Jump to content

Tomb Raider (1996 video game)

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Kuru (talk | contribs) at 02:49, 12 February 2008 (Reverted edits by 69.124.213.101 (talk) to last version by Demon!). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

This article is about the original video game. For the series as a whole, see Tomb Raider (series).
For the movie staring Angelina Jolie, see Lara Croft: Tomb Raider.
For the activity of raiding tombs, see grave robbing.
Tomb Raider
PAL cover of the PlayStation version of Tomb Raider.
Developer(s)Core Design,
Aspyr (Mac port)
Publisher(s)Eidos Interactive
Designer(s)Toby Gard (lead graphic artist), Paul Douglas (lead programmer), Martin Iveson and Nathan McCree (music)
EngineProprietary/Custom
Platform(s)PlayStation, Sega Saturn, MS-DOS, Macintosh
ReleaseUnited States November 15 1996
United Kingdom November 22 1996
Genre(s)Third-person shooter/Platform
Mode(s)Single player

Tomb Raider is a video game developed by Core Design and published by Eidos Interactive. It was originally released in 1996 for MS-DOS, PlayStation, and Sega Saturn. Tomb Raider follows the exploits of Lara Croft, a British female archaeologist in search of ancient treasures à la Indiana Jones. The game was critically acclaimed and widely influential.[1] It spawned a number of sequels and a franchise of related media.

Story

Plot

In Tomb Raider, Lara Croft hunts for pieces of a talisman called the Scion, the first of which is found in the Tomb of Qualopec, Peru.

The story opens with a prologue in Los Alamos County, New Mexico. A nuclear test causes an earthquake which exposes an ancient device buried beneath the desert. The device is set into motion and reveals a frozen lifeform. The story then continues in the present day.

After Lara Croft returns from an expedition in the Himalayas she is contacted by an American named Larson, who works for the wealthy businesswoman Jacqueline Natla, owner of Natla Technologies. At Natla's request, Lara sets out on an expedition to recover a mysterious artifact called the Scion from the lost tomb of Qualopec, in the mountains of Peru. However after successfully retrieving the object, she is nearly robbed of it when Larson attempts to kill her outside the tomb. Wasting no time, Lara sets out to discover why Natla double-crossed her, and breaks into her office to find out more about the truth behind the artifact, of which there appears to be more than one piece. She discovers a medieval manuscript which reveals the whereabouts of a second piece of the Scion, which is buried beneath an ancient monastery of St. Francis in Greece. It appears Natla has sent Pierre Dupont, a rival French archaeologist, to recover the fragment from the site. Hot on each others trail, Lara and Pierre race each other through the catacombs of the monastery to get to the second Scion first. The battle comes to a head at the tomb of Tihocan, where Lara recovers the second Scion & finally kills Pierre Dupont. An inscription inside the tomb reveals that Tihocan was one of three joint rulers of Atlantis. At some point a calamity struck which sunk the continent into the ocean and scattered their culture over the world. Qualopec continued to rule in South America, Tihocan in Greece, and it appears a third ruler thrived in Egypt.

File:Tomb Raider Natla.png
Miss Jacqueline Natla, the game's primary antagonist.

Lara travels to the Valley of the Kings where she quickly discovers the third Scion, and is faced with Larson one last time. Upon leaving the tomb however, she is awaited by Natla and her henchmen, who steal the three artifacts from her and nearly kill her. Lara escapes and follows their trail to a remote island, where mining operations of Natla Technologies have partially exposed the Great Pyramid of Atlantis. After making her way through the mines dispatching Natla's goons, Lara reaches the heart of the pyramid chamber, where the three Scions are fused together as a source of power. In a flashback, it is revealed that Natla was the third ruler of Atlantis, and that she betrayed her co-rulers by abusing the power of the Scion amulet for genetic experimentation. As punishment, she was locked into a stasis cell by Qualopec and Tihocan, and buried beneath the ground. The power released by the pyramid and the Scion caused a major cataclysm destroying the once powerful and advanced civilization. As a result (similar to Easter Island) the survivors lost all their knowledge and power, and had to slowly rebuild from the ground up. Centuries later Natla awoke when the cell was exposed by an earthquake. With her cunning and knowledge she quickly became incredibly rich and powerful around the world.

Having regained the power of the artifacts, Natla now attempts to restore her former power with an army of genetic mutants. However Lara manages to destroy the Scion and kills Natla. The pyramid is destroyed along with the mutants, and the remains of the Atlantean civilization.

Locations

Before commencing the actual game, players may choose to complete a training course set in Lara's home. This tutorial is designed to get the player acquainted with the basics of the game and includes jumping and climbing techniques on ten vaulting boxes. The story mode begins with an introductory sequence, after which the player is taken to the first level in Peru. Throughout the game, Lara travels across the globe in search for the three artifact parts in four different locales:

  • Peru (4 levels): The game begins in the mountains of Peru, where the player discovers the entrance to the long lost city of Vilcabamba. Deep within the mountains near Vilcabamba, she finds the ancient tomb of Qualopec. The action takes place in valleys and tombs around an Incan city.
  • Greece (5 levels): The levels in Greece are set inside the medieval monastery of St. Francis, which was built upon the side of a mountain that conceals layer upon layer of civilization, hearkening back to the Golden age of Greece and Rome.
  • Egypt (3 levels): In Egypt, in a hidden canyon near the Valley of the Kings, Lara explores buried pyramids and a sphinx in a place called the Sanctuary of the Scion.
  • Atlantis (3 levels): The final part takes place on a remote island in an unspecified location, where mining operations of Natla Technologies have partially exposed the great pyramid of Atlantis. This is where the mystery unfolds.

Gameplay

Overview

File:Tomb Raider St Francis Folly.png
Lara in her attack stance, with pistols drawn. St. Francis' Folly, Greece.

In Tomb Raider, the player controls the female archaeologist Lara Croft, in search for the three mysterious Scion artifacts across the world. The game is presented in third person perspective. Lara is always visible and the camera follows the action from behind or over her shoulder. The world she inhabits is fully drawn in three dimensions and characterized by its cubic nature. Ledges, walls and ceilings sit at 90 degrees to each other, although the game designers sometimes obscure this to make it less obvious.

The object of Tomb Raider is to guide Lara through a series of tombs and other locations in search of treasures and artifacts. On the way, she must kill dangerous animals and other creatures, while collecting objects and solving puzzles to gain access to an ultimate prize, usually a powerful artifact. Gunplay is restricted to the killing of various animals that appear throughout each stage, although occasionally Lara may be faced with a human opponent. Instead the emphasis lies on solving puzzles and performing trick jumps to complete each level. As such, Tomb Raider in essence harkens back to the classical form of platform style gameplay.[2][3]

Features

File:Tomb Raider City of Vilcabamba.png
City of Vilcabamba, Peru.

Movement in the game is varied and allows for complex interactions with the environment. Besides walking, running, and jumping, Lara can perform side-steps, hang on ledges, roll over, dive, and swim through water. In a free environment, Lara has two basic stances: one with weapons drawn and one with her hands free. By default she carries two pistols with infinite ammo. Additional weapons include the shotgun, dual magnums and dual Uzis. At a certain point in the story, Lara will be stripped of all her weapons, leaving the player defenceless and forced to recover her pistols, a development which later became a staple of the series.

Numerous enemies as well as a variety of lethal traps can bring about Lara's death in Tomb Raider, the most important threat of which is falling to death. As the game adopts a platform style approach of progress, well timed jumps must often bring Lara safely to the other side of a ledge or she will plummet to the ground below. Other means by which the game will prematurely end include death by burning, drowning, electrocution, becoming impaled on spikes, being shot, being crushed, or lethal damage from animals, human enemies or creatures.

File:Tomb Raider Items.png
Key items found throughout the game.

A general action button is used to perform a wide range of movements in Tomb Raider, such as picking up items, pulling switches, firing guns, pushing or pulling blocks, and grabbing onto ledges. Regular items to pick up include ammo, and small and large medipacks. Game-specific items are keys and artifacts required to complete a stage. Any item that is collected is held onto in Lara's inventory until it is used.

The puzzles that the player encounters across each level vary: pulling specific combinations of levers, a course of timed jumps, avoiding a certain trap or collecting several keystones.

Throughout each stage, one or more secrets may be located. Discovering these secrets is optional, and when the player has found one a tune plays. The locations of these secrets vary in difficulty to reach. Some are hidden along the roadside in bushes, others require the completion of a hidden course or optional puzzle to be found. The player is usually rewarded with extra items.

In the PlayStation and Sega Saturn versions of Tomb Raider, saving the game is restricted to fixed save points within each level, marked by a floating blue crystal. When Lara touches one of these the option to save is made available. The scarcity of these points, however, means that if the player dies, large portions of each level must be replayed, much to the players' frustration. Following criticism on this system, Core implemented a save anywhere at any time feature in Tomb Raider II.[4] The DOS and Mac versions of the game allow the player to save at any time.

A stage is finished when a certain doorway is reached, an artifact is recovered, or a boss is destroyed.

Development history

Preliminary work on Tomb Raider commenced in 1993, but it was not until November 1996 that the game actually saw the light of day as a retail product.[5] The title was crafted by Core Design of Europe, who took 18 months to develop it.[6] The team consisted of six people, among them Toby Gard, who is credited with the creation of Lara Croft.[7] The character went through several changes before Core settled on the version she became famous for. In its earliest conception, Lara Croft was a male placeholder for an as yet undefined character, but as Core decided that puzzles and stealth should be more important to the game than action, they found that these requirements better suited a female character than a classic male action hero.[8]

As such Lara was born under the name Laura Cruz.[7] "Laura" was later dropped in favour of Lara, to appeal more to American audiences. At the same time, her backstory started to shape up and it was decided she should become more British, hence Cruz was changed to Croft to accommodate this.[7] Personality-wise, Lara was a cold-blooded militaristic type in the early concepts.[9] According to Toby Gard, the idea to make her a female Indiana Jones was not present from the beginning, but rather grew naturally out of the development process as the game took its final form.[5]

Lara's famous breast size was in actuality brought about by accident. Toby Gard was adjusting the model when he accidentally blew up Lara's bosom to 150% of what he intended it to be.[9] As he was resizing it back to normal, the other designers saw what he was working on and told him they loved it and that he should keep the increased size. The front of the Derby Studios building where Core Design worked on the game was later used as the front of Croft Manor.

It is Core's contention that the company was struggling somewhat with 32-bit development at that time.[5] The first glints of the game were seen on Sega Saturn development kits. However, ultimately, it would be the PlayStation rendition that would be known best.[5]

Legacy

Reception

Upon its release in 1996, Tomb Raider was widely praised by gaming magazines for its revolutionary graphics, inventive gameplay, and involving storyline.[10][11] The level of sophistication Tomb Raider reached by combining state-of-the-art graphics, an atmospheric soundtrack, and a cinematic approach to gameplay was at the time unprecedented.[12] The resulting sales were consequential, topping the British charts a record three times,[7] and contributing much to the success of the PlayStation.[13] In the previous year, Eidos Interactive had recorded a nearly $2.6 million in pre-tax loss. The success of the game turned this loss into a $14.5 million profit in only a year.[14]

As one of the top selling games of the PlayStation console, it was one of the first to be released on PlayStation's Platinum series, and its success made Tomb Raider II one of the most anticipated games of 1997. In 1998, Tomb Raider won the Origins Award for Best Action Computer Game of 1997.[15] The Lara Croft character was prominently featured in the popular media outside the realm of video gaming, for instance on the cover of cutting-edge pop culture magazine The Face in June 1997.

Nevertheless, Tomb Raider received some criticism for minor camera and object glitches,[16] as well as its difficult save system.[4] Additionally gamers complained at the lack of action in favour of puzzle solving, although ironically, Tomb Raider II would be criticized for its over abundance of violence, especially against human opponents.[17]

Cultural icon

The game's use of a hard edged, female heroine has been both hailed as revolutionary (breaking away from the male perspective of game playing) and derided as sexist for its stereotypical depiction of a woman designed to appeal to teenage boys.[18][19] Nevertheless, Lara caused a sensation in the gaming world and catapulted her to cyber celebrity status. Aside from game appearances, Lara was featured on covers of magazines, in comic books and movies.[20] The amount of media coverage Lara received at the time was previously unheard of, with many magazines even outside the video game industry printing articles on her.[5] Several large corporations, such as Timberland,[5] and Lucozade wanted to use her as their spokesperson. The image of Lara Croft was used by U2 in their PopMart Tour.[7]

Nude Raider

A development in Lara's history is the so-called Nude Raider patch. This patch was created externally from Core and Eidos and was never housed on the Eidos or Core websites. The patch, when added to an existing Tomb Raider game, caused Lara to appear naked. Contrary to rumor, there is no method of creating a nude Lara in any console version of the game. In April 2004, it was falsely alleged that an insider from Eidos reported to a Tomb Raider electronic mailing list that Eidos had begun suing gamers using the Nude Raider patches. Eidos sent cease and desist letters to the owners of nuderaider.com who were hosting the Nude Raider patch, enforcing their intellectual property of Tomb Raider. Sites depicting nude images of Lara Croft have been sent cease and desist notices and shut down,[21] and Eidos Interactive was awarded the rights to the domain name nuderaider.com.[22] As of January 2008, the nuderaider domain is registered to Netcorp of Glendale, California and points to a completely generic search engine page.

Versions and expansions

Tomb Raider was released for DOS, Macintosh, and the PlayStation and Sega Saturn game consoles. A version for the Tapwave Zodiac handheld console was in development, but got cancelled before release.[citation needed] Saving methods are different; on the DOS and Macintosh versions one can save anywhere, while on the PlayStation and Sega Saturn versions the player is required to find Save Crystals to save. The DOS version also does not include the additional incidental music during gameplay. The PlayStation & Sega Saturn version only have one kind of Ambience, PC has four different Ambient tracks.

The game's graphics rendering varies from platform to platform. Of the two console ports, the Saturn offers slightly higher frame rates (for smoother gameplay), but the PlayStation offers better quality (in the form of fewer rendering defects.) When played on suitably fast host PCs, both the DOS and Macintosh ports are capable of much higher-resolution visuals, although the limited (256 colour) textures gives the game screen a characteristic harsh look. In addition, to the universal DOS port, several editions of the DOS port exist, to support different 3D/graphics boards. The 3DFX and Rendition Verite editions are considered the best[citation needed], offering both drastically improved visuals and higher frame-rates, at a display-resolution of 640x480 pixels. The PowerVR port offers the highest resolution (up to 1024x768), but lacks bilinear-filtering. Due to the non-conventional (tile-based deferred rendering) architecture of the PowerVR1, the frame-rate is more dependent on host-CPU speed than the selected resolution. The S3/Virge edition is, by all reports, a disappointment. At 640x480, not only does the Virge/3D run substantially slower than a Pentium/100 running the game in software-rendering mode, the Virge's frame rate is so inconsistent that the game is unplayable. At 320x200, a Pentium/100MHz is equally fast in both software-rendering and Virge/3D rendering, although the Virge/3D edition offers arguably better visuals.

The Greatest Hits edition of the PlayStation version has extra demos and videos of other Eidos games. The early version contained demos for Tomb Raider II and Fighting Force. The next print contained Legacy of Kain: Soul Reaver, Tomb Raider III, and Gex 3: Deep Cover Gecko with videos of Fear Effect and Fighting Force 2.

Tomb Raider Gold

Main article: Tomb Raider: Unfinished Business

In 1998, shortly after the release of Tomb Raider II, Tomb Raider was re-released for DOS and released for the first time for Macintosh. This release, titled Tomb Raider Gold in North America, and Tomb Raider: Unfinished Business elsewhere, featured the regular game as well as four new bonus levels in two extra scenarios. The re-release was exclusive to DOS and Macintosh. These bonus scenarios were made free to download for owners of the original Tomb Raider. The levels for Tomb Raider Gold were created in the San Francisco office of Eidos by Phil Campbell, Rebecca Shearin, and Gary LaRochelle.[23]

  • Egypt (2 levels): The game begins with the Shadow of the Cat episode. Lara returns to the City of Khamoon in search of an undiscovered tomb dedicated to the Egyptian cat-goddess, Bastet. The tombs she once explored in the original game have been flooded, allowing access to previously unreachable areas and opening a whole new world of possibilities.
  • Atlantis (2 levels): Continuing from the exact point the original game ends, Unfinished Business takes Lara Croft back to the bottom of the pyramid. Further studies reveal the existence of a stronghold crawling with surviving creatures guarding an alien hatchery.

The levels' designers have recommended that the Atlantis levels should ideally be played by cheat-skipping over the Egypt levels, so as to start only with the default pistols and no other ammunition, as was originally intended.[24]

Anniversary edition

The first hint about a remake of the original Tomb Raider was a financial release from SCi Entertainment that revealed a game Tomb Raider 10th Anniversary Edition for PSP, which was supposed to be released in summer 2006.[25] Another hint appeared as a rumour on May 30, 2006: "Eidos/SCi are planning on celebrating Lara's 10th birthday by releasing a remake of her original adventure".[26] A video game trailer showing footage of a new Tomb Raider game was distributed on the Internet on June 8, 2006. The titles and logos of the trailer claimed that the title was Lara Croft Tomb Raider: Anniversary Edition, a PSP game by Core Design. The trailer featured Lara Croft in familiar yet remodelled environments from the original Tomb Raider. On June 15, 2006, Core Design released an official statement claiming that the trailer was "an internal presentation of a game that was being developed by Core Design until very recently", and had been completely cancelled by SCi.[27]

However, on June 16, Eidos Interactive officially announced a 10th Anniversary Edition of Tomb Raider, being developed by Crystal Dynamics instead of Core Design.[28] On October 30, 2006 Eidos announced that this new instalment in the series will be named Lara Croft Tomb Raider: Anniversary. The game is a retelling of the first Tomb Raider. Tomb Raider Anniversary was released for PSP, PS2, Wii,[29] and Windows platforms. The PS2 and PC versions were released on June 1, 2007 in Europe, and in the USA on June 5, 2007. The PSP version was released in June, the Xbox 360 version was released in October and the Wii version was released November 14. The Xbox 360 version of the videogame was made available for download from the Xbox Live Marketplace in November 2007 with the Tomb Raider: Legend disc being required to use it. However, the game was also released later on disc to retailers, just like all of the other versions.

Music

The music for Tomb Raider was composed by Martin Iveson and Nathan McCree. The game uses a solo oboe melody for the main theme. Variations of this main theme have been used throughout all of the Tomb Raider games.

The symphonic sounds of the earlier games were created using Roland Corporation's Orchestral Expansion board for their JV series keyboards.

Notes

  1. ^ GameSpot Staff (2001). "GameSpot Presents: 15 Most Influential Games of All Time". GameSpot. Retrieved 2007-07-31. {{cite web}}: Check date values in: |date= (help)
  2. ^ Cope, Jamie (December 1996). "Tomb Raider: Like shooting gorillas in a barrel". Game Revolution. Retrieved 2007-08-02. {{cite web}}: Check date values in: |date= (help)
  3. ^ Pomeroy, Ashley (2005-07-25). "Tomb Raider review". MobyGames. Retrieved 2007-08-02.
  4. ^ a b Martin, Tomb Raider 2 review, Absolute PlayStation, Retrieved 2007-08-01
  5. ^ a b c d e f Blache III, Fabian; Fielder, Lauren (2002), The History of Tomb Raider: Series History, GameSpot, p. 1, retrieved 2007-07-31{{citation}}: CS1 maint: date and year (link)
  6. ^ Boyer, Crispin (August 1997), "Straight to the Core... (interview with Andrew Thompson)", Electronic Gaming Monthly, pp. 94–96{{citation}}: CS1 maint: date and year (link)
  7. ^ a b c d e Sawyer, Miranda (June 1997), "Lara hit in The Face: Article by Miranda Sawyer", The Face, retrieved 2007-07-31{{citation}}: CS1 maint: date and year (link)
  8. ^ Howson, Greg (2006-04-18). "Lara's Creator Speaks". Guardian Unlimited. Retrieved 2007-08-02.
  9. ^ a b Sawyer, Miranda (June 1997), "Lara hit in The Face: Interview with Toby Gard", The Face, retrieved 2007-07-31{{citation}}: CS1 maint: date and year (link)
  10. ^ Metacritic, review scores from leading magazines, 91/100 metascore
  11. ^ Funk, Joe (August 1997), "Insert Coin (Editorial)", Electronic Gaming Monthly, p. 6, retrieved 2007-07-31{{citation}}: CS1 maint: date and year (link)
  12. ^ Blache III, Fabian; Fielder, Lauren (2002), The History of Tomb Raider: The Games, GameSpot, p. 2, retrieved 2007-07-31{{citation}}: CS1 maint: date and year (link)
  13. ^ Blache III, Fabian; Fielder, Lauren (2002), The History of Tomb Raider: Introduction, GameSpot, retrieved 2007-07-31{{citation}}: CS1 maint: date and year (link)
  14. ^ Newsweek (June 10 1997). "Article in Newsweek". Newsweek. Retrieved 2007-08-02. {{cite web}}: Check date values in: |date= (help)
  15. ^ Origin Awards, List of Winners, 1997
  16. ^ Martin & Dave (December 1996), Tomb Raider review, Absolute PlayStation, Retrieved 2007-08-02
  17. ^ Price, James (December 1998), "Analysis: Tomb Raider 3", Official UK PlayStation Magazine, no. 39, pp. 108–111{{citation}}: CS1 maint: date and year (link)
  18. ^ Kennedy, Helen W. (December 2002), "Lara Croft: Feminist Icon or Cyberbimbo? On the Limits of Textual Analysis", The International Journal of Computer Game Research, vol. 2, no. 2, retrieved 2007-08-07{{citation}}: CS1 maint: date and year (link)
  19. ^ Rodman, Adam. "'Women in Action-Adventure and Adventure Games: Sexism to the Max". Just Adventure+. Retrieved 2007-08-01.
  20. ^ Blache III, Fabian; Fielder, Lauren (2002), The History of Tomb Raider: The Merchandise, GameSpot, p. 1, retrieved 2007-07-31{{citation}}: CS1 maint: date and year (link)
  21. ^ IGN Staff (March 22, 1999). "'Nude Raider' Crackdown". IGN. Retrieved 2007-07-31.
  22. ^ Legal Technology Insider, E-Business + Law Newsletter 30 (1999)
  23. ^ Tomb Raider Gold release info, laracroft.name
  24. ^ Philip Campbell interview, The Croft Times, 1998
  25. ^ Klepeck, Patrick (September 30 2005). "Eidos Outlines 2006 Plans". 1UP.com. Retrieved 2007-07-31. {{cite web}}: Check date values in: |date= (help)
  26. ^ Ashcraft, Brian (May 30 2005). "Tomb Raider Remake?". Kotaku. Retrieved 2007-07-31. {{cite web}}: Check date values in: |date= (help)
  27. ^ Rose, Alan (June 16 2006). "Tomb Raider remake for PSP canceled". Joystiq. Retrieved 2007-07-31. {{cite web}}: Check date values in: |date= (help)
  28. ^ Glover, Chris (June 19 2006). "Eidos confirms '10th Anniversary Edition' of Tomb Raider". SCi Entertainment Group. Retrieved 2007-07-31. {{cite web}}: Check date values in: |date= (help)
  29. ^ Casamassina, Matt (May 14, 2007). "Eidos Talks Wii Lara Croft". IGN. Retrieved 2007-07-31.

References

Retrieved from "https://en.wikipedia.org/w/index.php?title=Tomb_Raider_(1996_video_game)&oldid=190794898"