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The album received minimal promotion by Jackson's standards, particularly in the US. Still, a [[Ghosts (1997 film)|film]], two singles ("[[Blood on the Dance Floor (song)|Blood on the Dance Floor]]" and "[[HIStory/Ghosts]]") and three [[music videos]] were issued as promotion. Reviews at the time of release were largely mixed, some critics felt that Jackson had already explored these musical themes while others criticized what they perceived as weak vocals. Other critics were favorable, with praise issued for similarities to the music of [[Marilyn Manson]] and [[Trent Reznor]].
The album received minimal promotion by Jackson's standards, particularly in the US. Still, a [[Ghosts (1997 film)|film]], two singles ("[[Blood on the Dance Floor (song)|Blood on the Dance Floor]]" and "[[HIStory/Ghosts]]") and three [[music videos]] were issued as promotion. Reviews at the time of release were largely mixed, some critics felt that Jackson had already explored these musical themes while others criticized what they perceived as weak vocals. Other critics were favorable, with praise issued for similarities to the music of [[Marilyn Manson]] and [[Trent Reznor]].


Worldwide sales stand at <!--Any unsourced change will be reverted-->six million copies as of 2010, making it the [[List of best-selling remix albums worldwide|best selling remix album ever released]]. Several contemporary critics view the material in an increasingly favorable light and believe the album could have been more successful—commentators{{Who|date=May 2010}} argue that certain sections of the world{{Who|date=May 2010}} took interest in tabloid stories about the singers personal life over his musical career.
Worldwide sales stand at <!--Any unsourced change will be reverted-->11 million copies as of 2010, making it the [[List of best-selling remix albums worldwide|best selling remix album ever released]]. Several contemporary critics view the material in an increasingly favorable light and believe the album could have been more successful—commentators{{Who|date=May 2010}} argue that certain sections of the world{{Who|date=May 2010}} took interest in tabloid stories about the singers personal life over his musical career.


== Production and music ==
== Production and music ==
Line 82: Line 82:
Initial sales in the US were seen as disappointing for Jackson. It peaked at number 24 on the ''Billboard'' 200 chart and after four weeks the record had sold 92,000 copies. Despite this, long term sales were stronger, it was certified platinum in May 2000, for shipments of at least a million units.<ref name = "george 51">George, p. 51</ref> It was certified Gold in Canada for a minimum of 50,000 shipments.<ref name="canadacert.">{{cite web |url=http://www.cria.ca/cert_db_search.php |title=Search Certified Database |work=[[Canadian Recording Industry Association|CRIA.ca]] |publisher=[[Canadian Recording Industry Association]] |accessdate=March 5, 2010}}</ref>
Initial sales in the US were seen as disappointing for Jackson. It peaked at number 24 on the ''Billboard'' 200 chart and after four weeks the record had sold 92,000 copies. Despite this, long term sales were stronger, it was certified platinum in May 2000, for shipments of at least a million units.<ref name = "george 51">George, p. 51</ref> It was certified Gold in Canada for a minimum of 50,000 shipments.<ref name="canadacert.">{{cite web |url=http://www.cria.ca/cert_db_search.php |title=Search Certified Database |work=[[Canadian Recording Industry Association|CRIA.ca]] |publisher=[[Canadian Recording Industry Association]] |accessdate=March 5, 2010}}</ref>


In Europe the record has been certified for shipments of at least two million copies.<ref name="IFPI Europe2">{{cite web|url=http://www.ifpi.org/content/section_news/plat1997.html |title=IFPI Platinum Europe Awards |publisher=[[IFPI]] |accessdate=March 30, 2009}}</ref> ''Blood on the Dance Floor: HIStory in the Mix'' debuted atop the UK album chart, by July 1997 it had sold 250,000 units in the UK and 445,000 units in Germany.<ref name = "pinkerton 36"/><ref name="NYT on BOTDF US promotion & early sales"/> The album also peaked at number one in France, Belgium, Spain and New Zealand.<ref name="NYT on BOTDF US promotion & early sales"/><ref name="Blood album chart positions"/> Worldwide sales stand at 6 million copies as of 2009, making it the [[List of best-selling remix albums worldwide|best selling remix album ever released]].<ref>{{cite book |last=Rojek |first=Chris |title=Cultural Studies |year=2007 |publisher=Polity |page=74 |id=ISBN 0745636837 }}</ref>
In Europe the record has been certified for shipments of at least two million copies.<ref name="IFPI Europe2">{{cite web|url=http://www.ifpi.org/content/section_news/plat1997.html |title=IFPI Platinum Europe Awards |publisher=[[IFPI]] |accessdate=March 30, 2009}}</ref> ''Blood on the Dance Floor: HIStory in the Mix'' debuted atop the UK album chart, by July 1997 it had sold 250,000 units in the UK and 445,000 units in Germany.<ref name = "pinkerton 36"/><ref name="NYT on BOTDF US promotion & early sales"/> The album also peaked at number one in France, Belgium, Spain and New Zealand.<ref name="NYT on BOTDF US promotion & early sales"/><ref name="Blood album chart positions"/> Worldwide sales stand at 11 million copies as of 2009, making it the [[List of best-selling remix albums worldwide|best selling remix album ever released]].<ref>{{cite book |last=Rojek |first=Chris |title=Cultural Studies |year=2007 |publisher=Polity |page=74 |id=ISBN 0745636837 }}</ref>


== Contemporary view ==
== Contemporary view ==

Revision as of 03:10, 12 June 2010

"Blood on the Dance Floor" redirects here. For the single of the same name, see Blood on the Dance Floor (song).
Untitled

Blood on the Dance Floor: HIStory in the Mix is a remix album by Michael Jackson. The album is made up of eight remixes from Jackson's previous studio album HIStory, and five new songs. Jackson was heavily involved with the production of the new material, while the remixes were produced by other artists. The new material dealt with themes such as drug addiction, women, and paranoia.

The album received minimal promotion by Jackson's standards, particularly in the US. Still, a film, two singles ("Blood on the Dance Floor" and "HIStory/Ghosts") and three music videos were issued as promotion. Reviews at the time of release were largely mixed, some critics felt that Jackson had already explored these musical themes while others criticized what they perceived as weak vocals. Other critics were favorable, with praise issued for similarities to the music of Marilyn Manson and Trent Reznor.

Worldwide sales stand at 11 million copies as of 2010, making it the best selling remix album ever released. Several contemporary critics view the material in an increasingly favorable light and believe the album could have been more successful—commentators[who?] argue that certain sections of the world[who?] took interest in tabloid stories about the singers personal life over his musical career.

Production and music

See also: Michael Jackson's health and appearance
"Morphine"
Excerpt of the track "Morphine".
Problems playing this file? See media help.

The album was produced while Jackson traveled the globe on his HIStory World Tour. Thus, the songs were produced in a variety of countries that included Sweden, Switzerland and Germany.[3][4] The album is made up of eight remixes from HIStory—"Scream Louder", "Money", "2 Bad", "Stranger in Moscow", "This Time Around", "Earth Song", "You Are Not Alone" and "HIStory"—and five new songs—"Blood on the Dance Floor", "Morphine", "Superfly Sister", "Ghosts" and "Is It Scary".

Jackson was heavily involved in the writing, composition and production of the five new songs, and sang all the lead vocals.[5] Todd Terry remixed "Stranger In Moscow", Jimmy Jam and Terry Lewis remixed "Scream", and The Fugees worked on the new track "Blood on the Dance Floor" and the remix of "2 Bad". Wyclef Jean, a member of The Fugees, told MTV of his involvement in the production, "We did a first remix for Michael, and he wanted us to do another one". The group spoke of their excitement at receiving a phone call from Jackson.[6] "Morphine" contained an audio clip from "The Elephant Man", courtesy of Paramount Pictures.[7] On this song, Jackson was the sole arranger, including the classical, vocal and orchestral arrangement. Jackson also played solo percussion and drums and joint guitar credit alongside long time collaborator Slash. Andrae Crouch's choir also collaborated on the piece.[7]

One of the song's central themes is the drug usage of Demerol. In the track, he sings, "Trust in me/Just in me/Put all your trust in me/You're doin' morphine...Go on babe/Relax/This won't hurt you/Before I put it in/Close your eyes and count to ten/Don't cry/I won't convert you/There's no need to dismay/Close your eyes and drift away".[8] "Scream Louder" contains elements from "Thank You (Falettinme Be Mice Elf Agin)", performed by Sly & the Family Stone.[5] "2 Bad" contains a sample of Jackson's 1982 hit "Beat It" as well as a rap by John Forté and guitar solo by Wyclef Jean.[9]

Packaging, release and promotion

The 23 page album booklet contains the lyrics to "Blood on the Dance Floor", "Stranger In Moscow" and "HIStory". The eight remixes from HIStory are given additional titles such as "Flyte Tyme Remix" and "Tee's In-House Club Mix". The booklet contains many images from the HIStory World Tour and Ghosts film. Towards the end of the booklet, Jackson pays respect to friends such as Elizabeth Taylor and Elton John, his family, employees and fans.[10]

The album was released by Epic Records on May 20, 1997. HIStory on Film, Volume II was released on the same day—a video collection of Jackson's music videos and television performances from the HIStory era of 1995–1997.[11] By Jackson's prior standards, it was not widely promoted upon release.[3][4][6] The New York Times described the US promotional effort as "subdued", creating "hardly a sound" and "perplexing to many people in the industry". Jackson's label Epic Records, refuted allegations they were not promoting the album sufficiently in the US, saying, "We are completely behind the album...Michael is certainly one of our superstars and is treated as such...We just went into this one with our global hats on". The New York Times acknowledged that promotion was stronger internationally, where Jackson had more commercial force and popularity. Jackson effectively no longer needed the US market to have a hit record. By June 1997, only ten percent of sales from Jackson's prior studio album came from within the US.[12]

The singer released a film entitled Ghosts, which he unveiled at the Cannes Film Festival, as part of the album promotion. It was released theatrically in the US in October 1996, as for the UK, it debuted at the Odeon Leicester Square in May 1997. The UK event attracted fans, media and business organizations. It was released on cassette in most parts of the world.[3][4][13] The film was written by Jackson and Stephen King and directed by Stan Winston. The story was based loosely on the events and isolation Jackson felt after he was accused of child sexual abuse in 1993. In the plot, the Maestro—played by Jackson—is nearly chased out of his town by the residents and the mayor—who deliberately looks very similar to Tom Sneddon—because they believe him to be a "freak". The film had similar imagery and themes to that of Thriller. It features many special effects and dance moves choreographed to original music, which Jackson himself authored. The film includes several songs and music videos from the albums HIStory and Blood on the Dance Floor: HIStory in the Mix. Ghosts is over thirty-eight minutes long and holds the Guinness World Record as the world's longest music video. It won the Bob Fosse Award for Best Choreography in a Music Video.[4][13][14][15][16]

The album was also promoted with the singles "Blood on the Dance Floor" and "HIStory/Ghosts" as well as three corresponding music videos. The video for "Blood on the Dance Floor" premiered on Top of the Pops.[17] It centered around Susie seducing Jackson in a courtship dance, before opening a switchblade. The lead single peaked at number one in several countries, including the UK.[13][18] The double A-side "HIStory/Ghosts" was promoted with a video for each song. "HIStory" was set in a nightclub, in a futuristic era, and recalled Jackson's filmography. "Ghosts" was a five minute clip taken from the much longer film Ghosts. The double A-side would become a top five hit in the UK, but did not chart as highly elsewhere.[13][19]

Commentary

Professional ratings
Review scores
SourceRating
Allmusic[20]
Entertainment Weekly(C-)[21]
New York Daily News(negative)[22]
The Atlanta Journal and The Atlanta Constitution(D)[23]
The New York Times(positive)[24]
The Virginian-Pilot(positive)[25]

Jim Farber of New York Daily News labeled the albums theme, "Predatory women, jealous underlings and the evil media continue to obsess him. He's once again playing victim—the world's most powerless billionaire, it seems—mewling about forces conspiring against his heavenly self". He said of the lead single, "[Jackson] coughs up a series of strangulated mutters and munchkin hiccups in lieu of a vocal, while its chilly, faux-industrial music proves as appealing as a migraine". He contained, "'Ghosts' and 'Is It Scary', boast a few innovative sounds but no real melodies".[26] Thor Christensen of The Dallas Morning News noted the album focused on "angry tales about a coldhearted 'Superfly Sister' or the back-stabbing women in 'Ghosts' and 'Blood on the Dance Floor'. Three of the five new songs on this remix album...involve mean, psychotic ex-lovers". He observed, "The dark, cryptic 'Morphine' is easily one of the most ambitious songs he's ever recorded. He fuels the song with narcotic industrial funk—look out Trent Reznor—but then dilutes it by sticking 90 seconds of goopy, string-laden balladry".[1]

Neil Strauss of The New York Times gave the album a positive review, saying the record, "put Mr. Jackson halfway on the road to a very interesting concept album. There is real pain and pathos in these new songs...[he] frets about painkillers, sexual promiscuity and public image. In many of them, Mr. Jackson seems like The Elephant Man, screaming that he is a human being...With beats crashing like metal sheets and synthesizer sounds hissing like pressurized gas, this is industrial funk". He favorably compared Jackson's performance of "Is It Scary" to rock singer Marilyn Manson and noted the lyrics, "If you want to see eccentric oddities, I'll be grotesque before your eyes". Strauss suggested that the predatory woman, "Susie", from the title track, was a metaphor for AIDS. Finally, he described "Morphine" as "chilling... Mr. Jackson sings seductively from the point of view of the drug itself...he intones sweetly". [27] Roger Catlin of The Hartford Courant stated, "The most intriguing pairing is 'Ghosts' and 'Is It Scary' in which he asks those who've only read about him in tabloids if he seems monstrous".[28] The Cincinnati Post described the lead single as a "lackluster first release...dated, played-out dance track", but gave the album an overall favorable analysis. The review described "Ghosts" and "Is this Scary" as "classic Jackson paranoia". The publication also thought that in "Superfly Sister", Jackson took inspiration from Prince.[29]

Anthony Violanti of The Buffalo News said of the lead single, "[it is] laced with Teddy Riley's new jack swing sound and a pounding techno beat". Violanti added, "'Superfly Sister', 'Ghosts' and 'Is It Scary' are programmed plastic soul that makes you wonder how someone as talented as Jackson can churn out such tracks". He said of "Morphine", "[it] has more synthesized beats and quickly fades into Jackson's current indistinguishable style".[2] William Ruhlman of Allmusic said of the lead track, "'Blood on the Dance Floor' is an uptempo Jackson song in the increasingly hysterical tradition of 'Billie Jean' and 'Smooth Criminal' with Jackson huffing, puffing, and yelping through some nonsense about a stabbing...over a fairly generic electronic dance track".[30] Stephen Thomas Erlewine, also of Allmusic, had a negative reaction to the record. He said that all five new tracks were, "embarrassingly weak, sounding tired, predictable and, well, bloodless". He described "Blood on the Dance Floor" as a "bleak reworking of 'Jam' and 'Scream'".[31]

Chris Dickinson of St. Louis Post-Dispatch, noted, "'Superfly Sister' comes on like a classic Michael dance track, with Michael and Bryan Loren playing all the instruments...Blood On the Dance Floor [album] is definitely a dance record. It's not Thriller or Bad or even Off the Wall and it's not trying to be".[32] Jae-Ha Kim of Chicago Sun-Times, noted, "'Is It Scary' shows a darker side of Jackson than even the tabloids would have you believe...With the hypnotic 'Morphine', he sounds like a seductive cousin of Trent Reznor's".[33] Sonia Murray of The Atlanta Journal and The Atlanta Constitution gave the album a D grade. She claimed that, "'Ghosts' pounds with funk until Jackson's weak vocals come in". She described "Morphine" as an "overblown rock hiss".[23] The Virginian-Pilot gave the album a positive review, the publication expressed the opinion that, "Morphine" sounded "eerily like 'State of Shock'", and continued, "'Scream Louder' a remix of his hit duet with sister Janet, is better than the original only because it takes away the overpowering guitar twangs".[34] The Washington Post described "Superfly Sister" as "sex funk", adding, "'Morphine' apparently told from the drug's point of view and featuring both the Andrae Crouch Singers and an orchestra, alternates between hard-edged rock and operatic pop".[35]

Commercial reception

Initial sales in the US were seen as disappointing for Jackson. It peaked at number 24 on the Billboard 200 chart and after four weeks the record had sold 92,000 copies. Despite this, long term sales were stronger, it was certified platinum in May 2000, for shipments of at least a million units.[36] It was certified Gold in Canada for a minimum of 50,000 shipments.[37]

In Europe the record has been certified for shipments of at least two million copies.[38] Blood on the Dance Floor: HIStory in the Mix debuted atop the UK album chart, by July 1997 it had sold 250,000 units in the UK and 445,000 units in Germany.[4][12] The album also peaked at number one in France, Belgium, Spain and New Zealand.[12][39] Worldwide sales stand at 11 million copies as of 2009, making it the best selling remix album ever released.[40]

Contemporary view

A long time commentator on Jackson's public life, J. Randy Taraborrelli, gave a retrospective analysis of the album in the biography, The Magic & the Madness. Taraborrelli explained, "Michael's 1997 album contained...kick-ass dance remixes...Several of the other songs on Blood are also memorable. 'Ghosts' stands out, perhaps because it's so evocative of Michael's spell-binding Ghosts long-styled video...it's classic, must-see Michael Jackson...The collection was not a success in America [US]; it was dismissed by critics and much of his audience, who seemed confused as to whether it was a new release or some kind of hybrid combination of songs". He expressed the opinion that the project was a "major hit" in the UK. Tabarorrelli said that "Blood on the Dance Floor" was one of Jackson's best songs, a song that US fans "don't even know exists". The reporter concluded that the US public were more interested in the controversial tabloid stories about his personal life.[14]

William Ruhlman of Allmusic, agreed that part of the blame for a perceived commercial disappointment in the US, could be attributed to the ongoing public interest in the singers private life. Nonetheless, Ruhlman still felt the album was artistically disappointing.[30] In 2005, J T Griffith, of Allmusic, believed that in hindsight, "Blood on the Dance Floor" was actually a good song. He explained, "[it is] a second-rate mixture of 'Beat It' and 'Thriller' but Jackson's missteps are better than most pop music out there. This track showcases all the artist's trademarks: the ooohing, the grunts, and funky basslines. It is hard to hear 'Blood on the Dance Floor' and not want to moonwalk or dance like a ghoul".[41]

Charts

Chart Peak
position
Austria 2[39]
Australia 2[39]
Belgium (Vl) 1[39]
Belgium (Wa) 2[39]
Canada 16[42]
Finland 3[39]
France 1[39]
New Zealand 1[39]
Norway 2[39]
Sweden 4[39]
Switzerland 2[39]
UK 1[4]
US 24[36]

Certifications

Country Certification Sales
Australia Platinum 70,000[43]
Canada Gold 50,000[37]
Germany Gold 250,000[44]
Switzerland Platinum 50,000[45]
United Kingdom Platinum 300,000[46]
United States Platinum 1,000,000[47]

Track listing

No.TitleWriter(s)Length
1."Blood on the Dance Floor"Michael Jackson, Teddy Riley4:11
2."Morphine"Michael Jackson6:29
3."Superfly Sister"Michael Jackson, Bryan Loren6:27
4."Ghosts"Michael Jackson, Teddy Riley5:13
5."Is It Scary"Michael Jackson, James Harris III, Terry Lewis5:35
6."Scream Louder (Flyte Tyme Remix)"Michael Jackson, Janet Jackson, James Harris III, Terry Lewis5:27
7."Money (Fire Island Radio Edit)"Michael Jackson4:22
8."2 Bad (Refugee Camp Mix)"Michael Jackson, Bruce Swedien, René Moore, Dallas Austin3:32
9."Stranger in Moscow (Tee's In-House Club Mix)"Michael Jackson6:55
10."This Time Around (D.M. Radio Mix)"Michael Jackson, Dallas Austin4:05
11."Earth Song (Hani's Club Experience)"Michael Jackson7:55
12."You Are Not Alone (Classic Club Mix)"R. Kelly7:38
13."HIStory (Tony Moran's HIStory Lesson)"Michael Jackson, James Harris III, Terry Lewis8:00

Double LP

Side A

  1. "Blood on the Dance Floor" – 4:13
  2. "Morphine" – 6:27
  3. "Superfly Sister" – 6:27

Side B

  1. "Ghosts" – 5:08
  2. "Is It Scary" – 5:35
  3. "Scream Louder" (Flyte Tyme Remix) – 5:30
  4. "Money (Fire Island Radio Edit) – 4:23

Side C

  1. "2 Bad" (Refugee Camp Mix) – 3:32
  2. "Stranger in Moscow" (Tee's In-House Club Mix) – 6:53
  3. "This Time Around" (D.M. Mad Club Mix) – 10:23

Side D

  1. "Earth Song" (Hani's Club Experience) – 7:55
  2. "You Are Not Alone" (Classic Club Edit) – 4:23
  3. "HIStory" (Tony Moran's HIStory Lesson) – 8:00

Personnel

See also

Notes

  1. ^ a b Thor Christensen (May 20, 1997). "Jackson's new `Blood' generally thin Singer's work best when fresh on remix release". The Dallas Morning News.
  2. ^ a b Anthony Violanti (May 23, 1997). "Lost Soul...". The Buffalo News.
  3. ^ a b c Lewis, p. 58
  4. ^ a b c d e f Pinkerton, Lee (1997). The Many Faces of Michael Jackson. Music Sales Distribution. p. 36. ISBN 0711967830.
  5. ^ a b Jackson, Michael. Blood on the Dance Floor: HIStory in the Mix booklet. Sony BMG. p 2–7.
  6. ^ a b "The Fugees Talk About Remixing Michael Jackson". MTV. (April 18, 1998). Retrieved December 21, 2008. {{cite web}}: Check date values in: |date= (help)
  7. ^ a b Jackson, Michael. Blood on the Dance Floor: HIStory in the Mix booklet. Sony BMG. p 4.
  8. ^ Friedman, Roger (January 30, 2004). "Jacko: Lyrics Mention Drug Use". Fox News Channel. Retrieved December 20, 2008.
  9. ^ Jackson, Michael. Blood on the Dance Floor: HIStory in the Mix booklet. Sony BMG. p 8.
  10. ^ Jackson, Michael. Blood on the Dance Floor: HIStory in the Mix booklet. Sony BMG. p 18–21.
  11. ^ "Michael Jackson Has A New Album... And A New Lawsuit". MTV. (May 20, 1997). Retrieved December 20, 2008. {{cite web}}: Check date values in: |date= (help)
  12. ^ a b c Sorkin, Andrew (June 23, 1997). "King of Pop Faces U.S. Market With Subdued Promotion Effort". The New York Times. Retrieved December 20, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  13. ^ a b c d George, p. 48–50
  14. ^ a b Taraborrelli 610–611
  15. ^ Lewis, p. 125–126
  16. ^ Guinness World Records 2004
  17. ^ Halstead, Craig (2007). Michael Jackson: For the Record. Authors OnLine. pp. 46–48. ISBN 978-0-7552026-7-6.
  18. ^ "M. Jackson - Blood on the Dance Floor (nummer)". www.ultratop.be. Retrieved December 22, 2008.
  19. ^ "M. Jackson - HIStory/Ghosts (nummer)". www.ultratop.be. Retrieved September 14, 2008.
  20. ^ "Allmusic review". Retrieved May 11, 2010.
  21. ^ "EW Review". Entertainment Weekly. Retrieved May 11, 2010.
  22. ^ "New York Daily News review". New York Daily News. Retrieved May 11, 2010.
  23. ^ a b Sonia Murray (May 29, 1997). "Jackson's New Album Warrant's No Hype". The Atlanta Journal and The Atlanta Constitution.
  24. ^ "NYTimes Review". New York Times. Retrieved May 11, 2010.
  25. ^ "The Virginina-Pilot review". The Virginina-Pilot. Retrieved May 11, 2010.
  26. ^ Farber, Jim (May 19, 1997). "The 'Thriller' is gone..." New York Daily News. Retrieved December 22, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  27. ^ Strauss, Neil (May 20, 1997). "Stars Adrift: Further Out, Further In". The New York Times. Retrieved December 22, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  28. ^ Roger Catlin (May 22, 1997). "Blood on the Dance Floor: HIStory in the Mix — Michael Jackson". The Hartford Courant.
  29. ^ "Michael Jackson Still Relevant". The Cincinnati Post. (June 26, 1997).
  30. ^ a b Ruhlmann, William (July 13, 2005). "Blood On The Dance Floor Review". Allmusic. {{cite news}}: |access-date= requires |url= (help)
  31. ^ Erlewine, Stephen Thomas. "Blood on the Dance Floor: History in the Mix". Allmusic. Retrieved December 20, 2008.
  32. ^ Chris Dickinson (June 5, 1997). "Blood on the Dance Floor: HIStory in the Mix". St. Louis Post-Dispatch.
  33. ^ Jae-Ha Kim (June 3, 1997). "King of flop Jackson's 'Blood' dies on charts". Chicago Sun-Times.
  34. ^ "Blood Shows Jackson's Strength". The Virginian-Pilot. (May 22, 1997).
  35. ^ "Jackson's `Blood': It's No Thriller". The Washington Post. (June 4, 1997).
  36. ^ a b George, p. 51
  37. ^ a b "Search Certified Database". CRIA.ca. Canadian Recording Industry Association. Retrieved March 5, 2010.
  38. ^ "IFPI Platinum Europe Awards". IFPI. Retrieved March 30, 2009.
  39. ^ a b c d e f g h i j k "Michael Jackson - Blood on the Dance Floor - History in the Mix (album)". www.ultratop.be. Retrieved December 22, 2008.
  40. ^ Rojek, Chris (2007). Cultural Studies. Polity. p. 74. ISBN 0745636837.
  41. ^ Griffith, JT (July 13, 2005). "Blood On The Dance Floor Review". Allmusic. Retrieved December 22, 2008.
  42. ^ Billboard. "Blood on the Dance Floor". Retrieved 2010-02-02.
  43. ^ "ARIA Charts - Accreditations". Australian Recording Industry Association. Retrieved 2010-03-05.
  44. ^ "Gold/Platin-Datenbank". International Federation of the Phonographic Industry (in German). Retrieved 2010-05-20.
  45. ^ "EDELMETALL 1996". HitParade.ch. Hung Medien. Retrieved 2010-04-03.
  46. ^ "Certified Awards Search". British Phonographic Industry. Retrieved 2010-03-05.
  47. ^ "Gold & Platinum". Recording Industry Association of America. Retrieved 2010-03-05.

References

  • George, Nelson (2004). Michael Jackson: The Ultimate Collection booklet. Sony BMG.
  • Guinness World Records (2003). Guinness World Records 2004. Guinness. ISBN 1892051206.
  • Lewis, Jel (2005). Michael Jackson, the King of Pop: The Big Picture : the Music! the Man! the Legend! the Interviews!. Amber Books Publishing. ISBN 0-974977-90-X.
  • Taraborrelli, J. Randy (2004). The Magic and the Madness. Terra Alta, WV: Headline. ISBN 0-330-42005-4.
Preceded by UK number one album
May 24, 1997 – June 6, 1997 		Succeeded by

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