And the Band Played On (film)
|And the Band Played On|
|Directed by||Roger Spottiswoode|
|Produced by||Sarah Pillsbury
|Screenplay by||Arnold Schulman|
|Based on||And the Band Played On: Politics, People, and the AIDS Epidemic
by Randy Shilts
|Music by||Carter Burwell|
|Editing by||Lois Freeman-Fox|
|Release date||September 11, 1993|
|Running time||141 minutes|
And the Band Played On is a 1993 American television film docudrama directed by Roger Spottiswoode. The teleplay by Arnold Schulman is based on the best-selling 1987 non-fiction book And the Band Played On: Politics, People, and the AIDS Epidemic by Randy Shilts.
The film premiered at the Montreal Film Festival before being broadcast by HBO on September 11, 1993. It later was released in the United Kingdom, Canada, Spain, Germany, Argentina, Austria, Italy, Sweden, the Netherlands, France, Denmark, New Zealand and Australia.
In a prologue set in 1976, American epidemiologist Don Francis arrives in a village on the banks of the Ebola River in Zaire and discovers many of the residents and the doctor working with them have died from a mysterious illness later identified as Ebola hemorrhagic fever. It is his first exposure to such an epidemic, and the images of the dead he helps cremate will haunt him when he later becomes involved with HIV and AIDS research at the Centers for Disease Control and Prevention.
In 1981, Francis becomes aware of a growing number of deaths from unexplained sources among gay men in Los Angeles, New York City and San Francisco, and is prompted to begin an in-depth investigation of the possible causes. Working with no money, limited space, and outdated equipment, he comes in contact with politicians, numerous members of the medical community (many of whom resent his involvement because of their personal agendas), and gay activists. Of the latter, some such as Bill Kraus support him, while others express resentment at what they see as unwanted interference in their lifestyles, especially in his attempts to close the local bathhouses. While Francis pursues his theory that AIDS is caused by a sexually transmitted virus on the model of feline leukemia, he finds his efforts are stonewalled by the CDC, which is loath to prove the disease is transmitted through blood, and competing French and American scientists, particularly Dr. Robert Gallo. These medical researchers squabble about who should receive credit for discovering the virus. Meanwhile, the death toll climbs rapidly.
- Matthew Modine ..... Dr. Don Francis
- Alan Alda ..... Dr. Robert Gallo
- Ian McKellen ..... Bill Kraus
- Glenne Headly ..... Dr. Mary Guinan
- Richard Masur ..... Dr. William Darrow
- Saul Rubinek ..... Dr. Jim Curran
- Lily Tomlin ..... Dr. Selma Dritz
- Jeffrey Nordling ..... Gaëtan Dugas
- Donal Logue ..... Bobbi Campbell
- B.D. Wong ..... Kico Govantes
- Patrick Bauchau ..... Dr. Luc Montagnier
- Nathalie Baye ..... Dr. Françoise Barre
- Phil Collins ..... Eddie Papasano
- Steve Martin ..... Brother of AIDS patient
- Richard Gere ..... Choreographer
- David Marshall Grant ..... Dennis Seeley
- Ronald Guttman ..... Dr. Jean-Claude Chermann
- Anjelica Huston ..... Dr. Betsy Reisz
- Ken Jenkins ..... Dr. Dennis Donohue
- Richard Jenkins ..... Dr. Marcus Conant
- Tchéky Karyo ..... Dr. Willy Rozenbaum
- Peter McRobbie ..... Dr. Max Essex
- Charles Martin Smith ..... Dr. Harold Jaffe
- Christian Clemenson ..... Dr. Dale Lawrence
- David Clennon ..... Mr. Johnstone
- Swoosie Kurtz ..... Mrs. Johnstone
- Lawrence Monoson ..... Chip
- René LeVant ..... Blood Bank Executive
The film closes with footage of a candlelight vigil and march in San Francisco, followed by a montage of images of persons with HIV or involved with HIV education and research, accompanied by Elton John singing his "The Last Song." The montage includes:
Most reviewers agreed that the filmmakers had a daunting task in adapting Shilts' massive, fact-filled text into a dramatically coherent film. Many critics praised the results. Film review website Rotten Tomatoes gives the film a 100% "Fresh" rating based on eight reviews.
In his review in Variety, Tony Scott said, "If there are lapses, director Spottiswoode's engrossing, powerful work still accomplishes its mission: Shilts' book, with all its shock, sorrow and anger, has been transferred decisively to the screen." John O'Connor of The New York Times agreed that the adaptation "adds up to tough and uncommonly courageous television. Excessive tinkering has left the pacing of the film sluggish in spots, but the story is never less than compelling." And Time magazine said that "Shilts' prodigiously researched 600-page book has been boiled down to a fact-filled, dramatically coherent, occasionally moving 2 hours and 20 minutes. At a time when most made-for-TV movies have gone tabloid crazy, here is a rare one that tackles a big subject, raises the right issues, fights the good fight."
Ken Tucker of Entertainment Weekly graded the film B+ and called it an "intriguing, sometimes awkward, always earnest combination of docudrama, medical melodrama, and mystery story ... The stars lend warmth to a movie necessarily preoccupied with cold research and politics, and they lend prestige: The movie must be important, since actors of this stature agreed to appear. The result of the stars' generosity, however, works against the movie by halting the flow of the drama every time a familiar face pops up on screen ... The emotions and agony involved in this subject give Band an irresistible power, yet the movie's rhythm is choppy and the dialogue frequently stiff and clichéd. The best compliment one can pay this TV movie is to say that unlike so many fact-based films, it does not exploit or diminish the tragedy of its subject."
Time Out New York says, "So keen were the makers of this adaptation of Randy Shilts' best-seller to bombard us with the facts and figures of the history of AIDS that they forgot to offer a properly dramatic human framework to make us care fully about the characters." The review also says that the multiple issues the film attempts to cover "make for a disjointed, clichéd narrative." Channel 4 says the film "is stifled by good intentions and a distractingly generous cast of stars in leads and cameos."
Awards and nominations
- Outstanding Made for Television Movie (winner)
- Outstanding Casting for a Miniseries or a Special (winner)
- Outstanding Editing for a Miniseries or a Special - Single Camera Production (winner)
- Outstanding Directing for a Miniseries or a Special (Roger Spottiswoode, nominated)
- Outstanding Writing in a Miniseries or a Special (nominated)
- Outstanding Lead Actor in a Miniseries or a Special (Matthew Modine, nominated)
- Outstanding Supporting Actor in a Miniseries or a Special (Alan Alda, nominated)
- Outstanding Supporting Actor in a Miniseries or a Special (Richard Gere, nominated)
- Outstanding Supporting Actor in a Miniseries or a Special (Ian McKellen, nominated)
- Outstanding Supporting Actress in a Miniseries or a Special (Swoosie Kurtz, nominated)
- Outstanding Supporting Actress in a Miniseries or a Special (Lily Tomlin, nominated)
- Outstanding Art Direction for a Miniseries or a Special (nominated)
- Outstanding Hairstyling for a Miniseries or a Special (nominated)
- Outstanding Makeup for a Miniseries or a Special (nominated)
- Best Mini-Series Or Motion Picture Made for Television (nominated)
- Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television (Matthew Modine, nominated)
- Best Supporting Actor in a Movie or Miniseries (Ian McKellen, winner)
- Best Movie or Miniseries (nominee)
- Best Supporting Actor in a Movie or Miniseries (Richard Gere, nominated)
- Best Supporting Actor in a Movie or Miniseries (Lawrence Monoson, nominated)
- Best Supporting Actress in a Movie or Miniseries (Swoosie Kurtz, nominated)
- Best Supporting Actress in a Movie or Miniseries (Lily Tomlin, nominated)
- Best Make-Up (nominee)
- GLAAD Media Award for Outstanding TV Movie (winner)
- Casting Society of America Artios Award for Best Casting for TV Movie of the Week (winner)
- American Cinema Editors Eddie Award for Best Edited Motion Picture for Non-Commercial Television (winner)
- Humanitas Prize (Arnold Schulman, winner)
- Montréal World Film Festival Special Grand Prize of the Jury (Roger Spottiswoode, winner)
- "''And the Band Played On'' at". Rottentomatoes.com. Retrieved 2013-12-04.
- Tony Scott (1993-08-30). "''Variety'' review". Variety.com. Retrieved 2013-12-04.
- O'Connor, John J. "Beyond the Re-editing, Rage Over AIDS." New York Times. September 10, 1993.
- Zoglin, Richard. "Fighting The Good Fight." Time. September 13, 1993.
- Reviewed by Ken Tucker on Sep 10, 1993 (1993-09-10). "''Entertainment Weekly'' review". Ew.com. Retrieved 2013-12-04.
- Author: GA (2011-01-05). "''Time Out New York'' review". Timeout.com. Retrieved 2013-12-04.
- "Channel 4 review". Channel4.com. Retrieved 2013-12-04.
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