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This is an old revision of this page, as edited by SanchiTachi (talk | contribs) at 14:53, 26 January 2011 (Authenticity in art: Nuke it). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Authenticity in art (edit | talk | history | protect | delete | links | watch | logs | views) – (View log)
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PRODded as incomprehensible original research, which it currently is. The online sources don't appear to back it up and I suspect they've merely been added because they came from a Google search on art+authenticity. PROD removed by User:Colonel Warden who added a Google books cite which, as usual, is utterly irrelevant to the topic - it is talking about authenticity in terms of genuine or fake art, as opposed to originality of style or use of traditional methods. Black Kite (t) (c) 11:53, 25 January 2011 (UTC)[reply]

  • Comment This does read like an OR-filled essay. I suspect anyone using this title as a search string will most likely looking for a more concrete 'authenticity', or provenance rather than a subjective discussion of aesthetic authenticity, perhaps this should be redirected there. pablo 12:38, 25 January 2011 (UTC)[reply]
    • There's at least three ways to tackle this topic and provenance is just one of them. Another is that covered at Authenticity (philosophy) — the sincerity of the artist. That then runs into the issue of faithfulness which arises in performance arts such as music - the extent to which the performer authentically reproduces the artistic intent of the composer. This is therefore a complex topic and so it's not surprising that this early attempt at it should be weak. But the topic, by this title, is quite notable and so our editing policy is to make something of it. See The Oxford handbook of aesthetics for a good treatment which we might use as a model. Colonel Warden (talk) 13:54, 25 January 2011 (UTC)[reply]
  • It seems relevant to me. Good grief! You have unsourced content by a pseudonym on a WWW site versus a book (Languages of Art by Nelson Goodman) by a credentialled authority, and given that choice you take what the pseudonym writes to be true and outright throw away the authority on the basis that it contradicts the unsourced pseudonymous writing. What on Earth are you all thinking? The authority is what to go with. The sheer perversity of the approach by you, Black Kite, and the sheer thoughtless destructiveness of what Hrafn did in following in your footsteps, is astounding. We're here to build an encyclopaedia based exactly upon what subject experts such as professors write in books, in place of what Wikipedia editors with pseudonyms might write straight off the tops of their heads.

    Now get your heads on straight; get a refresher course in basic content policy and the goal of a properly verifiable, expert-source-supported, encyclopaedia that we are aiming for; and take sources such as Dutton 2003 (where a credentialled professor discusses the subject in an university press book), Phillips 1997 (where a university lecturer and museum curator discusses the subject in another university press book), and indeed Goodman1976 that Colonel Warden helpfully found, in hand and mercilessly replace poor unsourced top-of-the-head-written content that doesn't necessarily get the subject exactly right with verifiable content that you can show matches what experts have written about the subject.

    You can even link it as a philosophy of art-specific sub-topic of authenticity (philosophy) (which is apparently an umbrella article that deals with more than art), work Spinozzi 2010 into it somewhere, and interwiki link uk:Автентичність (мистецтво), where this article's creator Анна Шабеко (talk · contribs) wrote the original, to it as a hint to Ukrainian Wikipedians as to how to make the uk: article better.

    Uncle G (talk) 14:33, 25 January 2011 (UTC)[reply]

    • Dutton, Denis (2003). "Authenticity in Art". In Levinson, Jerrold (ed.). The Oxford Handbook of Aesthetics. Oxford Handbooks in Philosophy. New York: Oxford University Press. ISBN 9780199279456. {{cite book}}: External link in |chapterurl= (help); Invalid |ref=harv (help); Unknown parameter |chapterurl= ignored (|chapter-url= suggested) (help); Unknown parameter |isbn10= ignored (help)
    • Phillips, David (1997). Exhibiting authenticity. Manchester University Press. ISBN 9780719047978. {{cite book}}: Invalid |ref=harv (help); Unknown parameter |isbn10= ignored (help)
    • Spinozzi, Paola (2010). "The Origin of Art: Towards Humanistic-Scientific Theories and Methodologies". In Spinozzi, Paola; Zironi, Alessandro (eds.). Origins as a Paradigm in the Sciences and in the Humanities. Interfacing science, literature, and the humanities. Vol. 6. Vandenhoeck & Ruprecht. ISBN 9783899717594. {{cite book}}: Invalid |ref=harv (help); Unknown parameter |isbn10= ignored (help) (refs added by Uncle G)
      • Surely if the subject is notable it would be far better to delete this and start from scratch, because otherwise you've got the choice of trying to find sources which fit this original research, or doing the right thing and writing an article from scratch from the reliable sources. There's very little if anything here worth keeping, frankly. But I'm having nothing more to do with this now. Black Kite (t) (c) 15:11, 25 January 2011 (UTC)[reply]
  • The relevance of the book CW added is supported by the authoritative Stanford Encyclopedia of Philosophy, which gives Nelson Goodman as a key worker in this area of Aesthetics, and his Languages of Art as a key reference [1] . Hrafn makes almost no mistakes in editing, but the removal of this reference was one of them. DGG ( talk ) 14:45, 25 January 2011 (UTC)[reply]
    • I'm not familiar with Hrafn's editing, but I'm not impressed with what I've seen so far. The schoolyard level of argument, trying to defend outright blanking of a citation of further reading material instead of just adding == Further reading == above it, is appalling. That's the sort of totally uncollaborative collaboration that Wikipedia can really do without. And it represents a complete lack of imagination in editing. How can it not occur to list further reading as further reading and leave it for other editors to build further upon? And why go to such lengths to keep defending that error, to the extent that one talks of a recognized work on the subject by a credentialled authority in philosophy as "refspam"? That's going to such extremes to defend an outright error that it's almost comical. It's completely backwards when it comes to encyclopaedia writing. Uncle G (talk) 18:46, 25 January 2011 (UTC)[reply]
  • Comment: The subject matter here seems so elemental to art criticism that it must be covered elsewhere already, even if I don't understand art criticism or how others have structured those articles already. My brief foray led me to the amusing 1920s hoax of Disumbrationism (which was all about "authenticity" and b.s. art critics, in fact) so I'm clearly useless on substance here.--Milowenttalkblp-r 15:00, 25 January 2011 (UTC)[reply]
  • Comment: the book is irrelevant not because it is unscholarly, but because it deals with 'authenticity in art' in contrast to forgery, not to authenticity in terms of originality/artistic-integrity/or similar, which is the context the article is dealing with it. HrafnTalkStalk(P) 15:07, 25 January 2011 (UTC)[reply]
    • ....as I said in the nomination. Now if someone wants to convert this article into something about that, then it would be a reasonable cite, but at the moment this is still a piece of unreferenced original research. Let's not have another AfD that descends into an argument about what an article could be, if someone rewrote it. That's not the point, unless someone does actually rewrite it while the AfD is going on. Black Kite (t) (c) 15:11, 25 January 2011 (UTC)[reply]
      • It is the point because it's always the point; in AFD and elsewhere. If one doesn't grasp that then one doesn't approach Wikipedia the right way, that accords with deletion policy. Nine-tenths, at least, of Wikipedia comprises articles that need further work, including outright rewriting in some cases. Articles are not perfect or finished, remember, especially only a mere four days after their inception. That's how our articles, which are works in progress, are written. We write collaboratively, and each do a little bit to push articles towards the goal that they have yet to reach. Go and look at how our banana article developed over nine years. We don't delete articles because they haven't reached the goal yet. We don't delete articles because they've started off sloppily.

        And we certainly don't actively militate, as both you and (even more egregiously) Hrafn have been, against making bad articles better by finding and citing expert sources on a subject so that future editors don't have to do that work, and can in their turn make ugly ducklings into brilliant prose. We don't splutter "But-but-but the unsourced article written off the top of some pseudonymous person's head says otherwise! So we'll reject Nelson Goodman as irrelevant and actively fight against the people who work on improving the article to bring it into line with expertise on the subject.". (Amazingly, Hrafn is still doing this, even now. Go and look at xyr edits to the article and the talk page. One has to ask what on Earth xe thinks xe is doing. The irony of xyr talking about other people lacking clue is almost tangible.) Hfran I don't know about, but you I would have expected to appreciate that most articles start as ugly ducklings, and that indeed they are sometimes started as essentially folkloric and inexpert explanations of a subject that aren't really right. We don't hold to the initial article content as Gospel truth for evermore. I'm sure that you've seen enough, and done enough, rewrites to know that.

        And if you haven't, there are some 3 thousand articles in Category:Wikipedia articles needing rewrite that you can practice upon. ☺

        Uncle G (talk) 18:46, 25 January 2011 (UTC)[reply]

        • Adding a source that has nothing to do with the article that is supposedly sourced by the statement is a completely improper act, and unworthy of defense. A coincidence of the phrase "authenticity in art" does not make a book a reference. "Actively militating" against an editor that repeatedly does such things is the responsibility of each and every Wikipedia admin. Is it possible to write a good article about "authenticity in art"? Certainly. But the article that CW deprodded was not a foundation for it, and the source he added was wholly irrelevant to the content of the article. Adding such a reference is commiting fraud.—Kww(talk) 00:58, 26 January 2011 (UTC)[reply]
          • You're bending the facts out of shape to try any way possible to make whatever a particular editor did wrong. The facts are that even the original article talked about the sort of stuff that the sources do. It was clearly written by someone for whom English is a second language (even if one weren't aware of the existence of the Ukrainian Wikipedia article from which it was translated), and was equally clearly of-the-top-of-the-head writing. Your idea that introducing Nelson Goodman's Languages of Art into such a situation is "fraud" is laughable, and so obviously counter to what we're supposed to be doing in the cases of making bad articles better that I have to suggest that you take a long hard look at what you're doing. Introducing a subject expert potential source into an article is not "fraud". If you think that it is because of some personal animosity towards someone else, then you really need to get your head screwed on straight. You're putting making Colonel Warden wrong above improving an encyclopaedia article on a philosophy subject. Uncle G (talk) 10:31, 26 January 2011 (UTC)[reply]
  • Keep and expand. as an obviously notable topic that needs filling out in several directions. Whether it should eventually be divided up into separate articles for the multiple meanings can be judged later. I am amazed that some are still trying to defend what Uncle G has shown to be indefensible destructiveness. I note from the article in the Stanford Encyclopedia that NG's work covers more than just attribution, and indeed aims primarily at the more general question of the intrinsic meaning of artistic value, the most general meaning of "authenticity" Let's not have another AfD where an article being incomplete is used as an reason to delete it. Perhaps this is an occasion for a speedy close as a nomination based on personal antagonism, not a good faith nomination. DGG ( talk ) 15:23, 25 January 2011 (UTC)[reply]
      • Well done DGG, you've succesfully convinced me that there's no point in there being here any longer. Your persistent defence of Warden during the RfC was comical enough, but that comment just takes the biscuit. Please feel free to celebrate with all your friends who are contributing to the demise of Wikipedia as an encyclopedia, whilst turning it into a celebration of trivia. Black Kite (t) (c) 18:36, 25 January 2011 (UTC)[reply]
      • This nomination should never have been about CW, and essentially you invited drama by doing so. The real issue is not whether the subject is notable at all, just whether the article is crap and/or should be redirected elsewhere.--Milowenttalkblp-r 18:44, 25 January 2011 (UTC)[reply]
        • HM, BK locked his talk page from editing and left this comment: "Seriously, don't bother. "Free encylopedia"? When it suits us. "Encyclopedia"? Collection of trivial shite, more like. Well done WP:ARS, you win." That's unfortunate because BK does good work around here even though I don't always agree with him. Hopefully he'll reconsider.--Milowenttalkblp-r 18:49, 25 January 2011 (UTC)[reply]
      • The philosophy of art is "trivial shite"? I would have thought that subjects such as this, philosophy subjects, are exactly what the anti-trivia brigade would worked hardest in favour of. Working on subjects in philosophy, the sciences, and the like is certainly not what most people would think of as "contributing to the demise of an encyclopaedia", especially as Wikipedia's very first few edits (just recently unearthed by Tim Starling) were aimed at starting on philosophy subjects. Quite the opposite description seems appropriate. Uncle G (talk) 19:09, 25 January 2011 (UTC)[reply]
  • Merge or make disam the topic(s) is/are notable, but I see little good coming from the article as it is; it covers several topics, but is not clearly aware of this. We have Authentic performance for music - redirects to Historically informed performance, which seems not to link either way to or from authenticity (philosophy) - & any salvagable content should go to these, mostly the latter I imagine. Or turn into a disam page to those and Provenance and (ahem) Attribution (art) - now that's an article we do need. Johnbod (talk) 15:26, 25 January 2011 (UTC)[reply]
  • Keep per DGG. This is a fairly large subject that wants a deeper article, and what we have here is a fair start. - Smerdis of Tlön - killing the human spirit since 2003! 15:59, 25 January 2011 (UTC)[reply]
  • Keep Authenticity in art is an important subject area within different fields of art. In the visual arts, authenticity is important with regards to art forgery (an article that this one can complement when completed). In classical music, issues regarding historical authenticity have been discussed widely since the 1970s. In philosophy, artistic authenticity held great sway over the beliefs of Paul Tillich. These examples are coming from one who is decidedly not an expert in any of these fields; I'm there's much more information to flesh out. When completed, this article can be a great overview of these more precise topics. ThemFromSpace 19:13, 25 January 2011 (UTC)[reply]
    Five minutes in google books yields the following, and there should be much more than this
    Meaning and authenticity: further essays on the sociology of art by César Graña
    Performance and authenticity in the arts by Salim Kemal
    'Art and Authenticity by Jan Lloyd Jones
    Also books by/about the philosophers Paul Tillich, Martin Heidegger, Arthur Schopenhauer, etc
    ThemFromSpace 19:20, 25 January 2011 (UTC)[reply]
  • Keep' - highly notable topic, and not just forgery. attribution of old paintings is on the news regularly.. Casliber (talk · contribs) 20:25, 25 January 2011 (UTC)[reply]
  • Note: This debate has been included in the list of Visual arts-related deletion discussions. -- • Gene93k (talk) 02:15, 26 January 2011 (UTC)[reply]
  • Note: This debate has been included in the list of Music-related deletion discussions. -- • Gene93k (talk) 02:15, 26 January 2011 (UTC)[reply]
  • Keep per DGG and Uncle G. Jusdafax 05:38, 26 January 2011 (UTC)[reply]
  • Delete. I can't see how this article can consist of anything but opinionated or original research. It's difficult to read and uses nebulous, confusing statements.--Yaksar (let's chat) 06:02, 26 January 2011 (UTC)[reply]
    • Then you have not read the discussion so far before joining in. Go up to the top of this discussion and read from the start, paying attention to the mentions of credentialled experts in philosophy who have written at length about the subject. Uncle G (talk) 10:31, 26 January 2011 (UTC)[reply]
  • Delete Yaksar has it right. It's original research and cannot see a way to write a NPOV article here. AniMate 06:09, 26 January 2011 (UTC)[reply]
  • Delete. The concept is so vague there's little chance this will ever become an encyclopedia article rather than an essay. Part of the definition of what an encyclopedia is is that its articles are structured by well-delineated, well-defined objects, and not vague essay topics like this. Fut.Perf. 06:25, 26 January 2011 (UTC)[reply]
    • Comment Also, the article seems to be all about possible meanings the terms could have, or ways one could describe it. There is no definite or encyclopedic understanding of the term.--Yaksar (let's chat) 06:28, 26 January 2011 (UTC)[reply]
      • Go tell that to Jerrold Levinson who wrote the "Art, Authenticity in" article in Donald M. Borchert's Encyclopedia of Philosophy, and see what response you get. It's sad to see that people with pseudonyms on Wikipedia are demonstrating exactly why Wikipedia is traditionally said to be poor at covering philosophy. ("It couldn't possibly be a subject that scholars have written about." Well it is. "It's not clear and there are multiple understandings of the idea." Well philosophy is sometimes like that. "I don't understand it." Well philosophy is sometimes like that, too; but we don't delete articles because a couple of people with pseudonyms on a WWW site are not Jerrold Levinson.) Uncle G (talk) 10:31, 26 January 2011 (UTC)[reply]
  • Delete whilst this subject may merit an encyclopedia article, the article as currently exists is anything but encyclopedic. It's original research. It's also quite unintelligible to the average reader. Get rid of this version and if someone who is knowledgeable on the subject wishes to start anew in accordance with our editing standards then good. Lovetinkle (talk) 06:52, 26 January 2011 (UTC)[reply]
  • Keep - While a bit thin at the moment, given the sources provided here, I see no reason to either scrap & start over or to throw it in the junkpile. Beyond My Ken (talk) 06:55, 26 January 2011 (UTC)[reply]
  • Delete per Yaksar and Fut.Perf. [CharlieEchoTango] 07:02, 26 January 2011 (UTC)[reply]
  • Delete and allow a re-write from scratch without the previous material. A re-write should be based on references found rather than trying to justify the current Original Research based on references found after it was written. I suggest any of those who've written keep here are experienced veteran editors capable of doing that in less time than it would take to argue any further in this discussion. SchmuckyTheCat (talk)
    • You haven't paid attention to the edit history. Several people who have written here have already worked on the article. And we don't delete articles because they once started out with some off-the-top-of-the-head writing from the Write What You Know school of Wikipedia writing (as opposed to the Write on the Basis That You Know Nothing school). Many of our articles did. Uncle G (talk) 10:31, 26 January 2011 (UTC)[reply]
  • Delete I just don't see this as a basis for a proper NPOV article. --Kleinzach 07:17, 26 January 2011 (UTC)[reply]
  • Delete: take WP:OR essay on a phrase, add random references for that phrase (which may or may not take the same meaning for the phrase as the original essay) and get incoherent mess. There is most probably a notable topic here somewhere (and quite probably several clearly distinguishable ones), but until the article picks which meaning of "authenticity in art" its on, sticks to it, and sources that meaning, this article will remain fundamentally malformed. HrafnTalkStalk(P) 07:20, 26 January 2011 (UTC)[reply]
    • Actually, the structure the article currently has is not far off the strucure of the piece by Dutton for the Oxford Book of Aesthetics (OUP, 2003) cited above by Col. Warden, setting out "nominal authenticity" (ie. authenticity as distinct from forgery), "historical authenticity" (with particular reference to music, sec 2.5), and then "expressive authenticity" as relevant subdivisions of the over subject. It seems to me that the structure we now have at the article in fact is quite a good framework for going forward. Jheald (talk) 08:38, 26 January 2011 (UTC)[reply]
  • Keep Click the Google news archive search at the top of the AFD, and read through the summaries that appear. [2] "Authenticity in art occurs when artists use the kind of insight that comes from thorough historical awareness and deep personal experience." The New York Times published an article about a book titled "Authenticity in Art: tha Scientific Detection of Forgery" by Dr. Flemings. Two different concepts, both valid for articles of their own perhaps, but then people would just say to merge them together anyway probably. Dream Focus 07:30, 26 January 2011 (UTC)[reply]
  • The nominator of this article contacted various editors about this article after sending it to AFD. First at [3] then at [4] he says "Your favourite editor" and links to it without saying anything more. That one seems like canvassing to me. Telling someone that an editor they argue with constantly has an AFD, and pointing to it, without anything else being said. It is then mentioned at [5] [6]. So four users were contacted. Where was this other conversation had at, and was everyone involved contacted, or just those that might be against a certain editor? The nominator claims to have retired again, but I'm sure he is still around to comment on this. Dream Focus 07:41, 26 January 2011 (UTC)[reply]
  • BTW, this edit [7] wiped away some of the discussion here, including one of the keep !votes, i have no idea why.--Milowenttalkblp-r 07:50, 26 January 2011 (UTC)[reply]
  • Keep Obviously the article needs huge expansion -- at the moment it does little more than just stake out its scope. But sources clearly are available, and this is an important topic (witness the angst about artists particularly in the music industry "selling out"). The philosophy article is mostly about existentialism, and technical -- it's useful to have a separate article on the general cultural idea of authenticity. As for FPaS saying the topic is "vague", I suspect that could be said about any stub on a theory-orientated notion in the humanities, until the stub is fleshed out and concretely references. These articles on rather general humanities ideas are more difficult than just listing a band's discography or the physical properties of some chemical substance -- for example, I've witnessed the article on sociological marginalization stagger forward over the years, and it could still use a fair deal of help -- but that is absolutely not a reason for us as an encyclopedia not to try to make the attempt, even if to begin with the stub as it starts out is quite crude and limited. Jheald (talk) 08:13, 26 January 2011 (UTC)[reply]
    • Comment There's already an article about what selling out means, so info on that can go there. Anything about actual authenticity in the sense of the opposite of forgery should go in the art forgery article. Other than that, this is more of an essay than an encyclopedic article. Just because someone's written on it doesn't mean it's encyclopedic (otherwise this encylcopedia would be full of articles like "The Passion of Dance" or "Finding Beauty in New York." Also, a subject like marginalization, while complicated, has a definite subject and explanation. This article seems to mostly be "some people think it's x, other's think it's y, which is right?"--Yaksar (let's chat) 08:21, 26 January 2011 (UTC)[reply]
    • Comment to Jheald: Why do you think the article in its present condition should be a published page in the encyclopedia? Is it likely to be of value for the reader? If not, then surely it shouldn't be here. --Kleinzach 08:41, 26 January 2011 (UTC)[reply]
      • Yes, even in its present state I think it's of some use. It provides a useful dichotomy, and some references to follow up. That's not a bad start for a stub of this length. But at this stage probably its prime value is in providing a starting framework inviting expansion. Jheald (talk) 09:36, 26 January 2011 (UTC)[reply]
  • The AFD determines if an article's subject is valid for an article. If you don't like the condition its in, that's not a valid reason to delete it. And there is no requirement to prove anything will be of value for the reader. Dream Focus 08:57, 26 January 2011 (UTC)[reply]
    • If we determine that it would be better off starting from scratch then deletion is a valid option. A pure re-write is actually disadvantaged by maintaining a history and it is a good idea to shed the GFDL history when we've determined there are issues with the previous text. SchmuckyTheCat (talk)
  • Keep The article deals with a notable topic, and the different aspects of authenticity in art are worth discussion in one article, even if there are (eventually) separate articles for each aspect. Inversion (music) seems to me to be a useful analogy. The article has some good content and some of this is referenced. I have not found over-riding concerns (e.g. copyright) and such matters have not been raised here. To me there seems to be no policy-based reason for deletion and so the article should be kept. It is, as always, unhelpful that wikipolitics has intruded. Thincat (talk) 11:49, 26 January 2011 (UTC)[reply]
As discussed above and below, there are already several articles dealing with the various meanings of this title, some of which actually have specific relevant content, instead of vague wafflings. This is not a useful grouping, except for a disam page. Johnbod (talk) 12:57, 26 January 2011 (UTC)[reply]
  • Redirect to Provenance which is the main article for the main topic, and will be what people would be looking for under this title. The more general musings on "authenticity" are certainly important but maybe too vague for an encyclopedia. Jaque Hammer (talk) 12:09, 26 January 2011 (UTC)[reply]
Just to be clear, that would not be suitable. Provenance is only one aspect of deciding whether a work of art is genuinely what it is said to be. Art forgery is on the whole more relevant, or authenticity (philosophy). You are right in thinking that this is not a good title for an article on the subject, if only because it is so ambiguous. As I have said above, we do need an article called something like attribution (art). But it should not be under this title. Johnbod (talk) 12:57, 26 January 2011 (UTC)[reply]
  • Comment Let's just look at the article's intro: "Authenticity in art has a variety of meanings centered around issues involving the credibility of transmission, the authenticity of the sample. The term is also used to refer to the originality of a work and in this sense is opposed to the concept of plagiarism." The second sentence is basically covered by provenance or art forgery. The first basically just says "this term could be a lot of different things depending on how you interpret it." "The credibility of transmission? The authenticity of the sample? There's no clear meaning for this term, just ways it could interpreted it in essays, and it has no real place in an encyclopedia.--Yaksar (let's chat) 13:47, 26 January 2011 (UTC)[reply]
Perhaps, but this isn't it. Currently it is twaddle, its not even a stub. It mixes forgery and plagiarism, with authenticity of style, authenticity of process, and some form of waccy baccy hippy 'keep it real man' idealism. Which is it? If the article can figure out what it is about then have it in main space other wise bury it along with the other detritus. John lilburne (talk) 14:31, 26 January 2011 (UTC)[reply]