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Salsa dancing controversy

We should make it clear that salsa is not danced in spanish speaking countries, only in the USA and countries where it has a greater cultural influence, like europe and japan. The way it is danced is an US-american invention, and the concept of learning the steps by heart is by no means a hispanic tradition. For us latinos, taking dancing lessons is as weird as going to kissing or walking school. Dancing is something you learn at home and with your sweetheart, and not paying for it. By the way, you will never see male latinos wearing shiny red shirts, glossed lips and dancing with robotized sincronization. To make things worse, music branded as salsa and danced in other countries, like colombia or mexico, does not come from salsa music, it is the other way around. Travel there, go to any wedding or birthday party, and ask if can take a look. In latino countries you do not need to know someone to go to a party, and the locals will be always glad to show you what the real thing is like.

Relax, dude. Even if all your points were correct, a. this is an encyclopedia, not a forum, b. this is about dance, not politics, and c. if history is any guide, German and Japanese people could do much worse. elpincha 2 July 2005 15:23 (UTC)

I see plenty of latinos in concerts dancing with robotized sync. I don't see gringos dancing with robotized sync at parties. learning steps by heart among latinos happens in early childhoood, just like learning mother languages. Learning steps by heart by americans is just ike learning spaninsh language; and it is not a cause of insult or outrage. They dance/play salsa in cuba, and it is no way a "US influenced world". They probably don't dance foxtrot much in Peru, but it is not because Peru is not under US influence. If music is branded as salsa, it is salsa, even it is pachanga. Musical genres tend to mix. You are making all false noise, and politicizing dance and music is disgusting indeed. mikka (t) 2 July 2005 17:24 (UTC)

In Spain, salsa dancing is often learnt in lessons. --Error 3 July 2005 01:41 (UTC)

Most nightclubs in Colombia are called "crossover" nightclubs, and they play a mix of different kinds of music throughout the night, ranging from electronic and tecno music, to "rock en español", reggae, reggaeton, merengue...and guess what?? SALSA. All of this occurring in only a few hours of partying. There are also A LOT of specialized salsa dance clubs in Bogota, Cali, Medellin and other cities, where you can dance salsa (son, guaracha, pachanga, etc) all night. I have friends who throw salsa-only parties at their houses. And to really enjoy salsa dancing, you HAVE to know, not only the basic step, but also some variations of these steps. Synchronization is a required attribute of a salsa dancer, and it's based mostly on instinct but also on certain cues and signals that dancing partners give to each other and that lead to many "standard" turns and steps. Achieving the right "fell" and "flow" requires a good amount of practice and experience.

I know this to also be the case of Caracas and Isla Margarita, in Venezuela, where I've also lived. I even went to a salsa only dance club in Sao Paulo, Brazil, earlier this year (2005). In Colombia, as in most Latin countries where salsa has a strong following, salsa dancing is learnt from relatives, friends or girlfriends/boyfriends.

On a side note, it is probably right that big parties in small towns of Latin countries are open for everyone...but that is NOT the case of many parties in medium to big cities (pop. 200,000 and over. For reference, Bogota, Colombia, has more than 7'000'000 inhabitants). If it is a street party or festival, sure, you can join the party. But, at least in Bogota, street parties are a very rare ocurrence, and most parties are hosted in someone's house.

Maybe all of this dancing related discussion should be in Salsa (dance). --Cbohorquezm 04:51, 11 January 2006 (UTC)[reply]

That's not the way it was

that's not the way it was.....what is called salsa now is a mixture of cuban "ritmos" liked: son,danzon,conga,guaracha,cha-cha-cha,mambo,montuno,bolero,punto guajiro,mozambique,etc.,this rythms where in existance since the 1800's and startedthat when it got to new york they renamed it salsa, which included or they added some other rithyms liked a little bit of cumbia,bomba,merengue that are tipical of Colombia,Puerto Rico & Dominican Republic. - Anon 21 May 2003

Masucci

Also: the founder of Fania was Jerry (or Gerry) Masucci, of blessed memory. Somebody look some of the saucy interviews with Larry Harlow where he tells it like it was, or articles like:

http://www.descarga.com/cgi-bin/db/archives/Article8
http://www.descarga.com/cgi-bin/db/archives/Profile29
by: elpincha 15:55, 30 Dec 2004 (UTC)

Clarification

Clarification: Ricky Martin and J Lo were NEVER salsa singers.

Antonio Put some Salsa there baby!!1 Martin 26 Jun 2003

Ambiguity

The 2nd to last paragraph is slightly ambiguous. Was Orquesta Del Sol active in all the preceding countries or just Japan?

--
Viajero 12:38 26 Jun 2003 (UTC)

Orquesta del Sol was active in all those countries. Actually, in Puerto Rico it seemed like they lived at the studio of Luisito Vigoreaux's Show del Mediodia for some time...LOL but yes they were active in many countries and in Japan.

Antonio Dark Siser Martin 27 Jun 2003

Clave

Great with some more information on how the clave rhythm is used in the music. This can be expanded on a lot. However, I'm unsure if all the descriptions fit here. Maybe (1) we should move the explanation of what the clave is and how it can used by other instruments to clave (rhythm), or (2) we can keep the information on how the clave is used in salsa and only move the general clave stuff? / Wintran 16:51, 19 Nov 2004 (UTC)

I discovered that there was an article about clave rhythm after I had written this stuff and didn't want to delete/rewrite it. :) I think proposal (2) fits best. It's not up to the unfamiliar reader to read a (future) extensive article about clave in all kinds of African an Latin music and find out which of that applies to salsa (or is that basically everything that fits on a 4/4 meter because salsa is such a generic name?). Unfortunately, I am not an expert on afro-latin music, so it won't be me who's going to implement the proposal. :) Han-Kwang (talk) 14:06, 20 Nov 2004 (UTC)

Link to latin jazz and fusion too vague

no reference to latin jazz or jazz in general now largely inspired by salsa rythms nor to fusion styles besides the rap-salsa and beat-salsa. no reference to Santana for instance.

It is important to mention that Carlos Santana was responsible for broadly popularizing the song 'Oye Como Va', composed by Tito Puente. This link between Santana's latin rock fusion and Salsa music has encouraged many, many musicians to jump to the other side and learn what it has to offer. I think this could be noted in the article, as well as a little more information on the BIG influence of salsa on Latin Jazz. Most of the time, when thinking of Latin Jazz, the main style that comes to mind is the one based on salsa or son, even though brazilian/flamenco/arabic variations are still very important.--Cbohorquezm 01:38, 24 December 2005 (UTC)[reply]

From salsa band

I removed the sections below from salsa band and redirected that to salsa music. There was a merge tag on it, but I haven't merged anything because what this describes does not square with what my sources claim. Since that article did not cite any sources, I haven't incorporated anything into this article. Tuf-Kat

Salsa is a highly syncopated, structured rythmic musical form closely tied to jazz. The precise location where salsa was first born is in some dispute, as it is argued it evolved naturally from rythms that sprang spontaneously in three core centers, or birthplaces, of Latin jazz music; those countries were Cuba, Colombia, and Puerto Rico.

Influenced by a strong and well-defined musical heritage emanating from Spain, Mexico, and Portugal (and therefore Brazil), Salsa began as romantic Flamenco-inspired ballads moderated by native Indian and African melodic structure, and appeared over the course of two short years from 1921 to 1922 almost simultaneously in the birthplaces mentioned above. Boleros, a form of romantic ballad with a history of over two hundred years and best typified in the modern day by groups like Trio Los Panchos, is widely recognized as the primary influence in the creation of salsa music.

There are dozens of distinct and highly regimented musical structures to Salsa music strongly tied to small regions within each of the three countries. However, "salsa music" generally refers to a heavily rock-influenced variety of latin jazz. Within the regional styles, Cuba is famous for its son and mambo, Puerto Rico for its jibaro and lambada, and Colombia has its vallenatos and merengue.

The style of salsa is tightly bound to the style of Spanish spoken in each country. If one country is widely regarded as the single birthplace of Salsa, it would be Colombia, but this is influenced by the wide respect the Spansih-speaking world has for the quality of Spanish spoken in Colombia. In reality, salsa evolved simultaneously in several parts of the world, possibly triggered by the early precursors of jazz music filtering down to South America from New York and the southern states of the United States.

The Early Years: 1922-1940

Some of the best early bands, such as Cuba's Beny More or Puerto Rico's Daniel Santos, adopted the "big band" style present in New York. This style spread quickly throughout the entire Spanish-speaking world, and by 1934 was firmly entrenched, dominating most clubs and musical venues. It was during this heyday that some of the most famous musicians, such as Tito Puente and Celia Cruz, got their start. During this same period, the bolero - the music ballad form that helped create salsa - also evolved rapidly with the advent of extraordinary voices such as Julio Jaramillo.

The New York Explosion: 1941-1963

A key aspect to enjoying salsa music is the recognition that its form has rigid and apparently inflexible rules about rhythm and melodic structure that are ignored as a song progresses towards its climax. Similar structure applies to dancing salsa music, in which side-to-side hip movements are combined with moving the upper body to different rythms; this, too, is abandoned as a song progresses. It was for these very reasons that the highly rigid and structured society of 1950's America went wild when it discovered salsa music. The interest in multipel dance forms such as the cha-cha, the mambo and merengue caused an explosion of musical venues and concert halls worldwide, but primarily centered in New York city.

As rock began to spread, a small number of salsa bands - such as Cuba's Los Zafiros - explored mixing salsa and rock rythms.

Psychadelic Salsa: 1967-1978

During the psychadelic years, rock-influenced salsa bands such as Johnny Pacheco, Pete 'El Conde' Rodriguez, Poncho Sanchez, the Fania All-Stars and El Gran Combo, evolved salsa into its modern form. From Pucho and his Latin Soul Brothers to Ray Baretto, a strong cultural identity cobmined with modern jazz structure to form delightful and advanced rytnmic and musical forms that in turn have influence modern jazz to this day.

On Thursday, August 26th, 1976, the Fania All-Stars played at a club in New York City called the Cheetah, and in a single song gave birth to a new form of salsa called "the 70's salsa sound". Within a year of that night, fifteen of the twenty-one musicians in that recording session each formed their own bands, which went on to be the most successful and recognized sdalsa bands of all time. Those musicians were Ray Baretto, Willie Colon, Larry Harlow, Johnny Pacheco, Roberto Roena, Bobby Valentin, Hector Lavoe, Ismael Miranda, Pete 'El Conde' Rodriguez, Adalberto Santiago, Bobby Cruz, Jose 'Cheo' Feliciano, Ricardo Ray, and Yomo Toro.

The Rock Years: 1980-1995

Existing bands such as those led by Celia Cruz and Tito Puente evolved along with modern taste to a stronger rock style, while at the same time well-known and talented salsa bands saw a sharp decline in interest in their music in the united states. Meanwhile, salsa saw an explosion in interest in other countries, including France, Spain, Mexico and several countries in Africa. Groups from those countries, such as Africando, Ricardo Lemvo, and Grupo Niche quickly became household names. The discovery by Ry Cooder of the artists that formed the Buena Vista Social Club re-introduced the world to the cuban son, and salsa was reinvigorated from its native musical roots.

Bands You Should Know About

Delisted GA

There are no images. slambo 17:50, 23 October 2005 (UTC)[reply]

Relisted. I find this attitude outrageous and against the community spirit. It took me 25 seconds to find an appropriate pic in the backlinks. Why didn't you do the same? mikka (t) 20:05, 23 October 2005 (UTC)[reply]

Thanks, that's what I was hoping would happen. slambo 20:57, 23 October 2005 (UTC)[reply]

Del Sol & De La Luz

There is a Wikipedia-wide confusion here. Mariano: you just added to it... (que me haces compatriota!). De La Luz is a Japanese standards band, and there are many Del Sol bands, including a Jap one who is a knockoff of De La Luz. Capisce? And also the "Del Sol" article is simply a disaster as of 9/Dec/2005. Go and make it right. elpincha 07:58, 9 December 2005 (UTC)[reply]

Sorry about that, but a sentence ends presenting Orquesta Del Sol, and the following sentece gives details about a Orquesta de la Luz. And this from an anon edit!. Seams I can't help you fixing the mess. Please, attact the appointed articles at will. Mariano(t/c) 08:27, 9 December 2005 (UTC)[reply]

add a link to Izzy?

Could someone add a link to Izzy Sanabria? He was instrumental in popularizing the term "salsa." His site is here: http://www.salsamagazine.com/

Audio samples of salsa music

It's good to see some audio samples! Just two comments:

The third audio sample (Los Van Van - Salsa Cubana) is incorrectly linked, and sends the user to the same audio file as the second song.
The second song sample, Ay Mi Cuba by Tito Puente, is more of a Cha-cha-chá than a salsa song.

- Wintran 22:20, 14 February 2006 (UTC)[reply]

Fixed the first one, will see what I can find to replace the second with soon. Tuf-Kat 08:49, 15 February 2006 (UTC)[reply]

Great! Regarding my second point, that music sample sounds to me like a modern type of Cha-cha-chá that is similar to a slowed down salsa with the güiro rhythm added, which forms the basic rhythm of the Cha-cha-chá dance style. It's also way too slow for most of today's salsa dance styles. However, this is just my personal opinion, some people might call this salsa as well.

- Wintran 18:04, 16 February 2006 (UTC)[reply]

Citations

Citations shouldn't be moved in or outside of sentences for formatting reasons since being inside or outside of the sentence indicates that the citation applied to the sentence or to the entire preceding paragraph. Hyacinth 08:33, 15 February 2006 (UTC)[reply]

I have switched it to use non-breaking spaces between cites and the preceeding sentence. Tuf-Kat 08:48, 15 February 2006 (UTC)[reply]

Most FAs use the citation format I switched it to; that's why I changed it. --Spangineer (háblame) 00:50, 16 February 2006 (UTC)[reply]

You may want to vary the salsa clips. All three are cuban salsa's when true salsa is new york not cuban. Fania new york salsa should be included and puerto rican as well.

Band leaders

"Bands most typically consist of ten to fourteen people, one of whom is the vocalist and bandleader." This isn't universally true, and I'm not sure it's even that common - I think more bandleaders are instrumentalists than lead singers. James barton 13:27, 17 February 2006 (UTC)[reply]

I agree. It's true that salsa bands are often quite large, involving ten and even more people, but it's just as common with instrumentalists as bandleaders, and instrumentalists who function as the main vocalist as well. / Wintran 15:50, 17 February 2006 (UTC)[reply]

Okay, how about "Band typically consist of up to a dozen people, one of whom serves as band leader, directing the music as it is played." Does that work for everyone? James barton 11:46, 20 February 2006 (UTC)[reply]

Sounds good to me! / Wintran 21:49, 21 February 2006 (UTC)[reply]

Change made. James barton 02:07, 22 February 2006 (UTC)[reply]

Songs and instrumentation

"Salsa bands play a wide variety of songs, including plenas and bombas, cumbia, vallenato and merengue pieces; most songs, however, are modern versions of the Cuban son." I personally wouldn't count a merengue as salsa, but I'll acknowledge that others may disagree. More importantly though, I think that the guaguanco is almost as important as son, and should be mentioned here. James barton 11:47, 20 February 2006 (UTC)[reply]

The piano is often considered to be part of the rhythm section - I'll check tonight, but I think that the Gerrard and Sheller gives the rhythm seciton as being made up of percussion, piano and bass. Also, there's no mention of the electric or string bass in here. If the piano is part of the rhythm section because it typically plays the montuno, then I guess saxes could be in here in some older arrangments. James barton 11:50, 20 February 2006 (UTC)[reply]

I don't quite understand what the "rhythm section" is supposed to refer to. As more or less all instruments are inspired by the clave to some extent, they could all be said to contribute to the overall rhythm. Check out this quote, I kind of like it as a way to describe the feel of salsa music: "Most western music is melodic with rhythms added while salsa music, fundamentally, is rhythms played melodically." [1]

- Wintran 21:28, 21 February 2006 (UTC)[reply]

I'm following Gerard and Sheller in "Salsa! The Rhythm of Latin Music" [2] by including the bass and the piano as part of the rhythm section as well as the percussion. Unlike the horns / flute / violin / whatever is playing the melody, the bass and piano have defined roles that contribute to the groove of the piece - the bass helps drive the rhythm with "anticipated bass", which is making chord changes a beat early. The piano, or sometimes the sax or another instrument, plays the montuno, a two bar phrase which shows where the '1' is as opposed to the '5'. James barton 02:05, 22 February 2006 (UTC)[reply]

Sounds ok with me, but maybe we should explain what the montuno is, and if possible include a definition of the rhythm section and what sets it apart from the other sections and instruments? / Wintran 08:26, 22 February 2006 (UTC)[reply]

We could easily have an article on salsa rhythms and the structure of salsa songs. If we included notation, a desription and a sample for all the major rhythms, plus notes on the structure of salsa music, I think this article would become too big. What do you think? James barton 09:22, 22 February 2006 (UTC)[reply]

That's true, we can't really include descriptions and rhythm examples of all instruments and various styles of salsa music in this article. But maybe that's more of a Wikibooks project? I have little experience of Wikibooks, however, but I'd gladly help out if someone has time to start such a book. Wintran 21:47, 10 March 2006 (UTC)[reply]

The bell played by the timbalero and bell played y the bongocero are both described as a cowbell. I don't remember the right names, but I believe they're called somethign different. Is the bongocero's bell the campana? James barton 12:05, 20 February 2006 (UTC)[reply]

I checked some online salsa glossaries, and it seems like the cowbell of the bongocero can be referred to as the bongo bell or the campana (like you said). The timbalero's cowbell is referred to as the mambo bell. / Wintran 21:33, 21 February 2006 (UTC)[reply]

Rhythm

"Salsa music always has a 4/4 time signature" - on this basis, merengue is not salsa (which I am happy with!), but rumba is not salsa either. A number of songs I would count as salsa have rumba breaks in them, and I think rumba is normally written out in 6/8.

I've very little experience of rumba, but I don't think I've ever heard what I would consider salsa music being played in 3/4 or 6/8. I might be especially strict with this, however, as I've been dancing salsa for some time. During the dance I'm depending on the music to be in 4/4 for the steps to work. However, it wouldn't really surprise me if some salsa musicians have experimented with other time signatures, even though it would mess up the traditional clave rhythm. / Wintran 21:45, 21 February 2006 (UTC)[reply]

I know where you're coming from, but I would count "El Avion de la Salsa" (on the album of the same name by Jimmy Bosch) as being salsa, but it includes a ~30s rumba break. I know there are more examples, although I'll grant that I can't think of them right now. Also, rumba, although it has more of a two-beat than a four-beat feel to is, doesn't mess up clave - it would tend to use rumba clave rather than son clave. I'll try to find a couple more examples. James barton 01:58, 22 February 2006 (UTC)[reply]

Thanks for the example, I'll have a look at it. I can see that a 2/4 time signature could work, but I'm skeptical to an uneven lower-number, such as 3/4 or 6/8, as it won't be danceable using the popular salsa dance style, and I believe the standard son or rumba clave would have to be modified to "fit" (however, according to clave rhythm, there exists a specific 6/8 clave used in certain types of rumba). Regarding the sentence, I'm open to suggestions, and the change by TUF-KAT sounds fine with me: "Salsa music is traditionally based on a 4/4 time signature". The Rhythm section could use more references though; I'll try to assist with that shortly. / Wintran 08:54, 22 February 2006 (UTC)[reply]

As you say, 2/4 could work with salsa, but a 6/8 rumba won't. Rumba dance has a two feel to it, so it can work with 4/4 salsa music, being danced on the 1 and 3, but it can also be danced to 6/8 rumba music, which is felt as two groups of three. I'm going to ask someone more knowledgeable for more rumba examples :-) James barton 09:16, 22 February 2006 (UTC)[reply]

1980s

Merengue is explicitly mentioned here as sapping the audience for salsa, while being included as a type of salsa in the songs and instrumentation section. This isn't neccessarily a contradiction, but could use some clarification James barton 12:05, 20 February 2006 (UTC)[reply]

1990s

La Sonora Carruseles is a band, not a singer. James barton 12:05, 20 February 2006 (UTC)[reply]

The comment above is accurate. In the same section, there's another error: Carlos Vives is not a salsa musician. Colombian vallenato fused with rock is not salsa. Vives and Sonora Carruseles are also not responsible for the spread of salsa music in Colombia! More likely the popularity is due to the Puerto Rican and Cuban salsa musicians who toured through the country - do a lit search on musicologist Lise Waxer, for one, to find more information on how salsa spread in Colombia.

I have restated that paragraph to more directly state what the source claims. The origins of Colombian salsa are already covered elsewhere. It never said that Vives and Carruseles are responsible for the spread of salsa in Colombia. Tuf-Kat 03:50, 22 February 2006 (UTC)[reply]

Comment about the samples

Could someone give me the criteria that made these three samples worth of inclusion in this article. In many music genres articles, many users posts samples of their favorite songs, which I'm trying to prevent. Songs samples should be encyclopedic and chosen for their contribution to music history (in this case Salsa), and their goal should be a better understanding of the article: the reader listening to these samples should be able to understand more the evolution and the characteristics of Salsa music. Although I don't know nothing about Salsa and I don't have time to read all this article, could you give a small "notability rationale" for each sample? Thank you. CG 11:21, 9 March 2006 (UTC)[reply]

Well, the samples were chosen because they were pretty representative of several styles, and because I had them or could download them to my computer. I can assure you they're not my favorite songs, as I don't really listen to salsa and have no favorite songs. Whether or not they're the best songs to have samples from is a separate question, irrelevant until someone comes along with more choices. Tuf-Kat 12:30, 9 March 2006 (UTC)[reply]

I'll try to search for a "Salsa" forum and ask some experts about which songs are the most representative and try to retreive them. As for the samples location, I prefer them to go to the end on a section by themselves, because they will be more visible, and because of standarising issue: most of music articles use a separate section for samples. CG 16:20, 9 March 2006 (UTC)[reply]

I think most people, or at least guidelines and policies, opposed having a seperate section. One reason is that if the samples can't be incorporated into the article flow then they add nothing (since they are obviously unrelated). Hyacinth 05:31, 10 March 2006 (UTC)[reply]

Agreed -- it's mentioned on FAC before. I know I've mentioned it and suggested moving samples elsewhere, but I'm pretty sure others have done the same. Tuf-Kat 12:10, 10 March 2006 (UTC)[reply]

History first?

I have reverted a change which moved the history section to the beginning. It makes more sense to start with "characteristics", since we should be explaining what salsa actually is before we start going into all the other stuff. The same edit turned "Characteristics" to "Musical characteristics", which is unnecessary because there's no other kind of characteristic it could reasonably be. Tuf-Kat 08:19, 1 April 2006 (UTC)[reply]

Would you consider putting the part on the word "salsa" later in the piece? It just struck me as not making sense to put that first. Whatever goes first is implied to be the most important aspect of the topic and I think this issue of nomenclature is really much less important than the history and characteristics of the music. It's kind of an internal debate in the salsa community which, although important, is perhaps not so relevant as the basic info. Mona-Lynn 22:28, 1 April 2006 (UTC)[reply]

You have a good point, but I think the wiki standard is to put discussion of the title of the article near the top. This provides the most benefit for the reader who may not be entirely certain what they're looking for -- it explains what "salsa" means and may point people to other articles that are more specific to what they're researching (e.g. music of Cuba, mambo). The first thing we should do is set up the scope of the article, and in this case, that means a long-winded explanation of how the word is used. Tuf-Kat 22:53, 1 April 2006 (UTC)[reply]

Hmmm. I think it could be said in a much more succinct manner for the purposes of the casual reader, who might find all the details of that debate a bit esoteric. Might be enough to just say that some of the seminal musicians dislike the umbrella aspect of the term and don't relate to it much, while for many contemporary musicians as well as the rest of the world the term has meaning and is in general use. Also I'm a great believer that proportion of space given to an aspect of a topic would generally be taken as proportion of importance to a topic, and I guess I think the depth given to this particular point is disproportional. However, I know this article has a history that I haven't been part of so I'll leave it at that. Mona-Lynn 23:32, 1 April 2006 (UTC)[reply]

It might be reasonable to move what's there (in "the word salsa" section) to an article (salsa (word), I guess), and leave behind a summary, but it would be difficult to summarize all that neutrally in three or four paragraphs. Does anybody else have any thoughts? Tuf-Kat 01:08, 2 April 2006 (UTC)[reply]

@@ Line 236: / Line 236: @@
 :I have switched it to use non-breaking spaces between cites and the preceeding sentence. [[User:TUF-KAT|Tuf-Kat]] 08:48, 15 February 2006 (UTC)
 ::Most FAs use the citation format I switched it to; that's why I changed it. --[[User:Spangineer|Spangineer]]&nbsp;<small><font color="brown">[[User talk:Spangineer|(háblame)]]</font></small> 00:50, 16 February 2006 (UTC)
+You may want to vary the salsa clips. All three are cuban salsa's when true salsa is new york not cuban. Fania new york salsa should be included and puerto rican as well.
 ==Band leaders==