Jump to content

Danilo Pérez: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
Dapaz (talk | contribs)
116 edits
No edit summary
Dapaz (talk | contribs)
116 edits
No edit summary
Line 323: Line 323:
|''Slow Fire''
|''Slow Fire''
|[[Milestone Records ]]
|[[Milestone Records ]]
|Claudio Roditi, Trumpet, Flugelhorn, Vocals, Percussion, Piano; Ralph Moore,Tenor Saxophone; Jay Ashby- Trombone; Danilo Perez, Piano; David Finck- Bass; Daniel Freiberg- Synthesizer; Akira Tanas and Ignacio Berroa - Drums, Percussion; Rafael Cruz, Thiago De Mello- Percussion
|[[Claudio Roditi]], Trumpet, Flugelhorn, Vocals, Percussion, Piano; Ralph Moore,Tenor Saxophone; Jay Ashby- Trombone; Danilo Perez, Piano; [[David Finck]]- Bass; Daniel Freiberg- Synthesizer; Akira Tanas, Ignacio Berroa - Drums, Percussion; Rafael Cruz, Thiago De Mello- Percussion
|-
|-
|1990
|1990
Line 329: Line 329:
|''[[The Winter in Lisbon]]''
|''[[The Winter in Lisbon]]''
|[[Milan Records|Milan]]
|[[Milan Records|Milan]]
|[[Dizzy Gillespie]] - Trumpet; Leola Jiles - Vocals; [[Mario Rivera (musician)|Mario Rivera]] - [[flute]], [[soprano saxophone]]; Richard Spencer - Viola; Bob Carlisle - French horn; Sandra Billingslea - Violin; Akua Dixon - Cello; [[Danilo Pérez]] - [[piano]]; [[George Mraz]] - [[Double bass|bass]]; [[Grady Tate]] - [[Drum kit|Drums]].
|
|-
|-
|1990
|1990
Line 335: Line 335:
|''Form''
|''Form''
|Contemporary Records
|Contemporary Records
|[[Tom Harrell|Tom Harrel]]- Trumpet, Flugelhorn; [[Joe Lovano]]- Tenor Saxophone; Cheryl Pyle- Flute; Danilo Perez- Piano; [[Charlie Haden]] - Bass; [[Paul Motian]] - Drums.
|
|-
|-
|1991
|1991

Revision as of 19:21, 28 July 2018

Danilo Pérez
Pérez in 2012
Pérez in 2012
Background information
Born (1965-12-29) December 29, 1965 (age 58)
Panama
GenresJazz, Latin jazz
Occupation(s)Musician, composer
InstrumentPiano
Years active1989–present
LabelsNovus, Impulse!, GRP, Verve, ArtistShare, Concord, EmArcy, Mack Avenue
Websitewww.daniloperez.com

Danilo Pérez (born December 29, 1965) is a Panamanian pianist and composer.[1][2][3][4] The music of composer and pianist Danilo Pérez connects continents and cultures across time. A leading exponent of Global Jazz. His music serves as a multi-lingual passport and incorporates the traditions and innovations of musical heritages found across the globe; celebrating our shared humanity. Pérez was a member of the Dizzy Gillespie's United Nations Orchestra and in the year 2000, he joined the Wayne Shorter Quartet with John Patitucci and Brian Blade.

Biography

Born in Panama in 1965, Danilo Pérez started his musical studies at the age of three with his father, Danilo Enrico Pérez Urriola, an elementary and middle school educator and well known local bandleader and singer. Using techniques he had developed in the classroom, rhythm became the language of Pérez’s youth as his father would turn common phrases and syllables in cadences. Como estas became co-moes-tas and household objects were put to use as percussion instruments with which to accompany to Pérez Sr. in the singing of mambos, boleros and music from Cuba and Panama. One such music lesson took place while a technician was at the Pérez home to repair the family's refrigerator. When the repairman finished his job and Pérez Sr. asked for the bill, the repairman responded that the music he’d been able to enjoy while working was more than enough payment. By age 10, Pérez was studying the European classical piano repertoire at the National Conservatory in Panama. In 1985 Pérez was awarded a Fulbright Scholarship to study in the United States. After initially enrolling at Indiana University of Pennsylvania, Pérez quickly transferred to the Berklee College of Music after being awarded the Quincy Jones Scholarship. While still a student, he performed with Jon Hendricks, Terence Blanchard, Slide Hampton, Claudio Roditi and Paquito D’Rivera. Pérez received a degree in jazz composition and upon graduation, Pérez began touring and recording with artists such as Jack DeJohnette, Steve Lacy, Lee Konitz, Charlie Haden, Michael Brecker, Joe Lovano, Tito Puente, Wynton Marsalis, Tom Harrell, Gary Burton, and Roy Haynes.

In 1989, two events occurred that have proven of lasting influence on both Pérez’s creative practice as well as his thinking regarding music as a tool for social change. That year Pérez became the youngest member appointed to Dizzy Gillespie’s United Nations Orchestra. "He really showed me the power of music as a diplomatic tool, the power of music in intercultural dialogue," says Pérez of Gillespie, "He really showed me that jazz questions and allows that it is a duty for us to bring our own culture — where we come from.” "I remember one time playing a solo, and I'm very proud of playing a bebop solo in the right language, and everybody is complimenting me and Dizzy said: 'That's good, but you can bring some Panama folklore into it also!' I never forget that."

Pérez remained a member of the United Nations Orchestra until Gillespie’s passing in 1992. In December, 1989 he returned to his native Panama to perform for the first time with his own ensemble made up of musicians from the United States. About the engagement Pérez says, “The concert got cancelled because two days after the band arrived, the US invaded Panama. The entire country was scared. We were fearful of the military intervention and the future was uncertain. But we all decided to improvise and face the unknown, as it happens in jazz, and we went forward with the concert, in the middle of the US invasion. With our musical shield, we were confident no bullets could enter our spirit. The club was packed with people for and against the invasion who got together and decided to celebrate life. We laughed, hugged, and cried. On that day we had a country (in a small club) without an invasion for 2 hours. I learned then that the power of music could be an antidote against war, misunderstanding, hate and suffering, and that music is one of the most effective tools to redirect humanity in the quest for peace”.

Music career

Pérez[5] started on piano when he was three years old. At ten, he studied at the National Conservatory in Panama.[6] By age 12, he was working professionally as a musician.[7] He moved to the U.S. to study music, attending Indiana University of Pennsylvania and then switching to the Berklee College of Music in Boston. At Berklee, he worked with Jon Hendricks, Claudio Roditi, and Terence Blanchard.[6]

In 1989, Pérez became a member of Dizzy Gillespie's United Nations Orchestra. The album Live at the Royal Festival Hall won a Grammy Award. He remained with the band until Gillespie died in 1992.[6] In October 1998, he told The Independent that "One of the things Dizzy taught me was to learn about my own heritage even more than I knew already. He said it was more important for jazz for you to get to what your own roots are, than to learn about other things."[8]

In 1993 Pérez turned his focus to his own work as a bandleader and composer and has gone on to release eleven albums as a leader. Perez released his first album, Danilo Perez, on the Novus label. In 1994, at the age of 27, Perez released what is considered his most personal album, The Journey[9], a musical account of the torturous trip African slaves made across the oceans in the hulls of the slave ships. The album made it to the top ten jazz lists of New York’s Village Voice, the New York Times, Billboard Magazine, and the Boston Globe. It also allowed Perez to become a recognizable name in the jazz community. Critics have hailed The Journey, Perez’s second recording, for its quality of composition and incorporation of Pan-African influences into a jazz context. Perez set up the album as a dream series tracing the route of slaves, stolen or sold from their homes and transported across the sea. The Journey begins with “The Capture,” makes its way through “The Taking,” “Chains,” “The Voyage,” and finishes with “Libre Spiritus.” According to Minstrel Music Network, “On The Journey, Perez… seeks to blur the distinctions between musical styles, through his all-encompassing vision, and (by implication) to eradicate the distinctions between those people native to the Americas, and the Africans and Europeans who mixed with them to cast the alloy of multiculturalism.” In 1995 Pérez was appointed to the faculty of the New England Conservatory. In the year 1996 he released Panamonk[10][11], a tribute to Thelonious Monk which DownBeat named “One of the most important jazz piano albums in the history”. He also performed at the 1996 Summer Olympics in Atlanta. In the same year Pérez and Marsalis played together again. Mr Perez also performed as a special guest at President Bill Clinton's Inaugural Ball. He also played the piano on the Bill Cosby TV show theme song, and participated in the Grammy-winning album, Danzon.

He received his first commission in 1997 from the Concorso Internazionale di Composizione. He immediately began applying the concepts he had been working on in the jazz setting of merging the multiple musical languages and the cultural traditions they represent to large scale compositions. The resulting work, Pan-American Suite, a double concerto for vibraphone, piano and orchestra combined the musical traditions of Panamanian folk music and western classical forms and was premiered by Gary Burton and the composer in the soloist roles.

in 1998, his album Central Avenue[12], placed mejoranera music within a contemporary jazz context and earned Grammy® and Latin Grammy® nominations. Both albums received Boston Music Awards.

A subsequent commission from the Chicago Jazz Festival in 1999 for the saxophonist Steve Lacy, Suite for the Americas incorporated American and Latin American folk music with the traditional elements of jazz and was scored for jazz quartet and the American folk instruments of blues guitar and harmonica with the Latin folk singer and bata drums. Pérez later recorded the piece for his 2000 release Motherland. That same year he received the first of two commissions from Lincoln Center.

In 2000, he joined Wayne Shorter in a quartet with John Patitucci and Brian Blade. Performing with the group extensively since then, and appears on all four of the recordings Shorter has made during this period: Footprints Live! (2002), Alegría (2003), Beyond the Sound Barrier (2005), and Without a Net (2013). The ensemble has received the Jazz Journalists Association award for Small Ensemble of the Year six times, first in 2002, and as recently as 2015; a testament to both the innovative beginnings and the continued vitality of a group that continues to redefine the musical possibilities of the jazz chamber music setting. The ensemble’s first release Footprints Live! received the “Album of the Year Award” in 2003 from the Jazz Journalist Association and the Downbeat Critics and Readers polls. The ensemble’s second release Beyond the Sound Barrier received a Grammy® award for “Best Jazz Instrumental Performance Individual or Group.” The ensemble’s most recent release Without a Net received “Album of the Year” honors from the Jazz Journalists Association, the Downbeat and NPR Jazz Critics polls. The performance techniques of the ensemble have formed the basis of new pedagogy for the study of the relationship between improvisation and composition and is the subject of numerous research studies in jazz. Regarding Shorter, Pérez says, “Wayne has encouraged me to write what I hope for and what I wish the world to be.”

In 2003, Pérez founded Panama Jazz Festival [13][14]with the stated mission of bettering the lives of people through shared musical experiences as listeners, on stage and in the classrooms. About the festival Pérez states, "By offering performances and educational activities of the highest order, as well as practical, hands on training in the music business, the Panama Jazz Festiva[15]l[16] aims to inspire and educate while providing tools and opportunities to build a better future for individuals and their communities." As such, while the festival annually offers a rich program of concerts by leading international jazz musicians, the emphasis is on music education. It has become the largest music education event in the region and includes classical programs as well as the Latin American Symposium on Music Therapy and an annual symposium on AfroPanamanian traditions. The festival also supports the year-round educational programs of Danilo Pérez Foundation[17],[18][19] which brings art and music to children living in communities of extreme poverty throughout the Republic of Panama.

In 2006 the Berklee College of Music[20][21] approached Pérez with opportunity to design a curriculum that could serve as a platform for his work as an artist and humanitarian that could be taught to generations of gifted musicians for years to come. That same year he was named founding Artistic Director for Berklee Global Jazz Institute; a performance program designed to foster creativity and musicianship through various musical disciplines. The Institute provides a comprehensive contemporary music environment where students are given opportunities to explore their creativity to the highest level possible, advance the power of music as a tool for the betterment of society, and connect musical creative thinking with the natural environment. About the Institute Pérez states, “the practice of sharing humanity through performance experience is the core of the curriculum and I work with gifted musicians to become leaders in the world community to affect positive social change with one common goal: to develop the creative cultural Ambassadors of the new millennium. In the year 2008 the album Across The Cristal Sea[22] was released. A collaboration[23] between Danilo Perez and the prolific composer and arranger Claus Ogerman.

In the Year 2010 Perez released Providencia[24][25], which was also nominated for a Grammy® Award in the category of “Best Instrumental Jazz Album”. Regarding Pérez’s 2014 release Panama 500,[26] Harvard Professor David Carrasco remarked “Danilo’s musical vision says ‘PRESENTE’ to the musical tones, timbres, lips and dedos who discovered what only this year we learn while listening to Panama 500, the truth that what we think of as modest, little Panamá, IS also the center of the world,’ our becoming world of music, human dialogue, human possibility and pleasure.”

Pérez[27] has received commissions from many chamber groups and his work often finds inspiration in the people, journeys and events that shaped the origins of the Americas. In 2011 the Imani Winds commissioned Pérez as part of their legacy commissioning for his composition Travesias Panamenas.[28] In 2012 Pérez was commissioned by Carnegie Hall to compose an octet for members of the Simón Bolívar Symphony Orchestra of Venezuela. Pérez describes the work, Cuentos del Mar, as, “a brushstroke of the oceanic museum of life-the place where we see ourselves depicted, hopeful or mistaken. It is a story of ambition and colonization, a new world that is full of hope and ready to change the course of humanity.

Another commission in 2013 by the Banff Center for his pice Camino de Cruces, written for the Cecilia Quartet. A three-movement crossover work for piano and string quartet. About this work Pérez states, “Camino de Cruces[29] tries to create a personal journey that captures the different challenges the Spaniards, native Indians, and slaves may have faced during their journey from the Atlantic to the Pacific during colonization. At the base of the piece is folkloric counterpoint: native Indian, African, and European cultures blending their influences to create a hybrid form in order to represent Panama as a melting pot". Perez continues “This piece is based on my concept called three-dimensional music that combines jazz, Pan-American folklore, and classical music. It has melodic references to traditional Panamanian folklore mixed with North American blues and improvisations, fused with harmonic language from my background in classical music and jazz.” - Danilo Perez.

In 2015 Pérez was commissioned by the Museum of Biodiversity in Panama designed by architect Frank Gehry to compose a site specific work. For this occasion Pérez developed a tridimensional music concept where 3 different musical stories could be heard individually and/or together depending on where the listener stood in the gallery. The four-part composition was intended as a soundtrack for one of the museum’s permanent exhibitions “The Human Path[30].” with each movement of the work corresponding to one of four key eras: the beginning of man, the development of the native culture, colonization, and modernity. Perez once dreamed of bringing a world-class jazz club to Panama and the dream became realized as the opening of Danilo's Jazz Club[31] on Sunday, February 23, 2014.

In 2015 Pérez premiered two brand new commissions. In July, his composition "Expeditions- Panamania 2015" [32]was performed at the Panamerican games in Toronto. The same year in September, he also premiered his "Detroit World Suite- La leyenda de Bayano at the Detroit Jazz Festival. Some of Perez's accomplishments include The Legacy Award from the Smithsonian Latino Center, the ASICOM International Award from the University of Oviedo and the Gloria Career Achievement Award from the International Latino Cultural Center of Chicago are among the significant acknowledgements he has received for his work[33]. Pérez previously served as Goodwill Ambassador to UNICEF and currently serves as an UNESCO Artist for Peace and as Cultural Ambassador to the Republic of Panama. In 2016 Pérez received an honorary doctorate[34] from the University of Panama. Mr Perez's work continues to receive recognition all around the world and in 2017 the Puerto Rico Heineken Jazz Festival [35] dedicated its edition in honor and the work of Panamanian pianist Danilo Pérez. [36]In 2018 Danilo Pérez won the United States Artists Fellowship[37][38] [39]and the Victoriano Lorenzo Award.[40]

Recording as a leader

In 1994, he released his first solo album, Danilo Pérez, and then his second, The Journey, in 1995. He performed The Journey in concert with the Panamanian Symphony Orchestra the same year.[6] The album is a musical account of the trip African slaves made across the ocean, beginning with "The Capture", through "The Taking", "Chains", The Voyage", and ending with "Libre Spiritus". David Sanchez and Giovanni Hidalgo play on the album, which was recorded in two days at the Power Station in New York City. The album made it to the top ten jazz lists in The Village Voice, The New York Times, The Boston Globe, and Billboard magazine. It was named one of the best albums of the 1990s by Downbeat magazine.[6]

On his third album, PanaMonk, he paid tribute to Thelonious Monk as well as all the other musicians he had been in contact with up to that point. An almost entirely wordless album, PanaMonk lets the music speak for itself. Pérez told JazzTimes magazine, "[Monk's] music was the epitome of small group playing, the epitome of jazz music. If you really want to know about jazz and swing, he's one of the best to go to."[citation needed]

In 1998, Central Avenue, Pérez's fourth album, received a Grammy nomination for Best Latin Jazz Album. Central Avenue is a blend of influences from blues, folk, and Caribbean and Middle Eastern genres. It was produced by Tommy LiPuma, who worked with Pérez on PanaMonk. Pérez arranged the ensemble of bassists John Patitucci and Avishai Cohen, and drummer Jeff "Tain" Watts. The songs were done in one take, except for "Panama Blues". For this song, Pérez recorded Raul Vital, a Panamanian folk singer, and a chorus of mejorana singers in Panama, then returned with the recording to New York City, where the ensemble contributed. Mejorana is an improvisational style of singing. Pérez told Graybow of Billboard, "[I heard] the blues in their voices, much like the blues down in Mississippi," and instantly wanted to record them.

In 2015 Perez recorded Children of the Light[41][42]. Children of the Light[43] is the name of the album and also the name of the trio which features Pianist Danilo Perez, bassist John Patitucci and drummer Brian Blade all rhythm section members of the Wayne Shorter Quartet.

Awards

Danilo Perez has received a variety of awards for his musical achievements, activism and social work.
Year Award Organization/Institution
1998 Best Artist/ Band in Performance New York Jazz Awards
1998 1st Grammy Nomination for BEST LATIN JAZZ PERFORMANCE: Central Avenue (Album) 41ST ANNUAL GRAMMY AWARDS
1999 Outstanding Album (Central Avenue) Boston Music Awards
2003 Acoustic Jazz Group of the Year (Wayne Shorter Quartet). Down Beat. 51st Annual Critics Poll
2009 Legacy Award Smithsonian Latino Center
2000 Distinguished Alumnus Awars Berklee College of Music
2000 Outstanding Album (Motherland) Boston Music Awards
2000 2nd Grammy Nomination for Best Latin Jazz Album:

Motherland (Album)

43RD ANNUAL GRAMMY AWARDS
2002 Small Ensemble of the Year (Wayne Shorter Quartet) Jazz Journalists Association
2005 Grammy Award: BEST JAZZ INSTRUMENTAL ALBUM, INDIVIDUAL OR GROUP: Beyond The Sound Barrier(Album). Wayne Shorter Quartet 48TH ANNUAL GRAMMY AWARDS
2008 Special Recognition for Musical Contribution to the Latino Community Hispanic Yellow Pages
2010 ASICOM Latin American Award University of Oviedo
2010 3rd Grammy nomination for BEST JAZZ INSTRUMENTAL ALBUM, INDIVIDUAL OR GROUP.

Providencia (Album)

53RD ANNUAL GRAMMY AWARDS
2012 UNESCO Artist for Peace UNESCO
2013 Small Ensemble of the Year (Wayne Shorter Quartet) Jazz Journalists Association
2014 Mid- Sized Band of the Year (Wayne Shorter Quartet) Jazz Journalists Association
2015 2015 Gloria Career Achievement Award The International Latino Cultural Center of Chicago
2015 Cultural Ambassadors of the Republic of Panama The Panamanian Government, through the Ministry of Foreign Affairs
2015 Mid- Sized Band of the Year (Wayne Shorter Quartet) Jazz Journalists Association
2015 Career Achievement Award International Latino Cultural Center of Chicago
2004 - 2006 Goodwill Ambassador UNICEF
2016 Music Pioneers Award Afro- Latino Festival NYC
2016 Honorary Doctorate University of Panama
2017 Excellence in the Arts Award Panamanian Institute of Art (Panarte)
2018 Victoriano Lorenzo Award Presented by Rafael Pino-Pinto, governor of the province of Panama
2018 United States Artists' 2018 Fellowship Award United States Artists

Commissioned Work

Year Title Organization
1999 Suite for the Americas Chicago Jazz Festival
2002 Freedom of Colors Lincoln Center
2008 Panama Suite
2010 Bridge of Life
2011 Travesias Panameñas Imani Winds
2012 Cuentos del Mar Carnegie Hall
2013 Camino de Cruces Cecilia String Quartet. Banff Center
2015 The Human Path Biomuseo (Museum of Biodiversity - Panama)
2015 Expeditions—Panamania 2015 TORONTO 2015 Pan Am and Parapan Am Games arts and culture festival, PANAMANIA, CIBC, Toronto Summer Music Festival and Lula Music and Arts Centre
2015 Detroit World Suite—La Leyenda de Bayano Detroit International Jazz Festival

Discography

As a leader

Danilo Perez Plays the piano on all albums
Year Title Record Label Personnel
1993 Danilo Pérez RCA/ Novus Ruben Blades (Vocals), Joe Lovano (Tenor and Soprano Sax), David Sanchez (Tenor and Soprano Sax),

Santi Debriano (Bass) and Jack DeJohnette (Drums).

1994 The Journey Novus George Garzone (Tenor Sax), David Sanchez (Soprano and Tenor Sax), Larry Grenadier (Bass), Ignacio Berroa (Drums) and Milton Cardona (Bata, Bells, Chant, Shekere)
1996 PanaMonk Impulse!/GRP Avishai Cohen (Bass), Terri Lyne Carrington (Drums) and Jeff "Tain" Watts (Drums)
1998 Central Avenue GRP Raul Vital (Vocals), John Patitucci (Bass) and Jeff "Tain" Watts (Drums)
2000 Motherland Verve/PolyGram/Universal Luciana Souza (Vocals), Claudia Acuna (Vocals), Regina Carter (Violin), Chris Potter (Sax), Diego Urcola (Trumpet),Carlos Henriquez (Acoustic bass), John Patitucci (Acoustic Bass), Richard Bona (Lead Vocal and Electric Bass), Kurt Rosenwinkel (Electric guitar),Aquiles Baez (Cuatro, Acoustic guitar), Brian Blade (Drums), Antonio Sanchez (Drums), Greg Askew (Bata itotele and Response Chant), Louis Bauzo (Bata iya and Lead Chant), Richard Byrd ( Bata Konkolo and Response Chant), Luisito Quintero (Congas), and Ricaurte Villarreal (Tambor Repicador)
2003 ...Till Then Universal/Verve Lizz Wright (Vocals), Donny McCaslin (Soprano Sax), John Patitucci (Bass), Ben Street (Bass), Brian Blade (Drums) and Adam Cruz (Drums, steel pan, percussion)
2005 Live at the Jazz Showcase ArtistShare Ben Street (Bass) and Adam Cruz (Drums)
2006 Panama Suite ArtistShare Vocals: Natalia Bernal, Eleonora Bianchini, Mitzi Dorbu, Patricia Zarate and Paola Vergara. Reeds: Soprano Sax - Daniel Blake, Also Sax - Luis "El Chupa" Rosa and Patricia Zarate. Tenor Sax- Sean Berry, Sean Best, Petr Cancura. Baritone Sax- Michael Duke. Trumpet- Gordon Au, Gilberto Cervantes, Danny Fratina and John Replogle. Trombone- Daniel Blacksberg, Jason Camelio, Jeff Galindo and Angel Subero. Piano- Gabriel Guerrero. Electric Bass- Aldemar Valentín. Drums- Francisco Molina. Percussion- Ernesto Diaz and Paulo Stagnaro
2008 Across the Crystal Sea Concord/EmArcy Cassandra Wilson (Vocals), Christian McBride (Bass), Lewis Nash (Drums), Luis Quintero (Percussion), Claus Ogerman (Conductor, orchestra arranger)
2010 Providencia Mack Avenue Sara Serpa(Vocals) Rudresh Mahanthappa (Alto Sax); Ben Street (Bass), Adam Cruz (Drums and steel pans), Jamey Haddad (Percussion), Ernesto Diaz (Congas), Matt Marvuglio (Flute) Barbara Laffitte (Oboe), Amparo Edo Biol (French horn), Margaret Phillips (Bassoon) Jose Benito Meza Torres (Clarinet)
2014 Panama 500 Mack Avenue Alex Hargreaves (Violin), Sachi Patitucci (Cello), John Patitucci (Electric and Acoustic Bass), Ben Street (Bass), Brian Blade (Drums), Adam Cruz (Drums, Roman Diaz (Percussion and Chant) Rogerio Boccato (Percussion), Milagros Blades (Repicador,Caja and Pujador) and Ricaurte Villarreal (Caja and Guiro), José Angel Colman (Vocals), Eulogio Olaideginia Benítez (Gala, Bissu), José Antonio Hayans (Gammuburwi), Marden Paniza (Director and coordinator of guna musicians, author of the narration)
2015 Children of the Light Mack Avenue John Patitucci (Bass) and Brian Blade (Drums)

As a sideman

Release Year Leader Title Record Label Personnel
1989 Dizzy Gillespie Live at the Royal Festival Hall Enja Flora Purim – vocals, Dizzy Gillespie - Trumpet; Claudio Roditi – Trumpet, percussion; Arturo Sandoval – Trumpet, Flugelhorn, Piccolo; Slide Hampton – Trombone; Steve Turre – Trombone, Bass Trombone, Shells; Paquito D'Rivera – Alto saxophone, Clarinet, Percussion; James Moody – Alto Saxophone, Tenor Saxophone, Flute, Percussion; Mario Rivera – Tenor Saxophone, Soprano Saxophone, Percussion; John Lee – Bass Guitar; Ed Cherry – Guitar; Danilo Pérez – Piano; Ignacio Berroa – Drums, Percussion; Airto Moreira – Percussion, Drums; Giovanni Hidalgo – Percussion, Congas.
1989 Paquito D'Rivera Tico! Tico! Chesky Records Paquito D’Rivera - Clarinet, Alto and Tenor Saxophones; David Fink- Bass; Mark Walker- Drums; Nilson Matta - Bass, Portinho: drums; Danilo Perez -Piano; Raphael Cruz- Percussion; Fareed Haque - Guitar; Romero Lubambo - Guitar: Tibero Nascimento- Guitar.
1989 Claudio Roditi Slow Fire Milestone Records Claudio Roditi, Trumpet, Flugelhorn, Vocals, Percussion, Piano; Ralph Moore,Tenor Saxophone; Jay Ashby- Trombone; Danilo Perez, Piano; David Finck- Bass; Daniel Freiberg- Synthesizer; Akira Tanas, Ignacio Berroa - Drums, Percussion; Rafael Cruz, Thiago De Mello- Percussion
1990 Dizzy Gillespie The Winter in Lisbon Milan Dizzy Gillespie - Trumpet; Leola Jiles - Vocals; Mario Rivera - flute, soprano saxophone; Richard Spencer - Viola; Bob Carlisle - French horn; Sandra Billingslea - Violin; Akua Dixon - Cello; Danilo Pérez - piano; George Mraz - bass; Grady Tate - Drums.
1990 Tom Harrell Form Contemporary Records Tom Harrel- Trumpet, Flugelhorn; Joe Lovano- Tenor Saxophone; Cheryl Pyle- Flute; Danilo Perez- Piano; Charlie Haden - Bass; Paul Motian - Drums.
1991 Ricky Ford Hot Brass Candid
1992 Dizzy Gillespie To Bird with Love Telarc
1992 Dizzy Gillespie Bird Songs: The Final Recordings Telarc
1992 Paquito D'Rivera Who's Smoking?! Candid
1993 Ray Drummond Excursion Arabesque
1994 David Sanchez The Departure Columbia
1996 David Sanchez Street Scenes Columbia
1998 Tom Harrell The Art of Rhythm RCA
1998 Gerardo Nuñez Calima Alula Records
2000 John Patitucci Imprint Concord Jazz
2000 Roy Haynes The Roy Haynes Trio Verve
2001 Gary Burton For Hamp, Red, Bags, and Cal Concord Jazz
2001 Wayne Shorter Footprints Live! Verve
2003 Wayne Shorter Alegría Verve
2003 Lizz Wright Salt Verve
2005 Wayne Shorter Beyond the Sound Barrier Verve
2005 Paquito D'rivera & Arturo Sandoval Reunion DiscMedi Blau
2008 David Sanchez Cultural Survival Concord Picante
2008 Claus Ogerman Across the Crystal Sea Concord / Emarcy
2009 Jack DeJohnette Music We Are Golden Beams / Kindred Rhythm
2009 Terri Lyne Carrington More to Say...Real Life Story eOne Music
2012 Wynton Marsalis Swinging into the 21st Sony Legacy
2013 Wayne Shorter Without a Net Blue Note
2018 Wayne Shorter Emanon Blue Note

References

  1. ^ Balkin, Nick (January 29, 2018). "Danilo Pérez Wins United States Artists Fellowship and Victoriano Lorenzo Award | Berklee College of Music". www.berklee.edu. Retrieved March 15, 2018. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  2. ^ Contreras, Felix (April 23, 2016). "Danilo Pérez: A Man, A Plan, A Canal, Panama". NPR.org. Retrieved March 15, 2018. {{cite news}}: Cite has empty unknown parameter: |dead-url= (help)
  3. ^ "Honorary and Goodwill Ambassadors". www.unesco.org. Retrieved March 15, 2018. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  4. ^ "United States Artists  » Danilo Perez". www.unitedstatesartists.org. Retrieved March 15, 2018. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  5. ^ "Danilo Perez-Claus Ogerman Collaboration Due from Emarcy Records August 26 (press release)". PRWeb. July 22, 2008. Retrieved April 11, 2018.
  6. ^ a b c d e Skelly, Richard. "Danilo Pérez | Biography & History | AllMusic". AllMusic. Retrieved January 5, 2017.
  7. ^ Ryzik, Melena (January 18, 2015). "Danilo Pérez Builds a Magnet for Musicians in Panama". The New York Times. ISSN 0362-4331. Retrieved March 15, 2018. {{cite news}}: Cite has empty unknown parameter: |dead-url= (help)
  8. ^ Johnson, Phil (October 23, 1998). "Jelly rolling back the years". The Independent. Retrieved April 11, 2018.
  9. ^ "The Journey - Danilo Pérez | Songs, Reviews, Credits | AllMusic". AllMusic. Retrieved July 5, 2018.
  10. ^ "Danilo Pérez: PanaMonk Revisited - Music - College of Arts and Sciences - Lewis & Clark". college.lclark.edu. Retrieved July 5, 2018.
  11. ^ Keepnews, Peter. "At the Allen Room, Songs in the Key of Monk With Lyric Latin Touches". Retrieved July 5, 2018.
  12. ^ "Danilo Perez: Central Avenue - JazzTimes". JazzTimes. Retrieved July 5, 2018.
  13. ^ "La música sabe transformar". La Prensa (in European Spanish). Retrieved July 26, 2018.
  14. ^ "Scope of Panama Jazz Festival Expands". DownBeat Magazine. January 30, 2018. Retrieved July 5, 2018.
  15. ^ "Noticias de Panamá - prensa.com". La Prensa (in Spanish). Retrieved July 26, 2018.
  16. ^ "Es tiempo de 'jazz'". La Prensa (in European Spanish). Retrieved July 26, 2018.
  17. ^ "Un premio para Danilo Pérez". La Prensa (in European Spanish). Retrieved July 26, 2018.
  18. ^ "La música es un motor del cambio social: Danilo Pérez". La Prensa (in European Spanish). Retrieved July 26, 2018.
  19. ^ Ryzik, Melena. "Danilo Pérez Builds a Magnet for Musicians in Panama". Retrieved July 5, 2018.
  20. ^ Balkin, Nick. "Danilo Perez Heads Berklee Global Jazz Institute". Berklee News. Berklee College of Music Office of Public Information. Retrieved November 2, 2011.
  21. ^ Young, Bob (April 22, 2011). "Berklee Global Jazz Institute Celebrates Successful First Year". Boston Herald. Retrieved November 2, 2011.
  22. ^ "Danilo Perez: Across the Crystal Sea - JazzTimes". JazzTimes. Retrieved July 26, 2018.
  23. ^ Walters, John L. (July 24, 2008). "CD: Danilo Pérez & Claus Ogerman, Across the Crystal Sea". the Guardian. Retrieved July 26, 2018.
  24. ^ "Danilo Pérez | Dakota Jazz Club". Dakota Jazz Club. Retrieved July 5, 2018.
  25. ^ "Danilo Perez: Providencia - JazzTimes". JazzTimes. Retrieved July 5, 2018.
  26. ^ "A Man, A Plan, A Concept Album About Panama". NPR.org. Retrieved July 5, 2018.
  27. ^ RETROFUZZ. "Danilo Perez | Artists". Blue Note Records. Retrieved July 26, 2018.
  28. ^ Orchestraguy (March 2, 2012). "Travesias Panamenas: Imani Winds at Wake Forest". Thoughts of a String Educator. Retrieved July 28, 2018. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  29. ^ "Danilo Pérez: Camino de Cruces – A World Premiere in Toronto - World Music Report". World Music Report. April 27, 2013. Retrieved July 28, 2018.
  30. ^ "The Human Path: Danilo Perez Makes Panama's Biomuseo Sing | Berklee College of Music". www.berklee.edu. Retrieved July 28, 2018. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  31. ^ "Danilo's Jazz Club | American Trade Hotel | Boutique hotel in Casco Viejo, Panama City, Panama". American Trade Hotel. Retrieved July 28, 2018.
  32. ^ "World Premiere of PANAMANIA Suite by Danilo Pérez - Latin Jazz Network". Latin Jazz Network. July 13, 2015. Retrieved July 26, 2018.
  33. ^ "Premian labor del pianista panameño Danilo Pérez". La Prensa (in European Spanish). Retrieved July 26, 2018.
  34. ^ "Danilo Pérez, Honorary Doctorate- University of Panama". La Prensa (in European Spanish). Retrieved July 26, 2018.
  35. ^ "Heineken Jazz Festival - prensa.com". La Prensa (in Spanish). Retrieved July 26, 2018. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  36. ^ "2017 Puerto Rico Jazzfest To Honor Pianist, Composer, and Humanitarian, Danilo Pérez". www.mackavenue.com. Retrieved July 28, 2018.
  37. ^ Barbuto, Dana. "Quincy musician awarded $50,000 fellowship from United States Artists". Wicked Local Walpole. Retrieved July 26, 2018.
  38. ^ "El músico Danilo Pérez recibe premio en Estados Unidos". La Prensa (in European Spanish). Retrieved July 26, 2018.
  39. ^ "Pianista Danilo Pérez triunfa en Estados Unidos". La Prensa (in European Spanish). Retrieved July 26, 2018.
  40. ^ "The Victoriano Lorenzo Award- Danilo Pérez". La Estrella de Panamá (in Spanish). January 23, 2018. Retrieved July 26, 2018.
  41. ^ Lockwood, Wayne. "Children of the Light extend Wayne Shorter's cosmic realm at the Blue Note - NY Daily News". nydailynews.com. Retrieved July 26, 2018.
  42. ^ "After Accolades, Trio Injects a Little Folk Melody and Switches Gears Often". Retrieved July 26, 2018.
  43. ^ "Music Review: 'Children Of The Light,' Children Of The Light". NPR.org. Retrieved July 26, 2018.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Danilo_Pérez&oldid=852403983"