A pseudo-documentary is a film or video production that takes the form or style of a documentary film but does not portray real events. Rather, scripted and fictional elements are used to tell the story. The pseudo-documentary, unlike the related mockumentary, is not always intended as satire or humor. It may use documentary camera techniques but with fabricated sets, actors, or situations, and it may use digital effects to alter the filmed scene or even create a wholly synthetic scene.
Orson Welles gained notoriety with his radio show and hoax War of the Worlds which fooled listeners into thinking the Earth was being invaded by Martians. Film critic Jonathan Rosenbaum says this is Welles' first pseudo-documentary. Pseudo-documentary elements were subsequently used in his feature films. For instance, Welles created a pseudo-documentary newsreel which appeared within his 1941 film Citizen Kane, and he began his 1955 film, Mr. Arkadin, with a pseudo-documentary prologue.
The methods of pseudo-documentary have been sharply criticized in some cases, notably with the 1991 Oliver Stone film JFK, which mixes fact with fiction to advance Stone's point that John F. Kennedy was the victim of a conspiracy. The film cuts confusingly between actual footage of alleged assassin Lee Harvey Oswald and staged images of actor Gary Oldman who is playing Oswald. The modern sequences are badly lit and they are artificially made grainy and scratched-looking so that they appear to be 1963-era 16 mm film. Stone uses the pseudo-documentary format to influence the viewer by presenting the conspiracy theory in a scientific and authoritative manner.
Pseudo-documentary forms have appeared in television advertisements and campaign advertising. The "Revolving Door" ad used in the US presidential campaign of 1988 to attack candidate Michael Dukakis showed scripted scenes intended to look like documentary footage of men entering and exiting a prison through a revolving door. Boston-based band the Del Fuegos appeared in a 1984 commercial for Miller beer, with scripted scenes shot in hand-held camera/pseudo-documentary style. The band was criticized for selling out and for the falseness of the commercial; founding member Warren Zanes said making the ad was a mistake, that their core audience turned away, and the larger audience gained by the exposure did not maintain interest for long.
Peter Greenaway employed pseudo-documentary style in his French television production Death on the Seine in 1988. He used fabricated scenes to reconstruct a historic event that was otherwise impossible to shoot, and portrayed it as reality.
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