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Ridley Scott

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Sir Ridley Scott
Sir Ridley Scott in March 2012
Born (1937-11-30) 30 November 1937 (age 86)
South Shields, England, United Kingdom
Occupation(s)Film director, film producer
Years active1965–present
Notable workAlien, Blade Runner, Thelma & Louise, 1492: Conquest of Paradise, Gladiator, Hannibal, Black Hawk Down, American Gangster
Spouse(s)Felicity Heywood,
(m. 1964–1975, divorced)
Sandy Watson
(m. 1979–1989, divorced)
ChildrenWith Felicity Heywood
Jake (born 1965)
Luke (born 1968)
With Sandy Watson
Jordan (born 1978)

Sir Ridley Scott (born 30 November 1937) is an English film director and producer. His best-known films include Scott's commercial breakthrough Alien (1979), sci-fi classic Blade Runner (1982), Black Rain (1989), Thelma & Louise (1991), best picture Oscar-winner Gladiator (2000), Hannibal (2001), Black Hawk Down (2001), Kingdom of Heaven (2005), American Gangster (2007), Robin Hood (2010), and Prometheus (2012).

Scott is known for his atmospheric, detail-crammed visual style, which has been influential on many directors. Though his films range widely in setting and period, they frequently showcase memorable imagery of urban environments, whether 12th century Jerusalem (Kingdom of Heaven), contemporary Osaka (Black Rain) or Mogadishu (Black Hawk Down), or the future cityscapes of Blade Runner. Scott has been nominated for three Academy Awards for Directing (for Thelma and Louise, Gladiator and Black Hawk Down), plus two Golden Globe and two BAFTA Awards. He was knighted in the United Kingdom's 2003 New Year Honours.[1] He is the older brother of film director Tony Scott.[2]

Early life and career

Scott was born in the coastal town of South Shields,[3] England, the son of Elizabeth and Colonel Francis Percy Scott.[4] He was raised in an Army family, meaning that for most of his early life, his father — an officer in the Royal Engineers — was absent. Ridley's older brother, Frank, joined the Merchant Navy when he was still young and the pair had little contact. During this time the family moved around, living in (among other areas) Cumbria, Wales and Germany. He has a younger brother, Tony, also a film director. After the Second World War, the Scott family moved back to their native north-east England, eventually settling in Teesside (whose industrial landscape would later inspire similar scenes in Blade Runner). He enjoyed watching films, and his favourites include Lawrence of Arabia, Citizen Kane and Seven Samurai.[5] Scott studied in Teesside from 1954 to 1958, at Grangefield Grammar School and later in West Hartlepool College of Art, graduating with a Diploma in Design.

He went on to study at the Royal College of Art, contributing to college magazine ARK, and helping establish the college film department. For his final show, he made a black and white short film, Boy and Bicycle, starring younger brother Tony Scott, and his father (the film was later released on the 'Extras' section of The Duellists DVD.) After graduation in 1963, Scott secured a job as a trainee set designer with the BBC, leading to work on the popular television police series Z-Cars and science fiction series Out of the Unknown.

He was originally assigned to design the second Doctor Who serial, The Daleks, which would have entailed realising the famous alien creatures. However, shortly before Scott was due to start work, a schedule conflict meant he was replaced on the serial by Raymond Cusick.[6]

In 1968, Ridley and Tony Scott founded Ridley Scott Associates (RSA), a film and commercial production company.[7] Working alongside Alan Parker, Hugh Hudson, and cinematographer Hugh Johnson Ridley Scott made many commercials at RSA during the 1970s, including a notable 1974 Hovis advert, "Bike Round" (featuring New World Symphony), filmed in Shaftesbury, Dorset.

Five members of the Scott family are directors, and all have worked for RSA.[8] Brother Tony has been a successful film director for more than two decades; sons, Jake and Luke are both acclaimed commercials directors as is his daughter, Jordan Scott. Jake and Jordan both work from Los Angeles; Luke is based in London.

In 1995, Shepperton Studios was purchased by a consortium headed by Ridley and Tony Scott, which extensively renovated the studios while also expanding and improving its grounds.[9]

First features

The Duellists

The Duellists (1977) marked Ridley Scott's first feature as director. Shot in Europe, it was nominated for the main prize at the Cannes Film Festival, and won an award for best film. The Duellists had limited commercial impact internationally. Set during the Napoleonic Wars, follows two French Hussar officers, D'Hubert and Feraud (Keith Carradine and Harvey Keitel) whose quarrel over an initially minor incident turns into a bitter extended feud spanning fifteen years, interwoven with the larger conflict that provides its backdrop. The film has been acclaimed for providing a historically authentic portrayal of Napoleonic uniforms and military conduct.

Alien

Scott's box office disappointment with The Duellists was compounded by the success achieved by fellow commercials director Alan Parker on American-backed films — Scott later admitted he was "ill for a week" with envy. Scott had originally planned to next adapt a version of Tristan and Iseult, but after seeing Star Wars, he became convinced of the potential of large scale, effects-driven films. He accepted the job of directing Alien, the 1979 horror/science-fiction film that would win him international success.

Scott would not return to an Alien-related project for three more decades, when he directed Prometheus. The female action hero Ellen Ripley (played by Sigourney Weaver), who appeared in the first four Alien films, would become a cinematic icon. Scott was involved in the 2003 restoration and re-release of the original film. In promotional interviews at the time, Scott indicated he had been in discussions to make a fifth film in the Alien franchise. However, in a later (2006) interview, the director remarked that he had been unhappy about Alien: The Director's Cut, feeling that the original was "pretty flawless" and that the additions were merely a marketing tool.[10] (see 2006 – present section, for more on Prometheus.)

Blade Runner

After a year working on the film adaptation of Dune, and following the sudden death of his brother Frank, Scott signed to direct the film version of Philip K. Dick's novel Do Androids Dream of Electric Sheep?. Starring Harrison Ford, Blade Runner was a commercial disappointment in theatres in 1982, but is now regarded as a classic. In 1991 Scott's notes were used by Warner Brothers to create a rushed director's cut which removed the voiceovers originally added at the request of worried executives before the film's release, and made a number of other small changes, including to the ending. Later Scott personally supervised a digital restoration of Blade Runner and approved the so-called Final Cut. This version was released in Los Angeles, New York, and Toronto cinemas on 5 October 2007, and as an elaborate DVD release in December 2007.[11] Today, Blade Runner is ranked by many critics as one of the most important and influential science fiction films yet made[12], partly thanks to its much imitated portraits of a future cityscape. It is often discussed along with William Gibson's novel Neuromancer as initiating the cyberpunk genre. Scott has described Blade Runner as his "most complete and personal film".[13]

"1984" Apple Macintosh commercial

In 1984 Scott directed a big-budget (US $900,000) television commercial to launch the Apple Macintosh computer. The so-called 1984 advertisement was given a showcase airing in the United States on 22 January 1984, during Super Bowl XVIII, alongside screenings in movie theatres.[14] Some consider this advertisement a "watershed event" in advertising [15] and a "masterpiece".[16] The advertisement used its heroine (actor Anya Major) to represent the coming of the Macintosh (indicated by her white tank top adorned with a picture of Apple’s Macintosh computer) as a means of saving humanity from "conformity" (Big Brother).[17].

Legend

In 1985 Scott directed Legend, a fantasy film produced by Arnon Milchan. Scott decided to create a "once upon a time" tale set in a world of princesses, unicorns and goblins, filming almost entirely inside the studio. Scott cast Tom Cruise as the film's hero, Jack, Mia Sara as Princess Lili, and Tim Curry as the Satan-horned Lord of Darkness. In the final stages of filming the forest set was destroyed by fire; Jerry Goldsmith's original score was used for European release, but replaced in North America with a score by Tangerine Dream. Rob Bottin provided the film's Academy Award-nominated make-up effects, most notably Curry's red-coloured Satan figure. Though a major commercial failure on release, some argue the film has gone on to become a cult favourite. In 2002 the Director’s Cut restored the original score by famed composer Jerry Goldsmith.[18]

1987–92

Scott made Someone to Watch Over Me, a romantic thriller starring Tom Berenger and Mimi Rogers in 1987, and Black Rain (1989), a cop drama starring Michael Douglas and Andy García, shot partially in Japan. Both achieved mild success at the box office.

Road movie Thelma & Louise (1991) starring Geena Davis as Thelma, and Susan Sarandon as Louise, proved to be one of Scott's biggest critical successes, helping revive the director's reputation and receiving his first nomination for the Academy Award for Best Director. His next project, independently-funded historical epic 1492: Conquest of Paradise, was a box office failure. The film recounts the discovery of the Americas by Christopher Columbus (French star Gerard Depardieu).Scott did not release another film for four years.

Recent career

In 1995 Ridley and his brother Tony formed production company, Scott Free Productions in Los Angeles. All Ridley's subsequent feature films, starting with White Squall and G.I. Jane have been produced under the Scott Free banner. In 1995 the two brothers purchased a controlling interest in Shepperton Studios, which later merged with Pinewood Studios.

Scott and his brother have produced CBS series Numb3rs (2005–2010), a crime drama about a genius mathematician who helps the FBI solve crimes, and The Good Wife (2009–), a legal drama about an attorney balancing her job with her husband, a former state attorney trying to rebuild his political career after a major scandal. The two Scotts also produced a 2010 film adaptation of 1980s television show The A-Team, directed by Joe Carnahan.

2000–2005

Scott's film Gladiator (2000) proved to be one of his biggest commercial successes to date. It won five Academy Awards, including Best Picture and Best Actor, for the film's star Russell Crowe. Some have credited Gladiator with reviving the nearly defunct "sword and sandal" historical genre. Scott then turned to Hannibal (2001), a critically panned but commercially successful sequel to Jonathan Demme's The Silence of the Lambs, and then Black Hawk Down, based on a group of stranded American soldiers fighting for their lives in Somalia. Scott received two more nominations for the Academy Award for Best Director for Gladiator and Black Hawk Down.

In 2003 Scott directed a smaller scale project, Matchstick Men, adapted from the novel by Eric Garcia and starring Nicolas Cage, Sam Rockwell and Alison Lohman. It received mostly positive reviews, but performed moderately at the box office. In 2005 he made the modestly successful Kingdom of Heaven, a movie about the Crusades.The Moroccan government sent the Moroccan cavalry as extras for some battle scenes.[19]

Unhappy with the theatrical version of the film (which he blamed on paying too much attention to the opinions of preview audiences), Scott supervised a director's cut of Kingdom of Heaven, which was released on DVD in 2006.[20] Asked if he was against previewing in general in 2006, Scott stated: "It depends who's in the driving seat. If you've got a lunatic doing my job, then you need to preview. But a good director should be experienced enough to judge what he thinks is the correct version to go out into the cinema."[21]

2006–present

Scott teamed up again with Gladiator star Russell Crowe, for A Good Year, based on the best-selling book about an investment banker who finds a new life in Provence. The film was released on 10 November 2006. A few days later Rupert Murdoch, chairman of studio 20th Century Fox (who backed the film) dismissed A Good Year as "a flop" at a shareholders' meeting.[22]

Scott's next film was American Gangster, based on the story of real-life drug kingpin Frank Lucas. He was the third director to join the project after Antoine Fuqua and Terry George. Denzel Washington and Benicio del Toro had initially been cast, both actors having been paid salaries of $20 m and $15 m respectively without the film having gone into production. Scott took over the project in early 2006. He had Steven Zaillian rewrite his script to focus on the dynamic between Frank Lucas and Richie Roberts. Washington signed back on to the project as Lucas, with Russell Crowe co-starring. The film finally premiered in November 2007 to positive reviews and good box office. In late 2008 Scott released espionage thriller Body of Lies starring Leonardo DiCaprio and Crowe once again, which opened to luke-warm ticket-sales and mixed reviews.

Scott directed a revisionist adaptation of Robin Hood, which starred Russell Crowe as Robin Hood and Cate Blanchett as Maid Marian. It was released in the United States in May 2010 to mixed reviews, but respectable box-office.

On 31 July 2009, news surfaced of a two part prequel to Alien[23] with Scott attached to direct.[24] The project, ultimately reduced to a single film called Prometheus, which Scott described as sharing "strands of Alien's DNA" while not being a direct prequel, was released in June 2012.

On 6 July 2010, YouTube announced the launch of Life In A Day, an experimental documentary executive produced by Scott. Released at the Sundance Film Festival on 27 January 2011, it incorporates footage shot on 24 July 2010 submitted by YouTube users from around the world.[25]

Proposed projects

In April 2008, Scott announced project The Kind One, a period drama supposedly set for release in 2012. The film was set to star Casey Affleck.[26] It was based on the novel by screenwriter Tom Epperson.

On October 2008, Scott confirmed that after a 25 year wait for the rights to become available, he was to make an adaptation of the book The Forever War by Joe Haldeman. He was looking for a script writer.[27] The following March Scott confirmed that the film would be in 3D, citing James Cameron's Avatar as an inspiration for doing so. "I'm filming a book by Joe Haldeman called Forever War. I've got a good writer doing it. I've seen some of James Cameron's work, and I've got to go 3D. It's going to be phenomenal."[28][29] Another science fiction project to which Scott has been attached is an adaptation of Aldous Huxley's Brave New World, with Leonardo DiCaprio also attached.[30]

In August 2011, information leaked about production of a sequel to Blade Runner by Alcon Entertainment, with Alcon partners Broderick Johnson and Andrew Kosove.[31] Earlier (in 2009) Scott had stated that he would direct a film adaptation of the Red Riding trilogy.[32]

As of February 2012, Ridley Scott was discussing a project based on a screenplay called The Counsellor by author Cormac McCarthy [33]

In 2011, Scott received a star on the Hollywood Walk of Fame.[34]

Personal life

Ridley Scott was married to Felicity Heywood from 1964 to 1975. The couple had two sons, Jake and Luke, both of whom work as directors on Scott's production company Ridley Scott Associates. Scott later married advertising executive Sandy Watson in 1979, with whom he had a daughter, Jordan Scott, and divorced in 1989.[35][36]

His current wife is the actress Giannina Facio, whom he has cast in all his movies since White Squall except American Gangster.[citation needed] He divides his time between homes in London, France, and Los Angeles.

Scott received a knighthood from Queen Elizabeth II in honor of his substantial contribution to the British film industry. He received his honor at London's Buckingham Palace on July 8, 2003. Scott admitted feeling "stunned and truly humbled" after the ceremony, saying, "As a boy growing up in South Shields (north-east England), I could never have imagined that I would receive such a special recognition."

Approach and style

Scott was not initially considered an actors' director [citation needed], but has become more receptive to ideas from his cast as his career has developed. Examples include Susan Sarandon's suggestions that the character of Louise pack shoes in plastic bags in one scene of Thelma & Louise, and another where her character exchanges jewelry for a hat and other items— and Tim Robbins' collaboration with Scott and Susan Sarandon to rework the final scene with a more upbeat ending. Russell Crowe commented, "I like being on Ridley's set because actors can perform [...] and the focus is on the performers."[37] Paul M. Sammon, in his book Future Noir: The Making of Blade Runner, commented in an interview with Brmovie.com that Scott's relationship with his actors has improved considerably over the years.[38] More recently during the filming of Scott's 2012 film, Prometheus, Charlize Theron praised the director's willingness to listen to suggestions from the cast for improvements in the way their characters are portrayed on script. Theron worked alongside the writers and Scott to give more depth to her character during filming.[39]

On the other hand, he can be a demanding and difficult director to work for. He was nicknamed "Guvnor" in the Blade Runner production. Several crew members wore protest t-shirts with slogans such as "Yes Guvnor, my ass" and "Will Rogers never met Ridley Scott" in reference to Will Rogers' most famous quotation, "I never met a man I didn't like".[40][citation needed] This was mainly in response to the way that Scott directed his first American crew, which some considered too harsh.

His striking visual style, incorporating a detailed approach to production design and innovative, atmospheric lighting, has been influential on a subsequent generation of filmmakers — many of whom have imitated his style. Scott commonly uses slow pacing until the action sequences. Examples include Alien and Blade Runner; the LA Times critic Sheila Benson, for example, would call the latter "Blade Crawler" "because it's so damn slow". Another technique he employs is use of sound or music to build tension, as heard in Alien, with hissing steam, beeping computers and the noise of the machinery in the space ship.

Scott has developed a method for filming intricate shots as swiftly as possible:

"I like working, always, with a minimum of three cameras. [...] So those 50 set-ups [a day] might only be 25 set-ups except I'm covering in the set-up. So you're finished. I mean, if you take a little bit more time to prep on three cameras, or if it's a big stunt, eleven cameras, and — whilst it may take 45 minutes to set up — then when you're ready you say 'Action!', and you do three takes, two takes and is everybody happy? You say, 'Yeah, that's it.' So you move on."[37]

Although Scott is often known for his painterly directorial style, other techniques and elements include:

  • Strong female characters.[41][42]
  • Some of his movies feature strong conflicts between father and son that usually end with the latter killing the former (Blade Runner, Gladiator) or witnessing the event (Kingdom of Heaven, Robin Hood). The Lord of Darkness in Legend also mentions his "father" on a few occasions. As part of the conflict between father and son there are some repetitive scenes: in Gladiator, the son hugs the father seemingly as an expression of love but this embrace turns into the suffocation and death of the father. There is a similar sequence in Blade Runner.
  • Scott utilises cityscapes as an emphasis to his storytelling (i.e., a futuristic Los Angeles in Blade Runner, Osaka in Black Rain, Jerusalem in Kingdom of Heaven).
  • In Gladiator, Blade Runner and Kingdom of Heaven, a son gets to know his father when he is grown up. Other common elements are that the mother is not seen, and that the son or father is seen performing his last actions. For example, Roy Batty is dying when he saves Deckard, Maximus dies after killing Commodus and Godfrey of Ibelin kills some enemies after he has been mortally wounded by an arrow. In addition, the hero is saved from death before attaining his greatest deeds: Deckard is saved by Rachel, Maximus is saved by a slave and Balian is saved by a Muslim enemy. Similar situations can be seen in Tony Scott's Man on Fire.
  • Military and officer classes as characters reflecting his father's career, such as in G.I. Jane and Gladiator and Black Hawk Down and Kingdom of Heaven.
  • Storyboarding his films extensively. These illustrations, when made by himself, have been referred to as "Ridleygrams" in DVD releases.
  • Scott was once known for requesting a great many takes. This was evident on Blade Runner: the crew nicknamed the movie "Blood Runner" because of this.
  • He often makes use of classical music (the Hovis advertisements, Someone to Watch Over Me).
  • Extensive use of smoke and other atmospheres (in Alien, Blade Runner and Black Rain), plus fans and fan-like objects (Blade Runner, Black Rain and the large Boeing jet engines in the 1984 TV advertisement). Fans are also used in Hannibal, for symbolic purposes.
  • Consistency in his choice of composers, using Jerry Goldsmith (Alien and Legend), Vangelis (Blade Runner and 1492: Conquest of Paradise), Hans Zimmer (Black Rain, Thelma & Louise, Gladiator, Hannibal, Black Hawk Down and Matchstick Men) or Marc Streitenfeld (A Good Year, American Gangster, Body of Lies, Robin Hood and Prometheus). Scott has also twice used songs by Sting during the film credits ("Valparaiso" for White Squall and "Someone to Watch Over Me" for the movie of the same title).

DVD format and director's cut

Scott is known for his enthusiasm for the DVD format, providing audio commentaries and interviews for all his films where possible. In the July 2006 issue of Total Film magazine, he stated: "After all the work we go through, to have it run in the cinema and then disappear forever is a great pity. To give the film added life is really cool for both those who missed it and those who really loved it."[21]

Running alongside his enthusiasm for DVD, Scott is sometimes considered the "father" of the director's cut, though the impetus to produce such versions has sometimes begun with other parties. The positive reaction to the Blade Runner Director's Cut encouraged Scott to re-cut several movies that were a disappointment at the time of their release (including Legend and Kingdom of Heaven). Today the practice of alternative cuts is more commonplace, though often as a way to make a film stand out in the DVD marketplace by adding new material.

Filmography

Year Film Oscars
Nominations Wins
1977 The Duellists
1979 Alien 2 1
1982 Blade Runner 2
1985 Legend 1
1987 Someone to Watch Over Me
1989 Black Rain 2
1991 Thelma & Louise 6 1
1992 1492: Conquest of Paradise
1996 White Squall
1997 G.I. Jane
2000 Gladiator 12 5
2001 Hannibal
Black Hawk Down 4 2
2003 Matchstick Men
2005 Kingdom of Heaven
2006 A Good Year
2007 American Gangster 2
2008 Body of Lies
2010 Robin Hood
2012 Prometheus

Commercials

TV shows

Awards and nominations

Scott has been nominated for three Academy Awards for Directing: for Thelma & Louise, Gladiator and Black Hawk Down, as well as a Golden Globe, BAFTA and Emmy Award. He has won 3 British Academy Awards for the film Blade Runner.[43] He was knighted in the 2003 New Year Honours. In 2011, He received a star on the Hollywood Walk of Fame.[44] [1]

Year Award Category Title Result
1977 Cannes Best Debut Film Award The Duellists Won
Palme d'Or Nominated
1979 Saturn Awards Best Director Alien Won
Best Science Fiction film Won
1983 Best Director Blade Runner Nominated
2001 Gladiator Nominated
2003 George Pal Memorial Award Won
1991 DGA Best Director – Motion Picture Thelma & Louise Nominated
2001 Gladiator Nominated
2002 Black Hawk Down Nominated
1991 Academy Awards Best Director Thelma & Louise Nominated
2000 Best Director Gladiator Nominated
2001 Best Director Black Hawk Down Nominated
2000 Golden Globe Best Director – Motion Picture Gladiator Nominated
2006 Best Director – Motion Picture American Gangster Nominated
1991 BAFTA Best Director Thelma & Louise Nominated
2000 Gladiator Nominated
2001 Satellite Award Best Director Gladiator Nominated
2002 American Film Institute Director of the Year Black Hawk Down Nominated
Movie of the Year Nominated
2009 Emmy Outstanding Drama Series The Good Wife Nominated
2010 Nominated

Box office performance

Date Movie Studio United States gross Worldwide gross Theatres Opening weekend Opening theatres Budget
1977 The Duellists Par. $900,000
1979 Alien Fox $80,931,801 $104,931,801 757 $3,527,881 91 $11,000,000
1982 Blade Runner WB $32,768,670 $33,139,618 1,325 $6,150,002 1,295 $28,000,000
1985 Legend Uni. $15,502,112 1,187 $4,261,154 1,187 $30,000,000
1987 Someone to Watch Over Me Col. $10,278,549 894 $2,908,796 892 $17,000,000
1989 Black Rain Par. $46,212,055 $134,212,055 1,760 $9,677,102 1,610 $30,000,000
1991 Thelma & Louise MGM $45,360,915 1,180 $6,101,297 1,179 $16,500,000
1992 1492: Conquest of Paradise Par. $7,191,399 1,008 $3,002,680 1,008 $47,000,000
1996 White Squall BV $10,292,300 1,524 $3,908,514 1,524 $38,000,000
1997 G.I. Jane BV $48,169,156 2,043 $11,094,241 1,945 $50,000,000
2000 Gladiator DW $187,705,427 $457,640,427 3,188 $34,819,017 2,938 $103,000,000
2001 Hannibal MGM $165,092,268 $351,692,268 3,292 $58,003,121 3,230 $87,000,000
2001 Black Hawk Down Sony $108,638,745 $172,989,651 3,143 $179,823 4 $92,000,000
2003 Matchstick Men WB $36,906,460 $65,565,672 2,711 $13,087,307 2,711 N/A
2005 Kingdom of Heaven Fox $47,398,413 $211,652,051 3,219 $19,635,996 3,216 $130,000,000
2006 A Good Year Fox $7,459,300 $42,056,466 2,067 $3,721,526 2,066 $35,000,000
2007 American Gangster Uni. $130,164,645 $265,697,825 3,110 $43,565,115 3,054 $100,000,000
2008 Body of Lies WB $39,394,666 $115,321,950 2,714 $12,884,416 2,710 $70,000,000
2010 Robin Hood Uni. $105,269,730 $321,669,730 3,505 $36,063,385 3,503 $155,000,000
2012 Prometheus Fox $130,000,000

References

  1. ^ a b "Bates and Scott lead showbiz honours". BBC News. 31 December 2002. Retrieved 6 March 2010.
  2. ^ "Ridley Scott Career". Monsters-movies.com.
  3. ^ "Sir Ridley Scott". Monsters-movies.com. Retrieved 20 December 2010.
  4. ^ "How Winston helped save the nation". Scotsman.com Living. 6 July 2002. Retrieved 20 December 2010.
  5. ^ Interview by Rob Carnevale (25 September 2006). "BBC Movies: Calling the Shots". BBC. Retrieved 6 March 2010.
  6. ^ Howe, David J. (1994). The Handbook: The First Doctor — The William Hartnell Years 1963–1966. Virgin Books. p. 61. ISBN 0-426-20430-1. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
  7. ^ Dutta, Kunal (30 November 2007). "Great Scott — Forty years of RSA". Campaign.
  8. ^ "Ridley Scott Associates (RSA)". Rsafilms.com. Retrieved 6 March 2010.
  9. ^ "History of Shepperton Studios" (PDF). pinewoodgroup.com.
  10. ^ "A good year ahead for Ridley". BBC News. 20 October 2006. Retrieved 6 March 2010.
  11. ^ "Blade Runner Final Cut Due", SciFi Wire, 26 May 2006[dead link]
  12. ^ "',The Guardian',: Top 10 sci-fi films". Guardian. UK. Retrieved 6 March 2010. {{cite news}}: Cite has empty unknown parameter: |1= (help)
  13. ^ Barber, Lynn (2 January 2002). "Scott's Corner". The Observer. London. Retrieved 22 February 2007. {{cite journal}}: More than one of |work= and |journal= specified (help)
  14. ^ "Apple's 1984: The Introduction of the Macintosh in the Cultural History of Personal Computers". Duke.edu. Retrieved 6 March 2010.
  15. ^ "Apple's '1984' Super Bowl commercial still stands as watershed event". USA Today. 28 January 2004. Retrieved 6 March 2010.
  16. ^ Leopold, Todd (3 February 2006). "Why 2006 isn't like '1984'". CNN. Retrieved 10 May 2008. {{cite news}}: Cite has empty unknown parameter: |coauthors= (help)
  17. ^ Cellini, Adelia (2004). "The Story Behind Apple's '1984' TV commercial: Big Brother at 20". MacWorld 21.1, page 18. Archived from the original on 26 June 2008. Retrieved 9 May 2008. {{cite web}}: Cite has empty unknown parameter: |coauthors= (help); Unknown parameter |month= ignored (help)
  18. ^ http://blogs.indiewire.com/theplaylist/as-snow-white-the-huntsman-hits-theaters-5-more-fractured-fairytale-movies-20120531?page=2
  19. ^ "Mooviess.com Kingdom of Heaven production notes".
  20. ^ "Kingdom of Heaven: Director's Cut DVD official website".
  21. ^ a b Total Film magazine, July 2006: 'Three hours, eight minutes. It's beautiful.' (Interview to promote Kingdom of Heaven: The Director's Cut)
  22. ^ "A Good Year is a 'flop', Murdoch admits". The Guardian. UK. 16 November 2006. Retrieved 24 February 2007.
  23. ^ "Ridley Scott Talks 'Alien' Prequel and Timeline". Bloody-disgusting.com. Retrieved 6 March 2010.
  24. ^ Child, Ben (27 April 2010). "Ridley Scott plans two-part Alien prequel". The Guardian. London. Retrieved 22 May 2010.
  25. ^ "Life in a Day". The Official YouTube Blog. 6 July 2010. Retrieved 7 July 2010.
  26. ^ "Paste Magazine :: News :: Ridley Scott, Casey Affleck take on The Kind One". Paste. 17 April 2008. Retrieved 27 April 2008.
  27. ^ Child, Ben (13 October 2008). "Ridley Scott puts off Brave New World for The Forever War". The Guardian. London. Retrieved 22 May 2010.
  28. ^ Alex Billington. "Ridley Scott Says Cameron Inspired Him to Make Forever War in 3D".
  29. ^ "James Cameron's Avatar Influences Ridley Scott's Forever War".
  30. ^ "A new world for a 'Brave New World'". Riskybusinessblog.com. Retrieved 6 March 2010. [dead link]
  31. ^ "Ridley Scott To Direct New 'Blade Runner' Installment For Alcon Entertainment". 19 August 2011. Retrieved 19 August 2011. {{cite web}}: Text "Deadline New York" ignored (help)
  32. ^ "Ridley Scott to Helm Red Riding". Dreadcentral.com. 15 October 2009. Retrieved 6 March 2010.
  33. ^ Fleming, Mike. "Ridley Scott In Talks For Cormac McCarthy's 'The Counselor'". Deadline.
  34. ^ Hollywood stars for Simon Fuller and Sir Ridley Scott BBC News'.' Retrieved 20 June 2010.
  35. ^ Jordan Scott at IMDb
  36. ^ Biography for Ridley Scott at IMDb
  37. ^ a b American Gangster DVD, Fallen Empire: The Making of American Gangster documentary
  38. ^ Caldwell, David. "Paul M. Sammon interview". BRmovie.com. Retrieved 6 March 2010.
  39. ^ ""Prometheus" Crew: On A Mission Collision". Inquirer.net. Philippine Daily Inquirer. April 29, 2012. Retrieved May 07, 2012. {{cite news}}: Check date values in: |accessdate= and |date= (help); Cite has empty unknown parameter: |1= (help); Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  40. ^ "I never met a man I didn't like". Answers.com. Retrieved 6 March 2010.
  41. ^ "Yahoo! Movies: Ridley Scott". Movies.yahoo.com. 30 November 1937. Retrieved 6 March 2010.
  42. ^ "AmericanCinemateque.com: Press release". Americancinematheque.com. Retrieved 6 March 2010.
  43. ^ Awards for Ridley Scott at IMDb
  44. ^ Hollywood stars for Simon Fuller and Sir Ridley Scott BBC News'.' Retrieved 20 June 2010.

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