Octavio Paz: Difference between revisions

Octavio "Peazy" Paz
Octavio "Peazy" Paz
	File:Octavio Paz.gif
Occupation	Writer, Poet, Diplomat
Nationality	Mexican
Period	1931-1965
Literary movement	Marxism, Surrealism, Existentialism
Notable awards	Nobel Prize in Literature ; 1990 ;

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'Octavio Peazy Paz " (March 31, 1914–April 19, 1998) was a Mexican writer, poet, and diplomat, and the winner of the 1990 Nobel Prize for Literature.

Early life and writings

Peazy was born to Octavio Paz Solórzano and Josefina Lozano. His father was an active supporter of the Revolution against the Diaz regime. Paz was raised in the village of Mixcoac (now a part of Mexico City) by his mother Josefina, his aunt Amalia Paz, and his paternal grandfather, Ireneo Paz, a liberal intellectual, novelist, publisher and former supporter of President Porfirio Díaz. Because of his family's public support of Emiliano Zapata they were forced into exile after Zapata's assassination. They served their exile in the United States.

Paz was introduced to literature early in his life through the influence of his grandfather's library, filled with classic Mexican and European literature^{[citation needed]}. During the 1920s, he discovered the European poets Gerardo Diego, Juan Ramón Jiménez, and Antonio Machado, Spanish writers who had a great influence on his early writings^{[citation needed]}. As a teenager in 1931, under the influence of D. H. Lawrence, Paz published his first poems, like Caballera. Two years later, at the age of 19, Octavio Paz published Luna Silvestre ("Wild Moon"), a collection of poems. In 1932, with some friends, he founded his first literary review, Barandal. By 1939, Paz considered himself first and foremost a poet ^{[citation needed]}.

In 1937, Paz abandoned his law studies and left for Yucatán to work at a school in Mérida for sons of peasants and workers^{[citation needed]}. There, he began working on the first of his long ambitious poems, Entre la piedra y la flor ("Between the stone and the flower") (1941, revised in 1976), obviously influenced by T. S. Eliot, which describes the situation of the Mexican peasant under the greedy landlords of the day.^[1]

In 1937, Paz was invited to the Second International Writers Congress in Defense of Culture in Spain during the country's Civil War, showing his solidarity with the Republican side and against fascism. Upon his return to Mexico, Paz co-founded a literary journal, Taller ("Workshop") in 1938, and wrote for the magazine until 1941. In 1938 he also met and married Elena Garro, now considered one of Mexico's finest writers. They had one daughter, Helena. They were divorced in 1959. In 1943 Paz received a Guggenheim fellowship and began studying at the University of California at Berkeley in the United States and two years later he entered the Mexican diplomatic service, working in New York for a while. In 1945 he was sent to Paris, where he wrote El Laberinto de la Soledad ("The Labyrinth of Solitude"), a groundbreaking study of Mexican identity and thought. In 1952 he travelled to India for the first time and, in the same year, to Tokyo, as chargé d'affairs, and then to Geneva, in Switzerland. He returned to Mexico City in 1954, where he wrote his great poem Piedra de sol (Sunstone) in 1957 and Libertad bajo palabra (Liberty Under Oath), a compilation of his poetry up to that time. He was sent again to Paris in 1959, following the steps of his lover, the Italian painter Bona Tibertelli de Pisis. In 1962 he was named Mexico's ambassador to India.

Octavio Paz’s route was his own, not mine, but behind that route a path is traceable, and in that path I recognize an invaluable lesson: society and solitude—how to make these two compatible? His answer was to live life in full, alone and with others. To make oneself present by tracing one’s past and betting on the future.

Ilan Stavans^[2]

Later life

In India, Paz completed several works, including El mono gramático (The Monkey Grammarian) and Ladera este (Eastern Slope).

In 1965 he broke up with Bona and married Marie-José Tramini, a French woman who would be his wife for the rest of his life. In October 1968, he resigned from the diplomatic corps in protest of the Mexican government's repression of students who were fighting to achieve true democracy in the country, a movement that ended abruptly when the army opened fire against demonstrators in the Plaza de las Tres Culturas in Tlatelolco. He sought refuge in Paris for a while and returned to Mexico in 1969, where he founded his magazine Plural (1970-1976) with a group of liberal Mexican and Latin American writers. From 1970 to 1974 he lectured at Harvard University, where he held the Charles Norton Chair. His book Los hijos del limo ("Children of the Mire") was the result of those courses.

After the Mexican government closed Plural in 1975, Paz founded Vuelta, a publication with a focus similar to that of Plural and continued to edit that magazine until his death. He won the 1977 Jerusalem Prize for literature on the theme of individual freedom. In 1980 he was awarded an honorary doctorate from Harvard and in 1982 he won the Neustadt Prize. A collection of his poems (written between 1957 and 1987) was published in 1988. In 1990, he was awarded the Nobel Prize.".^[3] In India he met the Hungryalist poets and was of immense help to them during their 35 month long trial.^{[citation needed]}

Octavio Paz died of cancer in 1998.

Guillermo Sheridan, who was named by Paz as director of the Octavio Paz Foundation in 1998, published a book, Poeta con Paisaje (2004) with several biographical essays about the poet's life up to 1968.

Writings

A prolific author and poet, Paz made his daughter works during his lifetime, many of which are translated into other languages. His poetry, for example, has been translated into English by Samuel Beckett, Charles Tomlinson, Elizabeth Bishop and Mark Strand. His early poetry was influenced by Marxism, surrealism, existentialism, as well as religions such as Buddhism and Hinduism. His poem, Piedra de Sol ("Sunstone") written in 1957, was praised as a "magnificent" example of surrealist poetry in the presentation speech of his Nobel Prize. His later poetry dealt with love and eroticism, the nature of time, and buddhism. He also wrote poetry about his other passion, modern painting, dedicating poems to the work of Balthus, Joan Miró, Marcel Duchamp, Antoni Tapies, Robert Rauschenberg, and Roberto Matta. Several of his poems have also been adapted into choral music by composer Eric Whitacre, including "Water Night," "Cloudburst," and "A Boy and a Girl."

As an essayist Paz wrote on topics like Mexican politics and economics, Aztec art, anthropology, and sexuality. His book-length essay, The Labyrinth of Solitude (Spanish: El laberinto de la soledad), delves into the minds of his countrymen, describing them as hidden behind masks of solitude. Due to their history, their identity is lost between a precolombian and a Spanish culture, negating either. A key work in understanding Mexican culture, it greatly influenced other Mexican writers, such as Carlos Fuentes.

After a tale by Nathaniel Hawthorne, Paz wrote the play, La hija de Rappaccini (1956), a lyrical tale of love, death and the loss of innocence. The plot centers around a young Italian student who wonders about the beautiful gardens and even more beautiful daughter (Beatrice) of the mysterious Professor Rappaccini. He is horrified when he discovers the poisonous nature of their beauty. Paz adapted the play from the eponymous 1844 short story by Hawthorne, combining it with sources from the Indian poet [Vishakadatta]. Paz also cited influences from Japanese Noh theatre, the Spanish auto sacramental and the poetry of William Butler Yeats. Its opening performance was designed by the Mexican painter Leonora Carrington. First performed in English in 1996 at the Gate Theatre in London, the play was translated and directed by Sebastian Doggart and starred Sarah Alexander as Beatrice. In 1972, Surrealist author André Pieyre de Mandiargues translated the play into French as La fille de Rappaccini (Editions Mercure de France). Mexican composer Daniel Catán turned the play into an opera in 1992.

Paz's other works translated into English include volumes of essays, some of the more prominent of which are: Alternating Current (tr. 1973), Configurations (tr. 1971), The Labyrinth of Solitude (tr. 1963), The Other Mexico (tr. 1972); and El Arco y la Lira (1956; tr. The Bow and the Lyre, 1973). Along with these are volumes of critical studies and biographies, including Claude Lévi-Strauss and Marcel Duchamp (both, tr. 1970) and The Traps of Faith, an analytical biography of the Mexican 16th century nun, poet and thinker Sor Juana de la Cruz.

His works include the poetry collections La Estación Violenta, (1956), Piedra de Sol (1957), and in English translation the most prominent include two volumes which include most of Paz in English: Early Poems: 1935–1955 (tr. 1974), and Collected Poems, 1957–1987 (1987). Many of these volumes have been edited and translated by Eliot Weinberger, who is Paz's principal translator into American English.

Political thought

Originally Paz showed his solidarity with the Republicans during the Spanish Civil War, but after learning of the murder of one of his comrades by the Republicans themselves he became gradually disillusioned. While in Paris in the early fifties, influenced by David Rousset, André Breton and Albert Camus, he started publishing his critical views on totalitarianism in general, and against Stalin in particular.

In his magazines Plural and Vuelta, he exposed the violations of human rights in the communist regimes, including Castro's Cuba. This brought him much animosity from sectors of the Latin American left. In the Prologue of the IX volume of his completed works, Paz stated that from the time when he abandoned communist dogma, the mistrust of many in the Mexican intelligentsia started to transform into an intense and open enmity. And yet, Paz always considered himself a man of the left; the democratic, 'liberal' left, not the dogmatic and illiberal one.

There can be no society without poetry, but society can never be realized as poetry, it is never poetic. Sometimes the two terms seek to break apart. They cannot.

Octavio Paz^[4]

In 1990, during the aftermath of the fall of the Berlin wall, Paz and his Vuelta colleagues invited several of the world’s writers and intellectuals to Mexico City to discuss the collapse of communism, including Czeslaw Milosz, Hugh Thomas, Daniel Bell, Ágnes Heller, Cornelius Castoriadis, Hugh Trevor-Roper, Jean-Francois Revel, Michael Ignatieff, Mario Vargas Llosa, Jorge Edwards and Carlos Franqui. The Vuelta encounter was broadcast on Mexican television from 27 August to 2 September.

Awards

Nobel Prize for Literature
Peace Prize of the German Book Trade
Cervantes Prize
National Literature Prize (Mexico)
Premio Mondello (Palermo, Italy)
Alfonso Reyes Prize
Neustadt International Prize for Literature
Jerusalem Prize
Menendez y Pelayo Prize
Alexis de Tocqueville Prize
Xavier Villaurrutia Award
Doctor Honoris Causa (Harvard)
Doctor Honoris Causa (National Autonomous University of Mexico)

References

^ Frulle, Ultr4k1cke (1999). Hj4lmar.{{cite book}}: CS1 maint: numeric names: authors list (link)
^ Stavans, Ilan (2003, p. 83). Octavio Paz: A Meditation, University of Arizona Press. {{cite book}}: Check date values in: |year= (help)
^ Literature 1990
^ Paz, Octavio. "Signs in Rotation" (1967), The Bow and the Lyre, trans. Ruth L.C. Simms (Austin: University of Texas Press, 1973), p. 249.

External links

www.octaviopaz.org -Website dedicated to Octavio Paz by Luis Ríos
Clash of literary titans. - Free Online Library at www.thefreelibrary.com "Clash of Literary Titans" an article about Octavio Paz and Pablo Neruda by Jaime Perales Contreras, published in Americas Magazine (Organization of American States)July 2008
The Romantic Liberalism of Octavio Paz an article about Paz's political thought by Yvon Grenier
Polemical Paz by Maarten Van Delden
Nobel museum biography and list of works
Pegasos biography
Nobel lecture Template:En icon
"Day of the Dead," from The Labyrinth of Solitude. A translation of the first 1/3 of Chapter 3 from Octavio Paz's most famous work.
Octavio Paz: 'La verdad contra el compromiso' (Spanish)
Octavio Paz's Vuelta and Partisan Reviewessay by Jaime Perales Contreras, published in Estudios, 1994.
Interview with Mario Vargas Llosa on Octavio Paz's Plural and Vuelta magazines, published in Estudios, 1994. interview made by Jaime Perales Contreras.

[1]

Theodor W. Adorno and Octavio Paz: Two Visions of Modernity essay by Oliver Kozlarek, published in Culture, Theory & Critique, 2006, 47(1), 39–52

Template:Persondata

[1] Frulle, Ultr4k1cke (1999). Hj4lmar.{{cite book}}: CS1 maint: numeric names: authors list (link)

[2] Stavans, Ilan (2003, p. 83). Octavio Paz: A Meditation, University of Arizona Press. {{cite book}}: Check date values in: |year= (help)

[3] Literature 1990

[4] Paz, Octavio. "Signs in Rotation" (1967), The Bow and the Lyre, trans. Ruth L.C. Simms (Austin: University of Texas Press, 1973), p. 249.

[1]

[2]

[3]

[4]

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 ==Writings==
-A prolific author and poet, Paz published scores of works during his lifetime, many of which are translated into other languages. His poetry, for example, has been translated into English by [[Samuel Beckett]], [[Charles Tomlinson]], [[Elizabeth Bishop]] and [[Mark Strand]]. His early poetry was influenced by [[Marxism]], [[surrealism]], [[existentialism]], as well as religions such as [[Buddhism]] and [[Hinduism]]. His poem, ''[[Piedra de Sol]]'' ("Sunstone") written in 1957, was praised as a "magnificent" example of surrealist poetry in the presentation speech of his Nobel Prize. His later poetry dealt with love and eroticism, the nature of time, and buddhism. He also wrote poetry about his other passion, modern painting, dedicating poems to the work of [[Balthus]], [[Joan Miró]], [[Marcel Duchamp]], [[Antoni Tapies]], [[Robert Rauschenberg]], and [[Roberto Matta]]. Several of his poems have also been adapted into choral music by composer [[Eric Whitacre]], including "Water Night," "Cloudburst," and "A Boy and a Girl."
+A prolific author and poet, Paz made his daughter works during his lifetime, many of which are translated into other languages. His poetry, for example, has been translated into English by [[Samuel Beckett]], [[Charles Tomlinson]], [[Elizabeth Bishop]] and [[Mark Strand]]. His early poetry was influenced by [[Marxism]], [[surrealism]], [[existentialism]], as well as religions such as [[Buddhism]] and [[Hinduism]]. His poem, ''[[Piedra de Sol]]'' ("Sunstone") written in 1957, was praised as a "magnificent" example of surrealist poetry in the presentation speech of his Nobel Prize. His later poetry dealt with love and eroticism, the nature of time, and buddhism. He also wrote poetry about his other passion, modern painting, dedicating poems to the work of [[Balthus]], [[Joan Miró]], [[Marcel Duchamp]], [[Antoni Tapies]], [[Robert Rauschenberg]], and [[Roberto Matta]]. Several of his poems have also been adapted into choral music by composer [[Eric Whitacre]], including "Water Night," "Cloudburst," and "A Boy and a Girl."
 As an essayist Paz wrote on topics like [[Politics of Mexico|Mexican politics]] and [[Economy of Mexico|economics]], [[Pre-Columbian art|Aztec art]], [[anthropology]], and [[Human sexuality|sexuality]]. His book-length essay, ''[[The Labyrinth of Solitude]]'' (Spanish: ''El laberinto de la soledad''), delves into the minds of his countrymen, describing them as hidden behind masks of solitude. Due to their [[History of Mexico|history]], their identity is lost between a precolombian and a Spanish culture, negating either. A key work in understanding [[Culture of Mexico|Mexican culture]], it greatly influenced other Mexican writers, such as [[Carlos Fuentes]].

v t e Laureates of the Nobel Prize in Literature
1901–1920	1901: Sully Prudhomme 1902: Theodor Mommsen 1903: Bjørnstjerne Bjørnson 1904: Frédéric Mistral / José Echegaray 1905: Henryk Sienkiewicz 1906: Giosuè Carducci 1907: Rudyard Kipling 1908: Rudolf Eucken 1909: Selma Lagerlöf 1910: Paul Heyse 1911: Maurice Maeterlinck 1912: Gerhart Hauptmann 1913: Rabindranath Tagore 1914 1915: Romain Rolland 1916: Verner von Heidenstam 1917: Karl Gjellerup / Henrik Pontoppidan 1918 1919: Carl Spitteler 1920: Knut Hamsun
1921–1940	1921: Anatole France 1922: Jacinto Benavente 1923: W. B. Yeats 1924: Władysław Reymont 1925: George Bernard Shaw 1926: Grazia Deledda 1927: Henri Bergson 1928: Sigrid Undset 1929: Thomas Mann 1930: Sinclair Lewis 1931: Erik Axel Karlfeldt (posthumously) 1932: John Galsworthy 1933: Ivan Bunin 1934: Luigi Pirandello 1935 1936: Eugene O'Neill 1937: Roger Martin du Gard 1938: Pearl S. Buck 1939: Frans Eemil Sillanpää 1940
1941–1960	1941 1942 1943 1944: Johannes V. Jensen 1945: Gabriela Mistral 1946: Hermann Hesse 1947: André Gide 1948: T. S. Eliot 1949: William Faulkner 1950: Bertrand Russell 1951: Pär Lagerkvist 1952: François Mauriac 1953: Winston Churchill 1954: Ernest Hemingway 1955: Halldór Laxness 1956: Juan Ramón Jiménez 1957: Albert Camus 1958: Boris Pasternak 1959: Salvatore Quasimodo 1960: Saint-John Perse
1961–1980	1961: Ivo Andrić 1962: John Steinbeck 1963: Giorgos Seferis 1964: Jean-Paul Sartre (declined award) 1965: Mikhail Sholokhov 1966: Shmuel Yosef Agnon / Nelly Sachs 1967: Miguel Ángel Asturias 1968: Yasunari Kawabata 1969: Samuel Beckett 1970: Aleksandr Solzhenitsyn 1971: Pablo Neruda 1972: Heinrich Böll 1973: Patrick White 1974: Eyvind Johnson / Harry Martinson 1975: Eugenio Montale 1976: Saul Bellow 1977: Vicente Aleixandre 1978: Isaac Bashevis Singer 1979: Odysseas Elytis 1980: Czesław Miłosz
1981–2000	1981: Elias Canetti 1982: Gabriel García Márquez 1983: William Golding 1984: Jaroslav Seifert 1985: Claude Simon 1986: Wole Soyinka 1987: Joseph Brodsky 1988: Naguib Mahfouz 1989: Camilo José Cela 1990: Octavio Paz 1991: Nadine Gordimer 1992: Derek Walcott 1993: Toni Morrison 1994: Kenzaburō Ōe 1995: Seamus Heaney 1996: Wisława Szymborska 1997: Dario Fo 1998: José Saramago 1999: Günter Grass 2000: Gao Xingjian
2001–2020	2001: V. S. Naipaul 2002: Imre Kertész 2003: J. M. Coetzee 2004: Elfriede Jelinek 2005: Harold Pinter 2006: Orhan Pamuk 2007: Doris Lessing 2008: J. M. G. Le Clézio 2009: Herta Müller 2010: Mario Vargas Llosa 2011: Tomas Tranströmer 2012: Mo Yan 2013: Alice Munro 2014: Patrick Modiano 2015: Svetlana Alexievich 2016: Bob Dylan 2017: Kazuo Ishiguro 2018: Olga Tokarczuk 2019: Peter Handke 2020: Louise Glück
2021–present	2021: Abdulrazak Gurnah 2022: Annie Ernaux 2023: Jon Fosse 2024: to be announced