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{{Listen|type=music|filename=Mit tiefpass vcf und vco.ogg|title=French house sample}}
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'''French house''', also known as '''French touch''', '''filter house''' and '''tekfunk,''' is a style of [[house music]] originally produced by French musicians in the 1990s. It was a popular strand of the late 1990s and 2000s European dance music scene and a form of [[Euro disco]]. The defining characteristics of the sound are heavy reliance on [[Audio filter|filter]] and [[Phaser (effect)|phaser]] effects both on and alongside [[Sample (music)|samples]] from late 1970s and early 1980s American or European [[disco]] tracks (or original [[Hook (music)|hooks]] strongly inspired by such samples), causing thicker harmonic foundations than the genre's forerunners. Most tracks in this category feature steady [[4/4 time|{{music|time|4|4}}]] beats with a tempo range of 110–130 [[beats per minute]]. French house is similar to the genre known as [[future funk]], although there are some key differences. Purveyors of French house include [[Daft Punk]],<ref>[http://www.villagevoice.com/music/9940,woods,8763,22.html Village Voice: Daft Punk by Scott Woods<!-- Bot generated title -->]</ref> [[Music Sounds Better with You|Stardust]], [[Cassius (band)|Cassius]], [[The Supermen Lovers]],<ref>{{Cite web|title=Exposition «Electro» à La Philharmonie : 5 clips emblématiques de la French Touch|url=https://www.cnews.fr/culture/2019-04-08/exposition-electro-la-philharmonie-5-clips-emblematiques-de-la-french-touch|access-date=23 November 2020|website=CNEWS|language=fr}}</ref> [[Modjo]] and [[Étienne de Crécy]].
'''French house''', also known as '''French touch''', '''filter house''' and '''tekfunk,''' is a style of [[house music]] originally produced by French musicians in the 1990s. It is a form of [[Euro disco]] and a popular strand of the late 1990s and 2000s European dance music scene. The defining characteristics of the sound are heavy reliant on [[Audio filter|filter]] and [[Phaser (effect)|phaser]] effects both on and alongside [[Sample (music)|samples]] from late 1970s and early 1980s American or European [[disco]] tracks (or original [[Hook (music)|hooks]] strongly inspired by such samples), causing thicker harmonic foundations than the genre's forerunners<ref name=":0" />. Most tracks in this category feature steady [[4/4 time|{{music|time|4|4}}]] beats with a tempo range of 110–130 [[beats per minute]]. French house is similar to the [[future funk]] genre, although there are some key differences. Purveyors of French house include [[Daft Punk]],<ref>[http://www.villagevoice.com/music/9940,woods,8763,22.html Village Voice: Daft Punk by Scott Woods<!-- Bot generated title -->]</ref> [[Music Sounds Better with You|Stardust]], [[Cassius (band)|Cassius]], [[The Supermen Lovers]],<ref>{{Cite web|title=Exposition «Electro» à La Philharmonie : 5 clips emblématiques de la French Touch|url=https://www.cnews.fr/culture/2019-04-08/exposition-electro-la-philharmonie-5-clips-emblematiques-de-la-french-touch|access-date=23 November 2020|website=CNEWS|language=fr}}</ref> [[Modjo]] and [[Étienne de Crécy]].


== History and influences ==
== History and influences ==
French house is greatly influenced by the lineage of American dance music from the emergence of disco onwards, maintaining a distinct connection to [[Euro disco]] and the short lived [[space disco]] music style. Space disco was very popular in France, with artists like [[Cerrone]], [[Sheila and B. Devotion]], the latter with their 1979 hit ''Spacer'', during the late 1970s and early 1980s. Additional influences came from [[P-Funk]], especially the [[George Clinton (funk musician)|George Clinton]] and [[Bootsy Collins]] hits of that era. Due to originating from the same foreign market, P-Funk was played alongside disco in many French discothèques, especially after the [[Disco Demolition Night]] took place in the United States. The [[Jacking]] aspect of [[Chicago house]] was also incorporated (with "jack house" becoming a short-lived descriptive term for the sound in the UK). Furthermore, the influence of musical French figures of the seventies as [[François de Roubaix]], [[Jean-Michel Jarre]] or [[Serge Gainsbourg]] was also critical. An early example of French house is ''Dance'', released in 1990 by New York house producer "Earth People" (Joseph Longo).
French house is greatly influenced by the lineage of American dance music from the emergence of disco onwards, maintaining a distinct connection to [[Euro disco]] and the short lived [[space disco]] music style. Space disco was very popular in France, during the late 1970s and early 1980s, alongside artists such as [[Cerrone]], [[Sheila and B. Devotion]], the latter with their 1979 hit ''Spacer'', . Additional influences came from [[P-Funk]], especially the [[George Clinton (funk musician)|George Clinton]] and [[Bootsy Collins]] hits of that era. P-Funk was played alongside disco in many French discothèques, especially after the [[Disco Demolition Night]] took place in the United States. The [[Jacking]] aspect of [[Chicago house]] was also incorporated (with "jack house" becoming a short-lived descriptive term for the sound in the UK). It also included influence of musical French figures of the seventies such as [[François de Roubaix]], [[Jean-Michel Jarre]] or [[Serge Gainsbourg]]. An early example of French house is ''Dance'', released in 1990 by New York house producer "Earth People" (Joseph Longo).


[[Thomas Bangalter]]'s tracks for his [[Roulé]] label may be considered the earliest examples of an attempt to establish a distinctive style of French house. His solo material, along with his work as a member of [[Daft Punk]] and [[Stardust (band)|Stardust]], had a significant impact upon the French house scene during the mid-to-late 1990s.<ref name="Mixmag 2006">Suzanne Ely, "Return of the Cybermen" ''[[Mixmag]]'', July 2006, pp. 94–98.</ref> The French duo [[Motorbass]] ([[Philippe Zdar]], later of [[Cassius (band)|Cassius]], and [[Étienne de Crécy]]) were also among the first in France to produce house tracks which were largely based around samples and filtered loops in turn inspired by emerging American house producers such as [[DJ Sneak]], [[Green Velvet]] and [[Roger Sanchez]] and their penchant for producing sample-led house tracks with deep funky grooves and released a sole full-length album, ''[[Pansoul]]''. Parisian producer [[St. Germain (musician)|St. Germain]] produced house tracks with a similar style at the time but these were more directly influenced by [[jazz]] as opposed to the brasher vocal disco records appropriated, while other known French DJ-turned-producers at the time such as [[François Kevorkian]] and [[Laurent Garnier]] remained distant from the emerging French house label.
[[Thomas Bangalter]]'s tracks for his [[Roulé]] label is considered by some to be the earliest examples of an attempt to establish a distinctive style of French house. His solo material, along with his work as a member of [[Daft Punk]] and [[Stardust (band)|Stardust]], had a significant impact upon the French house scene during the mid-to-late 1990s.<ref name="Mixmag 2006">Suzanne Ely, "Return of the Cybermen" ''[[Mixmag]]'', July 2006, pp. 94–98.</ref> The French duo [[Motorbass]] ([[Philippe Zdar]], later of [[Cassius (band)|Cassius]], and [[Étienne de Crécy]]) were also among the first in France to produce house tracks largely based around samples and filtered loops. These tracks inspired emerging American house producers such as [[DJ Sneak]], [[Green Velvet]] and [[Roger Sanchez]] and their penchant for producing sample-led house tracks with deep funky grooves, resulting in the release of a sole full-length album, ''[[Pansoul]]''. Parisian producer [[St. Germain (musician)|St. Germain]] produced house tracks with a similar style at the time however these were more directly influenced by [[jazz]] as opposed to the brasher vocal disco records appropriated. Other known French DJ-turned-producers at the time such as [[François Kevorkian]] and [[Laurent Garnier]] remained distant from the emerging French house label.


The first French house experiments were received by the UK dance music press and European DJ's in the mid-1990s but major commercial success did not occur until 1997. [[Daft Punk]], [[Cassius (band)|Cassius]] and, later, [[Stardust (band)|Stardust]] were the first internationally successful artists of the genre. Along with [[Air (French band)|Air]], these acts were signed to [[Virgin Records]] and benefited from distinctive music videos directed by the likes of [[Spike Jonze]], [[Michel Gondry]] and [[Alex & Martin]]. Due to awareness generated from the huge clubbing scene and major record company support, Daft Punk's debut album ''[[Homework (Daft Punk album)|Homework]]'' entered the top 10 of the [[UK Albums Chart|UK album charts]] on release and became the biggest-selling French act in the UK since [[Jean-Michel Jarre]]. The emergence of the French sound coincided with dance music's popularity in the influential UK market which was peaking commercially with general [[electronic music]].
UK dance music and European DJs first recognised French house experiments in the mid-1990s, however commercial success occured a few years later in 1997<ref name=":1" />. [[Daft Punk]], [[Cassius (band)|Cassius]] and, later, [[Stardust (band)|Stardust]] were the first internationally successful artists of the genre. Along with [[Air (French band)|Air]], these acts were signed to [[Virgin Records]] and benefited from distinctive music videos directed by the likes of [[Spike Jonze]], [[Michel Gondry]] and [[Alex & Martin]]. Due to awareness generated from the huge clubbing scene and major record company support, Daft Punk's debut album ''[[Homework (Daft Punk album)|Homework]]'' entered the top 10 of the [[UK Albums Chart|UK album charts]] on release and became the biggest-selling French act in the UK since [[Jean-Michel Jarre]]<ref>{{Cite web |last=Meissner |first=Florian |title=DAFT PUNK – HOMEWORK |url=https://soundblab.com/reviews/albums/classic-albums/22203-daft-punk-homework}}</ref>. The emergence of the French sound coincided with dance music's popularity in the influential UK market which was peaking commercially with general [[electronic music]].


Further international commercial success continued into 2000 with [[Bob Sinclar]], [[Étienne de Crécy]], [[Benjamin Diamond]] and [[Modjo]] achieving hit singles around Europe. In late 2005, pop superstar [[Madonna (entertainer)|Madonna]] released ''[[Confessions on a Dance Floor]];'' an album with significant French house influences in several of its songs.<ref>{{Cite web |first=Masterclass |date=24/02/2022 |title=Guide to French House Music: 4 Notable French House Acts |url=https://www.masterclass.com/articles/french-touch-music-guide#a-brief-history-of-french-house-music |url-status=live |archive-url=https://web.archive.org/web/20220307163752/https://www.masterclass.com/articles/french-touch-music-guide |archive-date=07/03/2022}}</ref>
Further international commercial success continued into 2000 with [[Bob Sinclar]], [[Étienne de Crécy]], [[Benjamin Diamond]] and [[Modjo]] achieving hit singles around Europe. In late 2005, pop superstar [[Madonna (entertainer)|Madonna]] released ''[[Confessions on a Dance Floor]];'' an album with significant French house influences in several of its songs.<ref name=":0">{{Cite web |first=Masterclass |date=24/02/2022 |title=Guide to French House Music: 4 Notable French House Acts |url=https://www.masterclass.com/articles/french-touch-music-guide#a-brief-history-of-french-house-music |url-status=live |archive-url=https://web.archive.org/web/20220307163752/https://www.masterclass.com/articles/french-touch-music-guide |archive-date=07/03/2022}}</ref>


As of the mid to late-2010s, popularity increased for French house, with material being released from artists such as [[Folamour]] and [[Mirrorball Disco Squad]] from Paris, as well as [[Tiger and Woods]] from Italy. This sound is also being championed on the lo-fi house scene by the likes of Mall Grab and [[Loods]].
As of the mid to late-2010s, popularity increased for French house, with material being released from artists such as [[Folamour]] and [[Mirrorball Disco Squad]] from Paris, as well as [[Tiger and Woods]] from Italy. This sound is also being championed on the lo-fi house scene by the likes of Mall Grab and [[Loods]].
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The term "French touch" was first used in Paris in July 1987. Jean-Claude Lagrèze, a photographer of parisians' nights created a couple of "French Touch" parties at The Palace to make people discover house music. The parties were driven by DJ [[Laurent Garnier]], Guillaume la Tortue and [[David Guetta]]. This expression was printed, as part of a motto for French partygoers who liked house music, on a bomber jacket by Éric Morand for Fnac Music Dance Division, in 1991. The motto was: "We Give a French Touch to House".<ref>{{Cite web |last=Musicpublished |first=Future |date=2019-09-20 |title=Everything you need to know about: French touch |url=https://www.musicradar.com/news/everything-you-need-to-know-about-french-touch |access-date=2022-03-23 |website=MusicRadar |language=en}}</ref>
The term "French touch" was first used in Paris in July 1987. Jean-Claude Lagrèze, a photographer of parisians' nights created a couple of "French Touch" parties at The Palace to make people discover house music. The parties were driven by DJ [[Laurent Garnier]], Guillaume la Tortue and [[David Guetta]]. This expression was printed, as part of a motto for French partygoers who liked house music, on a bomber jacket by Éric Morand for Fnac Music Dance Division, in 1991. The motto was: "We Give a French Touch to House".<ref>{{Cite web |last=Musicpublished |first=Future |date=2019-09-20 |title=Everything you need to know about: French touch |url=https://www.musicradar.com/news/everything-you-need-to-know-about-french-touch |access-date=2022-03-23 |website=MusicRadar |language=en}}</ref>


The first time this term was used widespreadly by [[MTV (UK and Ireland)|MTV UK]] during the Christmas holiday period of 1999. It was used on an MTV News special, to describe a so-called "French house explosion" phenomenon. [[Bob Sinclar]] was interviewed, as well as [[Air (band)|Air]] (a non-house act) and [[Cassius (band)|Cassius]]. This news special later aired on all the MTV local variations worldwide, spreading the term and introducing the "French house" sound to the mainstream.
The term became widespread when it was first used by [[MTV (UK and Ireland)|MTV UK]] in 1999. It was used on an MTV News special, to describe a "French house explosion" phenomenon. [[Bob Sinclar]] was interviewed, as well as [[Air (band)|Air]] (a non-house act) and [[Cassius (band)|Cassius]]. This news special later aired on all MTV local variations worldwide, spreading the term and introducing the "French house" sound to the mainstream population<ref name=":0" />.


Prior to that (1996–2000), "French house" had been referred to among Europeans as "[[nu-disco]]", "disco house" and "new disco". However, the term "French touch" was first used by music journalist Martin James in his 1996 review [[Étienne de Crécy]]'s first album [[Super Discount]] in the weekly music paper that was known as ''[[Melody Maker]]''. This term became favoured among the French media and was then widely used in the UK press by 1998.<ref>'French Connections: From Discotheque to Discovery' by Martin James, 2002, Sanctuary Publishing</ref> Martin James was later recognised by French newspaper Liberation and Radio NRJ as the journalist responsible for naming the French house phenomenon "French touch".
Prior to this (1996–2000), "French house" had been referred to among Europeans as "[[nu-disco]]", "disco house" and "new disco"<ref>{{Cite web |title=Nu Disco Music Guide: A Brief History of Nu Disco |url=https://www.masterclass.com/articles/nu-disco-music-guide#what-is-nu-disco}}</ref>. The term "French touch" was first used by music journalist Martin James in the weekly music paper known as ''[[Melody Maker]]''. He referred to the term in 1996 as a review of [[Étienne de Crécy]]'s first album [[Super Discount]]. This term became favoured among the French media and was then widely used in the UK press by 1998.<ref name=":1">'French Connections: From Discotheque to Discovery' by Martin James, 2002, Sanctuary Publishing</ref> The French newspaper, Libertation and Radio NRJ acknowledged Martin James as the coiner of the "French touch".<ref name=":2">{{Cite web |title=French House - Terms, Origins and Variations |url=https://www.liquisearch.com/french_house/terms_origins_and_variations}}</ref>


One of the biggest markets for nu-disco at the time was [[Greece]], especially [[Athens]].{{Citation needed|date=September 2013}} A local music shop called Discobole Records imported the records direct from France and middle class clubs like City Groove dedicated totally to the genre between 1998 and 2001. In Greece, this music style was promoted as "disco house". During 1999 many events also took place on Spain's [[Ibiza]] island, and has continued to be a very popular destination for British tourists.<ref>{{Cite web|last=Tolentino|first=Christian|date=5 November 2019|title=UK delivers highest number of overseas visitors to Ibiza|url=https://www.traveldailymedia.com/uk-visitors-to-ibiza/|access-date=9 August 2020|website=Travel Daily|language=en-US}}</ref>
Between 1998 and 2001, local music shop, Discobole Records imported the records directly from France and middle class clubs dedicated totally to the genre, such as City Groove. In Greece, this music style was promoted as "disco house"<ref>{{Cite web |title=What defines French house? |url=https://gzipwtf.com/what-defines-french-house/}}</ref>. During 1999, many events also took place on Spain's [[Ibiza]] island, and has continued to be a very popular destination for British tourists.<ref>{{Cite web|last=Tolentino|first=Christian|date=5 November 2019|title=UK delivers highest number of overseas visitors to Ibiza|url=https://www.traveldailymedia.com/uk-visitors-to-ibiza/|access-date=9 August 2020|website=Travel Daily|language=en-US}}</ref>


French house is essentially a combination of three production styles. One is what the French still refer as "the French touch" and it is the style that greatly influenced by the [[space disco]] sound. The second is a continuation and update of [[Euro disco]] and greatly influenced by the productions of [[Alec R. Costandinos]]. The third would be the deep American house style as evident in the similar treatment of samples and repetitive 'funky' hooks. Naturally, further variations and mutations followed. French house maintains the established "French touch" sound, focused more on Euro disco-like vocals and less emphasis on the "space disco" themes. However, most of the music's most successful acts have altered their sound since. Bob Sinclar's later work, including the hit single "[[World, Hold On (Children of the Sky)]]" maintains only a distant connection to the original French house sound. Both Daft Punk and Étienne de Crécy subsequently developed a harder synthetic sound more directly inspired by [[techno]], [[Electro (music)|electro]] and pop.
French house is essentially a combination of three production styles. One is what the French still refer as "the French touch" and it is the style that greatly influenced by the [[space disco]] sound. The second is a continuation and update of [[Euro disco]] and greatly influenced by the productions of [[Alec R. Costandinos]]. The third would be the deep American house style, evident in the similar treatment of samples and repetitive 'funky' hooks<ref name=":2" />. Naturally, further variations and mutations followed. French house maintains the established "French touch" sound, focused more on Euro disco-like vocals and less emphasis on the "space disco" themes. However, most of the music's most successful acts have altered their sound since. Bob Sinclar's later work, including the hit single "[[World, Hold On (Children of the Sky)]]" maintains only a distant connection to the original French house sound. Both Daft Punk and Étienne de Crécy subsequently developed a harder synthetic sound more directly inspired by [[techno]], [[Electro (music)|electro]] and pop.


In [[Ibiza]], disco house took later another direction: it combined vocals and some elements from the UK's [[speed garage]] (a mid 1990s music style) with a local Latin flavor. By 2007, many underground disco house productions belonged to the Ibiza school.
In [[Ibiza]], disco house took another direction, combining vocals and some elements from the UK's [[speed garage]] (a mid 1990s music style) with a local Latin flavor. By 2007, many underground disco house productions belonged to the Ibiza school.


== Record labels associated with the style ==
== Record labels associated with the style ==

Revision as of 03:20, 24 March 2022

French house, also known as French touch, filter house and tekfunk, is a style of house music originally produced by French musicians in the 1990s. It is a form of Euro disco and a popular strand of the late 1990s and 2000s European dance music scene. The defining characteristics of the sound are heavy reliant on filter and phaser effects both on and alongside samples from late 1970s and early 1980s American or European disco tracks (or original hooks strongly inspired by such samples), causing thicker harmonic foundations than the genre's forerunners[1]. Most tracks in this category feature steady 4
4
beats with a tempo range of 110–130 beats per minute. French house is similar to the future funk genre, although there are some key differences. Purveyors of French house include Daft Punk,[2] Stardust, Cassius, The Supermen Lovers,[3] Modjo and Étienne de Crécy.

History and influences

French house is greatly influenced by the lineage of American dance music from the emergence of disco onwards, maintaining a distinct connection to Euro disco and the short lived space disco music style. Space disco was very popular in France, during the late 1970s and early 1980s, alongside artists such as Cerrone, Sheila and B. Devotion, the latter with their 1979 hit Spacer, . Additional influences came from P-Funk, especially the George Clinton and Bootsy Collins hits of that era. P-Funk was played alongside disco in many French discothèques, especially after the Disco Demolition Night took place in the United States. The Jacking aspect of Chicago house was also incorporated (with "jack house" becoming a short-lived descriptive term for the sound in the UK). It also included influence of musical French figures of the seventies such as François de Roubaix, Jean-Michel Jarre or Serge Gainsbourg. An early example of French house is Dance, released in 1990 by New York house producer "Earth People" (Joseph Longo).

Thomas Bangalter's tracks for his Roulé label is considered by some to be the earliest examples of an attempt to establish a distinctive style of French house. His solo material, along with his work as a member of Daft Punk and Stardust, had a significant impact upon the French house scene during the mid-to-late 1990s.[4] The French duo Motorbass (Philippe Zdar, later of Cassius, and Étienne de Crécy) were also among the first in France to produce house tracks largely based around samples and filtered loops. These tracks inspired emerging American house producers such as DJ Sneak, Green Velvet and Roger Sanchez and their penchant for producing sample-led house tracks with deep funky grooves, resulting in the release of a sole full-length album, Pansoul. Parisian producer St. Germain produced house tracks with a similar style at the time however these were more directly influenced by jazz as opposed to the brasher vocal disco records appropriated. Other known French DJ-turned-producers at the time such as François Kevorkian and Laurent Garnier remained distant from the emerging French house label.

UK dance music and European DJs first recognised French house experiments in the mid-1990s, however commercial success occured a few years later in 1997[5]. Daft Punk, Cassius and, later, Stardust were the first internationally successful artists of the genre. Along with Air, these acts were signed to Virgin Records and benefited from distinctive music videos directed by the likes of Spike Jonze, Michel Gondry and Alex & Martin. Due to awareness generated from the huge clubbing scene and major record company support, Daft Punk's debut album Homework entered the top 10 of the UK album charts on release and became the biggest-selling French act in the UK since Jean-Michel Jarre[6]. The emergence of the French sound coincided with dance music's popularity in the influential UK market which was peaking commercially with general electronic music.

Further international commercial success continued into 2000 with Bob Sinclar, Étienne de Crécy, Benjamin Diamond and Modjo achieving hit singles around Europe. In late 2005, pop superstar Madonna released Confessions on a Dance Floor; an album with significant French house influences in several of its songs.[1]

As of the mid to late-2010s, popularity increased for French house, with material being released from artists such as Folamour and Mirrorball Disco Squad from Paris, as well as Tiger and Woods from Italy. This sound is also being championed on the lo-fi house scene by the likes of Mall Grab and Loods.

Terms, origins and variations

The term "French touch" was first used in Paris in July 1987. Jean-Claude Lagrèze, a photographer of parisians' nights created a couple of "French Touch" parties at The Palace to make people discover house music. The parties were driven by DJ Laurent Garnier, Guillaume la Tortue and David Guetta. This expression was printed, as part of a motto for French partygoers who liked house music, on a bomber jacket by Éric Morand for Fnac Music Dance Division, in 1991. The motto was: "We Give a French Touch to House".[7]

The term became widespread when it was first used by MTV UK in 1999. It was used on an MTV News special, to describe a "French house explosion" phenomenon. Bob Sinclar was interviewed, as well as Air (a non-house act) and Cassius. This news special later aired on all MTV local variations worldwide, spreading the term and introducing the "French house" sound to the mainstream population[1].

Prior to this (1996–2000), "French house" had been referred to among Europeans as "nu-disco", "disco house" and "new disco"[8]. The term "French touch" was first used by music journalist Martin James in the weekly music paper known as Melody Maker. He referred to the term in 1996 as a review of Étienne de Crécy's first album Super Discount. This term became favoured among the French media and was then widely used in the UK press by 1998.[5] The French newspaper, Libertation and Radio NRJ acknowledged Martin James as the coiner of the "French touch".[9]

Between 1998 and 2001, local music shop, Discobole Records imported the records directly from France and middle class clubs dedicated totally to the genre, such as City Groove. In Greece, this music style was promoted as "disco house"[10]. During 1999, many events also took place on Spain's Ibiza island, and has continued to be a very popular destination for British tourists.[11]

French house is essentially a combination of three production styles. One is what the French still refer as "the French touch" and it is the style that greatly influenced by the space disco sound. The second is a continuation and update of Euro disco and greatly influenced by the productions of Alec R. Costandinos. The third would be the deep American house style, evident in the similar treatment of samples and repetitive 'funky' hooks[9]. Naturally, further variations and mutations followed. French house maintains the established "French touch" sound, focused more on Euro disco-like vocals and less emphasis on the "space disco" themes. However, most of the music's most successful acts have altered their sound since. Bob Sinclar's later work, including the hit single "World, Hold On (Children of the Sky)" maintains only a distant connection to the original French house sound. Both Daft Punk and Étienne de Crécy subsequently developed a harder synthetic sound more directly inspired by techno, electro and pop.

In Ibiza, disco house took another direction, combining vocals and some elements from the UK's speed garage (a mid 1990s music style) with a local Latin flavor. By 2007, many underground disco house productions belonged to the Ibiza school.

Record labels associated with the style

References

  1. ^ a b c "Guide to French House Music: 4 Notable French House Acts". 24/02/2022. Archived from the original on 07/03/2022. {{cite web}}: |first= missing |last= (help); Check date values in: |date= and |archive-date= (help)
  2. ^ Village Voice: Daft Punk by Scott Woods
  3. ^ "Exposition «Electro» à La Philharmonie : 5 clips emblématiques de la French Touch". CNEWS (in French). Retrieved 23 November 2020.
  4. ^ Suzanne Ely, "Return of the Cybermen" Mixmag, July 2006, pp. 94–98.
  5. ^ a b 'French Connections: From Discotheque to Discovery' by Martin James, 2002, Sanctuary Publishing
  6. ^ Meissner, Florian. "DAFT PUNK – HOMEWORK".
  7. ^ Musicpublished, Future (20 September 2019). "Everything you need to know about: French touch". MusicRadar. Retrieved 23 March 2022.
  8. ^ "Nu Disco Music Guide: A Brief History of Nu Disco".
  9. ^ a b "French House - Terms, Origins and Variations".
  10. ^ "What defines French house?".
  11. ^ Tolentino, Christian (5 November 2019). "UK delivers highest number of overseas visitors to Ibiza". Travel Daily. Retrieved 9 August 2020.