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The Phoenicians were an ancient Semitic group of people who lived in the Phoenician city-states along a coastal strip in the Levant region of the eastern Mediterranean, primarily modern Lebanon. They developed a maritime civilization which expanded and contracted throughout history, with the core of their culture stretching from Arwad in modern Syria to Mount Carmel. The Phoenicians extended their cultural influence through trade and colonization throughout the Mediterranean, from Cyprus to the Iberian Peninsula, evidenced by thousands of Phoenician inscriptions.

The Phoenicians directly succeeded the Bronze Age Canaanites, continuing their cultural traditions after the decline of most major Mediterranean basin cultures in the Late Bronze Age collapse and into the Iron Age without interruption. They called themselves Canaanites and referred to their land as Canaan, but the territory they occupied was notably smaller than that of Bronze Age Canaan. The name Phoenicia is an ancient Greek exonym that did not correspond precisely to a cohesive culture or society as it would have been understood natively. Therefore, the division between Canaanites and Phoenicians around 1200 BC is regarded as a modern and artificial construct.

The Phoenicians, known for their prowess in trade, seafaring and navigation, dominated commerce across classical antiquity and developed an expansive maritime trade network lasting over a millennium. This network facilitated cultural exchanges among major cradles of civilization, such as Greece, Egypt, and Mesopotamia. The Phoenicians established colonies and trading posts across the Mediterranean; Carthage, a settlement in northwest Africa, became a major civilization in its own right in the seventh century BC.

The Phoenicians were organized in city-states, similar to those of ancient Greece, of which the most notable were Tyre, Sidon, and Byblos. Each city-state was politically independent, and there is no evidence the Phoenicians viewed themselves as a single nationality. While most city-states were governed by some form of kingship, merchant families probably exercised influence through oligarchies. After reaching its zenith in the ninth century BC, the Phoenician civilization in the eastern Mediterranean gradually declined due to external influences and conquests. Yet, their presence persisted in the central and western Mediterranean until the destruction of Carthage in the mid-second century BC. — Read more about Phoenicia, its mythology and language

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The school's exact location is uncertain, but it is thought to have lain just north of Nejmeh Square (pictured), next to the Saint George Greek Orthodox Cathedral.

The law school of Berytus (also known as the law school of Beirut) was a center for the study of Roman law in classical antiquity located in Berytus (modern-day Beirut, Lebanon). It flourished under the patronage of the Roman emperors and functioned as the Roman Empire's preeminent center of jurisprudence until its destruction in AD 551.

The law schools of the Roman Empire established organized repositories of imperial constitutions and institutionalized the study and practice of jurisprudence to relieve the busy imperial courts. The archiving of imperial constitutions facilitated the task of jurists in referring to legal precedents. The origins of the law school of Beirut are obscure, but probably it was under Augustus in the first century. The earliest written mention of the school dates to 238–239 AD, when its reputation had already been established. The school attracted young, affluent Roman citizens, and its professors made major contributions to the Codex of Justinian. The school achieved such wide recognition throughout the Empire that Beirut was known as the "Mother of Laws". Beirut was one of the few schools allowed to continue teaching jurisprudence when Byzantine emperor Justinian I shut down other provincial law schools. (Full article...)

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Phoenician mythology • show another

Ancient Sumerian depiction of the marriage of Inanna and Dumuzid

Dumuzid or Dumuzi or Tammuz (Sumerian: 𒌉𒍣, romanized: Dumuzid; Akkadian: Duʾūzu, Dûzu; Hebrew: תַּמּוּז, romanized: Tammūz), known to the Sumerians as Dumuzid the Shepherd (Sumerian: 𒌉𒍣𒉺𒇻, romanized: Dumuzid sipad) and to the Canaanites as Adon (Phoenician: 𐤀𐤃𐤍; Proto-Hebrew: 𐤀𐤃𐤍), is an ancient Mesopotamian and associated with agriculture and shepherds, who was also the first and primary consort of the goddess Inanna (later known as Ishtar). In Sumerian mythology, Dumuzid's sister was Geshtinanna, the goddess of agriculture, fertility, and dream interpretation. In the Sumerian King List, Dumuzid is listed as an antediluvian king of the city of Bad-tibira and also an early king of the city of Uruk.

In Inanna's Descent into the Underworld, Inanna perceives that Dumuzid has failed to properly mourn her death and, when she returns from the Underworld, allows the galla demons to drag him down to the Underworld as her replacement. Inanna later regrets this decision and decrees that Dumuzid will spend half of the year in the Underworld, but the other half of the year with her, while his sister Geshtinanna stays in the Underworld in his place, thus resulting in the cycle of the seasons. In the Sumerian poem Inanna Prefers the Farmer, Dumuzid competes against the farmer Enkimdu for Inanna's hand in marriage. (Full article...)

List of mythology articles
Sanchuniathon Baal El (deity) Astarte Adon Eshmun Melqart Resheph Tanit Dea Gravida Hadad Yam (god) Moloch Marqod Kothar-wa-Khasis Heliopolitan Triad Kotharat Anat Asherah Allatu Nikkal Qetesh Shahar (god) Shalim Shapash Taautus Baʽalat Gebal

Images

Image 1Earring from a pair, each with four relief faces; late fourth–3rd century BC; gold; overall: 3.5 x 0.6 cm; Metropolitan Museum of Art (from Phoenicia)
Image 2A naval action during Alexander the Great's Siege of Tyre (332 BC). Drawing by André Castaigne, 1888–89. (from Phoenicia)
Image 3Skull of King Tabnit of Sidon (reigned c. 549 BC – c. 539 BC), now in the Istanbul Archaeology Museums (from Phoenicia)
Image 4Ruins of the Punic and then Roman town of Tharros (from Punic people)
Image 5Phoenician sarcophagi found in Cádiz, Spain, thought to have been imported from the Phoenician homeland around Sidon. Archaeological Museum of Cádiz. (from Phoenicia)
Image 6Map of Phoenicia, trade routes and the Phoenician colony of Carthage (from Punic people)
Image 7Two bronze fragments from an Assyrian palace gate depicting the collection of tribute from the Phoenician cities of Tyre and Sidon (859–824 BC). British Museum. (from Phoenicia)
Image 8An Etruscan tomb (c. 350 BC) depicting a man wearing an all-purple toga picta (from Phoenicia)
Image 9Sarcophagus of Ahiram, which bears the oldest inscription of the Phoenician alphabet. National Museum of Beirut. (from Phoenicia)
Image 10Figure of Ba'al with raised arm, 14th–12th century BC, found at ancient Ugarit (Ras Shamra site), a city at the far north of the Phoenician coast. Musée du Louvre. (from Phoenicia)
Image 1119th-century depiction of Phoenician sailors and merchants. The importance of trade to the Phoenician economy led to a gradual sharing of power between the King and assemblies of merchant families. (from Phoenicia)
Image 12Major Phoenician trade networks (c. 1200–800 BC) (from Phoenicia)
Image 13Achaemenid-era coin of Abdashtart I of Sidon, who is seen at the back of the chariot, behind the Persian King (from Phoenicia)
Image 14Phoenician metal bowl with hunting scene (8th century BC). The clothing and hairstyle of the figures are Egyptian. At the same time, the subject matter of the central scene conforms with the Mesopotamian theme of combat between man and beast. Phoenician artisans frequently adapted the styles of neighboring cultures. (from Phoenicia)
Image 15Stela from Tyre with Phoenician inscriptions (c. 4th century BC). National Museum of Beirut. (from Phoenicia)
Image 16Sicily at the beginning of the Peloponnesian War (from Punic people)
Image 17The Capuan bust, reputedly of Hannibal (from Punic people)
Image 18Phoenicians build pontoon bridges for Xerxes I of Persia during the second Persian invasion of Greece in 480 BC (1915 drawing by A. C. Weatherstone). (from Phoenicia)
Image 19Painting by Giovanni Antonio Pellegrini (1731) titled Young Hannibal Swears Enmity to Rome (from Punic people)
Image 20Face bead; mid-4th–3rd century BC; glass; height: 2.7 cm; Metropolitan Museum of Art (from Phoenicia)
Image 21Map of Phoenician (yellow labels) and Greek (red labels) colonies around 8th to 6th century BC (with German legend) (from Phoenicia)
Image 22Tomb of King Hiram I of Tyre, located in the village of Hanaouay, in southern Lebanon (from Phoenicia)
Image 23Mortise and tenon joinery in the Mazarron 1 Phoenician shipwreck. Phoenicians pioneered the pegged mortise and tenon joinery, which came to be known as Phoenician joints (from Phoenicia)
Image 24Female figurines from Tyre (c. 1000–550 BC). National Museum of Beirut. (from Phoenicia)
Image 25Phoenician faces. Glass from Olbia, 4th century BC. The bold pools of color and detailed hair give a Greek impression. (from Phoenicia)
Image 26aDNA of ancient Mediterranean (incl. 30 Punic) samples clustering with contemporary populations (from Punic people)
Image 27Ruins of the ancient Phoenician city of Motya, Sicily, present-day Italy (from Phoenicia)
Image 28Oinochoe; 800–700 BC; terracotta; height: 24.1 cm; Metropolitan Museum of Art (New York City, US) (from Phoenicia)

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Le Dernier Combat (French: [lə dɛʁnje kɔ̃ba]; English: The Last Battle) is a 1983 French post-apocalyptic film. It was the first feature film to be directed by Luc Besson, and also features Jean Reno's first prominent role. Music for the film was composed by Éric Serra. The film was the first of many collaborations between Besson, Reno and Serra. A dark vision of post-apocalyptic survival, the film was shot in black and white and contains only two words of dialogue. It depicts a world where people have been rendered mute by some unknown incident. (Full article...)

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National Museum of Beirut Battle of Leptis Parva Gisco (died 239 BC) Battle of Salamis Battle of Ibera Hasdrubal, son of Hanno Dumuzid Battle of Ticinus

Phoenician inscriptions & language • show another

The Canaanite and Aramaic inscriptions, also known as Northwest Semitic inscriptions, are the primary extra-Biblical source for understanding of the societies and histories of the ancient Phoenicians, Hebrews and Arameans. Semitic inscriptions may occur on stone slabs, pottery ostraca, ornaments, and range from simple names to full texts. The older inscriptions form a Canaanite–Aramaic dialect continuum, exemplified by writings which scholars have struggled to fit into either category, such as the Stele of Zakkur and the Deir Alla Inscription.

The Northwest Semitic languages are a language group that contains the Aramaic language, as well as the Canaanite languages including Phoenician and Hebrew. (Full article...)

List of Phoenician inscription articles
Ahiram sarcophagus Byblian royal inscriptions Osorkon Bust Baal Lebanon inscription Baalshillem Temple Boy Cippi of Melqart Marseille Tariff Phoenician language Nora Stone Yehawmilk Stele Kanaanäische und Aramäische Inschriften Canaanite and Aramaic inscriptions Corpus Inscriptionum Semiticarum Eshmunazar II sarcophagus

Did you know (auto-generated) • load new

... that Bochart's 1646 Geographia Sacra seu Phaleg et Canaan was the first full-length book devoted to the Phoenicians?
... that alongside a 7th-century BC Phoenician shipwreck, two additional wrecks from various historical periods were unearthed in Bajo de la Campana, situated off the coast of Cartagena, Spain?
... that archaeological excavations in the historic town of Kharayeb revealed a rural settlement with a complex system of cisterns and a Phoenician temple?
... that the sarcophagus of Eshmunazar II, the Phoenician king of Sidon, is one of only three ancient Egyptian sarcophagi unearthed outside Egypt?
... that according to second-century AD Greek rhetorician Athenaeus, the Phoenicians played a flute-like instrument called the gingras in their mourning rituals?
... that Muhammad Khaznadar's museum was said to have "surpassed every other museum in the world" in Phoenician and Carthaginian antiquities?