The Grange (Toronto)
||This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (December 2011)|
The Grange in 2005
|Original use||Manor house|
|Current use||A wing of the Art Gallery of Ontario|
|Governing body||Art Gallery of Ontario|
The Grange is a historic Georgian manor in downtown Toronto, Canada. It was the first home of the Art Museum of Toronto. Today, it is part of the Art Gallery of Ontario. The structure was built in 1817, making it the 12th oldest surviving building in Toronto and the oldest remaining brick house. It was built for D'Arcy Boulton (1785–1846), one of the town's leading citizens and part of the powerful Boulton family that played an important role in the Family Compact. Originally it was considerably west of the city, but over time the city grew and Boulton sold his considerable land holdings surrounding the manor at great profit.
The house was inherited by D'Arcy's son and Toronto mayor William Henry Boulton. When he died in 1874 the house passed to his widow, Hariette Boulton. She remarried the prominent scholar Goldwin Smith, and the couple lived in the Grange for the rest of their lives. Upon Goldwin's Smith's death in 1910, the couple bequeathed the building to the Art Museum of Toronto (now known as the Art Gallery of Ontario) and the Grange became the new home of the gallery. The building also served as the first home of the Ontario College of Art and Design (OCAD). Since the early 20th century, the Art Gallery of Ontario has been expanded a number of times and the original manor makes up only a small part of the structure.
The expanse of lawn to the south of the building, what is left of the grounds, is operated by the city as Grange Park. Also on the old grounds is St. George Church, which was founded by the Boultons and which burned down in 1956. Only the tower and original Sunday school building remain.
The original house
The Grange was built in 1817 as the home of D’Arcy Boulton Jr., his wife, Sarah Anne, and their eight children. It was located on one hundred acres of land that extended from Queen Street in the south to Bloor Street in the north and from Beverley Street east to McCaul Street. The north section of the property was sold to Bishop Strachan in 1828, to be used for the establishment of King’s College, an Anglican university. Property to the south was donated in the 1840s for St. George the Martyr Church and St. Patrick’s Market (both still in existence).
The original house, designed by an unknown architect, was two storeys high, 60 x 40 feet in area, with a low hipped roof containing a circular window. It is likely that the bricks were made on the property from the heavily clayed soil. The windows are double-hung with brick lintels and louvered wooden shutters. They are 12-over-12 sash on the main floor and 8-over-8 sash on the second. The front door has a moulded reveal and a semi-circular fanlight, with separate sidelights.
Reflecting a sense of Georgian balance, the front door opened onto a central hall with the dining room on the left and the drawing room on the right. At the back of the house and on the second floor were bedrooms for the family. There were also four large rooms in the attic, probably for the servants. The kitchen, food storage areas and scullery were in the basement.
When D’Arcy died, the house was left to Sarah Anne. She put the house and the land around it in trust for her daughter-in-law, Harriette, as a marriage settlement. Thus the house was in Harriette’s name and it was Harriette who bequeathed the house to the Art Museum of Toronto.
The 1840s addition
In the 1840s, several additions were made to the house, possibly because there had been a fire (this is difficult to confirm). These changes included: the enlargement of the drawing room; the elimination of three bedrooms to create a large second-floor assembly room; and an addition on the west end to house an office. William Boulton, who was mayor of Toronto four times and a Member of Parliament, might have needed such a space. The front hall was also enlarged and a new central staircase installed. The painted glass window depicting the family crest was also added. This crest is a visual play on the name Boulton, as it shows a barrel pierced by an arrow, or bolt, with a hogshead of wine or tun. The family motto – "Dux vitae ratio" or "The guide to life is reason," rests below the crest, always reminding the Boultons of their British ancestry. William, the secretary of the Turf Club, built St. Leger Race Course to the north.
The 1885 additions
With the marriage of Harriette Boulton to her second husband, Goldwin Smith, more additions to the house were undertaken. Smith was a scholar and a large library was added to the west of the house. The Georgian style staircase was replaced with an angular Victorian Style oak stair that skirted the painted window. The wooden front porch was replaced with a stone version.
It is easy to imagine the gardens of the Grange if you stand at the foot of John Street and look toward the house. There was a path running up to the front steps, with an oval drive around the front lawn. The house stood on raised ground with terraces, as it does today. Around it was a mix of open spaces, stands of trees and flower gardens. Behind the house were vegetable and fruit gardens and, farther north, an orchard. The front lawn of the Grange, now known as the Grange Park, was central to Grange activities. This was the site for many garden parties, church school picnics and even a royal visit.
Several images of the Grange show a domed glass conservatory on the east side of the house, which would have been filled with plants readily available from catalogues. One 1827 catalogue advertised 79 varieties of apple among other fruit and ornamental trees, as well as a wide variety of shrubs, flowers and greenhouse plants. We know that there was an orchard house on the property growing peaches, nectarines and grapes. William Boulton won prizes at the 1844 Toronto Horticultural Society Show for geraniums, roses, greenhouse plants and pansies. The gardener, John Gray, named a geranium he developed Pelargonium Boultonianum after the Boultons.
With the sale of the southern part of the property in the mid-19th century, a new entrance to the Grange was created, which included a lodge — home to William Chin, the butler, and his family. Other buildings included a stable, a root house, a tool house and a drive shed. Later in the century, cottages for married servants were also erected.
Sarah Anne Robinson was born in Lower Canada in 1789 to a loyalist family who has previously moved north from Virginia after the American Revolution. D’Arcy Boulton, in contrast immigrated to Canada in 1797 when he was 12 years old. The two met through Sara Anne’s older brother Peter Robinson and settled at The Grange (so named for the Boulton family estate in Lincolnshire, England) in 1817.
Sarah Anne quickly established herself as a superior hostess and the Grange became a central site for the social and political happening of early Toronto. Over the course of their lives, the Boultons had eight children. D’Arcy Boulton made his living running a dry good stores and obtaining three governments posts. He died in 1846 after a rough decade of family deaths, a cholera epidemic and financial strain. The head of the household was now his eldest son, William Henry Boulton.
Over the course of his life William was mayor of Toronto three times in 1845, 1846, 1847 and was a member of the Legislative Assembly of the Province of Canada. In 1846, William married Harriette Mann Dixon from Boston yet the couple never had any children. William however, was fond of gambling and Harriette and her mother-in-law, Sarah Anne, spent much time trying to keep the Grange in Boulton hands. William died in 1874, leaving Harriette as the sole owner of The Grange.
In 1875, Harriette married Goldwin Smith, British scholar and political writer. Goldwin Smith was once regius professor of history at Oxford University and personal tutor to the Prince of Wales however had decided to settle in Toronto in 1871. Smith was a proud supporter of the arts in Toronto and founded journals and encouraged young artists to paint Canadian subjects. The couple lived happily in the Grange until their deaths in 1909 (Harriette) and 1910 (Goldwin).
The Grange as an art museum
By the turn of the 20th century, it was decided that Toronto should have an art gallery, much like many other major cities at the time (the Metropolitan Museum of Art in New York, the Museum of Fine Arts in Boston, etc.) By 1900, local artist George Reid was the president of the Ontario Society of Artists and was pushing for the creation of an art gallery. Between Reid and Edmund Walker (prominent banker and champion of the arts), a campaign was established to raise money for the gallery scheme. In 1902, the Smiths joined the cause and decided to bequeath the Grange as the first location of the Art Museum of Toronto. It wasn’t until 1913 that the museum held its first exhibition, composed of Smith’s own collection. By 1966, The Art Museum of Toronto was renamed the Art Gallery of Ontario and The Grange now sits on the south side of the larger AGO building.
From the early days of the Art Museum of Toronto until the restoration of the 1960s, the Grange underwent a variety of changes including electrification and the inclusion of an apartment for a live-in caretaker. In 1918 and 1926 respectively, additional gallery wings were added to the AGO and several rooms in The Grange were used as staff offices. A tea room was also established in the drawing room and breakfast parlour.
By the 1960s, the AGO was once again expanding therefore forging a new path for The Grange. This was a time in Ontario of increased interest in heritage preservation and so the Junior Women's Committee raised $650 000 for a restoration project. This money was used to restore the Grange to how it would have looked in 1835. In 1970, the Grange was named a National Historic Site of Canada.
The Grange today
Today, the Grange houses the Norma Ridley Members’ Lounge and exhibit spaces. While it is no longer furnished as a historic house depicting the 1830s, it retains its historic roots and architectural integrity. Visitors to the AGO are free to enjoy the Grange and explore the exhibits, take a tour, speak to a volunteer about the Grange history.
- The Grange, Directory of Designations of National Historic Significance of Canada
- The Grange, National Register of Historic Places
- [Charlotte Gray. House Guests. Art Gallery of Ontario, 2001]
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