Jerry Siegel

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Jerry Siegel
Jerry Siegel (1976) retouched.jpg
Jerry Siegel in 1976.
Born Jerome Siegel
(1914-10-17)October 17, 1914
Cleveland, Ohio, US
Died January 28, 1996(1996-01-28) (aged 81)
Los Angeles
Nationality American
Area(s) Writer
Pseudonym(s) Joe Carter, Jerry Ess, Herbert S. Fine
Notable works
Superman, Action Comics #1
Awards Inkpot Award, 1975
Will Eisner Comic Book Hall of Fame, 1992
Jack Kirby Hall of Fame, 1993
The Bill Finger Award For Excellence in Comic Book Writing, 2005
Spouse(s) Joanne (Kovacs) Siegel (m. 1948–1996; his death)

Jerome "Jerry" Siegel (October 17, 1914 – January 28, 1996),[1] who also used pseudonyms including Joe Carter,[2][3] Jerry Ess,[2] and Herbert S. Fine, was the American co-creator of Superman, along with Joe Shuster, the first of the great comic book superheroes and one of the most recognizable of the 20th century.

He was inducted (with Shuster posthumously) into the comic book industry's Will Eisner Comic Book Hall of Fame in 1992 and the Jack Kirby Hall of Fame in 1993.

Early life[edit]

Jerry Siegel was born in Cleveland, Ohio, the youngest of six children of Jewish immigrants from Lithuania, Sarah (née Fine) and Mitchell Siegel.[4] He was preceded by sisters Minerva and Roslyn, both in Lithuania, and brothers Harry and Leo and sister Isabel.[4] His father was a sign painter who opened a haberdashery and encouraged his son's artistic inclinations. Mitchell died of a heart attack brought on by the robbery of his store, when Jerry was in junior high school.[5] Siegel was a fan of movies, comic strips, and especially science fiction pulp magazines. He became active in what would become known as fandom, corresponding with other science fiction fans, including the young future author Jack Williamson. In 1929, Siegel published what might have been the first SF fanzine, Cosmic Stories, which he produced with a manual typewriter and advertised in the classified section of Science Wonder Stories. He published several other booklets over the next few years.

Siegel attended Glenville High School in Cleveland, Ohio and worked for its weekly student newspaper, The Torch. He was a shy, not particularly popular student, but he achieved a bit of fame among his peers for his popular Tarzan parody, "Goober the Mighty." At about age 16, while at Glenville, he befriended his later collaborator, Joe Shuster. Siegel described his friendship with the similarly shy and bespectacled Shuster: "When Joe and I first met, it was like the right chemicals coming together."[1]

The writer-artist team broke into comics with Major Malcolm Wheeler-Nicholson's landmark New Fun, debuting with the musketeer swashbuckler "Henri Duval" and the supernatural-crimefighter strip Doctor Occult in issue No. 6 (Oct. 1935).

Superman and following years[edit]

Siegel and Shuster created a bald telepathic villain referred to as "the Superman", bent on dominating the entire world. He appeared in the short story "The Reign of the Superman" from Science Fiction No. 3, a science fiction fanzine that Siegel published in 1933.[6] Tossing and turning in bed one night in 1934, he thought of the more familiar character by that name.[1][7] Siegel and Shuster then began a four-year quest to find a publisher. Titling it The Superman, Siegel and Shuster offered it to Consolidated Book Publishing, who had published a 48-page black-and-white comic book entitled Detective Dan: Secret Operative No. 48. Although the duo received an encouraging letter, Consolidated never again published comic books. Shuster took this to heart and burned all pages of the story, the cover surviving only because Siegel rescued it from the fire. Siegel and Shuster each compared this character to Slam Bradley, an adventurer the pair had created for Detective Comics No. 1 (March 1937).[8] In 1938, after that proposal had languished among others at More Fun Comics — published by National Allied Publications, the primary precursor of DC Comics — editor Vin Sullivan chose it as the cover feature for National's Action Comics No. 1 (June 1938). The following year, Siegel & Shuster initiated the syndicated Superman comic strip. Siegel also created the ghostly avenger The Spectre during this same period.

As part of the deal which saw Superman published in Action Comics, Siegel and Shuster sold the rights to the company in return for $130 and a contract to supply the publisher with material.[9][10][11]

Siegel and Shuster's status as children of Jewish immigrants is also thought to have influenced their work. Timothy Aaron Pevey has argued that they crafted "an immigrant figure whose desire was to fit into American culture as an American", something which Pevey feels taps into an important aspect of American identity.[12]

In 1946, Siegel and Shuster, nearing the end of their 10-year contract to produce Superman stories, sued National over rights to the characters. In 1947, the team had rejoined editor Sullivan, by now the founder and publisher of the comic-book company Magazine Enterprises; there they created the short-lived comical crime-fighter Funnyman. Siegel went on to become comics art director for publisher Ziff-Davis in the early 1950s, and later returned to DC to write uncredited Superman stories in 1959 under the control of Silver Age Superman editor Mort Weisinger. When he sued DC over the Superman rights again in 1967, his relationship with the hero he had co-created was again severed.

Siegel's later work would appear in Marvel Comics, where under the pseudonym "Joe Carter" he scripted the "Human Torch" feature in Strange Tales #112–113 (Sept.-Oct. 1963), introducing the teenaged Torch's high school girlfriend, Doris Evans; and, under his own name, a backup feature starring the X-Men member Angel, which ran in Marvel Tales and Ka-Zar.[13] Siegel wrote as well during this time for Archie Comics, where he created campy versions of existing superheroes in Archie's Mighty Comics line; Charlton Comics, where he created a few superheroes; and even England's Lion, where he scripted The Spider. In 1968, he worked for Western Publishing, for which he wrote (along with Carl Barks) stories in the Junior Woodchucks comic book. In 1970s, he worked for Mondadori Editore (at that time the Italian Disney comic book licensee) on its title Topolino, listed in the mastheads of the period as a scriptwriter ("soggettista e sceneggiatore").

In the 1980s, he worked with Val Mayerik on his new comic called The Starling, which appeared in the pages of Destroyer Duck. Around this time, he also wrote some comics for Aardvark-Vanaheim.[14]

In 1985, DC Comics named Siegel as one of the honorees in the company's 50th anniversary publication Fifty Who Made DC Great.[15] Siegel was invited in 1986 by DC Comics' editor Julius Schwartz to write an "imaginary" final story for Superman, following Marv Wolfman's Crisis on Infinite Earths limited series and before John Byrne's The Man of Steel miniseries, which reintroduced Superman. Siegel declined, and the story was instead given to writer Alan Moore, and published in September 1986 in two parts entitled "Whatever Happened to the Man of Tomorrow?" published in Superman No. 423 and Action Comics No. 583.

Awards[edit]

Legal issues[edit]

Siegel & Shuster v. Warner Communications[edit]

Siegel in 1975 launched a public-relations campaign to protest DC Comics' treatment of Shuster and himself.[16] Ultimately, Warner Communications, DC's parent company, awarded Siegel and Shuster $20,000 a year[17] each for the rest of their lives and guaranteed that all comics, TV episodes, films, and, later, video games starring Superman would be required to carry the credit that Superman was "created by Jerry Siegel and Joe Shuster." The first issue with the restored credit was Superman No. 302 (August 1976).[18]

Siegel estate v. Time Warner[edit]

On April 16, 1999, Siegel's widow Joanne Siegel, and their daughter, Laura Siegel Larson, filed a copyright termination notice.[17] Warner Bros. contested this copyright termination, making the status of Siegel's share of the copyright the subject of a legal battle. Warner Bros. and the Siegels entered into discussions on how to resolve the issues raised by the termination notice, but these discussions were set aside by the Siegels and in October 2004 they filed suit alleging copyright infringement on the part of Warner Bros. Warner Bros. countersued, alleging, among other arguments, that the termination notice contains defects.[19][20] On March 26, 2008, Judge Stephen G. Larson of the Federal District Court for the Central District of California ruled that Siegel's estate was entitled to claim a share in the United States copyright.[21] The ruling does not affect the international rights which Time Warner holds in the character through its subsidiary DC Comics. Issues regarding the amount of monies owed Siegel's estate and whether the claim the estate has extends to derivative works such as movie versions will be settled at trial, although any compensation would only be owed from works published since 1999.[22] The case was scheduled to be heard in a California federal court in May 2008.[23]

Both the Siegel estate and Time Warner have appealed Larson's ruling. The Siegel estate claims the judge erred by finding most of the Superman material written by Siegel from 1938 through 1943 to be work for hire.[24] Time Warner asserts the Siegel estate had agreed to a settlement that precludes termination,[25] and that the material awarded to the Siegel estate by Judge Larson was actually work for hire.[26] Oral argument was held on November 5, 2012, in the United States Court of Appeals for the Ninth Circuit.[27][28]

Superboy lawsuit[edit]

Superboy was the subject of a legal battle between Time Warner, the owner of DC Comics and the estate of Jerry Siegel. The Siegels argued that Jerry Siegel was an independent contractor at the time he proposed the original character, which DC declined at the time. After returning from World War II, Siegel found that DC had published a Superboy story which bore similarities to his proposal.[29]

On March 23, 2006, federal judge Ronald S. W. Lew issued a summary judgment ruling that the Siegel heirs had the right to revoke their copyright assignment to Superboy and had successfully reclaimed the rights as of November 17, 2004. Warner Bros. and DC Comics replied that they "respectfully disagree" with the ruling and would seek review. Warner Bros. and DC Comics filed a motion for reconsideration of Judge Lew's ruling in January 2007. On July 27, 2007, federal judge Larson (who had replaced Lew upon his taking "senior status") reversed Judge Lew's ruling that the Siegel heirs had reclaimed the rights to Superboy.[30]

References[edit]

  1. ^ a b c Roger Stern. Superman: Sunday Classics: 1939 – 1943 DC Comics/Kitchen Sink Press, Inc./Sterling Publishing; 2006
  2. ^ a b Rozakis, Bob (April 9, 2001). "Secret Identities". "It's BobRo the Answer Man" (column), Comics Bulletin. Archived from the original on November 14, 2010. Retrieved November 14, 2010. 
  3. ^ Evanier, Mark (April 14, 2008). "Why did some artists working for Marvel in the sixties use phony names?". P.O.V. Online (column). Archived from the original on November 24, 2009. Retrieved July 28, 2008. 
  4. ^ a b Jones, Gerard (2004). Men of Tomorrow: Geeks, Gangsters and the Birth of the Comic Book. New York: Basic Books. p. 24. ISBN 978-0-465-03656-1. OCLC 55019518. 
  5. ^ Colton, David (August 27, 2008). "Superman's story: Did a fatal robbery forge the Man of Steel?". USA Today. Archived from the original on October 2, 2012. Retrieved February 17, 2009. 
  6. ^ Daniels, Les (1998). Superman: The Complete History (1st ed.). Titan Books. ISBN 1-85286-988-7. 
  7. ^ Gross, John (December 15, 1987). "Superman at Fifty! The Persistence of a Legend! Edited by Dennis Dooley and Gary Engle". (review), The New York Times. Archived from the original on August 30, 2011. Retrieved January 29, 2007. 
  8. ^ Daniels (1998), p. 17.
  9. ^ Goldberg, Barbara (April 16, 2012). "Check that bought Superman rights for $130 sells for $160,000". Reuters. Retrieved June 29, 2012. 
  10. ^ Tye, Larry (2012). Superman: The High-Flying History of America's Most Enduring Hero. Random House Digital. Retrieved June 29, 2012. 
  11. ^ MacDonald, Heidi (April 11, 2006). "Inside the Superboy Copyright Decision". Publishers Weekly. Archived from the original on February 12, 2009. Retrieved December 8, 2006. 
  12. ^ Pevey, Timothy Aaron ""From Superman to Superbland: The Man of Steel's Popular Decline Among Postmodern Youth" PDF (3.14 Mb). April 10, 2007 URN: etd-04172007-133407
  13. ^ Joe Carter at the Grand Comics Database
  14. ^ "When Jerry Siegel Wrote To Aardvark-Vanaheim Looking For A Publisher For Redd Death And Life-Queen, Zongolla The Ultroid, Doomsday-Y-Y Komics, Space Rock Kid And Ricky Robot". Bleeding Cool. Johnston, Rich (August 2, 2012). Retrieved 2012-01-25.
  15. ^ Marx, Barry, Cavalieri, Joey and Hill, Thomas (w), Petruccio, Steven (a), Marx, Barry (ed). "Jerry Siegel A Fantasy Made Real" Fifty Who Made DC Great: 8 (1985), DC Comics
  16. ^ Graham, Victoria (November 25, 1975). "Originators of Superman Destitute: Sold Rights in 1938 for $130". State Journal (Lansing, Michigan). p. D-3. 
  17. ^ a b Dean, Michael (November 2004). An Extraordinarily Marketable Man: The Ongoing Struggle for Ownership of Superman and Superboy. Excerpted from The Comics Journal No. 263. p. 16. Archived from the original on December 1, 2006. Retrieved December 22, 2006. 
  18. ^ McAvennie, Michael; Dolan, Hannah, ed. (2010). "1970s". DC Comics Year By Year A Visual Chronicle. Dorling Kindersley. p. 170. ISBN 978-0-7566-6742-9. "For the first time since 1947, Jerry Siegel and Joe Shuster's names were back in Superman comics, and listed as the Man of Steel's co-creators." 
  19. ^ Vosper, Robert (February 2005). "The Woman of Steel". Inside Counsel. Archived from the original on May 6, 2007. Retrieved January 26, 2007. "DC isn't going to hand over its most valued asset without putting up one hell of a legal battle" 
  20. ^ Brady, Matt (March 3, 2005). "Inside The Siegel/DC Battle For Superman". Newsarama. Retrieved January 26, 2007. "While the complaint, response and counterclaim has been filed, no one even remotely expects a slam-dunk win for either side. Issues such as those named in the complaint will, if it goes to trial, possibly allow for an unprecedented referendum on issues of copyright." [dead link] Archived 13 Aug 2008.
  21. ^ "This Month in History," Smithsonian (June 2008).
  22. ^ Ciepley, Michael. "Ruling Gives Heirs a Share of Superman Copyright" The New York Times, March 29, 2008. Accessed on 2008-29-03. Archived on 2008-29-03.
  23. ^ Coyle, Marcia (February 4, 2008). "Pow! Zap! Comic Book Suits Abound". The National Law Journal. Archived from the original on February 17, 2008. Retrieved February 17, 2008. 
  24. ^ Trexler, Jeff (April 2, 2012). "The Legal View: Jack Kirby and the Siegel Appeal". The Beat. Retrieved December 19, 2012. 
  25. ^ Trexler, Jeff (March 30, 2012). "The Legal View: Facebook vs. Superman". The Beat. Retrieved March 30, 2012. 
  26. ^ Warner Bros. Entertainment, Inc. and DC Comics (March 23, 2012). "Laura Larson v. Warner Bros. Entertainment Inc., et al.". Second Brief on Cross Appeal. Retrieved December 19, 2012. 
  27. ^ Heller, Matthew (November 5, 2012). "Superman Heirs Battle DC Comics Over Copyrights in 9th Circ.". Law360.com. Retrieved December 20, 2012. 
  28. ^ Reynolds, Matt (November 7, 2012). "Ninth Circuit Holds Back-to-Back Appeals on Superman Rights". Courthouse News Service. Retrieved December 19, 2012. 
  29. ^ McNary, Dave (April 5, 2006). "Super Snit in 'Smallville' – Skein Faces Copyright Infringement charges)". Daily Variety. Archived from the original on May 12, 2008. Retrieved August 12, 2008. 
  30. ^ Joanne Siegel and Laura Siegel Larson v. Warner Bros. Entertainment Inc.; Time Warner Inc.; and DC Comics (C.D. Cal. 2008) (“Order Granting in Part and Denying in Part Plaintiffs' Motion for Partial Summary Judgment; Order Granting in Part and Denying in Part Defendants' Motion for Partial Summary Judgment”). Text

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