Lucia Joyce

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Lucia Anna Joyce (26 July 1907, Trieste – 12 December 1982, Northampton) was a professional dancer and the daughter of Irish writer James Joyce and Nora Barnacle. Once treated by Swiss psychoanalyst Carl Jung, Joyce was diagnosed as schizophrenic in the mid 1930s and institutionalized at the Burghölzli psychiatric clinic in Zurich. In 1951, Joyce was transferred to St Andrew's Hospital in Northampton, where she remained until her death in 1982.

Early life and career[edit]

Lucia Anna Joyce was born in the Ospedale Civico di Trieste on 26 July 1907. She was the second child of Irish writer James Joyce and his partner (later wife) Nora Barnacle, after her brother Giorgio. As her parents were expatriates living in Trieste, Lucia's first language was Italian. In her younger years, she trained as a dancer at the Dalcroze Institute in Paris. Joyce studied dancing from 1925 to 1929, training first with Jacques Dalcroze, followed by Margaret Morris (granddaughter of William Morris), and later with Raymond Duncan (brother of Isadora Duncan) at his school near Salzburg. In 1927, she danced a short duet as a toy soldier in Jean Renoir’s film adaptation of Hans Christian Andersen's "La Petite marchande d’allumettes" (The Little Match Girl). She furthered her studies under Lois Hutton, Hélène Vanel, and Jean Borlin, lead dancer of the Ballet suédois.[1]

In 1928, she joined "Les Six de rythme et couleur," a commune of six female dancers that were soon performing at venues in France, Austria, and Germany.[2] After a performance in La Princesse Primitive at the Vieux-Colombier theatre, the Paris Times wrote of her, "Lucia Joyce is her father’s daughter. She has James Joyce’s enthusiasm, energy, and a not-yet-determined amount of his genius. When she reaches her full capacity for rhythmic dancing, James Joyce may yet be known as his daughter’s father."[3]

On 28 May 1929, she was chosen as one of six finalists in the first international festival of dance in Paris held at the Bal Bullier. Although she did not win, the audience, which included her father and the young Samuel Beckett, championed her performance as outstanding and loudly protested the jury’s verdict.[4] Her relationship with Samuel Beckett was one of unrequited affection. Allegedly, when Lucia was 21, she and Beckett, who was her father's secretary for a short time, became lovers. Their relationship lasted only a short while and ended after Beckett, who was involved with another woman at the time, admitted he was solely interested in having a professional relationship with James Joyce.[5]

At the age of 22, Joyce, after years of rigorous dedication and long hours of practice, decided "she was not physically strong enough to be a dancer of any kind".[6] Announcing she would become a teacher, she then "turned down an offer to join a group in Darmstadt and effectively gave up dancing."[7]

Her biographer Carol Shloss, however, argues that it was her father who finally put an end to her dancing career. James reasoned that the intense physical training for ballet caused her undue stress, which in turn exacerbated the long-standing animosity between her and her mother Nora. The resulting incessant domestic squabbles prevented work on Finnegans Wake. James convinced her she should turn to drawing lettrines to illustrate his prose and forgo her deep-seated artistic inclinations.[8] To his patron Harriet Shaw Weaver, James Joyce wrote that this resulted in "a month of tears as she thinks she has thrown away three or four years of hard work and is sacrificing a talent".[9]

Mental illness and later life[edit]

Joyce started to show signs of mental illness in 1930, a year after she began casually dating the 23-year-old Samuel Beckett, then a junior lecturer in English at the Ecole normale supérieure in Paris. In May 1930, while her parents were in Zurich, she invited Beckett to dinner, hoping "to press him into some kind of declaration."[10] He flatly rejected her, explaining that he was only interested in her father and his writing. In his biography of James Joyce, Gordon Bowker argues that the underlying reasons for the rejection were Beckett's keen awareness of the "strong unfulfilled erotic bond between Lucia and her father" and her need to find "a genius father-substitute", together with "her predilection for unprotected sex."[11]

By 1934, she had participated in several failed affairs, with her drawing teacher Alexander Calder, another expatriate artist Albert Hubbell, and Myrsine Moschos, assistant to Sylvia Beach of Shakespeare and Company. As the year wore on, her condition had deteriorated to the point that James had Carl Gustav Jung take her in as a patient. Soon after, she was diagnosed with schizophrenia at the Burghölzli psychiatric clinic in Zurich. In 1936, James consented to have his daughter undergo blood tests at St Andrew's Hospital in Northampton. After a short stay, Lucia Joyce insisted she return to Paris, the doctors explaining to her father that she could not be prevented from doing so unless he had her committed. James told his closest friends that "he would never agree to his daughter being incarcerated among the English."[12]

Lucia Joyce returned to stay with Maria Jolas, the wife of transition editor Eugene Jolas, in Neuilly-sur-Seine. After three weeks, her condition worsened and she was taken away in a straitjacket to the Maison de Santé Velpeau in Vésinet. Considered a danger to both staff and inmates, she was left in isolation. Two months later, she entered the maison de santé of François Achille Delmas at Ivry-sur-Seine.[13]

In 1951, Joyce was again transferred to St Andrew's Hospital. Over the years, she received visits from Beckett, Sylvia Beach, Frank Budgen, Maria Jolas, and Harriet Shaw Weaver who acted as her guardian. In 1962, Beckett donated his share of the royalties from his 1929 contributory essay on Finnegans Wake in Our Exagmination Round His Factification for Incamination of Work in Progress to help pay for her confinement at St Andrew's.[14]

In 1982, Joyce suffered a stroke and died on 12 December of that year.[15] She is buried in Kingsthorpe Cemetery.

Each year on Bloomsday (16 June) extracts from James Joyce's Ulysses and other readings related to his life and works are read at Lucia Anna Joyce's graveside. In 2018 on Bloomsday, Letters to Lucia, a play written by Richard Rose and James Vollmar in which characters from Lucia's life, including Samuel Beckett, Kathleen Neel, Nora Barnacle/Joyce and Joyce himself appear, was performed by the Triskellion Irish Theatre Company at the graveside.[16]

Legacy[edit]

Her mental state, and documentation related to it, is the subject of a 2003 study (Lucia Joyce: To Dance in the Wake) by Carol Shloss, who believes Lucia Joyce to have been her father's muse for Finnegans Wake. Making heavy reference to the letters between Joyce and her father, the study became the subject of a copyright misuse suit by the James Joyce estate. On 25 March 2007, this litigation was resolved.[17][18] Professor John McCourt, of the University of Macerata, a prize-winning Joyce scholar, trustee of the International James Joyce Foundation, and co-founder and director of the International James Joyce symposium held at Trieste,[19][20] wrote in A Companion to Literary Biography (ed. Robert Bradford, Wiley Blackwell, 2019) that Shloss, in her "sometimes obsessive" book, "seeks very deliberately to depose Nora (Joyce's wife) as Joyce's chief muse ... in doing so, it overplays its hand with exaggerated claims about Lucia's genius and about her importance to Joyce's creative process and vindictively harsh judgments on most members of the Joyce family and circle"; the book's "most damaging legacy is the cottage industry of derivative versions of Lucia that it has helped to spawn ... the key source for a whole series of writings about Lucia that uncomfortably mix fact and fiction."[21]

In 2004, Joyce's life was the subject of Calico, a West End play written by Michael Hastings, and of the 2012 graphic novel Dotter of Her Father's Eyes by Mary and Bryan Talbot.[22] A play exploring her life titled L was performed to a limited audience in Concord Academy from 14–16 April 2016. It was written and directed by Sophia Ginzburg.[23][24]

In 2016, she was the subject of a biographical novel, The Joyce Girl by Annabel Abbs, which was published in the UK, Ireland, Australia and New Zealand and translated into German, Spanish and Turkish. Abbs's interest in Lucia Joyce was first sparked after she read Mary Talbot's 2012 graphic novel Dotter of her Father's Eyes.[25] Her book caused some controversy in the Irish press, with critical reviews in the Irish Times and Irish Examiner. The criticism focused on Abbs's allegedly insufficient research regarding Lucia Joyce and her "unsubstantiated speculations" on subjects such as incest, the nature of Lucia Joyce's mental illnesses, and the suggestion that her schizophrenia resulted entirely from her mother's neglect, which was considered an inappropriate and offensive suggestion for those families dealing with the condition.[25][26] Frank MacGabhann criticised Abbs for manufacturing scenes of incest between Lucia Joyce and her brother Giorgio. In his review of the novel for the Irish Examiner, he wrote:

IMAGINE this. An English person looking to publish her first novel submits it to a UK publishing house.

It is a novel based on the life of a child of a renowned English writer — CS Lewis, JRR Tolkien or even Winston Churchill comes to mind.

In the final chapter, she describes in graphic detail the indulging by the very young pre-teenage son and daughter of that writer in sex acts with each other.

Would such a novel be published by a reputable publishing house in the UK?...It is fair to ask if a reputable publishing house in the UK would have asked the author to make that final chapter "more explicit" if the renowned writer depicted were Lewis, Tolkien or Churchill.[26]

He also wrote, "This [incest] is not a literary device...this is dishonest and very close to literary child abuse and child pornography...There is no evidence whatsoever that these sex acts took place. Putting them in such a novel is reprehensible. All of the characters in the novel are real."[26] Genevieve Sartor wrote, "The Joyce Girl is a work of fiction and should be understood as such...Sadly, this book delivers little that is reliable...The Joyce Girl's depiction of Lucia's life and the devastation of her mental illness is in conflict with most research on the subject, factually flawed and poorly written."[25] According to MacGabhann, "In three short years this marketing and advertising consultant [Abbs] goes from a tabula rasa about a person to indicating incest and having that person participate in sex acts as a young child with her brother, without a shred of evidence."[26] John McCourt observed Abbs's "entirely redundant" "unreliable biography" to have been inspired by Shloss's book, considering it to be "a prime contender for the worst Joyce-inspired 'biography' ever", and concluding that "with Abbs, the perverse cycle of interest in Lucia comes full circle. We are back in the territory of fiction fraudulently posing as biography."[27]

Lucia Joyce is the protagonist of the "Round the Bend" chapter of Alan Moore's 2016 novel Jerusalem. Set at the Northampton clinic where she spent her final years, the chapter is written in the style of her father's Finnegans Wake.

References[edit]

Notes[edit]

  1. ^ Shloss, Carol (2003). Lucia Joyce: To Dance in the Wake, New York: Farrar, Straus and Girous, 140.
  2. ^ Le Bihan, Adrien (2011). James Joyce travesti par trois clercs parisiens, Paris: Cherche Bruit, 80.
  3. ^ Shloss, 6
  4. ^ Knowlson, James (1996). Damned to Fame: the Life of Samuel Beckett, London: Bloomsbury, 103–104.
  5. ^ Shloss, 127
  6. ^ A Fire in the Brain: The difficulties of being James Joyce’s daughter
  7. ^ Brenda Maddox, A Mania for Insects, review of Carol Shloss’s biography, Lucia Joyce, To Dance in the Wake
  8. ^ Shloss's argument summarized in Le Bihan, 80–81.
  9. ^ Brenda Maddox, A Mania for Insects
  10. ^ Bowker, 400.
  11. ^ Bowker, 400.
  12. ^ Bowker, 482.
  13. ^ Bowker, 482.
  14. ^ Bair, Deirdre (1980). Samuel Beckett: A Biography, London: Picador, 451.
  15. ^ Beja, Morris (1992). James Joyce: A Literary Life. Columbus, Ohio: Ohio State University Press. p. 125.
  16. ^ Audley, Fiona (11 May 2018). "New play about James Joyce's daughter will be staged at her graveside on Bloomsday". Irish Post. Retrieved 25 June 2019.
  17. ^ Joyce letters court case settled. B.B.C., 2007-03-25.
  18. ^ Scholar, James Joyce estate settle copyright dispute. First Amendment Center/Associated Press, 2007-03-27.[dead link]
  19. ^ https://www.pordenonelegge.it/festival/edizione-2012/autori/1259-John-McCourt
  20. ^ http://documenti.comune.trieste.it/trasparenza/curriculum%20John%20Francis%20Mc%20Court.pdf
  21. ^ A Companion to Literary Biography, ed. Richard Bradford, Wiley Blackwell, 2019, pp. 538-9
  22. ^ Cooke, Rachel (27 January 2012). "Dotter of Her Father's Eyes by Mary M. Talbot and Bryan Talbot – review". The Guardian. Retrieved 3 August 2015.
  23. ^ http://www.concordacademy.org/news/detail/index.aspx?LinkId=5507&ModuleId=280,485[dead link]
  24. ^ "The Directors Workshop Festival, April 15-16" "L; Written & Directed by Sophia Ginsburg; Choreography by Rhea Manwani & Cherilyn Lau" concordacademy.org, Accessed 16 June 2019
  25. ^ a b c Lucia Joyce: flawed fictions don’t write her back into history but hide her truth
  26. ^ a b c d Book Review: The Joyce Girl
  27. ^ A Companion to Literary Biography, ed. Richard Bradford, Wiley Blackwell, 2019, p. 539

Bibliography[edit]

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