Groove metal

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Groove metal
Stylistic originsHeavy metal, thrash metal,[1] death metal,[2] hardcore punk,[3] industrial,[4] funk metal
Typical instrumentsElectric guitar, drums, bass, vocals
Other topics
List of groove metal bands

Groove metal (sometimes called post-thrash metal or post-thrash) is a subgenre of heavy metal. It is often used to describe Pantera[5] and Exhorder.[6] At its core, groove metal takes the intensity and sonic qualities of thrash metal and plays it at a mid-tempo, with most bands making only occasional forays into fast tempo.[7]

Characteristics and origins

Pantera's Cowboys from Hell album from 1990 was described as "groundbreaking" and "blueprint-defining" for the groove metal genre.[8] Ian Christe credits Sepultura's Chaos A.D. and Pantera for creating the death metal-derived music of groove metal influencing later groups in the genre during the 1990s.[2] Groove metal bands have incorporated thrash metal,[1] hardcore punk,[3] and industrial music.[4] Tommy Victor of Prong claims that the attitude of groove metal came from Bad Brains.[9]

Popular metal band Pantera are commonly associated with groove metal

Groups

Further information: List of groove metal bands

The style has been associated with bands such as Pantera,[10] Lamb of God,[11] Sepultura,[12][13] Soulfly,[14] Gojira,[10][15] Throwdown,[16] Machine Head,[17] Byzantine,[18] Trivium,[11][16] Anthrax,[11] Korn[19] and Spiritual Beggars.[20] Some bands have gone to some lengths to avoid being labelled a groove metal band. Veteran thrash metal band Annihilator left Roadrunner Records in 1993 specifically to avoid being caught up in the groove metal trend being promoted by the label. Subsequently, the Canadian band did not play in North America until July 2011 when they returned to play a sold-out show in Quebec City and appear on the Main Stage at the Heavy MTL Festival in Montreal.[21]

Influence in other genres

Pioneering groove metal bands such as Pantera (originally a glam metal band) and Sepultura (originally death metal) laid the foundations for nu metal and metalcore.[22][23][24] Nu metal utilizes downtuned riffs (albeit less demanding than groove metal), hip hop elements like rapping and turntablism[25] and groove metal rhythms,[26] while frequently lacking guitar solos and complex picking.[27] Metalcore emphasizes general heavy metal characteristics as well as breakdowns,[28] which are slower, intense passages that are conducive to moshing.[29]

Notes

  1. ^ a b Jaffer, Dave. "Hour.ca - Music - Spin - Vigilance - Threat Signal". Hour. Retrieved 21 June 2010. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  2. ^ a b Christe (2003), pg. 264, "As close to death metal as any other gold-selling record before it, Chaos A.D. stripped down Sepultura's sound into a coarse metallic loop. The CD sold half a million copies, and alongside Pantera the band forged a streetwise, death-derived groove metal that inspired an upcoming generation of mavens in the 1990s."
  3. ^ a b "Mastodon, Against Me! Stop, Smell Roses". Spin. Retrieved 21 June 2010. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  4. ^ a b Wedge, Dave. "POWERMAN 5000 - BostonHerald.com". Boston Herald. Retrieved 21 June 2010. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  5. ^ Birchmeier, Jason. "Pantera biography". Allmusic. Retrieved 11 February 2009.
  6. ^ Simmonds, Jeremy (2008). The Encyclopedia of Dead Rock Stars: Heroin, Handguns, and Ham Sandwiches. Chicago Review Press. p. 535. ISBN 978-1-55652-754-8.
  7. ^ "Best Pantera Albums". About.com. Retrieved 18 May 2012.
  8. ^ Eduardo Rivadavia. "Projects in the Jungle review". Allmusic. Retrieved 13 June 2010.
  9. ^ Ramirez, Carlos. "Rediscovered Steel - Prong's 'Beg to Differ' - Noisecreep". Noisecreep. Retrieved 10 July 2010.
  10. ^ a b Phil Freeman. "Terror Incognita review". Allmusic. Retrieved 13 June 2010.
  11. ^ a b c Phil Freeman. "Black Rivers Flow review". Allmusic. Retrieved 23 December 2011.
  12. ^ Marsicano, Dan. "Best Sepultura CDs - Best Sepultura Albums - Best Albums by Sepultura - About.com". About.com. Retrieved 2 May 2012.
  13. ^ Cooper, Lana. "Ankla: Steep Trails < PopMatters". PopMatters. Retrieved 2 May 2012.
  14. ^ Eduardo Rivadavia. "Conquer review". Allmusic. Retrieved 13 June 2010.
  15. ^ Eduardo Rivadavia. "Gojira biography". Allmusic. Retrieved 16 June 2010.
  16. ^ a b Phil Freeman. "Deathless' review". Allmusic. Retrieved 13 June 2010.
  17. ^ Eduardo Rivadavia. "Face Down biography". Allmusic. Retrieved 13 June 2010.
  18. ^ Cosmo Lee. "Oblivion Beckons review". Allmusic. Retrieved 13 June 2010.
  19. ^ Himes, Geoffrey. "Korn: Heavy On the Hip-Hop". The Washington Post. Retrieved 24 May 2010. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  20. ^ Thom Jurek. "Mantra III review". Allmusic. Retrieved 13 June 2010.
  21. ^ Sciarretto, Ami. "Annihilator Haven't Played North America Since 1993". Noisecreep. Retrieved 18 June 2010.
  22. ^ "Alternative Metal". Allmusic. Retrieved 18 May 2012.
  23. ^ "MTVNews.com: The Greatest Metal Bands Of All Time: Pantera". MTV. Retrieved 18 May 2012.
  24. ^ "MTVNews.com: The Greatest Metal Bands of All Time". MTV. Retrieved 18 May 2012.
  25. ^ "Heavy Metal Genres". About.com. Retrieved 18 May 2012.
  26. ^ Tompkins, Joseph (2009). "What's the Deal with Soundtrack Albums? Metal Music and the Customized Aesthetics of Contemporary Horror". Cinema Journal. 49 (1). doi:10.1353/cj.0.0155.
  27. ^ Pieslak, Jonathan (2008). "Sound, text and identity in Korn's 'Hey Daddy'". Popular Music. 27: 35–52. doi:10.1017/S0261143008001451.
  28. ^ Tom Breihan. "Status Ain't Hood". "Live: Trivium, the Jackson 5 of Underground Metal". The Village Voice. Daily Voice. October 11, 2006. Retrieved 18 May 2012. "The best part of every metalcore song is the breakdown, the part where the drums drop out and the guitars slow their frantic gallop to a devastating, precise crunch-riff and everyone in the moshpit goes extra nuts."
  29. ^ Howie Abrams, Blush, p. 193. "Mosh style was slower, very tribal – like a Reggae beat adapted to Hardcore. (...) It was an outbreak of dancing with a mid-tempo beat driven by floor tom and snare."

References

  • Christe, Ian (2003). Sound of the Beast: The Complete Headbanging History of Heavy Metal. HarperCollins. ISBN 0-380-81127-8
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