The Message (1976 film)
|The Message (aka Mohammad, Messenger of God)|
'"The Message promotional film poster
|Directed by||Moustapha Akkad|
|Produced by||Moustapha Akkad|
|Written by||H.A.L. Craig
A.B. Jawdat al-Sahhar
A.B Rahman al-Sharkawi
Mohammad Ali Maher
|Screenplay by||H.A.L. Craig|
|Based on||The Islamic prophet Muhammad|
|Narrated by||Richard Johnson|
|Music by||Maurice Jarre|
|Edited by||John Bloom
Filmco International Productions Inc.
|Distributed by||Tarik Film Distributors
Anchor Bay Entertainment
|178 minutes English
198 min Arabic
|Box office||$15 million|
The Message (Arabic: الرسالة Ar-Risalah; other titles: Mohammad, Messenger of God and The Message: The Story of Islam) is a 1976/1977 film and Quranic epic directed by Moustapha Akkad chronicling the life and times of Muhammad, the prophet of Islam. Released in Arabic (1976) and English (1977), The Message serves as an introduction to early Islamic history.
The film follows Muhammad starting with Islam's beginnings in Mecca in which the first Muslims are persecuted for their beliefs, the exodus to Medina, and ending with the Muslims' triumphant return to Mecca.
A number of crucial events, such as the Battle of Badr and Battle of Uhud are depicted, and the majority of the story is told from the point of view of peripheral individuals such as Hamza ibn `Abd al-Muttalib (Muhammad's uncle), Bilal and Zayd (two of the Prophet's closest companions), and on the other side Abu Sufyan (the leader of Mecca) and his wife Hind bint Utbah (initially, enemies of Islam who later become Muslims themselves).
While creating The Message, director Akkad, who was Muslim, consulted Islamic clerics in a thorough attempt to be respectful towards Islam and its views on portraying the Prophet Muhammad. He received Approval from "Al Azhar" in Egypt but was rejected by the Muslim World League in Mecca, Saudi Arabia. Akkad had to go outside the United States in order to raise the production money needed for the film. Lack of financing nearly shut down the film because its initial backers pulled out.
Financing for the project finally came from the governments of Kuwait, Libya and Morocco, but when it was rejected by the Muslim World League, Emir Sabah III Al-Salim Al-Sabah of Kuwait withdrew financial support. King Hassan II of Morocco gave Akkad full support for the production, while King Khalid bin Abdulaziz of Saudi Arabia and then-Libyan leader Muammar al-Gaddafi provided financial support too.
The film was shot in Morocco and Libya, with production taking four and a half months to build the cities of Mecca and Medina as they looked in Muhammad's time. Production took one year, Akkad filmed for six months in Morocco, but had to stop when the Saudi government exerted great pressure on the Moroccan government to stop the project. Akkad went to al-Gaddafi for support in order to complete the project, and the Libyan leader allowed him to move the filming to Libya for the remaining six months.
"I did the film because it is a personal thing for me. Besides its production values as a film, it has its story, its intrigue, its drama. Besides all this I think there was something personal, being a Muslim myself who lived in the west I felt that it was my obligation my duty to tell the truth about Islam. It is a religion that has a 700 million following, yet it's so little known about which surprised me. I thought I should tell the story that will bring this bridge, this gap to the west."
Akkad also filmed an Arabic version of the film (in which Muna Wassef played Hind) simultaneously with an Arab cast, for Arabic-speaking audiences. He felt that dubbing the English version into Arabic would not be enough, because the Arabic acting style differs significantly from that of Hollywood. The actors took turns doing the English and Arabic versions in each scene, and both are now sold together on some DVDs.
In a film review, The New York Times reported that "when the film was scheduled to premier in the United States another Muslim extremist group staged a siege against the Washington, D.C. chapter of the B'nai B'rith under the mistaken belief that Anthony Quinn played Mohammed in the film, threatening to blow up the building and its inhabitants unless the film's opening was cancelled. The standoff was resolved" after the deaths of a journalist and a policeman, but "the film's American box office prospects never recovered from the unfortunate controversy."
Depiction of Muhammad
In accordance with Muslim beliefs regarding depictions of Muhammad, he was not depicted on-screen nor was his voice heard because Islamic tradition generally forbids any direct representation of religious figures. At the beginning of the film, the following disclaimer is displayed:
"The makers of this film honour the Islamic tradition which holds that the impersonation of the Prophet offends against the spirituality of his message. Therefore, the person of Mohammad will not be shown (or heard)."
This rule extended to his wives, his daughters including Fatimah, his sons-in-law, and the first caliphs (Abu Bakr, Umar, Uthman, and Ali ibn Talib his paternal cousin). This left Muhammad's uncle Hamza (Anthony Quinn) and his adopted son Zayd (Damien Thomas) as the central characters. During the battles of Badr and Uhud depicted in the movie, Hamza was in nominal command, even though the actual fighting was led by Muhammad.
Whenever Muhammad was present or very close by, his presence was indicated by light organ music. His words, as he spoke them, were repeated by someone else such as Hamza, Zayd or Bilal. When a scene called for him to be present, the action was filmed from his point of view. Others in the scene nodded to the unheard dialogue or moved with the camera as though moving with Muhammad.
The closest the film comes to a depiction of Muhammad or his immediate family are the view of Ali's famous two-pronged sword Zulfiqar during the battle scenes, a glimpse of a staff in the scenes at the Kaaba or in Medina, and Muhammad's camel, Qaswa.
- Anthony Quinn as Hamza ibn Abdul-Muttalib.
- Irene Papas as Hind bint Utbah.
- Michael Ansara as Bu-Sofyan ibn Harb.
- Johnny Sekka as Bilal ibn Rabah.
- Michael Forest as Khalid ibn al-Walid.
- André Morell as Abu Talib ibn ‘Abd al-Muttalib.
- Garrick Hagon as Ammar ibn Yasir.
- Damien Thomas as Zayd ibn Harithah.
- Martin Benson as Abu Jahl ibn Hisham.
- Robert Brown as Utbah ibn Rabi'ah.
- Rosalie Crutchley as Sumayyah.
- Bruno Barnabe as Umayyah.
- Neville Jason as Ja`far ibn Abī Tālib.
- John Bennett as Ibn-Saloul.
- Donald Burton as `Amr.
- Earl Cameron as Al-Najashi.
- George Camiller as Al-Waleed.
- Nicholas Amer as Suhayl.
- Ronald Chenery as Mus`ab.
- Michael Godfrey as Bara'.
- John Humphry as Ubayda ibn as-Samit.
- Ewen Solon as Yasir.
- Wolfe Morris as Bu-Lahab.
- Ronald Leigh-Hunt as Heraclius.
- Leonard Trolley as Silk Merchant.
- Gerard Hely as Poet Sinan.
- Habib Ageli as Abu Hudhayfah ibn Utbah.
- Peter Madden as Toothless Man.
- Hassan Joundi as Kisra.
- Abdullah Lamrani as Ikrimah ibn Abi Jahl.
- Elaine Ives-Cameron as Arwa.
- Mohammad Al Gaddary as Money Lender.
- Salem Gedara as Wahshi
- Abdullah Gaith as Hamza
- Muna Wassef as Hind
- Hamdi Gaith as Bu-Sufyan
- Ali Ahmed Salem as Bilal
- Mahmud Saeed as Khalid
- Ahmed Marey as Zayd
- Mohammed Al-Arabi as Ammar
- Hassan Joundi as Bu-Jahl
- Sana' Jamil as Sumayyah
- Hassan Joundi as Bu-Jahl ibn Hisham
Awards and nominations
The musical score of The Message was composed and conducted by Maurice Jarre, and performed by the London Symphony Orchestra.
- Track listing for the first release on LP
- The Message (03:01)
- Hegira (04:24)
- Building the First Mosque (02:51)
- The Sura (03:34)
- Presence of Mohammad (02:13)
- Entry to Mecca (03:15)
- The Declaration (02:38)
- The First Martyrs (02:27)
- Fight (04:12)
- Spread of Islam (03:16)
- Broken Idols (04:00)
- The Faith of Islam (02:37)
- Track listing for the first release on CD
- The Message (03:09)
- Hegira (04:39)
- Building the First Mosque (02:33)
- The Sura (03:32)
- Presence of Mohammad (02:11)
- Entry to Mecca (03:14)
- The Declaration (02:39)
- The First Martyrs (02:26)
- Fight (04:11)
- The Spread of Islam (03:35)
- Broken Idols (03:40)
- The Faith of Islam (02:33)
In October 2008, producer Oscar Zoghbi revealed plans to "revamp the 1976 movie and give it a modern twist," according to the Internet Movie Database and the World Entertainment News Network. He hopes to shoot the remake, tentatively titled The Messenger of Peace, in the cities of Mecca and Medina in Saudi Arabia.
In February 2009, the producer of the The Matrix and The Lord of the Rings film trilogy Barrie M. Osborne was attached to produce a new movie about Muhammad. The film is to be financed by a Qatari media company and will be supervised by Sheikh Yusuf al-Qaradawi.
- Mohammad: Messenger of God Review by Mark Deming of the New York Times
- "1977 Oscars - 50th Annual Academy Awards Oscar Winners and Nominees". Popculturemadness.com. 1978-04-03. Retrieved 2012-03-25.
- "The Message Gets A Modern Remake," IMDB, 28 October 2008.
- Irvine, Chris (2008-10-28). "Prophet Mohammed film The Message set for remake". The Daily Telegraph (London). Retrieved 2010-05-13.
- Brooks, Xan (2008-10-27). "Controversial biopic of Muhammad set for remake". The Guardian (London). Retrieved 2010-05-13.
- "Prophet Muhammad film announced". BBC News. 2008-10-28. Retrieved 2010-05-13.
- "‘Matrix’ And ‘Lord of the Rings’ Producer To Make Movie About The Founder Of Islam". Moviesblog.mtv.com. Retrieved 2012-03-25.
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