The Ghost Goes West
|The Ghost Goes West|
|Directed by||René Clair|
|Produced by||Alexander Korda|
|Screenplay by||René Clair|
Robert E. Sherwood
|Based on||Sir Tristram Goes West|
by Eric Keown
|Music by||Mischa Spoliansky|
|Edited by||Henry Cornelius|
|Distributed by||United Artists|
|17 December 1935 (UK)|
The Ghost Goes West is a 1935 British romantic comedy/fantasy film starring Robert Donat, Jean Parker, and Eugene Pallette, and directed by René Clair, his first English-language film. The film contrasts an Old World ghost dealing with American vulgarity.
This production combines a Hungarian-born British producer, a French director, and an American writer in a British film. This movie was the biggest grossing movie of its year in Great Britain.
Peggy Martin (Parker), the daughter of a rich American businessman (Eugene Pallette), persuades him to purchase a Scottish castle from Donald Glourie (Robert Donat), dismantle it and move it to Florida. Along with the castle goes its ghost.
Murdoch Glourie (also played by Donat) haunts the castle after dying a coward's death in the 18th century. To find rest, he must get a descendant of the enemy Clan MacClaggan to admit that one Glourie is worth fifty MacClaggans.
- Robert Donat as Murdoch Glourie and Donald Glourie
- Jean Parker as Peggy Martin
- Eugene Pallette as Mr. Martin
- Elsa Lanchester as Miss Shepperton
- Ralph Bunker as Ed Bigelow, Martin's rival
- Patricia Hilliard as Shepherdess
- Everley Gregg as Mrs. Martin
- Victor Rietti as the Scientist
- Morton Selten as The Glourie
- Chili Bouchier as Cleopatra
- Mark Daly as Murdoch's Groom
- Herbert Lomas as Fergus
- Elliott Mason as Mrs. MacNiff
- Hay Petrie as The McLaggen
- Quentin McPhearson as Mackaye
Writing for The Spectator in 1935, Graham Greene praised the film. He wrote of how the "camera sense" of René Clair (whose prior films were primarily satiric in nature) manifested itself in the film's "feeling of mobility, of visual freedom" and highlighted Clair's directorial genius. Greene also praised the acting of Pallette and Donat, describing Pallette's portrayal of an American millionaire as the finest performance of his career, and Donat's acting style as imbued with "invincible naturalness".
Both the original treatment and the cutting continuity of the finished film were published in Successful Film Writing as Illustrated by 'the Ghost Goes West' by Seton Margrave. London: Methuen & Co. Ltd., 1936.
- The Ghost Goes West at Turner Classic Movies
- Greene, Graham (27 December 1935). "The Ghost Goes West". The Spectator. (reprinted in: John Russel, Taylor, ed. (1980). The Pleasure Dome. pp. 40–41. ISBN 0192812866.)
- The Film Business in the United States and Britain during the 1930s by John Sedgwick and Michael Pokorny, The Economic History Review New Series, Vol. 58, No. 1 (Feb., 2005), pp.97
- "BEST FILM PERFORMANCE LAST YEAR". The Examiner (LATE NEWS EDITION and DAILY ed.). Launceston, Tasmania. 9 July 1937. p. 8. Retrieved 4 March 2013 – via National Library of Australia.