Petrushka: Difference between revisions
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==History== |
==History== |
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Pietro-Mira Pedrillo of Italy, the court jester of the Empress [[Anna of Russia|Anna Ioannovna]], allegedly served as a prototype for Petrushka. |
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Petrushka’s voice was created with the help of a special whistle, and the dialogue was based on a momentary change of the pishchik and the “live” voice of other characters. There were a number of basic plots: the medical treatment of Petrushka, his learning of soldier’s service, the scene with his bride, the buying of a horse and testing it. |
Like Punch, Petrushka’s voice was created with the help of a special whistle, and the dialogue was based on a momentary change of the pishchik and the “live” voice of other characters. There were a number of basic plots: the medical treatment of Petrushka, his learning of soldier’s service, the scene with his bride, and the buying of a horse and testing it. |
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Initially, Petrushka was |
Initially, Petrushka was characteristic of typical [[slapstick comedy]], targeting an adult audience. As puppet theatre gradually became a predominantly children's entertainment, Petrushka became less vulgar and aggressive. In the [[Soviet Union]], Petrushka appeared widely in [[agitprop]] theater, defending poor peasants and attacking [[kulak]]s.<ref>[[Richard Pipes]], ''Russia Under the Bolshevik Regime'', p305, {{ISBN|978-0-394-50242-7}}</ref> |
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Russian Children's Welfare Society (RCWS) hosts annual "Petroushka Ball", which is named after Petrushka character who fell in love with a graceful [[ballerina]].<ref>[http://www.rcws.org/events_petroushka.htm RCWS.org]</ref> |
The [[Russian Children's Welfare Society]] (RCWS) hosts an annual "Petroushka Ball", which is named after a version of the Petrushka character who fell in love with a graceful [[ballerina]].<ref>[http://www.rcws.org/events_petroushka.htm RCWS.org]</ref> |
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== See also == |
== See also == |
Revision as of 06:29, 24 November 2017
This article needs additional citations for verification. (August 2013) |
Petrushka (Russian: Петру́шка, IPA: [pʲɪtˈruʂkə] ) is a stock character of Russian folk puppetry (rayok) known at least since 17th century. Petrushkas were used as marionettes, as well as hand puppets. Traditionally he was a kind of a jester distinguished by red dress, red kolpak, and often a long nose.
Word origin
Although the Russian word "petrushka" has a homonym meaning "parsley," in this context the word is actually a hypocoristic (diminutive) for "Pyotr" (Пётр), which is Peter in Russian. However, the character has little or nothing in common with such stock characters as Petruccio or Pierrot. Petrushka is rather a Russian Punch or Pulcinella in character.
History
Pietro-Mira Pedrillo of Italy, the court jester of the Empress Anna Ioannovna, allegedly served as a prototype for Petrushka.
Like Punch, Petrushka’s voice was created with the help of a special whistle, and the dialogue was based on a momentary change of the pishchik and the “live” voice of other characters. There were a number of basic plots: the medical treatment of Petrushka, his learning of soldier’s service, the scene with his bride, and the buying of a horse and testing it.
Initially, Petrushka was characteristic of typical slapstick comedy, targeting an adult audience. As puppet theatre gradually became a predominantly children's entertainment, Petrushka became less vulgar and aggressive. In the Soviet Union, Petrushka appeared widely in agitprop theater, defending poor peasants and attacking kulaks.[1]
The Russian Children's Welfare Society (RCWS) hosts an annual "Petroushka Ball", which is named after a version of the Petrushka character who fell in love with a graceful ballerina.[2]
See also
- Petrushka (ballet), music by Igor Stravinsky
- Punch and Judy
- Guignol
References
- ^ Richard Pipes, Russia Under the Bolshevik Regime, p305, ISBN 978-0-394-50242-7
- ^ RCWS.org
External links
- Petrushka Template:Ru icon
- Petrushka and Vertep: On Traditions of Russian Puppet Theatre Template:En icon