Claude Monet

Claude Oscar Monet
Claude Monet, photo by Nadar, 1899.
Born	Claude Oscar Monet
Nationality	French
Known for	Painter
Notable work	Impression, Sunrise Rouen Cathedral series London Parliament series Water Lilies Haystacks The Poppy Fields
Movement	Impressionism

Claude Monet (French IPA: [klod mɔnɛ]) also known as Oscar-Claude Monet or Claude Oscar Monet (14 November 1840 – 5 December 1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting Impression, Sunrise.

Early life

Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the ninth arrondissement of Paris. He was the second son of Claude-Adolphe and Louise-Justine Aubrée Monet, both of them second-generation Parisians. On 20 May 1841, he was baptised in the local parish church, Notre-Dame-de-Lorette, as Oscar-Claude. In 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the family grocery business, but Monet wanted to become an artist. His mother was a singer.

On the first of April 1851, Monet entered the Le Havre secondary school of the arts. He first became known locally for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard, a former student of Jacques-Louis David. On the beaches of Normandy in about 1856/1857 he met fellow artist Eugène Boudin, who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air" (outdoor) techniques for painting.

On 28 January 1857 his mother died. He was 16 years old when he left school and went to live with his widowed childless aunt, Marie-Jeanne Lecadre.

Paris

On the Bank of the Seine, Bennecourt, 1868. An early example of plein-air impressionism, in which a gestural and suggestive use of oil paint was presented as a finished work of art.

When Monet traveled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Monet, having brought his paints and other tools with him, would instead go and sit by a window and paint what he saw. Monet was in Paris for several years and met several painters who would become friends and fellow impressionists. One of those friends was Édouard Manet.

In June 1861 Monet joined the First Regiment of African Light Cavalry in Algeria for two years of a seven-year commitment, but upon his contracting typhoid his aunt Marie-Jeanne Lecadre intervened to get him out of the army if he agreed to complete an art course at a university. It is possible that the Dutch painter Johan Barthold Jongkind, whom Monet knew, may have prompted his aunt on this matter. Disillusioned with the traditional art taught at universities, in 1862 Monet became a student of Charles Gleyre in Paris, where he met Pierre-Auguste Renoir, Frédéric Bazille and Alfred Sisley. Together they shared new approaches to art, painting the effects of light en plein air with broken color and rapid brushstrokes, in what later came to be known as Impressionism.

Monet's Camille or The Woman in the Green Dress (La Femme à la Robe Verte), painted in 1866, brought him recognition and was one of many works featuring his future wife, Camille Doncieux; she was the model for the figures in The Woman in the Garden of the following year, as well as for On the Bank of the Seine, Bennecourt, 1868, pictured here. Shortly thereafter Doncieux became pregnant and gave birth to their first child, Jean. In 1868, due to financial pressures, Monet attempted suicide by throwing himself into the Seine.

Franco-Prussian War, Impressionism, and Argenteuil

Impression, Sunrise (Impression, soleil levant) (1872/1873).

After the outbreak of the Franco-Prussian War (19 July 1870), Monet took refuge in England in September 1870. While there, he studied the works of John Constable and Joseph Mallord William Turner, both of whose landscapes would serve to inspire Monet's innovations in the study of color. In the Spring of 1871, Monet's works were refused authorisation to be included in the Royal Academy exhibition.

In May 1871 he left London to live in Zaandam, where he made 25 paintings (and the police suspected him of revolutionary activities). He also paid a first visit to nearby Amsterdam. In October or November 1871 he returned to France. Monet lived from December 1871 to 1878 at Argenteuil, a village on the Seine near Paris, and here he painted some of his best known works. In 1874, he briefly returned to Holland.

In 1872 (or 1873), he painted Impression, Sunrise (Impression: soleil levant) depicting a Le Havre landscape. It hung in the first Impressionist exhibition in 1874 and is now displayed in the Musée Marmottan Monet, Paris. From the painting's title, art critic Louis Leroy coined the term "Impressionism", which he intended as disparagement but which the Impressionists appropriated for themselves.

Monet and Camille Doncieux had married just before the war (28 June 1870) and, after their excursion to London and Zaandam, they had moved into a house in Argenteuil near the Seine in December 1871. It was during this time that Monet painted various works of modern life in this popular suburb. Camille became ill in 1876. They had a second son, Michel, on 17 March 1878, (Jean was born in 1867). This second child weakened her already fading health. In that same year, he moved to the village of Vétheuil. At the age of thirty-two, Madame Monet died on 5 September 1879 of tuberculosis; Monet painted her on her death bed.

Gallery of early paintings

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  The Woman in the Green Dress, Camille Doncieux, 1866, Kunsthalle Bremen.
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  Le dejeuner sur l'herbe, 1865-1866, The Pushkin Museum of Fine Arts, Moscow.
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  Le dejeuner sur lherbe, (right section), with Gustave Courbet, 1865-1866, Musée d'Orsay, Paris.
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  Flowering Garden at Sainte-Adresse, 1866, Musée d'Orsay, Paris.
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  Woman in a Garden, 1867, Hermitage, St. Petersburg
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  Jardin à Sainte-Adresse, 1867, Metropolitan Museum of Art, New York City
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  Seine Basin with Argenteuil, 1872, Musée d'Orsay, Paris.
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  Jean Monet on his Hobby Horse, 1872, Metropolitan Museum of Art, New York.
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  The Artist's House at Argenteuil, 1873, The Art Institute of Chicago
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  Poppies Blooming, 1873, Musée d'Orsay, Paris.
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  Madame Monet in a Japanese Costume, 1875, Museum of Fine Arts, Boston
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  Woman with a Parasol, (Camille and Jean Monet), 1875, National Gallery of Art, Washington, DC.
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  Camille Monet at Work, 1875, Barnes Foundation, Merion, PA
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  Argenteuil, 1875, Musée de l'Orangerie, Paris.
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  Saint Lazare Train Station, Paris, 1877, The Art Institute of Chicago
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  Rue Montorgueil, 1878, Musée d'Orsay, Paris.
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  Camille Monet, on her deathbed, 1879, Musée d'Orsay, Paris.
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  Vétheuil in the Fog, 1879, Musée Marmottan Monet, Paris.
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  Street near Vétheuil in Winter, 1879
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  Lavacourt: Sunshine and Snow, 1879-1880 National Gallery, London

Later life

Étienne Clémentel, Claude Monet, in his garden, c. 1917

After several difficult months following the death of Camille on 5 September 1879, a grief-stricken Monet (resolving never to be mired in poverty again) began in earnest to create some of his best paintings of the 19th century. During the early 1880s Monet painted several groups of landscapes and seascapes in what he considered to be campaigns to document the French countryside. His extensive campaigns evolved into his series' paintings.

Camille Monet had become ill with tuberculosis in 1876. Pregnant with her second child she gave birth to Michel Monet in March 1878. In 1878 the Monets temporarily moved into the home of Ernest Hoschedé, (1837-1891), a wealthy department store owner and patron of the arts. Both families then shared a house in Vétheuil during the summer. After her husband (Ernest Hoschedé) became bankrupt, and left in 1878 for Belgium, in September 1879, and while Monet continued to live in the house in Vétheuil; Alice Hoschedé helped Monet to raise his two sons, Jean and Michel, by taking them to Paris to live alongside her own six children. They were Blanche, Germaine, Suzanne, Marthe, Jean-Pierre, and Jacques. In the spring of 1880 Alice Hoschedé and all the children left Paris and rejoined Monet still living in the house in Vétheuil. In 1881 all of them moved to Poissy which Monet hated. From the doorway of the little train between Vernon and Gasny he discovered Giverny. In April 1883 they moved to Vernon, then to a house in Giverny, Eure, in Upper Normandy, where he planted a large garden where he painted for much of the rest of his life. Following the death of her estranged husband, Alice Hoschedé married Claude Monet in 1892.

Giverny

Port-Goulphar, Belle Île, 1887, Art Gallery of New South Wales

At the beginning of May 1883, Monet and his large family rented a house and 2 acres (8,100 m²) from a local landowner. The house was situated near the main road between the towns of Vernon and Gasny at Giverny. There was a barn that doubled as a painting studio, orchards and a small garden. The house was close enough to the local schools for the children to attend and the surrounding landscape offered an endless array of suitable motifs for Monet's work. The family worked and built up the gardens and Monet's fortunes began to change for the better as his dealer Paul Durand-Ruel had increasing success in selling his paintings. By November 1890 Monet was prosperous enough to buy the house, the surrounding buildings and the land for his gardens. During the 1890s Monet built a greenhouse and a second studio, a spacious building well lit with skylights. Beginning in the 1880s and 1890s, through the end of his life in 1926, Monet worked on "series" paintings, in which a subject was depicted in varying light and weather conditions. His first series exhibited as such was of Haystacks, painted from different points of view and at different times of the day. Fifteen of the paintings were exhibited at the Galerie Durand-Ruel in 1891. He later produced several series of paintings including: Rouen Cathedral, Poplars, the Parliament, Mornings on the Seine, and the Water Lilies that were painted on his property at Giverny.

Monet was exceptionally fond of painting controlled nature: his own gardens in Giverny, with its water lilies, pond, and bridge. He also painted up and down the banks of the Seine, producing paintings such as Break-up of the ice on the Seine.

He wrote daily instructions to his gardening staff, precise designs and layouts for plantings, and invoices for his floral purchases and his collection of botany books. As Monet's wealth grew, his garden evolved. He remained its architect, even after he hired seven gardeners. He built a greenhouse and a second studio, a spacious building, well lit with skylights.

Between 1883 and 1908, Monet traveled to the Mediterranean, where he painted landmarks, landscapes, and seascapes, such as Bordighera. He painted an important series of paintings in Venice, Italy, and in London he painted two important series—views of Parliament and views of Charing Cross Bridge. His second wife Alice died in 1911 and his oldest son Jean, who had married Alice's daughter Blanche, Monet's particular favourite, died in 1914. After his wife died, Blanche looked after and cared for him. It was during this time that Monet began to develop the first signs of cataracts.

During World War I, in which his younger son Michel served and his friend and admirer Clemenceau led the French nation, Monet painted a series of Weeping Willow trees as homage to the French fallen soldiers. Cataracts formed on Monet's eyes, for which he underwent two operations in 1923. The paintings done while the cataracts affected his vision have a general reddish tone, which is characteristic of the vision of cataract victims. It may also be that after surgery he was able to see certain ultraviolet wavelengths of light that are normally excluded by the lens of the eye, this may have had an effect on the colors he perceived. After his operations he even repainted some of these paintings, with bluer water lilies than before the operation.

Gallery of later paintings

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  Hut of the Douaniers with Varengeville, 1882, Museum Boymans-van Beuningen, Rotterdam
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  The Cliffs at Etretat, 1885, Clark Art Institute, Williamstown, Massachusetts
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  Still-Life with Anemones, 1885
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  The Port Coton Pyramids, 1886
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  Haystacks, (sunset), 1890-1891, Museum of Fine Arts, Boston
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  Poplars, (autumn), 1891, Philadelphia Museum of Art
• Four Poplars on the Banks of the Epte River near Giverny, 1891, Metropolitan Museum of Art
  Four Poplars on the Banks of the Epte River near Giverny, 1891, Metropolitan Museum of Art
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  Rouen Cathedral, Facade (sunset), 1892-1894, Musée Marmottan Monet, Paris
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  Branch of the Seine near Giverny, 1897
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  Bridge over a Pond of Water Lilies, 1899, Metropolitan Museum of Art
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  Pappeln on the Epte, 1900, National Gallery of Scotland, Edinburgh
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  Garden Path, 1902
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  Houses of Parliament, London, c. 1904, Musée Marmottan Monet, Paris
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  Water Lilies, 1906, Art Institute of Chicago
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  Water Lilies, 1907, Bridgestone Museum of Art, Tokyo
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  Palace From Mula, Venice, 1908, National Gallery of Art, Washington, DC.
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  Water Lilies, 1914-1917, Toledo Museum of Art, Toledo, Ohio
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  Nympheas, 1915, Neue Pinakothek, Munich
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  Nympheas, c. 1916, Musée Marmottan Monet, Paris
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  Water Lilies, 1916, The National Museum of Western Art, Tokyo
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  Water-Lily Pond and Weeping Willow, 1916-1919
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  Water Lilies, 1917-1919, Honolulu Academy of Arts
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  Weeping Willow, 1918-1919, Kimball Art Museum, Fort Worth
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  Sea-Roses (Yellow Nirwana), 1920, The National Gallery, London
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  Water-Lily Pond, c.1915-1926, Chichu Art Museum, Naoshima, Kagawa, Japan

Death

Water Lilies, 1920-1926, Musée de l'Orangerie

Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus about fifty people attended the ceremony.

His famous home and garden with its waterlily pond were bequeathed by his heirs to the French Academy of Fine Arts (part of the Institut de France) in 1966. Through the Fondation Claude Monet, the home and gardens were opened for visit in 1980, following refurbishment. In addition to souvenirs of Monet and other objects of his life, the home contains his collection of Japanese woodcut prints. The home is one of the two main attractions of Giverny, which hosts tourists from all over the world.

Posthumous sales

Finaly the old man is dead! like S H I T

See also

• Étretat
• History of painting
• List of works by Claude Monet
• Western painting

References

Cited

General

• A Monet biography
• Biography at Musee Claude Monet à Giverny
• Biography of Claude Monet
• Monet in Amsterdam
• Tucker, Paul Hayes. Claude Monet: Life and Art. Italy: Amilcare Pizzi. ISBN 0300062982. OCLC 31409541. {{cite book}}: |access-date= requires |url= (help)
• ed. Richard Kendall, Monet by Himself, (Macdonald & Co 1989, updated Time Warner Books 2004), ISBN 0316728012
• Michael Howard, The Treasures of Monet. (Musee Marmottan Monet, Paris, 2007).
• Paul Hayes Tucker, Monet in the 20th Century. (Royal Academy of Arts, London, Museum of Fine Arts, Boston and Yale University press. 1998).
• Paul Hayes Tucker, Monet in the '90s. (Museum of Fine Arts in association with Yale University Press, New Haven and London, 1989).

External links

• Claude Monet by himself
• Claude Monet paintings, media & interactive timeline
• Claude Monet's cataract
• Comparison of reproductions of Monet
• Life of Monet a timeline of Monet's life
• Monet at Giverny
• Photos of Monet's grave
• The Unknown Monet exhibition - view sketchbooks