Superman II: Difference between revisions
DonQuixote (talk | contribs) m Undid revision 344913430 by 174.116.197.200 (talk) -- no telepathy shown in movie |
→Films: President's Picture in Superman III |
||
Line 88: | Line 88: | ||
The idea of Superman and Lois having sex is in the back-story to ''[[Superman Returns]]''. |
The idea of Superman and Lois having sex is in the back-story to ''[[Superman Returns]]''. |
||
A picture of the President [[E.G. Marshall]] is shown in [[Perry White]]'s office, in [[Superman III]]. You see it, when [[Lana Lang]] and [[Lois]] meet. |
|||
===Comics=== |
===Comics=== |
Revision as of 19:52, 19 February 2010
This article needs additional citations for verification. (May 2007) |
Superman II | |
---|---|
![]() Original movie poster | |
Directed by | Richard Lester Richard Donner (uncredited) |
Written by | Mario Puzo David Newman Leslie Newman Tom Mankiewicz (Creative Consultant) Jerry Siegel (Characters) Joe Shuster (Characters) |
Produced by | Pierre Spengler |
Starring | Christopher Reeve Gene Hackman Terence Stamp Ned Beatty Jackie Cooper Sarah Douglas Margot Kidder Jack O'Halloran Valerie Perrine Susannah York Clifton James E.G. Marshall Marc McClure |
Cinematography | Robert Paynter (Lester footage) Geoffrey Unsworth (Donner footage) |
Edited by | John Victor-Smith (Lester footage) Stuart Baird (Donner footage) |
Music by | Ken Thorne John Williams (Themes) |
Distributed by | Warner Bros. |
Release dates | December 4, 1980 (Australia) June 19, 1981 (United States) |
Running time | 127 minutes |
Countries | United Kingdom United States |
Language | English |
Budget | $54,000,000 |
Superman II is the 1980 sequel to the 1978 superhero film Superman. It was the only Superman film to be filmed by two directors. For this reason the film is surrounded with controversy since original director Richard Donner had completed, by his estimation, roughly 75% of the movie in 1977 before being taken off the project. Many of the scenes shot by second director Richard Lester (who had been an uncredited producer on the first film) in 1979 are refilmed Donner sequences. It was released in Europe and Australia in late 1980 but not in the United States until June 19, 1981 (one week after the release of Raiders of the Lost Ark). Selected premiere engagements of Superman II were presented in Megasound, a high-impact surround sound system similar to Sensurround.
According to statements by Donner, roughly 25% of the theatrical cut of Superman II contains footage he shot, including all of Gene Hackman's scenes. In 1984, when Superman II premiered on television, 24 minutes were re-inserted into the film (17 minutes on ABC). Much of the extra footage was directed by Richard Donner. In the ABC-TV version, a U.S. "polar patrol" is shown picking up the three Kryptonians and Lex Luthor at the end of the film. Without this ending, it appears that Superman has let the Kryptonians die, though Superman has a strict code against killing and their deaths aren't necessary once they are depowered. On the other hand, the theatrical version's ending implies that Luthor is left stranded at the Fortress of Solitude, leaving the viewer to wonder how he got to prison in Superman IV: The Quest for Peace — that question was answered in the extended versions. The ending of the extended cuts also has Superman, with Lois standing beside him, destroy the Fortress of Solitude.
A brand new re-cut of the film, restoring as much of Donner's original conception as possible, titled Superman II: The Richard Donner Cut, was released in November 2006, with approximately 83% of the footage therein having been filmed by Donner, and the remainder being Richard Lester footage kept to fill in the gaps of footage that Donner had never been able to film before his firing. The latter part of the aforementioned scene can also be found on Superman II: The Richard Donner Cut, while the part where the police arrive is a deleted scene.
Plot
Prior to the destruction of Krypton, the criminals General Zod, Ursa and Non are sentenced by Jor-El for banishment into the Phantom Zone. Many years after traveling through the galaxy, the Phantom Zone is shattered near Earth by the shockwave from the harmless detonation of a hydrogen bomb launched into space by Superman while saving the Eiffel Tower and the city of Paris. The three criminals are freed, finding themselves with super powers granted by the yellow light of Earth's sun. After attacking human astronauts on the moon and the small town of East Houston, Idaho, the three travel to the White House and force the President of the United States to surrender to Zod (on behalf of the entire planet) during an international television broadcast. When the President warns Zod that Superman will stop them, Zod announces his demand for Superman to come and "kneel before Zod!"
Prior to Zod's arrival, Clark Kent and Lois Lane are sent on assignment for the Daily Planet to Niagara Falls. Lois becomes suspicious that Clark is Superman and tries to lure him into revealing his identity by throwing herself into the Falls, but Clark manages to save her with subtle use of his powers. That night, Clark accidentally reaches into the room's fireplace to recover Lois' fallen hairbrush; when Lois discovers his hand is not even burnt, Clark is forced to admit he is Superman. He takes her to his Fortress of Solitude near the North Pole and shows her the traces of his past stored in the energy crystals of the Fortress, one which Lois misplaces under her purse. Superman decides to undergo a transformation to make himself human by exposing himself to the red Kryptonian sunlight to become romantically closer to Lois, a process which destroys many of the energy crystals. After spending the night together, the two return to populated areas by conventional means, and soon learn of Zod's demand. Realizing that humanity cannot fight Zod themselves, Clark decides to return to the Fortress to try to reverse the transformation.
Lex Luthor, who has managed to escape from jail (with Eve Teschmacher's assistance), has tracked down the Fortress using an alpha wave detector, and learns from the remaining crystals of Superman's connection to Jor-El and of General Zod. He traces Zod to Washington D.C., and offers to lead Zod to Jor-El's son in exchange for control of Australia. Accepting his offer, the three Kryptonians are directed by Luthor to the offices of the Daily Planet where they abduct Lois. Superman arrives, after having found the misplaced crystal and reversing the transformation process, and attempts to fight the three. Zod realizes Superman cares for the innocent humans and take advantage of this weakness to force Superman into submission. In order to protect Metropolis, Superman flies off towards his Fortress, with Zod, Ursa, and Non giving chase and carrying Lois and Luthor with them.
At the Fortress, Superman attempts to lay one last trap to stop Zod but fails. As Zod holds Superman in submission, Luthor reveals the ability of the Fortress to revert Superman into a human, a punishment that Zod sets forth. When Superman steps into the transformation chamber, the rest of the Fortress is bathed in red light. The three villains realize too late that Superman, knowing of Luthor's treachery, altered the transformation process to expose everyone outside the chamber to the red light, thus cancelling Zod, Ursa and Non's Kryptonian powers. With Lois' help, Superman is able to send the criminals into the bottomless depths of the Fortress. Superman returns Luthor to the authorities, despite the criminal's pleas that he was in on his plan. Superman returns Lois to her home. At the Daily Planet the following day, Superman (as Clark) kisses Lois, using his telepathic abilities to wipe Lois' mind of all the events surrounding Zod's arrival on Earth -- including her knowledge that Clark and Superman are the same person. Superman restores the damage done by Zod, and as he replaces the flag on top of the White House, promises the President to never again abandon his duty.
Cast
- Christopher Reeve as Clark Kent / Superman: Born on Krypton and raised on Earth, Superman is a being of immense strength, speed and power. Morally upstanding and instilled with a strong sense of duty, Superman tirelessly uses his formidable powers, which he gets from the Earth's yellow sun, to protect the people of his adoptive homeworld. His alter ego is mild mannered Daily Planet reporter Clark Kent. Superman's abilities include: X-ray and heat vision, vast strength, speed and invulnerability, super intelligence and flight.
- Margot Kidder as Lois Lane: Feisty and intelligent ace reporter for The Daily Planet and Clark Kent's love interest. Lois, who's madly in love with Superman, is a driven career journalist who lets nothing stand in the way of breaking the next big story and scooping rival reporters while ignoring the potential consequences which sometimes puts her in peril.
- Gene Hackman as Lex Luthor: Evil criminal genius and Superman's arch nemesis. Armed with vast resources and scientific brilliance, Luthor's contempt for mankind is only surpassed by his hatred for Superman. Luthor strikes a bargain with the three Kryptonian criminals in an effort to destroy Superman.
- Terrence Stamp as General Zod: The ruthless leader of three Kryptonian criminals banished to the Phantom Zone and unwittingly set free by Superman. Zod, upon landing on Earth and gaining the same super powers as Superman, immediately views humans as a weak and insignificant sub species and imposes his evil will for world dominance. His insatiable lust for power is replaced however by revenge when he learns that the son of Jor-El stands in the way of his absolute rule of the planet.
- Sarah Douglas as Ursa: Zod's second in command and consort. Ursa's evil will and power-lust are equal to and sometimes surpasses those of General Zod himself. Her contempt and utter disregard for humans as well as her twisted taste for wanton destruction make her a deadly adversary. She has a inclination to collect insignia and heraldry from people she defeats or dominates, such as the NASA patch on an astronaut's EVA suit, or police badges.
- Jack O'Halloran as Non: The third of the Kryptonian criminals, Non is " as without thought as he is without voice." Standing at seven feet tall, Non is a formidable hulking mute who easily matches Superman's strength but has the intelligence and sometimes curiosity of a child and communicates only with guttural grunts and growls. Though he lacks the mental ability to use his powers effectively, he does however possess the same taste for destruction as his Kryptonian companions.
- Susannah York as Lara: Jor-El's wife and Superman's biological mother.
- Valerie Perrine as Eve Teschmacher: Lex Luthor's beautiful assistant and girlfriend.
- Ned Beatty as Otis: Luthor's incompetent henchman.
- Jackie Cooper as Perry White: Mercurial editor-in-chief of The Daily Planet and Lois and Clarks boss.
- Marc McClure as Jimmy Olsen: Teenaged photographer at The Daily Planet.
- E.G. Marshall as The President
Gene Hackman, Valerie Perrine, Ned Beatty and Marlon Brando are the only actors who didn't participate in the film's reshoots. Their scenes in Lester's version (with the exception of Brando) were portrayed with body doubles.
In the 2006 documentary You Will Believe: The Cinematic Saga of Superman (included in the DVD set Superman Ultimate Collector's Edition), Sarah Douglas says she was the only cast member to do extensive around-the-world press tours in support of the movie, as she was one of the few actors who held a neutral point of view in the Donner/Lester controversy.
Cameos
Rhea Perlman and John Ratzenberger both make cameo appearances in the film. They would later appear on the long running sitcom Cheers from 1982-1993.
Richard Donner briefly appears in a "walking cameo" in the film. In the sequence where the de-powered Clark and Lois are seen approaching the truck-stop diner by car, Donner appears walking "camera left" past the driver's side. He is wearing a light tan jacket and appears to be smoking a pipe. In his commentary for Superman II, Ilya Salkind states that the inclusion of his cameo in that scene is proof that the Salkinds held no animosity towards Donner, because if there were, then surely they would have cut it out. Conversely, Donner has used his inclusion in the scene to debunk praise heaped on Lester around the release of the film where Lester took credit for the intense nature of the "bully" scene in the diner, pointing out that he (Donner) filmed the scene and not Lester.
Controversy and cult status
Off-screen problems hampered production of this movie. Like other Salkind productions such as The Three Musketeers (1973) and The Four Musketeers (1974), Superman and Superman II commenced filming at the same time. Director Richard Donner argued with the producers over their attempts to make the film "more campy," in his opinion, which led to his removal and replacement on the project by Richard Lester. Following that, Gene Hackman declined to return for any reshoots by Lester, which cut down the number of scenes in which he appears in the final cut (or with a few scenes where a body double was obviously being used).
Another reason behind Richard Donner's removal may have been that the Salkinds were upset that Donner went over their originally planned budget for the movie. Warner Brothers ended up getting more and more involved in the race to complete the film, allowing the studio to receive more profits from the film's box office take than the Salkinds had originally agreed to. With their power slipping away, Donner was unfortunately made the scapegoat.
Despite all the difficulties, and with only a few noticeable shifts in tone between the two directors' scenes (Lester's scenes tend to be more campy and humorous), it was noted by critics to be a remarkable and coherent film, highlighted by the movie's battle sequence between Superman and the three Phantom Zone prisoners on the streets of Metropolis. Scenes filmed by Donner include all the Gene Hackman footage, the moon sequences, the White House shots, Clark and the bully, and a lot of the footage of Zod, Ursa and Non arriving at the Daily Planet. Since the Lester footage was shot almost two years later, both Margot Kidder and Christopher Reeve's appearances look different between the Lester and Donner footage. Reeve appears less bulked up in Donner's sequences (filmed in 1977), as he was still gaining muscle for the part. Kidder also has dramatic changes throughout; in the montage of Lester/Donner material, shot inside the Daily Planet and the Fortress of Solitude near the movie's conclusion, her hairstyle, hair color, and even make-up are all inconsistent. Indeed, Kidder's physical appearance in the Lester footage is noticeably different; during the scenes shot for Donner she appears slender, whereas in the Lester footage she looks frail and gaunt.
Marlon Brando's scenes, including some key plot explanations, were excised from the second film, for budgetary reasons (as noted in the DVD special in The Richard Donner Cut). Thus Brando was totally absent from the Lester cut of the film.
The original script had the nuclear missile from Superman: The Movie releasing Zod and companions from the Phantom Zone, instead of the Eiffel Tower bomb. In The Richard Donner Cut, the nuclear missile scene has been restored, and all scenes involving the Eiffel Tower plot were removed.
In the years since the film's release, the controversy continues to be fueled, while the film itself has achieved cult status. In 1983, Alexander Salkind's production company pieced together an "Expanded International Cut" of the film for television using approximately 24 minutes of footage not shown in the theatrical release, some of which was original Richard Donner footage shot before Richard Lester became director. The "new" footage expanded on the film's many subplots, including a further explanation of the villains' task on Earth, Superman and Lois' romance and an alternate ending involving Lex Luthor, the three Kryptonian villains and the final fate of the Fortress of Solitude. This 146-minute expanded version was released throughout Europe and Australia in the 1980s and was last seen in Australia on the Ten Network. Among cute one liners, this version included a montage of Japanese tourists taking photos at the beginning of the Niagara Falls scene (the initial expanded U.S. ABC and Canadian CBC telecasts, though edited differently, were derived from the European/Australian TV edit). Australians will notice scenes they originally viewed at cinemas in the deleted scenes menu on DVDs and notice some of the one liners they originally heard placed back in the Richard Donner cut.
In 2005, several Superman movie fans attempted to bring the film closer to Donner's original vision by creating their own professionally-made video restoration of the "International Cut" and offered free DVDs of it on one of the many Superman fan sites, but their efforts were thwarted by Warner Bros., who reportedly threatened legal action.
All four Superman films received Special or Deluxe Edition releases in 2006 coinciding with the release of Superman Returns. It was confirmed that Ilya Salkind had released Donner's footage for a separate Superman II disc and that Donner was involved in the project. According to an interview conducted by website supermanhomepage.com, Ilya confirmed that Time Warner now owns all of the footage shot for 1978's Superman, 1980's Superman II, 1983's Superman III, 1984's Supergirl and 1987's Superman IV: The Quest for Peace including distribution rights. Special Edition restorationist Michael Thau worked on the project alongside Richard Donner and Tom Mankiewicz, who supervised the Superman II reconstruction. Despite some initial confusion, Thau confirmed that all the footage shot by Donner in 1977 was recovered and transferred from England. The new edition was released on November 28, 2006 and called Superman II: The Richard Donner Cut. The new cut also features less than 20% footage filmed by replacement director Richard Lester.
Reception
Superman II, like the original, received much praise, receiving a 6.7 in IMDb,[1] and an 87 percent on Rotten Tomatoes, with the summary saying "The humor occasionally stumbles into slapstick territory, and the special effects are dated, but Superman II meets, if not exceeds, the standard set by its predecessor." [2] Roger Ebert, who gave the original film very high acclaim[3] also praised Superman II, giving it four out of four stars, claiming that "Superman II begins in midstream, and never looks back..."[4]
Score
As John Williams chose not to return to score the film due to obligations with other projects, (such as the Star Wars film series), Ken Thorne was commissioned to write the music upon Williams' recommendation. However, the score contains frequent excerpts from Williams' previous score to the first film. Thorne wrote minimal original material and adapted source music (such as Average White Band's "Pick Up the Pieces", which appears both in the diner in Idaho as well as during Clark's second encounter with Rocky, the bullying truck driver).
In relation to other Superman films, comics, etc.
Films
In the version of the film planned by Richard Donner, Superman flies around the Leaning Tower of Pisa at incredible super-speed, accidentally causing it to stand up straight. This was dropped by Richard Lester, but re-used in Superman III, where Evil Superman straightens the Tower of Pisa on purpose.
The idea of Superman and Lois having sex is in the back-story to Superman Returns.
A picture of the President E.G. Marshall is shown in Perry White's office, in Superman III. You see it, when Lana Lang and Lois meet.
Comics
Clark also uses the rare "super-kiss" to make Lois forget he is Superman. While this was a real power Superman had in the comics, it was rarely used, and eventually removed.
After attacking the White House, Lex Luthor enters the Oval Office to make a deal with the Kryptonians. By the end of the scene, he is sitting behind the President's desk. In the comics (in the year 2000), Lex Luthor ran for President of the United States and won.
In 2006, the Superman comics themselves adapted elements from the Superman movies, specifically the ice-like look of Krypton, and Jor-El banishing the criminals to the Phantom Zone. Ursa and Non made their first ever appearances in the comic book continuity. This was facilitated in the Superman: Last Son storyarc, for which Richard Donner served as a writer.
Television
In the television series Smallville, much of the imagery and concepts of the first two Salkind/Donner Superman films has been revived as a conscious homage to the film series by the show's creators. These include the ice-crystal Fortress of Solitude (and its construction from a single glowing green crystal); the spinning rectangle in space to represent the Phantom Zone; and the continued presence of the deceased Jor-El as a disembodied counselor and teacher to young Clark/Kal-El. Terence Stamp, who played Zod in the first two films, now provides the voice of Jor-El for the series, and Christopher Reeve made several appearances on the show as Dr. Virgil Swann, a crippled scientist who had acquired knowledge of Krypton to pass on to Clark, before his death in 2004. A section of John Williams's Superman theme was included when Reeve made his first appearance. Margot Kidder, Marc McClure (Jimmy Olsen), and Helen Slater (Supergirl) have also made appearances on the show. Annette O'Toole (Lana Lang in Superman III) plays Martha Kent.
See also
References
![]() | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (October 2009) |
External links
![](http://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/34px-Wikiquote-logo.svg.png)
- Superman II at IMDb
- Superman II at AllMovie
- Superman II at Rotten Tomatoes
- Superman II at Box Office Mojo
- Supermanii.com
- The Superman Sourcebook, at The Thunder Child
- Movie Reviews (Christopher Reeve Homepage) - Superman II
- Superman Homepage: Superman II - Movie Synopsis/Review/Critique
- louandbud.com: Chris Reeve - Page 2
- The Superman Super Site - Superman II
- II Times the Superman II: A close comparison of the Lester and Donner versions.