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1959 live album by Hank Mobley, Curtis Fuller, Lee Morgan and Billy Root
Another Monday Night at Birdland is a live album which was recorded at Birdland in 1958 by saxophonists Hank Mobley and Billy Root , trombonists Kai Winding , trombonist Curtis Fuller , and trumpeter Lee Morgan which released by the Roulette label.[ 1] [ 2] [ 3]
Reception
Professional ratings Review scores Source Rating AllMusic [ 4]
Allmusic reviewer Michael G. Nastos wrote: "Birdland was the focal point of the scene, and Blue Note records provided the recording studio forum for the rising stars of the music, especially a teenage trumpeter named Lee Morgan, fresh from Philadelphia and ready to take on the world ... Emerging from the new music, trombonist Curtis Fuller, tenor saxophonist Hank Mobley, and pianist Ray Bryant are the principals on this date, with lesser-known but equally potent tenor man Billy Root .. Where the value lies in this session is the developing sound provided by Mobley, while Billy Root is the missing link between peer tenor saxophonists from Philly and the emerging John Coltrane. These Monday night sessions -- originally issued on the Roulette label -- are interesting to listen to especially if you are a fan of any of these legendary musicians. Because of the loosely associated nature of thrown-together bands, it's not an essential item, but good to refer to for perspective".[ 4]
Track listing
"It's You or No One" (Jule Styne , Sammy Cahn ) – 8:34
"Jamph" (Curtis Fuller) – 11:10
"Mutville" (Lee Morgan) – 10:16
"Wee" (Denzil Best ) – 11:27
Personnel
References
Year(s) indicated are for the recording(s), not first release, except for the compilation section
As leader or co-leader With others
At the Cafe Bohemia, Vol. 1 (Art Blakey /The Jazz Messengers , 1955)
At the Cafe Bohemia, Vol. 2 (Art Blakey/The Jazz Messengers, 1955)
The Jazz Messengers (Art Blakey, 1956)
Originally (Art Blakey/The Jazz Messengers, 1956 [1982])
At the Jazz Corner of the World (Art Blakey/The Jazz Messengers, 1959)
All Night Long (Kenny Burrell , 1956)
K.B. Blues (1957 [1979])
Byrd's Eye View (Donald Byrd , 1955)
Byrd in Flight (Donald Byrd, 1960)
A New Perspective (1963)
Mustang! (Donald Byrd, 1966)
Blackjack (Donald Byrd, 1967)
Dial "S" for Sonny (Sonny Clark , 1957)
My Conception (Sonny Clark, 1957)
Someday My Prince Will Come (Miles Davis , 1961)
In Person Friday and Saturday Nights at the Blackhawk, Complete (Miles Davis, 1961)
Miles Davis at Carnegie Hall (1961)
Afro-Cuban (Kenny Dorham , 1955)
Whistle Stop (Kenny Dorham, 1961)
This Is New (Kenny Drew , 1957)
Undercurrent (Kenny Drew, 1960)
Farmer's Market (Art Farmer , 1956)
The Opener (Curtis Fuller , 1957)
Sliding Easy (Curtis Fuller, 1959)
Afro (Dizzy Gillespie , 1954)
Dizzy and Strings (Dizzy Gillespie, 1954)
Jazz Recital (Dizzy Gillespie, 1954–55)
I Want to Hold Your Hand (Grant Green , 1965)
A Blowin' Session (Johnny Griffin , 1957)
My Point of View (Herbie Hancock , 1963)
Informal Jazz (Elmo Hope , 1956)
Goin' Up (Freddie Hubbard , 1960)
Blue Spirits (Freddie Hubbard, 1965)
The Eminent Jay Jay Johnson Volume 2 (1955)
Together! (Elvin Jones and Philly Joe Jones , 1961)
Midnight Walk (Elvin Jones, 1966)
I Wanna Talk About You (Tete Montoliu , 1980)
Introducing Lee Morgan (1956)
Lee Morgan Sextet (1956)
Cornbread (Lee Morgan , 1965)
Charisma (1966)
The Rajah (1966)
Tenor Conclave (Prestige All Stars, 1957)
Star Bright (Dizzy Reece , 1959)
The Cool Voice of Rita Reys (1956)
Good Move! (Freddie Roach 1963)
The Max Roach Quartet featuring Hank Mobley (1953)
Max Roach + 4 (1956)
The Max Roach 4 Plays Charlie Parker (1957)
MAX (Max Roach , 1958)
Yasmina, a Black Woman (Archie Shepp , 1969)
Poem for Malcolm (Archie Shepp, 1969)
Horace Silver and the Jazz Messengers (1954–55)
Silver's Blue (Horace Silver , 1956)
6 Pieces of Silver (Horace Silver, 1956–58)
The Stylings of Silver (Horace Silver, 1957)
A Date with Jimmy Smith Volume One (1957)
A Date with Jimmy Smith Volume Two (1957)
Julius Watkins Sextet (1955)
Compilations Related articles
Year(s) indicated are for the recording(s), not first release .
As leader or co-leader WithArt Blakey & The Jazz Messengers WithHank Mobley With others
Minor Move (Tina Brooks , 1958)
Blue Train (John Coltrane , 1957)
Intensity (Charles Earland , 1972)
Charles III (Charles Earland, 1972)
Brass Shout (Art Farmer , 1959)
Sliding Easy (Curtis Fuller , 1959)
The Curtis Fuller Jazztet (1959)
Images of Curtis Fuller (1960)
Dizzy in Greece (Dizzy Gillespie , 1957)
Birks' Works (Dizzy Gillespie, 1957)
Dizzy Gillespie at Newport (Dizzy Gillespie, 1957)
Benny Golson and the Philadelphians (Benny Golson , 1958)
A Blowin' Session (Johnny Griffin , 1957)
Mode for Joe (Joe Henderson , 1966)
Last Chorus (Ernie Henry , 1957)
Grass Roots (Andrew Hill , 1968)
Lift Every Voice (Andrew Hill, 1969)
Flute-In (Bobbi Humphrey , 1971)
The Prime Element (Elvin Jones , 1969)
Drums Around the World (Philly Joe Jones , 1959)
The Great Wide World of Quincy Jones (1959)
Cliff Jordan (Clifford Jordan , 1957)
Kelly Great (Wynton Kelly , 1959)
Greasy Kid Stuff! (Harold Mabern , 1970)
Jacknife (Jackie McLean , 1965)
Consequence (Jackie McLean, 1965)
Evolution (Grachan Moncur , 1963)
Introducing Wayne Shorter (1959)
Night Dreamer (Wayne Shorter , 1964)
House Party (Jimmy Smith , 1957–58)
The Sermon! (Jimmy Smith, 1957–58)
Mr. Natural (Stanley Turrentine , 1964)
Tender Moments (McCoy Tyner , 1967)
Easterly Winds (Jack Wilson , 1967)
Mother Ship (Larry Young , 1969)
Love Bug (Reuben Wilson , 1969)