Us (2019 film)

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Us
Us (2019) theatrical poster.png
Theatrical release poster
Directed byJordan Peele
Produced by
Written byJordan Peele
Starring
Music byMichael Abels
CinematographyMike Gioulakis
Edited byNicholas Monsour
Production
companies
Distributed byUniversal Pictures[1]
Release date
‹See TfM›
  • March 8, 2019 (2019-03-08) (SXSW)
  • March 22, 2019 (2019-03-22) (United States)
Running time
116 minutes[2]
CountryUnited States
LanguageEnglish
Budget$20 million[3]
Box office$255.2 million[3]

Us is a 2019 American horror film written and directed by Jordan Peele, starring Lupita Nyong'o, Winston Duke, Elisabeth Moss, and Tim Heidecker. The film follows Adelaide Wilson (Nyong'o) and her family, who are attacked by a group of menacing doppelgängers.

The project was announced in February 2018, and much of the cast joined in the following months. Peele produced the film alongside Jason Blum and Sean McKittrick (the trio previously having collaborated on Get Out and BlacKkKlansman), as well as Ian Cooper. Filming took place from July to October 2018 in California, mostly in Los Angeles, Pasadena and Santa Cruz.

Us had its world premiere at South by Southwest on March 8, 2019, and was theatrically released in the United States on March 22, 2019, by Universal Pictures. It was a critical and commercial success, grossing $255 million worldwide against a budget of $20 million, and received praise for Peele's screenplay and direction, as well as the musical score and Nyong'o's performance.

Plot[edit]

In 1986, a young girl named Adelaide Thomas goes on vacation with her parents to Santa Cruz. At the Santa Cruz Beach Boardwalk, she wanders off and enters a funhouse, where she encounters a doppelgänger of herself in the House of mirrors.

In the present day, the now-adult Adelaide is haunted by memories of the encounter. She goes on vacation with her husband, Gabe Wilson, and their children, Zora and Jason. She is apprehensive about the trip, but Gabe, eager to impress their rich friends Josh and Kitty Tyler, brushes off her misgivings. At the beach, Jason sees a man standing with his arms outstretched, blood dripping from one hand.

That night, a family of four dressed in red surfaces in the Wilsons' driveway. They break into the house and attack them. The intruders turn out to be the Wilsons' doppelgängers. They include Pluto (Jason's counterpart who behaves akin to a feral dog, growling on all fours), Umbrae (Zora's double who consistently has a sadistic smirk), Abraham (Gabe's double who can only groan nonsensically), and are led by Red (Adelaide's double who talks in a raspy voice). The only one who can talk, Red explains that the doppelgängers are called the Tethered, that they share a soul with their counterparts, and that they have come to "untether" themselves. She tells them the story of a girl who is loved and happy while her "shadow" remains in the dark, suffering.

The family is separated by their doppelgängers: Red makes Adelaide handcuff herself to a table; Zora is pursued by Umbrae; Gabe is pursued by Abraham; Jason is sent to "play" with Pluto. Zora evades Umbrae and Gabe kills Abraham, while Jason discovers that Pluto mirrors his actions and locks him in the closet. Red is drawn away by Pluto's cries, allowing Adelaide to break free. The family regroups and escapes on their boat.

Meanwhile, the Tyler family is murdered by their Tethered. The Wilsons arrive and are forced to kill the Tylers' doubles. They turn on the news to see that the Tethered have been murdering their equivalents across the United States. When Zora drives the family away in the Tylers' car, Umbrae attacks, but is thrown off the car and killed.

At the Santa Cruz boardwalk, the Wilsons find the road blocked by their own car, which has been set on fire. Pluto has set a trap for the Wilsons, standing over a gasoline trail with a match. Jason, remembering that Pluto imitates him, makes Pluto walk into the fire. Red abducts Jason. While Gabe recuperates from his wounds with Zora, Adelaide returns to the funhouse and finds a secret tunnel in the hall of mirrors. It leads to an underground facility overrun by rabbits, where she finds Red.

Red explains that the Tethered are clones, created by the government to control their counterparts on the surface. When the experiment failed, the Tethered were abandoned underground for generations, mindlessly copying the actions of their counterparts until Red organized them to escape and take revenge. Red and Adelaide fight, with Red countering all of Adelaide's attacks. As Red moves for a final stab, Adelaide impales Red with a fireplace poker and breaks her neck, before rescuing Jason from a locker.

Adelaide drives the family away in the ambulance and recalls the night she first met Red in the hall of mirrors. The doppelgänger choked Adelaide unconscious, chained her in the underground, and secretly took Adelaide's place in the world above, while the real Adelaide became Red. As Adelaide recalls this, Jason looks at his mother suspiciously, hinting he is aware of his mother's true nature. Across the hills, the doppelgängers join hands to form a massive human chain.

Cast[edit]

Performer Main character "Tethered" character
Lupita Nyong'o Adelaide Wilson (née Thomas) Red
Winston Duke Gabriel "Gabe" Wilson Abraham
Shahadi Wright Joseph Zora Wilson Umbrae
Evan Alex Jason Wilson Pluto
Elisabeth Moss Kitty Tyler Dahlia
Tim Heidecker Josh Tyler Tex
Yahya Abdul-Mateen II Russel Thomas Weyland
Anna Diop Rayne Thomas Eartha
Cali Sheldon Becca Tyler Io
Noelle Sheldon Lindsey Tyler Nix
Madison Curry Young Adelaide Young Red
Ashley McKoy Teenage Adelaide Teenage Red
Napiera Groves Dr. Foster Amethyst
Duke Nicholson Danny Tony
Kara Hayward Nancy Syd
Nathan Harrington Glen Jack
Dustin Ybarra Troy Brand
Alan Frazier Ferdie Jeremiah
Lon Gowan Don Joseph
Jordan Peele Dying Rabbit/Fun House Narrator[4] N/A

Production[edit]

Shooting took place at the Santa Cruz Beach Boardwalk.

After being dismayed with the "genre confusion" over his previous film, Get Out,[5] Peele opted to make his next film Us a "full-on" horror film,[6] which was described by Rolling Stone as "spill-your-soda scary" compared to the "existentially terrifying" Get Out.[5] Peele has said that an inspiration for Us was The Twilight Zone episode "Mirror Image" that was centered on a young woman and her evil doppelgänger.[5]

Principal photography began on July 30, 2018 in Santa Cruz, California, including the Santa Cruz Beach Boardwalk. Most of the film was shot in Los Angeles, and the main house featured is located in Pasadena. The house had modifications and the team spent six weeks there.[7] Filming wrapped on October 8, 2018.[8]

The visual effects were provided by Industrial Light & Magic and supervised by Grady Cofer.[9]

Michael Abels, who had previously scored Peele's Get Out, returned to do the same for Us.[10]

Soundtrack[edit]

The 1995 Luniz song "I Got 5 on It" is featured in this film, first at the beginning, when the family is driving to Adelaide's family vacation home and later on in the film when the family of tethered break into the vacation home. The once-fun song transmogrifies into an eerie "Tethered Mix", slowing everything down, and fully indulging the ominous quality of the film. Due to the track's popularity upon the trailer's release, it was edited into the final cut of the film, appearing during the climax.[11] Waxwork Records announced in August 2019 that they would release the soundtrack to the film on vinyl record, which contained Abels' popular score.[12]

Marketing[edit]

The official trailer was released on December 25, 2018.[13] The trailer, which was set to a darker version of the song "I Got 5 on It" by Luniz, featured a similar tone, editing, and shots as Peele's Get Out, prompting speculation that the two films were set in the same universe.[14]

A second trailer was released on February 3, 2019, for Super Bowl LIII. The trailer features a narration by Lupita Nyong'o's character Adelaide, speaking with her husband Gabriel about the strange coincidences happening since they arrived at their beach house, and describing it as a "black cloud" hanging over them. The new theatrical release date, March 22, was announced at the end of the trailer.[15] Deadline Hollywood estimated the studio spent around $77 million on promotion and advertisements for the film.[16]

Release[edit]

Us had its world premiere at the South by Southwest festival on March 8, 2019.[17] It was also screened on March 6, 2019, before its official release, at Howard University.[18] The film was originally scheduled for theatrical release in the United States on March 15, 2019, but was pushed back a week to March 22, following the announcement of its festival premiere.[19]

Home media[edit]

Us was released on 4K UHD Blu-ray, Blu-ray and DVD on June 18, 2019.[20] The 4K release is an upscale from the 2K master.[21]

Reception[edit]

Box office[edit]

Us grossed $175.1 million in the United States and Canada, and $80.1 million in other territories, for a worldwide total of $255.2 million, against a production budget of $20 million.[3] Deadline Hollywood calculated the net profit of the film to be $119 million, when factoring together all expenses and revenues.[22]

In the United States and Canada, initial tracking had Us grossing $35–40 million in its opening weekend.[23] By the week of its release, estimates had risen to $45–50 million, with advance ticket sales on Fandango outpacing A Quiet Place ($50.2 million) and Get Out ($33.7 million).[24] The film made $29.1 million on its first day, including $7.4 million from Thursday night previews, one of the best-ever for a horror film and far higher than the $1.8 million Thursday grossed by Get Out, increasing weekend estimates for Us to $68 million.[25] It went on to debut to $71.1 million, the second best opening for a live-action original film after Avatar ($77 million in 2009), as well as the third-best total for a horror film after It ($123.4 million in 2017) and Halloween ($77 million in 2018) and the best ever opening for an original horror film not based on a known property.[16][26] In its second weekend the film made $33.6 million, dropping 52.7% (slightly above-average for a horror film but much larger than the 15% seen by Get Out), finishing second, behind newcomer Dumbo.[27]

Critical response[edit]

On review aggregator Rotten Tomatoes, the film has an approval rating of 93% based on 533 reviews, with an average rating of 7.93/10. The website's critical consensus reads, "With Jordan Peele's second inventive, ambitious horror film, we have seen how to beat the sophomore jinx, and it is Us."[28] On Metacritic, the film has a weighted average score of 81 out of 100, based on 56 critics, indicating "universal acclaim".[29] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, while those at PostTrak gave it an overall positive score of 80%, with 60% saying they would definitely recommend it.[16]

Monica Castillo of RogerEbert.com gave the film four out of four, writing that: "Us is another thrilling exploration of the past and oppression this country is still too afraid to bring up. Peele wants us to talk, and he's given audiences the material to think, to feel our way through some of the darker sides of the human condition and the American experience."[30] David Griffin of IGN gave the film 9.0/10, calling it "a very, very strange film. But that's OK because it wouldn't be a Jordan Peele joint if there wasn't a little risk involved. Peele has proven that he's not a one-hit wonder with this truly terrifying, poignant look at one American family that goes through hell at the hands of maniacal doppelgangers".[31] John DeFore of The Hollywood Reporter called Us "a fiercely scary movie whose meaning is up for grabs".[1]

Richard Brody of The New Yorker called the film a "colossal achievement," writing that, "Us is a horror film—though saying so is like offering a reminder that The Godfather is a gangster film or that 2001: A Space Odyssey is science fiction. Genre is irrelevant to the merits of a film, whether its conventions are followed or defied; what matters is that Peele cites the tropes and precedents of horror in order to deeply root his film in the terrain of pop culture—and then to pull up those roots."[32]

Conversely, Stephanie Zacharek of Time thought Peele had too many ideas and not enough answers compared to Get Out and said, "Peele goes even deeper into the conflicted territory of class and race and privilege; he also ponders the traits that make us most human. But this time, he's got so many ideas he can barely corral them, let alone connect them. He overthinks himself into a corner, and we're stuck there with him."[33]

Themes and interpretations[edit]

Critic Jim Vejvoda related the Tethered to "urban legends" and "xenophobic paranoia about the Other", also writing they resembled the Morlocks in H. G. Wells's 1895 novel, The Time Machine.[34] Journalist Noel Ransome viewed the film as being about "the effects of classism and marginalization", writing "the Tethered are effigies of this same situational classism. They're trapped—mentally and physically—and ignored".[35] Joel Meares of Rotten Tomatoes also noted that the Tethered, referencing the "we're Americans" line, are representatives of the duality of American society, how some citizens can afford to live on top of the class system, while others are stuck in poverty. He also noted the title Us could mean "U.S.", or United States.[36]

Manohla Dargis of The New York Times notes that the Wilsons are "introduced with an aerial sweep of greenery" similar to the opening of Stanley Kubrick's The Shining and sees that movie as the principal influence on Us. Describing Peele as a "true cinephile", she also identifies allusions to other films, including Jaws, A Nightmare on Elm Street, and The Goonies, as well as one scene suggesting an influence by the Austrian film director Michael Haneke's 1997 horror film Funny Games and subsequent U.S. remake.[37]

The Tethered's red jump suits and single glove were an allusion to Michael Jackson along with the "Thriller" shirt seen on young Adelaide, and Peele has stated that Jackson was "the patron saint of duality".[36][38] Peele referenced many other instances of 1980s culture, including allusions to The Lost Boys and Hands Across America, stating "Everything in this movie was deliberate, that is one thing I can guarantee you. Unless you didn't like something and that was a complete accident".[38][39]

The film contains numerous references to Jeremiah 11:11, which reads: "Therefore thus saith the Lord: 'I will bring on them a disaster they cannot escape. Although they cry out to me, I will not listen to them'" (NIV). Critic Rosie Fletcher commented on the context, with Jeremiah warning Jerusalem was facing destruction due to false idols, and expressed the opinion that the film's characters also "worshiped the wrong things", such as Ophelia, the virtual assistant.[40]

Peele later explained in the film's digital release special features that a central theme of the film is American privilege:[41]

"One of the central themes in Us is that we can do a good job collectively of ignoring the ramifications of privilege. I think it's the idea that what we feel like we deserve comes, you know, at the expense of someone else's freedom or joy. You know, the biggest disservice we can do as a faction with a collective privilege like the United States is to presume that we deserve it, and that it isn't luck that has us born where we're born. For us to have our privilege, someone suffers. That's where the Tethered connection, I think, resonates the most, is that those who suffer and those who prosper are two sides of the same coin. You can never forget that. We need to fight for the less fortunate."

— Jordan Peele[41]

Accolades[edit]

Us was nominated for one Art Directors Guild,[42] four Critics' Choice Movie Awards,[43] one Make-Up Artists and Hair Stylists Guild,[44] three MTV Movie & TV Awards,[45] eight NAACP Image Awards,[46] four People's Choice Awards,[47] one Bram Stoker Award (won),[48] seven Saturn Awards (winning one),[49] one Screen Actors Guild Award,[50] and one World Soundtrack Awards (won).[51]

See also[edit]

References[edit]

  1. ^ a b c DeFore, John (March 8, 2019). "'Us': Film Review - SXSW 2019". The Hollywood Reporter. Retrieved March 21, 2019.
  2. ^ "Us". AMC Theatres. Retrieved March 5, 2019.
  3. ^ a b c "Us (2019)". Box Office Mojo. Retrieved June 25, 2019.
  4. ^ Vargas, Alani (March 2019). "Jordan Peele's 'Us' Cameo Is Very Hard To Spot, But Impossible To Forget". Bustle.com. Retrieved March 26, 2019.
  5. ^ a b c Hiatt, Brian (January 29, 2019). "The All-American Nightmares of Jordan Peele". Rolling Stone. Retrieved February 1, 2019.
  6. ^ Peele, Jordan (March 17, 2019). "'Us' is a horror movie". Twitter. Retrieved April 6, 2019.
  7. ^ Pereira, Alyssa; SFGATE (September 13, 2018). "Jordan Peele filming movie in Santa Cruz with Lupita Nyong'o, Elisabeth Moss, Winston Duke". SFGate. Retrieved February 28, 2019.
  8. ^ D'Alessandro, Anthony (July 30, 2018). "Jordan Peele's 'Us' Starts Production, Rounds Out Cast". Deadline Hollywood. Retrieved July 30, 2018.
  9. ^ "Us - The Art of VFXThe Art of VFX". www.artofvfx.com. December 25, 2018. Retrieved December 25, 2018.
  10. ^ Parisi, Paula (March 22, 2019). "Michael Abels on Delivering a Frightfully Good Score for Jordan Peele's Horror Flick 'Us'". Billboard. Retrieved March 24, 2019.
  11. ^ "Luniz 'I Got 5 on It': The Origin of the Secret Weapon in Jordan Peele's 'Us'". TheWrap. March 28, 2019. Retrieved April 29, 2019.
  12. ^ Saponara, Michael (August 23, 2019). "Jordan Peele's 'Us' Soundtrack Released on Vinyl: Exclusive". Billboard. Retrieved August 7, 2020.
  13. ^ "Us - Official Trailer [HD]". www.youtube.com. YouTube. Retrieved December 25, 2018.
  14. ^ Richards, Jared (December 27, 2018). "Here's Why Fans Think Jordan Peele's Next Film 'Us' Is Connected To 'Get Out'". Junkee. Retrieved December 27, 2018.
  15. ^ Kaplan, Ilana; Kaplan, Ilana (February 3, 2019). "Jordan Peele's 'Us' Reveals New Trailer Ahead of Super Bowl". Rolling Stone. New York City: Wenner Media, LLC. Retrieved February 3, 2019.
  16. ^ a b c D'Alessandro, Anthony (March 24, 2019). "How Universal Drove Jordan Peele's 'Us' To $70M+ Opening, The Best Start For A Live-Action Original Since 'Avatar' – Update". Deadline Hollywood. Retrieved March 24, 2019.
  17. ^ McNary, Dave (January 8, 2019). "Jordan Peele's 'Us' to Open SXSW Film Festival". Variety. Retrieved January 8, 2019.
  18. ^ "Newsroom". Howard Newsroom. Retrieved May 2, 2019.
  19. ^ D'Alessandro, Anthony (January 8, 2019). "Jordan Peele's 'Us' To Hit Theaters A Week Later After Landing SXSW Opening Night Slot". Deadline Hollywood. Retrieved January 8, 2019.
  20. ^ "Us DVD Release Date June 18, 2019". DVDs Release Dates. Retrieved June 17, 2019.
  21. ^ "Us 4K Blu-ray". Blu-ray. June 11, 2019. Retrieved February 23, 2020.
  22. ^ D'Alessandro, Anthony (April 18, 2020). "' Us' Gush Of Cash Puts Jordan Peele Horror Movie At No. 13 On Deadline's 2019 Most Valuable Blockbuster Tournament". Deadline Hollywood. Retrieved April 18, 2020.
  23. ^ D'Alessandro, Anthony (February 28, 2019). "Jordan Peele's 'Us' Eyes $35M-$40M Opening – Early Look". Deadline Hollywood. Retrieved February 28, 2019.
  24. ^ D'Alessandro, Anthony (March 19, 2019). "Jordan Peele's 'Us' To Leave 'Captain Marvel' In The Dust With $45M-$50M Opening". Deadline Hollywood. Retrieved March 19, 2019.
  25. ^ "Jordan Peele's "Us" debuts with massive box office opening". Film Industry Network. March 22, 2019.
  26. ^ D'Alessandro, Anthony (March 25, 2019). "Jordan Peele's 'Us' Powers To $71M+ Opening, A Major Win For Original Fare At The Box Office – Monday AM Update". Deadline Hollywood. Retrieved March 25, 2019.
  27. ^ D'Alessandro, Anthony (March 31, 2019). "'Dumbo' Hovers Low With $46M+ But Hopes On Matinees; Matthew McConaughey Hits Bottom With $1.7M 'Beach Bum'". Deadline Hollywood. Retrieved March 31, 2019.
  28. ^ "Us (2019)". Rotten Tomatoes. Fandango Media. Retrieved March 22, 2020.
  29. ^ "Us Reviews". Metacritic. CBS Interactive. Retrieved March 26, 2019.
  30. ^ Castillo, Monica. "Us Movie Review & Film Summary (2019) | Roger Ebert". www.rogerebert.com. Retrieved March 9, 2019.
  31. ^ Griffin, David (March 9, 2019). "Us Review". IGN. Retrieved March 9, 2019.
  32. ^ Brody, Richard (March 23, 2019). "'Review: Jordan Peele's "Us" Is a Colossal Cinematic Achievement". The New Yorker. Retrieved March 23, 2019.
  33. ^ Zacharek, Stephanie (March 15, 2019). "Review: Jordan Peele's Us Is Dazzling to Look At. But What Is It Trying to Say?". Time. Retrieved March 21, 2019.
  34. ^ Vejvoda, Jim (March 23, 2019). "Us Movie Explained: Hands Across America, Jeremiah 11:11, And The Tethers". IGN. Los Angeles, California: j2 Global. Retrieved March 23, 2019.
  35. ^ Ransome, Noel (March 25, 2019). "Jordan Peele's 'Us' Is Not-so-Secretly About Class". Vice.com. New York City: Vice Media. Retrieved March 26, 2019.
  36. ^ a b Meares, Joel (March 28, 2019). "Jordan Peele's Us Explained: The Big Twists, References, Themes, And Allusions". Rotten Tomatoes. Beverly Hills, California: Fandango Media. Retrieved March 29, 2019.
  37. ^ Dargis, Manohla (March 20, 2019). "'Us' Review: Jordan Peele's Creepy Latest Turns a Funhouse Mirror on Us". The New York Times. New York City: New York Times Company.
  38. ^ a b Thompson, Rachel (March 19, 2019). "Jordan Peele explains the significance of the Michael Jackson imagery in 'Us'". Mashable. Retrieved March 29, 2019.
  39. ^ Ryan, Mike (March 19, 2019). "Jordan Peele On Why He Hid Three Corey Feldman Easter Eggs In 'Us'". Uproxx. Culver City, California: Uproxx Media Group. Retrieved April 1, 2019.
  40. ^ Fletcher, Rosie (March 23, 2019). "Us: How Jeremiah 11:11 Fits in Jordan Peele Movie". Den of Geek. London, England: Dennis Publishing. Retrieved March 23, 2019.
  41. ^ a b Miller, Shannon (June 4, 2019). "Jordan Peele explains how privilege influenced Us in an exclusive clip". The A.V. Club. Los Angeles, California: j2 Global. Retrieved June 7, 2019.
  42. ^ Giardina,Carolyn (December 9, 2019). "'Joker,' 'Once Upon a Time in Hollywood,' 'Rise of Skywalker' Among Art Directors Guild Nominees". The Hollywood Reporter. Retrieved December 4, 2019.
  43. ^ "Critics' Choice Awards: 'The Irishman' Leads With 14 Nominations". The Hollywood Reporter. December 8, 2019. Retrieved December 8, 2019.
  44. ^ Pond, Steve (November 11, 2019). "'Bombshell' and 'Rocketman' Lead Make-Up Artists & Hair Stylists Guild Nominations". The Wrap. Retrieved November 11, 2019.
  45. ^ Yang, Rachel (May 14, 2019). "'Avengers: Endgame,' 'Game of Thrones' Dominate MTV Movie & TV Award Nominations". Variety. Retrieved May 14, 2019.
  46. ^ Haring, Bruce (January 9, 2020). "NAACP Image Awards Nominees: 'Harriet,' 'When They See Us', Netflix Lead Way". Deadline Hollywood. Retrieved January 9, 2020.
  47. ^ Klemme, Kelsey (September 4, 2019). "2019 People's Choice Awards: Complete List of Nomineess". E! News. Retrieved September 4, 2019.
  48. ^ "2019 Stoker Awards Winners". Locus. Locus Publications. Retrieved April 28, 2020.
  49. ^ "The 45th Annual Saturn Awards - 2019 Nominations" (PDF). Deadline Hollywood. July 15, 2019. Retrieved July 15, 2019.
  50. ^ "SAG Awards: 'Bombshell,' 'Irishman,' 'Once Upon A Time in Hollywood' Stars Top Nominees". The Hollywood Reporter. December 11, 2019. Retrieved December 11, 2019.
  51. ^ Hipes, Patrick (October 18, 2019). "Nicholas Britell, 'Chernobyl' Composer, "Shallow" Among World Soundtrack Award Winners". Deadline Hollywood. Retrieved October 19, 2019.

External links[edit]