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Tower Heist
International release poster
Directed byBrett Ratner
Screenplay byTed Griffin
Jeff Nathanson
Story byBill Collage
Adam Cooper
Ted Griffin
Produced byBrian Grazer
Eddie Murphy
Kim Roth
StarringBen Stiller
Eddie Murphy
Casey Affleck
Alan Alda
Matthew Broderick
Téa Leoni
Michael Peña
Gabourey Sidibe
CinematographyDante Spinotti
Edited byMark Helfrich
Music byChristophe Beck
Production
companies
Distributed byUniversal Pictures
Release dates
  • November 2, 2011 (2011-11-02) (United Kingdom)
  • November 4, 2011 (2011-11-04) (United States)
Running time
104 minutes[1]
CountryTemplate:Film US
LanguageEnglish
Budget$85 million[2]
Box office$126.3 million[3]

Tower Heist is a 2011 crime comedy film directed by Brett Ratner and written by Ted Griffin and Jeff Nathanson based on a story by Bill Collage, Adam Cooper, and Griffin. It was released on November 2, 2011 in the United Kingdom, with a United States release following two days later. Tower Heist follows Josh (Ben Stiller), Charlie (Casey Affleck), and Dev'reaux (Michael Peña), employees of an exclusive apartment building who lose their pensions in the Ponzi scheme of Wall Street businessman Arthur Shaw (Alan Alda). The group enlist the aid of criminal Slide (Eddie Murphy), bankrupt businessman Mr. Fitzhugh (Matthew Broderick), and another employee of the apartment building, Odessa (Gabourey Sidibe), to break into Shaw's apartment and steal back their money while avoiding the FBI Agent in charge of his case, Claire Denham (Téa Leoni).

Tower Heist began development as early as 2005 based on an idea by Murphy that would star himself and an all-black cast of comedians as a heist group who rob Trump Plaza. As the script developed and changed into an Ocean's Eleven–style caper, Murphy left the project. Ratner continued to develop the idea into what would eventually become Tower Heist, with Murphy later rejoining the production.

Prior to release, the film was involved in a controversy over plans by Universal Pictures to release it for home viewing on video on demand to 500,000 Comcast customers, only three weeks after its theatrical debut. Concern over the implementation harming ticket sales and inspiring further films to follow suit resulted in several theater chains refusing to show the film at all if the plan went ahead, forcing Universal to abandon the idea.

Plot

Josh Kovacs is the building manager of The Tower, a high-rise luxury apartment complex. Arthur Shaw, tenant and wealthy businessman accused of running a Ponzi scheme, gets sentenced to house arrest after getting caught trying to flee. The Tower invested their employees' pensions in Shaw's scheme which are now gone. Lester, the building's doorman, attempts suicide and in the hospital reveals he lost everything in the scheme. Josh talks to Shaw with Charlie Gibbs, the concierge and Josh's brother-in-law, and Enrique Dev'reaux, the bellhop. When Josh mentions Lester's suicide attempt, Shaw appears insincere. Josh responds by destroying the windows of Shaw's Ferrari 250 getting them fired.

Josh and FBI agent Claire Denham meet at a bar; Claire drunkenly mentions Shaw's cash safety net of around $20 million and suggests they steal it. Josh gathers Charlie, Enrique, and Mr. Fitzhugh, a former Merrill Lynch employee and Tower tenant, to discuss stealing Shaw's money but Charlie raises the fact they are not thieves. Josh hires Slide, whom he was friends with in daycare, for help. Slide trains the team but realizes he cannot do the robbery because he doesn't know how to crack the safe. They decide to bring in Odessa Montero, the Tower's maid whose family ran a locksmith business. Charlie changes his mind after The Tower hires him as building manager and warns Josh to stay away or he will have him arrested. Claire also warns Josh that Shaw will walk free, stating his hearing will be on Thanksgiving during the Macy's Day Parade. Josh and his team plan to break in during the hearing.

On Thanksgiving, Josh, Enrique, and Fitzhugh spot Slide going in to steal the money for himself. Enrique texts Charlie using Charlie's pregnant wife's cell phone, saying she is going into labor to get him to leave. Slides holds Josh and his team at gunpoint, but Odessa points a gun at Slide and convinces him to work together. Charlie realizes the text message is fake and rushes to the apartment. Likewise, Claire realizes Josh faked the court date when they find the courthouse locked. Odessa opens Shaw's safe but finds it empty. Slide struggles with Fitzhugh for his gun; the gun goes off and hits the car. Josh notices the bullet took off some paint and sees gold underneath. They realize Shaw invested his cash in gold, had it melted down and recast as car parts in his apartment. They decide to lower the car out the window into Fitzhugh's old apartment. Fitzhugh nearly falls but Charlie rejoins the team and saves him. They decide to ride the car down the top of an elevator. Before going down, Josh finds Shaw's ledger of illegal finances. They start to ride the elevator down but Claire and Shaw's return take them back up. Claire notices Shaw's uninventoried safe and officially remands him for violating his bail conditions.

Watching the security cameras, Claire notices Lester using Slide's stolen truck trying to escape with the car. She and other agents catch up to him but find the truck empty. Claire arrests him and the other accomplices except Slide, and secretly congratulates Josh. The FBI refuses to make a deal with Shaw, and neither Josh and his comrades are open to Shaw's desperate offers themselves when they reveal the evidence they discovered. During Josh's questioning with Claire and FBI Director Mazin, Miss Iovenko, arrives posing as Josh's attorney and provides Shaw's ledger. She requests everyone goes free in exchange for the ledger. Mazin accepts but Josh being the primary conspirator, must serve a two-year sentence.

The rest of the team, minus Charlie, meet with Slide at Shaw's rooftop pool where the car is hidden. They send various parts of the car to Tower employees to compensate for their lost pensions. Shaw begins his life sentence and Josh begins his sentence, as a satisfied grin slowly forms on his face.

Cast

Top to bottom: Ben Stiller, Matthew Broderick, and Alan Alda star in the film.
The building manager. Stiller was paid $15M for the role.[4]
A petty crook who Josh turns to for help. Murphy joined the cast on October 13, 2010, and also became a producer on the film.[5] He was paid $7.5M for his work.[4]
The building concierge and Josh's brother-in-law. Affleck wanted to participate in the film as he was interested in playing a comedy role, saying "it sounded like a fun film to do. I wanted to do a comedy, and I thought this was an opportunity to try and be funny."[6] Grazer felt that Affleck would be perfect for the role because of his deadpan timing.[6]
A Wall Street billionaire placed under house arrest for stealing $2 billion. On his character, Alda said "Shaw is sometimes described as a Bernie Madoff-like character. I'm not sure. I don't think anyone has ever operated on the scale that Madoff did. And I don't know if what Shaw did technically qualifies as a Ponzi scheme. But in that Shaw was willing to steal money from people who really needed it – who really couldn't afford to lose it – and willing to take everything they had…yes, he's in Bernie territory, with both feet."[6] Ratner initially approached Robert Redford to play the role, being a fan of his work in the heist film The Hot Rock, but Redford turned him down.[7]
A former Wall Street investor made bankrupt.[8] Broderick joined the cast on October 26, 2010.[8]
An FBI special agent assigned to Shaw's case. Leoni joined the cast on October 21, 2010.[9] Leoni worked with FBI technical advisor Anne C. Beagan to help her prepare for her role. On her character and work with Beagan, Leoni said "Agent Denham is your standard-issue, ball-breaking FBI agent. She's certainly a very tough lady, and it's not my first waltz with this type of character. However, I was able to spend some time with Anne, a great technical advisor we had on set. She's got this steely gaze that is terrifying, but what's underneath that is a very interesting lady. Beyond the technical aspects of the job, she provided so much more for me to use."[6]
The bellhop and the newest employee of the building staff. Peña was cast on October 19, 2010.[10]
A Jamaican-born maid threatened with deportation by Shaw's theft.[6] To perform her character's Jamaican accent, Sidibe had three dialect coaches help her prepare and practiced with a friend of Jamaican heritage.[11] Additionally, Sidibe worked with an actual safecracker to accurately portray breaking into locks.[6] Sidibe was cast on October 19, 2010.[10]

Judd Hirsch plays Mr. Simon, the building staff's boss,[12] and Stephen Henderson plays Lester, the tower's retiring doorman. Henderson was cast after the filmmakers saw his performance in August Wilson's Fences on Broadway. The cast is rounded out by Nina Arianda as Miss Iovenko, attorney-in-training, Juan Carlos Hernandez as Manuel the security guard, Harry O'Reilly as FBI Agent Dansk, Marcia Jean Kurtz as Rose, Peter Van Wagner as attorney Marty Klein, and Željko Ivanek as FBI Director Mazin.[6] Jessica Szohr plays Sasha Gibbs, Charlie's wife. Heavy D has a cameo appearance as a guard at a courthouse.[13][14]

Production

Development

"It's difficult to imagine that a casual conversation six years ago has grown into such a fully realized film that is so grand in scope. Plus, who could have known that, in this period of time, the global financial markets would teeter on the verge of collapse and the villain in our story would pale in comparison to some very real ones on Wall Street? Truth remains stranger than fiction."

—Producer Brian Grazer on the development of Tower Heist[6]

The idea for Tower Heist began development as early as 2005 when Murphy pitched a concept to producer Brian Grazer and Ratner concerning an all-star cast of black comedians including Chris Tucker, Kevin Hart, Dave Chapelle, Tracy Morgan, and Martin Lawrence, as a group of disgruntled employees who plan to rob Donald Trump and Trump Tower.[6][15][16] The film was originally titled Trump Heist under this concept.[5] A script was developed by Adam Cooper and Bill Collage and over the course of the next five years, the script was rewritten by several writers including Russell Gewirtz, Rawson Marshall Thurber, Ted Griffin, Leslie Dixon, Noah Baumbach, and Jeff Nathanson, with the bulk of the work – and credit – going to Griffin and Nathanson.[6]

Rewrites of the script gradually moved away from the ensemble of comedians and began to focus on two central characters, at which point Murphy left the project. For Ratner however, the modified script reminded him of the Ocean's Eleven remake, a project he had developed but for which he was unavailable due to his commitment to directing Rush Hour 2.[2][16]

The project remained in development for a period of years but Ratner remained committed to the project, having enjoyed the heist films of the 1970s including The Taking of Pelham One Two Three, The Hot Rock, and The Anderson Tapes, turning down the opportunity to direct other films such as Horrible Bosses, which he instead produced.[6][17] Ratner would also claim that he wanted to work with Murphy, to whom Ratner partially credited for inspiring his Rush Hour films.[6] As the script began to be finalized, Murphy was drawn back into the much-changed project after being informed of Stiller's participation, with Murphy being offered the role of Slide. Murphy rejoined as both a cast member and producer, alongside Grazer and Kim Roth.[2][6] In later October 2010, the film was finally scheduled for release, being given a November 4, 2011 release date.[17]

Writing

Feeling the original concept was too close to Ocean's Eleven,[7] Ratner attempted to recruit Rush Hour screenwriter Nathanson to perform additional work on the Tower Heist script, but at that time Nathanson was unavailable. Ratner instead hired Griffin, a writer on the Ocean's Eleven remake. Griffin "brought the real motivation and the heart to the concept", moving away from the premise of performing an ensemble heist on a rich Donald Trump-type,[7][16] and focusing instead on a group of blue-collar employees who take on a corrupt, thieving Bernard Madoff-like businessman who has embezzled their pensions.[7] Ratner enjoyed the pitch and brought it to Grazer who gave his approval.[16] After taking the script to Stiller and bringing him into the project, Ratner had Noah Baumbach perform specific rewrites for Stiller's character.[16] Nathanson then came aboard the project and performed the final rewrites to Griffin's screenplay in October 2010,[2][16][5] adding "the obstacles, complexities and specificities of the characters."[18]

To help develop the script, the filmmakers and writers spoke with the resident managers of several high-profile New York hotels to learn of their experiences interacting with their clientele. This research gave Griffin the idea for Shaw possessing a vehicle in his apartment, which Grazer and Ratner eventually decided would be a rare 1963 Ferrari 250 GT Lusso which once belonged to Steve McQueen.[6] On his research, Nathanson said:

"It was informative, to say the least, to speak with the people who work in these buildings. I interviewed everyone from doormen to housekeepers to building managers. There's a whole underworld to the New York building scene that exists in the basements that most people are unaware of. They make it all possible, and you just never see it. It's fascinating."[6]

Filming

Location shooting in New York

Filming began on November 2010, taking place entirely in New York City[19] on a budget of $85 million ($75 million after tax rebates).[2][20] Production designer Kristi Zea visited several upscale hotels and high-rise residences to research the design elements to incorporate into the opulent surroundings of the tower and Shaw's penthouse. Zea created an amalgamation of the elements she saw during her research to create a sophisticated lobby design for the tower. For Shaw's penthouse, Zea took inspiration from a top-floor apartment in the Trump International Hotel and Tower at Central Park West in Columbus Circle.[6] Zea populated the apartment with an assortment of art pieces to represent Shaw's status, based on specific artists and works that Ratner suggested. Zea decided to use modern-classic reproduction designs by artists such as Pablo Picasso, Francis Bacon, Cy Twombly, and Andy Warhol.[6] Explaining her decision, Zea said "These days, it seems wealthy people want to have wall power. They want to have art on their walls that means something and shows people, just like a car, that, 'I'm rich, I'm smart and I know what I'm doing.'"[6]

Donald Trump allowed the production to use several of his own properties to portray the luxurious locales with the Trump International Hotel & Tower being used for exterior shots of the tower. A foot and car chase sequence was filmed on Central Park West and Columbus Avenue.[6] Some vehicle filming occurred on sound stages in Brooklyn.[6] The burglary itself takes place during the Macy's Thanksgiving Day parade, requiring the crew to film parts of the actual parade itself, and then recreate the event one week later for further filming.[6]

For Shaw's Ferrari, it was decided that purchasing an actual model – of which only 350 exist and would cost at least $1 million – would be too expensive and the vehicle would be unsuitable for filming purposes. Instead, two replicas were commissioned, a process which took three months under the supervision of prop master Peter Gelfman. The replicas then received additional reinforcement for filming purposes from Steve Kirshoff and the special effects crew. After running camera tests on several authentic Ferrari colors, it was decided to paint the replicas bright red in order to create a lasting impression instead of using the actual metallic brown muted-coloring of McQueen's vehicle.[6]

Sidibe and Murphy performed the only improvised scene in which they are cracking a safe together.[7] Test screenings did not result in any scenes being cut from the film, with Ratner claiming that the theatrical version is his "director's cut".[7] However, he did remove scenes which he felt "didn't fit," or did not match the PG-13 rating the filmmakers were targeting.[7]

In post-production, Universal decided to film a new scene for the ending that would feature a reunion between Stiller and Murphy's characters. Murphy however refused to return unless he was paid a further $500,000 on top of his $7.5M salary. The studio declined to pay the additional money and the scene was not shot.[21]

Music

The soundtrack was composed by The Hangover's Christophe Beck. The Tower Heist Original Motion Picture Soundtrack was released on November 1, 2011, by Varèse Sarabande. It consists of 22 tracks with a runtime of 40 minutes.[22]

Tower Heist Original Motion Picture Soundtrack
No.TitleArtistLength
1."Theme From Tower Heist"Christophe Beck3:30
2."Code Black"Christophe Beck2:52
3."Shawnfrontation"Christophe Beck2:07
4."The Germ"Christophe Beck1:55
5."Lester's Loss"Christophe Beck0:58
6."My Little Bitch"Christophe Beck1:28
7."Macy's Day"Christophe Beck2:45
8."The Marshall Swindle"Christophe Beck1:09
9."Right at Rikers"Christophe Beck0:44
10."Fifty Dollar Thrift Lift"Christophe Beck1:55
11."The Charlie Deception"Christophe Beck0:55
12."We Go On Snoopy"Christophe Beck3:00
13."Courthouse Con"Christophe Beck1:50
14."Grand Theft Auto"Christophe Beck3:22
15."Gonna Call Ralph"Christophe Beck1:06
16."Strong Box Situation"Christophe Beck0:58
17."Shaft Fail"Christophe Beck0:48
18."Odessa's Cake"Christophe Beck1:39
19."Arrested"Christophe Beck0:53
20."Shawstafari"Christophe Beck2:42
21."Gold Rush"Christophe Beck2:09
22."End Titles"Christophe Beck1:29
Total length:40:00

Release

The world premiere of Tower Heist took place on October 24, 2011, at the Ziegfeld Theatre[23] in New York City.[24]

Box office

Tower Heist has earned $75,788,740 (60.1%) in the United States and Canada, and a further $50,400,000 (39.9%) elsewhere, for a worldwide box-office gross of $126,188,740 as of December 18, 2011.[3]

United States and Canada

Pre-release audience tracking in the United States indicated that the film had strong awareness among males of all ages, followed by older women. Universal Pictures projected opening takings of $25–30 million during the opening weekend – aiming below expectations due to a slow marketplace – with rival studios claiming that the film would need to make at least $30 million to be a success.[25][26]

In the United States and Canada, Tower Heist opened in 3,367 theaters.[27] The film took $85,000 from midnight screenings and a total of $8.5M opening Friday, becoming the number one grossing film for the day.[27] Although the film had been expected to be the number one film for the weekend[27][28], it took $10.5M on the opening Saturday, falling behind the animated film Puss in Boots ($15.3M). Tower Heist became the number two film for the weekend with $24M, behind Puss in Boots ($34M).[27][29] with 70% of the audience being over the age of 25—the largest segment, 27%, being over 50[21]—and 56% male.[30][31] The opening audience was ethnically diverse consisting of 48% Caucasian, 21% African American, and 21% Hispanic.[31]

Markets elsewhere

Tower Heist was released on November 2, 2011, in the United Kingdom and opened in a total of 23 countries, including Germany, Spain, Hong Kong, and India,[25] by November 4, 2011, at a total of 1,948 theaters.[32][30] The opening weekend saw the film gross $9.5M  –an average of $5,000 per theater – with the largest earnings coming from the United Kingdom ($2.3M at 416 theaters) where it was the number three film for the weekend, and Spain ($1.6M at 300 theaters) where it was the number two film.[32]

Critical reception

Eddie Murphy received praise from several critics who felt his performance was a return to his popular style of the 1980s, following a string of critical and commercial failures.[18][33][34][35][36][20]

The film received a generally positive reception from critics, garnering 68% approval from 166 critics – an average rating of 6.2 out of 10 – on review aggregate website Rotten Tomatoes, whose consensus reads: "Tower Heist is a true Brett Ratner joint: little brains to this caper, but it's fun fluff, exciting to watch, and showcases a welcome return to form for Eddie Murphy."[37] Metacritic provides a score of 59 out of 100 from 39 critics, indicating "mixed or average reviews."[38] CinemaScore polls reported that the average grade moviegoers gave the film was a "B" on an A+ to F scale.[27][28]

Tim Robey of The Daily Telegraph called the film "a tolerably enjoyable Brett Ratner movie," labeling it " brash, forgettable fun." However, Robey criticized Ratner for having the mostly white characters require the aid of a black character for the heist, saying "it's a little embarrassing that they can't conceive of doing this without bailing a black criminal out of jail...but cultural sensitivity has never been Ratner's strong suit."[39] The Hollywood Reporter's Todd McCarthy said that the film is "snappy, well cast and streetwise" but felt that it ignored the "contemporary economic issues at its core." McCarthy said that Murphy's performance was a return to form as "the rude, confrontational, wiseass Murphy audiences have nearly forgotten after all the silly kid comedies and heavy-makeup outings of recent years," and said that with his introduction "the film's energy and amusement level kick up a few notches," but that the enjoyment ebbs during the actual break-in, in which "Murphy becomes neutered...and the logistics of the heist become too far-fetched and laborious."[33]

New York's David Edelstein called it "a shameless but exuberantly well-done caper comedy," and praised the performances of Stiller, Murphy and Leoni, saying "Ben Stiller...and Eddie Murphy... show off two of the best fastballs in comedy, and Téa Leoni's best scene as an FBI agent – drunk, both sloppy and blunt – makes you wish she had more."[36] Emanuel Levy called Tower Heist a "formulaic, haphazardly plotted action comedy... whose best asset is its strong ensemble." Levy said "What makes the picture... work is not its plot, which is overly familiar and utterly implausible, but the socio-psychological dynamics that prevail among the [characters]." Levy singled out Stiller as "well cast" and Sidibe as having "some of the picture's best lines," but gave individual praise to Murphy saying that he "dominates the second half of the picture," rendering "a joyous performance that recalls his witty, charming, streetwise roles of the 1980s."[18]

Empire's Nick de Semlyen awarded the film three out of five stars, calling it "fun if uneven stuff from Ratner," with a "fairly dull" opening act. Semlyen said it was "a welcome return to form for Eddie Murphy," but was critical that he is "sorely underused." Semlyen praised Alda, saying that it is his "smarm offensive that turns out to be the primary pleasure."[35] The Village Voice's Nick Pinkteron said that the film "deserves credit as a clean, well-turned job, fleet and funny and inconsequential," and appreciated the cast, praising Leoni as the "best thing going," and Murphy's "inspired" contributions. However, Pinkerton was critical of the script, describing it as "amateur as its crooks: The audience isn't even fully aware of who's in on the job when it kicks off, while other threads are left dangling."[40]

Roger Ebert awarded the film 2.5 out of 4, saying "This isn't a great heist movie for a lot of reasons, beginning with the stupidity of its heist plan and the impossibility of these characters ever being successful at anything more complex than standing in line," but appreciated that the comedy did not "go heavy on the excremental, the masturbatory and symphonies of four-letter words", calling it "funny in an innocent screwball kind of way."[41] Entertainment Weekly's Lisa Schwarzbaum called the film "overblinged, eye-catching, and essentially tacky," and praised Murphy, saying "when Murphy is on screen, his comedic vigor... gooses the movie's energy level... but whenever Murphy wanders off, the movie's pulse rate drops. Tower Heist is in effect two movies: One belongs to Murphy, the other to the rest of the cast."[42] Time Out London's Trevor Johnston said that "though it's hard to get excited by this amiable potboiler, Tower Heist is so at home with its limitations it's equally hard to dislike," but criticized the finale "which might have been a bit more tense had we been able to take it remotely seriously."[43] Conversely, Time Out New York's David Fear gave it 2 out of 5 stars, saying "one nail-biting moment and some much-misssed Murphy mouthiness won't keep you from feeling like you're the one being ripped off."[44]

The New Yorker's Anthony Lane criticized the plot, saying "toss everything you can find, starting with roughly diced plots, into the blender: such appears to be the method behind Tower Heist." Lane called the characters "unlikable people" but offered praise to Broderick, saying he "underplays [the character] so well." Lane lamented that "the notion of a theft from the thieves – from those who are lapped in lofty, screw-you wealth – is a tempting one right now, but Tower Heist passes the buck."[45] Variety's Peter Debruge was also critical, saying the film "goes wonky on the way to the bank, due to its lackluster pacing and shortage of the qualities that typically earn stars Ben Stiller and Eddie Murphy their paychecks – namely, laughs." Debruge felt that the opening 40 minutes were "a dull blue-collar drama populated entirely by stereotypes," and while the film "picks up some much-needed momentum" with the actual heist, the "resolution feels rushed." However, Debruge echoed praise for Murphy, calling his performance "a welcome return to the comic's irreverent, '80s-era persona," and lamenting his limited screen-time.[34]

Video on demand boycott

On October 5, 2011, Universal Pictures announced that Tower Heist would be made available for home viewing via parent company Comcast's video on demand system three weeks after its theatrical debut at the rental cost of $59.99. The move was announced as a test case, to be conducted only in Atlanta and Portland.[46] The move met with criticism from cinema chains over concern that the test and any further future implementation would impact ticket sales.[47] The following day, Cinemark Theatres – the third largest cinema chain in the United States[48] – threatened to not show the film at all if Universal proceeded with the test.[47] On October 11, 2011, several independent theater chains, including Galaxy Theatres, Regency Theatres and Emagine Theatres, and small cinema houses representing approximately 50 screens across the country, also threatened not to play Tower Heist.[49] The following day the chains were joined by 950-screen National Amusements theater chain.[50] In response, Universal Pictures released a statement saying that they would no longer pursue the proposed test.[51][52]

References

  1. ^ "Tower Heist". British Board of Film Classification. October 20, 2011. Archived from the original on October 26, 2011. Retrieved October 26, 2011. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  2. ^ a b c d e Itzkoff, Dave (October 28, 2011). "Forget the Art House; He's Making Blockbusters". The New York Times. The New York Times Company. Retrieved October 28, 2011. {{cite news}}: Cite has empty unknown parameter: |1= (help)
  3. ^ a b "Tower Heist". Box Office Mojo. Amazon.com. Retrieved November 16, 2011.
  4. ^ a b "Hollywood's Top 40". Vanity Fair. March 2011. Archived from the original on July 5, 2011. Retrieved October 3, 2011. {{cite news}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  5. ^ a b c Fleming, Mike (October 13, 2010). "Eddie Murphy in Universal's Tower Heist". Deadline.com. PMC. Retrieved October 31, 2011.
  6. ^ a b c d e f g h i j k l m n o p q r s t u v "Tower Heist" (PDF). Visual Hollywood. Universal Pictures. Retrieved November 1, 2011. {{cite web}}: Cite has empty unknown parameter: |1= (help)
  7. ^ a b c d e f g Weintraub, Steve (November 1, 2011). "Brett Ratner Talks Tower Heist, the Oscars, Beverly Hills Cop 4, Hong Kong Phooey, the Woody Allen Documentary He's Producing, and More". Collider. Retrieved November 2, 2011. {{cite web}}: Cite has empty unknown parameter: |1= (help)
  8. ^ a b Fleming, Mike (October 26, 2010). "Matthew Broderick Joins Tower Heist". Deadline.com. PMC. Retrieved October 31, 2011.
  9. ^ Fleming, Mike (October 21, 2010). "Tea Leoni Joins Tower Heist". Deadline.com. PMC. Retrieved October 31, 2011.
  10. ^ a b Fleming, Mike (October 19, 2010). "Gabourey Sidibe, Michael Pena Join Brett Ratner's Tower Heist Crew". Deadline.com. PMC. Retrieved October 31, 2011.
  11. ^ "Gabby Sidibe Chats Tower Heist, Flirting With Eddie Murphy". Vibe. InterMedia Partners. October 28, 2011. Retrieved October 28, 2011. {{cite web}}: Cite has empty unknown parameter: |1= (help)
  12. ^ Propst, Andy (October 27, 2010). "Ben Stiller, Eddie Murphy, Matthew Broderick and Alan Alda Set for Brett Ratner's Tower Heist Movie". Theatermania. Archived from the original on October 26, 2011. Retrieved October 9, 2011. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  13. ^ Dillon, Nancy (November 14, 2011). "Heavy D's family releases first statement since rapper's sudden death: He was a devoted dad with 'a heart of gold'". Mortimer Zuckerman. Retrieved November 27, 2011. {{cite web}}: Text "workNew York Daily News" ignored (help)
  14. ^ "Heavy D dies at 44: Rapper remembered for playful, insightful lyrics". The Washington Post. Katharine Weymouth. November 9, 2011. Retrieved November 27, 2011.
  15. ^ "Eddie Murphy writing, starring in all-black alien abduction comedy". Moviehole.net. October 30, 2011. Retrieved October 31, 2011. {{cite web}}: |first= missing |last= (help)
  16. ^ a b c d e f Fleming, Mike (August 23, 2010). "Ben Stiller, Brett Ratner, and Brian Grazer Make NYC Heist Plans For November". Deadline.com. PMC. Retrieved October 31, 2011.
  17. ^ a b Fleming, Mike (October 29, 2010). "Universal Sets Film Slate Release Dates". Deadline.com. PMC. Retrieved October 31, 2011.
  18. ^ a b c Levy, Emanuel; Nichols, Mark (October 31, 2011). "Tower Heist". Emanuel Levy. Retrieved November 1, 2011. {{cite news}}: Cite has empty unknown parameter: |1= (help)
  19. ^ Fleming, Mike (August 24, 2010). "Woody Allen Can't Afford to Shoot in New York but Gotham's Okay Without Him". Deadline.com. PMC. Retrieved October 31, 2011.
  20. ^ a b Kaufman, Amy (November 3, 2011). "Movie Projector: Tower Heist to swipe No. 1 spot from rivals". Los Angeles Times. Tribune Company. Retrieved November 3, 2011.
  21. ^ a b Masters, Kim (November 10, 2011). "Who's to Blame for the 'Tower Heist'-Oscar Debacle? (Analysis)". The Hollywood Reporter. Prometheus Global Media. Retrieved November 11, 2011.
  22. ^ "Tower Heist". Varèse Sarabande. Retrieved November 1, 2011. {{cite news}}: Cite has empty unknown parameter: |1= (help)
  23. ^ "Stars premiere Tower Heist in New York". ITN. ITV plc. October 25, 2011. Archived from the original on October 26, 2011. Retrieved October 26, 2011. {{cite news}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  24. ^ "Tower Heist NY Premiere". Yahoo!. October 25, 2011. Archived from the original on July 5, 2011. Retrieved October 26, 2011. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  25. ^ a b McClintock, Pamela (November 3, 2011). "Box Office Preview: Brett Ratner's Star-Packed Tower Heist Hopes to Steal $30 Mil Opening". The Hollywood Reporter. Prometheus Global Media. Retrieved November 4, 2011.
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