV, 9 No. 6 | An die Sonne, D 270 | Sinke, liebe Sonne | 25/8/1815 | Text by Baumberg |
271 | 271 | (1895) | XX, 3 No. 128 |
IV, 9 No. 7 | Der Weiberfreund | Noch fand von Evens Töchterscharen ich keine | 25/8/1815 | Text by Ratschky , after Cowley |
272 | 272 | (1872) | XX, 3 No. 129 |
IV, 9 No. 8 | An die Sonne, D 272 | Königliche Morgensonne | 25/8/1815 | Text by Tiedge |
273 | 273 | (1895) | XX, 3 No. 130 |
IV, 9 No. 9 | Lilla an die Morgenröte | Wie schön bist du, du güldne Morgenröte | 25/8/1815 | |
274 | 274 | (1850) | XX, 3 No. 131 |
IV, 9 No. 10 | Tischlerlied | Mein Handwerk geht durch alle Welt | 25/8/1815 | |
275 | 275 | (1895) | XX, 3 No. 132 |
IV, 9 No. 11 | Totenkranz für ein Kind | Sanft wehn, im Hauch der Abendluft | 25/8/1815 | Text by Matthisson |
276 | 276 | (1895) | XX, 3 No. 133 |
IV, 9 No. 12 | Abendlied, D 276 | Groß und rotenflammet | 28/8/1815 | Text by Stolberg-Stolberg |
277 | 277 | (1892) | XIX No. 7 |
III, 3 No. 6 | Punschlied, D 277 | Vier Elemente, inning gesellt | 29/8/1815 | Text by Schiller; For ttb and piano |
277A | (1925) | VII/2, 4 | Minuet with Trio, D 277A | A minor (minuet) / F major (trio) | September 1815? |
For piano; Partly reused in D 279 | ||
278 | 278 | (1830) (1897) |
XX, 3 No. 147; XXII, 11 No. 147 |
IV, 9 No. 13 Anh. No. 1 | Ossians Lied nach dem Falle Nathos | Beugt euch aus euren Wolken nieder | 1815 | Text by Macpherson (Ossian), from Dar-Thula, transl. by E. Baron de Harold; Two versions: 1st is a fragment – 2nd publ. in 1830 |
279 | 279 | (1888) | X No. 2 | VII/2, 1 No. 2 |
Piano Sonata, D 279 | C major | September 1815 |
Allegro moderato – Andante – Minuet (partly based on D 277A); D 309A, or 346, may be 4th movement |
280 | 280 | (1837) | XX, 3 No. 139 |
IV, 9 No. 14 | Das Rosenband | Im Frühlingsgarten fand ich sie | September 1815 |
Text by Klopstock |
281 | 281 | (1830) | XX, 3 No. 148 |
IV, 9 No. 15 | Das Mädchen von Inistore | Mädchen Inistores, wein auf dem Felsen | September 1815 |
Text by Macpherson (Ossian), from Fingal, Book I, transl. by E. Baron de Harold |
282 | 282 | (1830) | XX, 4 No. 188 |
IV, 9 No. 16 | Cronnan | Ich sitz' bei der moosigten Quelle | 5/9/1815 | Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold |
283 | 283 | 172p,5 (1865) |
XX, 3 No. 136 |
IV, 11 | An den Frühling, D 283 | Willkommen, schöner Jüngling! | 6/9/1815 | Text by Schiller (other settings: D 338 and 587) |
284 | 284 | (1895) | XX, 3 No. 137 |
IV, 9 No. 17 | Lied, D 284 | Es ist so angenehm, so süß | 6/9/1815 | Text by Schiller(?) |
285 | 285 | (1885) (1895) |
XX, 3 No. 138 |
IV, 9 No. 18 Anh. No. 2 | Furcht der Geliebten, a.k.a. An Cidli | Cidli, du weinest | 12/9/1815 | Text by Klopstock, from Oden; Two versions: 2nd publ. in 1885 |
286 | 286 | (1837) (1895) |
XX, 3 No. 140 |
IV, 9 No. 19 | Selma und Selmar | Weine du nicht | 14/9/1815 | Text by Klopstock; Two versions: 2nd publ. in 1837 |
287 | 287 | (1895) | XX, 3 No. 141 |
IV, 9 No. 20 | Vaterlandslied | Ich bin ein deutsches Mädchen | 14/9/1815 | Text by Klopstock, from Oden; Two versions |
288 | 288 | (1895) | XX, 3 No. 142 |
IV, 9 No. 21 | An Sie | Zeit, Verkündigerin der besten Freuden | 14/9/1815 | Text by Klopstock, from Oden |
289 | 289 | (1895) | XX, 3 No. 143 |
IV, 9 No. 22 | Die Sommernacht | Wenn der Schimmer von dem Monde | 14/9/1815 | Text by Klopstock; Two versions |
290 | 290 | (1837) | XX, 3 No. 144 |
IV, 9 No. 23 | Die frühen Gräber | Willkommen, o silberner Mond | 14/9/1815 | Text by Klopstock, from Oden |
291 | 291 | (1831) (1895) |
XX, 3 No. 145 |
IV, 9 No. 24 | Dem Unendlichen | Wie erhebt sich das Herz | 15/9/1815 | Text by Klopstock; Three versions: 2nd publ. in 1831 |
292 | 371 |
|
|
|
|
|
|
See D 371 |
293 | 293 | (1830) | XX, 3 No. 146 |
IV, 9 No. 25 | Shilric und Vinvela | Mein Geliebter ist ein Sohn des Hügels | 20/9/1815 | Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold |
294 | 294 | (1892) | XVII No. 4 |
III, 1 | Namensfeier für Franz Michael Vierthaler, a.k.a. Gratulations-Kantate | Erhabner! Verehrter Freund der Jugend! | 27/9/1815 | For stbSTB and orchestra |
295 | 295 | (1872) (1895) |
XX, 3 No. 175 |
IV, 9 No. 26 | Hoffnung, D 295 | Schaff, das Tagwerk meiner Hände | 1815 or 1816? |
Text by Goethe; Two versions: 1st publ. in 1872 |
296 | 296 | (1868) | XX, 3 No. 176 |
IV, 9 No. 28 | An den Mond, D 296 | Füllest wieder Busch und Tal | 1815 or 1816? |
Text by Goethe (other setting: D 259) |
297 | 297 | (1850) (1895) |
XX, 3 No. 171 |
IV, 9 No. 29 Anh. No. 3 | Augenlied | Süße Augen, klare Bronnen! | spring 1817? |
Text by Mayrhofer; Two versions: 2nd publ. in 1850 |
298 | 298 | (1895) | XX, 3 No. 170 |
IV, 9 No. 30 | Liane | Hast du Lianen nicht gesehen? | October 1815 |
Text by Mayrhofer |
299 | 299 | (1897) (1912) |
XXI, 3 No. 29 |
VII/2, 6 | Twelve Écossaises, D 299 | Various keys | 3/10/1815 | For piano; No. 1 similar to D 145 Écoss. No. 1; Nos. 9–12 publ. in 1912 |
300 | 300 | (1842) | XX, 6 No. 398 |
IV, 9 No. 31 | Der Jüngling an der Quelle | Leise, rieselnder Quell | 1816 or 1817? |
Text by Salis-Seewis |
301 | 301 | (1842) | XX, 3 No. 149 |
IV, 9 No. 32 | Lambertine | O Liebe, die mein Herz erfüllet | 12/10/1815 | Text by Stoll |
302 | 302 | (1895) | XX, 3 No. 150 |
IV, 9 No. 33 | Labetrank der Liebe | Wenn im Spiele leiser Töne | 15/10/1815 | Text by Stoll |
303 | 303 | (1887) | XX, 3 No. 151 |
IV, 9 No. 34 | An die Geliebte | O, daß ich dir vom stillen Auge | 15/10/1815 | Text by Stoll ; Music partly reused in D 497 |
304 | 304 | (1895) | XX, 3 No. 152 |
IV, 9 No. 35 | Wiegenlied, D 304 | Schlumm're sanft! Noch an dem Mutterherzen | 15/10/1815 | Text by Körner |
305 | 305 | (1895) | XX, 3 No. 153 |
IV, 9 No. 36 | Mein Gruß an den Mai | Sei mir gegrüßt, o Mai | 15/10/1815 | Text by Kumpf |
306 | 306 | (1895) | XX, 3 No. 154 |
IV, 9 No. 37 | Skolie, D 306 | Laßt im Morgenstrahl des Mai'n | 15/10/1815 | Text by Deinhardstein |
307 | 307 | (1895) | XX, 3 No. 155 |
IV, 9 No. 38 | Die Sternenwelten | Oben drehen sich die großen unbekannten Welten dort | 15/10/1815 | Text by Fellinger , after Jarnik |
308 | 308 | (1895) | XX, 3 No. 156 |
IV, 9 No. 39 | Die Macht der Liebe | Überall, wohin mein Auge blicket | 15/10/1815 | Text by Kalchberg |
309 | 309 | (1872) | XX, 3 No. 157 |
IV, 9 No. 40 | Das gestörte Glück | Ich hab' ein heißes junges Blut | 15/10/1815 | Text by Körner |
309A | VII/2, 1 Anh. No. 2 |
Rondo, D 309A | C major | 1815 | For piano; Fragment; 4th movement of D 279? | |||
310 | 310 | (1895) | XX, 3 No. 158 |
IV, 3 | Sehnsucht, D 310, a.k.a. Lied der Mignon | Nur wer die Sehnsucht kennt | 18/10/1815 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 359, 481, 656 and 877 Nos. 1 & 4); Two versions |
311 | 311 | IV, 9 Anh. No. 3 |
An den Mond, D 311 | 19/10/1815? | For voice and piano; Sketch without text | |||
312 | 312 | 58,1 (1826) (1895) |
XX, 3 No. 159 |
IV, 3 | Hektors Abschied | Will sich Hektor ewig von mir wenden | 19/10/1815 | Text by Schiller; Two versions: 2nd is Op. 58 No. 1 |
313 | 313 | (1895) | XX, 3 No. 160 |
IV, 9 No. 41 | Die Sterne, D 313 | Wie wohl ist mir im Dunkeln! | 19/10/1815 | Text by Kosegarten |
314 | 314 | (1887) | XX, 3 No. 161 |
IV, 9 No. 42 | Nachtgesang, D 314 | Tiefe Feier schauert um die Welt | 19/10/1815 | Text by Kosegarten |
315 | 315 | (1895) | XX, 3 No. 162 |
IV, 9 No. 43 | An Rosa I | Warum bist du nicht hier | 19/10/1815 | Text by Kosegarten |
316 | 316 | (1895) | XX, 3 No. 163 |
IV, 9 No. 44 | An Rosa II | Rosa, denkst du an mich? | 19/10/1815 | Text by Kosegarten; Two versions |
317 | 317 | (1895) | XX, 3 No. 164 |
IV, 9 No. 45 | Idens Schwanenlied | Wie schaust du aus dem Nebelflor | 19/10/1815 | Text by Kosegarten; Two versions: 2nd in AGA |
318 | 318 | (1895) | XX, 3 No. 165 |
IV, 9 No. 46 | Schwangesang | Endlich stehn die Pforten offen | 19/10/1815 | Text by Kosegarten |
319 | 319 | (1895) | XX, 3 No. 166 |
IV, 9 No. 47 | Luisens Antwort | Wohl weinen Gottes Engel | 19/10/1815 | Text by Kosegarten |
320 | 320 | (1895) | XX, 3 No. 167 |
IV, 9 No. 48 | Der Zufriedene | Zwar schuf das Glück hienieden | 23/10/1815 | Text by Reissig |
321 | 321 | (1832) | XX, 3 No. 168 |
IV, 9 No. 49 | Mignon a.k.a. Mignons Gesang | Kennst du das Land | 23/10/1815 | Text by Goethe, from Wilhelm Meister's Apprenticeship III, 1 |
322 | 322 | (1837) | XX, 3 No. 169 |
IV, 9 No. 50 | Hermann und Thusnelda | Ha, dort kömmt er | 27/10/1815 | Text by Klopstock |
323 991 |
323 | (1895) | XX, 3 No. 172 |
IV, 9 No. 51 Anh. Nos. 5–6 | Klage der Ceres | Ist der holde Lenz erschienen? | 9/11/1815– June 1816 |
Text by Schiller; Two versions: 2nd in AGA; A fragment of the last part was D 991 |
324 | 324 | 141p (1837) |
XIII, 1 No. 3 |
I, 2 | Mass No. 3 | B♭ major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei |
started 11/11/1815 |
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 452, 678, 755 and 950); For satbSATB and orchestra |
324A | IV, 8 No. 41 |
Winterlied, D 324A | 1816?[17] | |||||
325 | 325 | (1895) | XX, 3 No. 173 |
IV, 1b No. 9 | Harfenspieler, D 325 | Wer sich der Einsamkeit ergibt | 13/11/1815 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: D 478 No. 1) |
326 | 326 | (1888) | XV, 2 No. 4 |
II, 3 | Die Freunde von Salamanka | (Singspiel in two acts) | 18/11/1815– 31/12/1815 |
Text by Mayrhofer; Music for ssstttbbbbbbSATB and orchestra; Overture – Act I (Nos. 1–7) – Act II (Nos. 8–18, with music of No. 12 reappearing in D 803 and of No. 14 in D 796 No. 15) |
327 | 327 | IV, 10 | Lorma, D 327 | Lorma saß in der Halle von Aldo | 28/11/1815 | Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 376); Fragment | ||
328 | 328 | 1 (1821) (1895) |
XX, 3 No. 178 |
IV, 1a & b No. 1 |
Erlkönig | Wer reitet so spät durch Nacht und Wind? | October 1815? |
Text by Goethe; Four versions: 2nd and 3rd switched in AGA – 4th is Op. 1 |
329 | 329 | (1895) | XX, 10 No. 591 |
IV, 9 Anh. No. 7 |
Die drei Sänger | Der König saß beim frohen Mahle | 23/12/1815 | Text by Bobrik ; Fragment |
329A | III, 2b Anh. No. 3 VIII, 2 No. 27 |
Das Grab, D 329A | Das Grab ist tief und stille | 28/12/1815? | Text by Salis-Seewis (other settings: D 330, 377, 569 and 643A); Canon for SATB; Sketch | |||
330 | 330 | (1895) | XX, 3 No. 182 |
III, 3 No. 14 Anh. I No. 2 |
Das Grab, D 330 | Das Grab ist tief und stille | 28/12/1815 | Text by Salis-Seewis (other settings: D 329A, 377, 569 and 643A); For choir and piano |
331–510 |
|
1816 | Up ↑ | |||||
331 332 |
331 | (1866) | XVI No. 38 |
III, 4 No. 31 |
Der Entfernten, D 331 | Wohl denk' ich allenthalben | c. 1816 | Text by Salis-Seewis (other setting: D 350); For ttbb; Identical to former D 332 |
333 | 796 |
|
|
|
Laß dein Vertrauen nicht schwinden |
|
|
Part of D 796 No. 21 |
334 | 334 | (1897) | XXI, 3 No. 24 |
VII/2, 4 | Minuet with Trio, D 334 | A major (minuet) / E major (trio) | before fall 1815 |
For piano |
335 | 335 | (1897) | XXI, 3 No. 25 |
VII/2, 6 | Minuet with two Trios | E major | 1813? | For piano |
337 | 337 | (1860) | XVI No. 39 |
III, 4 No. 32 |
Die Einsiedelei, D 337, a.k.a. Lob der Einsamkeit | Es rieselt klar und wehend ein Quell | c. 1816 | Text by Salis-Seewis (other settings: D 393 and 563); For ttbb |
338 | 338 | (1891) | XVI No. 40 |
III, 4 No. 33 |
An den Frühling, D 338 | Willkommen, schöner Jüngling! | c. 1816 | Text by Schiller (other settings: D 283 and 587); For ttbb |
342 | 342 | (1885) | XX, 4 No. 238 |
IV, 10 | An mein Klavier a.k.a. Seraphine an ihr Klavier | Sanftes Klavier, welche Entzückungen schaffest du mir | c. 1816 | Text by Schubart |
343 | 343 | (1831) | XX, 5 No. 342 |
IV, 10 | Am Tage Aller Seelen a.k.a. Litanei auf das Fest Aller Seelen | Ruh'n in Frieden alle Seelen | August 1816 |
Text by Jacobi; Two versions: 1st, in AGA, publ. in 1831 |
344 | 344 | IV, 10 | Am ersten Maimorgen | Heute will ich fröhlich sein | 1816? | Text by Claudius | ||
345 | 345 | (1897) | XXI, 1 No. 3 |
V, 7 No. 1 | Violin Concerto, a.k.a. Konzertstück (Concert Piece) | D major | 1816 | Adagio, Allegro |
346 | 346 | (1897) | XXI, 3 No. 17 |
VII/2, 4 Anh. | Allegretto, D 346 | C major | 1816? | For piano; Fragment; 4th movement of D 279? |
347 | 347 | (1897) | XXI, 3 No. 18 |
VII/2, 4 Anh. | Allegro moderato, D 347 | C major | 1813? | For piano; Fragment |
348 | 348 | (1897) | XXI, 3 No. 19 |
VII/2, 4 Anh. | Andantino, D 348 | C major | 1816? | For piano; Fragment |
349 | 349 | (1897) | XXI, 3 No. 21 |
VII/2, 4 Anh. | Adagio, D 349 | C major | 1816? | For piano; Fragment |
350 | 350 | (1885) | XX, 4 No. 203 |
IV, 10 | Der Entfernten, D 350 | Wohl denk' ich allenthalben | 1816? | Text by Salis-Seewis (other setting: D 331) |
351 | 351 | (1895) | XX, 4 No. 204 |
IV, 11 | Fischerlied, D 351 | Das Fischergewerbe gibt rüstigen Mut | 1816? | Text by Salis-Seewis (other settings: D 364 and 562) |
352 | 352 | (1847) | XX, 4 No. 286 |
III, 2b No. 21 |
Licht und Liebe a.k.a. Nachtgesang | Liebe ist ein süßes Licht | 1816? | Text by Collin, M. C.; For st and piano |
353 | 353 | 125p,2 (1840) |
V No. 11 | VI, 4 No. 12 |
String Quartet No. 11 | E major | 1816 | Allegro con fuoco – Andante – Minuet – Rondo |
354 | 354 | (1930) | VI, 9 | Four Komische Ländler | D major | January 1816 |
For two violins | |
355 | 355 | (1928) | VI, 9 | Eight Ländler, D 355 | F♯ minor | January 1816 |
For violin(?) | |
356 | 356 | (1844) | III, 3 Anh. II No. 3 | Trinklied, D 356 | Funkelnd im Becher so helle, so hold | 1816 | For vocal soloist, TTBB and piano; Piano part lost (by Czerny in 1844 ed.) | |
357 | 357 | (1892) | XIX No. 24 |
III, 4 No. 35 VIII, 2 No. 28 |
Goldner Schein | Goldner Schein deckt den Hain | 1/5/1816 | Text by Matthisson; Canon for three voices |
358 | 358 | (1849) | XX, 4 No. 235 |
IV, 10 | Die Nacht, D 358 | Du verstörst uns nicht, o Nacht! | 1816 | Text by Uz |
359 | 359 | (1872) | XX, 4 No. 260 |
IV, 3 | Sehnsucht, D 359 a.k.a. Lied der Mignon | Nur wer die Sehnsucht kennt | 1816 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 481, 656 and 877 Nos. 1 & 4) |
360 | 360 | 65,1 (1826) |
XX, 4 No. 268 |
IV, 3 | Lied eines Schiffers an die Dioskuren | Dioskuren, Zwillingssterne | 1816 | Text by Mayrhofer |
361 | 361 | 109p,1 (1829) |
XX, 4 No. 272 |
IV, 10 | Am Bach im Frühling | Du brachst sie nun, die kalte Rinde | 1816 | Text by Schober; Piano intro probably not by Schubert |
362 | 362 | (1895) | XX, 4 No. 280 |
IV, 11 | Zufriedenheit, D 362, a.k.a. Lied | Ich bin vergnugt | 1815 or 1816? |
Text by Claudius (other setting: D 501) |
363 | 363 | IV, 10 | An Chloen, D 363 | Die Munterkeit ist meinen Wangen | 1816 | Text by Uz; Fragment | ||
364 | 364 | (1897) | XXI, 4 No. 35 |
III, 4 No. 34 |
Fischerlied, D 364 | Das Fischergewerbe gibt rüstigen Mut | 1816 or 1817? |
Text by Salis-Seewis (other settings: D 351 and 562); For ttbb |
365 | 365 | 9 (1821) |
XII No. 1 |
VII/2, 6 & 7a |
36 Original Dances a.k.a. Erste Walzer | Various keys | c. Mar. 1818– Jul. 1821 |
For piano; No. 2 publ. in 1826 as Beethoven's (Kinksky Anh. 14 No. 1) |
366 | 366 | (1824) (1869) |
XII No. 10 |
VII/2, 6 & 7a |
17 Ländler, D 366 | Various keys | c. Jul. 1824– Nov. 1824 |
For piano; Nos. 6 and 17 publ. in 1824; No. 7 partly reappears in D 618 and No. 17 in D 814 |
367 | 367 | 5,5 (1821) |
XX, 4 No. 261 |
IV, 1a | Der König in Thule | Es war ein König in Thule | early 1816 | Text by Goethe, from Faust I, 8 |
368 | 368 | 3,4 (1821) |
XX, 4 No. 262 |
IV, 1a | Jägers Abendlied, D 368 | Im Felde schleich ich, still und wild | early 1816? | Text by Goethe (other setting: D 215) |
369 | 369 | 19,1 (1825) |
XX, 4 No. 263 |
IV, 1a | An Schwager Kronos | Spute dich, Kronos! | 1816 | Text by Goethe |
370 | 370 | (1930) | VI, 9 | Nine Ländler, D 370 | D major | January 1816 |
For violin?; No. 7 reused in D 378 No. 6 | |
371 292 |
371 | (1872) | XX, 4 No. 185 |
IV, 10 | Klage, D 371 | Trauer umfließt mein Leben | January 1816 |
Two versions: 1st, a sketch, was D 292 |
372 | 372 | (1895) | XX, 4 No. 183 |
IV, 10 | An die Natur | Süße, heilige Natur | 15/1/1816 | Text by Stolberg-Stolberg |
373 | 373 | (1895) | XX, 4 No. 184 |
IV, 10 | Lied, D 373 | Mutter geht durch ihre Kammern | 15/1/1816? | Text by Motte Fouqué, from Undine |
374 | 374 | (1902) | VI, 9 | 11 Ländler, D 374 | B♭ major | February 1816? |
For violin; Nos. 1–3, 5, 7 and 11 reused in Nos. 1–5 and 7 of D 378; No. 2 also partly in D 146 No. 10 | |
375 | 375 | (1830) | XX, 4 No. 187 |
IV, 10 | Der Tod Oskars | Warum öffnest du wieder | February 1816 |
Text by Macpherson (Ossian), transl. by E. Baron de Harold |
376 | 376 | (1895) | XX, 10 No. 592 |
IV, 10 | Lorma, D 376 | Lorma saß in der Halle von Aldo | 10/2/1816 | Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 327); Fragment |
377 | 377 | (1872) | XX, 4 No. 186 |
III, 3 No. 21 Anh. I No. 3 |
Das Grab, D 377 | Das Grab ist tief und stille | 11/2/1816 | Text by Salis-Seewis (other settings: D 329A, 330, 569 and 643A); For TTBB and piano |
378 | 378 | (1889) | XII No. 12 |
VII/2, 6 | Eight Ländler, D 378 | B♭ major | 13/2/1816 | For piano; Nos. 1–5 and 7 reuse D 374 Nos. 1–3, 7, 11 and 5; No. 2 partly in D 146 No. 10; No. 6 reuses D 370 No. 7 |
379 | 379 | (1859) | XIV No. 17 | I, 9 No. 13 & Anh. 2 |
Deutsches Salve Regina (German Salve Regina) | Sei, Mutter der Barmherzigkeit F major |
21/2/1816 | Text: after Salve Regina; For SATB and organ |
380 | 380 | (1897) (1956) (1989) |
XXI, 2 No. 28 |
VII/2, 6 | Three Minuets, each with Two Trios | E major (No. 1) A major (No. 2) C major (No. 3) |
22/2/1816 | For piano; AGA only Nos. 1–2; Start of No. 3, a fragment (1st trio incomplete, 2nd trio missing), reused in D 557 |
381 | 381 | (1895) | XX, 4 No. 189 |
IV, 10 | Morgenlied, D 381 | Die frohe, neubelebte Flur | 24/2/1816 | |
382 | 382 | (1895) | XX, 4 No. 190 |
IV, 10 | Abendlied, D 382 | Sanft glänzt die Abendsonne | 24/2/1816 | |
383 992 |
383 | (1888) | XIV No. 13 | I, 7 | Stabat Mater, D 383, a.k.a. Deutsches Stabat Mater (German Stabat Mater) | Jesus Christus schwebt am Kreuze F minor |
started 28/2/1816 |
Text by Klopstock after Stabat Mater; For stbSATB and orchestra; Sketch for Nos. 5–6 was D 992 |
384 | 384 | 137p,1 (1836) |
VIII No. 2 |
VI, 8 No. 1 & anh. 1 |
Violin Sonata, D 384, a.k.a. Sonatina No. 1 | D major | March 1816 | Allegro molto (+early version in NSA) – Andante – Allegro vivace |
385 | 385 | 137p,2 (1836) |
VIII No. 3 |
VI, 8 No. 2 | Violin Sonata, D 385, a.k.a. Sonatina No. 2 | A minor | March 1816 | Allegro moderato – Andante – Minuet – Allegro |
386 | 386 | (1833) | XIV No. 20 | I, 9 No. 12 & Anh. 1 |
Salve Regina, D 386 | B♭ major Salve Regina |
early 1816 | Text: Salve Regina (other settings: D 27, 106, 223, 676 and 811); For SATB |
387 | 387 | (1897) | XXI, 4 No. 44 |
III, 2b Anh. No. 4b |
Die Schlacht, D 387 | Schwer und dumpfig | March 1816 | Text by Schiller (other setting: D 249); Sketch for vocal soloists, choir and piano; Music partly in D 249 and 602 No. 1 |
388 | 388 | (1895) | XX, 4 No. 193 |
IV, 10 | Laura am Klavier | Wenn dein Finger durch die Saiten meistert | March 1816 | Text by Schiller; Two versions |
389 | 389 | (1873) | XX, 4 No. 194 |
IV, 3 | Des Mädchens Klage, D 389 | Der Eichwald brauset | March 1816 | Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 191) |
390 | 390 | (1895) | XX, 4 No. 195 |
IV, 10 | Entzückung an Laura, D 390 | Laura, über diese Welt | March 1816 | Text by Schiller (other setting: D 577) |
391 | 391 | 111p,3 (1829) |
XX, 4 No. 196 |
IV, 10 | Die vier Weltalter | Wohl perlet im Glase | March 1816 | Text by Schiller |
392 | 392 | (1895) | XX, 4 No. 197 |
IV, 10 | Pflügerlied | Arbeitsam und wacker | March 1816 | Text by Salis-Seewis |
393 | 393 | (1845) | XX, 4 No. 198 |
IV, 11 | Die Einsiedelei, D 393 | Es rieselt klar und wehend ein Quell | March 1816 | Text by Salis-Seewis (other settings: D 337 and 563) |
394 | 394 | (1895) | XX, 4 No. 199 |
IV, 10 | An die Harmonie a.k.a. Gesang an die Harmonie | Schöpferin beseelter Töne! | March 1816 | Text by Salis-Seewis |
395 | 395 | 111p,2 (1829) |
XX, 4 No. 205 |
IV, 10 | Lebensmelodien | Auf den Wassern wohnt mein stilles Leben | March 1816 | Text by Schlegel, A. W. |
396 | 396 | (1975) | IV, 2 Anh. No. 1 |
Gruppe aus dem Tartarus, D 396 | Horch, wie Murmeln des empörten Meeres | March 1816 | Text by Schiller (other settings: D 65 and 583); Fragment | |
397 | 397 | (1832) | XX, 4 No. 191 |
IV, 10 | Ritter Toggenburg | Ritter, treue Schwesterliebe | 13/3/1816 | Text by Schiller |
398 | 398 | (1887) | XX, 4 No. 217 |
IV, 10 | Frühlingslied, D 398 | Die Luft ist blau | 13/5/1816 | Text by Hölty (other setting: D 243) |
399 | 399 | (1895) | XX, 4 No. 218 |
IV, 10 | Auf den Tod einer Nachtigall, D 399 | Sie ist dahin, die Maienlieder tönte | 13/5/1816 | Text by Hölty (other setting: D 201) |
400 | 400 | (1895) | XX, 4 No. 219 |
IV, 10 | Die Knabenzeit | Wie glücklich, wem das Knabenkleid | 13/5/1816 | Text by Hölty |
401 | 401 | (1895) | XX, 4 No. 220 |
IV, 10 | Winterlied, D 401 | Keine Blumen blühn | 13/5/1816 | Text by Hölty |
402 | 402 | (1872) | XX, 4 No. 192 |
IV, 10 | Der Flüchtling | Frisch atmet des Morgens lebendiger Hauch | 18/3/1816 | Text by Schiller (other setting: D 67) |
403 | 403 | (1845) (1895) |
XX, 4 No. 201 |
IV, 10 | Lied, D 403 | In's stille Land | 27/3/1816 | Text by Salis-Seewis; Four versions: 1st, publ. in 1845, and 2nd in AGA; Music partly reappears in D 877 No. 4 |
404 | 404 | (1885) | XX, 4 No. 200 |
IV, 10 | Die Herbstnacht a.k.a. Die Wehmuth | Mit leisen Harfentönen | March 1816 | Text by Salis-Seewis |
405 | 405 | (1895) | XX, 4 No. 202 |
IV, 10 | Der Herbstabend | Abendglockenhalle zittern | April 1816 | Text by Salis-Seewis; Two versions: 1st in AGA |
406 | 406 | (1887) | XX, 4 No. 208 |
IV, 10 | Abschied von der Harfe | Noch einmal tön, o Harfe | March 1816 | Text by Salis-Seewis |
407 441 |
407 | (1891) (1892) |
XVI No. 44 XIX No. 5 |
III, 3 No. 22 Anh. IV No. 3 VIII, 2 No. 31 |
Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri | Gütigster, Bester! Weisester Größter! – So Güt’ als Weisheit strömen mild – Unser aller Großpapa, bleibe noch recht lange da | before 16/6/1816 |
Text by Schubert; Quartet for ttbb (variant for ttb and piano: formerly D 441) – Aria for t and piano – Canon for three voices |
408 | 408 | 137p,3 (1836) |
VIII No. 4 |
VI, 8 No. 3 | Violin Sonata, D 408, a.k.a. Sonatina No. 3 | G minor | April 1816 | Allegro giusto – Andante – Minuet – Allegro moderato |
409 | 409 | (1872) | XX, 4 No. 206 |
IV, 10 | Die verfehlte Stunde | Quälend ungestilltes Sehnen | April 1816 | Text by Schlegel, A. W. |
410 | 410 | 115p,3 (1829) |
XX, 4 No. 207 |
IV, 10 | Sprache der Liebe | Laß dich mit gelinden Schlägen rühren | April 1816 | Text by Schlegel, A. W. |
411 | 411 | (1887) | XX, 4 No. 209 |
IV, 10 | Daphne am Bach | Ich hab' ein Bächlein funden | April 1816 | Text by Stolberg-Stolberg |
412 | 412 | (1838) | XX, 4 No. 210 |
IV, 10 | Stimme der Liebe, D 412 | Meine Selinde | April 1816 | Text by Stolberg-Stolberg; Two versions: 2nd in AGA |
413 | 413 | (1895) | XX, 4 No. 211 |
IV, 10 | Entzückung | Tag voll Himmel! | April 1816 | Text by Matthisson |
414 | 414 | (1895) | XX, 4 No. 212 |
IV, 10 | Geist der Liebe, D 414 | Der Abend schleiert Flur und Hain | April 1816 | Text by Matthisson (other setting: D 747) |
415 | 415 | (1895) | XX, 4 No. 213 |
IV, 10 | Klage, D 415 | Die Sonne steigt, die Sonne sinkt | April 1816 | Text by Matthisson |
416 | 416 | (1825) | IV, 10 | Lied in der Abwesenheit | Ach, mir ist das Herz so schwer | April 1816 | Text by Stolberg-Stolberg; Fragment | |
417 | 417 | (1884) | I, 2 No. 4 |
V, 2 No. 4 |
Symphony No. 4 Tragic |
C minor | completed 27/4/1816 |
Adagio molto, Allegro vivace – Andante – Minuet – Allegro |
418 | 418 | (1895) | XX, 4 No. 214 |
IV, 10 | Stimme der Liebe, D 418 | Abendgewölke schweben hell | 29/4/1816 | Text by Matthisson (other setting: D 187) |
419 | 419 | (1895) | XX, 4 No. 215 |
IV, 10 | Julius an Theone | Nimmer, nimmer darf ich dir gestehen | 30/4/1816 | Text by Matthisson |
420 | 420 | (1871) | XII No. 11 |
VII/2, 7a | Twelve German Dances, D 420 | Various keys | 1816 | For piano; No. 10 reappears in D 679 No. 1 |
421 | 421 | (1889) | XII No. 27 |
VII/2, 6 | Six Écossaises, D 421 | Various keys | May 1816 | For piano; No. 1 after D 145 Écoss. No. 5 |
422 | 422 | 16,2 (1823) |
XVI No. 8 |
III, 3 No. 23 | Naturgenuß, D 422 | Im Abendschimmer wallt der Quell | 1822? | Text by Matthisson (other setting: D 188); For ttbb and piano |
423 | 423 | (1974) | III, 4 No. 36 |
Andenken, D 423 | Ich denke dein wenn durch den Hain | May 1816 | Text by Matthisson (other setting: D 99); For ttb | |
424 | 424 | (1974) | III, 4 No. 37 |
Erinnerungen, D 424 | Am Seegestad, in lauen Vollmondsnächten | May 1816 | Text by Matthisson (other setting: D 98); For ttb | |
425 | 425 | Lebensbild | May 1816 | Lost: may be related to D Anh. I/23 with the same lyrics as D 508; For ttb | ||||
426 | 426 | III, 4 | Trinklied, D 426 | Herr Bacchus ist ein braver Mann | May 1816 | Lost; Text by Bürger; For ttb | ||
427 | 427 | (1892) | XIX No. 17 |
III, 4 No. 38 |
Trinklied im Mai | Bekränzet die Tonnen | May 1816 | Text by Hölty; For ttb |
428 | 428 | (1974) | III, 4 No. 39 |
Widerhall | Auf ewig dein, wenn Berg und Meere trennen | May 1816 | Text by Matthisson; For ttb | |
429 | 429 | (1885) | XX, 4 No. 221 |
IV, 10 | Minnelied | Holder klingt der Vogelsang | May 1816 | Text by Hölty |
430 | 430 | (1895) | XX, 4 No. 222 |
IV, 10 | Die frühe Liebe | Schon im bunten Knabenkleide | May 1816 | Text by Hölty; Two versions: 1st in AGA |
431 | 431 | (1887) | XX, 4 No. 223 |
IV, 10 | Blumenlied | Es ist ein halbes Himmelreich | May 1816 | Text by Hölty |
432 | 432 | (1850) (1895) |
XX, 4 No. 224 |
IV, 10 | Der Leidende a.k.a. Klage, D 432 | Nimmer trag' ich langer | May 1816 | Other setting: D Anh. I/28; Two versions: 1st publ. in 1850 |
433 | 433 | (1895) | XX, 4 No. 225 |
IV, 10 | Seligkeit | Freuden sonder Zahl | May 1816 | Text by Hölty |
434 | 434 | (1850) | XX, 4 No. 226 |
IV, 10 | Erntelied | Sicheln schallen, Ähren fallen | May 1816 | Text by Hölty |
435 | 435 | (1893) | XV, 7 No. 13 |
II, 13 III, 4 No. 30 |
Die Bürgschaft, D 435 | (Opera in three acts) | started 2/5/1816 |
For four sopranos, three tenors, three basses, two baritones, SATB and orchestra; Unfinished: Nos. 1–9 (Act I) – Nos. 10–14 (Act II, No. 13 in NSA III, 4, No. 14 reuses part of D 246) – Nos. 15–16 (Act III, No. 16 is fragment) |
436 437 |
436 | (1850) | XX, 4 No. 216 |
IV, 10 | Klage, D 436 | Dein Silber schien durch Eichengrün | 12/5/1816 | Text by Hölty; Two versions: 1st publ. in 1850 – 2nd was D 437 |
438 | 438 | (1897) | XXI, 1 No. 4 |
V, 7 No. 2 | Rondo, D 438 | A major | June 1816 | For violin and string orchestra |
439 | 439 | (1872) | XVII No. 12 |
III, 2a No. 8 |
An die Sonne, D 439 | O Sonne, Königin der Welt | June 1816 | Text by Uz; For satb and piano |
440 | 440 | (1839) | XVII No. 18 |
III, 2a No. 9 |
Chor der Engel | Christ ist erstanden | June 1816 | Text by Goethe, from Faust I, 1; For SATB |
441 | 407 |
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See D 407 |
442 | 442 | (1847) | XX, 4 No. 227 |
III, 3 No. 7 Anh. I No. 4 IV, 10 |
Das große Halleluja | Ehre sei dem Hocherhabnen | June 1816 | Text by Klopstock; For voice(s?) and piano |
443 | 443 | (1895) | XX, 4 No. 228 |
III, 3 No. 8 Anh. I No. 5 IV, 10 |
Schlachtlied, D 443, a.k.a. Schlachtgesang | Mit unserm Arm ist nichts getan | June 1816 | Text by Klopstock, from Oden (other setting: D 912); For voice(s?) and piano |
444 | 444 | (1831) | XX, 4 No. 229 |
IV, 10 | Die Gestirne | Es tönet sein Lob | June 1816 | Text by Klopstock, from Oden |
445 | 445 | (1837) | XX, 4 No. 230 |
IV, 10 | Edone | Dein süßes Bild, Edone | June 1816 | Text by Klopstock, from Oden |
446 | 446 | (1887) | XX, 4 No. 231 |
IV, 10 | Die Liebesgötter | Cypris, meiner Phyllis gleich | June 1816 | Text by Uz |
447 | 447 | (1895) | XX, 4 No. 232 |
IV, 10 | An den Schlaf | Komm und senke die umflorten Schwingen | June 1816 | |
448 | 448 | (1887) | XX, 4 No. 233 |
IV, 10 | Gott im Frühlinge | In seinem schimmernden Gewand | June 1816 | Text by Uz; Two versions: 1st, publ. in 1887, in AGA |
449 | 449 | (1872) | XX, 4 No. 234 |
IV, 10 | Der gute Hirt | Was sorgest du? | June 1816 | Text by Uz |
450 | 450 | (1832) (1895) |
XX, 4 No. 236 |
IV, 10 | Fragment from Aeschylus | So wird der Mann | June 1816 | Text by Mayrhofer after Aeschylus' Eumenides (Oresteia III); Two versions: 2nd publ. in 1832 |
451 | 451 | Prometheus, D 451 | Hervor aus Buschen und Baumen | 17/6/1816 | Text by Draexler von Carin ; Lost; Cantata for soprano, bass, choir and orchestra | |||
452 961 |
452 | 48 (1825) (1829) |
XIII, 1 No. 4 |
I, 2 | Mass No. 4 | C major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei |
Jun. 1816– Oct. 1828 |
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 678, 755 and 950); For satbSATB and orchestra; 2nd setting of "Benedictus", publ. in 1829, was D 961 |
453 | 453 | I, 5 Anh. | Requiem | C minor Introitus – Kyrie |
July 1816 | Fragment; For SATB and orchestra | ||
454 | 454 | (1872) | XX, 4 No. 239 |
IV, 10 | Grablied auf einen Soldaten | Zieh hin, du braver Krieger du! | July 1816 | Text by Schubart |
455 | 455 | (1887) | XX, 4 No. 240 |
IV, 10 | Freude der Kinderjahre | Freude, die im frühen Lenze | July 1816 | Text by Köpken |
456 | 456 | (1887) | XX, 4 No. 241 |
IV, 10 | Das Heimweh, D 456 | Oft in einsam stillen Stunden | July 1816 | Text by Hell |
457 | 457 | 44 (1827) |
XX, 4 No. 237 |
IV, 3 | An die untergehende Sonne | Sonne, du sinkst | July 1816– May 1817 |
Text by Kosegarten |
458 | 458 | (1872) | XX, 4 No. 242 |
IV, 10 | Aus Diego Manazares: Ilmerine | Wo irrst du durch einsame Schatten | 30/07/1816 | Text by Schlechta from Diego Manazares |
459 (Nos. 1–2) |
459 | (1843) | XI No. 14 | VII/2, 1 No. 3 |
Piano Sonata, D 459 | E major | August 1816 |
Allegro moderato – Scherzo; With D 459A a.k.a. Fünf Klavierstücke |
459 (Nos. 3–5) |
459A | (1843) | XI No. 14 | VII/2, 4 | Three piano pieces, D 459A | C major (No. 1) A major (No. 2) E major (No. 3) |
1816? | Adagio – Scherzo – Allegro patetico; With D 459 a.k.a. Fünf Klavierstücke |
460 | 460 | (1888) | XIV No. 7 | I, 9 No. 6 |
Tantum ergo, D 460 | C major | August 1816 |
Text by Aquinas (other settings: D 461, 730, 739, 750, 962 and Anh. I/17); For sSATB and orchestra |
461 | 461 | (1935) | I, 9 No. 7 |
Tantum ergo, D 461 | C major | August 1816 |
Text by Aquinas (other settings: D 460, 730, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra | |
462 | 462 | (1895) | XX, 4 No. 244 |
IV, 10 | An Chloen, D 462 | Bei der Liebe reinsten Flammen | August 1816 |
Text by Jacobi |
463 | 463 | (1895) | XX, 4 No. 245 |
IV, 10 | Hochzeit-Lied | Will singen euch im alten Ton | August 1816 |
Text by Jacobi |
464 | 464 | (1895) | XX, 4 No. 246 |
IV, 10 | In der Mitternacht | Todesstille deckt das Tal | August 1816 |
Text by Jacobi |
465 | 465 | (1885) | XX, 4 No. 247 |
IV, 10 | Trauer der Liebe | Wo die Taub' in stillen Buchen | August 1816 |
Text by Jacobi; Two versions: 1st, in AGA, publ. 1885 |
466 | 466 | (1872) | XX, 4 No. 248 |
IV, 10 | Die Perle | Es ging ein Mann zur Frühlingszeit | August 1816 |
Text by Jacobi |
467 | 467 | (1885) | XX, 10 No. 593 |
IV, 10 | Pflicht und Liebe | Du, der ewig um mich trauert | August 1816 |
Text by Gotter; Fragment |
468 | 468 | (1895) | XX, 4 No. 243 |
IV, 10 | An den Mond, D 468 | Was schauest du so hell | 07/08/1816 | Text by Hölty |
469 | 469 | (1897) | XXII, 11 Nos. 394– 395 |
IV, 3 | Mignon, D 469 | So laßt mich scheinen, bis ich werde | September 1816 |
Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 727 and 877 No. 3); Two versions, both fragments |
470 601 |
470 | (1886) | II No. 3 | V, 5 VI, 4 Anh. No. 4 |
Overture, D 470 | B♭ major | September 1816 |
For orchestra; Overture to D 472(?); Fragment for string quartet was D 601 |
471 | 471 | (1890) (1897) |
VI No. 1 XXII, 1 p. 84 |
VI, 6 No. 1 & Anh. No. 2 |
String Trio, D 471 | B♭ major | September 1816 |
Allegro (AGA VI) – Andante sostenuto (fragment, in AGA XXII) |
472 | 472 | 128p (1830) (1892) |
XVII No. 2 |
III, 1 | Kantate zu Ehren von Josef Spendou | Da liegt er, starr – Gottes Bild ist Furst und Staat – Ein Punkt nur ist der Mensch – Die Sonne sticht | September 1816 |
Text by Hoheisel ; For sstbSSATB and orchestra (piano reduction in 1st ed.); Overture: D 470(?); Recitative, aria with choir – Recitative, duet – Recitative, choir – Recitative, quartet with choir |
473 | 473 | (1833) (1895) |
XX, 4 No. 249 |
IV, 10 | Liedesend | Auf seinem gold'nen Throne | September 1816 |
Text by Mayrhofer; Two versions: 2nd in 1st ed. |
474 | 474 | (1832) (1895) |
XX, 4 No. 250 |
IV, 10 | Lied des Orpheus, als er in die Hölle ging | Wälze dich hinweg | September 1816 |
Text by Jacobi; Two versions: 2nd in 1st ed. |
475 | 475 | (1885) | XX, 4 No. 251 |
IV, 11 | Abschied: Nach einer Wallfahrts-Arie bearbeitet | Über die Berge zieht ihr fort | September 1816 |
Text by Jacobi |
476 | 476 | (1872) | XX, 4 No. 252 |
IV, 11 | Rückweg | Zum Donaustrom, zur Kaiserstadt | September 1816 |
Text by Mayrhofer |
477 | 477 | (1895) | XX, 4 No. 253 |
IV, 11 | Alte Liebe rostet nie | Alte Liebe rostet nie | September 1816 |
Text by Mayrhofer |
478 479 480 |
478 | 12 (1822) (1895) |
XX, 4 Nos. 254, 256– 258, 255 |
IV, 1a & b No. 10 & Anh. Nos. 6–7 |
Gesänge des Harfners aus "Wilhelm Meister" | 1. Wer sich der Einsamkeit ergibt – 2. Wer nie sein Brot mit Tränen aß – 3. An die Türen will ich schleichen | September 1816–1822 |
Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting of No. 1: D 325); No. 2 was D 480; No. 3 was D 479; Two versions: 1st, Harfenspieler I/III/II, composed 1816, publ. 1895, has two variants of No. 2 – 2nd, 1822, is Op. 12 |
481 | 481 | (1895) | XX, 4 No. 259 |
IV, 3 | Sehnsucht, D 481 | Nur wer die Sehnsucht kennt | September 1816 |
Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 656 and 877 Nos. 1 & 4) |
482 | 482 | (1895) | XX, 4 No. 264 |
IV, 11 | Der Sänger am Felsen | Klage, meine Flöte, klage | September 1816 |
Text by Pichler, from Idyllen |
483 | 483 | (1895) | XX, 4 No. 265 |
IV, 11 | Lied, D 483 | Ferne von der großen Stadt | September 1816 |
Text by Pichler, from Idyllen |
484 | 484 | (1895) | XX, 10 No. 594 |
IV, 11 | Gesang der Geister über den Wassern, D 484 | Des Menschen Seele gleicht dem Wasser | September 1816 |
Text by Goethe (other settings: D 538, 705 and 714); Fragment |
485 | 485 | (1885) | I, 2 No. 5 |
V, 2 No. 5 |
Symphony No. 5 | B♭ major | Sept.–3 Oct. 1816 |
Allegro – Andante con moto – Minuet – Allegro vivace |
486 | 486 | (1888) | XIV No. 11 | I, 9 No. 4 |
Magnificat | Magnificat anima mea Dominum C major |
15/09/1815 | Text by Luke (Vulgate translation); For satbSATB and orchestra |
487 | 487 | (1865) | VII, 1 No. 2 |
V, 7 No. 4 VI, 7 No. 5 |
Adagio e Rondo concertante | F major | October 1816 | For piano quartet |
488 | 488 | (1888) | XIV No. 10 | I, 8 | Auguste jam coelestium | Auguste jam coelestium | October 1816 | Duet for st and orchestra |
489 493 |
489 | 4,1 (1821) (1895) (1970) |
XX, 4 No. 266 |
IV, 1a & b No. 5 |
Der Wanderer, D 489, a.k.a. Der Unglückliche | Ich komme vom Gebirge her | October 1816 | Text by Schmidt von Lübeck; Three versions: 1st and 3rd in AGA 1895 – 2nd and 3rd were D 493 (2nd publ. 1970 – 3rd is Op. 4 No. 1); Music partly reappears in D 760 |
490 | 490 | (1895) | XX, 4 No. 267 |
IV, 11 | Der Hirt | Du Turm! zu meinem Leide | October 1816 | Text by Mayrhofer |
491 | 491 | (1887) | XX, 4 No. 269 |
IV, 11 | Geheimnis: An F. Schubert | Sag an, wer lehrt dich Lieder | October 1816 | Text by Mayrhofer |
492 | 492 | (1849) | XX, 4 No. 270 |
III, 3 No. 15 IV, 11 |
Zum Punsche, D 492 | Woget brausend, Harmonien | October 1816 | Text by Mayrhofer |
493 | 489 |
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See D 489 |
494 | 494 | (1871) | XVI No. 32 |
III, 4 No. 41 |
Der Geistertanz, D 494 | Die bretterne Kammer der Toten erbebt | November 1816 | Text by Matthisson (other settings: D 15, 15A and 116); For ttbbb |
495 | 495 | (1868) | XX, 4 No. 271 |
IV, 11 | Abendlied der Fürstin | Der Abend rötet nun das Tal | November 1816 | Text by Mayrhofer |
496 | 496 | (1885) | XX, 4 No. 274 |
IV, 11 | Bei dem Grabe meines Vaters | Friede sei um diesen Grabstein her! | November 1816 | Text by Claudius |
140 | 496A | (1968) | IV, 7 No. 22 |
Klage um Ali Bey, D 496A | Laßt mich! laßt mich! ich will klagen | November 1816 | Text by Claudius (other setting: D 140) | |
497 | 497 | 98,1 (1829) |
XX, 4 No. 276 |
IV, 5 | An die Nachtigall, D 497 | Er liegt und schläft | November 1816 | Text by Claudius |
498 | 498 | 98,2 (1829) |
XX, 4 No. 277 |
IV, 5 | Wiegenlied, D 498 | Schlafe, schlafe, holder süßer Knabe | November 1816 | |
499 | 499 | (1885) | XX, 4 No. 278 |
IV, 11 | Abendlied, D 499 | Der Mond ist aufgegangen | November 1816 | Text by Claudius |
500 | 500 | (1895) | XX, 4 No. 279 |
IV, 11 | Phidile | Ich war erst sechzehn Sommer alt | November 1816 | Text by Claudius |
501 | 501 | (1895) | XX, 4 No. 281 |
IV, 11 | Zufriedenheit, D 501 | Ich bin vergnugt | November 1816 | Text by Claudius (other setting: D 362); Two versions: 1st in AGA |
502 | 502 | (1872) | XX, 4 No. 282 |
IV, 11 | Herbstlied, D 502 | Bunt sind schon die Wälder | November 1816 | Text by Salis-Seewis |
503 | 503 | IV, 11 | Mailied, D 503 | Grüner wird die Au | November 1816 | Text by Hölty (other settings: D 129 and 199) | ||
504 | 504 | 6,3 (1821) (1970) |
XX, 4 No. 275 |
IV, 1a & b No. 8 |
Am Grabe Anselmos | Daß ich dich verloren habe | 4/11/1816 | Text by Claudius; Two versions: 1st, in AGA, is Op. 6 No. 3 |
505 | 505 | 145p,1 (1848) (1897) |
XI No. 5 XXII, 4 No. 5 |
VII/2, 2 | Adagio, D 505 | D♭ major | September 1818? |
For piano; 2nd movement of D 625?; Abridged variant in E major, in AGA XXI, is Op. posth. 145 No. 1 |
506 | 506 | 145p,2 (1848) |
XI No. 5 | VII/2, 4 | Rondo, D 506 | E major | June 1817? | For piano; 4th movement of D 566? |
507 | 507 | (1895) | XX, 4 No. 283 |
IV, 11 | Skolie, D 507 | Mädchen entsiegelten | December 1816 | Text by Matthisson |
508 | 508 | (1845) | XX, 4 No. 284 |
IV, 11 | Lebenslied, D 508 | Kommen und Scheiden | December 1816 | Text by Matthisson (other settings: D Anh. I, 23, and possibly 425) |
509 | 509 | (1872) | XX, 4 No. 285 |
IV, 11 | Leiden der Trennung | Vom Meere trennt sich die Welle | December 1816 | Text by Metastasio, from Artaserse III, 1, "L'onda dal mar divisa", transl. by Collin, H. J.; Two versions: 1st is a fragment – 2nd in AGA |
510 | 510 | (1895) | XX, 10 No. 573 |
IV, 11 | Vedi quanto adoro | Vedi quanto adoro | December 1816 | Text by Metastasio, from Didone abbandonata II, 4; Aria for soprano and piano; Clean copy and three sketches; Last extant autograph with corrections by Salieri[15] |
511–598 |
|
1817 | Up ↑ | |||||
511 | 511 | VII/2, 6 | Écossaise, D 511 | E♭ major | c. 1817 | For piano | ||
513 | 513 | (1891) | XVI No. 19 |
III, 3 Anh. II No. 4 | La pastorella al prato, D 513 | La pastorella al prato | 1817? | Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 528); For ttbb and piano |
513A | IV, 11 | Nur wer die Liebe kennt | Nur wer die Liebe kennt | 1817? | Text by Werner; Sketch | |||
514 | 514 | 7,1 (1823) |
XX, 5 No. 300 |
IV, 1a | Die abgeblühte Linde | Wirst du halten, was du schwurst | 1817? | Text by Széchényi |
515 | 515 | 7,2 (1823) |
XX, 5 No. 301 |
IV, 1a | Der Flug der Zeit | Es floh die Zeit im Wirbelfluge | 1817? | Text by Széchényi |
516 | 516 | 8,2 (1822) |
XX, 6 No. 386 |
IV, 1a & Anh. No. 5 |
Sehnsucht, D 516 | Der Lerche wolkennahe Lieder | 1816? | Text by Mayrhofer |
517 | 517 | 13,1 (1822) (1972) |
XX, 5 No. 293 |
IV, 1a | Der Schäfer und der Reiter | Ein Schäfer saß im Grünen | April 1817 | Text by Motte Fouqué; Two versions: 2nd, in AGA, is Op. 13 No. 1 |
518 | 518 | (1824) | XX, 5 No. 326 |
IV, 5 | An den Tod | Tod, du Schrecken der Natur | 1816 or 1817 | Text by Schubart; For b and piano |
519 | 519 | 173p,5 (1867) |
XX, 5 No. 299 |
IV, 11 | Die Blumensprache | Es deuten die Blumen des Herzens Gefühle | 1817? | Text by Platner (?) |
520 | 520 | (1850) (1895) |
XX, 5 No. 289 |
IV, 11 | Frohsinn | Ich bin von lockerem Schlage | January 1817 |
Text by Castelli; Two versions: 1st in AGA |
521 | 521 | (1830) (1895) |
XX, 5 No. 290 |
III, 3 No. 16 Anh. I No. 6 |
Jagdlied | Trarah! Trarah! Wir kehren daheim | January 1817 |
Text by Werner, from Wanda, Königin der Sarmaten I (other text in 1830 ed.); For voice (or: unison choir) and piano |
522 | 522 | (1895) | XX, 5 No. 291 |
IV, 11 | Die Liebe, D 522 | Wo weht der Liebe hoher Geist? | January 1817 |
Text by Leon |
523 | 523 | (1885) | XX, 5 No. 292 |
IV, 11 | Trost, D 523 | Nimmer lange weil' ich hier | January 1817 |
|
524 | 524 | 13,3 (1822) (1895) (1970) |
XX, 5 No. 295 |
IV, 1a & b No. 12 |
Der Alpenjäger, D 524 | Auf hohem Bergesrücken | January 1817 |
Text by Mayrhofer; Three versions: 2nd, not in AGA, is for b and piano – 3rd is Op. 13 No. 3 |
525 | 525 | 21,3 (1823) (1970) |
XX, 5 No. 296 |
IV, 1a & b No. 18 |
Wie Ulfru fischt | Der Angel zuckt, die Rute bebt | January 1817 |
Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 3 |
526 | 526 | (1832) | XX, 5 No. 297 |
IV, 11 | Fahrt zum Hades | Der Nachen dröhnt | January 1817 |
Text by Mayrhofer; For b and piano |
527 | 527 | 24,2 (1823) (1975) |
XX, 5 No. 298 |
IV, 2a & b No. 2 |
Schlaflied a.k.a. Abendlied a.k.a. Schlummerlied | Es mahnt der Wald | January 1817 |
Text by Mayrhofer; Two versions: 2nd, in AGA, is Op. 24 No. 2 |
528 | 528 | (1872) | XX, 10 No. 574 |
IV, 11 | La pastorella al prato, D 528 | La pastorella al prato | January 1817 |
Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 513); Arietta for soprano and piano |
529 | 529 | (1871) (1897) |
XII No. 11 XXI, 3 No. 30 |
VII/2, 6 | Eight Écossaises, D 529 | Various keys | February 1817 |
For piano; Nos. 1–3, 6 and 8 publ. 1871 |
530 | 530 | 109p,3 (1829) |
XX, 4 No. 273 |
IV, 11 | An eine Quelle | Du kleine grünumwachs'ne Quelle | February 1817 |
Text by Claudius |
531 | 531 | 7,3 (1823) |
XX, 5 No. 302 |
IV, 1a | Der Tod und das Mädchen | Vorüber, ach vorüber | February 1817 |
Text by Claudius; Music partly reappears in D 810 |
532 | 532 | (1895) | XX, 5 No. 303 |
IV, 11 | Das Lied vom Reifen | Seht meine lieben Bäume an | February 1817 |
Text by Claudius; Fragment (completed in AGA) |
533 | 533 | (1876) (1895) |
XX, 5 No. 304 |
IV, 11 | Täglich zu singen | Ich danke Gott und freue mich | February 1817 |
Text by Claudius; 1876 publ. is piano reduction |
534 | 534 | (1830) | XX, 5 No. 305 |
IV, 11 | Die Nacht, D 534 | Die Nacht ist dumpfig und finster | February 1817 |
Text by Macpherson (Ossian), from Domhnull mac Fhionnlaidh, transl. by E. Baron de Harold |
535 | 535 | (1853) (1895) |
XX, 10 No. 585 |
III, 1 | Lied, D 535 | Brüder, schrecklich brennt die Träne | February 1817 |
For s and small orchestra; 1853 ed. is arrangement |
536 | 536 | 21,2 (1823) (1970) |
XX, 5 No. 318 |
IV, 1a & b No. 17 |
Der Schiffer, D 536 | Im winde, im Sturme | 1817? | Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 2 |
537 | 537 | 164p (1852) |
X No. 6 | VII/2, 1 No. 4 |
Piano Sonata, D 537 | A minor | March 1817 | Allegro ma non troppo – Allegretto quasi Andantino – Allegro vivace |
538 | 538 | (1891) | XVI No. 33 |
III, 4 No. 42 |
Gesang der Geister über den Wassern, D 538 | Des Menschen Seele gleicht dem Wasser | March 1817 | Text by Goethe (other settings: D 484, 705 and 714); For ttbb |
539 | 539 | 8,4 (1822) |
XX, 5 No. 306 |
IV, 1a | Am Strome | Ist mir's doch, als sei mein Leben | March 1817 | Text by Mayrhofer |
540 | 540 | (1831) | XX, 5 No. 307 |
IV, 11 | Philoktet | Da sitz' ich ohne Bogen | March 1817 | Text by Mayrhofer |
541 | 541 | 6,1 (1821) |
XX, 5 No. 308 |
IV, 1a | Memnon | Den Tag hindurch nur einmal mag ich sprechen | March 1817 | Text by Mayrhofer |
542 | 542 | 6,2 (1821) |
XX, 5 No. 309 |
IV, 1a | Antigone und Oedip | Ihr hohen Himmlischen | March 1817 | Text by Mayrhofer |
543 | 543 | 92,2 (1828) (1895) |
XX, 5 No. 310 |
IV, 5 | Auf dem See | Und frische Nahrung | March 1817 | Text by Goethe; Two versions: 2nd is Op. 92 No. 2 |
544 | 544 | 19,3 (1825) |
XX, 5 No. 311 |
IV, 1a | Ganymed | Wie im Morgenglanze | March 1817 | Text by Goethe |
545 | 545 | (1872) (1895) |
XX, 5 No. 312 |
IV, 11 | Der Jüngling und der Tod | Die Sonne sinkt, o könnt ich | March 1817 | Text by Spaun; Two versions: 1st is duet – 2nd publ. 1872 |
546 | 546 | 101p,3 (1827) |
XX, 5 No. 313 |
IV, 5 | Trost im Liede | Braust des Unglücks Sturm empor | March 1817 | Text by Schober; Publ. as Op. posth. 101 No. 3 in 1828 |
547 | 547 | 88,4 (1827) (1895) |
XX, 5 No. 314 |
IV, 4 | An die Musik | Du holde Kunst | March 1817 | Text by Schober; Two versions: 2nd is Op. 88 No. 4 |
548 | 548 | (1831) | XX, 6 No. 382 |
IV, 11 | Orest auf Tauris | Ist dies Tauris | March 1817 | Text by Mayrhofer |
549 | 549 | (1895) | XX, 10 No. 595 |
IV, 13 | Mahomets Gesang, D 549 | Seht den Felsenquell | March 1817 | Text by Goethe (other setting: D 721); Fragment |
550 | 550 | 32 (1820) (1895) (1975) |
XX, 5 No. 327 |
IV, 2a & b No. 3 |
Die Forelle | In einem Bächlein helle | late 1816– October 1821 |
Text by Schubart; Five versions: 1st–4th in AGA – 4th publ. as Op. 32 in 1827; Music partly reappears in D 667 |
551 | 551 | (1831) | XX, 5 No. 315 |
IV, 11 | Pax vobiscum | Der Friede sei mit euch! | April 1817 | Text by Schober |
552 | 552 | 20,3 (1823) (1970) |
XX, 5 No. 316 |
IV, 1a & b No. 16 |
Hänflings Liebeswerbung | Ahidi! ich liebe | April 1817 | Text by Kind; Two versions: 2nd, in AGA, is Op. 20 No. 3; Music related to D 972 No. 3 |
553 | 553 | 21,1 (1823) |
XX, 5 No. 317 |
IV, 1a | Auf der Donau | Auf der Wellen Spiegel | April 1817 | Text by Mayrhofer; For b and piano |
554 | 554 | (1895) | XX, 5 No. 319 |
IV, 11 | Uraniens Flucht | Laßt uns, ihr Himmlischen, ein Fest begehen! | April 1817 | Text by Mayrhofer |
555 | 555 | (1934) | IV, 11 | Liedentwurf, D 555 | A minor | May 1817? | Sketch without text | |
556 | 556 | (1886) | II No. 4 | V, 5 | Overture, D 556 | D major | May 1817 | For orchestra |
557 | 557 | (1888) | X No. 3 | VII/2, 1 No. 5 |
Piano Sonata, D 557 | A♭ major | May 1817 | Allegro moderato – Andante – Allegro |
558 | 558 | (1887) | XX, 3 No. 120 |
IV, 11 | Liebhaber in allen Gestalten | Ich wollt', ich wär' ein Fisch | May 1817 | Text by Goethe |
559 | 559 | (1885) | XX, 3 No. 121 |
IV, 11 | Schweizerlied | Uf'm Bergli bin i g'sässe | May 1817 | Text by Goethe |
560 | 560 | (1850) | XX, 3 No. 122 |
IV, 11 | Der Goldschmiedsgesell | Es ist doch meine Nachbarin | May 1817 | Text by Goethe |
561 | 561 | (1872) | XX, 5 No. 320 |
IV, 11 | Nach einem Gewitter | Auf den Blumen | May 1817 | Text by Mayrhofer |
562 | 562 | (1895) | XX, 5 No. 321 |
IV, 11 | Fischerlied, D 562 | Das Fischergewerbe gibt rüstigen Mut | May 1817 | Text by Salis-Seewis (other settings: D 351 and 364) |
563 | 563 | (1887) | XX, 5 No. 322 |
IV, 11 | Die Einsiedelei, D 563 | Es rieselt klar und wehend ein Quell | May 1817 | Text by Salis-Seewis (other settings: D 337 and 393) |
564 | 564 | (1838) | XX, 10 No. 596 |
IV, 11 | Gretchen im Zwinger a.k.a. Gretchens Bitte | Ach neige, du Schmerzensreiche | May 1817 | Text by Goethe, from Faust I, 18; Fragment |
565 | 565 | (1876) | XX, 5 No. 324 |
IV, 11 | Der Strom | Mein Leben wälzt sich murrend fort | June 1817? | For b and piano |
566 | 566 | (1888) (1907) (1928- 29) |
X No. 4 | VII/2, 1 No. 6 & Anh. No. 3 |
Piano Sonata, D 566 | E minor | June 1817 | Moderato (in AGA) – Allegretto (publ. 1907) – Scherzo (publ. 1928/29); D 506 4th movement? |
567 568 |
568 | 122p (1829) (1897) |
X No. 7 XXI, 2 No. 9 |
VII/2, 1 No. 7 & Anh. Nos. 4–6 |
Piano Sonata in D♭ major, D 568; Piano Sonata in E♭ major, D 568 |
D♭ major; E♭ major |
June 1817 | Two versions: 1st, in D♭ major, composed June 1817 – 2nd, in E♭ major, is Op. posth. 122; Allegro moderato – Andante molto – Minuet (2nd version only, D 593 No. 2 for 1st version?) – Allegro moderato (2nd version), Allegretto (fragment, 1st version) |
569 | 569 | (1895) | XX, 5 No. 323 |
III, 3 No. 17 | Das Grab, D 569 | Das Grab ist tief und stille | June 1817 | Text by Salis-Seewis (other settings: D 329A, 330, 377 and 643A); For unison men's choir and piano |
570 | 570 | (1897) | XXI, 3 No. 20 |
VII/2, 1 No. 8 Anh. Nos. 8–9 |
Scherzo and Allegro | D major (scherzo) F♯ minor (allegro) |
July 1817? | For piano; Allegro is fragment; Last movements of D 571? |
571 | 571 | (1897) | XXI, 2 No. 10 |
VII/2, 1 Anh. No. 7 |
Piano Sonata, D 571 | F♯ minor | July 1817 | Allegro moderato; Fragment; Completed by (D 604 and) 570? |
572 | 572 | (1872) | XVI No. 34 |
III, 4 No. 43 |
Lied im Freien, D 572 | Wie schön ist's im Freien | July 1817 | Text by Salis-Seewis (other setting: D Anh. I/19; For ttbb |
573 | 573 | 98,3 (1829) |
XX, 5 No. 325 |
IV, 5 | Iphigenia | Blüht denn hier an Tauris Strande | July 1817 | Text by Mayrhofer |
574 | 574 | 162p (1851) |
VIII No. 6 |
VI, 8 No. 4 | Violin Sonata, D 574, a.k.a. (Grand) Duo | A major | August 1817 | Allegro moderato – Scherzo – Andantino – Allegro vivace |
575 | 575 | 147p (1846) |
X No. 5 | VII/2, 1 No. 9 & Anh. No. 10 |
Piano Sonata, D 575 | B major | August 1817 | Allegro ma non troppo – Andante – Scherzo – Allegro giusto |
576 | 576 | (1867) | XI No. 7 | VII/2, 4 | 13 Variations on a theme by Anselm Hüttenbrenner | A minor | August 1817 | For piano |
577 | 577 | (1895) | XX, 10 No. 597 |
IV, 10 | Entzückung an Laura, D 577 | Laura, über diese Welt | August 1817 | Text by Schiller (other setting: D 390); Two fragments of a sketch |
578 | 578 | (1838) | XX, 10 No. 586 |
IV, 11 | Abschied, D 578 | Lebe wohl! Du lieber Freund! | 24/08/1817 | Text by Schubert |
579 | 579 | (1872) (1897) |
XX, 5 No. 335 XXII, 11 No. 335 |
IV, 11 | Der Knabe in der Wiege | Er schläft so süß | Autumn 1817 |
Text by Ottenwalt ; Two versions: 1st publ. 1872 – 2nd is fragment |
989 | 579A | (1970) | IV, 11 | Vollendung | Wenn ich einst das Ziel errungen habe | Sept. or Oct. 1817? |
Text by Matthisson | |
989A | 579B | (1970) | IV, 11 | Die Erde | Wenn sanft entzückt mein Auge sieht | Sept. or Oct. 1817? |
Text by Matthisson | |
580 | 580 | (1928) | V, 7 No. 3 | Polonaise, D 580 | B♭ major | September 1817 |
For violin and orchestra | |
581 | 581 | (1897) | XXI, 1 No. 5 |
VI, 6 No. 2–3 |
String Trio, D 581 | B♭ major | September 1817 |
Allegro moderato – Andante – Minuet – Rondo |
583 | 583 | 24,1 (1823) |
XX, 5 No. 328 |
IV, 2a | Gruppe aus dem Tartarus, D 583 | Horch, wie Murmeln des empörten Meeres | September 1817 |
Text by Schiller (other settings: D 65 and 396) |
584 | 584 | (1830) | XX, 5 No. 329 |
IV, 11 | Elysium | Vorüber die stöhnende Klage! | September 1817 |
Text by Schiller (settings of separate stanzas: D 51, 53, 54, 57, 58 and 60) |
585 | 585 | (1833) | XX, 5 No. 330 |
IV, 11 | Atys | Der Knabe seufzt übers grüne Meer | September 1817 |
Text by Mayrhofer |
586 | 586 | 8,3 (1818) |
XX, 5 No. 331 |
IV, 1a | Erlafsee | Mir ist so wohl, so weh' | September 1817 |
Text by Mayrhofer; Publ. as Op. 8 No. 3 in 1822 |
587 245 |
587 | (1885) (1895) |
XX, 3 No. 107 |
IV, 11 | An den Frühling, D 587 | Willkommen, schöner Jüngling! | October 1817 |
Text by Schiller (other settings: D 283 and 338); Two versions: 1st publ. 1885 – 2nd was D 245 |
588 | 588 | 37,2 (1825) (1897) (1975) |
XX, 5 No. 332 XXII, 11 No. 332 |
IV, 2a & b No. 7 |
Der Alpenjäger, D 588 | Willst du nicht das Lämmlein hüten? | October 1817 |
Text by Schiller; Two versions: 1st incomplete in AGA – 2nd is Op. 37 No. 2 |
589 | 589 | (1885) | I, 2 No. 6 |
V, 2 No. 6 |
Symphony No. 6 Little C major |
C major | Oct. 1817– Feb. 1818 |
Adagio, Allegro – Andante – Scherzo – Allegro moderato |
590 | 590 | (1886) | II No. 5 | V, 5 | Overture in the Italian Style, D 590 | D major | November 1817 |
For orchestra; Piano duet arrangement: D 592; Music partly reappears in D 644 |
591 | 591 | 170p (1865) |
II No. 6 | V, 5 | Overture in the Italian Style, D 591 | C major | November 1817 |
For orchestra; Piano duet arrangement: D 597 |
592 | 592 | (1872) | IX, 2 No. 10 |
VII/1, 5 No. 1 |
Overture in the Italian Style, D 592 | D major | December 1817 |
For piano duet; Arrangement of D 590 |
593 | 593 | (1871) | XI No. 15 | VII/2, 4 | Two Scherzi | Various keys | November 1817 |
For piano; No. 2 related to D 568 |
594 | 594 | 110p (1829) |
XX, 5 No. 333 |
IV, 11 | Der Kampf | Nein, länger werd' ich diesen Kampf nicht kämpfen | November 1817 |
Text by Schiller; For b and piano |
595 | 595 | 88,2 (1827) (1895) |
XX, 5 No. 334 |
IV, 4 | Thekla: Eine Geisterstimme, D 595 | Wo ich sei, und wo mich hingewendet | November 1817 |
Text by Schiller (other setting: D 73); Two versions: 2nd is Op. 88 No. 2 |
596 | 596 | (1895) | XX, 10 No. 598 |
IV, 11 | Lied eines Kindes | Lauter Freude fühl' ich | November 1817 |
Fragment |
597 | 597 | (1872) | IX, 2 No. 9 |
VII/1, 5 No. 2 |
Overture in the Italian Style, D 597 | C major | Nov. or Dec. 1817 |
For piano duet; Arrangement of D 591 |
597A | 597A | Variations | A major | December 1817 |
Lost sketch for violin | |||
598 641 |
598 | 11,1 (1822) (1891) |
XVI No. 4 & No. 46 |
III, 3 No. 24 Anh. IV No. 4 |
Das Dörfchen | Ich rühme mir mein Dörfchen hier | December 1817 |
Text by Bürger; For ttbb and piano; Two versions: 1st is sketch without piano – 2nd, Op. 11 No. 1, was D 641 |
599–632 |
|
1818 | Up ↑ | |||||
599 | 599 | 75 (1827) |
IX, 3 No. 26 |
VII/1, 4 | Four Polonaises | Various keys | July 1818 | For piano duet |
600 | 600 | (1897) | XXI, 3 No. 27 |
VII/2, 4 | Minuet, D 600 | C♯ minor | early 1814? | For piano; May combine with D 610 and/or D 613 |
601 | 470 |
|
|
|
|
|
|
See D 470 |
602 | 602 | 27 (1824) |
IX, 1 No. 1 |
VII/1, 4 | Trois Marches héroiques | Various keys | 1818 or 1824 | For piano duet |
604 | 604 | (1888) | XI No. 10 | VII/2, 4 | Piano piece, D 604, a.k.a. Andante | A major | 1816 or 1817 | 2nd movement of D 571? |
605 | 605 | (1897) | XXI, 3 No. 15 |
VII/2, 4 Anh. | Fantasy, D 605 | C major | 1821–1823 | For piano; Fragment |
605A | (1969) | VII/2, 4 | Fantasy, D 605A, a.k.a. Grazer Fantasy | C major | 1818? | For piano | ||
606 | 606 | (1840) | XI No. 16 | VII/2, 4 | March, D 606 | E major | 1818? | For piano |
607 | 607 | I, 8 | Evangelium Johannis 6, Vers 55–58 | In der Zeit sprach der Herr Jesus | 1818 | Text by John (Luther translation); For voice and figured bass | ||
608 | 608 | 138p (1834) |
IX, 2 No. 14 |
VII/1, 1 No. 4 & Anh. No. 4 | Rondo, D 608, "Notre amitié est invariable" | D major | January 1818 |
For piano duet; Two versions: 2nd, in AGA, is Op. posth. 138 |
609 665 |
609 | (1872) | XVII No. 13 |
III, 2a No. 10 |
Die Geselligkeit a.k.a. Lebenslust | Wer Lebenslust fühlet | January 1818 |
Text by Unger ; For satb and piano; 2nd part of 1st stanza, "im traulichen Kreise", was D 665 |
610 | 610 | (1889) | XII No. 31 |
VII/2, 6 | Trio, D 610 | E major | February 1818 |
For piano; May belong to D 600, and together with that minuet to D 613 |
611 | 611 | (1850) | XX, 5 No. 336 |
IV, 12 | Auf der Riesenkoppe | Hoch auf dem Gipfel deiner Gebirge | March 1818 | Text by Körner |
612 | 612 | (1869) | XI No. 11 | VII/2, 4 | Adagio, D 612 | E major | April 1818 | For piano; 2nd movement of D 613? |
613 | 613 | (1897) | XXI, 2 No. 11 |
VII/2, 2 | Piano Sonata, D 613 | C major | April 1818 | Moderato – [?]; Fragments; D 612 and 600/610 may constitute its other movements |
614 | 614 | (1832) | XX, 5 No. 337 |
IV, 12 | An den Mond in einer Herbstnacht | Freundlich ist dein Antlitz | April 1818 | Text by Schreiber |
615 | 615 | V, 6 No. 9 | Symphony, D 615 | D major | May 1818 | Adagio, Allegro moderato – [?]; Sketches | ||
616 | 616 | (1830) | XX, 5 No. 338 |
IV, 12 | Grablied für die Mutter | Hauche milder, Abendluft | June 1818 | |
617 | 617 | 30 (1823) |
IX, 2 No. 11 |
VII/1, 1 No. 5 |
Sonata, D 617 | B♭ major | Summer– Autumn 1818(?) |
For piano duet; Allegro moderato – Andante con moto – Allegretto |
618 | 618 | (1909) | VII/1, 4 | German Dance with Two Trios and Two Ländler | G major (Deutscher/Trios) E major (Ländler) |
Summer– Autumn 1818 |
For piano duet | |
618A | 618A | (1972) | VII/1, 4 | Polonaise, D 618A | B♭ major | July 1818 | For piano duet; Sketch | |
619 | 619 | (1892) | XIX No. 36 |
III, 2b No. 22 VIII, 2 No. 9 |
Sing-Übungen (vocal exercises) | July 1818 | For two voices and figured bass | |
620 | 620 | (1840) | XX, 5 No. 339 |
IV, 12 | Einsamkeit, D 620 | Gib mir die Fülle der Einsamkeit! | July 1818 | Text by Mayrhofer |
621 | 621 | (1826) | I, 6 Anh. | Deutsches Requiem (German Requiem) a.k.a. Deutsche Trauermesse | G minor Bei des Entschlafnen Trauerbahre |
August 1818 | Text by Schmid; Only known in Ferd. Schubert's arrangements; Publ. 1826 for satbSATB and organ[18] | |
622 | 622 | (1833) | XX, 5 No. 340 |
IV, 12 | Der Blumenbrief | Euch Blümlein will ich senden | August 1818 | Text by Schreiber |
623 | 623 | (1831) | XX, 5 No. 341 |
IV, 12 | Das Marienbild | Sei gegrüßt, du Frau der Huld | August 1818 | Text by Schreiber |
624 | 624 | 10 (1822) |
IX, 2 No. 15 |
VII/1, 1 No. 6 & Anh. Nos. 5–6 | Eight Variations on a French Song (i.e. Le bon Chevalier) | E minor | September 1818 |
Theme after Hortense de Beauharnais; For piano duet |
625 | 625 | (1897) | XXI, 2 No. 12 |
VII/2, 2 No. 10 |
Piano Sonata, D 625 | F minor | September 1818 |
Allegro (fragment) – Scherzo – Allegro (fragment); D 505 may be its 2nd movement |
626 | 626 | (1842) | XX, 5 No. 343 |
IV, 12 | Blondel zu Marien | In düstrer Nacht | September 1818 |
|
627 | 627 | 173p,6 (1867) |
XX, 5 No. 344 |
IV, 12 | Das Abendrot, D 627 | Du heilig, glühend Abendrot! | November 1818 |
Text by Schreiber ; For b and piano |
628 | 628 | (1895) | XX, 5 No. 345 |
IV, 12 | Sonett I | Apollo, lebet noch dein hold Verlangen | November 1818 |
Text by Petrarch, transl. by Schlegel, A. W. |
629 | 629 | (1895) | XX, 5 No. 346 |
IV, 12 | Sonett II | Allein, nachdenklich, wie gelähmt vom Krampfe | November 1818 |
Text by Petrarch, transl. by Schlegel, A. W. |
630 | 630 | (1895) | XX, 5 No. 347 |
IV, 12 | Sonett III | Nunmehr, da Himmel, Erde schweigt | November 1818 |
Text by Petrarch, transl. by Gries |
631 | 631 | (1885) | XX, 5 No. 348 |
IV, 12 | Blanka a.k.a. Das Mädchen | Wenn mich einsam Lüfte fächeln | December 1818 |
Text by Schlegel, F. |
632 | 632 | (1831) | XX, 5 No. 349 |
IV, 12 | Vom Mitleiden Mariä | Als bei dem Kreuz Maria stand | December 1818 |
Text by Schlegel, F. |
633–678 |
|
1819 | Up ↑ | |||||
633 | 633 | 57,1 (1826) |
XX, 3 No. 179 |
IV, 3 | Der Schmetterling | Wie soll ich nicht tanzen | 1819–1823? | Text by Schlegel, F., from Abendröte I, 7 |
634 | 634 | 57,2 (1826) |
XX, 3 No. 180 |
IV, 3 | Die Berge | Sieht uns der Blick gehoben | 1819–1823? | Text by Schlegel, F., from Abendröte I, 1 |
635 | 635 | (1900) (1906– 1907) |
III, 4 No. 44 |
Leise, leise laßt uns singen, later also: Ruhe, and: (Nächtliches) Ständchen | Leise, leise laßt uns singen, schlummre sanft (later also: Leise, leise laßt uns singen, still schon sieht der Mond) | c. 1819 | For ttbb; later text versions, from 1900, by Robert Graf and Anton Weiß | |
636 | 636 | 39 (1826) (1895) (1975) |
XX, 6 No. 357 |
IV, 2a & b No. 9 |
Sehnsucht, D 636 | Ach, aus dieses Tales Gründen | early 1821? |
Text by Schiller (other setting: D 52); Three versions: 1st not in AGA – 3rd is Op. 39 |
637 | 637 | 87,2 (1827) |
XX, 6 No. 358 |
IV, 4 | (Die) Hoffnung, D 637 | Es reden und träumen die Menschen viel | c. 1819? | Text by Schiller (other setting: D 251) |
638 | 638 | 87,3 (1827) (1895) |
XX, 6 No. 359 |
IV, 4 | Der Jüngling am Bache, D 638 | An der Quelle saß der Knabe | April 1819 | Text by Schiller (other settings: D 30 and 192); Two versions: 2nd is Op. 87 No. 3 |
639 949 |
639 | (1820) (1832) |
XX, 9 No. 553 |
IV, 5 | Widerschein | Fischer harrt am Brückenbogen; Tom Lehnt harrend auf der Brücke | 1820; May/Sept. 1828 |
Text by Schlechta ; Two versions; 1st publ. 1820 – 2nd, in AGA with another text variant ("Harrt ein Fischer auf der Brücke"), was D 949 |
641 | 598 |
|
|
|
|
|
|
See D 598 |
642 | 642 | (1937) | III, 2a No. 1 |
Viel tausend Sterne prangen | Viel tausend Sterne prangen | 1812? | Text by Eberhard; For satb and piano | |
643 | 643 | (1889) | XII No. 21 |
VII/2, 6 | German Dance and Écossaise | C♯ minor (German dance) D♭ major (Écossaise) |
1819 | For piano |
643A | (1972) | III, 2a No. 11 |
Das Grab, D 643A | Das Grab ist tief und stille | 1819 | Text by Salis-Seewis (other settings: D 329A, 330, 377 and 569); For satb | ||
644 | 644 | (1855) (1887) (1891) (1975) |
XV, 4 No. 7 |
II, 4 | Die Zauberharfe | (Incidental music) Was belebt die schöne Welt? (Romanze from No. 9) – Durch der Töne Zaubermacht (final choir) |
Apr.–Aug. 1820[15] |
Text by Georg von Hofmann; Music for tSATB and orchestra; Three acts: Overture (reused in D 797, publ. 1855) and Nos. 1–4 – Nos. 5–9 (Romanze from No.9, not in AGA, publ. 1887 with piano reduction and 1975 in concert version) – Overture and Nos. 10–13 |
645 | 645 | IV, 12 | Abend, D 645 | Wie ist es denn, daß trüb und schwer | early 1819 | Text by Tieck; Fragment of a sketch | ||
646 | 646 | (1885) | XX, 6 No. 350 |
IV, 12 | Die Gebüsche | Es wehet kühl und leise | January 1819 |
Text by Schlegel, F., from Abendröte II, 9 |
647 | 647 | (1872) (1889) |
XV, 3 No. 5 |
II, 5 | Die Zwillingsbrüder | (Singspiel) | Oct. 1818– 1819[15] |
For stbbbSATB and orchestra (piano reduction in 1872 edition); Overture and Nos. 1–10 |
648 | 648 | (1886) | II No. 7 | V, 5 | Overture, D 648 | E minor | February 1819 |
For orchestra |
649 | 649 | 65,2 (1826) |
XX, 6 No. 351 |
IV, 3 | Der Wanderer, D 649 | Wie deutlich des Mondes Licht zu mir spricht | February 1819 |
Text by Schlegel, F., from Abendröte II, 1; Two versions: 2nd is Op. 65 No. 2 |
650 | 650 | (1831) | XX, 6 No. 352 |
IV, 12 | Abendbilder | Still beginnt's im Hain zu tauen | February 1819 |
Text by Silbert |
651 | 651 | (1831) | XX, 6 No. 353 |
IV, 12 | Himmelsfunken | Der Odem Gottes weht | February 1819 |
Text by Silbert |
652 | 652 | (1842) | XX, 6 No. 354 |
IV, 12 | Das Mädchen, D 652 | Wie so innig, möcht ich sagen | February 1819 |
Text by Schlegel, F., from Abendröte II, 4; Two versions: 1st, in AGA, publ. 1842 |
653 | 653 | (1842) | XX, 6 No. 355 |
IV, 12 | Bertas Lied in der Nacht | Nacht umhüllt mit wehendem Flügel | February 1819 |
Text by Grillparzer |
654 | 654 | (1842) | XX, 6 No. 356 |
IV, 12 | An die Freunde | Im Wald, im Wald, da grabt mich ein | March 1819 | Text by Mayrhofer |
655 | 655 | (1897) | XXI, 2 No. 13 |
VII/2, 2 | Piano Sonata, D 655 | C♯ minor | April 1819 | Allegro; Fragment |
656 | 656 | (1867) | XVI No. 35 |
III, 4 No. 45 |
Sehnsucht, D 656 | Nur wer die Sehnsucht kennt | April 1819 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 481 and 877 Nos. 1 & 4); For ttbbb |
657 | 657 | (1871) | XVI No. 36 |
III, 4 No. 46 |
Ruhe, schönstes Glück der Erde | Ruhe, schönstes Glück der Erde | April 1819 | For ttbb |
658 | 658 | (1895) | XX, 6 No. 364 |
IV, 12 | Marie | Ich sehe dich in tausend Bildern | May 1819? | Text by Novalis, No. 15 from Geistliche Lieder |
659 | 659 | (1872) | XX, 6 No. 360 |
IV, 12 | Hymn I | Wenige wissen das Geheimnis der Liebe | May 1819 | Text by Novalis, No. 7 from Geistliche Lieder |
660 | 660 | (1872) | XX, 6 No. 361 |
IV, 12 | Hymn II | Wenn ich ihn nur habe | May 1819 | Text by Novalis, No. 5 from Geistliche Lieder |
661 | 661 | (1872) | XX, 6 No. 362 |
IV, 12 | Hymn III | Wenn alle untreu werden | May 1819 | Text by Novalis, No. 6 from Geistliche Lieder |
662 | 662 | (1872) | XX, 6 No. 363 |
IV, 12 | Hymn IV | Ich sag' es jedem, daß er lebt | May 1819 | Text by Novalis, No. 9 from Geistliche Lieder |
663 | 663 | IV, 12 | Psalm 13 (12) | Ach Herr, wie lange willst du mein so ganz vergessen? | June 1819 | Text by Mendelssohn, M., translating Psalm 13; Fragment | ||
664 | 664 | 120p (1829) |
X No. 10 | VII/2, 2 No. 11 |
Piano Sonata, D 664 | A major | Summer 1819 or 1825 |
Allegro moderato – Andante – Allegro |
665 | 609 |
|
|
|
|
|
|
See D 609 |
666 | 666 | 158p (1849) |
XIX No. 3 |
III, 2a No. 12 |
Kantate zum Geburtstag des Sängers Johann Michael Vogl | Sänger, der von Herzen singet – Diese Berge sah'n dich blühen – Da saht ihr Oresten scheiden – Gott bewahr' dein teures Leben | 10/08/1819 | Text by Stadler, A. ; For stb and piano; Publ. 1849, with different text, as Der Frühlingsmorgen |
667 | 667 | 114p (1829) |
VII, 1 No. 1 |
VI, 7 No. 6 | Trout Quintet | A major | 1819? | Allegro vivace – Andante – Scherzo – Theme and variations – Allegro giusto; For violin, viola, cello, double bass and piano; Reuses music of D 550 |
668 | 668 | (1897) | XXI, 2 No. 6 |
VII/1, 5 No. 3 |
Overture, D 668 | G minor | October 1819 |
For piano duet |
669 | 669 | (1829) | XX, 6 No. 365 |
IV, 12 | Beim Winde | Es traümen die Wolken | October 1819 |
Text by Mayrhofer |
670 | 670 | 165p,2 (1862) |
XX, 6 No. 366 |
IV, 12 | Die Sternennächte | In monderhellten Nächten | October 1819 |
Text by Mayrhofer; Two versions: 2nd is Op. posth. 165 No. 2 |
671 | 671 | (1849) | XX, 6 No. 367 |
IV, 12 | Trost, D 671 | Hörnerklänge rufen klagend | October 1819 |
Text by Mayrhofer |
672 | 672 | 36,2 (1825) (1975) |
XX, 6 No. 368 |
IV, 2a & b No. 5 |
Nachtstück | Wenn über Berge sich der Nebel breitet | October 1819 |
Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 2 |
673 | 673 | 165p,1 (1832) (1862) |
XX, 6 No. 369 |
IV, 12 | Die Liebende schreibt | Ein Blick von deinen Augen | October 1819 |
Text by Goethe; Two versions: 1st publ. in 1832 – 2nd is Op. posth. 165 No. 1 |
674 | 674 | (1850) | XX, 6 No. 370 |
IV, 12 | Prometheus, D 674 | Bedecke deinen Himmel, Zeus | October 1819 |
Text by Goethe; For b and piano |
675 | 675 | 34 (1825) |
IX, 2 No. 8 |
VII/1, 5 No. 4 |
Overture, D 675 | F major | November 1819? |
For piano duet |
676 | 676 | 153p (1845) (1888) |
XIV No. 3 | I, 8 | Salve Regina, D 676, a.k.a. Drittes Offertorium | A major Salve Regina |
November 1819 |
Text: Salve Regina (other settings: D 27, 106, 223, 386 and 811); For s and orchestra; Shortened in 1st ed., Op. posth. 153 |
677 | 677 | (1848) (1895) |
XX, 6 No. 371 |
IV, 12 | Stanza from "Die Götter Griechenlands" | Schöne Welt, wo bist du? | November 1819 |
Text by Schiller; Two versions: 2nd publ. in 1848 |
678 | 678 | (1875) (1887) |
XIII, 2 No. 5 |
I, 3 | Mass No. 5 | A♭ major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei |
Nov. 1819– Sept. 1822 |
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 755 and 950); For satbSATB and orchestra; Two versions: 1st publ. in 1875 – 2nd in AGA |
679–708 |
|
1820 | Up ↑ | |||||
681 | 681 | (1930) | VII/2, 6 | Twelve Ländler, D 681 | Various keys | c. 1815 | For piano; Nos. 1–4 are lost | |
682 | 682 | (1895) | XX, 10 No. 599 |
IV, 12 | Über allen Zauber Liebe | Sie hüpfte mit mir auf grünem Plan | 1820–1824 | Text by Mayrhofer; Fragment |
683 | 732 |
|
|
|
Die Wolkenbraut | Der Jäger ruhte hingegossen |
|
See D 732 No. 11 |
684 | 684 | (1850) | XX, 6 No. 378 |
IV, 12 | Die Sterne, D 684 | Du staunest, o Mensch | 1820 | Text by Schlegel, F., from Abendröte II, 8 |
685 | 685 | 4,2 (1821) |
XX, 6 No. 379 |
IV, 1a | Morgenlied, D 685 | Eh' die Sonne früh aufersteht | 1820 | Text by Werner |
686 | 686 | 20,2 (1823) (1970) |
XX, 6 No. 380 |
IV, 1a & b No. 15 |
Frühlingsglaube | Die linden Lüfte sind erwacht | Sep. 1820– Nov. 1822 |
Text by Uhland; Three versions: 3rd, in AGA, is Op. 20 No. 2 |
687 | 687 | (1872) | XX, 6 No. 372 |
IV, 12 | Nachthymne | Hinüber wall' ich | January 1820 |
Text by Novalis |
688 | 688 | (1871) | XX, 10 Nos. 575– 578 |
IV, 12 | Vier Canzonen | 1. Non t'accostar all'urna – 2. Guarda, che bianca luna – 3. Da quel sembiante appresi – 4. Mio ben, ricordati | January 1820 |
Text by Vittorelli (Nos. 1–2) and Metastasio (No. 3 from L'eroe cinese I, 3 – No. 4 from Alessandro nell'Indie III, 7) |
689 | 689 | (1865) (1892) |
XVII No. 1 |
II, 10 | Lazarus, oder: Die Feier der Auferstehung | (Scenic oratorio in three acts) | early 1820– Mar. 1820[15] |
Text by Niemeyer; For sssttbSATB and orchestra (piano reduction in 1865 publ.); Unfinished: Nos. 1–21 (Act I) – Nos. 22–29 (Act II) |
690 | 690 | (1830) | XX, 6 No. 376 |
IV, 12 | Abendröte | Tiefer sinket schon die Sonne | March 1823 | Text by Schlegel, F., from Abendröte I |
691 | 691 | 172p,6 (1865) |
XX, 6 No. 373 |
IV, 12 | Die Vögel | Wie lieblich und fröhlich | March 1820 | Text by Schlegel, F., from Abendröte I, 2 |
692 | 692 | (1872) | XX, 6 No. 374 |
IV, 12 | Der Knabe | Wenn ich nur ein Vöglein wäre | March 1820 | Text by Schlegel, F., from Abendröte I, 3 |
693 | 693 | (1872) | XX, 6 No. 375 |
IV, 12 | Der Fluß | Wie rein Gesang sich windet | March 1820 | Text by Schlegel, F., from Abendröte I, 4 |
694 | 694 | (1842) | XX, 6 No. 377 |
IV, 12 | Der Schiffer, D 694 | Friedlich lieg' ich hingegossen | March 1820 | Text by Schlegel, F. |
695 | 695 | (1895) | XX, 10 No. 587 |
IV, 12 | Namenstagslied | Vater, schenk' mir diese Stunde | 19/3/1820? | Text by Stadler, A. |
696 | 696 | 113p (1829) |
XIV No. 18 | I, 9 No. 11 |
Sechs Antiphonen zum Palmsonntag | Hosanna filio David – In monte Oliveti – Sanctus – Pueri Hebraeorum – Cum angelis et pueris – Ingrediente Domino | 26/3/1820 | For SATB |
697 | 697 | 18,É6 (1823) (1889) |
XII No. 28 No. 2,É6 |
VII/2, 6 | Six Écossaises, D 697 | A♭ major | May 1820 | For piano; No. 5 is 6th Écossaise of Op. 18 |
698 | 698 | (1832) | XX, 6 No. 381 |
IV, 12 | Des Fräuleins Liebeslauschen | Hier unten steht ein Ritter | September 1820 |
Text by Schlechta |
699 | 699 | (1831) | XX, 6 No. 383 |
IV, 12 | Der entsühnte Orest | Zu meinen Füßen brichst du dich | September 1820 |
Text by Mayrhofer |
700 | 700 | (1831) | XX, 6 No. 384 |
IV, 12 | Freiwilliges Versinken | Wohin? o Helios! | September 1820 |
Text by Mayrhofer |
701 | 701 | (1929) | II, 15 | Sakuntala (also spelled Sacontala or Sakontala) | (Opera in three acts) | Oct. 1820– spring 1821[15] |
Text by Neumann after Kalidasa's Shakuntala; For ssssssttttttbbbbbbSATB and orchestra; Unfinished (all numbers are sketches): Nos. 1–7 (Act I, last pages publ. in 1929) – Nos. 8a–11 (Act II) | |
702 | 702 | 8,1 (1822) |
XX, 6 No. 385 |
IV, 1a | Der Jüngling auf dem Hügel | Ein Jüngling auf dem Hügel | November 1820 |
Text by Hüttenbrenner, H. |
703 | 703 | (1870) (1897) |
V No. 12 XXII v5 |
VI, 5 No. 13 & Anh. |
String Quartet No. 12 | C minor | December 1820 |
Allegro assai (a.k.a. Quartettsatz, publ. 1870) – Andante (fragment) |
704 | 714 |
|
|
|
|
|
|
See D 714 |
705 | 705 | (1897) | XXI, 4 No. 34 |
III, 3 Anh. II No. 5 | Gesang der Geister über den Wassern, D 705 | Des Menschen Seele gleicht dem Wasser | December 1820 |
Text by Goethe (other settings: D 484, 538 and 714); Sketch for ttbb and piano |
706 | 706 | 132p (1832) |
XVIII No. 2 |
III, 3 No. 25 Anh. III No. 2 Anh. IV No. 5 |
Psalm 23 (22) | Gott ist mein Hirt, mir wird nichts mangeln | December 1820 |
Text by Mendelssohn, M., translating Psalm 23; For ssaa and piano |
707 | 707 | 36,1 (1825) (1895) |
XX, 6 No. 387 |
IV, 2a & b No. 4 |
Der zürnenden Diana | Ja, spanne nur den Bogen | December 1820 |
Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 1 |
708 | 708 | (1832) | XX, 6 No. 387 |
IV, 12 | Im Walde, D 708, a.k.a. Waldesnacht | Windes Rauschen, Gottes Flügel | December 1820 |
Text by Schlegel, F. |
708A–732 |
|
1821 | Up ↑ | |||||
615 | 708A | V, 6 No. 10 | Symphony, D 708A | D major | 1821 or later |
Sketches of four movements | ||
709 | 709 | (1891) | XVI No. 31 |
III, 4 No. 47 |
Frühlingsgesang, D 709 | Schmücket die Locken mit duftigen Kränzen | March 1822 or earlier |
Text by Schober (other setting, partly reusing music of this setting: D 740); For ttbb |
710 | 710 | (1849) | XVI No. 15 |
III, 3 No. 26 | Im Gegenwärtigen Vergangenes | Ros und Lilie morgentaulich | March 1821? | Text by Goethe; For ttbb and piano |
711 | 711 | 13,2 (1822) (1970) |
XX, 5 No. 294 |
IV, 1a & b No. 11 |
Lob der Tränen | Laue Lüfte, Blumendüfte | 1818–1821? | Text by Schlegel, A. W.; Two versions: 2nd, in AGA, is Op. 13 No. 2 |
712 | 712 | (1842) | XX, 6 No. 389 |
IV, 13 | Die gefangenen Sänger | Hörst du von den Nachtigallen | January 1821 |
Text by Schlegel, A. W. |
713 | 713 | 87,1 (1827) (1895) |
XX, 6 No. 390 |
IV, 4 | Der Unglückliche | Die Nacht bricht an | January 1821 |
Text by Pichler; Two versions: 2nd is Op. 87 No. 1 |
714 704 |
714 | 167p (1858) (1891) |
XVI No. 3 & No. 45 |
III, 1 | Gesang der Geister über den Wassern, D 714 | Des Menschen Seele gleicht dem Wasser | Dec. 1820– Feb. 1821 |
Text by Goethe (other settings: D 484, 538 and 705); For ttttbbbb, two violas, two cellos and double bass; Two versions: 1st, a sketch, was D 704 – 2nd is Op. posth. 167 |
715 | 715 | (1845) | XX, 6 No. 391 |
IV, 13 | Versunken | Voll Locken kraus ein Haupt so rund | February 1821 |
Text by Goethe |
716 | 716 | (1832) | XX, 6 No. 393 |
IV, 13 | Grenzen der Menschheit | Wenn der uralte heilige Vater | March 1821 | Text by Goethe; For b and piano |
717 | 717 | 31 (1825) |
XX, 6 No. 397 |
IV, 2a | Suleika II | Ach um deine feuchten Schwingen | March? 1821 | Text by Willemer |
718 | 718 | (1824) | XI No. 8 | VII/2, 4 | Variation on a Waltz by Anton Diabelli | C minor | March 1821 | For piano; No. 38 in Vaterländischer Künstlerverein Vol. II |
719 | 719 | 14,2 (1822) |
XX, 6 No. 392 |
IV, 1a | Geheimes | Über meines Liebchens Äugeln | March 1821 | Text by Goethe |
720 | 720 | 14,1 (1822) |
XX, 6 No. 396 |
IV, 1a & b No. 13 |
Suleika I | Was bedeutet die Bewegung? | March 1821 | Text by Willemer; Two versions; 2nd, in AGA, is Op. 14 No. 1 |
721 | 721 | (1895) | XX, 10 No. 600 |
IV, 13 | Mahomets Gesang, D 721 | Seht den Felsenquell | March 1821 | Text by Goethe (other setting: D 549); For b and piano; Fragment |
722 | 722 | (1889) | XII No. 19 |
VII/2, 6 | German Dance, D 722 | G♭ major | 8/3/1821 | For piano |
723 | 723 | (1893) | XV, 7 No. 15 |
II, 18 | Duet and Aria for Hérold's Das Zauberglöckchen | Nein, nein, nein, nein, das ist zu viel – Der Tag entflieht, der Abend glüht | Apr.–May 1821[15] |
Text by Théaulon, transl. by Treitschke;Duet for tb and aria for t (both with orchestra) |
724 | 724 | 11,2 (1822) |
XVI No. 5 |
III, 3 No. 27 | Die Nachtigall | Bescheiden verborgen im buschigten Gang | 22/4/1821 or earlier |
Text by Unger ; For ttbb and piano |
725 | 725 | (1929) | III, 2b Anh. No. 5 |
Duet, D 725 | Linde Lüfte wehen, or: Linde Weste wehen | April 1821 | Fragment for mezzo-soprano, tenor and piano | |
726 | 726 | (1870) | XX, 6 No. 394 |
IV, 3 | Mignon I, D 726 | Heiß mich nicht reden | April 1821 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: D 877 No. 2) |
727 | 727 | (1850) | XX, 6 No. 395 |
IV, 3 | Mignon II, D 727 | So laßt mich scheinen, bis ich werde | April 1821 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 469 and 877 No. 3) |
728 | 728 | (1895) | XX, 10 No. 601 |
IV, 13 | Johanna Sebus | Der Damm zerreißt | April 1821 | Text by Goethe; Fragment |
729 | 729 | (1894) (1934) |
V, 6 No. 7 & Anh 1 |
Symphony No. 7 | E major | August 1821 |
Adagio, Allegro – Andante – Scherzo – Allegro giusto; Sketches; First editions are completions by others (piano reduction in 1894) | |
730 | 730 | (1926) | I, 9 No. 8 |
Tantum ergo, D 730 | B♭ major | 16/8/1821 | Text by Aquinas (other settings: D 460, 461, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra | |
731 | 731 | 173p,4 (1821) |
XX, 6 No. 399 |
IV, 5 | Der Blumen Schmerz | Wie tönt es mir so schaurig | September 1821 |
Text by Majláth; Publ. as Op. posth. 173 No. 4 in 1867 |
732 683 |
732 | (1833) (1834) (1867) (1882) (1892) |
XV, 4 No. 8 (Ov.) XV, 5 No. 9 |
II, 6a–c IV, 14 |
Alfonso und Estrella | (Opera in three acts) | 20/9/1821– 27/2/1822 |
Text by Schober; For two sopranos, two tenors, bass, two baritones, SATB and orchestra (piano reduction in 1882 publ.); Overture (also used as overture to D 797, publ. 1867, piano reductions: D 759A and 773) – Act I: Nos. 1–10 (No. 8 publ. 1833 with piano reduction) – Act II: Nos. 11–22 (No. 11 was also D 683 and some of its music reappears in No. 19 of D 911, No. 13 publ. 1834 with piano reduction) – Act III: Nos. 23–34 |
733–767 |
|
1822 | Up ↑ | |||||
733 | 733 | 51 (1826) |
IX, 1 No. 3 |
VII/1, 4 | Trois Marches militaires | D major G major E♭ major |
Summer– Autumn 1818? |
For piano duet |
734 | 734 | 67 (1826) |
XII No. 5 |
VII/2, 7a | 16 Ländler and 2 Écossaises, a.k.a. Wiener Damen-Ländler | Various keys | before 15/12/1826 |
For piano |
735 | 735 | 49 (1825) |
XII No. 23 |
VII/2, 7a | Galop and Eight Écossaises | Various keys | before 21/11/1825 |
For piano |
736 | 736 | (1842) | XX, 7 No. 402 |
IV, 13 | Ihr Grab | Dort ist ihr Grab | 1822? | Text by Engelhardt (a.k.a. Richard Roos) |
737 | 737 | 56,2 (1826) |
XX, 7 No. 414 |
IV, 3 | An die Leier | Ich will von Atreus Söhnen | 1822 or 1823? |
Text by Bruchmann translating Anacreon |
738 | 738 | 56,3 (1826) |
XX, 7 No. 415 |
IV, 3 | Im Haine | Sonnenstrahlen durch die Tannen | 1822 or 1823? |
Text by Bruchmann |
739 | 739 | 45 (1825) |
XIV No. 6 | I, 9 No. 5 |
Tantum ergo, D 739 | C major | 1814 | Text by Aquinas (other settings: D 460, 461, 730, 750, 962 and Anh. I/17); For SATB and orchestra |
740 | 740 | 16,1 (1823) |
XVI No. 7 |
III, 3 No. 28 Anh. III No. 3 Anh. IV No. 6 |
Frühlingsgesang, D 740 | Schmücket die Locken mit duftigen Kränzen | January– early April 1822 |
Text by Schober (other setting, of which the music is partly reused in this setting: D 709); For ttbb and piano |
741 | 741 | 20,1 (1823) |
XX, 6 No. 400 |
IV, 1a | Sei mir gegrüßt | O du Entriß'ne mir | late 1821– autumn 1822 |
Text by Rückert |
742 | 742 | 68 (1822) |
XX, 7 No. 401 |
IV, 3 | Der Wachtelschlag | Ach! mir schallt's dorten so lieblich hervor | before 30/7/1822 |
Text by Sauter ; Publ. as Op. 68 in 1827 |
743 | 743 | 23,2 (1823) |
XX, 7 No. 406 |
IV, 2a | Selige Welt | Ich treibe auf des Lebens Meer | autumn 1822? |
Text by Senn; For b and piano |
744 | 744 | 23,3 (1823) |
XX, 7 No. 407 |
IV, 2a | Schwanengesang, D 744 | Wie klag' ich's aus das Sterbegefühl | autumn 1822? |
Text by Senn |
745 | 745 | 73 (1822) (1895) |
XX, 7 No. 408 |
IV, 3 | Die Rose | Es lockte schöne Wärme | 1822 | Text by Schlegel, F., from Abendröte I, 6; Two versions: 1st publ. as Op. 73 in 1827 |
746 | 746 | (1831) | XX, 7 No. 422 |
IV, 13 | Am See, D 746 | In des Sees Wogenspiele | 1822 or 1823? |
Text by Bruchmann |
747 | 747 | 11,3 (1822) |
XVI No. 6 |
III, 3 No. 29 | Geist der Liebe, D 747 | Der Abend schleiert Flur und Hain | January 1822 |
Text by Matthisson (other setting: D 414); For ttbb and piano |
748 | 748 | 157p (1822) |
XVII No. 3 |
III, 1 | Am Geburtstage des Kaisers | Steig empor, umblüht von Segen | January 1822 |
Text by Deinhardstein ; For satbSATB and orchestra; Publ. with a modified text as Op. posth. 157 in 1849 |
749 | 749 | (1850) | XX, 10 No. 588 |
IV, 13 | Herrn Josef Spaun, Assessor in Linz | Und nimmer schreibst du? | January 1822 |
Text by Collin, M. C. |
750 | 750 | (1888) | XIV No. 8 | I, 9 No. 9 |
Tantum ergo, D 750 | D major | 22/3/1822 | Text by Aquinas (other settings: D 460, 461, 730, 739, 962 and Anh. I/17); For SATB and orchestra |
751 | 751 | 23,1 (1823) |
XX, 7 No. 410 |
IV, 2a | Die Liebe hat gelogen | Die Liebe hat gelogen | before 17/4/1822 |
Text by Platen |
752 | 752 | (1872) | XX, 7 No. 403 |
IV, 13 | Nachtviolen | Nachtviolen, Nachtviolen | April 1822 | Text by Mayrhofer |
753 | 753 | 65,3 (1826) |
XX, 7 No. 404 |
IV, 3 | Heliopolis I a.k.a. Aus Heliopolis | Im kalten, rauhen Norden | April 1822 | Text by Mayrhofer |
754 | 754 | (1842) | XX, 7 No. 405 |
IV, 13 | Heliopolis II a.k.a. Im Hochgebirge | Fels auf Felsen hingewälzet | April 1822 | Text by Mayrhofer; For b and piano |
755 | 755 | I, 5 Anh. | Kyrie, D 755 | A minor Kyrie |
May 1822 | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678 and 950); For satbSATB, strings and organ; Sketch | ||
756 | 756 | 59,1 (1826) (1895) |
XX, 7 No. 409 |
IV, 3 | Du liebst mich nicht | Mein Herz ist zerrissen, du liebst mich nicht! | July 1822 | Text by Platen; Two versions: 2nd is Op. 59 No. 1 |
757 | 757 | 133p (1839) |
XVIII No. 3 |
III, 3 No. 30 Anh. III No. 4 |
Gott in der Natur | Groß ist der Herr! | August 1822 |
Text by Kleist; For ssaa and piano |
757A | VII/2, 4 | March, D 757A | B minor | 1822 | For piano | |||
758 | 758 | 108,2 (1829) |
XX, 7 No. 411 |
IV, 5 | Todesmusik | In des Todes Feierstunde | September 1822 |
Text by Schober; Two versions: 2nd is Op. 108 No. 2 |
759 | 759 | (1867) | I, 2 No. 8 XXII v1 |
V, 3 No. 7 |
Symphony No. 8, a.k.a. Unfinished Symphony | B minor | 30/10/1822 | Allegro moderato – Andante con moto – Scherzo (Fragment); D 797 No. 1 may be its 4th movement |
732 (Ov.) |
759A | 69 (1839) |
VII/2, 4 | Overture to Alfonso und Estrella, D 759A | D major | November 1822 |
For piano; Arranged from D 732 (see also: D 773) | |
760 | 760 | 15 (1823) |
XI No. 1 | VII/2, 5 | Fantasy, D 760, a.k.a. Wanderer Fantasy | C major | November 1822 |
For piano; Reuses music of D 489 |
761 | 761 | 23,4 (1823) (1795) |
XX, 7 No. 412 |
IV, 2a & b No. 1 |
Schatzgräbers Begehr | In tiefster Erde ruht ein alt Gesetz | November 1822 |
Text by Schober; Two versions: 2nd is Op. 23 No. 4 |
762 | 762 | (1833) | XX, 7 No. 413 |
IV, 13 | Schwestergruß | Im Mondenschein' wall' ich auf und ab | November 1822 |
Text by Bruchmann |
763 | 763 | 146p (1842) |
XVII No. 11 |
III, 2a No. 13 |
Des Tages Weihe | Schicksalslenker, blicke nieder | 22/11/1822 | For satb and piano |
764 | 764 | 92,1 (1828) (1895) |
XX, 7 No. 416 |
IV, 5 | Der Musensohn | Durch Feld und Wald zu schweifen | early Dec. 1822 |
Text by Goethe; Two versions: 2nd is Op. 92 No. 1 |
765 | 765 | (1868) | XX, 7 No. 417 |
IV, 13 | An die Entfernte | So hab' ich wirklich dich verloren? | early Dec. 1822 |
Text by Goethe |
766 | 766 | (1872) | XX, 7 No. 418 |
IV, 13 | Am Flusse, D 766 | Verfließet, vielgeliebte Lieder | early Dec. 1822 |
Text by Goethe (other setting: D 160) |
767 | 767 | 56,1 (1826) (1895) |
XX, 7 No. 419 |
IV, 3 | Willkommen und Abschied | Es schlug mein Herz | early Dec. 1822 |
Text by Goethe; Two versions: 2nd is Op. 56 No. 1 |
768–798 |
|
1823 | Up ↑ | |||||
768 | 768 | 96,3 (1827) |
XX, 7 No. 420 |
IV, 5 | Wandrers Nachtlied, D 768 | Über allen Gipfeln ist Ruh | before July 1824 |
Text by Goethe; Publ. as Op. 96 No. 3 in 1828 |
769 | 769 | (1823) (1889) |
XII No. 18 |
VII/2, 6 & 7a |
Two German Dances, D 769 | Various keys | before 19/12/1823 –Jan. 1824 |
For piano; No. 2 publ. in 1823 |
994 | 769A | VII/2, 2 | Piano Sonata, D 769a | E minor | c. 1823 | Allegro; Fragment | ||
770 | 770 | 71 (1823) |
XX, 7 No. 424 |
IV, 3 | Drang in die Ferne | Vater, du glaubst es nicht | early 1823 | Text by Leitner; Publ. as Op. 71 in 1827 |
771 | 771 | 22,1 (1823) |
XX, 7 No. 425 |
IV, 1a | Der Zwerg | Im trüben Licht verschwinden schon die Berge | 1822? | Text by Collin, M. C. |
772 | 772 | 22,2 (1823) |
XX, 7 No. 426 |
IV, 1a | Wehmut, D 772 | Wenn ich durch Wald und Fluren geh' | 1822 or 1823? |
Text by Collin, M. C. |
773 | 773 | 69 (1826) |
VII/1, 5 No. 5 |
Overture to Alfonso und Estrella, D 773 | 1823 | For piano duet; Arranged from D 732 (see also: D 759A); Publ. as Op. 69 in 1830 | ||
774 | 774 | 72 (1823) |
XX, 7 No. 428 |
IV, 3 | Auf dem Wasser zu singen | Mitten im Schimmer der spiegelnden Wellen | 1823 | Text by Stolberg-Stolberg; Publ. as Op. 72 in 1827 |
775 | 775 | 59,2 (1826) |
XX, 8 No. 453 |
IV, 3 | Daß sie hier gewesen | Daß der Ostwind Düfte hauchet | 1823? | Text by Rückert |
776 | 776 | 59,3 (1826) |
XX, 8 No. 454 |
IV, 3 | Du bist die Ruh | Du bist die Ruh, der Friede mild | 1823 | Text by Rückert |
777 | 777 | 59,4 (1826) |
XX, 8 No. 455 |
IV, 3 | Lachen und Weinen | Lachen und Weinen zu jeglicher Stunde | 1823? | Text by Rückert |
778 | 778 | 60,1 (1826) |
XX, 8 No. 456 |
IV, 3 | Greisengesang | Der Frost hat mir bereifet | before June 1823 |
Text by Rückert; For b and piano; Two versions; 2nd, in AGA, is Op. 60 No. 1 |
778A | (1969) | IV, 13 | Die Wallfahrt | Meine Tränen im Bußgewand | 1823? | Text by Rückert; For b and piano | ||
778B | VIII, 3 | Ich hab' in mich gesogen | Ich hab' in mich gesogen den Frühling treu und lieb | 1823? | Text by Rückert; Sketch; For ttbb | |||
779 | 779 | 50 (1825) |
XII No. 4 & Anh. |
VII/2, 6 & 7a |
34 Valses sentimentales | Various keys | Feb. 1823 –before 21/11/1825 |
For piano; Early versions of Nos. 1, 2, 4, 8, 9, 12, 14 and 33 in AGA Anh. |
780 | 780 | 94 (1823) (1824) (1828) |
XI No. 4 | VII/2, 5 | Six Moments musicaux | Various keys | before Dec. 1823 –before 11/7/1828 |
For piano; No. 3 publ. in 1823; No. 6 publ. in 1824; Publ. as Op. 94 in 1828 |
781 | 781 | (1824) (1825) (1889) |
XII No. 25 & No. 3 |
VII/2, 6 & 7a |
Twelve Écossaises, D 781 | Various keys | January 1823 |
For piano; No. 1 (=Écossaise No. 2 of D 783 and AGA XII No. 3) publ. in 1825; Nos. 4 and 7 publ. in 1824 |
782 | 782 | (1824) | VII/2, 7a | Écossaise, D 782 | D major | before 21/2/1824 |
For piano | |
783 | 783 | 33 (1825) |
XII No. 3 |
VII/2, 6 & 7a |
Sixteen German Dances and Two Écossaises | Various keys | Jan. 1823 –before 8/1/1825 |
For piano; Related to other dances, e.g. D 790 No. 2, D 781 No. 1 |
784 | 784 | 143p (1839) |
X No. 8 | VII/2, 2 No. 12 |
Piano Sonata, D 784 | A minor | February 1823 |
Allegro giusto – Andante – Allegro vivace |
785 | 785 | (1831) | XX, 7 No. 421 |
IV, 13 | Der zürnende Barde | Wer wagt's, wer wagt's | February 1823 |
Text by Bruchmann ; For b and piano |
786 | 786 | 123p (1830) |
XX, 7 No. 423 |
IV, 13 | Viola | Schneeglöcklein, o Schneeglöcklein | March 1823 | Text by Schober |
787 | 787 | (1889) (1964) |
XV, 3 No. 6 |
II, 7 | Die Verschworenen, a.k.a. Der haüsliche Krieg | (Singspiel in one act) | completed April 1823 |
Text by Castelli; For ssss(s)aatt(t)bbSATB and orchestra; Overture (fragment publ. in 1964) – Nos. 1–11 |
788 | 788 | (1838) | XX, 7 No. 427 |
IV, 13 | Lied, D 788, a.k.a. Die Mutter Erde | Des Lebens Tag ist schwer und schwül | April 1823 | Text by Stolberg-Stolberg |
789 | 789 | (1832) | XX, 7 No. 429 |
IV, 13 | Pilgerweise | Ich bin ein Waller auf der Erde | April 1823 | Text by Schober |
790 | 790 | 171p (1864) |
XII No. 9 |
VII/2, 6 | Twelve German Dances, D 790, a.k.a. Twelve Ländler | Various keys | May 1823 | For piano; No. 2 = D 783 No. 1; No. 8 similar to D. 783 No. 1 |
791 | 791 | (1867) | II, 16 | Rüdiger | (Opera) | May 1823 | Text by Mosel?; For ttTTBB and orchestra; Sketches of two numbers | |
792 | 792 | (1833) | XX, 7 No. 430 |
IV, 13 | Vergißmeinnicht | Als der Frühling | May 1823 | Text by Schober |
793 | 793 | 173p,2 (1867) |
XX, 7 No. 431 |
IV, 13 | Das Geheimnis, D 793 | Sie konnte mir kein Wörtchen sagen | May 1823 | Text by Schiller (other setting: D 250) |
794 | 794 | 37,1 (1825) (1909) |
XX, 7 No. 432 |
IV, 2a & b No. 6 |
Der Pilgrim | Noch in meines Lebens Lenze | May 1823 | Text by Schiller; Two versions (merged into one in AGA): 1st is fragment – 2nd is Op. 37 No. 1 |
795 | 795 | 25 (1824) |
XX, 7 Nos. 433– 452 |
IV, 2a & Anh. No. 2–5 |
Die schöne Müllerin (1. Das Wandern – 2. Wohin? – 3. Halt! – 4. Danksagung an den Bach – 5. Am Feierabend – 6. Der Neugierige – 7. Ungeduld – 8. Morgengruß – 9. Des Müllers Blumen – 10. Tränenregen – 11. Mein! – 12. Pause – 13. Mit dem grünen Lautenbande – 14. Der Jäger – 15. Eifersucht und Stolz – 16. Die liebe Farbe – 17. Die böse Farbe – 18. Trockne Blumen – 19. Der Müller und der Bach – 20. Des Baches Wiegenlied) | 1. Das Wandern ist des Müllers Lust – 2. Ich hört' ein Bächlein rauschen – 3. Eine Mühle seh' ich blinken – 4. War es also gemeint – 5. Hätt' ich tausend Arme zu rühren – 6. Ich frage keine Blume – 7. Ich schnitt' es gern in alle Rinden ein – 8. Guten Morgen, schöne Müllerin – 9. Am Bach viel kleine Blumen stehn' – 10. Wir saßen so traulich beisammen – 11. Bächlein, laß dein Rauschen sein – 12. Meine Laute hab' ich gehängt an die Wand – 13. Schad' um das schöne grüne Band – 14. Was sucht denn der Jäger – 15. Wohin so schnell – 16. In Grün will ich mich kleiden – 17. Ich möchte zieh'n in die Welt hinaus – 18. Ihr Blümlein alle – 19. Wo ein treues Herze – 20. Gute Ruh', gute Ruh' | October?– November 1823 |
Text by Müller, W. |
796 333 |
796 | 76 (1827) (1840) (1867) (1872) (1886) |
XV, 6 No. 10 |
II, 8a–c | Fierabras, also spelled Fierrabras | (Opera in three acts) Vocal numbers include 5. Laß uns mutvoll hoffen and 6b. Was quälst du mich, o Mißgeschick |
25/5/1823– 2/10/1823 |
Text by Kupelwieser; Music for three sopranos, three tenors, three basses, baritone, SATB and orchestra; Overture (Schubert's piano duet version is D 798, Czerny's piano duet version publ. in 1827 as Schubert's Op. 76, orchestral score publ. in 1867) – Act I: Nos. 1–6 – Act II: Nos. 7–17 (No. 7 reuses music of D 982 No. 3, No. 15 reuses music of D 326 No. 14) – Act III: Nos. 18–23 (No. 21 publ. with piano reduction in 1840, last part of No. 21 was D 333, No. 22 publ. with piano reduction in 1872) |
797 | 797 | 26 (1824) (1828) (1866) (1867) (1891) |
XV, 4 No. 8 |
II, 9 III, 2b Anh. No. 6–7 III, 3 No. 31 IV, 2a |
Rosamunde, Fürstin von Zypern (1. Entre'acte I – 2. Ballet I – 3a. Entre'acte II – 3b. Romanze a.k.a. Ariette – 4. Geisterchor – 5. Entre'acte III – 6. Hirtenmelodien – 7. Hirtenchor – 8. Jagerchor – 9. Ballet II) |
(Incidental music for a play in three acts) Vocal numbers: 3b. Der Vollmond strahlt auf Bergeshöhn – 4. In der Tiefe wohnt das Licht – 7. Hier auf den Fluren – 8. Wie lebt sich's so fröhlich im Grünen |
autumn 1823 | Text by Chézy; For aSATB and orchestra; (Overture: see D 644 and 732) – Nos. 1–9 (Nos. 1 and 5 publ. in 1866, Nos. 2 and 9 publ. in 1867, No. 3b publ. with piano reduction as Op. 26 in 1824, Nos. 4, 7 and 8 publ. with piano reduction in 1828 or 1834, No. 4 publ. 1828; No. 5 partly reused in D 935 No. 3 and Andante of D 804) |
798 | 798 | (1897) | XXI, 2 No. 7 |
VII/1, 5 No. 6 |
Overture to Fierabras | after 2/10/1823 |
Arrangement for piano duet of D 796's overture | |
799–822 |
|
1824 | Up ↑ | |||||
799 | 799 | (1832) | XX, 8 No. 463 |
IV, 13 | Im Abendrot, D 799 | Oh, wie schön ist deine Welt | 1824 or Feb. 1825 |
Text by Lappe |
800 | 800 | 41 (1825) (1827) |
XX, 8 No. 465 |
IV, 2a | Der Einsame | Wann meine Grillen schwirren | early 1825 | Text by Lappe ; Two near-identical versions: 2nd publ. as Op. 41 in 1827 |
801 | 801 | 60,2 (1826) |
XX, 8 No. 457 |
IV, 3 | Dithyrambe, D 801 | Nimmer, das glaubt mir, erscheinen die Götter | before 10/6/1826 |
Text by Schiller (other setting: D 47); For b and piano |
802 | 802 | 160p (1850) |
VIII No. 7 |
VI, 8 No. 5 & anh. 2 |
Variations on "Trockne Blumen" | E minor | January 1824 |
For flute and piano; Introduction, Theme (D 795 No. 18) and 7 Variations |
803 | 803 | 166p (1851) (1898) |
III No. 1 | VI, 1 No. 3 | Octet, D 803 | F major | February– 1/3/1824 |
For clarinet, bassoon, horn, string quartet and double bass; Movements 4 and 5 missing in 1st publ. |
804 | 804 | 29 (1824) |
V No. 13 | VI, 5 No. 14 |
String Quartet No. 13 Rosamunde | A minor | Feb.–early March 1824 |
Allegro ma non troppo – Andante (after D 797 No. 5) – Minuet – Allegro moderato |
805 | 805 | (1833) | XX, 8 No. 458 |
IV, 13 | Der Sieg | O unbewölktes Leben | early March 1824 |
Text by Mayrhofer; For b and piano |
806 | 806 | (1833) | XX, 8 No. 459 |
IV, 13 | Abendstern | Was weilst du einsam an dem Himmel | early March 1824 |
Text by Mayrhofer |
807 | 807 | (1842) | XX, 8 No. 460 |
IV, 13 | Auflösung | Verbirg dich, Sonne | March 1824 | Text by Mayrhofer |
808 | 808 | (1872) | XX, 8 No. 461 |
IV, 13 | Gondelfahrer, D 808 | Es tanzen Mond und Sterne | early March 1824 |
Text by Mayrhofer (other setting: D 809) |
809 | 809 | 28 (1824) |
XVI No. 9 |
III, 3 No. 32 | Gondelfahrer, D 809 | Es tanzen Mond und Sterne | March 1824 | Text by Mayrhofer (other setting: D 808); For ttbb and piano |
810 | 810 | (1831) | V No. 14 | VI, 5 No. 15 |
String Quartet No. 14 Death and the Maiden | D minor | March 1824 | Allegro – Andante con moto (after D 531) – Scherzo – Presto |
811 | 811 | 149p (1850) |
XIV No. 19 | I, 9 No. 14 |
Salve Regina, D 811 | C major Salve Regina |
April 1824 | Text: Salve Regina (other settings: D 27, 106, 223, 386 and 676); For ttbb |
812 | 812 | 140p (1837) |
IX, 2 No. 12 |
VII/1, 2 No. 1 |
Sonata, D 812, a.k.a. Grand Duo | C major | June 1824 | For piano duet; Allegro moderato – Andante – Scherzo – Allegro vivace |
813 | 813 | 35 (1825) |
IX, 2 No. 16 |
VII/1, 2 No. 2 |
Eight Variations on an original theme | A♭ major | late May–mid July 1824 |
For piano duet |
814 | 814 | (1869) | IX, 3 No. 27 |
VII/1, 4 | Four Ländler, D 814 | Various keys | July 1824 | For piano duet; No. 1 also as Allemande D 366 No. 17 |
815 | 815 | 139pI (1840) |
XVII No. 10 |
III, 2a No. 14 |
Gebet, D 815 | Du Urquell aller Güte | September 1824 |
Text by Motte Fouqué; For satb and piano |
816 | 816 | (1956) | VII/2, 6 | Three Écossaises | Various keys | September 1824 |
For piano | |
817 | 817 | (1928) | VII/2, 5 | Ungarische Melodie | B minor | 2/9/1824 | For piano; Reappears in D 818 | |
818 | 818 | 54 (1826) |
IX, 3 No. 19 |
VII/1, 2 No. 3 |
Divertissement à l'hongroise | G minor | autumn 1824? |
For piano duet; Partly based on D 817 |
819 | 819 | 40 (1825) |
IX, 1 No. 2 |
VII/1, 4 | Six Grandes Marches | Various keys | 1818 or 1824 |
For piano duet |
820 | 820 | (1931) | VII/2, 6 | Six German Dances, D 820 | Various keys | October 1824 |
For piano | |
821 | 821 | (1871) | VIII No. 8 |
VI, 8 No. 6 | Arpeggione Sonata | A minor | November 1824 |
Allegro moderato – Adagio – Allegretto |
822 | 822 | (1842) | XX, 8 No. 464 |
III, 3 Anh. II No. 6 | Lied eines Kriegers | Des stolzen Männerlebens schönste Zeichen | 31/12/1824 | For b, unison men's choir and piano |
823–862 |
|
1825 | Up ↑ | |||||
823 | 823 | 63 & 84 (1826) (1827) |
IX, 3 Nos. 20–22 |
VII/1, 2 No. 4 |
Divertissement sur des motifs originaux français | E minor | before 17/6/1826– before 6/7/1827 |
For piano duet; Tempo di Marcia (publ. as Divertissement en Forme d'une Marche brillante et raisonnée Op. 63 in 1826) – Theme and variations (publ. as Andantino varié Op. 84 No. 1 in 1827) – Rondo (publ. as Rondeau brillant Op. 84 No. 2 in 1827) |
824 | 824 | 61 (1826) |
IX, 3 No. 25 |
VII/1, 4 | Six Polonaises | Various keys | April 1826 | For piano duet |
825 No. 1 |
825 | 64,1 (1828) |
XVI No. 24 |
III, 4 No. 52 |
Wehmut, D 825 | Die Abendglocke tönet | before summer 1826 |
Text by Hüttenbrenner, H. ; For ttbb |
825 No. 2 |
825A | 64,2 (1828) |
XVI No. 25 |
III, 4 No. 53 |
Ewige Liebe | Ertönet, ihr Saiten, in nächtlicher Ruh | before summer 1826 |
Text by Schulze; For ttbb |
825 No. 3 |
825B | 64,3 (1828) |
XVI No. 26 |
III, 4 No. 54 |
Flucht | In der Freie will ich leben | early 1825 | Text by Lappe ; For ttbb |
826 | 826 | (1892) | XVII No. 14 |
III, 2a No. 17 |
Der Tanz | Es redet und träumet die Jugend so viel | early 1828 | Text by Schnitzer von Meerau ?; For satb and piano |
827 | 827 | 43,2 (1825) (1975) |
XX, 8 No. 470 |
IV, 2a & b No. 10 |
Nacht und Träume | Heil'ge Nacht, du sinkest nieder! | before June 1823 |
Text by Collin, M. C.; Two versions: 2nd, in AGA, is Op. 43 No. 2 |
828 | 828 | 43,1 (1825) |
XX, 8 No. 469 |
IV, 2a | Die junge Nonne | Wie braust durch die Wipfel | early 1825 | Text by Craigher de Jachelutta |
829 | 829 | (1873) | XX, 10 No. 603 |
IV, 13 | Abschied, D 829, a.k.a. Abschied von der Erde | Leb' wohl du schöne Erde | before 17/2/1826 |
Text by Pratobevera ; Melodrama for spoken voice and piano |
830 | 830 | 85,1 (1828) |
XX, 9 No. 541 |
IV, 4 | Lied der Anne Lyle | Wärst du bei mir im Lebenstal | early 1825? | Text by Macdonald quoted in Scott's Montrose (transl.) |
831 | 831 | 85,2 (1828) |
XX, 9 No. 542 |
IV, 4 | Gesang der Norna | Mich führt mein Weg wohl meilenlang | early 1825 | Text by Scott from The Pirate transl. by Spiker |
832 | 832 | (1830) | XX, 8 No. 466 |
IV, 13 | Des Sängers Habe | Schlagt mein ganzes Glück in Splitter | February 1825 |
Text by Schlechta |
833 | 833 | 101p,2 (1827) (1895) |
XX, 8 No. 468 |
IV, 5 | Der blinde Knabe | O sagt, ihr Lieben, mir einmal | April 1825 | Text by Cibber transl. by Craigher de Jachelutta ; Two versions: 2nd publ. as Op. posth. 101 No. 2 in 1828 |
834 | 834 | 93,1 (1828) (1835) |
XX, 8 No. 476 |
IV, 5 | Im Walde, D 834 | Ich wandre über Berg und Tal | March 1825 –Sep. 1827 |
Text by Schulze; Two versions: 2nd, publ. 1828, in AGA |
835 | 835 | 52,3 (1826) |
XVI No. 10 |
III, 3 No. 33 IV, 3 |
Bootgesang a.k.a. Boat Song | Triumph, er naht (Hail to the chief) | 1825 | Text by Scott from The Lady of the Lake transl. by Storck (Canto II, 19); For ttbb and piano |
836 | 836 | 52,4 (1826) |
XVIII No. 1 |
III, 3 No. 9 IV, 3 |
Coronach: Totengesang der Frauen und Mädchen | Er ist uns geschieden (He is gone to the mountain) | 1825 | Text by Scott from The Lady of the Lake transl. by Storck (Canto III, 16); For SSA and piano |
837 | 837 | 52,1 (1826) |
XX, 8 No. 471 |
IV, 3 | Ellens Gesang I a.k.a. Ellen's Song (I) | Raste, Krieger, Krieg ist aus (Soldier rest! thy warfare o'er) | April– July 1825 |
Text by Scott from The Lady of the Lake transl. by Storck (Canto I, 31) |
838 | 838 | 52,2 (1826) |
XX, 8 No. 472 |
IV, 3 | Ellens Gesang II a.k.a. Ellen's Song (II) | Jäger, ruhe von der Jagd! (Huntsman rest! thy chase is done) | April– July 1825 |
Text by Scott from The Lady of the Lake transl. by Storck (Canto I, 32) |
839 | 839 | 52,6 (1826) |
XX, 8 No. 474 |
IV, 3 | Ave Maria a.k.a. Ellens Gesang III: Hymne an die Jungfrau | Ave Maria! Jungfrau mild (Ave Maria! maiden mild) | April 1825 | Text by Scott from The Lady of the Lake transl. by Storck (Canto III, 29) |
840 | 840 | (1839) (1861) |
XXI, 3 No. 14 |
VII/2, 2 No. 13 |
Piano Sonata, D 840 ("Reliquie") | C major | April 1825 | Moderato – Andante (publ. 1839) – Minuet (fragment) – Rondo (fragment) |
841 | 841 | (1930) | VII/2, 6 | Two German Dances, D 841 | Various keys | April 1825 | For piano | |
842 | 842 | (1833) | XX, 8 No. 467 |
IV, 13 | Totengräbers Heimwehe | O Menschheit, o Leben, was soll's? | April 1825 | Text by Craigher de Jachelutta |
843 | 843 | 52,7 (1826) |
XX, 8 No. 475 |
IV, 3 | Lied des gefangenen Jägers – Lay of the Imprisoned Huntsman | Mein Roß so müd – My hawk is tired | April 1825 | Text by Scott from The Lady of the Lake transl. by Storck (Canto VI, 24) |
844 | 844 | (1897) | XXI, 3 No. 31 |
VII/2, 6 | Waltz, D 844, a.k.a. Albumblatt | G major | 16/4/1825 | For piano |
845 | 845 | 42 (1826) |
X No. 9 | VII/2, 2 No. 14 |
Piano Sonata, D 845 | A minor | before end May 1825 |
Moderato – Andante – Scherzo – Rondo |
846 | 846 | 52,5 (1826) |
XX, 8 No. 473 |
IV, 3 | Normans Gesang | Die Nacht bricht bald herein | April 1825 | Text by Scott from The Lady of the Lake transl. by Storck (Canto II, 23) |
847 | 847 | 155p (1849) |
XVI No. 29 |
III, 4 No. 55 |
Trinklied aus dem 16. Jahrhundert | Edit Nonna, edit Clerus | July 1825 | Text by Gräffer; For ttbb |
848 | 848 | 156p (1849) |
XVI No. 30 |
III, 4 No. 56 |
Nachtmusik | Wir stimmen dir mit Flötensang | July 1825 | Text by Seckendorff; For ttbb |
849 | 944 | Gmunden-Gastein Symphony | C major | Jun.–Sep. 1825 |
Probably identical to D 944 (if not: lost);[18] See also D Anh. I/6A | |||
850 | 850 | 53 (1826) |
X No. 11 | VII/2, 2 No. 15 |
Piano Sonata, D 850 ("Gasteiner") | D major | August 1825 | Allegro vivace – Con moto – Scherzo – Rondo |
851 | 851 | 79,1 (1827) (1895) |
XX, 8 No. 478 |
IV, 3 | Das Heimweh, D 851 | Ach, der Gebirgssohn | August 1825 | Text by Pyrker; Two versions: 2nd is Op. 79 No. 1 |
852 | 852 | 79,2 (1827) |
XX, 8 No. 479 |
IV, 3 | Die Allmacht, D 852 | Groß ist Jehova, der Herr! | August 1825 | Text by Pyrker (other setting: D 875A); Two versions: 2nd, in AGA, is Op. 79 No. 2 |
853 | 853 | 93,2 (1828) (1835) |
XX, 8 No. 477 |
IV, 5 | Auf der Bruck | Frisch trabe sonder Ruh' und Rast | Mar. or Aug. 1825– Sep. 1827 |
Text by Schulze; Two versions: 2nd, publ. 1828, in AGA |
854 | 854 | (1830) | XX, 8 No. 480 |
IV, 13 | Fülle der Liebe | Ein sehnend Streben teilt mir das Herz | August 1825 | Text by Schlegel, F. |
855 | 855 | (1842) | XX, 8 No. 481 |
IV, 13 | Wiedersehn | Der Frühlingssonne holdes Lächeln | September 1825 |
Text by Schlegel, A. W. |
856 | 856 | 88,1 (1827) |
XX, 8 No. 482 |
IV, 4 | Abendlied für die Entfernte | Hinaus mein Blick, hinaus ins Tal | September 1825 |
Text by Schlegel, A. W. |
857 | 857 | 124p (1829) |
XX, 8 Nos. 483– 484 |
IV, 13 | Two scenes from Lacrimas: 1. Lied der Delphine – 2. Lied des Florio | 1. Ach, was soll ich beginnen vor Liebe? – 2. Nun, da Schatten niedergleiten | September 1825 |
Text by Schütz |
859 | 859 | 55 (1826) |
IX, 1 No. 4 |
VII/1, 4 | Grande Marche Funèbre | C minor | after 1/12/1825 |
For piano duet |
860 | 860 | (1832) | XX, 8 No. 485 |
IV, 13 | An mein Herz | O Herz, sei endlich stille | December 1825 |
Text by Schulze |
861 | 861 | (1832) | XX, 8 No. 486 |
IV, 13 | Der liebliche Stern | Ihr Sternlein, still in der Höhe | December 1825 |
Text by Schulze |
862 | 862 | 88,3 (1827) |
XX, 8 No. 499 |
IV, 4 | Um Mitternacht | Keine Stimme hör' ich schallen | Dec. 1825– Mar. 1826? |
Text by Schulze; Two versions: 2nd is Op. 88 No. 3 |
863–895 |
|
1826 | Up ↑ | |||||
863 | 863 | IV, 13 | An Gott | Kein Auge hat dein Angesicht geschaut | 1827 or earlier |
Text by Hohlfeld (setting by Rindler publ. 1826); Music lost[18] | ||
864 | 864 | IV, 13 | Das Totenhemdchen | Starb das Kindlein | 1825 or later |
Text by Bauernfeld; Music lost | ||
865 | 865 | 105,1 (1828) |
XVI No. 12 |
III, 3 No. 34 IV, 5 |
Widerspruch | Wenn ich durch Busch und Zweig | 1826?–1828? | Text by Seidl; Two versions: 1st for ttbb and piano |
866 | 866 | 95 (1828) |
XX, 8 Nos. 508– 511 |
IV, 5 | Vier Refrainlieder: 1. Die Unterscheidung – 2. Bei dir allein – 3. Die Männer sind méchant – 4. Irdisches Glück | 1. Die Mutter hat mich jüngst gescholten – 2. Bei dir allein empfind ich, daß ich lebe – 3. Du sagtest mir es, Mutter – 4. So mancher sieht mit finstrer Miene | Summer 1828? |
Text by Seidl |
867 | 867 | 105,2 (1828) |
XX, 8 No. 512 |
IV, 5 | Wiegenlied, D 867 | Wie sich der Äuglein kindlicher Himmel | 1826?–1828? | Text by Seidl |
869 | 869 | (1832) | XX, 8 No. 496 |
IV, 14 | Totengräber-Weise | Nicht so düster und so bleich | 1826 | Text by Schlechta |
870 | 870 | 80,1 (1827) |
XX, 8 No. 506 |
IV, 4 | Der Wanderer an den Mond | Ich auf der Erd', am Himmel du | 1826 | Text by Seidl |
871 | 871 | 80,2 (1827) (1979) |
XX, 8 No. 507 |
IV, 4 | Das Zügenglöcklein | Kling die Nacht durch, klinge | 1826 | Text by Seidl; Two versions: 2nd, in AGA, is Op. 80 No. 2 |
872 | 872 | (1854) (1870) |
XIII, 2 No. 7 |
I, 6 | Deutsche Messe mit dem Anhang "Das Gebet des Herrn" (German Mass with The Lord's Prayer appended): 1. Zum Eingang – 2. Zum Gloria – 3. Zum Evangelium und Credo – 4. Zum Offertorium – 5. Zum Sanctus – 6. Nach der Wandlung – 7. Zum Agnus Dei – 8. Schlussgesang – Anh.: Das Gebet des Herrn | 1. Wohin soll ich mich wenden – 2. Ehre, Ehre sei Gott in der Höhe! – 3. Noch lag die Schöpfung formlos da – 4. Du gabst, o Herr, mir Sein und Leben – 5. Heilig, heilig, heilig, heilig ist der Herr! – 6. Betrachtend deine Huld und Güte – 7. Mein Heiland, Herr und Meister! – 8. Herr, du hast mein Flehn vernommen – Anh.: Anbetend deine Macht und Größe | summer or early fall 1827 |
Text by Neumann; Two versions: 1st for SATB and organ – 2nd, in AGA, adds winds, and optional double bass; Ferd. Schubert started publishing his arrangements from before 1838; Vocal score publ. in 1854 |
873 | 873 | (1974) | III, 4 Anh. II No. 2 VIII, 2 No. 29 |
Canon, D 873 | A major | January 1826? |
For six voices; Sketch | |
873A | III, 4 Anh. II No. 3 |
Nachklänge | January 1826? |
For ttbb; Sketch | ||||
874 | 874 | IV, 14 | O Quell, was strömst du rasch und wild | O Quell, was strömst du rasch und wild | January 1826? |
Text by Schulze; Sketch | ||
875 | 875 | 102 (1831) |
XVI No. 27 |
III, 3 No. 35 | Mondenschein | Des Mondes Zauberblume lacht | January 1826 |
Text by Schober; For ttbbb and piano (only voices in AGA, piano score in 1st ed. not original) |
875A | III, 2b Anh. No. 8 |
Die Allmacht, D 875A | Groß ist Jehova, der Herr! | January 1826 |
Text by Pyrker (other setting: D 852); For SATB and piano; Sketch | |||
876 | 876 | (1838) | XX, 8 No. 487 |
IV, 14 | Im Jänner 1817 a.k.a. Tiefes Leid | Ich bin von aller Ruh' geschieden | January 1826 |
Text by Schulze |
877 | 877 | 62 (1827) |
XX, 8 Nos. 488– 491 |
III, 2b No. 23 IV, 3 |
Gesänge aus Wilhelm Meister (Songs from Wilhelm Meister): 1. Mignon und der Harfner – 2.–4. Lied der Mignon | 1.&4. Nur wer die Sehnsucht kennt – 2. Heiß mich nicht reden, heiß mich schweigen – 3. So laßt mich scheinen, bis ich werde | January 1826 |
Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 469, 481, 656, 726 and 727); No. 1 for two voices and piano; No. 2 has two versions; No. 4 reuses music of D 403 |
878 | 878 | 105,3 (1828) |
XX, 8 No. 492 |
IV, 5 | Am Fenster | Ihr lieben Mauern hold und traut | March 1826 | Text by Seidl |
879 | 879 | 105,4 (1828) |
XX, 8 No. 493 |
IV, 5 | Sehnsucht, D 879 | Die Scheibe friert, der Wind ist rauh | March 1826 | Text by Seidl |
880 | 880 | 80,3 (1827) |
XX, 8 No. 494 |
IV, 4 | Im Freien | Draußen in der weiten Nacht | March 1826 | Text by Seidl |
881 | 881 | 96,4 (1828) (1895) |
XX, 8 No. 495 |
IV, 5 | Fischerweise | Den Fischer fechten Sorgen und Gram und Leid nicht an | March 1826 | Text by Schlechta ; Two versions: 2nd is Op. 96 No. 4 |
882 | 882 | 101p,1 (1828) |
XX, 8 No. 497 |
IV, 5 | Im Frühling | Still sitz' ich an des Hügels Hang | March 1826 | Text by Schulze |
883 | 883 | (1832) | XX, 8 No. 498 |
IV, 14 | Lebensmut, D 883 | O wie dringt das junge Leben | March 1826 | Text by Schulze |
884 | 884 | 108,1 (1829) |
XX, 8 No. 500 |
IV, 5 | Über Wildemann | Die Winde sausen am Tannenhang | March 1826 | Text by Schulze |
885 | 885 | 66 (1826) |
IX, 1 No. 5 |
VII/1, 4 | Grande Marche Héroique | A minor | c. 3/9/1826 | For piano duet |
887 | 887 | 161p (1851) |
V No. 15 | VI, 5 No. 16 |
String Quartet No. 15 | G major | 20– 30/6/1826 |
Allegro molto moderato – Andante un poco mosso – Scherzo – Allegro assai |
888 | 888 | (1850) | XX, 8 No. 502 |
IV, 14 | Trinklied, D 888 | Bacchus, feister Fürst des Weins | July 1826 | Text by Shakespeare from Antony and Cleopatra II, 7, transl. by Mayerhofer von Grünbühel and Bauernfeld |
889 | 889 | (1830) | XX, 8 No. 503 |
IV, 14 | Ständchen, D 889 | Horch, horch! die Lerch im Ätherblau | July 1826 | Text by Shakespeare from Cymbeline II, 3, transl. by Schlegel, A. W. |
890 | 890 | (1830) | XX, 8 No. 504 |
IV, 14 | Hippolits Lied | Laßt mich, ob ich auch still verglüh | July 1826 | Text by Gerstenberg |
891 | 891 | 106,4 (1828) |
XX, 8 No. 505 |
IV, 5 | An Sylvia a.k.a. An Silvia a.k.a. Gesang, D 891 | Was ist Silvia, saget an | July 1826 | Text by Shakespeare from The Two Gentlemen of Verona IV, 2, transl. by Bauernfeld |
892 | 892 | 134p (1839) |
XVI No. 13 |
III, 3 No. 36 | Nachthelle | Die Nacht ist heiter | September 1826 |
Text by Seidl; For tenor solo, ttbb and piano |
893 | 893 | (1827) | XVI No. 41 |
III, 4 No. 57 |
Grab und Mond | Silberblauer Mondenschein fällt herab | September 1826 |
Text by Seidl; For ttbb |
894 | 894 | 78 (1827) |
X No. 12 | VII/2, 3 No. 16 |
Piano Sonata, D 894 ("Fantasie") | G major | October 1826 |
Molto moderato e cantabile – Andante – Minuet – Allegretto |
895 | 895 | 70 (1827) |
VIII No. 1 |
VI, 8 No. 7 | Rondo, D 895, a.k.a. Rondeau brillant | B minor | October 1826 |
For violin and piano |
896–936 |
|
1827 | Up ↑ | |||||
896 | 896 | IV, 14 | Fröhliches Scheiden | Gar fröhlich kann ich scheiden | fall 1827– early 1828 |
Text by Leitner; Sketch | ||
896A | IV, 14 | Sie in jedem Liede | Nehm ich die Harfe | fall 1827– early 1828 |
Text by Leitner; Sketch | |||
896B | IV, 14 | Wolke und Quelle | Auf meinen heimischen Bergen | fall 1827– early 1828 |
Text by Leitner; Sketch | |||
897 | 897 | 148p (1846) |
VII, 2 No. 5 |
VI, 7 No. 4 | Notturno (Piano Trio, D 897) | E♭ major | 1828? | Adagio |
898 | 898 | 99p (1836) |
VII, 2 No. 3 |
VI, 7 No. 3 | Piano Trio No. 1 | B♭ major | 1828? | Allegro moderato – Andante un poco mosso – Scherzo – Rondo |
899 | 899 | 90 (1827) (1857) |
XI No. 2 | VII/2, 5 & Anh. | Impromptus Nos. 1–4 | C minor – E♭ major – G♭ major – A♭ major | summer– fall 1827? |
For piano; Nos. 1–2 publ. 1827 |
900 | 900 | (1897) | XXI, 3 No. 16 |
VII/2, 5 Anh. | Allegretto, D 900 | C minor | 1821 or later? |
For piano; Fragment |
901 | 901 | (1827) | XVI No. 37 |
III, 4 No. 58 |
Wein und Liebe | Liebchen und der Saft der Reben | before June 1827 |
Text by Haug; For ttbb |
902 | 902 | 83 (1827) |
XX, 10 Nos. 579– 581 |
IV, 4 | Drei Gesänge: 1. L'incanto degli occhi (Die Macht der Augen) – 2. Il traditor deluso (Der getäuschte Verräter) – 3. Il modo di prender moglie (Die Art ein Weib zu nehmen) | 1. Da voi, cari lumi (Nur euch, schöne Sterne) – 2. Ahimè, io tremo! (Weh mir, ich bebe!) – 3. Orsù! non ci pensiamo (Wohlan! und ohne Zagen) | 1827 (before September) |
Text by Metastasio, from Attilio Regolo II, 5 (No. 1, other version: D 990E) and Gioas re di Giuda II (No. 2); For b and piano |
903 | 903 | 81,3 (1827) |
XVI No. 11 |
III, 3 No. 37 IV, 4 |
Zur guten Nacht | Horch auf! Es schlägt die Stunde | January 1827 |
Text by Rochlitz; For vocal soloist, TTBB and piano |
904 | 904 | 81,1 (1827) |
XX, 4 No. 287 |
IV, 4 | Alinde | Die Sonne sinkt ins tiefe Meer | January 1827 |
Text by Rochlitz |
905 | 905 | 81,2 (1827) |
XX, 4 No. 288 |
IV, 4 | An die Laute | Leiser, leiser, kleine Laute | January 1827 |
Text by Rochlitz |
906 | 906 | (1832) | XX, 8 No. 514 |
IV, 14 | Der Vater mit dem Kind | Dem Vater liegt das kind in Arm | January 1827 |
Text by Bauernfeld |
907 | 907 | 86 (1828) (1979) |
XX, 8 No. 501 |
IV, 4 | Romanze des Richard Löwenherz | Großer Taten tat der Ritter fern im heiligen Lande viel | March 1826? |
Text by Scott from Ivanhoe transl. by Müller, (K. L.) M. (Ch. 17); Two versions: 2nd, in AGA, is Op. 86 |
908 | 908 | 82,1 (1827) |
IX, 2 No. 17 |
VII/1, 3 No. 1 Anh. No. 1 |
Eight Variations on a theme from Hérold's Marie | C major | February 1827 |
For piano duet |
909 | 909 | 96,2 (1828) |
XX, 8 No. 515 |
IV, 5 | Jägers Liebeslied | Ich schieß' den Hirsch im grünen Forst | February 1827 |
Text by Schober |
910 | 910 | (1833) | XX, 8 No. 516 |
IV, 14 | Schiffers Scheidelied | Die Wogen am Gestade schwellen | February 1827 |
Text by Schober |
911 | 911 | 89 (1828) |
XX, 9 Nos. 517– 540 |
IV, 4 | Winterreise: —Part I— 1. Gute Nacht – 2. Die Wetterfahne – 3. Gefror'ne Tränen – 4. Erstarrung – 5. Der Lindenbaum – 6. Wasserflut – 7. Auf dem Flusse – 8. Rückblick – 9. Irrlicht – 10. Rast – 11. Frühlingstraum – 12. Einsamkeit —Part II— 13. Die Post – 14. Der greise Kopf – 15. Die Krähe – 16. Letzte Hoffnung – 17. Im Dorfe – 18. Der stürmische Morgen – 19. Täuschung – 20. Der Wegweiser – 21. Das Wirtshaus – 22. Mut – 23. Die Nebensonnen – 24. Der Leiermann |
—Part I— 1. Fremd bin ich eingezogen – 2. Der Wind spielt mit der Wetterfahne – 3. Gefror'ne Tropfen fallen – 4. Ich such' im Schnee vergebens – 5. Am Brunnen vor dem Tore – 6. Manche Trän' aus meinen Augen – 7. Der du so lustig rauschtest – 8. Es brennt mir unter beiden Sohlen – 9. In die tiefsten Felsengründe – 10. Nun merk' ich erst, wie müd ich bin – 11. Ich träumte von bunten Blumen – 12. Wie eine trübe Wolke —Part II— 13. Von der Straße her ein Posthorn klingt – 14. Der Reif hat einen weißen Schein – 15. Eine Krähe war mit mir aus der Stadt gezogen – 16. Hie und da ist an den Bäumen – 17. Es bellen die Hunde – 18. Wie hat der Sturm zerrissen – 19. Ein Licht tanzt freundlich vor mir her – 20. Was vermeid' ich denn die Wege – 21. Auf einen Totenacker hat mich mein Weg gebracht – 22. Fliegt der Schnee mir ins Gesicht – 23. Drei Sonnen sah ich – 24. Drüben hinterm Dorfe steht ein Leiermann |
February 1827 (Part I started); October 1827 (Part II started) |
Text by Müller, W.; Two versions for Nos. 7, 10, 11, 22 and 23; Music of No. 19 partly based on D 732 No. 11 |
912 | 912 | 151p (1845) |
XVI No. 28 |
III, 4 No. 59 |
Schlachtlied, D 912 | Mit unserm Arm ist nichts getan | 28/2/1827 | Text by Klopstock, from Oden (other setting: D 443); For TTBBTTBB |
913 | 913 | 139pII (1846) |
XVI No. 1 |
III, 1 | Nachtgesang im Walde | Sei uns stets gegrüßt, o Nacht! | April 1827 | Text by Seidl; For ttbb and four horns |
914 | 914 | (1897) | XXI, 4 No. 36a |
III, 4 No. 60 |
Frühlingslied, D 914 | Geöffnet sind des Winters Riegel | April 1827 | Text by Pollak; Music reappears in other setting D 919); For ttbb |
915 | 915 | (1870) | XI No. 12 | VII/2, 5 | Allegretto, D 915 | C minor | 26/4/1827 | For piano |
916 | 916 | (1961) | III, 4 Anh. II No. 4 |
Das stille Lied | Schweige nur, süßer Mund | May 1827 | Text by Seegemund; For ttbb; Sketch | |
916A | IV, 14 | Liedentwurf, D 916A | C major | May 1827? | Sketch without text | |||
916B | (1978) | VII/2, 5 Anh. | Piano piece, D 916B | C major | summer– fall 1827? |
Sketch | ||
916C | (1978) | VII/2, 5 Anh. | Piano piece, D 916C | C minor | summer– fall 1827? |
Sketch | ||
917 | 917 | 115p,1 (1829) |
XX, 9 No. 543 |
IV, 14 | Das Lied im Grünen | Ins Grüne, ins Grüne | June 1827 | Text by Reil |
918 | 918 | (1868) (1962) |
II, 17 | Der Graf von Gleichen | (Opera in two acts) | started 19/6/1827 |
Text by Bauernfeld; For ssssttbbbbbbSATB and orchestra; Music for Nos. 1–20f (sketches); No. 13 partly based on D 260 and No. 20c on D 102; Completions of No. 1 publ. in 1868, as "Morgengesang im Walde", and of No. 14 in 1962; Act I: Nos. 1–11 – Act II: Nos. 12–22 | |
919 | 919 | (1897) | XXI, 4 No. 36b |
IV, 14 | Frühlingslied, D 919 | Geöffnet sind des Winters Riegel | spring 1827? |
Text by Pollak; Music based on other setting D 914 |
920 921 |
920 | 135p (1840) (1891) |
XVI No. 14 XVIII No. 4 |
III, 3 No. 38 | Ständchen, D 920, a.k.a. Notturno | Zögernd leise | July 1827 | Text by Grillparzer; For a, choir and piano; Two versions: choir TTBB in 1st, and SSAA in 2nd (which was D 921, publ. as Op. posth. 135) |
922 | 922 | 106,1 (1828) (1895) |
XX, 9 No. 544 |
IV, 5 | Heimliches Lieben | O du, wenn deine Lippen mich berühren | September 1827 |
Text by Klen(c)ke ; Two versions: 2nd is Op. 106 No. 1 |
923 | 923 | 165p,5 (1862) (1895) (1971) |
XX, 9 No. 545 |
III, 2b No. 24 IV, 14 |
Eine altschottische Ballade | Dein Schwert, wie ist’s von Blut so rot | September 1827 |
Text by Herder after "Edward, Edward" from Percy's Reliques of Ancient English Poetry; For male voice, female voice and piano; Three versions: 1st is Op. posth. 165 No. 5 – 2nd for voice and piano – 3rd publ. in 1971 |
924 | 924 | 91 (1828) |
XII No. 7 |
VII/2, 7a | Twelve Grazer Waltzes | Various keys | September 1827? |
For piano |
925 | 925 | (1828) | XII No. 24 |
VII/2, 7a | Grazer Galopp | C major | September 1827? |
For piano |
926 | 926 | 106,2 (1828) |
XX, 9 No. 546 |
IV, 5 | Das Weinen | Gar tröstlich kommt geronnen | fall 1827– early 1828 |
Text by Leitner |
927 | 927 | 106,3 (1828) |
XX, 9 No. 547 |
IV, 5 | Vor meiner Wiege | Das also, das ist der enge Schrein | fall 1827– early 1828 |
Text by Leitner |
928 | 928 | (1870) | IX, 1 No. 7 |
VII/1, 4 | March, D 928, a.k.a. Kindermarsch | G major | 12/10/1827 | For piano duet |
929 | 929 | 100 (1828) (1975) |
VII, 2 No. 4 |
VI, 7 No. 2 & Anh. |
Piano Trio No. 2 | E♭ major | started Nov. 1827 |
Allegro – Andante con moto – Scherzando – Allegro moderato; Shortened version, in AGA, is Op. 100 |
930 | 930 | 104p (1829) |
XIX No. 2 |
III, 2a No. 15 |
Der Hochzeitsbraten | Ach liebes Herz, ach Theobald | November 1827 |
Text by Schober; For stb and piano |
931 | 931 | (1835) | XX, 9 No. 548 |
IV, 14 | Der Wallensteiner Lanzknecht beim Trunk | He! schenket mir im Helme ein! | November 1827 |
Text by Leitner |
932 | 932 | (1832) | XX, 9 No. 549 |
IV, 14 | Der Kreuzzug | Ein Münich steht in seiner Zell | November 1827 |
Text by Leitner |
933 | 933 | (1835) | XX, 9 No. 550 |
IV, 14 | Des Fischers Liebesglück | Dort blinket durch Weiden | November 1827 |
Text by Leitner |
934 | 934 | 159p (1850) |
VIII No. 5 |
VI, 8 No. 8 | Fantasy, D 934 | C major | December 1827 |
For violin and piano; Reuses music of D 741 |
935 | 935 | 142p (1839) |
XI No. 3 | VII/2, 5 & Anh. | Impromptus Nos. 5–8 | F minor – A♭ major – B♭ major – F minor | December 1827 |
For piano; 7th Impromptu reuses music of D 797 |
936 | 936 | (1892) | XVII No. 15 |
III, 2a No. 16 |
Kantate für Irene Kiesewetter a.k.a. Cantate zur Feier der Genesung der Irene Kiesewetter | Al par del ruscelletto chiaro | 26/12/1827 | for ttbbSATB and piano duet |
936A–965B |
|
1828 | Up ↑ | |||||
615 | 936A | V, 6 No. 11 & Anh. 2 |
Symphony No. 10 | D major | spring– summer 1828? |
Sketches for [Allegro maestoso] (two versions) – Andante – Scherzo (two versions) | ||
937 | 937 | (1872) | XX, 10 No. 602 |
IV, 14 | Lebensmut, D 937 | Fröhlicher Lebensmut | summer 1828? |
Text by Rellstab; Fragment |
938 | 938 | (1835) | XX, 9 No. 551 |
IV, 14 | Der Winterabend, D 938 | Es ist so still, so heimlich um mich | January 1828 |
Text by Leitner |
939 | 939 | 96,1 (1828) |
XX, 9 No. 552 |
IV, 5 | Die Sterne, D 939 | Wie blitzen die Sterne so hell durch die Nacht | January 1828 |
Text by Leitner |
940 | 940 | 103 (1829) |
IX, 3 No. 24 |
VII/1, 3 No. 2 & Anh. No. 1 | Fantasy, D 940 | F minor | January– April 1828 |
For piano duet |
941 | 948 |
|
|
|
|
|
|
See D 948, 1st version |
942 | 942 | 136p (1839) |
XVII No. 9 |
III, 2b No. 18 |
Mirjams Siegesgesang | Rührt die Zimbel, schlagt die Saiten – Aus ägypten vor dem Volke – Doch der Horizont erdunkelt – S'ist der Herr in seinem Grimme – Tauchst du auf, Pharao? – Drum mit Zimbeln und mit Saiten | March 1828 | Text by Grillparzer; For sSATB and piano |
943 | 943 | 119p (1829) |
XX, 10 No. 568 |
IV, 14 | Auf dem Strom | Nimm die letzten Abschiedsküsse | March 1828 | Text by Rellstab; For voice, horn (or cello) and piano |
944 849 |
944 | (1840) | I, 2 No. 7 |
V, 4 No. 8 |
Symphony No. 9, Great C major | C major | summer 1825?– March 1828 |
Andante, Allegro ma non troppo – Andante con moto – Scherzo – Allegro vivace; Probably identical to Gmunden-Gastein Symphony, D 849[18] |
944A | 944A | German Dance, D 944A | 1/3/1828 | For piano; Lost | ||||
945 | 945 | (1895) | XX, 10 No. 589 |
IV, 14 | Herbst, D 945 | Es rauschen die Winde | April 1828 | Text by Rellstab |
946 | 946 | (1868) | XI No. 13 | VII/2, 5 | Three piano pieces, a.k.a. Impromptus, D 946 | E♭ minor – E♭ major – C major | May 1828 | Allegro assai, Andante – Allegretto – Allegro |
947 | 947 | 144p (1840) |
IX, 3 No. 23 |
VII/1, 3 No. 3 |
Allegro, D 947, a.k.a. Lebensstürme | A minor | May 1828 | For piano duet |
948 941 964 |
948 | (1891) 154p (1849) |
XVI No. 42 (1st v.) & No. 2 (2nd v.) |
I, 9 No. 15–16 & Anh. 3 |
Hymnus an den heiligen Geist | Komm, heil'ger Geist, erhöre unser Flehen (1st v.); Herr, unser Gott! erhöre unser Flehen (2nd v.) | May 1828 | Text by Schmidl ; Two versions: 1st, for ttbbTTBB, was D 941 – 2nd, Op. posth. 154 for ttbbTTBB and winds, was D 964 |
949 | 639 |
|
|
|
|
|
|
See D 639 |
950 | 950 | (1865) | XIII, 2 No. 6 |
I, 4 | Mass No. 6 | E♭ major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei |
started June 1828 |
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678 and 755); For satbSATB and orchestra |
951 | 951 | 107 (1829) |
IX, 2 No. 13 |
VII/1, 3 No. 4 & Anh. No. 2 |
Rondo, D 951, a.k.a. Grand Rondeau | A major | June 1828 | For piano duet |
952 | 952 | 152p (1848) |
IX, 3 No. 28 |
VII/1, 3 No. 5 |
Fugue, D 952 | E minor | 3/6/1828 | For organ duet or piano duet |
953 | 953 | (1841) | XVII No. 19 |
III, 2b No. 19 |
Psalm 92 (91) | tôw l'hôdôs ladônoj | July 1828 | Text: Psalm 92; For baritone and satbSATB |
954 | 954 | (1828) | XVII No. 5 |
III, 2b No. 20 |
Glaube, Hoffnung und Liebe, D 954 | Gott, laß die Glocke glücklich steigen | before 2/9/1828 |
Text by Reil ; For ttbbSATB acc. by winds or piano |
955 | 955 | 97 (1828) |
XX, 8 No. 462 |
IV, 5 | Glaube, Hoffnung und Liebe, D 955 | Glaube, hoffe, liebe! | August 1828 |
Text by Kuffner |
956 | 956 | 163p (1853) |
IV No. 1 | VI, 2 No. 2 | String Quintet | C major | September 1828? |
Allegro ma non troppo – Adagio – Presto – Allegretto; For two violins, viola and two cellos |
957 Nos. 1–13 |
957 | (1829) | XX, 9 Nos. 554– 566 |
IV, 14 | Schwanengesang, D 957, a.k.a. 13 Lieder nach Gedichten von Rellstab und Heine: —Rellstab— 1. Liebesbotschaft – 2. Kriegers Ahnung – 3. Frühlingssehnsucht – 4. Ständchen – 5. Aufenhalt – 6. In der Ferne – 7. Abschied —Heine— 8. Der Atlas – 9. Ihr Bild – 11. Die Stadt – 12. Am Meer – 13. Der Doppelgänger |
1. Rauschendes Bächlein, so silber und hell – 2. In tiefer Ruh liegt um mich her – 3. Säuselnde Lüfte wehen so mild – 4. Leise flehen meine Lieder – 5. Rauschender Strom, brausender Wald – 6. Wehe dem Fliehenden – 7. Ade! du muntre, du fröhliche Stadt – 8. Ich unglückselger Atlas – 9. Ich stand in dunkeln Träumen – 10. Das Fischermädchen – 11. Am fernen Horizonte – 12. Das Meer erglänzte weit hinaus – 13. Still ist die Nacht, es ruhen die Gassen | August– September? 1828 |
Text by Rellstab (Nos. 1–7) and Heine, H. (Nos. 8–13); D 965A was No. 14; Early versions for Nos. 1 and 3; Variant for No. 4 |
958 | 958 | (1839) | X No. 13 | VII/2, 3 No. 17 |
Piano Sonata, D 958 | C minor | September 1828 |
Allegro – Adagio – Minuet – Allegro |
959 | 959 | (1839) | X No. 14 | VII/2, 3 No. 18 |
Piano Sonata, D 959 | A major | September 1828 |
Allegro – Andantino – Scherzo – Allegretto (partly based on 2nd movement of D 537) |
960 | 960 | (1839) | X No. 15 | VII/2, 3 No. 19 |
Piano Sonata, D 960 | B♭ major | September 1828 |
Molto moderato – Andante sostenuto – Scherzo – Allegro ma non troppo |
961 | 452 |
|
|
|
|
|
|
See D 452 |
962 | 962 | (1890) | XXI, 4 No. 32 |
I, 9 No. 10 & Anh. 4 |
Tantum ergo, D 962 | E♭ major | October 1828 |
Text by Aquinas (other settings: D 460, 461, 730, 739, 750 and Anh. I/17); For satbSATB and orchestra; Sketch in AGA XIV No. 22 |
963 | 963 | (1890) | XXI, 4 No. 33 |
I, 8 | Intende voci, a.k.a. Offertory, D 963, or Aria for tenor with choir | B♭ major | October 1828 |
Text: Psalm 5:3–4a, offertory for the Friday after Oculi Sunday; For tSATB and orchestra |
964 | 948 | 154p (1849) |
XVI No. 2 |
|
|
Herr, unser Gott! erhöre unser Flehen |
|
See D 948, 2nd version |
965 | 965 | 129p (1830) |
XX, 10 No. 569 |
IV, 14 | Der Hirt auf dem Felsen | Wenn auf dem höchsten Fels ich steh | October 1828 |
Text by Müller, W., and Varnhagen von Ense; For voice, clarinet and piano |
957 No. 14 |
965A | (1829) | XX, 9 No. 567 |
IV, 14 | Die Taubenpost | Ich hab' eine Brieftaub in meinem Sold | October 1828 |
Text by Seidl; Was D 957 No. 14 |
965B | VIII, 2 Nos. 15–16 |
Fugal exercises, D 965B | November 1828 |
Partly similar to D 952 | ||||
966–992 |
|
1810–1828 | Up ↑ | |||||
966 | 11 |
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|
|
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|
|
See D 11 No. 3 |
966B | V, 6 No. 8 | Orchestral piece, D 966B | A major | 1820 or later |
Sketch | |||
968 | 968 | (1888) | IX, 3 No. 29 |
VII/1, 1 No. 7 |
Sonatina, D 968 | C major – A minor | 1815–1819? | For piano duet; Allegro moderato – Andante |
603 | 968A | 82p,2 (1860) |
IX, 2 No. 18 |
VII/1, 1 No. 8 |
Introduction, Variations and Finale | B♭ major | ? | For piano duet |
886 | 968B | 121p (1829) |
IX, 1 No. 6 |
VII/1, 4 | Deux Marches caractéristiques | C major | spring 1826? | For piano duet |
969 | 969 | 77 (1827) |
XII No. 6 |
VII/2, 7a | 12 Valses nobles | Various keys | before 22/1/1827 |
For piano |
970 | 970 | (1889) | XII No. 13 |
VII/2, 6 | Six Ländler, D 970, a.k.a. German Dances | Various keys | ? | For piano; No. 2 near-identical to D 145 No. 7 |
971 | 971 | (1823) | XII No. 14 |
VII/2, 7a | Three German Dances, D 971 | Various keys | before 10/1/1823 |
For piano |
972 | 972 | (1889) | XII No. 15 |
VII/2, 6 | Three German Dances, D 972 | Various keys | before April 1817? |
For piano; No. 3 reused in D 552 |
973 | 973 | (1889) | XII No. 16 |
VII/2, 6 | Three German Dances, D 973 | Various keys | ? | For piano |
974 | 974 | (1889) | XII No. 17 |
VII/2, 6 | Two German Dances, D 974 | Various keys | ? | For piano |
975 | 975 | (1889) | XII No. 20 |
VII/2, 6 | German Dance, D 975 | D major | ? | For piano |
976 | 976 | (1825) | XII No. 22 |
VII/2, 7a | Cotillon | E♭ major | before 29/12/1825 |
For piano |
977 | 977 | (1889) | XII No. 26 |
VII/2, 6 | Eight Écossaises, D 977 | Various keys | ? | For piano |
978 | 978 | (1825) | VII/2, 7a | Waltz, D 978 | A♭ major | before 29/12/1825 |
For piano | |
979 | 979 | (1826) | VII/2, 7a | Waltz, D 979 | G major | before 23/12/1826 |
For piano | |
980 | 980 | (1826) | VII/2, 7a | Two Waltzes, D 980 | Various keys | before 23/12/1826 |
For piano | |
640 | 980A | VII/2, 6 | Two Dances, D 980A | Various keys | ? | For piano; Sketches | ||
679 | 980B | (1925) | VII/2, 6 | Two Ländler, D 980B | E♭ major | ? | For piano | |
680 | 980C | (1930) | VII/2, 6 | Two Ländler, D 980C | D♭ major | ? | For piano; Fragments | |
980D | (1828) | VII/2, 7a | Waltz, D 980D, a.k.a. Krähwinkler Tanz | C major | before 26/1/1828 |
For piano | ||
980E | VII/2, 6 | Two Dances, D 980E | Various keys | 1818 or later |
For piano(?); Sketches | |||
980F | VII/2, 6 | March, D 980F | G major | ? | For piano; Arr. of a lost march for orchestra? | |||
981 | 981 | Der Minnesänger | (Singspiel) | ? | Text by Kotzebue?; Lost | |||
982 | 982 | II, 16 | Sketches for an opera a.k.a. Sophie | (Opera) | Sep.–Oct. 1820[15] |
For satb and orchestra; Nos. 1–3 (No. 3 partly reused in D 796 No. 7) | ||
983 No. 1 |
983 | 17,1 (1823) |
XVI No. 20 |
III, 4 No. 48 |
Jünglingswonne | So lang im deutschen Eichentale | before 9/10/1823 |
Text by Matthisson; For ttbb |
983 No. 2 |
983A | 17,2 (1823) |
XVI No. 21 |
III, 4 No. 49 |
Liebe | Liebe rauscht der Silberbach | before 9/10/1823 |
Text by Schiller, from "Der Triumph der Liebe": stanza 25; Other: D 55, 61, 62, 63, 64; For ttbb |
983 No. 3 |
983B | 17,3 (1823) |
XVI No. 22 |
III, 4 No. 50 |
Zum Rundetanz | Auf! es dunkelt; silbern funkelt | before 9/10/1823 |
Text by Salis-Seewis (other setting: D Anh. I/18); For ttbb |
983 No. 4 |
983C | 17,4 (1823) |
XVI No. 23 |
III, 4 No. 51 |
Die Nacht, D 983C | Wie schön bist du, freundliche Stille | before 9/10/1823 |
Text by Krummacher(?); For ttbb |
984 | 984 | 169p (1865) |
III, 3 Anh. II No. 7 | Der Wintertag a.k.a. Geburtstaglied | In schöner heller Winterzeit | 1821 or later? |
For ttbb and piano; Fragment: piano part lost | |
985 | 985 | 112p,1 (1829) |
XVII No. 6 |
III, 2a No. 4 |
Gott im Ungewitter | Du Schrecklicher, wer kann vor dir und deinem Donner stehn? | ? | Text by Uz; For satb and piano |
986 | 986 | 112p,2 (1829) |
XVII No. 7 |
III, 2a No. 5 |
Gott der Weltschöpfer | Zu Gott, zu Gott flieg auf | ? | Text by Uz; For satb and piano |
988 | 988 | (1873) | XIX No. 26 |
III, 4 No. 61 VIII, 2 No. 30 |
Liebe säuseln die Blätter | Liebe säuseln die Blätter | ? | Text by Hölty; Canon for three voices |
988A | III, 3 Anh. II No. 8 | Accompaniment part | B♭ major | 1821 or later |
For piano, as accompaniment for a vocal composition | |||
990 | 990 | (1853) | IV, 14 | Der Graf von Habsburg | Zu Aachen in seiner Kaiserpracht | 1815–1820 | Text by Schiller | |
990A | (1853) | IV, 14 | Kaiser Maximilian auf der Martinswand [in Tirol] | Hinauf! hinauf! in Sprung und Lauf | 1815–1820 | Text by Collin, H. J. | ||
582 | 990B | IV, 14 | Augenblicke im Elysium | Vor der in Ehrfurcht all mein Wesen kniet | ? | Text by Schober; Music lost | ||
868 | 990C | 130p (1830) |
XX, 8 No. 513 |
IV, 14 | Das Echo | Herzliebe gute Mutter, o grolle nicht mit mir | ? | Text by Castelli |
990D | IV, 14 | Die Schiffende | Sie wankt dahin! Die Abendwinde spielen | ? | Text by Hölty; Music lost | |||
990E | IV, 4 IV, 11 | L'incanto degli occhi | Da voi, cari lumi | 1813–1816? | Text by Metastasio, from Attilio Regolo II (other version: D 902 No. 1); Aria for s | |||
990F | IV, 11 | Ombre amene a.k.a. La serenata | Ombre amene | 1813–1816? | Text by Metastasio; Aria for s; Formerly misidentified as an early setting of Il traditor deluso, D 902 No. 2 | |||
991 | 323 |
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O so laßt euch froh begrüssen | O so laßt euch froh begrüssen |
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Text by Schiller; Last part of D 323 |
992 | 383 |
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See D 383 |
old→new |
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— | Up ↑ | |||||
966 | 11 |
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See D 11 No. 3 |
111 | 77 |
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See D 77 |
185 | 105 |
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See D 105 |
212 | 208 |
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See D 208 |
991 | 323 |
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O so laßt euch froh begrüssen | O so laßt euch froh begrüssen |
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Text by Schiller; Last part of D 323 |
292 | 371 |
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See D 371 |
992 | 383 |
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See D 383 |
441 | 407 |
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See D 407 |
961 | 452 |
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See D 452 |
601 | 470 |
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See D 470 |
493 | 489 |
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See D 489 |
245 | 587 |
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See D 587 |
641 | 598 |
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See D 598 |
665 | 609 |
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See D 609 |
949 | 639 |
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See D 639 |
704 | 714 |
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See D 714 |
683 | 732 |
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Die Wolkenbraut | Der Jäger ruhte hingegossen |
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See D 732 No. 11 |
333 | 796 |
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Laß dein Vertrauen nicht schwinden |
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Part of D 796 No. 21 |
849 | 944 | Gmunden-Gastein Symphony | C major | Jun.–Sep. 1825 |
Probably identical to D 944 (if not: lost);[18] See also D Anh. I/6A | |||
941 | 948 |
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See D 948, 1st version |
964 | 948 | 154p (1849) |
XVI No. 2 |
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Herr, unser Gott! erhöre unser Flehen |
|
See D 948, 2nd version |
174 | deest | (1894) | XXII, 11 No. 56 |
IV, 8 Anh. No. 2 |
Das war ich, D deest | June 1816 | Fragment; Music without text, title identical to D 174 | |
Anh. I | Spurious and doubtful works |
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Up ↑ | |||||
40 | Anh. I/1 |
String Quartet, D Anh. I/1 | E♭ major | 1813 | Doubtful: lost or identical to D 87 | |||
Anh. I/2 |
String Quartet, D Anh. I/2 | F major | 1816 | Doubtful: lost or identical to D 353 | ||||
Anh. I/3 |
VIII, 2 Anh. No. 2 |
Fugue, D Anh. I/3 | C major | 1812? | Spurious?; For string quartet?; Fragment: only viola part is extant | |||
2 | Anh. I/4 |
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Spurious: fragment of a string quartet movement in G major by Stadler, A. |
Anh. I/5 |
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Spurious: sketch for the opening movement of a string quartet in E♭ major | |
Anh. I/6 |
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Spurious: Duet in D major for two violins | |
Anh. I/6A |
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Spurious:[19] Symphony in E major "1825" by Gunter Elsholz[20] (fake Gmunden-Gastein Symphony, D 849)[18] | |
858 | Anh. I/7 |
VII/1, 4 | March, D Anh. I/7 | November 1825 |
Doubtful; Lost; For two pianos, eight hands | |||
Anh. I/8 |
Piano Sonata, D Anh. I/8 | F major | 1815 | Doubtful: lost or identical to D 157 | ||||
Anh. I/9 |
Piano Sonata, D Anh. I/9 | F major | 1816 | Doubtful: lost or identical to D 459 | ||||
Anh. I/10 |
Fantasy, D Anh. I/10 | E♭ major | 1825? | Doubtful; Lost; For piano | ||||
Anh. I/11 |
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Spurious: Allegro in G major and Minuet in C major, a.k.a. Sonatina; For piano; Publ. in 1967 | |
Anh. I/12 |
(1810) | Seven Easy Variations | G major | before Nov. 1810 |
Spurious?; For piano | |||
Anh. I/13 |
Six German Dances, D Anh. I/13 | 1814 | Doubtful; Lost; For piano | |||||
Anh. I/14 |
(1970) | VIII, 1 | Waltz, D Anh. I/4, a.k.a. Kupelwieser-Walzer | G♭ major | 17/9/1826 | Doubtful; For piano | ||
336 | Anh. I/15 |
(1897) | XXI, 3 No. 26 |
VIII, 1 | Minuet with Trio, D Anh. I/15 | D major | Doubtful; For piano | |
Anh. I/16 |
(1975) | Écossaise de Vienne | A♭ major | 1821? | Doubtful: by Hüttenbrenner?; For piano | |||
Anh. I/17 |
VIII, 1 | Tantum ergo, D Anh. I/17 | B♭ major | Text by Aquinas (other settings: D 460, 461, 730, 739, 750 and 962); Spurious?; Fragment: only s part | ||||
132 | Anh. I/18 |
(1974) | III, 4 Anh. I No. 2 |
Lied beim Rundetanz | Auf, es dunkelt, silbern funkelt | 1815–1816 | Text by Salis-Seewis (other setting: D 983B); Doubtful; Fragment: one voice of a part song | |
133 | Anh. I/19 |
(1974) | III, 4 Anh. I No. 3 |
Lied im Freien, D Anh. I/19 | Wie schön ist's im Freien | 1815–1816 | Text by Salis-Seewis (other setting: D 572); Doubtful; Fragment: one voice of a part song | |
339 | Anh. I/20 |
(1974) | III, 4 Anh. I No. 4 |
Amors Macht | Wo Amors Flügel weben | 1815–1816 | Text by Matthisson; Doubtful; Fragment: one voice of a part song | |
340 | Anh. I/21 |
(1974) | III, 4 Anh. I No. 5 |
Badelied | Zur Elbe, zur Elbe, des Äthers Gewölbe | 1815–1816 | Text by Matthisson; Doubtful; Fragment: one voice of a part song | |
341 | Anh. I/22 |
(1974) | III, 4 Anh. I No. 6 |
Sylphen | Was unterm Monde gleicht uns Sylphen flink und leicht | 1815–1816 | Text by Matthisson; Doubtful; Fragment: one voice of a part song | |
425 | Anh. I/23 |
(1974) | III, 4 Anh. I No. 7 |
Lebenslied, D Anh. I/23 | Kommen und Scheiden | 1815–1816 | Text by Matthisson (other setting: D 508); Doubtful; Fragment: one voice of a part song; Related to D 425? | |
Anh. I/24 |
Kantate auf den Vater (Cantata to his father) | 27/9/1816 | Doubtful; Lost | |||||
Anh. I/25 |
VIII, 1 | Drum Schwester und Brüder | Drum Schwester und Brüder singt fröhliche Liede | October 1819 |
Doubtful; For voices and instruments; Fragment: choir text, and violin II and cello parts extant | |||
Anh. I/26 |
VIII, 1 | Sturmbeschwörung | Nirgends Rettung, nirgends Land | before 1840 |
Spurious?; For voices; Fragment: s part extant | |||
Anh. I/27 |
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Spurious: fragment of three TTB choirs with winds | |
512 | Anh. I/28 |
VIII, 1 | Klage, D Anh. I/28 | Nimmer länger trag ich dieser Leiden Last | c. 1817 | Other setting: D 432; Spurious? | ||
Anh. I/29 |
VIII, 1 | Kaiser Ferdinand II. | Was reget die Stadt sich in freudiger Hast? | 1853 or earlier |
Doubtful | |||
Anh. I/30 |
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Spurious: "Mein Frieden" (Text Ferne, ferne flammen helle Sterne by Heine, C.), publ. in 1823, by another Schubert[21] | |
Anh. I/31 |
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Spurious: "Adieu!"/"Lebe wohl!" (Text Voici l'instant suprême by Bélanger after Wetzel, re-translated in German as Schon naht, um uns zu scheiden), publ. in 1824, by Weyrauch | |
598A | Anh. I/32 |
VIII, 2 Anh. No. 1 |
Themes for thoroughbass exercises | before 1812 |
Doubtful | |||
Anh. II | Schubert's arrangements |
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Up ↑ | |||||
Anh. II/1 |
VIII, 1 | Arrangement of Gluck's overture to Iphigénie en Aulide | early 1810? | Fragment for piano duet: last bars of the Primo part extant | ||||
96 | Anh. II/2 |
(1926) | VIII, 1 | Arrangement of Matiegka's Notturno (Trio), Op. 21, a.k.a. Quartet, D Anh. II/2 | G major | 26/2/1814 | For flute, viola, guitar, and a cello part added by Schubert; Movements 2 (Trio II) and 5 (Var. II) recomposed by Schubert | |
Anh. II/3 |
VIII, 1 | Arrangement of two arias from Gluck's Echo et Narcisse | Rien de la nature – O combats, o désordre extrème! | March 1816 | Text by Tschudi | |||
Anh. II/4 |
(1960) | VIII, 1 | Arrangement of M. Stadler's 8th Psalm (Zwölf Psalmen David's No. 1) | Unendlicher, Gott, unser Herr | 29/8/1823 | Text by Mendelssohn, M., translating Psalm 8; For voice and orchestra; Schubert adapted and orchestrated the piano accompaniment, slightly modifying the vocal part | ||
Anh. III | Schubert's copies of compositions by other composers |
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Up ↑ | |||||
Anh. III/1 |
Schubert's copy of nine canons by Michael Haydn and other composers: Nos. 1, 3, 4 and 6 by M. Haydn – No. 2 by M. or J. Haydn[22][23] – No. 5 by Otter – No. 9 by Mozart | 1. Es packe dich das Glück beim Kragen (F major) – 2. Vom Glück sei alles dir beschert (B♭ major) – 3. Glück fehl dir vor allem (G major) – 4. Wohlsein und Freude (C major) – 5. Drum habe Dank, o Vater Hayden – 6. Adam hat siebn Söhn (F major) – 7. Cato, Plato, Cicero (F major) – 8. Was i beim Tag mit der Leiern gwinn (E minor) – 9. Alleluia (C major) | summer 1810[24] |
No. 1: for five voices (MH 577, also K. Anh. C.10.14)[25][26] – No. 2: for four voices (MH 619 or Hob. XXVIIb:Bb1)[27] – No. 3: for four voices (MH 582)[28] – No. 4: for five voices (MH 584)[29] – No. 5: for nine voices[30] – No. 6: for four voices (MH 699, also K. 562b)[31][32] – No. 7: (MH 714) – No. 8: (MH 723) – No. 9: for four voices (K. 553 ) | ||||
Anh. III/2 |
Schubert's copy of Roser 's Die Teilung der Erde | Nehmt hin die Welt! rief Zeus aus seinen Höhen | c. 1810 | Text by Schiller; Also Hob. XXVIa:C1[33] | ||||
Anh. III/3 |
Schubert's copy of part of Mozart's Symphony No. 41 | C major | after 29/3/1813 |
Start of Minuet (3rd movement) | ||||
Anh. III/4 |
Schubert's copy of a canon from Zumsteeg's Elbondocani | Hoffnung Kind des Himmels | before fall 1813? |
Text by Haug (transl. from French); For sstb and piano | ||||
Anh. III/5 |
Schubert's copy of Zumsteeg's Chor der Derwische | Ein Gott, ein wahrer Gott ist nur | spring 1813? |
Text by Iffland, from Achmet und Zenide; for ttb | ||||
85 | Anh. III/6 |
Schubert's copy of Preindl 's Offertory "Clamavi ad te", Op. 16 | C major | November 1813? |
Only the start of the s part is extant in Schubert's copy | |||
Anh. III/7 |
Schubert's copy of Reichardt's Monolog aus Goethe's Iphigenie | Heraus in eure Schatten | 1815 | Text by Goethe, from Iphigenia in Tauris; For voice, women's choir and piano | ||||
Anh. III/8 |
Schubert's copy of part of Beethoven's Symphony No. 4 | B♭ major | 1821 or later |
Start of Adagio, Allegro vivace (1st movement) | ||||
Anh. III/9 |
Schubert's copy of the organ part of M. Haydn's Deutsches Hochamt, MH 560 | Hier liegt vor deiner Majestät B♭ major |
? | Text by Kohlbrenner; For SATB and organ; Schubert's autograph lost | ||||
Anh. III/10 |
Schubert's copy of Preindl 's Mass in C major | C major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei |
1821 or later |
Text: Mass ordinary (Schubert's settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Copied by Schubert and his brother Ferdinand | ||||
92 | Anh. III/11 |
Schubert's copy of a canon by Mozart,[34] K. 440d (formerly K. Anh. 134), after K. 410/484d | Laß immer in der Jugend Glanz | ? | For two voices; Schubert's autograph lost | |||
127 | Anh. III/12 |
Schubert's copy of a canon by Mozart,[34] K. 230/382b | Selig, selig alle, die im Herrn entschliefen! | ? | Text by Hölty; For two voices; Schubert's autograph lost | |||
Anh. III/13 |
Schubert's copy of Beethoven's Abendlied unterm gestirnten Himmel, WoO 150 | Wenn die Sonne niedersinket | after March 1820 |
Text by Goeble; Schubert's autograph transposed, incomplete |
Not in the Deutsch catalogue
The New Schubert Edition mentions several compositions without a Deutsch number (D deest), most of them lost or fragmentary:
- Song for voice and piano, improvised for a play, possibly identical to D 284 (1815?, lost?)[35]
- "Seliges Genügen", on a text by Johanna Claudine von Ziglowski (date unknown, lost)[36]
- Song, fragment for voice and piano (c. 1827, lost)[37]
- Fragment without text for vocal soloists, choir and orchestra (date unknown)[38]
- "doch stärker ist die Mutterliebe", fragment for voice and orchestra (date unknown, lost)[39]
- Overture for orchestra (date unknown, lost)[40]
- String Quartet in B-flat major (1816, lost)[41]
- Fantasy for string quartet (1813, lost)[42]
- String Sextet, fragment for three violins, viola, cello and double bass (date unknown, lost)[43]
- Fugue for piano duet (1813, lost)[44]
- "Lieder für das Pianoforte": songs for voice and/or piano (unknown date, lost)[45]
- Minuet for piano? (1813?, sketch)[46]
- Canon a trè: fragment of a canon for three voices (1816?)[47]
- Canon in C major for five voices (1826?)[48]
- Three 2-part imitation exercises in invertible counterpoint (1828)[49]
Other:[citation needed]
- Sketch of a composition "?" ['?'] for unspecified voices and orchestra (1811?, sketch)
- Mass in C major (?) for mixed choir, two violins and organ (1811?, sketch?; lost or never written)
- Theme of a dance composition (?) for piano (?) (1812?, sketch)
- Trio "Scherz-Terzett" ['Mala musica, bona musica?'] for three altos (1812, doubtful)
- Aria "?" ['?'] for bass and piano (?) (1812, sketch; also appears as "Allegretto in D major")
- Fragment of a composition for violin (?) (1813, sketch; fragment)
- Sketch of a composition for unspecified instrument(s) (1813, sketch)
- Fugue in F major for piano (1813, sketch)
- Piano piece (?) in F major (1813, sketch)
- Fragment of an instrumental composition for violin, viola and guitar (?) (1813?, fragment)
- Four Dances in A major for piano (1816?, only incipits are extant)
- Song "?" ['?'] in C major for voice and piano (1816, fragment)
- Song "Die Nacht" ['Die Nacht bricht an, mit leisen Lüften sinket'] for voice and guitar (after 1816?, doubtful; accompaniment part by Franz Xaver Baron von Schlechta; voice part by Schubert?)
- Sketch of a theme for unspecified instruments/voices "Themenentwurf" (1818, sketch)
- Sketch of a theme in A minor for unspecified instruments/voices "Themenentwurf" (1818, sketch)
- Ecossaise in G major, Ländler in F major and Ländler in F minor (?) for piano (1818, sketches)
- Vocal composition "?" ['?'] for mixed choir (?) (1818?, fragment without text)
- Accompaniment for a vocal composition "?" ['?'] (1821?, fragment)
- Vocal composition "?" ['?'] for unspecified voices (1821?, fragment)
- Tantum ergo ['Tantum ergo'] in C major for mixed choir and orchestra (1821)
- Fragment of a composition for unspecified instruments (1823, sketch)
- Sketch of a composition for orchestra (?) (1823, piano sketch)
- Piano Sonata in C-sharp major (1825?, lost or identical to D 568 1st version)
- Trio "?" ['?'] in D major for unspecified voices (date unknown, fragment without text)
References
- ^ Newbould 1999.
- ^ Hilmar & Jestremski 2004.
- ^ Badura-Skoda & Branscombe 2008.
- ^ Deutsch 1951, pp. xvi–xvii.
- ^ Reed 1997, pp. 483–484.
- ^ Van Hoorickx 1971.
- ^ a b c d e f g Deutsch 1951.
- ^ a b c d e f Deutsch 1978.
- ^ a b c d NSA website.
- ^ a b AGA 1884–1897.
- ^ a b c NSA scores.
- ^ Schubert-online.
- ^ a b c LiederNet Archive.
- ^ a b Reed 1997.
- ^ a b c d e f g h NSA II, 15, p. IX (in Introduction).
- ^ NSA website, Winterabend.
- ^ NSA website, Winterlied, D 324A.
- ^ a b c d e f Kube 2009.
- ^ NSA website, D. Anh. I/6A.
- ^ Elsholz 1982.
- ^ NSA website, D. Anh. I/30.
- ^ Mozart, Haydn & Haydn 2008, No. 21: "Vom Gluck sei alles dir beschert", MH 619.
- ^ Hob., "Vom Glück sei alles Dir beschert", Hob XXVIIb:B1.
- ^ Schubert-online, Anhang III,1 Michael Haydn und andere Komponisten: Neun Kanons.
- ^ Mozart, Haydn & Haydn 2008, No. 18: "Es packe dich das Gluck", MH 577.
- ^ K., "Es packe dich das Glück beim Kragen", KV Anh C.10.14.
- ^ RISM 400187433
- ^ Mozart, Haydn & Haydn 2008, No. 19: "Gluck fehl dir vor allen", MH 582.
- ^ Mozart, Haydn & Haydn 2008, No. 22: "Wohlsein, Freude", MH 584.
- ^ Hilmar & Jestremski 2004, p. 361.
- ^ Mozart, Haydn & Haydn 2008, No. 17: "Adam hat sieben Sohn", MH 699.
- ^ Keefe 2006, p. 135.
- ^ Hob., "Die Teilung der Erde", Hob XXVIa:C1.
- ^ a b Van Hoorickx 1974–1976.
- ^ NSA website, #1228: (Lied improvised for a play).
- ^ NSA website, #1229: Seliges Genügen.
- ^ NSA website, #1230: (Liedfragment).
- ^ NSA website, #1232: (Fragment ohne Text).
- ^ NSA website, #1233: "doch stärker ist die Mutterliebe".
- ^ NSA website, #1234: Ouvertüre.
- ^ NSA website, #1235: Streichquartett in B.
- ^ NSA website, #1236: Fantasie.
- ^ NSA website, #1237: Streichsextett.
- ^ NSA website, #1238: Fuge.
- ^ NSA website, #1239: "Lieder für das Pianoforte".
- ^ NSA website, #1240: Menuett.
- ^ NSA website, #1241: Canon a trè.
- ^ NSA website, #1242: Kanon in C.
- ^ NSA scores, VIII, 2 No. 10.
Sources
Multi-volume editions, websites and catalogues
- Alte Gesamt-Ausgabe (AGA) = Franz Schubert's Works: Schubert, Franz (1884–1897). Johannes Brahms; Ignaz Brüll; Anton Door; Julius Epstein; Johann Nepomuk Fuchs; Josef Gänsbacher; Joseph Hellmesberger Sr.; Eusebius Mandyczewski (eds.). Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe (in German). Leipzig: Breitkopf & Härtel. Reprints of several volumes by Kalmus and Dover Publications; Franz Schubert's Werke (Series I–XIX and XXI), Series XX, Revisionsbericht: Scores at the International Music Score Library Project
- Deutsch catalogue (D) = Schubert Thematic Catalogue:
- Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1951). Schubert: Thematic Catalogue of all his Works in Chronological Order (1st ed.). London: Dent. 1995 reprint, with errata correction: Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1995). The Schubert Thematic Catalogue (Dover ed.). Mineola, N.Y.: Dover Publications. ISBN 0486286851.
- Deutsch, Otto Erich (1978). Walther Dürr; Arnold Feil; Christa Landon [in German]; Werner Aderhold (eds.). Franz Schubert: Thematisches Verzeichnis seiner Werke in chronologischer Folge. New Schubert Edition (in German). Kassel: Bärenreiter. ISBN 9783761805718. ISMN 9790006305148.
- Hoboken catalogue (Hob.): "Joseph Haydn (1732–1809): Werke sortiert nach Hob (Hoboken-Verzeichnis, 1957-78)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
- Köchel catalogue (K.): "Wolfgang Amadeus Mozart (1756–1791): Werke sortiert nach KV6 (Köchel-Verzeichnis, 6. Auflage, 1964)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
- Neue Schubert-Ausgabe (NSA) = New Schubert Edition:
- NSA scores: Schubert, Franz (1968–2019). International Schubert Association (Tübingen) (ed.). Franz Schubert (1797–1828): New Edition of the Complete Works (in German). Kassel: Bärenreiter. [over 80 volumes in eight series] Individual volumes:
- NSA II, 15: Schubert, Franz; Neumann, Johann Philipp (2008). Jahrmärker, Manuela; Aigner, Thomas (eds.). Sacontala. New Schubert Edition (in German). Kassel: Bärenreiter. ISMN 9790006497294.
- Series II (Stage Works), Vol. 15
- NSA VIII, 4: See above Deutsch (1978)
- NSA II, 15: Schubert, Franz; Neumann, Johann Philipp (2008). Jahrmärker, Manuela; Aigner, Thomas (eds.). Sacontala. New Schubert Edition (in German). Kassel: Bärenreiter. ISMN 9790006497294.
- NSA website: "New Schubert Edition". Tübingen: International Schubert Association. Retrieved 2 September 2017.
- NSA scores: Schubert, Franz (1968–2019). International Schubert Association (Tübingen) (ed.). Franz Schubert (1797–1828): New Edition of the Complete Works (in German). Kassel: Bärenreiter. [over 80 volumes in eight series] Individual volumes:
- Schubert Online: "www.schubert-online.at: Schubert music manuscripts, first and early editions online". Vienna: Austrian Academy of Sciences (ÖAW). Retrieved 1 September 2017.
- The LiederNet Archive: Ezust, Emily; et al. (LiederNet contributors). "Composer: Franz Peter Schubert (1797 - 1828)". Ontario: LiederNet Corporation. Retrieved 1 September 2017.
Other
- Badura-Skoda, Eva; Branscombe, Peter, eds. (2008). Schubert Studies: Problems of Style and Chronology. Cambridge University Press. ISBN 0521088720.
- Walther Dürr "Schubert's Songs and Their Poetry" pp. 1–24
- Rufus Hallmark "Schubert's 'Auf dem Strom'" pp. 25–46
- Elaine Brody "Schubert and Sulzer Revisited" pp. 47–60
- Marius Flothuis "Schubert Revises Schubert" pp. 61–84
- Elizabeth Norman McKay "Schubert as Composer of Operas" pp. 85–104
- Peter Branscombe "Schubert and the Melodrama" pp. 105–142
- Christoph Wolff "Schubert's 'Der Tod und dad Mädchen'" pp. 143–172
- Peter Gülke on String Quintet D 956 pp. 173–186
- Paul Badura-Skoda on Schubert's 'Great' C major Symphony pp. 187–208
- Robert Winter "Paper Studies and the Future of Schubert Research" pp. 209–276
- Eva Badura-Skoda "The Chronology of Schubert's Piano Trios" pp. 277–296
- Reinhard Van Hoorickx "The Chronology of Schubert's Fragments and Sketches" pp. 297–326
- Arnold Feil "Rhythm in Schubert" pp. 327–346
- Alexander Weinmann on Leopold Puschl and Schubert's sojourn in Zseliz pp. 347–356
- Elsholz, Gunter (1982). Vogel, Reimut (ed.). Franz Schubert: Sinfonie in E-Dur 1825. Stuttgart: Goldoni. ISBN 3922044050. OCLC 987719669.
- Hilmar, Ernst; Jestremski, Margret, eds. (2004). Schubert-Enzyklopädie (in German). Vol. 1. Introduction by Alfred Brendel. Tutzing: Hans Schneider. ISBN 3795211557.
- Keefe, Simon P., ed. (2006). Mozart Studies. Cambridge University Press. ISBN 0521851025.
- Kube, Michael (2009). "Franz Schuberts Deutsche Trauermesse (D 621) als Problem der Text- und Stilkritik". In Mitterauer, Gertraud; Müller, Ulrich; Springeth, Margarete; Vitzthum, Verena (eds.). Was ist Textkritik?: Zur Geschichte und Relevanz eines Zentralbegriffs der Editionswissenschaft (in German). Walter de Gruyter. pp. 129–140. ISBN 3484970782.
- Mozart, Wolfgang Amadeus; Haydn, Joseph; Haydn, Michael (2008). Kircher, Armin (ed.). Chorbuch Mozart • Haydn VII: Kanonsammlung [Choral Collection Mozart • Haydn, Vol. VII: Canon Collection] (in German, Latin, English, and Italian). Stuttgart: Carus-Verlag. OCLC 274222567.
- Newbould, Brian (1999). Schubert: The Music and the Man. University of California Press. ISBN 0520219570.
- Reed, John (1997). The Schubert Song Companion. Manchester University Press. ISBN 1901341003.
- Van Hoorickx, Reinhard (1971). "Franz Schubert (1797–1828) List of the Dances in Chronological Order". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 25 (1). Belgian Musicological Society: 68–97. doi:10.2307/3686180. ISSN 0771-6788. JSTOR 3686180.
- Van Hoorickx, Reinhard (1974–1976). "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 28–30. Belgian Musicological Society: 136–171. doi:10.2307/3686053. ISSN 0771-6788. JSTOR 3686053.
External links
![](http://upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png)
- Template:De icon Franz Schubert (1797-1828): Werke sortiert nach D (Deutsch-Verzeichnis, 1951) at www
.klassika .info - Template:Fr Franz Schubert: Catalogue des oeuvres at musiqueorguequebec
.ca - Template:It Franz SCHUBERT: Catalogo delle composizioni at flaminioonline
.it - Alphabetical list of vocal music by Franz Schubert in the Choral Public Domain Library (ChoralWiki)
- List of works by Franz Schubert: Scores at the International Music Score Library Project