Urban fantasy: Difference between revisions
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*[[Tim Pratt]] (The ''Marla Mason'' series) |
*[[Tim Pratt]] (The ''Marla Mason'' series) |
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*[[Kat Richardson]] (The ''[[Greywalker]]'' series)<ref name="lj" /> |
*[[Kat Richardson]] (The ''[[Greywalker]]'' series)<ref name="lj" /> |
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*[[Jeanne C. Stein]] (The ''Anna Strong'' series) |
*[[Jeanne C. Stein]] (The ''Anna Strong'' series) |
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*[[Rachel Vincent]] (The ''The Shifters Series'' series).<ref name="lj" /> |
*[[Rachel Vincent]] (The ''The Shifters Series'' series).<ref name="lj" /> |
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*[[Terri Windling]] (The ''[[The Borderland Series|Borderlands]]'' series).<ref name="lj" /> |
*[[Terri Windling]] (The ''[[The Borderland Series|Borderlands]]'' series).<ref name="lj" /> |
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==Notes== |
==Notes== |
Revision as of 03:20, 4 June 2009
Urban fantasy is a subset of contemporary fantasy, consisting of magical novels and stories set in contemporary, real-world, urban settings--as opposed to 'traditional' fantasy set in wholly imaginary landscapes, even ones containing imaginary cities, or having most of their action take place in them.
Characeristics
The modern urban fantasy protagonist faces extraordinary circumstances as plots unfold in either open (where magic or paranormal events are commonly accepted to exist) or closed (where magical powers or creatures are concealed) worlds.[1]
Critic John Clute distinguishes urban fantasy from other sorts of contemporary fantasy by the role of the urban setting in the story. In The Encyclopedia of Fantasy, he writes:
A city is a place; urban fantasy is a mode. A city may be an icon or a geography; the U[rban] F[antasy] recounts an experience. A city may be seen from afar, and is generally seen clear; the U[rban] F[antasy] is told from within.... U[rban] F[antasie]s are normally texts where fantasy and the mundane world interact, intersect and interweave throughout a tale which is significantly about a real city.[2]
Nevertheless, Clute also remarks that "Many texts can be described simultaneously as C[ontemporary] F[antasy] and as urban fantasy."[3]
Modern urban fantasy as an acknowledged subgenre arose in the late 1980s and early nineties. Emma Bull's 1987 War for the Oaks, in which the geography and culture of the city of Minneapolis play an important role, is a seminal work.[4] Charles de Lint's Dreams Underfoot (1993) and its sequels, set in the imaginary city of Newford, are other early entries.[5] Both Dreams Underfoot and War for the Oaks were edited by Terri Windling, who also created the groundbreaking urban fantasy Borderland anthologies (1986 and following) with Mark Alan Arnold.[1][6]
Urban fantasy authors
- Ilona Andrews (The Kate Daniels series)[1]
- Kelley Armstrong (The Women of the Otherworld series)[1]
- Holly Black (The The Modern Faerie Tales series).[1]
- Patricia Briggs (The Mercedes Thompson Series)[1]
- Emma Bull (War for the Oaks)[1]
- Jim Butcher (The Dresden Files series)[1]
- Rachel Caine (The Weather Warden series)[1]
- Cassandra Clare (Mortal Instruments series)[7]
- S. J. Day (The Marked series)[1]
- Neil Gaiman (Neverwhere)[1]
- Simon R. Green (The Night Side series)[1]
- Laurell K. Hamilton (The Anita Blake: Vampire Hunter and Merry Gentry series)[1]
- Charlaine Harris (The Southern Vampire Mysteries series)[1]
- Kim Harrison (The Hollows series)[1]
- Charles de Lint (The Newford series)[1]
- Sergey Lukyanenko (Watch tetralogy)
- China Miéville (King Rat (1998 novel))
- C.E. Murphy (The Walker Papers series)[1]
- Tim Powers (The Fault Line series)[citation needed]
- Tim Pratt (The Marla Mason series)
- Kat Richardson (The Greywalker series)[1]
- Rick Riordan (The Percy Jackson and the Olympians series).
- Jeanne C. Stein (The Anna Strong series)
- Rachel Vincent (The The Shifters Series series).[1]
- Terri Windling (The Borderlands series).[1]
Notes
References
- Clute, John and John Grant (1999). The Encyclopedia of Fantasy (2nd revised edition). Macmillan. ISBN 0312198698.
- Donohue, Nanette Wargo (2008-06-01). "Collection Development "Urban Fantasy": The City Fantastic". Library Journal.