|Heinrich Theodor Böll|
Heinrich Böll (1981)
21 December 1917|
Cologne, German Empire
|Died||16 July 1985
Langenbroich, North Rhine-Westphalia, West Germany
Georg Büchner Prize
Heinrich Theodor Böll (German: [bœl]; 21 December 1917 – 16 July 1985) was one of Germany's foremost post-World War II writers. Böll was awarded the Georg Büchner Prize in 1967 and the Nobel Prize for Literature in 1972.
Böll was born in Cologne, Germany, to a Catholic, pacifist family that later opposed the rise of Nazism. He refused to join the Hitler Youth during the 1930s. He was apprenticed to a bookseller before studying German at the University of Cologne. In 1942 he married Annemarie Cech with whom he was ultimately to have three sons; she later acted as his collaborator on a number of different translations of English and American literature into German that he produced over the years. Conscripted into the Wehrmacht, he served in France, Romania, Hungary and the Soviet Union, and was wounded four times before being captured by Americans in April 1945 and sent to a prisoner-of-war camp..
Böll became a full-time writer at the age of 30. His first novel, Der Zug war pünktlich (The Train Was on Time), was published in 1949. He was invited to the 1949 meeting of the Group 47 circle of German authors and his work was deemed to be the best presented during the year 1951.
Many other novels, short stories, radio plays and essay collections followed, and in 1972 he received the Nobel Prize for Literature. He was the first German-born author to receive this award since Nelly Sachs in 1966.
Böll was President of PEN International, the worldwide association of writers and the oldest human rights organisation, between 1972-1973.
His work has been translated into more than 30 languages, and he remains one of Germany's most widely read authors. His best-known works are Billiards at Half-past Nine, And Never Said a Word, The Bread of Those Early Years, The Clown, Group Portrait with Lady, The Lost Honour of Katharina Blum, and The Safety Net.
He wrote a number of different works with different themes and content but there are certain recurring patterns: a large proportion of his oeuvre are intimate and personalised works constructed against the wider background of war, terrorism, political conflict and profound economic and social transition. In a number of his books there are protagonists who are stubborn and eccentric individualists opposed to the mechanisms of the state or of public institutions.
The 1963 publication of The Clown was met with polemics in the press for its negative portrayal of the Catholic Church and the CDU party. Böll was devoted to Catholicism but also deeply critical of aspects of it (particularly in its most conservative incarnations). In particular, he was unable to forget the Concordat of July 1933 between the Vatican and the Nazis, signed by the future Pope Pius XII, which helped confer international legitimacy on the regime at an early stage in its development.
Böll's liberal views on religion and social issues inspired the wrath of conservatives in Germany. His 1972 article Soviel Liebe auf einmal (So much love at once) which accused the tabloid Bild of falsified journalism, was in turn retitled, at the time of publishing and against Böll's wishes, by Der Spiegel, and the imposed title was used as a pretext to accuse Böll of sympathy with terrorism.
The conservative press even attacked Böll's 1972 Nobel prize award, arguing that it was awarded only to "liberals and left-wing radicals."
Böll was deeply rooted in his hometown of Cologne, with its strong Roman Catholicism and its rather rough and drastic sense of humour. In the immediate post-war period, he was preoccupied with memories of the War and the effect it had—materially and psychologically—on the lives of ordinary people. He made them the heroes in his writing.
He was deeply affected by the Nazis' takeover of Cologne, as they essentially exiled him in his own town. Additionally, the destruction of Cologne as a result of the Allied bombing during World War II scarred him for life; he described the aftermath of the bombing in The Silent Angel. Architecturally, the newly-rebuilt Cologne, prosperous once more, left him indifferent. (Böll seemed to be a pupil of William Morris – he let it be known that he would have preferred Cologne Cathedral to have been left unfinished, with the 14th-century wooden crane at the top, as it had stood in 1848). Throughout his life, he remained in close contact with the citizens of Cologne, rich and poor. When he was in hospital, the nurses often complained about the "low-life" people who came to see their friend Heinrich Böll.
His villains are the figures of authority in government, business, and in the Church, whom he castigates, sometimes humorously, sometimes acidly, for what he perceived as their conformism, lack of courage, self-satisfied attitude and abuse of power. His simple style made him a favourite for German-language textbooks in Germany and abroad.
His works have been dubbed Trümmerliteratur (the literature of the rubble). He was a leader of the German writers who tried to come to grips with the memory of World War II, the Nazis, and the Holocaust and the guilt that came with them. Because of his refusal to avoid writing about the complexities and problems of the past he was labelled by some with the role of 'Gewissen der Nation', in other words a catalyst and conduit for memorialisation and discussion in opposition to the tendency towards silence and taboo. This was a label that he himself was keen to jettison because he felt that it occluded a fair audit of those institutions which were truly responsible for what had happened.
He lived with his wife in Cologne and in the Eifel region. However, he also spent time on Achill Island off the west coast of Ireland. His cottage there is now used as a guesthouse for international and Irish artists. He recorded some of his experiences in Ireland in his book Irisches Tagebuch (Irish Journal).
He was the president of the then West German P.E.N. and subsequently of the International P.E.N. organizations. He travelled frequently as a representative of the new, democratic Germany. His appearance and attitude were in complete contrast to the boastful, aggressive type of German which had become infamous all over the world during Hitler's rule. Böll was particularly successful in Eastern Europe, as he seemed to portray the dark side of capitalism in his books; his books were sold by the millions in the Soviet Union alone.
When Aleksandr Solzhenitsyn was expelled from the Soviet Union, he first took refuge in Heinrich Böll's Eifel cottage. This was in part the result of Böll's visitation to the Soviet Union in 1962 with a cultural delegation, which was the first of several trips he made to the country, during which he made friendships with several writers and connections with many producers of dissident literature. Böll had also previously recommended Solzhenitsyn for the Nobel Prize for Literature, under the auspices of his position in the West German P.E.N. When Solzhenitsyn was awarded the prize in 1976, he quoted from Böll's writing to the reception committee.
Heinrich Böll died in 1985 at the age of 67. His memory lives on, among other places, at the Heinrich Böll Foundation. A special Heinrich Böll Archive was set up in the Cologne Library to house his personal papers, bought from his family, but much of the material was damaged, possibly irreparably, when the building collapsed in March 2009.
- (1949) Der Zug war pünktlich (The Train Was on Time)
- (1950) Wanderer, kommst du nach Spa…
- (1951) Die schwarzen Schafe (Black Sheep)
- (1951) Nicht nur zur Weihnachtszeit (Christmas Not Just Once a Year)
- (1951) Wo warst du, Adam? (And where were you, Adam?)
- (1952) Die Waage der Baleks (The Balek Scales)
- (1953) Und sagte kein einziges Wort (And Never Said a Word)
- (1954) Haus ohne Hüter (House without Guardians ; Tomorrow and Yesterday)
- (1955) Das Brot der frühen Jahre (The Bread of Those Early Years)
- (1957) Irisches Tagebuch (Irish Journal)
- (1957) Die Spurlosen (Missing Persons)
- (1958) Doktor Murkes gesammeltes Schweigen (Murke's Collected Silences, 1963)
- (1959) Billard um halb zehn (Billiards at Half-past Nine)
- (1962) Ein Schluck Erde
- (1963) Ansichten eines Clowns (The Clown)
- (1963) Anekdote zur Senkung der Arbeitsmoral (Anecdote Concerning the Lowering of Productivity)
- (1964) Entfernung von der Truppe (Absent Without Leave)
- (1966) Ende einer Dienstfahrt (End of a Mission)
- (1971) Gruppenbild mit Dame (Group Portrait with Lady)
- (1974) Die verlorene Ehre der Katharina Blum (The Lost Honour of Katharina Blum)
- (1979) Du fährst zu oft nach Heidelberg und andere Erzählungen (You Go to Heidelberg Too Often) - short stories
- (1979) Fürsorgliche Belagerung (The Safety Net)
- (1981) Was soll aus dem Jungen bloß werden? Oder: Irgendwas mit Büchern (What's to Become of the Boy?) - autobiography of Böll's school years 1933–1937
- (1982) Vermintes Gelände
- (1982, written 1948) Das Vermächtnis (A Soldier's Legacy)
- (1983) Die Verwundung und andere frühe Erzählungen(The Casualty) - unpublished stories from 1947–1952
- (1985) Frauen vor Flusslandschaft (Women in a River Landscape)
- (1986) The Stories of Heinrich Böll - U.S. release
- (1992, written 1949/50) Der Engel schwieg (The Silent Angel)
- (1995) Der blasse Hund - unpublished stories from 1937 & 1946–1952
- (2002, written 1946–1947) Kreuz ohne Liebe
- (2004, written 1938) Am Rande der Kirche
- (2011) The Collected Stories - reissues of translations, U.S. release
- Das harte Leben (The Hard Life, Brian O'Nolan), translated by Heinrich Böll, Hamburg, Nannen, 1966, 79. Illustrations by Patrick Swift.
- Conard 1992, p. xviii.
- Michael H. KATER; Michael H Kater (30 April 2006). Hitler Youth. Harvard University Press. pp. 24–. ISBN 978-0-674-01991-1. Retrieved 26 August 2012.
- Conard 1992, pp. xvi–xvii.
- Magill (ed), Frank N. (2013). The 20th Century A-GI: Dictionary of World Biography, Volume 7. Routledge. p. 349. ISBN 1136593349. Retrieved 29 June 2014.
- Draugsvold (ed), Ottar G. (2000). Nobel Writers on Writing. McFarland. p. 121. ISBN 0786406291. Retrieved 29 June 2014.
- Frank N. Magill (2013) The 20th Century A-GI: Dictionary of World Biography, Volume 7, p.350
- Und Sagte Kein Einziges Wort. Routledge. 2003. ISBN 1134986823. Retrieved 29 June 2014.
- Frank Finlay (1996) On the Rationality of Poetry: Heinrich Böll's Aesthetic Thinking, p.8
- Heinrich Böll: Werke , Volume 18: 1971-1974. Köln : Kiepenheuer und Witsch, 2003, ISBN 3-462-03260-7, pp.454-ff.
- Sargeant, Maggie (2005). Kitsch & Kunst: Presentations of a Lost War. Peter Lang. pp. 171–2. ISBN 3039105124. Retrieved 29 June 2014.
- Peter Bruhn and Henry Glade:Heinrich Böll in der Sowjetunion, 1952–1979 Einführung in die sowjetische Böll-Rezeption und Bibliographie der in der UdSSR in russischer Sprache erschienenen Schriften von und über Heinrich Böll, Berlin 1980, ISBN 3-503-01617-1
- Finlay, Frank (1996). On the Rationality of Poetry: Heinrich Böll's Aesthetic Thinking. Rodopi. pp. 179–184. ISBN 9051839898. Retrieved 12 July 2014.
- „vom Glauben abgefallen“
- Heinz Ludwig Arnold, ed. (1982). Heinrich Böll. Munich.
- Balzer, Bernd (1997). Das literarische Werk Heinrich Bölls. Kommentare und Interpretationen. Munich.
- Werner Bellmann, ed. (1995). Das Werk Heinrich Bölls. Bibliographie mit Studien zum Frühwerk. Opladen: Westdeutscher Verlag.
- Werner Bellmann, ed. (2000). Heinrich Böll, Romane und Erzählungen. Interpretationen. Stuttgart: Reclam.
- Hanno Beth (Ed.): Heinrich Böll. Eine Einführung in das Gesamtwerk in Einzelinterpretationen. 2., überarbeitete und erweiterte Auflage. Königstein i.Ts. 1980.
- Alfred Böll: Bilder einer deutschen Familie. Die Bölls. Gustav Lübbe, Bergisch Gladbach 1981.
- Viktor Böll, Markus Schäfer and Jochen Schubert: Heinrich Böll. dtv, Munich, 2002 (dtv portrait).
- Lucia Borghese: Invito alla lettura di Heinrich Böll. Mursia, Milan 1980.
- Michael Butler (Ed.): The Narrative Fiction of Heinrich Böll. Social conscience and literary achievement. Cambridge 1994.
- Conard, Robert C. (1992). Understanding Heinrich Böll. Columbia: University of South Carolina Press.
- Frank Finlay: On the Rationality of Poetry: Heinrich Böll‘s Aesthetic Thinking. Rodopi, Amsterdam/Atlanta 1996.
- Erhard Friedrichsmeyer: Die satirische Kurzprosa Heinrich Bölls. Chapel Hill 1981.
- Lawrence F. Glatz: Heinrich Böll als Moralist. Peter Lang, New York 1999.
- Christine Hummel: Intertextualität im Werk Heinrich Bölls. Wissenschaftlicher Verlag, Trier 2002.
- Manfred Jurgensen (Ed.): Böll. Untersuchungen zum Werk. Francke, Bern/Munich 1975.
- Christian Linder: Heinrich Böll. Leben & Schreiben 1917–1985. Kiepenheuer & Witsch, Cologne 1986.
- Reich-Ranicki, Marcel (1986). Mehr als ein Dichter: über Heinrich Böll (in German). Cologne: Kiepenheuer & Witsch.
- James H. Reid: Heinrich Böll. A German for His Time. Berg Publishers, Oxford/New York/Hamburg 1988. – German: Heinrich Böll. Ein Zeuge seiner Zeit. dtv, Munich 1991.
- Klaus Schröter: Heinrich Böll. Rowohlt, Reinbek 1987 (Rowohlts Monographien).
- Jochen Vogt: Heinrich Böll. 2. Auflage. Beck, Munich 1987.
- Heinrich Vormweg: Der andere Deutsche. Heinrich Böll. Eine Biographie. Kiepenheuer & Witsch, Cologne 2002.
- Sebald, W.G. (1999). Luftkrieg und Literatur: Mit einem Essay zu Alfred Andersch [On the Natural History of Destruction] (in German).
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- Heinrich Böll Foundation (Heinrich Böll Stiftung)
- The Essential Heinrich Boll published by Melville House Publishing in eight volumes.
- The Heinrich Böll Page
- Nobel Archive: Böll, 1972
- A. Leslie Wilson (Spring 1983). "Heinrich Boll, The Art of Fiction No. 74". Paris Review.
- Uni Wuppertal
- Heinrich Böll Website by Dr. Lawrence Glatz
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