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Boards Of Canada's album covers are designed by either the band themselves or people they know (Hexagon Sun etc...), there is no affiliation with TDR.
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In 1994, [[Emigre (magazine)|''Emigre'' magazine]] devoted a whole issue to the Designers Republic, a copy of which was bought by [[Museum of Modern Art|NY MoMA]]. This issue is still ''Emigre''’s best-ever seller and is now sold out<ref>{{cite web |url=http://www.emigre.com/EMag.php?issue=29 |title=Back Issues: Emigre 29 |accessdate=24 January 2009 |work= |publisher=[[Emigre]] |date= }}</ref> – copies having fetched in excess of $750 in auction.{{Citation needed|date=January 2009}}
In 1994, [[Emigre (magazine)|''Emigre'' magazine]] devoted a whole issue to the Designers Republic, a copy of which was bought by [[Museum of Modern Art|NY MoMA]]. This issue is still ''Emigre''’s best-ever seller and is now sold out<ref>{{cite web |url=http://www.emigre.com/EMag.php?issue=29 |title=Back Issues: Emigre 29 |accessdate=24 January 2009 |work= |publisher=[[Emigre]] |date= }}</ref> – copies having fetched in excess of $750 in auction.{{Citation needed|date=January 2009}}


The Designers Republic was introduced to a larger audience by their [[album cover|record cover]]s for the English [[electronica]] label [[Warp Records]] (also based in Sheffield). In addition to designing the covers for much of Warp's roster of artists, such as [[Autechre]], [[Aphex Twin]] and [[Boards of Canada]], tDR has also created covers for other label artists such as [[Moloko]], [[Fluke (band)|Fluke]], [[Funkstörung]], [[The Orb]], [[Pulp (band)|Pulp]] (and [[Jarvis Cocker]]), [[Pop Will Eat Itself]], [[Supergrass]] and [[Towa Tei]].
The Designers Republic was introduced to a larger audience by their [[album cover|record cover]]s for the English [[electronica]] label [[Warp Records]] (also based in Sheffield). In addition to designing the covers for much of Warp's roster of artists, such as [[Autechre]] and [[Aphex Twin]], tDR has also created covers for other label artists such as [[Moloko]], [[Fluke (band)|Fluke]], [[Funkstörung]], [[The Orb]], [[Pulp (band)|Pulp]] (and [[Jarvis Cocker]]), [[Pop Will Eat Itself]], [[Supergrass]] and [[Towa Tei]].


Outside the musical sector, tDR created the visuals, packaging and manual for the [[PlayStation]]–[[Sega Saturn]] game ''[[Wipeout (game)|Wipeout]]'' (1995), the interface for the [[Personal computer game|PC game]] ''[[Hardwar (video game)|Hardwar]]'' (1998), and packaging and posters for the first ''[[Grand Theft Auto (video game)|Grand Theft Auto]]'' (1997). They cooperated with the [[Swatch]] company in 1996 to design their own watch. They also designed the packaging for [[Sony]]'s [[AIBO]].
Outside the musical sector, tDR created the visuals, packaging and manual for the [[PlayStation]]–[[Sega Saturn]] game ''[[Wipeout (game)|Wipeout]]'' (1995), the interface for the [[Personal computer game|PC game]] ''[[Hardwar (video game)|Hardwar]]'' (1998), and packaging and posters for the first ''[[Grand Theft Auto (video game)|Grand Theft Auto]]'' (1997). They cooperated with the [[Swatch]] company in 1996 to design their own watch. They also designed the packaging for [[Sony]]'s [[AIBO]].

Revision as of 13:20, 5 November 2012

Part of a series of posters for the third Wipeout game Wip3out, design by TDR, 1999.

The Designers Republic (TDR for short) was a graphic design studio, founded on 14 July 1986[citation needed] by Ian Anderson, and based in Sheffield, England. It was known for its anti-establishment aesthetics, while simultaneously embracing brash consumerism and the uniform style of corporate brands, such as Orange and Coca-Cola. The studio closed in January 2009, though Anderson has stated that "[The Designers Republic] will go forward after this".[1] Despite this, Warp Records announced in 2010 that the studio had designed Oversteps and Move of Ten, Autechre's tenth album and EP respectively, as well as designing their 1991–2002 EP collection artwork in 2011.

History

Initially, Ian Anderson founded The Designers Republic to design flyers for the band Person to Person, which he managed at the time. His first ideas were inspired by Russian constructivism. From their beginning, the works should be viewed in contrast to the current understanding of design:

...tDR is a declaration of independence from what we perceive to be the existing design community.[citation needed]

An early client was Leeds band Age of Chance, for whom they developed a series of record covers between 1986 and 1987. The sleeve of the 1987 12-inch "Don't Get Mad... Get Even! (The New York Remixes)" was selected as one of Q's "100 Best Record Covers of All Time" in 2001.[2]

In 1994, Emigre magazine devoted a whole issue to the Designers Republic, a copy of which was bought by NY MoMA. This issue is still Emigre’s best-ever seller and is now sold out[3] – copies having fetched in excess of $750 in auction.[citation needed]

The Designers Republic was introduced to a larger audience by their record covers for the English electronica label Warp Records (also based in Sheffield). In addition to designing the covers for much of Warp's roster of artists, such as Autechre and Aphex Twin, tDR has also created covers for other label artists such as Moloko, Fluke, Funkstörung, The Orb, Pulp (and Jarvis Cocker), Pop Will Eat Itself, Supergrass and Towa Tei.

Outside the musical sector, tDR created the visuals, packaging and manual for the PlayStationSega Saturn game Wipeout (1995), the interface for the PC game Hardwar (1998), and packaging and posters for the first Grand Theft Auto (1997). They cooperated with the Swatch company in 1996 to design their own watch. They also designed the packaging for Sony's AIBO.

The book 3D → 2D: Adventures In And Out Of Architecture, released in 2001, was an architectural examination of the Chamber of Commerce and Industry of Slovenia presented in the graphic style of their previous work. The book was pre-ordered by over 3,000 fans.[citation needed]

tDR opened its own store, The Peoples Bureau For Consumer Information, in the shopping district of Shibuya in Tokyo, as an extension of the online store www.thepeoplesbureau.com – itself a homage to the influence of consumerism in their work.[citation needed]

tDR has consulted on the re-branding of the city of Quito, capital of Ecuador, and was the only non-national design company to be invited to propose a new flag for Slovenia.[4] tDR was also commissioned to create a logo and general graphic design by French musician-producer Julien Civange for its Music2Titan mission to take music on the European Space Agency's Cassini–Huygens probe to the moon Titan in 2004.[5]

"It was an honour and a privilege to be involved with the Music2Titan project. It is rare to have the opportunity to be involved in some way in such a potentially momentus {{sic}} project for mankind long term and a pleasure that it isn't purely commercially motivated." - Ian Anderson[6]

[dead link]

In 2006 and 2008 tDR was identified as one of the UK's 100 coolest brands by the British Council.[citation needed]

On 20 January 2009, after 23 years in operation, tDR closed for business.[1]

Influence

The work of tDR had great influence on the development of graphic design, especially in the fields of web and cover design in the electronica scene.[citation needed]

Style

The Designers Republic's works are often playful and bright, and considered Maximum-minimalist, mixing images from Japanese anime and subvertised corporate logos, with a postmodern tendency towards controversial irony, featuring statements like "Work Buy Consume Die", "Robots Build Robots", "Customized Terror", "Buy nothing, pay now", and "Made In The Designers Republic". They also celebrated their northern roots with phrases like "Made in the Designers Republic, North of Nowhere" and "SoYo" (referring to Sheffield's county of South Yorkshire) — affirming they were not from London's design community in Soho.

Works

TDR have worked in a diverse range of media, including:

Selected clients

Part of a series of posters for fetish clothing company Murray and Vern, design by tDR.

Music clients

References

  1. ^ a b Burgoyne, Patrick (23 January 2009). "The Designers Republic Is Dead; Long Live The Designers Republic". Creative Review Blog. Retrieved 24 January 2009. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  2. ^ Harrison, Ian (2001). "Age of Chance: Don't Get Mad Get Even! (The New York Remixes)". Q: The 100 Best Record Covers of All Time. EMAP. p. 72. Retrieved 24 January 2009.
  3. ^ "Back Issues: Emigre 29". Emigre. Retrieved 24 January 2009.
  4. ^ Brain Aided Design SoYo: The Designers Republic
  5. ^ http://www.music2titan.com/
  6. ^ http://www.music2titan.com/projet_en.html