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Another theory states that ''Caliburnus'' is ultimately derived from Latin ''chalybs'', a loanword from the Greek word for steel: χάλυψ, which is in turn derived from ''[[Chalybes]]'', the name of an [[Anatolia]]n, [[Kartvelian]] ironworking tribe (in [[South Caucasian languages|Kartvelian languages]] ''Khalyburi'' means Chalybian).<ref>Lacy, ''New Arthurian Encyclopedia'', pp. 15, 147</ref>
Another theory states that ''Caliburnus'' is ultimately derived from Latin ''chalybs'', a loanword from the Greek word for steel: χάλυψ, which is in turn derived from ''[[Chalybes]]'', the name of an [[Anatolia]]n, [[Kartvelian]] ironworking tribe (in [[South Caucasian languages|Kartvelian languages]] ''Khalyburi'' means Chalybian).<ref>Lacy, ''New Arthurian Encyclopedia'', pp. 15, 147</ref>

An alternate derivation is from the [[Latin]]: ''ex calce liberatus'' meaning "liberated from stone" or "from stone liberated"<ref>[[Brewer's Dictionary of Phrase and Fable]] by [[Ebenezer Cobham Brewer]]</ref>, a possible reference to the manufacture of bronze swords by casting rather than forging.<ref>[http://www.tanwayour.org/sword.html Casting a Late Bronge Age Sword, Jonathan Kerr] ''tanwayour.org''</ref><ref>[http://www.bronze-age-craft.com/swordcasting.htm Bronze Age Swords - Bronze Sword Casting] ''bronze-age-craft.com''</ref>


==Excalibur and the Sword in the Stone==
==Excalibur and the Sword in the Stone==

Revision as of 02:40, 27 April 2009

How Sir Bedivere Cast the Sword Excalibur into the Water, by Aubrey Beardsley (1894)

Excalibur is the legendary sword of King Arthur, sometimes attributed with magical powers or associated with the rightful sovereignty of Great Britain. Sometimes Excalibur and the Sword in the Stone (the proof of Arthur's lineage) are said to be the same weapon, but in most versions they are considered separate. The sword was associated with the Arthurian legend very early. In Welsh, the sword is called Caledfwlch.

Forms and etymologies

The name Excalibur apparently derives ultimately from the Welsh Caledfwlch which combines the elements caled ("battle, hard"), and bwlch ("breach, gap, notch").[1] Geoffrey of Monmouth Latinized this to Caliburnus, the name of Arthur's sword in his 12th-century work Historia Regum Britanniae. Caliburnus or Caliburn became Excalibur, Escalibor, and other variations when the Arthurian legend entered into French literature.

Caledfwlch appears in several early Welsh works, including the poem Preiddeu Annwfn and the prose tale Culhwch and Olwen, a work associated with the Mabinogion and written perhaps around 1100. The name was later used in Welsh adaptations of foreign material such as the Bruts, which were based on Geoffrey. It is often considered to be related to the phonetically similar Caladbolg, a sword borne by several figures from Irish mythology, although a borrowing of Caledfwlch from Irish Caladbolg has been considered unlikely by Rachel Bromwich and D. Simon Evans. They suggest instead that both names "may have similarly arisen at a very early date as generic names for a sword"; this sword then became exclusively the property of Arthur in the British tradition.[2] Most Celticists consider Geoffrey's Caliburnus to be derivative of a lost Old Welsh text in which bwlch had not yet been lenited to fwlch.[3] In Old French sources this then became Escalibor, Excalibor and finally the familiar Excalibur.

Another theory states that Caliburnus is ultimately derived from Latin chalybs, a loanword from the Greek word for steel: χάλυψ, which is in turn derived from Chalybes, the name of an Anatolian, Kartvelian ironworking tribe (in Kartvelian languages Khalyburi means Chalybian).[4]

An alternate derivation is from the Latin: ex calce liberatus meaning "liberated from stone" or "from stone liberated"[5], a possible reference to the manufacture of bronze swords by casting rather than forging.[6][7]

Excalibur and the Sword in the Stone

Excalibur the Sword, by Howard Pyle (1902)

In Arthurian romance a number of explanations are given for Arthur's possession of Excalibur. In Robert de Boron's Merlin, Arthur obtained the throne by pulling a sword from a stone. In this account, the act could not be performed except by "the true king," meaning the divinely appointed king or true heir of Uther Pendragon. This sword is thought by many to be the famous Excalibur and the identity is made explicit in the later so-called Vulgate Merlin Continuation, part of the Lancelot-Grail cycle.[8] However, in what is sometimes called the Post-Vulgate Merlin, Excalibur was given to Arthur by the Lady of the Lake sometime after he began to reign. She calls the sword "Excalibur, that is as to say as Cut-steel." In the Vulgate Mort Artu, Arthur orders Girflet to throw the sword into the enchanted lake. After two failed attempts he finally complies with the wounded king's request and a hand emerges from the lake to catch it, a tale which becomes attached to Bedivere instead in Malory and the English tradition.[9]

Malory records both versions of the legend in his Le Morte d'Arthur, and confusingly calls both swords Excalibur. The film Excalibur attempts to rectify this by having only one sword, which Arthur draws from the stone and later breaks; the Lady of the Lake then repairs it.

History

A statue of Excalibur at Kingston Maurward

Caledfwlch

In Welsh legend, Arthur's sword is known as Caledfwlch. In Culhwch and Olwen, it is one of Arthur's most valuable possessions and is used by Arthur's warrior Llenlleawg the Irishman to kill the Irish king Diwrnach while stealing his magical cauldron. Caledfwlch is thought to derive from the legendary Irish weapon Caladbolg, the lightning sword of Fergus mac Roich. Caladbolg was also known for its incredible power and was carried by some of Ireland's greatest heroes.

Though not named as Caledfwlch, Arthur's sword is described vividly in The Dream of Rhonabwy one of the tales associated with the Mabinogion:

Then they heard Cadwr Earl of Cornwall being summoned, and saw him rise with Arthur's sword in his hand, with a design of two chimeras on the golden hilt; when the sword was unsheathed what was seen from the mouths of the two chimeras was like two flames of fire, so dreadful that it was not easy for anyone to look. At that the host settled and the commotion subsided, and the earl returned to his tent.

— From The Mabinogion, translated by Jeffrey Gantz.[10]

Caliburn to Excalibur

Geoffrey of Monmouth's History of the Kings of Britain is the first non-Welsh source to speak of the sword. Geoffrey says the sword was forged in Avalon and Latinizes the name "Caledfwlch" to Caliburn or Caliburnus. When his influential pseudo-history made it to Continental Europe, writers altered the name further until it became Excalibur. The legend was expanded upon in the Vulgate Cycle, also known as the Lancelot-Grail Cycle, and in the Post-Vulgate Cycle which emerged in its wake. Both included the work known as the Prose Merlin, but the Post-Vulgate authors left out the Merlin Continuation from the earlier cycle, choosing to add an original account of Arthur's early days including a new origin for Excalibur.

Other information

The story of the Sword in the Stone has an analogue in some versions of the story of Sigurd (the Norse proto-Siegfried), whose father, Sigmund, draws the sword Gram out of the tree Barnstokkr where it is embedded by the Norse god Odin.

In several early French works such as Chrétien de Troyes' Perceval, the Story of the Grail and the Vulgate Lancelot Proper section, Excalibur is used by Gawain, Arthur's nephew and one of his best knights. This is in contrast to later versions, where Excalibur belongs solely to the king.

Attributes

The Lady of the Lake offering Arthur Excalibur, by Alfred Kappes (1880)

In many versions, Excalibur's blade was engraved with words on opposite sides. On one side were the words "take me up", and on the other side "cast me away" (or similar words), alluding to Jonah 1:12.[citation needed] This prefigures its return into the water. In addition, when Excalibur was first drawn, Arthur's enemies were blinded by its blade, which was as bright as thirty torches. Excalibur's scabbard was said to have powers of its own. Injuries from losses of blood, for example, would not kill the bearer. In some tellings, wounds received by one wearing the scabbard did not bleed at all. The scabbard is stolen by Morgan le Fay and thrown into a lake, never to be found again.

Nineteenth century poet Alfred, Lord Tennyson, described the sword in full Romantic detail in his poem "Morte d'Arthur", later rewritten as "The Passing of Arthur", one of the Idylls of the King:

:There drew he forth the brand Excalibur,

And o’er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth-work
Of subtlest jewellery.

Arthur's other weapons

Excalibur is by no means the only weapon associated with Arthur, nor the only sword. Welsh tradition also knew of a dagger named Carnwennan and a spear named Rhongomyniad that belonged to him. Carnwennan ("Little White-Hilt") first appears in Culhwch and Olwen, where it was used by Arthur to slice the Very Black Witch in half.[11] Rhongomyniad ("spear" + "striker, slayer") is also first mentioned in Culhwch, although only in passing; it appears as simply Ron ("spear") in Geoffrey's Historia.[12] In the Alliterative Morte Arthure, a Middle English poem, there is mention of Clarent, a sword of peace meant for knighting and ceremonies as opposed to battle, which is stolen and then used to kill Arthur.[13]

See also

Notes

  1. ^ R. Bromwich and D. Simon Evans, Culhwch and Olwen. An Edition and Study of the Oldest Arthurian Tale (Cardiff: University of Wales Press, 1992), pp.64-5
  2. ^ R. Bromwich and D. Simon Evans, Culhwch and Olwen. An Edition and Study of the Oldest Arthurian Tale (Cardiff: University of Wales Press, 1992), p.65; see further T. Green, Concepts of Arthur (Stroud: Tempus, 2007), p.156
  3. ^ P. K. Ford, "On the Significance of some Arthurian Names in Welsh" in Bulletin of the Board of Celtic Studies 30 (1983), pp.268-73 at p.271; R. Bromwich and D. Simon Evans, Culhwch and Olwen. An Edition and Study of the Oldest Arthurian Tale (Cardiff: University of Wales Press, 1992), p.64; James MacKillop, Dictionary of Celtic Mythology (Oxford: Oxford University Press, 1998), pp.64-65, 174.
  4. ^ Lacy, New Arthurian Encyclopedia, pp. 15, 147
  5. ^ Brewer's Dictionary of Phrase and Fable by Ebenezer Cobham Brewer
  6. ^ Casting a Late Bronge Age Sword, Jonathan Kerr tanwayour.org
  7. ^ Bronze Age Swords - Bronze Sword Casting bronze-age-craft.com
  8. ^ Merlin: roman du XIIIe siècle ed. M. Alexandre (Geneva: Droz, 1979)
  9. ^ Lancelot-Grail: The Old French Arthurian Vulgate and Post-Vulgate in Translation trans. N. J. Lacy (New York: Garland, 1992-6), 5 vols
  10. ^ Gantz, The Mabinogion, p. 184.
  11. ^ T. Jones and G. Jones, The Mabinogion (London: Dent, 1949), p.136; R. Bromwich and D. Simon Evans, Culhwch and Olwen. An Edition and Study of the Oldest Arthurian Tale (Cardiff: University of Wales Press, 1992), pp.64, 66
  12. ^ P. K. Ford, "On the Significance of some Arthurian Names in Welsh" in Bulletin of the Board of Celtic Studies 30 (1983), pp.268-73 at p.71; R. Bromwich and D. Simon Evans, Culhwch and Olwen. An Edition and Study of the Oldest Arthurian Tale (Cardiff: University of Wales Press, 1992), pp.64
  13. ^ Alliterative Morte Arthure, TEAMS, retrieved 26-02-2007

References

  • Alexandre, M. Merlin: roman du XIIIe siècle (Geneva: Droz, 1979)
  • Bromwich, R. and Simon Evans, D. Culhwch and Olwen. An Edition and Study of the Oldest Arthurian Tale (Cardiff: University of Wales Press, 1992)
  • Ford, P.K. "On the Significance of some Arthurian Names in Welsh" in Bulletin of the Board of Celtic Studies 30 (1983), pp.268–73
  • Gantz, Jeffrey (translator) (1987). The Mabinogion. New York: Penguin. ISBN 0-14-044322-3.
  • Green, T. Concepts of Arthur (Stroud: Tempus, 2007) ISBN 978-0-7524-4461-1 [1]
  • Jones, T. and Jones, G. The Mabinogion (London: Dent, 1949)
  • Lacy, N. J. Lancelot-Grail: The Old French Arthurian Vulgate and Post-Vulgate in Translation (New York: Garland, 1992-6), 5 vols
  • Lacy, N. J (ed). The New Arthurian Encyclopedia. (London: Garland. 1996). ISBN 0815323034.
  • MacKillop, J. Dictionary of Celtic Mythology (Oxford: Oxford University Press, 1998)