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| single 1 = [[Beautiful (Mariah Carey song)|Beautiful]]
| single 1 = [[Beautiful (Mariah Carey song)|Beautiful]]
| single 1 date = {{start date|2013|05|07}}
| single 1 date = {{start date|2013|05|07}}
| single 2 = [[The Art of Letting Go]]
| single 2 = [[You're Mine (Eternal)]]
| single 2 date = {{start date|2013|11|11}}
| single 2 date = {{start date|2014|02|12}}
| single 3 = [[You're Mine (Eternal)]]
| single 3 = You Don't Know What To Do
| single 3 date = {{start date|2014|02|12}}
| single 3 date = {{start date|2014|06|}}
| single 4 = [[Faded]]
| single 4 date = {{start date|2014|06|}}
}}}}
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Revision as of 02:34, 30 May 2014

Untitled

Me. I Am Mariah... The Elusive Chanteuse is the fourteenth studio album by American singer-songwriter Mariah Carey. It was released on May 23, 2014 through Def Jam Recordings, her first album on the label since the disbandment of The Island Def Jam Music Group and subsequent reorganization of constituent labels: Island Records and Def Jam. The album had been in development since 2011; during its production, Carey hired friend and collaborator Randy Jackson to manage her career, before replacing him with another frequent collaborator Jermaine Dupri.

Previously titled The Art of Letting Go, the album was originally scheduled for release in 2012 following the release of the single "Triumphant (Get 'Em)" featuring Rick Ross and Meek Mill. However, after underperforming, the song was removed from the album and additional songs were recorded, causing the release date to be pushed back several times throughout 2013 and again in 2014 before its final date was announced. Together with Bryan Michael Cox, Carey and Dupri executively produced the album. It is named after a self-portrait that Carey drew at the age of three-years old that she captioned "Me. I Am Mariah"; the portrait is featured as part of the back cover of the album. "The Elusive Chanteuse" part of the title is one of Carey's many monikers.

The singer used YouTube to upload a video confirming the title, cover and track listing of the album, a stark contrast to the previous title which leaked when a retailer listed the album for pre-order. Nas, Miguel, Wale and Fabolous all make guest appearances on the album, in addition to Carey's twins Morroccan and Monroe. On the deluxe edition of the album, R. Kelly and Mary J. Blige respectively make appearances on remixes of two songs taken from Carey's thirteenth studio album Memoirs of an Imperfect Angel (2009). Me. I Am Mariah... was preceded by the release of three singles including, the Australian top-ten and US Billboard Hot 100 top-twenty hit "Beautiful" (a duet with Miguel), as well as the less successful "The Art of Letting Go" and "You're Mine (Eternal)".

Background

The first indication that Carey had begun work on her fourteenth studio album was in February 2011, with Carey stating: "I start writing for my new album this week-but it's just the beginning...."[3] In March 2011, Carey's representative said she will donate royalties for the song "Save the Day", which she has written for her upcoming studio album, to charities that create awareness for human-rights issues.[4] During an interview with Billboard in May 2011, her husband Nick Cannon revealed that Carey had already completed a good amount of recording for a new album, a few months before during her pregnancy: "She's planning on having a [new single] out this year. She's been working away, and we have a studio in the crib, and [the pregnancy] has totally inspired her on so many different levels." Additionally, Cannon confirmed that Carey was inspired by her debut self-titled album and its follow-up, Emotions.[5]

In January 2012, Cannon updated everyone on the album, saying: "My beautiful wife is planning to make her return to the music scene after taking time off to focus on the pregnancy and the birth of our two wonderful babies, Moroccan and Monroe."[6] On August 3, 2012, Carey released "Triumphant (Get 'Em)", a collaboration with rappers Rick Ross and Meek Mill, which was originally claimed to be the lead single for her upcoming studio album.[7] The single received low impact both critically and commercially, and was eventually dropped off the album.[8] The Island Def Jam Music Group was shuttered by Universal Music Group on April 1, 2014. Island Records and Def Jam Recordings operate as separate entities, with Carey being transferred from Island to Def Jam.[9][10]

Recording

In September 2011, producer and friend Jermaine Dupri took to his social network Global14 to reveal that he's back in the studio with Carey working on new music.[11] In July 2012, it was announced that Randy Jackson completed seven songs with Carey for the album.[12] In August 2012, Bryan Michael Cox said about the album: "She was committed to making it before she got pregnant. Then she got pregnant and she took the time off. Then after she came back, we started really vibing again and we picked up right where we left off. I just feel like between [record producer] Jermaine Dupri, myself and her, we came up with a few things that [are] really, really a solid body of work".[13] In September 2012, Carey was in the studio with R. Kelly.[14]

Carey said about her fourteenth studio album: "I'm collaborating with a lot of my favorite people but the main thing is [that] I'm not trying to follow any particular trend, I want it to be well received. I want to stay true to myself and the music that I love and make the fans happy".[15] Some of the people that Carey worked with on the album include: DJ Clue?, Randy Jackson, Q-Tip, R. Kelly, David Morales, Loris Holland, Stevie J, James Fauntleroy, Ray Angry, Walter Afanasieff, Jermaine Dupri, Bryan-Michael Cox, James "Big Jim" Wright, Hit-Boy, The-Dream, Da Brat, and Rodney Jerkins.[16][17][18]

Carey gave Billboard an exclusive interview in their March 9, 2013 issue, stating: "It's about making sure I have tons of good music, because at the end of the day, that's the most important thing.... There are a lot more raw ballads than people might expect... there are also uptempo and signature-type songs that represent [my] different facets as an artist.... Wherever we go with this project, I've tried to keep the soul and heart in it." Billboard also asked Carey about the title of the album, but she declined to reveal it.[18] In late March 2013, Carey stated that she "has more than enough songs" but "she's in the process of finishing things and mixing and all that".[19]

On June 20, 2013; Carey was in the studio with Mike Will Made It and Young Jeezy.[20] On August 3, 2013, Carey was in the studio with rapper Wale.[21] In September 2013, Carey was in the studio with rapper Nas.[22] In October 2013, Jermaine Dupri was announced as Carey's new manager.[23] In January 2014, Carey stated that there will be two cover songs on the album and announced that she has finished sequencing the album's track list.[24] In an interview in February 2014, Carey added that there are songs on the album that are about her husband Nick Cannon[25] as well as songs that she wrote specifically for her twins Moroccan and Monroe.[26] That same month, Carey announced to MTV News that she has added three new songs to the tracklist, 1 extra Hitboy record and two new remixes[27] and stated that she is in the process of choosing a new title for the album.[28] The two remixes are of the songs "Betcha Gon' Know" and "It's a Wrap", previously featured on 2009's Memoirs of an Imperfect Angel; R. Kelly features on the former, while Mary J. Blige features on the latter.[29] The cover versions were confirmed to be George Michael's 1988 single, "One More Try", and cover of the patriotic song "America the Beautiful" for the Japanese CD edition of the album.[30][29]

Music and lyrics

The music reacts to Carey's fallow years in most every way it should. It returns her to the type of grand balladry, and formal melodies, that first made her a star. It's her most melodic, least-trendy album in memory — both moves that greatly flatter her.

 — Jim Farber, New York Daily News[31]

Consisting of fifteen songs and four deluxe songs "Me. I Am Mariah... The Elusive Chanteuse" is an R&B album with a diverse musical style that incorporates funk, hip hop, soul, and elements of gospel. Mike Wass of Idolator described the album as being a concept album that journeys through the era's of R&B, from Motown to the ‘90s, disco and early hip-hop.[32] Described by Sarah Rodman as being a "rhythmic hip-hop pop" album that contains "gospel-inflected power ballads, old-school soul, and straight-up disco fantasias," Rodman described the albums production as being built over a "pulsating atmosphere" and "fidgety rhythmic tracks."[33] Jim Farber of New York Daily News cited the album as a return from her previous studio album "Memoirs of an Imperfect Angel" (2009), which Fader described as a "disastrous", Farber noted the albums musical content as containing "grand balladry, and formal melodies."[31]

Melissa Maerz of Entertainment Weekly, noted "nostalgia" to be a big and recurring theme both lyrically and musically, continuing to comment on this saying the "arrangements that borrow from Inner Life's disco rave-up 'I'm Caught Up (In a One Night Love Affair)' and the O'Jays' Philly-soul classic 'Let Me Make Love to You'."[34] Eric Henderson of Slant Magazine noted the albums lyrics to be "personal, crazy. Crazy personal," Henderson continued calling the albums lyrical content an "deliberately confusing innocence with insight, obliviousness with bliss."[35] Carey's voice on the album was described by Elysa Gardner of USA Today, as "artful melisma, robust belting and decorative high notes." Gardner continued, noting Mariah's use of her "supple middle and lower registers to convey feeling simply and directly."[36]

Songs

The album opens with Cry a gospel song built over a piano, "simmering vocals and full-bodied runs" containing "swirling organs and scaling ad-lib."[37] Described by Billboard magazine as being one of the albums most "heaviest moments," lyrically the song disscusses Carey's desire to hold a lover until they both start "bawling."[38] Faded is a "luscious" R&B song produced by Mike Will Made It, the song and Carey's vocals feature "climaxes" with the song taking influence from R&B hip-hop and pop genres.[39] Dedicated features American rapper Nas, the song contains a sample from "Da Mystery of Chessboxin'" as performed by Wu-Tang Clan and lyrically discusses nostalgia, with Mariah and Nas looking back at their past relationships and how the have shaped their lives.[40][38] "Beautiful" is a mid-tempo and stripped down R&B and soul music song.[41][42][43] Carey's "big vocals" combined with Miguel's "signature eclectic rock and roll sound" results in "Beautiful" having an old school vibe to it reminiscent of the Stax Records/Motown Records era,[44] according to a reviewer for The Honesty Hour.[45] "Thirsty" is a "club-friendly" hip hop and R&B song, which lasts for a duration of three minutes and 26 seconds.[46][47][48] "Thirsty" is about how Carey's lover has a thirst for fame which causes her to drown in her own misery.[49] American rapper Rich Homie Quan performs background chants on "Thirsty", although he is not credited on the album track list.[47] He does, however, appear as a featured artist on a shortened alternate version of the song, and performs one rap verse.[49] "Make It Look Good", lyrically talks about "getting played" by a man yet she is deciding "to just go with it," the song is built over a "skipping '80's" beat that contains interpolations of "Let Me Make Love to You", written by Walter "Bunny" Sigler and Allan Felder.[38][40] "You're Mine (Eternal)" is a love song which lasts for a duration of three minutes and forty-two seconds.[50][51] The song utilizes an hypnotic and "smooth, steady" beat, which slowly but gradually builds to a sudden climax at the end. Lyrically, the track features Carey reminiscing about a past lover.[50]

"You Don't Know What to Do" features American rapper Wale and contains interpolations of "I'm Caught Up in a One Night Love Affair", written by Patrick Adams and Terri Gonzalez.[40] The song is a disco inspired track containing a "bumping" beat compared to music of 1977.[38] "Supernatural" is a "sappy cut" featuring Carey's children credited as "Dem Babies".[38] "Meteorite" is built over a "disco beat", lyrically the song is a running "commentary on celebrity culture", and contains a sample from "Goin' Up in Smoke", performed by Eddie Kendricks.[38][40] "Camouflage" is a piano ballad,[38] followed by "Money" featuring rapper Fabulous and features a sample from "Alabeke", performed by Dan Snatch, and "Rapper Dapper Snapper" performed by Edwin Birdsong.[40]"Money" is an R&B song built over a "thumping" beat produced by Hit-Boy with lyrics that revolve around money not being important.[38]"One More Try" s a cover of George Michael's 1988 single of the same name, with an "'80s taste" and a "schmaltzy" production.[38] "Heavenly (No Ways Tired / Can't Give Up Now)" is a gospel song with a choir that is dedicated as a tribute to the late Reverend James Cleveland. It contains an excerpt from the Reverend's sermon "God's Promise" performed by James Cleveland. Also contains a sample of "Can't Give Up Now" performed by Mary Mary, "I Don't Feel No Ways Tired" performed by James Cleveland and "Good Ole Music" performed by Funkadelic.[38][40]

The deluxe album consists of four extra songs; the opening track "It's A Wrap" features American singer Mary J. Blige, the song contains a sample of "I Belong to You" by Barry White, performed by the Love Unlimited Orchestra.[40] "Betcha Gon' Know" was originally recorded and included on Carey's 2009 album Memoirs of an Imperfect Angel, the remix featuring R. Kelly leaked in July 2011, and draws influence from R&B.[52] Carey announced that the remix would appear the album as a deluxe edition bonus track.[53] "The Art of Letting Go" is an empowering gospel and classic R&B ballad with use of the piano, strings, and guitar.[54][55] The lyrics of the song talks about a personal experience Carey faced throughout the years specifically her early career days when she was signed to Columbia Records through her relationship with her then-husband, the former executive of Sony Music, Tommy Mottola.[56] The song was originally inspiration to also call the album The Art of Letting Go[57] however, during in interview with MTV in February 2014, Carey revealed that she was frustrated the album title leaked as she had not intended for the public to know about it just yet, as a result she would be retitling the album.[58]

Title and artwork

In June 2013, it was announced that Carey is "still choosing between two titles" for the album.[59] On June 16, 2013, Walmart put the album up for pre-order and revealed its title as The Art of Letting Go.[60] The following day, producer Jermaine Dupri confirmed that Walmart was correct and that the album would be called The Art of Letting Go.[61] In February 2014, Carey expressed dismay that the album's title had leaked and confirmed that a new title would now be chosen.[62] The album is now titled Me. I Am Mariah... The Elusive Chanteuse, a two-part title taking its name from two things personal to Carey. The first part is the caption from Carey's "first and only self-portrait", a drawing she drew as a child which is included as part of the album's back cover, while the second half is a nickname she’s adopted recently.[29] Summarising the title and album's concept, Carey said "This album is a reflection of some of the peaks and valleys that made me who I am today. I've always known me. I am Mariah."[63] Carl Williot from Idolator called the album title both "absurd" and "insane". He also lambasted Carey for including "annoying" punctuation in the track listing, including a hashtag (#) for the song "Beautiful", a period (.) for the song "Cry." and appending characters to the song "Money ($ * / ...)".[64] TIME's Dan Macsai called it the "greatest, most over-the-top album title of all time."[65]

On the standard edition cover, Carey poses with her arms behind her head, while wearing a nude-colored crocheted swimsuit. The deluxe edition features a close-up of Carey's face, on the same sun-kissed background.[63] Jeremy Blacklow from Yahoo! Music commented that some fans felt that the album covers "look retouched to the extreme".[66]

Release

In the April 2012 issue of Shape magazine, Carey stated: "I've started writing songs for a new album, which I hope will come out in 2012. Getting back in the studio and making music again-which I truly love doing-is the best way to end this crazy year".[67] In August 2012, Carey's then-manager Randy Jackson told Billboard that the album was set for release in March 2013.[68] Carey told Ryan Seacrest in September 2012: "I want[ed] [it] to [be released] sooner, but I guess it wouldn't be ready until around January 2013, somewhere around there. I wanted to put another single out, a ballad. I love it, but I'm still writing, I'm still working. So, you never know what it's going to end up being".[69]

In February 2013, Carey stated that she wanted to release the album as soon as possible.[70][71] The album was delayed to May 2013,[72] which soon changed to July 23, 2013.[73] However, the album was again delayed. On February 10, 2014, it was announced that the album was then set for release on May 6, 2014.[74] Carey discussed issues around the failed singles and push backs during an interview with Billboard, for the magazine's cover story. She said that she wanted fans to hear the album as a full body of work and thus performance of individual singles was less important.[75] Carey also considered a "Beyoncé-style surprise digital release" - Beyoncé released her self-titled album to the iTunes Store in December 2013 without any prior warning, but Def Jam confirmed that Carey's album would receive a traditional release with pre-orders starting May 1, 2014 and a pre-announced album cover, track listing and release date for May 27, 2014.[75]

Promotion

Carey singing "Beautiful" live on Good Morning America, May 24, 2013.

Carey taped a performance of "Beautiful" along with a medley of her greatest hits on May 15, 2013. The medley included Carey's debut "Vision of Love", as well as other songs such as "Make it Happen", "We Belong Together", "My All", and "Hero". The taping aired the following day (May 16) during the American Idol Season 12 finale episode.[76] Carey performed "Beautiful" with Miguel on June 2, 2013, at Hot 97's Summer Jam XX festival.[77] She performed the remix of the song with Young Jeezy and Miguel on June 30, 2013, at the BET Awards.[78]

The singer taped a performance of "The Art of Letting Go", along with a medley of "Auld Lang Syne", "Fantasy", "Honey", "Beautiful", "Emotions", "Always Be My Baby", "Touch My Body" and "We Belong Together", for Dick Clark's New Year's Rockin' Eve, which aired on December 31, 2013. Carey performed "You're Mine (Eternal)" for the first time at the BET Honors on February 8, 2014 and the show premiered on TV Monday February 24, 2014.[79] On February 13, 2014, Carey performed the song live while lighting up the Empire State Building.[80]

Carey will open and perform at the 2014 World Music Awards, when she will also receive the Pop Icon Award for having sold over 200 million records and having more No.1 singles in America than any other solo artist.[81]

Tour

In December 2012, Carey's then manager Randy Jackson announced that Carey is planning a world tour following the album's release.[82] In May 2013, back when the album's release date was still July 23, 2013, Carey's PR firm announced that the tour was intended to start in October 2013 in Asia. In June 2013, however, Carey announced that she was not ready to release the album in July and thus the tour was postponed. Carey's subsequent injury in July 2013 further delayed tour plans.[83]

Singles

"Beautiful"
A 20-second sample of "Beautiful" where Carey singing the song's verse and hook.
Problems playing this file? See media help.

"Beautiful" was released as the album's lead single on May 7, 2013.[84] "Beautiful" made its debut on the Billboard Hot 100 chart at number 24, the highest debut of the week. It has since peaked at 15, becoming Carey's 33rd Top 20 Hit, and being one of only 5 to miss the Top 10. It also gave Miguel his 3rd Top 20 hit, after Power Trip (2013) and Adorn (2012).[85] [86] According to Nielsen SoundScan, "Beautiful" had sold 1.2 million copies in the United States as of April 2014.[87] Internationally, the song reached the top-ten position in Australia, Croatia, Denmark, New Zealand, South Africa, and South Korea.[88] The music video for "Beautiful" was directed by Joseph Kahn. It was filmed on April 21 and 22, 2013. The video was supposed to have its world premiere on American Idol on May 8, 2013, however, the release date was pushed back to May 9, 2013 instead.[42] It was made available to view on Vevo and YouTube immediately after its television debut.[42]

The album's second single, "The Art of Letting Go", had its world premiere via Facebook on November 11, 2013.[89] It was commercially unsuccessful, peaking at number 19 on the Billboard Bubbling Under Hot 100 Singles.[90] "You're Mine (Eternal)" was released as the third single on February 12, 2014.[91] Commercially, the song has had limited success, charting inside the top 40 in Hungary, Korea, and Spain. In the United States, the song peaked at number 88 on the Hot 100, but became Carey's 17th number-one single on the Hot Dance Club Songs chart, placing her in fifth position for the most number-one songs.[92]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[93]
Billboard77/100[38]
Entertainment WeeklyB[34]
The Guardian[94]
Los Angeles Times[95]
New York Daily News[31]
NewsdayA-[96]
The Plain DealerB[97]
Slant Magazine[98]
USA Today[36]

At AllMusic, Andy Kellman rated the album three-and-a-half stars out of five, saying how Mariah has abandoned the brevity of her earlier releases, but says the songstress is "still capable of delivering 40 minutes of strong, supremely voiced R&B when she's up for it."[93] Kenneth Partridge of Billboard rated the album a 77 out of 100, writing how Mariah has found her musical niche that her fans have come to expect that is a "mix of pop-classicist balladry and hip-hop-tinged summer jamming".[38] At Entertainment Weekly, Melissa Maerz graded the album a B, saying how the release proves that her voice has been put through its paces, which she writes when Mariah is "trying to power through a note where it sounds like digital technology might be holding her up by the straps of that crocheted swimsuit."[34] According to Gardner however, Mariah's vocal is "relaxed and confident".[36]

Jim Farber of New York Daily News rated the album four stars out of five, writing how the title is not indicative of the release as a whole because he says Mariah is not "elusive" in the least on an album where she "made her talent more clear."[31] At USA Today, Elysa Gardner rated the album three-and-a-half stars out of four, remarking whether "Elusive or not, this chanteuse is a survivor, and that's a rare thing in today's fickle, polarized pop landscape."[36] Glenn Gamboa of Newsday graded the album an A-, commenting how Mariah has "nailed it" because she "goes for timeless [sounding music], with grand results."[96] At The Plain Dealer, Troy L. Smith graded the album a B, indicating how the music meanders towards the latter stages of the album, yet noting that Mariah still picks the correct collaborators to work with on the release.[97] Caroline Sullivan of The Guardian rated the album three stars out of five, indicating how the release contains "a good deal of clutter", however, Mariah is "also at her most soulful and melodic" on a release she calls "a welcome return."[94]

At Los Angeles Times, August Brown rated the album two-and-a-half stars out of four, indicating how Mariah vocally reined herself in on the album where she showcases her continued relevance.[95] Eric Henderson of Slant Magazine rated the album three stars out of four, observing how the release is chalked full of ''Undisciplined R&B pastiches."[98] At The Boston Globe, Sarah Rodman gave a mixed review of the album, commenting on how even the good moments are "sabotaged", and the release as a whole is highly predictable with "a clutch of interchangeable slow-to-midtempo tunes long on pulsating atmosphere — several with distractingly fidgety rhythmic tracks — but short on melody or verve."[99]

Track listing

Me. I Am Mariah... The Elusive Chanteuse – Standard edition[29]
No.TitleWriter(s)Producer(s)Length
1."Cry"
  • Carey
  • Wright
4:49
2."Faded"
3:39
3."Dedicated" (featuring Nas)
4:13
4."Beautiful" (featuring Miguel)
  • Miguel
  • Carey
  • Happy Perez[b]
  • Davis[a]
3:20
5."Thirsty"
  • Carey
  • Hollis
  • Andrews
  • Maryann Tatum
  • Carey
  • Hit-Boy
  • Rey Reel[b]
3:26
6."Make It Look Good"
  • Carey
  • Dupri
  • Cox
3:23
7."You're Mine (Eternal)"
  • Carey
  • Jerkins
3:44
8."You Don't Know What to Do" (featuring Wale)
  • Carey
  • Dupri
  • Cox
4:47
9."Supernatural" (with special guest stars "Dembabies" a.k.a. Ms. Monroe & Mr. Moroccan Scott Cannon a.k.a. Roc 'N Roe)
  • Carey
  • Dupri
  • Cox
  • Carey
  • Dupri
  • Cox
4:38
10."Meteorite"
3:51
11."Camouflage"
  • Carey
  • Wright
  • Carey
  • Wright
4:49
12."Money ($ * / ...)" (featuring Fabolous)
  • Carey
  • Hit-Boy
4:55
13."One More Try"George Michael
  • Carey
  • Dupri
  • Cox
6:17
14."Heavenly (No Ways Tired / Can't Give Up Now)" (a tribute to the late Reverend James Cleveland)
  • Carey
  • Dupri
  • Cox
5:39
15."Me. I Am Mariah... The Elusive Chanteuse"  1:12
Total length:62:42
Me. I Am Mariah... The Elusive Chanteuse – Deluxe edition (bonus tracks)[29]
No.TitleWriter(s)Producer(s)Length
15."It's a Wrap" (featuring Mary J. Blige)
4:04
16."Betcha Gon' Know" (featuring R. Kelly)
  • Carey
  • Stewart
  • Nash
  • Wright
3:54
17."The Art of Letting Go"
  • Carey
  • Jerkins
  • Carey
  • Jerkins
3:44
18."Me. I Am Mariah... The Elusive Chanteuse"  1:12
Me. I Am Mariah... The Elusive Chanteuse – Japanese CD / Target deluxe edition (bonus tracks)[30][100]
No.TitleWriter(s)Producer(s)Length
15."It's a Wrap" (featuring Mary J. Blige)
  • Carey
  • White
  • Carey
  • Heatmyzer
  • Stewart
  • Wright
4:04
16."Betcha Gon' Know" (featuring R. Kelly)
  • Carey
  • Nash
  • Stewart
  • Wright
  • Kelly
  • Carey
  • Stewart
  • Nash
  • Wright
3:54
17."The Art of Letting Go"
  • Carey
  • Jerkins
  • Carey
  • Jerkins
3:44
18."America the Beautiful"
 1:58
Notes
  • ^a signifies an additional producer
  • ^b signifies an co-producer
  • "Cry" is stylized as "Cry."
  • "Beautiful" is stylized as "#Beautiful"
  • "Dedicated" contains a sample from "Da Mystery of Chessboxin'" as performed by Wu-Tang Clan.[40]
  • "Make It Look Good" contains interpolations of "Let Me Make Love to You", written by Walter "Bunny" Sigler and Allan Felder.[40]
  • "You Don't Know What to Do" contains interpolations of "I'm Caught Up in a One Night Love Affair", written by Patrick Adams and Terri Gonzalez.[40]
  • "Meteorite" contains a sample from "Goin' Up in Smoke", performed by Eddie Kendricks.[40]
  • "Money" is stylized as "Money ($ * / ...)". It also features a sample from "Alabeke", performed by Dan Snatch, and "Rapper Dapper Snapper" performed by Edwin Birdsong.[40]
  • "One More Try" is a cover of George Michael's 1988 single of the same name.
  • "Heavenly (No Way Tired / Can't Give Up Now)" is dedicated as a tribute to the late Reverend James Cleveland. It contains an excerpt from the Reverend's sermon "God's Promise" performed by James Cleveland. Also contains a sample of "Can't Give Up Now" performed by Mary Mary, "I Don't Feel No Ways Tired" performed by James Cleveland and "Good Ole Music" performed by Funkadelic.[40]
  • "It's a Wrap" contains a sample of "I Belong to You" by Barry White, performed by the Love Unlimited Orchestra.[40]
  • In Japan, only one version of the album was released on Compact disc (CD); it features all of the songs from the digital deluxe edition except for the title track "Me. I Am Mariah... The Elusive Chanteuse", which is replaced with an exclusive bonus track, "America the Beautiful".[30] This version of the album was also released as an exclusive at Target stores in the United States.[100]

Release history

List of formats and editions of the album being released in each country, along with the date of release
Country Date Edition Format Label Ref
Australia May 23, 2014
  • Standard
  • Deluxe
Universal Music [101]
Germany [102]
United Kingdom May 26, 2014 Virgin EMI [103]
Canada May 27, 2014
Universal Music [104]
United States Def Jam [105]
Japan May 28, 2014 Digital download Universal Music Japan [106]
June 4, 2014 Japan CD edition Compact disc (CD) [30]

References

  1. ^ Review: Mariah’s Split Personality Shines On 'The Elusive Chanteuse' | Vibe
  2. ^ Me. I Am Mariah...The Elusive Chanteuse Review | Music Reviews and News | EW.com
  3. ^ "Twitter / MariahCarey: @JamesDeanHoe not so! But". Twitter.com. February 22, 2011. Retrieved February 15, 2014.
  4. ^ "Mariah Carey 'Embarrassed' Over Gadhafi-Linked Concert". Associated Press via Billboard. March 3, 2011. Retrieved June 11, 2013. {{cite news}}: Italic or bold markup not allowed in: |publisher= (help)
  5. ^ Nick Cannon, Mariah Carey Working on New Albums. Billboard. Retrieved on June 11, 2013.
  6. ^ Mariah Carey starts work on new studio album – Music News. Digital Spy (January 31, 2012). Retrieved on June 11, 2013.
  7. ^ "Single Cover: Mariah Carey f/ Rick Ross & Meek Mill – 'Triumphant (Get 'Em)'". Rap-Up. Devin Lazerine. July 30, 2012. Retrieved July 31, 2012.
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  101. ^ Australian release of 'Me. I Am Mariah...The Elusive Chanteuse:
  102. ^ Germany release of 'Me. I Am Mariah...The Elusive Chanteuse:
  103. ^ UK release of 'Me. I Am Mariah...The Elusive Chanteuse:
  104. ^ Canadian release of 'Me. I Am Mariah...The Elusive Chanteuse:
  105. ^ American release of 'Me. I Am Mariah...The Elusive Chanteuse:
  106. ^ Japanese release of 'Me. I Am Mariah...The Elusive Chanteuse:
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