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Wind turbines at Whitelee Wind Farm
Wind turbines at Whitelee Wind Farm

The production of renewable energy in Scotland came to the fore in technical, economic and political terms in the 21st century. In 2020, Scotland had 12 gigawatts of renewable electricity capacity which produced about a quarter of UK renewable generation. In decreasing order of capacity, Scotland's renewable generation comes from onshore wind (turbines pictured), water, offshore wind, solar photovoltaics and biomass. Fears regarding fuel poverty and climate change increased its prevalence on the political agenda. Renewables met a quarter of total energy consumption in 2020; the Scottish government target is having renewables meet half of total energy consumption by 2030. Although there is significant support from the public, private and community-led sectors, concerns about the effect of the technologies on the natural environment have been expressed. There is also a political debate about the relationship between the siting, and the ownership and control of these widely distributed resources. (Full article...)

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West Mata erupting underwater
West Mata erupting underwater

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First launch of SpaceX Starship
First launch of SpaceX Starship

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April 22

Pedro Álvares Cabral
Pedro Álvares Cabral
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7th-century scroll of the Lantingji Xu, a work written at the Orchid Pavilion Gathering

The Orchid Pavilion Gathering, also known as the Lanting Gathering, was a cultural and poetic event held in China in 353, during the Jin dynasty of the Six Dynasties era. During the Spring Purification Festival, forty-two literati met at the Orchid Pavilion (Lanting) on Mount Kuaiji, near present-day Shaoxing in Zhejiang. This 7th-century scroll, now at the Palace Museum in Beijing, is considered to be the best of the surviving copies of the Lantingji Xu, written by Wang Xizhi as a preface to the collection of poems produced at the Orchid Pavilion Gathering. Copies of the work were made throughout Chinese history. The text reads, in part: "Reading past compositions, I can recognize the same melancholy from the ancients. I can only lament before their words without being able to verbalize my feelings. [...] The future generations will look upon us, just like we look upon our past. How sad! Hence, we record the people presented here today and their works; Even though time and circumstances will be different, the feelings expressed will remain unchanged."

Calligraphy credit: Feng Chengsu, after Wang Xizhi

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