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Celtic cross

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A Celtic cross (Irish: cros Cheilteach,[1] Scottish Gaelic: crois Cheilteach, Manx: crosh Cheltiagh, Welsh: croes Geltaidd, Cornish: crows geltek, Breton: kroaz geltek) is a symbol that combines a cross with a ring surrounding the intersection. In the Celtic Christian world it was combined with the Christian cross and this design was often used for high crosses – a free-standing cross made of stone and often richly decorated.[2] With the Celtic Revival the shape, usually decorated with interlace and other motifs from Insular art, became popular for funerary monuments and other uses, and has remained so, spreading well beyond the British Isles.

Christian usage

British Isles - Ireland and Great Britain

A Christian high cross with a Celtic cross design at Monasterboice in Ireland

In Ireland, it is a popular legend that the Celtic Catholic cross was introduced by Saint Patrick or possibly Saint Declan during his time converting the pagan Irish, though no examples survive from this early period. It has often been claimed that Patrick combined the symbol of Christianity with the sun cross, to give pagan followers an idea of the importance of the cross by linking it with the idea of the life-giving properties of the sun.[3] However this theory is now thought unlikely by most art historians, who think an origin from crosses carrying a victor's wreath around their intersection is more likely.[4] Such a cross is found on the reverse of the Liudhard medalet from Canterbury in England in the 590s.

A distinctive Insular tradition of erecting monumental stone high crosses began by the 8th century, and possibly earlier. They probably followed earlier versions in wood, perhaps faced in metalwork. Some of these 'Celtic' crosses bear inscriptions in runes. Standing crosses in Ireland and areas under Irish influence tend to be shorter and more massive than their Anglo-Saxon equivalents, which have mostly lost their headpieces, and therefore perhaps required the extra strength provided by the ring. Irish examples with a head in Celtic cross form include the Cross of Kells, Ardboe High Cross, the crosses at Monasterboice, and the Cross of the Scriptures, Clonmacnoise, as well as those in Scotland at Iona and the Kildalton Cross, which may be the earliest to survive in good condition. There are surviving free-standing crosses in Cornwall, including St Piran's cross at Perranporth, and Wales.[5] Other stone crosses are found in the former Northumbria and Scotland, and further south in England, where they merge with the similar Anglo-Saxon cross making tradition, in the Ruthwell Cross for example. By about 1200 the initial wave of cross building came in to an end in Ireland.

A Celtic cross in a 16th century church in Hiiumaa, Estonia

The Celtic Revival of the mid-19th century led to an increased use and creation of Celtic crosses in Ireland. In 1853 casts of several historical high crosses were exhibited to interested crowds at the Dublin Industrial Exhibition. In 1857, Henry O'Neill published Illustrations of the Most Interesting of the Sculptured Crosses of Ancient Ireland. These two events stimulated interest in the Celtic cross as a symbol for a renewed sense of heritage within Ireland.

New versions of the high cross were designed as fashionable cemetery monuments in Victorian Dublin in the 1860s. From Dublin the revival spread to the rest of the country and beyond. Since the Celtic Revival, the ringed cross became an emblem of Celtic identity, in addition to its more traditional religious symbolism.[6] Alexander and Euphemia Ritchie, working on the Isle of Iona in Scotland from 1899 to 1940, popularized use of the Celtic Cross in jewellery.[7]

France

There are similar crosses in France, that cannot be really considered as Celtic crosses, even if some specialists think they are influenced from the British Isles. Their design is different, but all the French examples are quite analogous in shape to each other. They are found mainly in the western part of France, in Normandy, Britanny and Limousin as far as Auvergne in the centre. Most of them were made around the 15th century.

In Lower Normandy, in Cotentin, many churches have kept their tombstones decorated with a Celtic cross.[8][9]

Tombstones in the St Germain church, Flamanville, Cotentin

Other usage

File:Gaelic Athletic Association.png
Emblem of the Gaelic Athletic Association

Since its revival in the 1850s, the Celtic cross has been used extensively as grave markers. This was a departure from medieval usage, when the symbol was more typically used for a public monument. The Celtic cross now appears in jewelry, T-shirts, tattoos, coffee cups and other retail items. Both the Gaelic Athletic Association and the Northern Ireland national football team use versions of the Celtic cross in their logos and advertising.

The Celtic cross is one of the most popular symbols used by individuals and organizations to represent white pride,[10] and is used as the logo for white nationalist website Stormfront.org. In Germany, the Celtic cross was adopted by a prohibited neo-Nazi party (VSBD/PdA) leading to the ban of the symbol. Although there were doubts on the constitutionality of the ban[11] it was upheld in a decision of the supreme court.[12] In Italy there is a similar ban, deriving from Legge Mancino[13] (Mancino Act, from the Minister of Interior who enacted the law), although some example of the use of the Celtic Cross as a Roman Catholic Church symbol in North Italy.

Celtic cross also refers to a common tarot card divination spread.

The Zodiac Killer used a Celtic cross to sign his correspondence.

See also

Notes

  1. ^ http://www.focal.ie/Search.aspx?term=Celtic%20cross
  2. ^ Werner 98
  3. ^ Stephen Walker, "Celtic Cross History and Symbolism", Celtic Arts website, accessed 22 Nov 2008
  4. ^ Wernher, 98
  5. ^ Langdon, Arthur G. (1896) Old Cornish Crosses. Truro: J. Pollard
  6. ^ Stephen Walker, "Celtic Revival Crosses", Celtic Arts Website, accessed 22 Nov 2008
  7. ^ "A Brief History of the Ritchies", Alexander Ritchie Website, accessed 20 Nov 208
  8. ^ Frédéric Scuvée, Les croix nimbées du Cotentin in Heimdal n°2, 1971.
  9. ^ Stéphane Laîné, Baligan ou les avatars d’un émir », in Remembrances et Resveries, Recueil d’articles en hommage à Jean Batany rassemblés et édités par Huguette Legros, Denis Hüe et Joël Grisward, Orléans, Éditions Paradigme.
  10. ^ "Hate Symbols: Celtic Cross - From A Visual Database of Extremist Symbols, Logos and Tattoos", Anti-Defamation League, accessed 23 Jul, 2010
  11. ^ Andreas Stegbauer, "The Ban of Right-Wing Extremist Symbols according to Section 86a of the German Criminal Code", German Law Journal, No.2, 1 Feb 2007, accessed 22 Nov 2008
  12. ^ http://juris.bundesgerichtshof.de/cgi-bin/rechtsprechung/document.py?Gericht=bgh&Art=pm&pm_nummer=0209/08
  13. ^ Legge 205/1993

References

  • Werner, Martin (1990). "On the Origins of the Form of the Irish High Cross". Gresta. 29 (1). Gesta, Vol. 29, No. 1: 98–110. Retrieved 2009-05-22. {{cite journal}}: Cite has empty unknown parameters: |month= and |coauthors= (help)

External links