Gabriel's Horn (also called Torricelli's trumpet) is a geometric figure which has infinite surface area, but finite volume. The name refers to the tradition identifying the Archangel Gabriel as the angel who blows the horn to announce Judgment Day, associating the divine, or infinite, with the finite. The properties of this figure were first studied by Italian physicist and mathematician Evangelista Torricelli.
Mathematical definition 
Gabriel's horn is formed by taking the graph of , with the domain (thus avoiding the asymptote at x = 0) and rotating it in three dimensions about the x-axis. The discovery was made using Cavalieri's principle before the invention of calculus, but today calculus can be used to calculate the volume and surface area of the horn between x = 1 and x = a, where a > 1. Using integration (see Solid of revolution and Surface of revolution for details), it is possible to find the volume and the surface area :
can be as large as required, but it can be seen from the equation that the volume of the part of the horn between and will never exceed ; however, it will get closer and closer to as becomes larger. Mathematically, the volume approaches as approaches infinity. Using the limit notation of calculus, the volume may be expressed as:
As for the area, the above shows that the area is greater than times the natural logarithm of . There is no upper bound for the natural logarithm of as it approaches infinity. That means, in this case, that the horn has an infinite surface area. That is to say;
Apparent paradox 
When the properties of Gabriel's Horn were discovered, the fact that the rotation of an infinitely large section of the x-y plane about the x-axis generates an object of finite volume was considered paradoxical. However, the explanation is that the bounding curve, , is simply a special case–just like the simple harmonic series (Σx−1)–for which the successive area 'segments' do not decrease rapidly enough to allow for convergence to a limit. For volume segments (Σ1/x2) however, and in fact for any generally constructed higher degree curve (i.e. y = 1/x1+ε for any real ε>0), the same is not true and the rate of decrease in the associated series is sufficiently rapid for convergence to a (finite) limiting sum.
Painter's Paradox 
Since the Horn has finite volume but infinite surface area, it seems that it could be filled with a finite quantity of paint, and yet that paint would not be sufficient to coat its inner surface – an apparent paradox. In fact, in a theoretical mathematical sense, a finite amount of paint can coat an infinite area, provided the thickness of the coat becomes vanishingly small "quickly enough" to compensate for the ever-expanding area, which in this case is forced to happen to an inner-surface coat as the horn narrows. However, to coat the outer surface of the horn with a constant thickness of paint, no matter how thin, would require an infinite amount of paint.
Of course, in reality, paint is not infinitely divisible, and at some point the horn would become too narrow for even one molecule to pass.
The Converse Is False 
The converse phenomenon of Gabriel's horn - a surface of revolution with has a finite surface area but a infinite volume - cannot occur:
- Let be a continuously differentiable function.
- Write for the solid of revolution of the graph about the -axis.
- If the surface area of is finite, then so is the volume.
- Since the lateral surface area is finite, note the limit superior:
- Therefore, there exists a such that the supremum which is finite.
Hence, the area
- must be finite, since is a continuous function which implies that
- is bounded on the interval .
Finally, note that the volume:
- if the area is finite, then the volume must also be finite.
See also 
- Information and diagrams about Gabriel's Horn
- Torricelli's Trumpet at PlanetMath
- Weisstein, Eric W., "Gabriel's Horn", MathWorld.
- "Gabriel's Horn" by John Snyder, the Wolfram Demonstrations Project, 2007.
- Gabriel's Horn: An Understanding of a Solid with Finite Volume and Infinite Surface Area by Jean S. Joseph.