Sally Kellerman: Difference between revisions
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| name = Sally Kellerman |
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| image = Sally Kellerman - Mash.jpg |
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| caption = Kellerman in ''[[The Third Day]]'', 1965 |
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| caption = Kellerman in ''[[The Third Day]]'', 1965 |
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| birth_name = Sally Claire Kellerman |
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| birth_date = {{birth date and age|1937|06|02}} |
| birth_date = {{birth date and age|1937|06|02}} |
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| birth_place = |
| birth_place = [Long Beach, California]], United States |
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| spouse = {{Marriage|Rick Edelstein|1970|1975|reason=divorced}}<br>[[Jonathan D. Krane]] (1980-present) |
| spouse = {{Marriage|Rick Edelstein|1970|1975|reason=divorced}}<br>[[Jonathan D. Krane]] (1980-present) 3 children |
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|children = 2 daughters, 1 son |
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| alma_mater =[[Hollywood High School]] |
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'''Sally Kellerman''' (born '''Sally Claire Kellerman'''; June 2, 1937),<ref>Born in 1937 as per ''California Birth Index, 1905-1995''. Center for Health Statistics, California Department of Health Services, Sacramento, California (at www.ancestry.com)</ref> is an American actress, author, producer, singer and voice over with a career that spans nearly 60 years. Although she has quite the lengthy resume consisting of motion picture and television productions, she is best known for her role as [[Margaret Houlihan|Major Margaret "Hot Lips" Houlihan]] in the film ''[[MASH (film)|MASH]]'' ([[1970 in film|1970]]), for which she was nominated for an [[Academy Award|Oscar]] as [[Academy Award for Best Supporting Actress|Best Actress in a Supporting Role]]. |
'''Sally Kellerman''' (born '''Sally Claire Kellerman'''; June 2, 1937),<ref>Born in 1937 as per ''California Birth Index, 1905-1995''. Center for Health Statistics, California Department of Health Services, Sacramento, California (at www.ancestry.com)</ref> is an American actress, author, producer, singer and voice over with a career that spans nearly 60 years. Although she has quite the lengthy resume consisting of motion picture and television productions, she is best known for her role as [[Margaret Houlihan|Major Margaret "Hot Lips" Houlihan]] in the film ''[[MASH (film)|MASH]]'' ([[1970 in film|1970]]), for which she was nominated for an [[Academy Award|Oscar]] as [[Academy Award for Best Supporting Actress|Best Actress in a Supporting Role]]. |
Revision as of 16:11, 1 April 2014
Sally Kellerman | |
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Born | Sally Claire Kellerman June 2, 1937 [Long Beach, California]], United States |
Alma mater | Hollywood High School |
Occupation(s) | Actress, singer, author, film producer, voice-over |
Years active | 1957–present |
Spouse(s) |
Rick Edelstein
(m. 1970; div. 1975)Jonathan D. Krane (1980-present) 3 children |
Sally Kellerman (born Sally Claire Kellerman; June 2, 1937),[1] is an American actress, author, producer, singer and voice over with a career that spans nearly 60 years. Although she has quite the lengthy resume consisting of motion picture and television productions, she is best known for her role as Major Margaret "Hot Lips" Houlihan in the film MASH (1970), for which she was nominated for an Oscar as Best Actress in a Supporting Role.
Actress Lucille Ball, during the Merv Griffin Show in 1970, gave her impression of Kellerman: "Sally is the closest thing to Garbo I've seen in years; the way she looks, her smile, her eyes, her cheekbones—everything."[2]
Until Mash, she was often seen on television with appearances in Twilight Zone, Outer Limits, Alfred Hitchcock Presents, and what appears to be her most popular performance on TV, psychiatrist Dr. Elizabeth Dehner in "Where No Man Has Gone Before", the second pilot for Star Trek.
At the age of eighteen (1955), Kellerman earned herself a recording contract with Verve Records. However, it took until 1972 to record her first album, that of which is Roll with the Feelin. The album featured interpretations of songs written by Carole King, Gerry Goffin, and Stephen Stills. In 2009, Kellerman released her second album titled, Sally. The album has a pop and blues aesthetic featuring interpretations of songs originally recorded by Linda Ronstadt, Kim Carnes, Aerosmith, Nina Simone, the Motels, Neil Diamond, Jackson Browne, Marvin Gaye, Dolly Parton, Jennifer Warnes and James Taylor[3]
Wall Street Journal dubbed her as "Queen of Voice Overs”, for her work in animation and in commercials.Her voice can be heard promoting Hidden Valley, Ranch, as well as many other commercials. In animation, her work includes The Mouse and His Child (1977), Sesame Street Presents: Follow that Bird (1985), Happily Ever After (1990), Dinosaurs (1992), Delgo (2008), Unsupervised (2012), and The High Fructose Adventures of Annoying Orange (2013).
In April 2013, Kellerman released her memoir titled, Read My Lips: Stories of a Hollywood Life. In the book Kellerman remembers her years as a struggling actress in Hollywood, during the 1960's.
Early life
Kellerman was born in Long Beach, California to Edith Baine (née Vaughn 1911–1998) Benjamin, a piano teacher, and John "Jack" Helm Kellerman (1900-1971), a Shell Oil Co. executive.[4] She has an older sister, Diana Dean Kellerman.[5] Kellerman's mother was a Christian Scientist and originated from Portland, Arkansas.[6] Jack originated from St. Louis, Missouri.[7] When Kellerman was in fifth grade, the family relocated to San Fernando, California.[8]
In the middle of her sophomore year, the Kellermans relocated from San Fernando to Park La Brea, Los Angeles. There, Kellerman attended Hollywood High School. Due to shyness and lack of self-esteem, she had a hard time making friends and earned poor grades in her classes (with the exception of choir and physical education). In any event, Kellerman was able to act in the school's production of Meet Me in St. Louis.[9]
Shortly after graduation, Kellerman enrolled in Jeff Corey's acting class.[10] Within a year, she performed in a production of John Osborne's Look Back in Anger, staged by Corey, and featuring classmates Shirley Knight, Jack Nicholson, Dean Stockwell and Robert Blake.[11] It was in Corey's class where Kellerman met the late actress, Luana Anders (1938-1996), the two remained very close friends.[12] Towards the end of the decade, Kellerman joined the newly opened Actors Studio West.[13][14]
Career
Television
Kellerman began her career in television with appearances on numerous series. The first of which was as a waitress in the John Forsyth sitcom Bachelor Father – episode “Kelly and the College Man” (1960).
Continuing work in the 1960's found Kellerman providing guest appearances in Lockup, Cheyenne, Twilight Zone, Outer Limits, Twelve O'Clock High, Alfred Hitchcock Presents, I Spy, and what is perhaps best known role on television, psychiatrist Dr. Elizabeth Dehner in "Where No Man Has Gone Before", the second pilot for Star Trek. Nearing the end of the decade, Kellerman made over forty television appearances.
Due to Kellerman's success on the big screen with MASH, she barely made any television appearances in the 1970s. Instead, she focused solely on her film career. However, Kellerman did make two television appearances during that era: the made-for-television film, Magee and the Lady (1978), and the twelve-episode miniseries, Centennial (1978).
In the 1980’s Kellerman returned to television with appearances in the made-for-television films, the Big Blonde (1980), For Lovers Only (1982), September Gun (1983), Secret Weapons (1985), and Murder Among Friends, also in 1985. Other appearances include: Shelley Duvall's Faerie Tale Theatre (1983), and Tall Tales & Legends (1986).
The beginning of the 1990’s found Kellerman providing guest appearances in The Ray Bradbury Theater (1990), Evening Shade (1990). She made appearances in the the made-for-television films, Drop Dead Gorgeous (1990), Boris and Natasha: The Movie (1992), in which Kellerman also served as executive producer, and the Lay of the Land (1997), another film Kellerman produced. Other television guest spots include Murder, She Wrote (1993), the revival of Burke's Law (1995), Touched by an Angel (1996), Diagnosis Murder (1998), and Columbo (1998).
In the 2000’s Kellerman made appearances in the made-for-television films Bar Hopping (2000), Lifetime’s Verdict in Blood (2002), and Hallmark’s The Wishing Well (2009). Television series appearances in this decade include: In-Laws (2002), and Providence (2002).
Recent work includes guest appearances in the CW teen drama series 90210 as the character 'Marla', an aging Hollywood actress with signs of dementia and thoughts of assisted suicide. During an interview for Life magazine in 1971, she recalls her television years: "It took me eight years to get into TV—and six years to get out. Frigid women, alcoholics they gave me. I got beat up, raped, and never played comedy."[2]
Motion picture work
In 1957, Kellerman made her acting debut before-the-camera in the film Reform School Girl.[15] Beginning work in motion pictures found Kellerman cast in minor roles. She appeared as Holly Mitchell, mistress to George Peppard’s character in the 1965 film The Third Day. Three years later she appeared as Dianne Cluney, the only surviving victim of Albert DeSalvo's in the Boston Strangler (1968). A year later, she was cast as Phyllis Brubaker, the unbearable wife to Jack Lemmon's character in the romantic comedy the April Fools (1969), in which she had eight lines.[16]
In 1970, Kellerman had her first major breakthrough film role, in Robert Altman's MASH. She remembers that accepting the role of an army WAC in MASH came only after confronting Altman about the type of character she wanted to portray:
"I'm not just some WAC—I'm a woman!" I shouted at Altman. "So why can't she do this? And why can't she do that?" I was ranting. . . Bob just casually leaned back in his chair. He said, simply, "Why couldn't she? You could end up with something or nothing. Why not take a chance?" The minute he said that, something in me shifted. Here I was having a tantrum in his office, and there he was leaning back in his chair, smiling. Everything about him was so comfortable and relaxed. So sure.
Oh my God, I thought. I love this man. So it was settled. The role of Hot Lips Houlihan was mine. The movie was M*A*S*H.[17]: 81
In 1970, Kellerman again worked with Altman in Brewster McCloud. She portrayed Louise, guardian angel to a young Bud Cort. Six years later, she appeared as Ann, a lonely real estate agent in the Alan Rudolph-directed and Altman-produced Welcome to L.A.. In 1992, she appeared as herself in The Player. Two years later she appeared in Prêt-à-Porter, in which she portrayed Sissy Wanamaker, editor of Harper's Bazaar. She co-starred opposite Tracey Ullman and Linda Hunt, who also portrayed fashion magazine editors.
In 1972, she co-starred with Alan Arkin in Gene Saks's film-adaptation of Neil Simon's play, Last of the Red Hot Lovers, which she considers among her best roles and was well-written:
I was loving the work. I had a fantastic part playing one of the women that a frustrated—and married—Alan Arkin gets involved with. Great parts are all about the writing, whether it's a film or a voice-over gig, and this was a work by Neil Simon. You don't get better writing that that. Last of the Red Hot Lovers remains one of my proudest accomplishments.[17]: 116 [18]
In 1973, she landed supporting roles in the slasher-film A Reflection of Fear, the road movie Slither, and Charles Jarrott’s musical interpretation of Frank Capra's Lost Horizon.
In 1975, she appeared in Dick Richards' Rafferty and the Gold Dust Twins. She played Mackinley Beachwood, one-of-two women who kidnap driving instructor and former United States Marine Corps Gunnery Sergeant Rafferty, portrayed by Alan Arkin. The same year, she landed the role of Sybil Crane in the disaster parody The Big Bus. Four years later, she played an uptight and neurotic mother to a young Diane Ladd, in George Roy Hill's A Little Romance.
In the 1980's she built her resume with performances in Adrian Lyne's Foxes (1980). She had the small role of Mary, the neurotic mother to a young Jodie Foster. The same year, she landed the supporting role of Martha, the sexually-enticed friend to Tuesday Weld in Bill Persky's Serial. In 1986, she landed what is considered as one of her most memorable roles – Dr. Diane Turner, the love interest to Rodney Dangerfield in Alan Metter's Back to School.
From the mid-1980's through the early-1990's, Kellerman worked appeared in more offbeat films which include Blake Edwards's That's Life (1986), George Mendeluk's Meatballs III: Summer Job (1986), Bill L. Norton's Three for the Road (1986), Henry Jaglom's Someone to Love (1987), Radu Gabrea's the Secret of the Ice Cave (1989), and Percy Adlon's Younger and Younger (1993).
In the mid-1990's through early-2000's, she took on minor roles in films which include: It's My Party (1996), American Virgin (1999), and Women of the Night (2001). In 2004, Kellerman had a supporting role in Moon Unit Zappa's short-film, Ugly.
In 2005 she had a supporting role in the independent film Boynton Beach Club. More recently, she starred opposite Ernest Borgnine and Mickey Rooney in Night Club (2011).
In 2013, aspiring filmmaker Ellen Houlihan directed and wrote a short film titled Joan’s Day Out. Kellerman was cast in the leading role – a grandmother who escapes from her assisted living facility to bail her teenage granddaughter out of prison.
Singing career
Kellerman earned herself a recording contract with Verve Records when she was eighteen.[19] Through the wages she garnered for her work in Robert Altman's MASH and Brewster McCloud, she bought a band and traveled throughout the United States promoting her passion for music.[17] Two years later, she recorded her first demo with Lou Adler and then went into the recording studio with arranger and record producer Gene Paige to record Roll With The Feelin, an album for Decca Records.[17]
In 1995, Kellerman was to release an album titled Something Kool, an album featuring interpretations of 1950's songs.[20]
Apart from her solo efforts, Kellerman also contributed to soundtracks for the musical film Lost Horizon (1973), in which she collaborated with Burt Bacharach, and Andra Willis (Olivia Hussey); the soundtrack was released by Razor & Tie. In addition, she sang again in the independent film Open House (2004) opposite Ann Magnuson, Anthony Rapp and Kellie Martin. The same year she had a solo act which was a hit at Teatro ZinZanni.[21][22]
In September 2008, Kellerman contributed to the song "I Thought About You" in a duet with singer Ray Brown, Jr. (son of Ella Fitzgerald and Ray Brown) on Brown, Jr.'s duets CD titled Friends and Family.
In 2009, Kellerman released her first album since Roll With The Feelin, titled Sally, a jazz and blues album. The album featured interpretations of recordings originally by Linda Ronstadt, Kim Carnes, Aerosmith, Nina Simone, the Motels, Neil Diamond, Jackson Browne, Marvin Gaye, Dolly Parton, Jennifer Warnes and James Taylor[23]
Broadway and stage productions
Kellerman portrayed Mag Wildwood in the 1966 original Broadway production of Breakfast at Tiffany's. It was directed by Joseph Anthony and produced by David Merrick. It never formally opened after four preview shows. Prior to the closing a live recording was made of the musical numbers. Kellerman recorded three songs that were included on the original cast label.[24]
From April 18th, 1995 – May 21st 1995, Kellerman starred as the title character in Maltz Jupiter Theatre's production of Mame.[25] The same year (approximately), Kellerman was doing back-to-back plays in Boston, and Edmonton and Alberta Canada. The play in Boston was Hasty Pudding Theatricals production of Who's Afraid of Virginia Woolf?. Kellerman played the role of Martha. Edmonton and Alberta found Kellerman performing a two month-string, two-character production titled, Lay of the Land, starring opposite Michael Hogan.[26]
In 2005, Kellerman appeared in Blank Theatre Company's Los Angeles revival of The Wild Party. She portrayed Dolores Montoya.[27] In 2005, Kellerman appeared in Blank Theatre Company's Los Angeles revival of The Wild Party. She portrayed Dolores Montoya.[28]
Voice-over work
Kellerman's voice can be heard advertising Hidden Valley, Ranch, J. C. Penney, Volvo, Cadillac, Mercedes Benz and Woolite.[29]
In addition, Kellerman has provided her voice to animated features and television shows since the late-1970's. Initially as "the Seal" in the animated feature film, The Mouse and His Child (1977).
Other characters Kellerman has put her voice to include Miss Finch, social worker and the main adversary in the Sesame Street movie, Follow That Bird (1985), Sunburn, the dwarf who has power over sunlight in the animated made-for-television feature, Happily Ever After (1993), and the staunch Principal Stark in the FX's late-night animated sitcom Unsupervised (2012).
Also, Kellerman narrated the PBS documentary Not for Ourselves Alone: The Story of Elizabeth Cady Stanton & Susan B. Anthony (1999), and the computer-animated fantasy film, Delgo (2008).
For her prolific work as a voice over artist, Wall Street Journal called Kellerman "the Queen of voice-overs".[30]
Awards
Kellerman's performance in M*A*SH garnered Academy Award and Golden Globe nominations and won Kansas City Film Critics Circle (KCFCC) Award for Best Supporting Actress, National Society of Film Critics (NSFC) Award for Best Supporting Actress (2nd place), and the Golden Laurel for 'Best Comedy Performance, Female'.[31]
"It may sound like a cliché when someone who's up for an Academy Award says, "It's an honor just to be nominated," but it really is an incredible honor. Yes, it's true that the coolest thing is doing the work, being on the set, having a part you can sink your teeth into, and 5 A.M. burritos and doughnuts at craft services or hanging out in the makeup trailer. But being nominated is amazing because it's your peers' acknowledgment of your work. That's humbling! – Kellerman on her Academy Award nomination [32]
In 2004, she was honored by High Falls Film Festival with the Susan B. Anthony ‘Failure is Impossible’ Award. The award honors a woman in the film industry who has persevered in her career and triumphed over difficulties.[33]
Her performance in Night Club (2011) garnered an Accolade Competition Award for Best Supporting Actress.[34]
On July 16, 2013 Kellerman was honored with a Fort Lauderdale International Film Festival (FLIFF) Lifetime Achievement Award at Cinema Paradiso in Fort Lauderdale, Florida. The ceremony included a montage of her work and an audience Q&A. The event was moderated by film historian Foster Hirsch.[35]
Personal life
Kellerman was married to Starsky & Hutch producer Rick Edelstein from 1970-1975. In 1980 she married producer Jonathan D. Krane whom she met in group therapy. She was 40. He was 26. at 52, she and Krane adopted newborn twins, Jack and Hanna. Between marriages she adopted her niece Claire (because Claire's biological mother, Kellerman's sister, Diana, came out as a lesbian when it was considered unacceptable to be gay and to raise children, therefore she moved to Southern France and left Claire in the care of Kellerman and Claire's father, who eventually died, giving Kellerman full custody).[17]
In 2000, Kellerman and Krane renewed their vows at Jennifer Jones's house.[36]
It is revealed in her memoir that right out of high school, Kellerman fought off sexual advances from the late Marlon Brando.[17]
"the date lasted all of about two-and-a-half minutes. Oh, he was so annoyed with me. He thought he was going to have a quickie and be on his way![37]
Kellerman's long-term mentor and close friend is Jennifer Jones. Through Jones, Kellerman met Henry Kissinger. The two had a short lived fling.[17]
"“a very nice man with a great sense of humor who did not share my political views”[38]
Filmography
Selected film and television work
Source:"Sally Kellerman". IMDb. Retrieved 22 March 2014.
Discography
- Roll with the Feelin' (1972)
- Sally (2009)
Bibliography
Kellerman, Sally (2013). Read My Lips: Stories of a Hollywood Life. Weinstein. ISBN 978-1602861671.
References
- ^ Born in 1937 as per California Birth Index, 1905-1995. Center for Health Statistics, California Department of Health Services, Sacramento, California (at www.ancestry.com)
- ^ a b "New-found fame for 'Hot Lips'", Life magazine, Feb. 5, 1971
- ^ "Polimedia Publishing — "Sally" Digital Album by Sally Kellerman". Polimedia Publishing. Retrieved 13 March 2014.
- ^ Kellerman, Sally (2013). Read My Lips: Stories of a Hollywood Life. Weinstein Books. p. 16. ISBN 978-1602861671.
- ^ Kellerman, Sally (2013). Read My Lips: Stories of a Hollywood Life. Weinstein Books. p. 18. ISBN 978-1602861671.
- ^ Kellerman, Sally (2013). Read My Lips: Stories of a Hollywood Life. Weinstein Books. p. 15. ISBN 978-1602861671.
- ^ "John Helm "Jack" Kellerman (1900 - 1971) - Find A Grave Memorial". WWW.FINDAGRAVE.COM.
- ^ Kellerman, Sally (2013). Read My Lips: Stories of a Hollywood Life. Weinstein Books. p. 20. ISBN 978-1602861671.
- ^ Kellerman, Sally (2013). Read My Lips: Stories of a Hollywood Life. Weinstein Books. pp. 4–5. ISBN 978-1602861671.
- ^ Kellerman, Sally (2013). Read My Lips: Stories of a Hollywood Life. Weinstein Books. p. 8. ISBN 978-1602861671.
- ^ Brennan, Sandra. "Shirley Knight biography". AllMovie. Retrieved 2012-12-14.
- ^ Kellerman, Sally (2013). Read My Lips: Stories of a Hollywood Life. Weinstein Books. p. 10. ISBN 978-1602861671.
- ^ Kasindorf, Martin (1971-01-05). "Sally Kellerman: An Overnight Success After 14 Years". The Reading Eagle. p. 12. Retrieved 2012-12-14.
- ^ Garfield, David (1980). "Appendix: Life Members of The Actors Studio as of January 1980". A Player's Place: The Story of The Actors Studio. New York: MacMillan Publishing Co., Inc. p. 278. ISBN 0-02-542650-8.
- ^ Weaver, Tom (2006). Science Fiction Stars and Horror Heroes: Interviews with Actors, Directors, Producers and Writers of the 1940s Through 1960s. Jefferson, North Carolina: McFarland Publishers, page 372
- ^ Kasindorf, Martin (Jan 5, 1971). "Sally Kellerman - An Overnight Success After 14 Years". Reading Eagle.
- ^ a b c d e f g Kellerman, Sally (April 30, 2013). Read My Lips: Stories of a Hollywood Life. Weinstein Books. ISBN 1602861676.
- ^ Last of the Red Hot Lovers, movie clip
- ^ Ebert, Roger. "Interview with Sally Kellerman". rogerebert.com. Retrieved 13 March 2014.
- ^ Sheffield, Skip (April 14, 1995). "Sally Kellerman: I Identify With Mame". Boca Raton News.
- ^ Jesse Hamlin (6 July 2004). "Actress and stage performer who's been there, done that still wants more". San Francisco Chronicle.
- ^ Richard Connema (2004). "Sally Kellerman headlines Teatro ZinZanni". TalkinBroadway.com.
- ^ "Polimedia Publishing — "Sally" Digital Album by Sally Kellerman". Polimedia Publishing. Retrieved 13 March 2014.
- ^ "Breakfast at Tiffany's - Studio Cast (Original Cast Records)". musicals101.
- ^ Sheffield, Skip (April 14, 1995). "Sally Kellerman: I Identify With Mame". Boca Raton News.
- ^ Kellerman, Sally (April 30 2013). Read My Lips: Stories of a Hollywood Life. Weinstein Books. p. 217. ISBN 978-1602861671.
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(help) - ^ "Sally Kellerman Theatre Credits". www.broadwayworld.com.
- ^ "Sally Kellerman Theatre Credits". www.broadwayworld.com.
- ^ Kellerman, Sally (2013). Read My Lips: Stories of a Hollywood Life. Weinstein Books. p. 231. ISBN 978-1602861671.
- ^ Kellerman, Sally (2013). Read My Lips: Stories of a Hollywood Life. Weinstein Books. p. 232. ISBN 978-1602861671.
- ^ "Sally Kellerman - Official Website - About Sally Kellerman - Biography and selected filmography". www.sallyellerman.com.
- ^ Kellerman, Sally (2013). Read My Lips:. 250 West 57th Street, 15th Floor, New York, NY 10107: Weinstein Books. p. 111. ISBN 978-1-60286-167-1.
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: CS1 maint: location (link) - ^ "The Susan B. Anthony Award Pin « High Falls Film Festival – Rochester, NY". http://highfallsfilmfestival.com/.
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- ^ "Accolade Competition Deadline: November 18, 2011". http://www.accoladecompetition.org/.
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- ^ Crandell, Ben. "Sally Kellerman book signing fort lauderdale - southflorida.com". www.southflorida.com. Retrieved 18 March 2014.
- ^ Kellerman, Sally (April 30 2013). Read My Lips: Stories of a Hollywood Life. Weinstein Books. p. 228. ISBN 978-1602861671.
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(help) - ^ Whittey, Stephen. "Sally Kellerman on 'MASH,' Marlon and more". NJ.com True Jersey.
- ^ "Oscar-Nominated Actress, Singer, Voiceover Virtuoso, and, Now, Author SALLY KELLERMAN Shares Memorable, Regrettable, and Comical Experiences from Her 50-Plus Years in the Field of Entertainment and as a Pop Culture Icon in READ MY LIPS | Mouth Public Relations". Mouth Public Relations.