Kristen McMenamy

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Kristen McMenamy
Born (1964-12-13) December 13, 1964 (age 49)
Easton, Pennsylvania, U.S.
Years active 1984–present
Spouse(s) Miles Aldridge
 (m. 1997–2013)
Children 3
Modeling information
Height 5 ft 10 in (1.78 m)
Hair color White
Eye color Blue
Measurements (US) 34-24-34
(EU) 86.5-61-86.5
Dress size (US) 4
(EU) 34
Manager DNA Model Management

Kristen McMenamy (born December 13, 1964) is an American model. She is known for her unconventional, androgynous appearance. Originally a long-haired redhead,[1] she reinvented her look in the early 1990s by having her hair cut short and dyed black, and her eyebrows shaved off.[2] Her career was boosted by the advent of the grunge fashion trend.[3][4][5]

Early life[edit]

McMenamy was born in Easton, Pennsylvania[6] and spent some time growing up in Buffalo, New York.[7][8] She was the third of seven children in an Irish-American Roman Catholic family. As a student at Notre Dame High School, she received excellent grades,[9] but was often teased by her classmates, who called her "Skeleton" due to her lanky body.[6][10] While in college, she decided to drop out of school to pursue a career in modeling.[9] After heading to New York City, she was rejected by various modeling agencies.[6][11] She nonetheless continued following her dream to model. She later recounted, "I got rejected by everyone. But I was obsessed! It was the only thing I wanted to do and I wanted it so badly. I was like a bulldog, hanging on by my teeth."[11]

Career[edit]

1984–1998: Beginnings and success[edit]

Upon meeting the legendary modeling agent Eileen Ford, McMenamy was told to consider getting plastic surgery.[4][6][12] Despite that, she managed to get signed by an agency that sent her to work in Paris, France.[13] A few years later, she was signed by Elite Model Management,[14] and subsequently by Ford Models.[12][15] McMenamy's modeling career mainly spanned the years 1985 to 1998, when she worked for many of the world's top designers and international fashion houses, such as Versace, Giorgio Armani, Valentino, Todd Oldham, Christian Dior, Sonia Rykiel, Dolce & Gabbana, Jean Paul Gaultier, Gianfranco Ferré, Lanvin, Isaac Mizrahi, Yohji Yamamoto, Thierry Mugler, Comme des Garçons, Chloé, and Moschino.

During the early stage of her modeling career, McMenamy met two of the men who would become instrumental in her success as a model: photographer Peter Lindbergh, with whom she worked extensively, and Chanel head designer Karl Lagerfeld, to whom she became a muse.[6][10] One of her first fashion campaigns was for Chanel's spring/summer 1985 Haute couture collection. That same year, she was photographed by Lindbergh for a Jil Sander ad campaign,[16] and she also starred in an ad campaign for the Byblos fashion house. In 1986, she was featured in the book A Day in the Life of America, photographed by Sante D'Orazio.[17]

She has also worked with many other leading fashion photographers, including Helmut Newton, Richard Avedon, Steven Meisel, Ellen von Unwerth, Arthur Elgort, Paolo Roversi, Patrick Demarchelier, Jean-Baptiste Mondino, Tim Walker, and Juergen Teller. She became a muse to Teller,[18] who has described her as "the best model I have ever worked with."[9]

In 1991, McMenamy starred in the ad campaign for Claude Montana's spring/summer collection, and was paired with model Claudia Mason for Fendi's fall/winter ad campaign. It has been said of McMenamy that "at the time of supermodels, she was the first eccentric and unusual beauty to fight her way through a host of classically beautiful women, thus appearing on the covers of Vogue and on other famous magazines."[19] Some of the other magazines that she has been featured in are Harper's Bazaar, Vanity Fair, People, Interview, Elle, V, Dazed & Confused, LOVE, i-D, The Face, W, Women's Wear Daily, and Newsweek.

McMenamy was known for having an over-the-top manner of walking on the catwalk, and was likened to "a vamp, stopping to strike exaggerated poses."[10] In 1992, after having her long red hair cut short and dyed black, makeup artist François Nars shaved off her eyebrows for Anna Sui's fall/winter fashion show, thereby "ushering in the era of grunge."[20][21][22] The transformation of McMenamy's look made her famous, and her career took off.[4][23] From that point on, her image became associated with androgyny,[7][24][25][26] and she was also considered a gamine.[24][27]

In October 1992, she opened the Versace spring/summer 1993 womenswear fashion show, and she later appeared in the ad campaign for that collection, photographed by Avedon.[9] In December 1992, she starred in a grunge photo spread for Vogue titled "Grunge & Glory," photographed by Meisel.[25][28] Harper's Bazaar named her "Model of the Year" in January 1993.[13][14][29] The following month, she had six red ribbons painted on her back, for an amfAR benefit event that she co-hosted with Leanza Cornett.[30][31] McMenamy also fronted advertisements for Calvin Klein that year.[7]

In October 1994, she was one several models on the cover of Vogue Italia's 30th anniversary issue.[16] The following year, she closed the Versace spring/summer Haute couture show wearing a bridal gown. She then starred in the ad campaign for that collection along with model Nadja Auermann and Elton John, photographed by Avedon.[16] McMenamy and John later appeared together on the cover of the April 1995 issue of Interview.[6][16] That same month, she was on the cover of Vogue. She was also featured in a chapter of the 1995 book The Beauty Trip.[31]

The following year, McMenamy was the star of an Absolut Vodka fashion campaign that was photographed by Newton in Sweden.[6][32] Also in 1996, she posed nude with the word "Versace" written on her breasts and buttocks for a series of pictures that were photographed by Teller, which were published in the German magazine Süddeutsche Zeitung Magazin.[33][34] In addition, she appeared in that year's Pirelli Calendar, photographed by Lindbergh. She was also one of the ten subjects of Lindbergh's 1996 book 10 Women.

McMenamy was sometimes compared to supermodel Linda Evangelista because of certain similarities that they shared. Both of their careers skyrocketed after they dramatically changed their looks,[4] and later, they both were considered "chameleons." They both were muses to Lagerfeld and Gianni Versace, as well as to Lindbergh and Meisel, with whom they often collaborated. In spite of their similarities, there were rumors that they didn't get along.[35][36][37] They did, however, appear together in several magazine photo spreads and in two ad campaigns for Versace.

In 1997, McMenamy appeared in advertisements for the fall/winter collections of both Versace and Armani. She was also featured in the book Fashion: Photography of the Nineties, in a series of pictures that were photographed by Teller.[38] She then chose to step away from the modeling world in 1998 to focus on her family.[39]

2004–present: The 21st century[edit]

In 2004, McMenamy made a return to modeling by walking the runway for the Prada fashion house.[39] That same year, she chose to stop dyeing her hair, and instead let it go gray.[4][40] Two years later, she appeared on the cover of the book In Vogue: The Illustrated History of the World’s Most Famous Fashion Magazine along with Evangelista, photographed by Meisel. Then, in 2009, she was on the cover of the July issue of Vogue Italia, and the cover story had the words "McMenamy the Legend" as the heading. In the September 2009 issue of Harper’s Bazaar, she wore no makeup for a feature story titled "Supermodels Supernatural."

The following year, McMenamy modeled for the fall/winter 2010 Viktor & Rolf fashion show, in which she was a "Matryoshka doll," where the designers put several layers of clothing on her, similar to how the dolls have several layers.[41] She also walked the runway for Klein's fall/winter 2010 fashion show.[42] In August 2010, McMenamy graced the cover of Vogue Italia. The cover image and the accompanying 24-page photo spread, which was titled "Water & Oil," were said to be inspired by that year's Deepwater Horizon oil spill in the Gulf of Mexico.[43][44] A controversy arose over the photo spread, particularly because in some of the pictures, McMenamy seemed to be emulating a bird covered in oil.[45] Though, according to Franca Sozzani, Vogue Italia's editor-in-chief, the message of the photo spread was "to be careful about nature."[44]

In September 2010, McMenamy starred in a short fashion film for Gareth Pugh's spring/summer 2011 collection.[41][46] A few days later, she closed the Louis Vuitton spring/summer 2011 fashion show wearing body paint that was intended to look like zebra stripes.[47] In January 2011, she closed the Chanel Haute couture spring/summer fashion show.[48] She also starred in the 2011 short film The Tale of a Fairy, which was directed by Lagerfeld.[23] She later made an appearance at the Cannes film festival, where she attended a gala for amfAR.[49]

McMenamy appeared in the fall/winter 2011 ad campaigns for both Givenchy[50] and Gaultier.[16] Then, in 2012, she was in the ad campaign for Roberto Cavalli's spring/summer collection.[51] In 2013, she walked the runway for Atelier Versace's spring/summer fashion show.[52] Months later, she was the star of the fall/winter ad campaign for Balenciaga.[53]

Personal life[edit]

In the early 1990s, McMenamy became romantically involved with Hubert Boukobza, the owner of the Parisian nightclub Les Bains Douches.[6][54] In 1994, they had a daughter, Lily McMenamy.[25][54] The relationship came to an end, and later, McMenamy began dating English fashion photographer Miles Aldridge, whom she met on a photoshoot for W magazine.[55] They were married in 1997. Her wedding dress was designed by Lagerfeld, who gave her away,[56][57] and she wore a headdress made by the milliner Philip Treacy.[56][57] Naomi Campbell served as one of the bridesmaids.[56][57] The couple have two sons. McMenamy's daughter, Lily, grew up to become a model herself.

After 16 years of marriage, McMenamy filed for divorce in April 2013.[58][59] That same year, she began dating art dealer Ivor Braka.[58]

References[edit]

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