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Whitney Houston was born in a rough neighborhood in the projects of [[Newark, New Jersey]]. She is the third and youngest child of John and gospel singer [[Cissy Houston]].<ref name=Driven>{{cite episode |title = Whitney Houston |series = Driven |network = [[VH1]] |airdate = November 13]] [[2002]]}}</ref> Her mother, along with cousin [[Dionne Warwick]] and Godmother [[Aretha Franklin]] are all notable figures in the gospel, rhythm and blues, and [[soul music|soul]] genres. Houston was raised a [[Baptist]], but was also exposed to the [[Pentecostal]] church. After the [[1967 Newark riots]], the family moved to a middle class area in [[East Orange, New Jersey]] when she was four.<ref name="Driven"/> At the age of eleven, Houston began to follow in her mothers footsteps and started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano.<ref>{{cite news | title= Whitney & Bobby - Addicted to Love |date=September 2005| publisher= Vibe Magazine | url= http://www.classicwhitney.com/interview/vibe_sep2005.htm|
Whitney Houston was born in a rough neighborhood in the projects of [[Newark, New Jersey]]. She is the third and youngest child of John and gospel singer [[Cissy Houston]].<ref name=Driven>{{cite episode |title = Whitney Houston |series = Driven |network = [[VH1]] |airdate = November 13]] [[2002]]}}</ref> Her mother, along with cousin [[Dionne Warwick]] and Godmother [[Aretha Franklin]] are all notable figures in the gospel, rhythm and blues, and [[soul music|soul]] genres. Houston was raised a [[Baptist]], but was also exposed to the [[Pentecostal]] church. After the [[1967 Newark riots]], the family moved to a middle class area in [[East Orange, New Jersey]] when she was four.<ref name="Driven"/> At the age of eleven, Houston began to follow in her mothers footsteps and started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano.<ref>{{cite news | title= Whitney & Bobby - Addicted to Love |date=September 2005| publisher= Vibe Magazine | url= http://www.classicwhitney.com/interview/vibe_sep2005.htm|
accessdate= 2007-03-17 | language= English }}</ref> Her first solo performance in the church was "Guide Me, O Thou Great Jehovah". When Houston was a teenager, her parents divorced and she continued to live with her mother. She attended a Roman Catholic single-sex high school, [[Mount Saint Dominic Academy]], where she met her best friend Robyn Crawford, whom she describes as the "sister she never had." While still in school, Houston continued to be exposed to the music of her mother, Franklin, and Warwick.
accessdate= 2007-03-17 | language= English }}</ref> Her first solo performance in the church was "Guide Me, O Thou Great Jehovah". When Houston was a teenager, her parents divorced and she continued to live with her mother. She attended a Roman Catholic single-sex high school, [[Mount Saint Dominic Academy]], where she met her best friend Robyn Crawford, whom she describes as the "sister she never had." While still in school, Houston continued to be exposed to the music of her mother, Franklin, and Warwick.
Kallisicia White is Whitney Houston's lost daughter from a hidden marriage. She was born in 1988. She now resides in Alabama, and doesnt talk to her astrange mother.


===Early career: 1977&ndash;1984===
===Early career: 1977&ndash;1984===

Revision as of 23:16, 15 February 2009

This article is about the musician. For her 1985 self-titled album, see Whitney Houston (album).

Whitney Houston

Whitney Elizabeth Houston (born August 9, 1963) is an American singer, songwriter, actress, record producer, film producer, and former fashion model. Houston rose to international fame in the mid-1980s and her crossover success opened doors for many other African American women to find success in pop music and movies.[2][3] She has been referred to as "The Voice"[4][5], and is known for her "powerful, penetrating pop-gospel voice".[6]

In the 1980s, Houston was one of the first African-American female artists to receive heavy rotation on MTV in its early years, even when the network was leaning more towards a white male rock dominated format.[7][8] Her debut album became the biggest selling debut album of all time for a solo artist, her follow up album was the first album by a female artist to debut at #1 on the Billboard 200, and she holds a record seven consecutive #1 singles on the Billboard Hot 100 chart.

Houston continued her success into Hollywood in the 1990s, starting with the box office hit The Bodyguard. The soundtrack to the movie is the best-selling soundtrack of all time, and the single "I Will Always Love You" the best-selling single by a female artist and 3rd best-selling song in the history of music.[9] She continued the decade with other successful and culturally significant projects before returning to the studio. Houston is the fourth best-selling female recording artist in the U.S according to the RIAA,[10] and is the "The Most Awarded Female Artist of All Time"[11] according to the Guinness Book of World Records.

After Houston married former R&B singer Bobby Brown at the height of her career, rumors of drug abuse started to affect her popularity. This led to a decline in her public image and her album sales dropped during from 2000 to 2008, with stories regularly appearing in the tabloid press. After successful trips to rehab, Houston divorced Brown and gained custody of their only daughter in 2006. Her seventh studio album is scheduled for release in 2009.[12]

Biography

Early life

Whitney Houston was born in a rough neighborhood in the projects of Newark, New Jersey. She is the third and youngest child of John and gospel singer Cissy Houston.[13] Her mother, along with cousin Dionne Warwick and Godmother Aretha Franklin are all notable figures in the gospel, rhythm and blues, and soul genres. Houston was raised a Baptist, but was also exposed to the Pentecostal church. After the 1967 Newark riots, the family moved to a middle class area in East Orange, New Jersey when she was four.[13] At the age of eleven, Houston began to follow in her mothers footsteps and started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano.[14] Her first solo performance in the church was "Guide Me, O Thou Great Jehovah". When Houston was a teenager, her parents divorced and she continued to live with her mother. She attended a Roman Catholic single-sex high school, Mount Saint Dominic Academy, where she met her best friend Robyn Crawford, whom she describes as the "sister she never had." While still in school, Houston continued to be exposed to the music of her mother, Franklin, and Warwick. Kallisicia White is Whitney Houston's lost daughter from a hidden marriage. She was born in 1988. She now resides in Alabama, and doesnt talk to her astrange mother.

Early career: 1977–1984

Houston spent some of her teenage years touring nightclubs with her mother while Cissy was performing, and she would occassionally get on stage and perform with her mother. In 1977, at age fourteen, she was the featured lead vocalist on the Michael Zager Band's single "Life's a Party" (the group is known for their 1978 hit "Let's All Chant"). Zager subsequently offered to help obtain a recording contract for the young singer, but Cissy declined, wanting her daughter to finish school first. Then in 1978, at age fifteen, Houston sang background vocals on Chaka Khan's hit single "I'm Every Woman", a song she would later turn into a hit for herself on her monstrous-selling soundtrack album The Bodyguard. She also would sing back-up on albums by Lou Rawls and Jermaine Jackson. In the early 1980s, Houston then started working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared in Vogue Magazine[15] and became one of the first women of color to grace the cover of Seventeen magazine.[16] She also appeared in a Canada Dry soft drink commercial. While modeling, she continued her burgeoning recording career by working with producers Michael Bienhorn, Bill Laswell and Martin Bisi on an album they were spearheading called One Down, which was credited to the group Material. For that project, Houston contributed the ballad "Memories". Robert Christgau of the The Village Voice called her contribution "one of the most gorgeous ballads you've ever heard".[17]

Houston had previously been offered several recording contracts (Michael Zager in 1980 and Elektra Records in 1981). In 1983, Gerry Griffith, an A&R representative from Arista Records, saw her performing with her mother in a New York City nightclub and was impressed. He convinced Clive Davis, Arista's label head, to take time to see Houston perform. Davis too was impressed after the performance and offered her a worldwide recording contract, which Houston signed. Later that year, she made her national televised debut alongside Davis on the The Merv Griffin Show.

Houston signed with Arista in 1983 but did not begin work on her album immediately. Arista put forth the deal to make sure no other label signed the singer from under them. Davis wanted to find the right material and right producers for Houston's debut album. Some producers were not deemed right by the label, others had to pass on the project due to prior commitments.[18] Houston first recorded a duet with Teddy Pendergrass entitled "Hold Me", which appeared on his album, Love Language. The single, released in 1984, gave Houston her first taste of success, becoming a Top 5 R&B hit. It would also appear on her debut album when released in 1985.

Global rise to prominence: 1985–1986

With production from Michael Masser, Kashif, Jermaine Jackson and Narada Michael Walden, Houston's self-titled 1985 debut album was released in February 1985. Review were good. Rolling Stone Magazine praised the new talent, calling her "one of the most exciting new voices in years"[19] while The New York Times called the album "an impressive, musically conservative showcase for an exceptional vocal talent."[20] After the dance-funk single "Someone For Me" failed to make a huge impact in Europe (it did not have a US release) the album initially sold modestly. The release of the next single (and first American single), the soulful ballad "You Give Good Love", peaked at #3 on the main US Billboard Hot 100 chart while going #1 on the R&B Charts.[18] As a result, the album began selling strongly and Houston continued promoting the album via night club touring. She began breaking some barriers by performing on popular late-night television shows that usually weren't open to many black acts in the infancy of their careers.[7] The jazz-ballad "Saving All My Love for You" was released next and would become Houston's first #1 single in both the US and the UK. The next single, "How Will I Know", peaked at #1 and would introduce Houston to the MTV audience thanks to its music video. Subsequent and prior videos would also see heavy airplay. This would make the singer the first African American female artists to receive consistent heavy rotation on the music network.[16] By 1986, a year after its initial release, Whitney Houston topped the Billboard 200 album chart and stayed there for 14 consecutive weeks.[21] The final single, "Greatest Love of All," became Houston's biggest hit at the time after peaking #1 and remaining there for three weeks. She then embarked on her worldwide Greatest Love Tour. The album had become an international success, selling over fourteen million copies in the US alone (diamond certification) and to date, 30 million sold worldwide.[22] At the time, Houston had released the best-selling debut album of all time by a female artist.

At the 1986 Grammy Awards ceremony, Houston was nominated for three awards including Album of the Year. She was ineligible for the Best New Artist category due to her previous duet recording with Teddy Pendergrass in 1984.[23] She won her first Grammy award for 'Best Pop Vocal Performance, Female' for "Saving All My Love for You". At the same award show she also performed that Grammy-winning hit; the performance later won her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program. Houston won seven American Music Awards in 1986, and an MTV Video Music Award. The album's popularity would also carry over to the 1987 Grammy Awards when "Greatest Love of All" would receive a Record of the Year nomination. Houston's debut is currently listed as one of Rolling Stone's 500 Greatest Albums of All Time[24] and on The Rock & Roll Hall Of Fame's Definitive 200 list.[25] Whitney Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today.[26] Following Houston's breakthrough, other African-American female artists such as Janet Jackson and Anita Baker were able to find notable success in popular music.[27][28]

Continued worldwide success: 1987–1991

Houston’s second album, Whitney, was released in June 1987. The album featured production from Masser, Kashif and Walden again, as well as Jellybean Benitez. Many critics complained that the material was too similar to her previous album. Rolling Stone said, "the narrow channel through which this talent has been directed is frustrating."[29] Still, the album was an enormous success. Houston became the first female artist in music history to debut at number one on the album charts in the major markets of the US and UK (while also debuting or rising to #1 in various other countries as well). The album's first four singles, "I Wanna Dance With Somebody (Who Loves Me)", "Didn't We Almost Have It All", "So Emotional", and "Where Do Broken Hearts Go" all peaked at number one on the US Hot 100, which gave her a total of seven consecutive number-one hits, thus breaking the record of six previously shared by The Beatles and The Bee Gees. The album's fifth, and final single, "Love Will Save the Day" also became a Top 10 hit on the Hot 100. Whitney has sold been certified diamond in the US for sales of over twelve million copies. To date, the album has sold approximately 25 million worldwide. This would make Houston the first female artist to have the first two album releases both certified diamond in the U.S.

At the Grammy Awards in 1988, Houston was nominated for three awards including Album of the Year, winning her second Grammy for 'Best Female Pop Vocal Performance' for "I Wanna Dance With Somebody (Who Loves Me)". Following the release of the album, Houston embarked on the Moment of Truth World Tour which was one of the ten highest grossing concert tours of 1987.[30] The success of the tour and Houston's albums helped make her one of the top 5 highest earning entertainers according to Forbes Magazine. She was the highest earning African-American woman and the second highest earning entertainer after Bill Cosby. The list included her concert grosses during 1986 and 1987.[31]

Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with a then apartheid South Africa.[citation needed] In June of 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then imprisoned Nelson Mandela's 70th birthday. Over 72,000 people filled Wembley Stadium, and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid.[32] Houston then flew back to the US for a concert at Madison Square Garden in New York City. The show was a benefit concert that helped raise over $300 million to the United Negro College Fund. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the US and several other countries, while reaching number-one in the UK and Germany. With her current world tour continuing overseas, Houston was still one of the top 10 highest earning entertainers for 1987-1988 according to Forbes.[33]

In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer and AIDS, and other issues of self-empowerment.[34]

With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the biggest since Michael Jackson, appealing to all demographics. However, some black critics complained of her mass success.[7] At the 1989 Soul Train Music Awards, when Houston's name was called out for a nomination, a few in the audience jeered.[35] Houston knowing it was incorrect to believe black artists could not be huge stars, defended herself against the criticism, stating "if you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it."[15] Her way of thinking would find favor as the massive success gained by her and Jackson in the 1980s, would suddenly be sought-after in the 1990s by black acts who no longer wanted to regulate themselves to just the smaller R&B chart. Still, Houston had a more urban direction in mind with her third studio album, I'm Your Baby Tonight, released in November 1990. She produced and chose producers for this project and as a result, it featured production and collaborations with L.A. Reid and Babyface, Luther Vandross, and Stevie Wonder. The album showed Houston's versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. Reviews were mixed. Rolling Stone felt it was her "best and most integrated album".[36] while Entertainment Weekly, called Houston's shift towards an urban direction "superficial", though the publication didn't seem to take into account that her first album was an R&B release.[37] Upon release, the album peaked at number three on the Billboard 200 and went on to be certified four times platinum in America, while currently at approximately twelve million sold total worldwide. The first two singles, the new jack swing "I'm Your Baby Tonight" and the gospel-tinged "All The Man That I Need", each hit number one on both the US Hot 100 and R&B singles charts. The third and fourth singles, "Miracle"; and "My Name Is Not Susan" peaked at numbers nine and twenty, respectively. A fifth single, "I Belong to You", peaked in the Top 10 on the R&B charts, while yet a sixth single, the duet with Stevie Wonder entitled, "We Didn't Know", made the R&B Top 20.

Houston performed "The Star Spangled Banner" at Super Bowl XXV in January 1991.[38] VH1 listed the performance as the 12th greatest moment that rocked tv.[39] Her recording of the song was released as a commercial single, reaching the Top 20 on the US Hot 100 making her the only act to turn the national anthem into a pop hit.[40] Houston donated her share of the proceeds to the Red Cross.[38] As a result, the singer was named to the Red Cross Board of Governors for her efforts.[41] Later that year, Houston put together her Welcome Home Heroes concert with HBO for the soldiers fighting in the Gulf War and their families. The free concert took place at the Norfolk Air Force Base in Norfolk, Virginia in front of 3,500 people. HBO descrambled the concert so that it was free for everyone the watch.[42] Houston's concert gave HBO its highest ratings ever.[43] She then embarked on the I'm Your Baby Tonight World Tour.

The Bodyguard: 1992-1994

File:Whitney Houston in Johannesburg.jpg
Performing in Johannesburg, 1994

Throughout the '80s, Houston was romantically linked to American football star Randall Cunningham and actor Eddie Murphy.[44] She then met R&B singer Bobby Brown (formerly of New Edition) at the 1989 Soul Train Music Awards. After a three year courtship, the two were married on July 18, 1992. Nearly a year later, Houston gave birth to their daughter Bobbi Kristina Houston Brown, her first child, his fourth. Brown would go on to have several run-ins with the law, including some jail time.[45]

With the huge success of her albums, movie offers came from Robert De Niro, Quincy Jones, and Spike Lee, though she felt the time wasn't right.[44] Houston’s first film role was in The Bodyguard, released in 1992 and co-starring Kevin Costner. Houston plays Rachel Marron, a star who is stalked by a crazed fan and hires a bodyguard to protect her. Reviews were mixed but the film was hugely successful at the box office, grossing more than $121 million in the US and $410 million worldwide, as USA Today would later commend it as one of the 25 most memorable movie moments of the last 25 years.[46] Houston did receive a Razzie Award nomination for Worst Actress as The Washington Post said she is "doing nothing more than playing Houston"[47] and The New York Times said she lacked passion with her co-star.[48] The motion picture would become one of the Top 100 highest-grossing films in movie history.[49]

Houston executive produced and contributed six songs to the motion picture's adjoining soundtrack album. It featured production from David Foster. Entertainment Weekly said the two cover songs are "artistically satisfying".[50] Rolling Stone said it is "nothing more than pleasant, tasteful and urbane".[51] The soundtrack's first single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974 . Houston's single became a massive global hit, peaking at number one on the U.S. Billboard Hot 100 for a then-record-breaking 14 weeks; number one on the R&B chart for a then-record-breaking 11 weeks; and number one on the Adult Contemporary charts for five weeks. Houston would thus become the first act to top those three charts simultaneously for five weeks. The single also hit number-one in nearly every other country worldwide. It has sold approximately ten million copies worldwide, making it the best selling single by a female artist ever. The parent soundtrack album debuted at #1 in the US and many international markets and remained #1 in America for twenty non-consecutive weeks. It became one of the fastest selling albums ever; at one point, selling a million copies a week, thus making Houston the first act to ever do so.[52] With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both peaking in the top five, Houston became the first female artist to ever have three singles in the American Top 20 simultaneously.[53] The album was certified 17x platinum in the United States[54] with worldwide sales of forty-two million,[55] and is the top selling soundtrack album ever, and the 3rd overall best selling album, after Michael Jackson's "Thriller" and AC/DC's "Back In Black". Houston won three Grammy Awards for the album, including two of the Academy's highest honors, Album of the Year and Record of the Year. Following the success of the project, Houston embarked on another expansive and highly profitable global tour that went through 1993 and 1994. Her concerts, movie, and recording grosses made her the third highest earning female entertainer of 1993-1994, just behind Oprah Winfrey and Barbra Streisand according to Forbes.[56] At the end of the tour, Houston performed three concerts in South Africa, playing to over 200,000 people. This would make the singer the first musician to visit the newly unified and apartheid free nation following Mandela's winning election.[citation needed] The funds of the concerts were donated to various charities in South Africa.[citation needed] The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela".[57]

Continued Hollywood success: 1995-1997

In 1995, Houston starred alongside Angela Bassett, Loretta Devine, and Lela Rochon in her second film Waiting to Exhale; a motion picture about four African-American women struggling with relationships. Houston plays the lead character Savannah Jackson, a TV producer in love with a married man. She chose the role because she saw the film as "a breakthrough for the image of black women because it presents them both as professionals and as caring mothers".[58] The movie and its soundtrack struck a chord with African Americans and is considered a cultural classic. After opening at #1 and grossing $67 million in the US at the box office and $82 million worldwide, it proved that a movie primarily targeting a black audience can cross over to success, while paving the way for other all-black movies such as How Stella Got Her Groove Back and the Tyler Perry movies that have become popular in the 2000s.[59][60][61] The film is also notable for its portrayal of black women as strong middle class citizens as oppose to stereotypes.[62] The reviews were mainly positive for the ensemble cast. The New York Times said "Ms. Houston has shed the defensive hauteur that made her portrayal of a pop star in "The Bodyguard" seem so distant."[63] Houston was nominated for an NAACP Image Award for Outstanding Actress In A Motion Picture, but lost to her co-star Basset.

Like Houston's previous project, the film's accompanying soundtrack was also a huge hit. Houston co-produced, with Babyface, the critically acclaimed cultural phenomenon Waiting to Exhale: Original Soundtrack Album. Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's strong women message.[58] As a result, the album featured a range of contemporary R&B female recording artists along with Houston, such as Mary J Blige, Aretha Franklin, Toni Braxton, and Brandy. Houston's "Exhale (Shoop Shoop)" peaked at #1, and then spent a record eleven weeks at the #2 spot and eight weeks on top of the R&B Charts. "Count On Me", a duet with Cece Winans, hit the US Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at #1, has since been certified 7x platinum in America, and has sold thirteen million copies worldwide,[55] according to her official site. The soundtrack received strong reviews. Entertainment Weekly said "the album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks....the soundtrack waits to exhale, hovering in sensuous suspense"[64] and has since ranked it as one of the 100 Best Movie Soundtracks.[65] Newsday called it "the most significant R&B record of the decade."[citation needed] Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work

In 1996, Houston starred in the holiday comedy The Preacher's Wife, with Denzel Washington. She plays a gospel-singing wife of a reverend. Houston earned $10 million for the role, making her one of the highest paid actress in Hollywood at the time and the highest earning African American actress in Hollywood.[66] The movie, with it's all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices.[67] The movie gave Houston her strongest reviews so far. The San Francisco Chronicle said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice."[68] Houston was again nominated for an NAACP Image Award and won for Outstanding Actress In A Motion Picture.

Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. The Preacher's Wife: Original Soundtrack Album. included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, like USA Today, noted the presence of her emotional depth,[69] while The UK Times said "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for."[70]

In 1997, Houston's production company changed it's name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television.[71] Their first project was a made-for-television remake of Rodgers & Hammerstein's Cinderella. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened.[72] The film is notable for its multi-racial cast and nonstereotypical message.[73] An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years.[74] The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.[75]

Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, who was the first African American actress to be nominated for an Oscar. She wanted the story told with dignity and honor.[71] However, Halle Berry also had rights to the project and she got her version going first.[76] Later that year, Houston paid tribute to her idols such as Aretha Franklin, Diana Ross, and Billie Holliday by performing their hits during the three night HBO Concert Classic Whitney, live from Washington, D.C.. The special raised over $300,000 for the Children's Defense Fund.[77]

Back to the studio: 1998–2000

After spending much of the early and mid 1990s working on motion pictures and their adjacent soundtrack albums, Houston's first studio album in eight years, the critically acclaimed My Love Is Your Love, was released in November 1998. Though originally slated to be a greatest hits album with a handful of new songs, recording sessions were so fruitful, enough material was produced for a new full-length studio album. Recorded and mixed in only six weeks, it featured production from Rodney Jerkins, Wyclef Jean and Missy Elliott. The album had a more funkier and edgier sound than past releases and saw Houston handling urban dance, hip hop, reggae, mid-tempo R&B, torch songs, and ballads all with great dexterity. The album's first single, "When You Believe" (a duet with Mariah Carey for 1998s The Prince of Egypt soundtrack), became an international hit as it peaked in the Top 10 in several countries, the Top 20 in the US and won an Academy Award, while the album debuted at #13.[78] The next three singles would all reach the Top Five. "Heartbreak Hotel", which featured Faith Evans and Kelly Price reached number 2 on the Hot 100, while topping the R&B chart for seven weeks. "It's Not Right but It's Okay", which won Houston her sixth Grammy Award; and "My Love Is Your Love" both reached number four and also became international hits as did the previous two singles. The album's fifth single, "I Learned from the Best", became a moderate hit, peaking at number twenty-seven. All singles, except "When You Believe", also became number one hits on the U.S. Dance/Clubplay Chart. The album went on to be certified four times platinum in the U.S., with worldwide sales of ten million. The album gave Houston some of her strongest reviews ever. Rolling Stone said Houston was singing "with a bite in her voice"[79] and The Village Voice called it "Whitney's sharpest and most satisfying so far".[80] In 1999, Houston participated in VH-1's Divas’ Live '99, alongside Mary J. Blige, Tina Turner, Cher. The same year, Houston hit the road with her 70 date My Love Is Your Love worldwide tour. The European leg was Europe's highest grossing arena tour of the year.[81]

In April 2000, Whitney: The Greatest Hits was released. The double disc set peaked at number five in America and reached number one on the UK chart. While the ballads were left unchanged, the album is notable for featuring house/club remixes of many of Houston's up-tempo hits, in place of their original version. Also included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine", all of which failed to crack the US Top 40, but were hits in the UK and several European countries. Along with the album, an accompanying DVD was also released of the music videos to Houston's greatest hits. The greatest hits album was certified triple platinum in the U.S., with worldwide sales of ten million. Houston and Chase, along with Warner Brothers, were then set to produce a remake of the 1976 film Sparkle about a 1960s singing group of three sisters in Harlem. Aaliyah, who was to star in the remake, was killed in a plane crash in 2001 before production began.[82]

In August 2001, Houston signed the biggest record deal in music history with Arista/BMG. She renewed her contract for $100 million to deliver six new albums, on which she would also earn royalties. Within weeks, Houston's rendition of the "Star Spangled Banner" would be re-released after the September 11th, 2001 terrorist attacks. The song peaked at # 6 this time on the US Hot 100.[78] Houston would donate her portion of the proceeds.

Personal and professional struggles: 2000–2005

On January 11, 2000, airport security discovered marijuana in both Houston's and husband Bobby Brown's luggage at a Hawaiian airport, but the two boarded the plane and departed before authorities could arrive. Charges were later dropped against her and Brown[83] but rumors of drug usage among the couple would continue to surface. Two months later, Clive Davis was inducted into the Rock & Roll Hall of Fame. Houston had been scheduled to perform at the event, but canceled.[84] Shortly after, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and long time friend Burt Bacharach. Though her publicist cited throat problems as the reason for the cancellation, many speculated it was drugs. Houston herself would later admit to being fired.[85] Later that year, Houston's long time executive assistant Robyn Crawford resigned from Houston's management company.[84]

Houston made an appearance at Michael Jackson: 30th Anniversary Special. Her shockingly thin frame further spurred rumors of drug use. Her publicist said "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat."[86] The singer was scheduled for a second performance the following night but canceled.[87]

In 2002, Houston became involved in a legal dispute with John Houston Enterprise. Although the company was started by her father to manage her career, it was now actually run by company president Kevin Skinner. He filed a breach-of-contract lawsuit and sued for $100 million (but lost), stating that Houston owed his company previously unpaid compensation for helping to negotiate her $100 million contract with Arista Records and for sorting out legal matters.[88] Houston claimed that her 81 year old father had nothing to do with the lawsuit, it was Skinner. Although Skinner tried to claim otherwise, John Houston was never at any court appearances.[89] Houston's father was ill at the time, and died in February 2003.[90] The lawsuit was dismissed on April 5, 2004, and Skinner was awarded nothing.[91]

Also in 2002, Houston did an interview with Diane Sawyer that would become the highest-rated television interview in history. During the prime time special, Houston spoke on various topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack."[85] The line would become infamous.[92] Houston, to her credit, admitted to using various substances at times.[85]


In December 2002, Houston released her fifth studio album, Just Whitney. The album included productions from then-husband Bobby Brown, as well as Missy Elliott, and Babyface, while marking the first time Houston did not produce with Clive Davis. It received mixed reviews upon release. The San Francisco Chronicle said the album actually does "show signs of life, but not enough to declare a resurrection."[93] The album had an impressive debut at #9 on the Billboard 200 albums chart with the highest opening week sales of any album she had ever released. However, all of the singles, "Whatchulookinat", "One of Those Days", and "Try It on My Own" failed to reach the top forty on the Hot 100 (they would see somewhat better performance on the R&B Chart and international markets.) All three singles (along with "Love That Man") would also become hits on the US Dance/Clubplay Chart with three of the four hitting #1 on that chart. Just Whitney would be certified platinum in the US and have cumulative worldwide sales of over three million, but would be Houston's lowest sales of any commercial studio album.

In late 2003, Houston released One Wish: The Holiday Album, a specialty album of traditional Christmas songs. Houston produced the album with Gorden Chambers and Mervyn Warren. The album received good reviews (The New York Times praised the "lavish swoops, the sultry whispers, the gospelly asides and the meteoric crescendos.")[94] The single "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary Chart as the album sold approximately 400,000 copies in the US. The Christmas album eventually became certified gold in the US, and sold over one million copies worldwide.

Houston spent most of 2004 touring Europe, the Middle East, Asia, and Russia. In September 2004, she gave a surprise performance at the World Music Awards, in tribute to long time friend Clive Davis. Houston received a thunderous standing ovation for her performance. After the show, Davis and Houston announced plans to go into studio to work on her new album.[95]

In early 2004, husband Bobby Brown starred in his own reality TV program Being Bobby Brown (on the Bravo network), which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show. The series, which aired in 2005, featured Houston at, what some say, her lowest moments and many wondered why she took part in it. The Hollywood Reporter said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television"[96] Despite the perceived train wreck nature of the show, it gave Bravo its highest ratings in its time slot.[97] The show was not renewed for a second season after Houston stated she would no longer appear in the show, and Brown and Bravo could not come to an agreement for another season.[98]

New beginnings: 2006–present

Houston filed for separation from him in September 2006 following trips to rehab. The following month, on October 16, 2006, Houston filed for divorce from Brown.[99] On February 1, 2007, Houston asked the court to fast track their divorce.[100] The divorce became finalized on April 24, 2007, with Houston granted custody of the couple's daughter.[101]

In May 2007, Brown sued Houston in Orange County, California court in an attempt to change the terms of their custody agreement. Brown also sought child and spousal support from Houston. In the lawsuit, Brown claimed that financial and emotional problems prevented him from properly responding to Houston's divorce petition.[102] Brown lost at his court hearing as the judge dismissed his appeal to overrule the custody terms, leaving Houston with full custody and Brown with no spousal support.[103]

In March 2007, Clive Davis announced that the singer would be heading into the studio to record her first studio album in 4 years. Though the release date and title are yet to be determined, reported producers include will.i.am,[104] Ne-Yo,[104] and John Legend[105] among others.[106] In the meantime, Arista Records released The Ultimate Collection in October 2007. The compilation included all of Houston's hit singles on one CD, and also included a bonus DVD of music videos. It peaked at #3 in the UK. The compilation was not released in the U.S.

In February 2009, Houston performed at Clive Davis's "Pre-Grammy Gala".[107] Houston performed a four-song set, belting out her classic hits, "I Will Always Love You", "I Believe In You And Me", "It's Not Right But It's Okay" and closing the set with a rousing version of "I'm Every Woman". Onlookers included Paul McCartney, Jamie Foxx, Antonio Banderas, Sylvester Stallone, Jennifer Hudson, Faith Evans, Fantasia and Barry Manilow. Clive Davis announced at rehearsals for the event that Houston will be recording a song called "I Didn't Know My Own Strength" with David Foster in the near future.[108][109]

Awards

Main article: List of Whitney Houston awards

Discography

Main article: Whitney Houston discography

Filmography

Year Title Role Notes
1984 Gimme a Break! Rita "Katie's College" (Season 3, Episode 20)
1992 The Bodyguard Rachel Marron Main Role
1995 Waiting to Exhale Savannah Jackson Main Role
1996 The Preacher's Wife Julia Biggs Main Role
1997 Rodgers & Hammerstein's Cinderella Fairy Godmother made for television (ABC)
2003 Boston Public As Herself Cameo Appearance
2004 Nora's Hair Salon As Herself Cameo Appearance

As Producer

Year Title Notes
1997 Rodgers & Hammerstein's Cinderella executive producer
2001 The Princess Diaries producer
2003 The Cheetah Girls executive producer
2004 The Princess Diaries 2: Royal Engagement producer
2006 The Cheetah Girls 2 executive producer

Tours

Further reading

  • Bowman, Jeffrey (1995). Diva: The Totally Unauthorized Biography of Whitney Houston. Harpercollins. ISBN 978-0061008535. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help)
  • Ammons, Kevin (1996). Good Girl, Bad Girl: An Insider's Biography of Whitney Houston. Citadel Press. ISBN 978-1559723794. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help)
  • Parish, James Robert (2003). Whitney Houston: The Biography. Aurum Press. ISBN 978-1854109217. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help)

See also

References

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  107. ^ Whitney Houston makes triumphant comeback to music.
  108. ^ Whitney Houston Rehearses For Comeback At Clive Davis Grammy Party
  109. ^ Whitney Houston - I Look To You

External links


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