The name in Chinese essentially translates to "linked pictures" or "serial pictures". The books were called "lianhuanhua" or "lianhuan tuhua"; later the "tu" was omitted and the term "lianhuanhua" became standard. The official term lianhuanhua was not used until 1927. Prior to this, lianhuanhua were separated into different name categories depending on the region.
|Location||English Meaning||Chinese Name|
|Shanghai||Little Book||Xiao Shu (小書)|
|Shanghai||Picture Book||Tuhua Shu (圖畫書)|
|Guangzhou and Hong Kong||Doll Book||Gongzai Shu (公仔書)|
|Wuhan||Children's Book||Yaya Shu (伢伢書)|
|Northern China||Kid's Book||Xiaoren Shu (小人書)|
In the 1880s, Chinese magazines such as Dianshizhai Pictorial experimented with the potential of this art technique. In 1884, ten illustrations to accompany a Korean rebellion narrative may be the earliest example of Lianhuanhua. In 1899, Wenyi Book Company in Shanghai published the illustrated lithograph "The Story of the Three Kingdoms" drawn by Zhu Zhixuan. The format then was called "huihui tu" or chapter pictures.
In 1916 Caobao newspapers bound the pictures to attract a larger audience base of middle and lower class readers. The rise of Lianhuanhua's popularity was proportional to the rise of lithographic printing introduced to Shanghai from the West. Shanghai comics journals in the 1920s featured more artwork, typically depicting traditional stories along the lines of Chinese mythology or Chinese folklore. Small publishers in the 1920s and 1930s were mostly located on a street called Beigongyili in the Zhabei district. In 1935 street book stall owners and publishers established the "Shanghai Lianhuan Tuhua Promotion Society" at Taoyuanli. The illustrated stories were originally targeted to children and marginally literate readers.
The books could be rented for a small fee in street kiosks. By the 1920s, lianhuanhua were also found in Hong Kong. These rental stores were common even during the Japanese occupation periods in the 1940s.
In Hong Kong during the 1970s, the format had essentially disappeared as they had become materials associated with the uneducated and unsophisticated.
Though lianhuanhua production decreased in mainland China during Cultural Revolution, many books were still produced. From the late 1970s to the early 1980s, lianhuanhua made a major comeback. As in previous eras of lianhuanhua production, many of the books were adaptations of other films or television shows.
Not long ago, Renmin Meishu Chubanshe (People's Fine Arts Publishing House), Shanghai Renmin Meishu Chubanshe (Shanghai People's Fine Arts Publishing House) and Tianjin People's Renmin Meishu Chubanshe (Tianjin People's Fine Arts Publishing House) have republished some of their popular Lianhuanhua books.
- Wong, Wendy Siuyi.  (2001) Hong Kong Comics: A History of Manhua. Princeton Architectural Press. New York. ISBN 1-56898-269-0
- Lent, John A.  (2001) Illustrating Asia: Comics, Humor Magazines, and Picture Books. University of Hawaii Press. ISBN 0-8248-2471-7
- "Lianhuanhua 连环画 - Picture Storybook". University of Hawaii Digital Collection. Retrieved 19 April 2017.
- Stember, Nick. "Chinese Lianhuanhua: A Century of Pirated Movies". Retrieved 19 April 2017.
- "Propaganda and ideology in everyday life: Chinese comic books - Asian and African studies blog". blogs.bl.uk.
- China.org.cn. "." Allure of illustrated booklets. Retrieved on 2011-12-13.
- 阿英：《中国连环图画史话 (History of Lianhuanhua in China)》. 山东画报出版社, Aug 2008. ISBN 978-7-80713-490-9.
- Lent, John A (September 2012). "Lianhuanhua". ECA-USP.
- Orino Martin, R. (17 October 2014). "Lianhuanhua: China's Pulp Comics". The Comics Journal.
- "Linked Pictures: A Genre of Chinese Illustrated Books", by Minjie Chen, 19 June 2015.
- "Chinese Lianhuanhua: A Century of Pirated Movies", by Nick Stember, 23 May 2014.