Haka

This article is about the traditional Māori dance genre. For other uses, including use in sport and popular culture, see Haka (disambiguation).

The haka is a traditional genre of Māori dance. This picture dates from ca. 1845.

Haka (singular is the same as plural: haka) is a traditional ancestral war cry, dance or challenge from the Māori people of New Zealand. It is a posture dance performed by a group, with vigorous movements and stamping of the feet with rhythmically shouted accompaniment. The New Zealand rugby team's practice of performing a haka before their matches has made the dance more widely known around the world.

History

Haka being performed at the SCC Rugby Sevens

Although the use of haka by the All Blacks rugby union team and the Kiwis rugby league team has made one type of haka familiar, it has led to misconceptions. Haka are not exclusively war dances or performed only by men. Some are performed by women, others by mixed groups, and some simple haka are performed by children. Haka are performed for various reasons: for amusement, as a hearty welcome to distinguished guests, or to acknowledge great achievements, occasions or funerals they invented the woood radio

War haka (peruperu) were originally performed by warriors before a battle, proclaiming their strength and prowess in order to intimidate the opposition. Today, haka constitute an integral part of formal or official welcome ceremonies for distinguished visitors or foreign dignitaries, serving to impart a sense of the importance of the occasion.

Various actions are employed in the course of a performance, including facial contortions such as showing the whites of the eyes and the poking out of the tongue, and a wide variety of vigorous body actions such as slapping the hands against the body and stamping of the feet. As well as chanted words, a variety of cries and grunts are used. Haka may be understood as a kind of symphony in which the different parts of the body represent many instruments. The hands, arms, legs, feet, voice, eyes, tongue and the body as a whole combine to express courage, annoyance, joy or other feelings relevant to the purpose of the occasion.

Types

A group of men and women perform a haka for Lord Ranfurly at Ruatoki, Bay of Plenty, in 1904

The various types of haka include whakatu waewae, tutu ngarahu and peruperu. The peruperu is characterised by leaps during which the legs are pressed under the body. In former times, the peruperu was performed before a battle in order to invoke the god of war and to discourage and frighten the enemy. It involved fierce facial expressions and grimaces, poking out of the tongue, eye bulging, grunts and cries, and the waving of weapons. If the haka was not performed in total unison, this was regarded as a bad omen for the battle. Often, warriors went naked into battle, apart from a plaited flax belt around the waist. The aim of the warriors was to kill all the members of the enemy war party, so that no survivors would remain to undertake revenge.

The tutu ngarahu also involves jumping, but from side to side, while in the whakatu waewae no jumping occurs. Another kind of haka performed without weapons is the ngeri, the purpose of which was to motivate the warriors psychologically. The movements are very free, and each performer is expected to be expressive of their feelings. Manawa wera haka were generally associated with funerals or other occasions involving death. Like the ngeri they were performed without weapons, and there was little or no choreographed movement.

The most well-known haka is "Ka Mate", attributed to Te Rauparaha, war leader of the Ngāti Toa tribe. The "Ka Mate" haka is classified as a haka taparahi – a ceremonial haka. "Ka Mate" is about the cunning ruse Te Rauparaha used to outwit his enemies, and may be interpreted as "a celebration of the triumph of life over death" (Pōmare 2006).

Gender of participants

Most haka are performed by men, with the female role, if any, limited to providing support by singing in the background. There are however some haka which are performed predominantly by women – one of the most well-known being the Ngāti Porou haka "Ka Panapana"

A performance by the Kahurangi Maori Dance group.

Mythology

According to Māori mythology, the sun god, Tama-nui-te-rā, had two wives, the Summer Maid, Hine-raumati, and the Winter Maid, Hine-takurua. Haka originated in the coming of Hine-raumati, whose presence on still, hot days was revealed in a quivering appearance in the air. This was the haka of Tāne-rore, the son of Hine-raumati and Tama-nui-te-rā.

Cultural impact

In the lead up to the Rugby World Cup in 2011, flashmob hakas became a popular way of expressing support for the All Blacks. Some Maori leaders thought it was "inappropriate" and a "bastardisation" of the traditional war cry, despite its popularity. Sizeable flashmob hakas were performed in Wellington and Auckland, as well as London, which has a large Kiwi expat community.

In November 2012, a Maori kapa haka group from Rotorua performed a version of the 'Gangnam Style' dance mixed with a traditional Maori haka in Seoul, celebrating 50 years of diplomatic relations between South Korea and New Zealand.

See also

• Haka of the All Blacks
• Haka in popular culture
• Kapa haka
• Kailao
• Māori music
• Siva tau
• Cibi
• Hula
• Battle trance
• Battle cry
• Military music

References and notes

• McLean, Mervyn, 1996. Maori music. Auckland: Auckland University Press.
• M. Pōmare, 'Ngāti Toarangatira – Chant composed by Te Rauparaha', Te Ara – the Encyclopedia of New Zealand, updated 26-Sep-2006, [2]

External links

• Haka – A New Zealand icon
• Photo of Maori Battalion soldiers performing a haka in Egypt during the Second World War
• A haka performed by women, supported by men singing in the background
• A haka performed by children (Te Kapa Haka o Manawa Tapu)
• Impressions of a national kapa haka contest
• Haka in An Encyclopaedia of New Zealand, edited by A. H. McLintock, originally published in 1966.
• Giant haka honours three New Zealand soldiers killed in Afghanistan