|Cultural origins||Late 1970s, Angola|
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Origin and evolution
The origins of kizomba can be traced to late-1970s Africa, with influences variably attribed to Angola and Cape Verde. Kizomba is characterised by a slower, romantic, senuous rhythm than the traditional Angolan semba dance. Kizomba music emerged as a more modern music genre with a sensual touch mixed with African rhythm and Haitian Kompa. Most kizomba songs are sung in Portuguese.
Today, Cape Verdean singers and producers have gained a wide popularity with many famous kizomba compilations, including singers such as Suzanna Lubrano, Kaysha, Atim, Nilton Ramalho,Johnny Ramos, Nelson Freitas, Mika Mendes, Cedric Cavaco, Elji, Looney Johnson, Klazzik, Mark G, To Semedo, Klaudio Ramos, M&N Pro, Gilson, and one of the greats in the Cape Verdean culture Gil. Original influential music styles from Cape Verde are funaná, morna, coladeira and batuque. Thanks to the French Antilles Kompa music and the strong influence of semba (from Angola), Cape Verdean singers have developed significantly Kizomba and zouk (mixing it with coladeira) known as cabo love or cola-dance. Moreover, every lusophone country has developed its own Kizomba music flavour.
Semba has been danced in the 1950s in Angola. In the 1990s, when the actual kizomba music got more and more popular, Angolan semba dancers started to adapt their semba steps according to the tempo and flavour of the Kizomba beats. 
After many Cape Verdean emigrants arrived in France where they were exposed to compas music in the 80s, they mixed it with a traditional Cape Verde style, the coladera, creating the cola-zouk, which is very similar to kizomba and typically sung in Cape Verdean Creole. It is this rhythm that was confused with kizomba, and was heard in Portugal when Eduardo Paim arrived there and released his first record with kizomba music.
The influence of kizomba is felt in most Portuguese-speaking African countries, but also Portugal (especially in Lisbon and surrounding suburbs such as Amadora or Almada), where communities of immigrants have established clubs centered on the genre in a renewed kizomba style. Kizomba is now also quite popular among white people that come to these clubs in growing numbers. The São Tomean kizomba music is very similar to the Angolan, Juka being the most notable among the Sãotomeans, and also one of the most notable performers in the genre.
In Angola most clubs are based in Luanda. Famous Angolan kizomba musicians include Neide Van-Dúnem, Don Kikas, C4 Pedro, Calo Pascoal, Irmãos Verdades, Anselmo Ralph, among many others, but Bonga is probably the best known Angolan artist, having helped popularize the style both in Angola and Portugal during the 1970s and 1980s.
Kizomba is known for having a slow, insistent, somewhat harsh yet sensuous rhythm as the result of electronic percussion. It is danced accompanied by a partner, very smoothly, slowly and sensuously, and with neither tightness nor rigidity. There are frequent simultaneous hip rotations coordinated between dance partners, particularly in the quieter refrains of the music. Several individuals with a love of the Kizomba culture have been promoting it in other countries.
Famous Angolan kizomba singers include Bonga, André Mingas, Liceu Vieira Dias, Neide Van-Dúnem, Don Kikas, Calo Pascoal, Heavy C., Puto Portugues, Maya Cool, Matias Damasio, Rei Helder, Pérola, Anselmo Ralph and Irmãos Verdades.
In Brazil, kizomba became famous when the pop artist Kelly Key released the album No Controle, in February 3, 2015. Key left the dance-pop/R&B songs to introduce the kizomba in Brazil. In an interview Key said she sought originality and new styles: "I'm running this responsibility of being predictable. I wanted to record Kizomba for 13 years! Now I feel mature and have knowledge of movement".
Kizomba has been known in Estonia since around 1998 but it quickly gained popularity in 2011 when local dance schools and teachers started to offer regular courses. Since then, kizomba is easily one of the most popular styles among local afro and Latin dancers, alongside crossbody salsa and sensual bachata, which were dominant before. Kizomba's popularity in Estonia has been fast-growing and, so far, with a strong and lasting impact. It can be credited to Nemanja Sonero, DJ and international dance instructor living in Tallinn, who has taught kizomba there since 2011.
Kizomba plays a big part in festivals including Afrofever, Africadancar, Budapest Kizomba Connection, Batuke!, Estonia Tallinn Salsa Congress, Austria Vienna Sexy & Sensual Latin Festival, France, Germany, Bournemouth, Afro Cuban Salsa Festival Norfolk and Renaissance London.
- Oyebade, Adebayo O. Culture and Customs of Angola Greenwood Publishing Group 2007 page 156 ISBN 9780313331473 https://books.google.com/books?id=3i10eQQLU8QC&pg=PA156
- Caroline Weeks Get Moving with Kizomba: The Art of Connection Des Moines Register 2016 Sept. 14 http://www.desmoinesregister.com/story/life/living-well/2016/09/14/get-moving-kizomba-art-connection/90366992/
- www.kizombalove.com. José N’dongala Kizombalove Methodology teachers course - KIZOMBA TEACHERS COURSE. pp. 18, 19.
- "'Eu guardo grandes segredos dele', diz Kelly Key sobre o ex-marido Latino". Globo. 2015-04-07.
- "Após cinco anos longe dos holofotes, Kelly Key prepara retorno aos palcos". Correio. 2015-04-07.
Introduction to Kizomba with Christian Jean-Francois Act 1 Beginners Introduction to Kizomba with Christian Jean-Francois Act 2 Intermediate www.latinquarterlive.com www.kizombacentral.com