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==Style and influence==
==Style and influence==
[[File:Ransom Canyon Texas Vogue Magazine Photo Shoot.jpg|right|280px|thumb| Models [[Toni Garrn]] and brother Niklas Garrn wearing [[Google Glass]] at a recent Vogue fall fashion photo shoot in [[Ransom Canyon, Texas]] (June 25, 2013).]]
[[File:Ransom Canyon Texas Vogue Magazine Photo Shoot.jpg|right|280px|thumb| Models [[Toni Garrn]] and brother Niklas Garrn wearing [[Google Glass]] during the 2013 September issue fashion photo shoot in [[Ransom Canyon, Texas]] (June 25, 2013).]]

''Vogue'' was described by book critic Caroline Weber in ''[[The New York Times]]'' in December 2006 as "the world's most influential [[fashion magazine]]":<ref name="weber">{{Cite news|url=http://www.nytimes.com/2006/12/03/books/Weber2.t.html?ei=5070&en=5d41225b4b63d0e4&ex=1170133200&adxnnl=1&adxnnlx=1170023780-fGHT0CkuDT8kD6V6f4J6Nw |last=Weber |first=Caroline |title=Fashion-Books: Review of "IN VOGUE: The Illustrated History of the World's Most Famous Fashion Magazine (Rizzoli)" |work=New York Times |date=3 December 2006 |accessdate=28 January 2007}}</ref>
''Vogue'' was described by book critic Caroline Weber in ''[[The New York Times]]'' in December 2006 as "the world's most influential [[fashion magazine]]":<ref name="weber">{{Cite news|url=http://www.nytimes.com/2006/12/03/books/Weber2.t.html?ei=5070&en=5d41225b4b63d0e4&ex=1170133200&adxnnl=1&adxnnlx=1170023780-fGHT0CkuDT8kD6V6f4J6Nw |last=Weber |first=Caroline |title=Fashion-Books: Review of "IN VOGUE: The Illustrated History of the World's Most Famous Fashion Magazine (Rizzoli)" |work=New York Times |date=3 December 2006 |accessdate=28 January 2007}}</ref>
The publication's international circulation has the ability to draw attention to inumerable topics; reaching over 1,000,000 readers in the US alone <ref>{{citation|title=Vogue Press Kit|publisher=Conde Nast International|url=http://www.condenast.com/brands/vogue/media-kit/print|accessdate = 6 October 2013}}</ref>. Further, the publication's influence is intwined with that of current editor-in-chief Anna Wintour who is arguably one of the most powerful figures in fashion <ref>{{citation|title=Anna Wintour cements influence as Condé Nast's new artistic director|publisher=The Guardian|url=http://www.theguardian.com/media/2013/mar/13/anna-wintour-artistic-director-conde-nast||last=Harris|first=Paul|date=13 March 2013 |accessdate=6 October 2013}}</ref>.

=== Technological ===

The recent growth in wearable technologies has created an industry which must effectively merge science and style. [[Google Glass|Google's Glasses]] are one such product which, despite their "technical prowess" cause owners to "feel incredibly self-conscious when wearing them in public" <ref name="Google Glasses">{{citation|last=Bilton|first=Nick|title=Trying to Make Google Glass Fashionable |url=http://bits.blogs.nytimes.com/2013/08/16/google-tries-to-make-google-glass-look-fashionable/|publisher=New York Times|date= 16 August 2013|accessdate=6 October 2013}}</ref>. As a result Google turned to ''Vogue's'' 2013 September issue in 2013, which featured a 12 page spread.


{{quote| “The Vogue September issue has become a cultural touchstone ahead of New York’s Fashion Week,”said Chris Dale, who manages communications for the Glass team at Google. ”Seeing Glass represented so beautifully in this issue is a huge thrill for the entire Glass team.”<ref name="Google Glasses"/>}}
''Vogue''’s wide-reaching influence stems from various sources, including the persona and achievements of its most famous editor Anna Wintour; its various charitable and community projects; its ability to reflect political discourse through fashion and editorial articles; and its move into emerging economies.


=== Economic ===
Editor-in-Chief Wintour is widely credited as being one of the most influential figures in the global fashion industry, with the power to make or break a designer’s career. “Wintour’s approval can signal a commercial career for designers via investors who need a nod from a big gun like her to get their cheque books out,” says stylist Sharmadean Reid.<ref>{{cite news|last=Fisher|first=Alice|title=Uncertain Times For Style Bible as US Vogue Struggles to Reach New Generation|url=http://www.guardian.co.uk/lifeandstyle/2009/jan/11/vogue-fashion-wintour-publishing|work=The Observer |location=London |accessdate=13 May 2011|date=11 January 2009}}</ref> Marc Jacobs was one such designer, being recommended by Wintour for the top job at Louis Vuitton in 1997.<ref>{{cite web|last=Loyola|first=Jane|title=Editor In Chief Anna Wintour and her rare interview|url=http://yourdailynewsfix.com/vogues-editor-in-chief-anna-wintour-and-her-rare-interview/271106/|publisher=Your Daily News Fix.com|accessdate=13 May 2011}}</ref>


Fashion Night, the brainchild of Wintour, was launched in 2009 with the intention of kick starting the economy following the [[Financial collapse of 2007–2008]] by drawing people back to the retail environment. Proceeds go towards various charitable causes. The event is co-hosted by ''Vogue'' in 27 cities around the US and 15 countries worldwide, and included online retailers beginning in 2011.<ref>{{cite news|last=Garton|first=Christie|title=Fashion's Night Out mobilized fashionistas worldwide for good.|url=http://yourlife.usatoday.com/mind-soul/doing-good/kindness/post/2010/09/Fashions-Night-Out-mobilized-fashionistas-worldwide-for-good-/111861/1|work=USA Today|accessdate=13 May 2011}}</ref> There has been some debate as to the actual profitability of the event in the United States, resulting in a potentially permanent hiatus in 2013, though it continues its presence across 19 other locations internationally <ref>{{citation|last=Krupnick|first=Ellie|title=Fashion's Night Out mobilized fashionistas worldwide for good.|url=http://www.huffingtonpost.com/2013/02/27/fashions-night-out-2013-new-york_n_2772795.html|publisher=Huffington Post|date=27 February 2013 |accessdate=5 October 2013}}</ref>.
Wintour’s power in the industry is so pervasive, that she was able to have Milan fashion week rescheduled once so she could go home before attending the shows in Paris.<ref>{{cite news|last=Fisher|first=Alice|title=Uncertain times for style bible as US Vogue struggles to reach new generation.|url=http://www.guardian.co.uk/lifeandstyle/2009/Jan/11/vogue-fashion-wintour-publishing|work=The Observer |location=London |accessdate=13 May 2011|deadurl=yes}} {{Dead link|date=September 2011|bot=RjwilmsiBot}}</ref> It is even rumoured that she influenced Kate Middleton’s choice of designer for her wedding dress.<ref>{{cite web|last=Von Pfetten|first=Verena|title=The Vogue Influence: Did Anna Wintour pick Kate's Wedding Dress?|url=http://www.styleite.com/media/anna-wintour-kate-middleton-wedding-dress/|publisher=Styleite|accessdate=13 May 2011}}</ref> She can arguably be credited with reviving the fortunes of New York’s Metropolitan Museum of Art’s Costume Institute, having raised $75m for the institution through events and corporate sponsorship.<ref>{{cite web|last=Von Pfetten|first=Verena|title=The Vogue Influence: Did Anna Wintour Pick Kate's Wedding Dress?|url=http://www.styleite.com/media/anna-wintour-kate-middleton-wedding-dress/|publisher=Styleite|accessdate=13 May 2011}}</ref>


=== Political ===
''Vogue'' also uses its industry clout for good causes, most recently with the Fashion Night Out annual event. Also the brainchild of Wintour, FNO was launched in 2009 to kick start the economy by encouraging people to start spending money again. The proceeds of sales on the night go towards various charitable causes. The event is co-hosted by ''Vogue'' publications in 27 cities around the US and 15 countries worldwide, and from 2011 will include online retailers.<ref>{{cite news|last=Garton|first=Christie|title=Fashion's Night Out mobilized fashionistas worldwide for good.|url=http://yourlife.usatoday.com/mind-soul/doing-good/kindness/post/2010/09/Fashions-Night-Out-mobilized-fashionistas-worldwide-for-good-/111861/1|work=USA Today|accessdate=13 May 2011}}</ref>


''Vogue'' uses fashion, editorial and community projects to raise awareness of issues on the current political agenda. The burqa, for instance, made an appearance in a fashion spread in ''Vogue'' in 2006 and the publication has featured articles on prominent Muslim women, their approach to fashion and the effect of different cultures on fashion and women’s lives. In the “Beauty Without Borders” initiative, ''Vogue'' sponsored a project to teach beauty skills to Afghan women.<ref>{{cite journal|last=McLarney|first=Ellen|title=The burqa in Vogue: Fashioning Afghanistan.|journal=Journal of Middle East Women's Studies|date=1 January 2009|month=Winter|volume=5|issue=1|pages=1–23}}</ref>
In 2006 ''Vogue'' acknowledged salient political and cultural issues by featuring the [[Burqa|burqa]], as well as articles on prominent Muslim women, their approach to fashion and the effect of different cultures on fashion and women’s lives.<ref>{{cite news|last=McLarney|first=Ellen|title=The burqa in Vogue: Fashioning Afghanistan.|journal=Journal of Middle East Women's Studies|date=1 January 2009|month=Winter|volume=5|issue=1|pages=1–23}}</ref> In addition, ''Vogue'' sponsored the “Beauty Without Borders” initiative with a $25,000 donation, thereby establishing a cosmetology school to train Afghan women. Anna Wintour stated that “Through the school, we could not only help women in Afghanistan to look and feel better but also give them employment.” The school received criticism in the form of Liz Mermin’s documentary titled “The Beauty Academy of Kabul” which highlighted the proliferation of Western standards of beauty and suggested that “the beauty school could not be judged a success if it did not create a demand for American cosmetics.” <ref>{{citation|last=Bose|first=Purnima|title=A Cosmetic Cover for Occupation.|url=http://www.solidarity-us.org/site/node/2368 publisher=Solidarity|date=September-October 2009|accessdate=6 October 2013</ref>


Leading up to the [[2012 Presidential election (United States)|2012 US Presidential election]] Wintour took advantage of her industry clout to host several significant fundraising events in support of the [[Obama campaign]]. The first in 2010, was a dinner with an estimated $30,000 entry fee<ref> {{citation|title=Anna Wintour & Barack Obama Dinner: Vogue Editor's Fundraiser Has $30,000 Entry Fee|url=http://www.huffingtonpost.com/2010/07/28/anna-wintour-barack-obama_n_662136.html|publisher=Huffington Post|date= 28 July 2010|accessdate=6 October 2013}} </ref> as well as the "Runway To Win" initiative which recruited prominent designers to create pieces to support the campaign <ref> {{citation|last=Cowles|first=Charlotte|title=Anna Wintour in Top Tier of Obama’s Fund-raising ‘Bundlers’
Another way in which ''Vogue'' exerts its influence is by starting new titles in emerging economies such as Russia. Started in 1998, ''Vogue Russia'' has set about introducing Russian women to a new world of fashion and opportunities in a post-Socialist society. When ''Vogue'' starts a new title in an emerging economy, it indicates that the society has undergone, “a change in the politics of style, imagery, gender representations, and consumption practices.”<ref>{{cite journal|last=Bartlett|first=Djundja|title=In Russia, At Last and Forever: The First Seven Years of Russian Vogue|journal=Fashion Theory|year=2006|volume=10|issue=1/2|pages=175–204}}</ref>
|url=http://nymag.com/thecut/2012/02/anna-wintour-top-tier-obama-fund-raiser-bundler.html|publisher=New York Magazine|date= 1 February 2012|accessdate=6 October 2013}} </ref>.


==Criticism==
==Criticism==

Revision as of 18:10, 6 October 2013

VOGUE
File:Gisele Bündchen, Kate Moss Lauren Hutton Iman Vogue November 1999 by Steven Meisel.jpg
'The Millenium Issue' November 1999 by Annie Leibovitz
EditorsAnna Wintour (US)
Alexandra Shulman (British)
Emmanuelle Alt (Paris)
Yolanda Sacristán (España )
Daniela Falcão (Brazil)
Franca Sozzani (Italia)
Angelica Cheung (China)
Victoria Davydova (Россия)
Edwina McCann (Australia)
Christiane Arp (Deutschland)
Myung Hee Lee (Korea)
Priya Tanna (India)
Seda Domaniç (Türkiye)
Mitsuko Watanabe (Nippon)
Rosalie Huang (Taiwan)
Kelly Talamas (Mexico & Latin America)
Karin Swerink (Nederland)
Paula Mateus (Portugal)
Masha Tsukanova (Україна)
Kullawit Laosuksri (Thailand)
CategoriesFashion
Frequencymonthly
Total circulation
(December 2012)
1,315,304[1]
CompanyCondé Nast
CountryUnited States
LanguageEnglish
Websitewww.vogue.com
ISSN0042-8000

Vogue is an American fashion and lifestyle magazine that is published monthly in 23 national and regional editions by Condé Nast. Vogue means "in style" in French.[citation needed]

History

Cover of the May 1917 first issue. (American Vogue)

In 1894 Arthur Turnure founded Vogue as a weekly publication in the United States, sponsored by Kristoffer Wright.[2] When he died in 1909, Condé Montrose Nast picked up the magazine and slowly grew its publication. He changed it to a bi-weekly magazine and also started Vogue overseas starting in the 1910s. He first went to Britain in 1916, and started a Vogue there, then to Spain, and then to Italy and France in 1920, where it was a huge success. The magazine's number of publications and profit increased dramatically under his management. The magazine's number of subscriptions surged during the Depression, and again during World War II. During this time, noted critic and former Vanity Fair editor Frank Crowninshield served as its editor, having been moved over from Vanity Fair by publisher Condé Nast.[3]

In the 1960s, with Diana Vreeland as editor-in-chief and personality, the magazine began to appeal to the youth of the sexual revolution by focusing more on contemporary fashion and editorial features openly discussing sexuality. Toward this end, Vogue extended coverage to include East Village boutiques such as Limbo on St. Mark's Place as well as featuring "downtown" personalities such as Warhol "Superstar" Jane Holzer's favorite haunts.[4] Vogue also continued making household names out of models, a practice that continued with Suzy Parker, Twiggy, Jean Shrimpton, Lauren Hutton, Veruschka, Marisa Berenson, Penelope Tree, and others.[5]

In 1973, Vogue became a monthly publication.[citation needed] Under editor-in-chief Grace Mirabella, the magazine underwent extensive editorial and stylistic changes to respond to changes in the lifestyles of its target audience.[6]

As of May 2013, the editor-in-chief of American Vogue is Anna Wintour,[7] noted for her trademark bob and sunglasses that she always wears indoors.[citation needed] Since taking over in July 1988,[7] Wintour has worked to protect the magazine's high status and reputation among fashion publications. To do so, the magazine became a pedestal focusing on new and accessible concepts of "fashion" for a wider audience.[8] This allowed Wintour to keep a high circulation while discovering new trends that a broader audience could conceivably afford.[8] For example, the inaugural cover of the magazine under Wintour's editorship featured a three-quarter-length photograph of Israeli super model Michaela Bercu wearing a bejeweled Christian Lacroix jacket and a pair of jeans, departing from her predecessors' tendency to portray a woman's face alone, which according to the Times', gave "greater importance to both her clothing and her body. This image also promoted a new form of chic by combining jeans with haute couture. Wintour's debut cover brokered a class-mass rapprochement that informs modern fashion to this day."[9] Wintour's Vogue also welcomes new and young talent.

Wintour's presence at fashion shows is often taken by fashion insiders as an indicator of the designer's profile within the industry. In 2003, she joined the Council of Fashion Designers of America in creating a fund that provides money and guidance to at least two emerging designers each year.[8] This has built loyalty among the emerging new star designers, and helped preserve the magazine's dominant position of influence through what Time called her own "considerable influence over American fashion. Runway shows don't start until she arrives. Designers succeed because she anoints them. Trends are created or crippled on her command."[8]

The contrast of Wintour's vision with that of her predecessor has been noted as striking by observers, both critics and defenders. Amanda Fortini, fashion and style contributor to Slate argues that her policy has been beneficial for Vogue:[10]

When Wintour was appointed head of Vogue, Grace Mirabella had been editor in chief for 17 years, and the magazine had grown complacent, coasting along in what one journalist derisively called "its beige years". Beige was the color Mirabella had used to paint over the red walls in Diana Vreeland's office, and the metaphor was apt: The magazine had become boring. Among Condé Nast executives, there was worry that the grand dame of fashion publications was losing ground to upstart Elle, which in just three years had reached a paid circulation of 851,000 to Vogue 's stagnant 1.2 million. And so Condé Nast publisher Si Newhouse brought in the 38-year-old Wintour, who through editor-in-chief positions at British Vogue and House & Garden, had become known not only for her cutting-edge visual sense, but also for her ability to radically revamp a magazine to shake things up.

May 2013 marked the one-year anniversary of a healthy body initiative that was signed by the magazine's international editors—the initiative represents a commitment from the editors to promote positive body images within the content of Vogue's numerous editions. Australian editor Edwina McCann explained:

In the magazine we're moving away from those very young, very thin girls. A year down the track, we ask ourselves what can Vogue do about it? And an issue like this [June 2013 issue] is what we can do about it. If I was aware of a girl being ill on a photo shoot I wouldn't allow that shoot to go ahead, or if a girl had an eating disorder I would not shoot her.[11]

The Australian edition's June issue is entitled the "Body Issue" and will feature articles on exercise and nutrition, as well as a diverse range of models. New York-based Australian plus-size model Robyn Lawley, who has previously featured on the cover of Vogue Italia, will also appear in a swimwear shoot for the June issue.[11]

Only four men have been featured on the cover of the magazine:[12][13][14]

Style and influence

Models Toni Garrn and brother Niklas Garrn wearing Google Glass during the 2013 September issue fashion photo shoot in Ransom Canyon, Texas (June 25, 2013).

Vogue was described by book critic Caroline Weber in The New York Times in December 2006 as "the world's most influential fashion magazine":[9] The publication's international circulation has the ability to draw attention to inumerable topics; reaching over 1,000,000 readers in the US alone [15]. Further, the publication's influence is intwined with that of current editor-in-chief Anna Wintour who is arguably one of the most powerful figures in fashion [16].

Technological

The recent growth in wearable technologies has created an industry which must effectively merge science and style. Google's Glasses are one such product which, despite their "technical prowess" cause owners to "feel incredibly self-conscious when wearing them in public" [17]. As a result Google turned to Vogue's 2013 September issue in 2013, which featured a 12 page spread.

“The Vogue September issue has become a cultural touchstone ahead of New York’s Fashion Week,”said Chris Dale, who manages communications for the Glass team at Google. ”Seeing Glass represented so beautifully in this issue is a huge thrill for the entire Glass team.”[17]

Economic

Fashion Night, the brainchild of Wintour, was launched in 2009 with the intention of kick starting the economy following the Financial collapse of 2007–2008 by drawing people back to the retail environment. Proceeds go towards various charitable causes. The event is co-hosted by Vogue in 27 cities around the US and 15 countries worldwide, and included online retailers beginning in 2011.[18] There has been some debate as to the actual profitability of the event in the United States, resulting in a potentially permanent hiatus in 2013, though it continues its presence across 19 other locations internationally [19].

Political

In 2006 Vogue acknowledged salient political and cultural issues by featuring the burqa, as well as articles on prominent Muslim women, their approach to fashion and the effect of different cultures on fashion and women’s lives.[20] In addition, Vogue sponsored the “Beauty Without Borders” initiative with a $25,000 donation, thereby establishing a cosmetology school to train Afghan women. Anna Wintour stated that “Through the school, we could not only help women in Afghanistan to look and feel better but also give them employment.” The school received criticism in the form of Liz Mermin’s documentary titled “The Beauty Academy of Kabul” which highlighted the proliferation of Western standards of beauty and suggested that “the beauty school could not be judged a success if it did not create a demand for American cosmetics.” [21]

Leading up to the 2012 US Presidential election Wintour took advantage of her industry clout to host several significant fundraising events in support of the Obama campaign. The first in 2010, was a dinner with an estimated $30,000 entry fee[22] as well as the "Runway To Win" initiative which recruited prominent designers to create pieces to support the campaign [23].

Criticism

As Wintour came to personify the magazine's image, she and Vogue drew critics. Wintour's one-time assistant at the magazine, Lauren Weisberger, wrote a roman à clef entitled The Devil Wears Prada. Published in 2003, the novel became a bestseller and was adapted as a highly successful, Academy Award-nominated film in 2006. The central character resembled Weisberger, and her boss was a powerful editor-in-chief of a fictionalized version of Vogue. The novel portrays a magazine ruled by "the Antichrist and her coterie of fashionistas, who exist on cigarettes, Diet Dr. Pepper, and mixed green salads", according to a review in the New York Times. The editor is described by Weisberger as being "an empty, shallow, bitter woman who has tons and tons of gorgeous clothes and not much else".[24] The success of both the novel and the film brought new attention from a wide global audience to the power and glamour of the magazine, and the industry it continues to lead.[25]

In 2007, Vogue drew criticism from the anti-smoking group, "Campaign for Tobacco-Free Kids", for carrying tobacco advertisements in the magazine. The group claims that volunteers sent the magazine more than 8,000 protest emails or faxes regarding the ads. The group also claimed that in response, they received scribbled notes faxed back on letters that had been addressed to editor Anna Wintour stating, "Will you stop? You're killing trees!"[26]

A spokesperson for Condé Nast released an official statement stating that, "Vogue does carry tobacco advertising. Beyond that we have no further comment."[26]

In April 2008, the American Vogue had a cover shot by the famed photographer Annie Leibovitz, featuring the supermodel Gisele Bündchen and the basketball superstar LeBron James. This was the third time that Vogue featured a male on the cover of the American issue (the other two men were the actors George Clooney and Richard Gere), and the first in which the man was black. Some observers criticized the cover as a prejudicial depiction of James because his pose with Bündchen was reminiscent of a poster for the film King Kong.[27] Further criticism arose when the website Watching the Watchers analyzed the photo alongside the World War I recruitment poster titled Destroy This Mad Brute.[28] James reportedly however liked the cover shoot.

In February 2011, just before the 2011 Syrian protests unfolded, Vogue published a controversial piece by Joan Juliet Buck on Asma al-Assad, wife of the Syrian president Bashar al-Assad.[29] A number of journalists criticized the article as glossing over the poor human rights record of Bashar al-Assad.[30][31] It has been reported that the Syrian government paid the U.S. lobbying firm Brown Lloyd James $5,000 per month to arrange for and manage the article.[32][33]

Media

Documentaries

In 2009, the feature-length documentary The September Issue was released; it was an inside view of the production of the record-breaking September 2007 issue of U.S. Vogue, directed by R. J. Cutler. The film was shot over eight months as editor-in-chief Anna Wintour prepared the issue. It included at times testy exchanges between Wintour and her creative director Grace Coddington. The issue became the largest ever published at the time; over 5 pounds in weight and 840 pages in length, a world record for a monthly magazine [34] Since then, that record has been broken by Vogue's 2012 September issue which came in at 916 pages. [35]

Also in 2012, HBO released a documentary entitled "In Vogue: The Editor's Eye," in conjunction with the 120th anniversary of the magazine. Drawing on Vogue's extensive archives, the film featured behind the scenes interviews with long time Vogue editors including Anna Wintour, Grace Coddington, Tonne Goodman, Hamish Bowles and Phyllis Posnick. Celebrated subjects and designers in the fashion industry such as Nicole Kidman, Sarah Jessica Parker, Vera Wang and Marc Jacobs also made an appearance in the film. The editors shared personal stories about collaborating with top photographers such as Annie Leibowitz and the various day to day responsibilities and interactions as a fashion editor at Vogue. The film was directed and produced by Fenton Bailey and Randy Barbato. In October 2012, Vogue also released a book titled "Vogue: The Editor's Eye" as a complement to the documentary. [36]

Voguepedia

Launched in 2011 by Condé Nast Digital, Voguepedia is a fashion encyclopedia that also includes an archive that consists of every issue of Vogue's American edition since 1892.[37] Only Vogue staff are permitted to contribute to the encyclopedia, unlike the VogueEncyclo—hosted by Vogue Italia—that receives contributions from anyone.[38] As of May 9, 2013, the site is not fully functional, as code still shows in search results and only certain search terms yield results.[39]

Other editions

In 2005, Condé Nast launched Men's Vogue and announced plans for an American version of Vogue Living launching in late fall of 2006 (there is currently an edition in Australia). Men's Vogue ceased publication as an independent publication in October 2008 and is now a twice-yearly extract in the main edition.

Condé Nast also publishes Teen Vogue,[40] a version of the magazine for teen girls, the Seventeen demographic, in the United States. South Korea and Australia has a Vogue Girl magazine (currently suspended from further publication), in addition to Vogue Living and Vogue Entertaining + Travel.

Vogue Hommes International is an international men's fashion magazine based in Paris, France, and L'uomo Vogue is the Italian men's version.[41] Other Italian versions of Vogue include Vogue Casa and Bambini Vogue.

Until 1961, Vogue was also the publisher of Vogue Patterns, a home sewing pattern company. It was sold to Butterick Publishing which also licensed the Vogue name. Vogue China was launched in September 2005 with Australian supermodel Gemma Ward on the cover, flanked by Chinese models. In 2007 an Arabic edition of Vogue was rejected by Condé Nast International. October 2007 saw the launch of Vogue India, and Vogue Turkey was launched in March 2010.

On 5 March 2010, 16 International Editors-in-chief of Vogue met in Paris to discuss the 2nd Fashion's Night Out. Present in the meeting were the 16 International editors-in-chief of Vogue: Anna Wintour (American Vogue), Emmanuelle Alt (French Vogue), Franca Sozzani (Italian Vogue), Alexandra Shulman (British Vogue), Kirstie Clements (Australian Vogue), Aliona Doletskaya (Russian Vogue), Angelica Cheung (Chinese Vogue), Christiane Arp (German Vogue), Priya Tanna (Indian Vogue), Rosalie Huang (Taiwanese Vogue), Paula Mateus (Portuguese Vogue), Seda Domanic (Turkish Vogue), Yolanda Sacristan (Spanish Vogue), Eva Hughes (Mexican Vogue), Mitsuko Watanabe (Japanese Vogue), and Daniela Falcao (Brazilian Vogue).

It was the very first time where all the international editors-in-chief of Vogue come together, as it is very hard to put them in one room together. All of the International editors-in-chief of Vogue, except for Anna Wintour, then dined together at the famous Parisian restaurant, Prunier, hosted by Condé Nast International Chairman Jonathan Newhouse and his wife Ronnie Newhouse.[42]

Since 2010, 7 new editors-in-chief joined Vogue, First is Victoria Davydova, who replaced Aliona Doletskaya as editor-in-chief of Russian Vogue, Emmanuelle Alt who took over French Vogue as editor-in-chief after Carine Roitfeld resigned, followed by Edwina McCann who took over Australian Vogue as editor-in-chief after Kirstie Clements was unceremoniously fired, and Kelly Talamas replaced Eva Hughes at Vogue Mexico and Vogue Latin America when Hughes was named CEO of Condé Nast Mexico and Latin America in 2012. Then Karin Swerink, Kullawit Laosukrsi, and Masha Tsukanova were appointed editors-in-chief of newly launch Vogues Netherlands, Thailand, and Ukraine respectively.

Edition information

The following highlights circulation dates as well as individuals who have served as editor-in-chief of Vogue:

Country Circulation Dates Editor-in-Chief Start year End year
United States 1892–present Josephine Redding 1892 1901
Marie Harrison 1901 1914
Edna Woolman Chase 1914 1951
Jessica Daves 1952 1963
Diana Vreeland 1963 1971
Grace Mirabella 1971 1988
Anna Wintour 1988 present
United Kingdom 1920–present Elspeth Champcommunal 1916 1922
Dorothy Todd 1923 1926
Alison Settle 1926 1934
Elizabeth Penrose 1934 1940
Audrey Withers 1940 1961
Ailsa Garland 1961 1965
Beatrix Miller 1965 1984
Anna Wintour 1985 1987
Liz Tilberis 1988 1992
Alexandra Shulman 1992 present
France 1920–present Cosette Vogel 1922 1927
Main Bocher 1927 1929
Michel de Brunhoff 1929 1954
Edmonde Charles-Roux 1954 1966
Fransçoise de Langlade 1966 1968
Francine Crescent 1968 1987
Colombe Pringle 1987 1994
Joan Juliet Buck 1994 2001
Carine Roitfeld 2001 2010
Emmanuelle Alt 2011 Present
Spain 1921-1936, 1988–present Yolanda Sacristán 1983 present
Italy 1922-1941, 1964–Present Franco Sartori 1966 1988
Franca Sozzani 1988 present
Germany 1924-1941, 1979–present Christine Arp present
Cuba 1934-1961
New Zealand 1957-1968 Sheila Scotter 1957 1968
Australia 1959–present Rosemary Cooper 1959 1968
Sheila Scotter 1969
June McCallum
Nancy Pilcher 1996
Marion Hume 1997 1998
Juliet Ashworth 1998 1999
Kirstie Clements 1999 2012
Edwina McCann 2012 present
Brazil 1975–present Luiz Carta 1975 1986
Andrea Carta 1986 2003
Patricia Carta 2003 2010
Daniela Falcão 2010 present
Mexico & Latin America 1980–present Eva Hughes 2000 2012
Kelly Talamas 2012 present
South Korea 1996–present Myung Hee Lee 1996 present
Russia 1998–present Aliona Doletskaya 1998 2010
Victoria Davydova 2010 present
Argentina 1993-2002 Eva Hughes[43]
Taiwan 1996–present Sky Wu present
Japan 1999–present Hiromi Sogo 1999
Mitsuko Watanabe present
Greece 1999-2012 Elena Makris 1999 2012
Portugal 2002–present Paula Mateus present [44]
China 2005–present Angelica Cheung 2005 present
India 2007–present Priya Tanna 2007 present
Turkey 2010–present Seda Domaniç 2010 present
Netherlands 2012–present Karin Swerink 2012 present
Thailand 2013–present Kullawit Laosuksri 2013 present[45]
Ukraine 2013–present Masha Tsukanova 2013 present

See also

References

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