John Bonham

John Bonham

John Henry "Bonzo" Bonham (May 31 1948 – September 25, 1980) was a British drummer and member of the English rock band Led Zeppelin. He was renowned for his power, speed and "feel" for the groove. Bonham is considered one of the most influential and respected drummers of the modern rock era and continues to be cited as an influence on drummers of varying styles to this day. He is currently ranked #2 on DigitalDreamDoor's (digitaldreamdoor.com) "Greatest Rock Drummers" list.

Early years

Bonham was born in Redditch, Worcestershire. He first learned how to play drums at the age of five, making a drum kit out of containers and coffee tins, and copying the moves of his idols Gene Krupa and Buddy Rich. He received his first proper drum kit at the age of fifteen, a Premier Percussion kit. Bonham never took any drum lessons though as a teen would also knock on the doors of other drummers and ask for advice.

After leaving Wiltan House public school (some sources say he attended Bedford Modern) he worked for his father Jack Bonham in the construction industry in between drumming for different local bands. In 1964, Bonham joined his first band, Terry Webb and the Spiders, meeting his future wife Pat Phillips at a dance in Kidderminster. He also played in other Birmingham bands such as The Blue Star Trio and The Senators, who released a moderately successful single "She's a Mod". Bonham enjoyed the experience and decided to take up drumming full-time. Two years later, he joined A Way of Life, but the band soon became inactive. In desperation for a regular income, he joined a blues group called Crawling King Snakes whose lead singer was a young Robert Plant.

In 1967, A Way of Life asked Bonham to return to their group, and he agreed—though throughout this period, Plant kept in constant contact with Bonham. When Plant decided to form Band Of Joy, Bonham was first choice as drummer. The band recorded a number of demos but no album. In 1968 American singer Tim Rose toured Britain and invited Band of Joy to open his concerts. When Rose returned for another tour months later, Bonham was formally invited by the singer to drum for his band which gave him a regular income. Along with Rose, singers Joe Cocker and Chris Farlowe had also sought out Bonham to play in their touring bands.

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John Bonham in 1969

Led Zeppelin

Main article: Led Zeppelin

When Jimmy Page wanted to start a band in the wake of The Yardbirds break-up, his first choice for singer was Terry Reid, however Reid had already signed with Mickie Most for a solo career. Reid suggested Robert Plant, who in turn suggested Bonham, who had already drummed with Plant and knew Page from session work, as well as John Paul Jones. Page's choices for drummer included Procol Harum's B.J. Wilson, session drummers Clem Cattini and Aynsley Dunbar. Ginger Baker was also rumoured to be on Page's list. However, upon seeing Bonham drum for Tim Rose in Hampstead, north London, in July 1968, Page and manager Peter Grant were instantly convinced that he was the perfect fit for the new project.

During Led Zeppelin's first tour of the United States in December 1968, Bonham became friends with Vanilla Fudge drummer Carmine Appice. Appice introduced him to Ludwig drums, which he then used for the rest of his career. Bonham used the longest and heaviest sticks available, which he referred to as "trees". His hard hitting style was displayed to great effect on many Led Zeppelin songs, including "Immigrant Song" (Led Zeppelin III), "When the Levee Breaks" (Led Zeppelin IV / ), "Kashmir" (Physical Graffiti), "The Ocean" (Houses of the Holy), and "Achilles Last Stand" (Presence). The studio recording of "Misty Mountain Hop" perfectly captures his keen sense of dynamics, and this is similarly exhibited by his precise drumming on "No Quarter." On several cuts from later albums, Bonham rather adeptly handled funk and Latin-influenced drumming. Songs like "Royal Orleans" and "Fool in the Rain" are good examples, the latter displaying great skill with a New Orleans shuffle and a samba rhythm.

His famous drum solo, first entitled "Pat's Delight", then "Moby Dick", would often last for half-an-hour and regularly featured his use of bare hands to achieve different sound effects. In Led Zeppelin concert tours after 1969, Bonham would expand his basic kit to include congas, orchestral timpani, and a symphonic gong. Bonham is also credited (by the Dallas Times Herald) with the first in-concert use of electronic timpani drum synthesisers (most likely made by Syndrum) during a performance of the song "Kashmir" in Dallas, Texas in 1977. Many modern rappers would later heavily sample his drumming and incorporate it into their composition, such as the Beastie Boys, who sampled "Moby Dick", "The Ocean" and "When the Levee Breaks".

In 1974, Bonham appeared in the film Son of Dracula, playing drums in Count Downe's (Harry Nilsson) backing band. This was an Apple film made by Ringo Starr. Bonham appeared in an overcrowded drum line-up including Keith Moon and Starr on the soundtrack album. Bonham's action sequence for the film The Song Remains the Same featured him in a drag race at Santa Pod Raceway to the sound of his signature drum solo, "Moby Dick".

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John Bonham, appearing in the re-filmed sequences for The Song Remains the Same, 1976.

During his time with Led Zeppelin, Bonham was also an avid collector of antique sports cars and motorcycles, which he kept on his family's farm called The Old Hyde. He even bought The Plough pub in the nearby village of Shenstone; which shows signs of conversion work to allow him to drive his bikes or cars right behind the bar. This was not, however, the pub featured in the film The Song Remains the Same.

As well as recording with Led Zeppelin, Bonham also found time to play on sessions for other artists. In 1970, Bonham drummed for Screaming Lord Sutch on his album Lord Sutch and Heavy Friends. Bonham also drummed for his Birmingham friend, Roy Wood, on his 1979 album, On the Road Again, and for Paul McCartney's Wings on their Back to the Egg Rockestra project.

He also plays drums on Lulu's 1971 song "Everybody's Got To Clap", originally written by Maurice Gibb and Billy Lawrie.

Death

On September 24, 1980, John Bonham was picked up by Led Zeppelin assistant Rex King to attend rehearsals at Bray Studios for the upcoming tour of the United States, the band's first since 1977. During the journey Bonham had asked to stop for breakfast, where he downed four quadruple vodkas (roughly sixteen shots (~2/3 imperial quart, or ~8dl) of vodka), with a ham roll. After taking a bite of the ham roll he said to his assistant, "Breakfast". He then continued to drink heavily when he arrived at the studio. A halt was called to the rehearsals late in the evening and the band retired to Page's house — The Old Mill House in Clewer, Windsor. After midnight, Bonham had fallen asleep and was taken to bed and placed on his side. Benji LeFevre (who had replaced Richard Cole as Led Zeppelin's tour manager) and John Paul Jones found him dead the next morning. Bonham was 32 years old.

The cause of death was asphyxiation from vomit. A subsequent autopsy found no other drugs in Bonham's body. The alcoholism that had plagued the drummer since his earliest days with the band ultimately led to his death. John Bonham was cremated on October 10, 1980, at Rushock Parish Church, Worcestershire. A cymbal sits in front of his headstone in his memory. His headstone reads:

Cherished memories of a loving husband and father,

John Henry Bonham Who died Sept. 25th 1980. He will always be remembered in our hearts,

Goodnight my Love, God Bless.

Despite media rumours that Cozy Powell, Carmine Appice, Barriemore Barlow, Simon Kirke, or Bev Bevan would join the group as his replacement, the remaining members decided to disband Led Zeppelin after Bonham's death. They issued a press statement on December 4 1980 confirming that the band would not continue without its irreplaceable drummer. "We wish it to be known that the loss of our dear friend and the deep sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were."

However on September 12, 2007, it was confirmed during a press conference by promoter Harvey Goldsmith that the surviving members of Led Zeppelin will reunite for the Ahmet Ertegun tribute show at The O2 in London on 26 November 2007. Jason Bonham, John's son, will play on drums in place of his father.

Equipment

Drums

1.Pre Led Zeppelin Kit (?-'68), Ludwig Super Classic Green Sparkle

• Bass Drum "22x14"
• Floor Tom 16"x16"
• Rack Tom 13"x9"
• Supraphonic Snare 14"x5"

2.Led Zeppelin Kit ('68/Tour U.S.A), Ludwig Black Diamond Pearl

• Bass Drum 24"x14"
• Floor Tom 16"x16"
• Floor Tom 18"x16"
• Rack Tom 13"x9"
• Snare 20's/30's COB Tube Lug

3.Ludwig Representation kit, Ludwig Thermo Gloss Natural Maple (1969-'70)

• Bass Drum 26"x14"
• Tom 14"x12" Mounted on a snare stand
• Floor Tom 16"x16"
• Floor Tom 18"x16"
• 14"x6.5" Chrome Supraphonic 402 Series Snare
• Twin Congas Ludwig 12"
• Cowbell Ludwig Gold Tone

4.Studio and live Kit ('70 - '73), Ludwig Green Sparkle

• Bass Drum 26"x14"
• Rack Tom 14"x10"
• Floor Tom 16"x16"
• Floor Tom 18"x16"
• 14"x6.5" Chrome Supraphonic 402 Series Snare
• Ludwig 29" Machine Timpani (1972+)
• Ludwig 32" Universal Timpani (1972+)

5.The Song Remains The Same Kit ('73), Ludwig Amber Vistalite

• Bass Drum 26"x14"
• Rack Tom 14"x10"
• Floor Tom 16"x16"
• Floor Tom 18"x16"
• 14"x6.5" Chrome Supraphonic 402 Series Snare
• Ludwig 29" Timpani
• Ludwig 30" Timpani

6. Studio Kit('75) Ludwig Sparkle Silver Finish

• Bass Drum 26"x14"
• Rack Tom 15"x12"
• Floor Tom 16"x16"
• Floor Tom 18"x16"
• 14"x6.5" Chrome Supraphonic 402 Series Snare
• Ludwig 29" Timpani
• Ludwig 30" Timpani

7.Final Kit ('77-'80), Ludwig Stainless Steel

• Bass Drum 26"x14"
• Tom 15"x 12" (Mounted on Bass Drum)
• Floor Tom 16"x16"
• Floor Tom 18"x16"
• 14"x6.5" Chrome Supraphonic 402 Series Snare

Cymbals

John Bonham played Paiste cymbals. He used Paiste Giant Beat cymbals until 1975. The Paiste Endorsement Agreement shows he experimented with cymbals including the 602 series before changing to a complete set of what is now the 2002 series in '75, which he used for the rest of his career. His set up (of both the Giant Beat's and 2002's) consisted of:

• 15" Paiste 2002 Sound Edge Hi-Hat
• 18" Paste 2002 Crash (on left)
• 20" Paiste 2002 Medium Crash
• 24" Paiste 2002 Ride
• Sometimes a 20" Paiste 2002 Ride
• 38" Paiste Symphonic Gong

Despite what the Paiste Endorsement Agreement reads he used 2002s live from about 1973 on. And you could clearly see he was using all 2002s for the 1973 Song Remains The Same concert footage

Drum Heads

For his wood drums, Bonham always used remo coated emperors (or Ludwig equivalent) on all of his batter heads, while using coated ambassadors on the resonant head, and the batter head was always tuned medium-tight, (almost jazz like) and the resonate head was always tuned way up, for a nice full,round sound. He never put pillows or other laundry in the kick drum and he only used a felt strip on the batter side from time to time. The kick drum head was also tuned a lot higher than one would think. On the vistalites he used Remo CS black dots on the batter side of the toms and clear ambassadors on the resonate side. The snare always had a coated emperor on the batter side and an ambassador or a diplomat on the snare side.

Bass Drum Pedal

Bonham used Ludwig Speed King Pedals throughout his career.

Trivia

• Unlike contemporary innovators, Bonham did not use a double-bass drum kit. He did once own one (it was featured in the demo "Communication Breakdown"), but removed it from his kit when the rest of the band decided it was drowning everything else out.

• Bonham is the father of rock drummer Jason Bonham.

External links

• Led Zeppelin Official Site
• Drummerworld John Bonham Page
• The 23 John Henry Bonham Drum Outtakes
• John Bonham - Obituary and Public Tributes

Sources

• Bonham, Mick (2005). John Bonham: The Powerhouse Behind Led Zeppelin. Southbank Publishing. ISBN 1-904915-11-6
• Bonham, Mick (2003). Bonham by Bonham: My Brother John. Solihull: Icarus Publications. ISBN 0-9545717-0-3
• Welch, Chris & Nicholls, Geoff (2001). John Bonham: A Thunder of Drums. San Francisco: Backbeat Books. ISBN 0-87930-658-0