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[[Avant garde]] composer [[George Antheil]] (died 1959), a son of German immigrants and a neighbor of Lamarr in California, had experimented with automated control of musical instruments, including his music for ''[[Ballet Mécanique]]'', originally written for [[Fernand Léger]]'s 1924 abstract film. This score involved multiple [[player piano]]s playing simultaneously.
[[Avant garde]] composer [[George Antheil]] (died 1959), a son of German immigrants and a neighbor of Lamarr in California, had experimented with automated control of musical instruments, including his music for ''[[Ballet Mécanique]]'', originally written for [[Fernand Léger]]'s 1924 abstract film. This score involved multiple [[player piano]]s playing simultaneously.


During World War II Lamarr, who was fiercely pro-American, realized that a single radio-controlled torpedo could severely damage or sink enemy ships causing irreparable damage. However these radio-controlled torpedoes could easily be detected and jammed, by broadcasting interference at the frequency of the control-signal. Thereby causing the torpedo to go off course.
During World War II Lamarr, who was fiercely pro-American, realized that a single radio-controlled torpedo could severely damage or sink enemy ships causing irreparable damage. However, these radio-controlled torpedoes could easily be detected and jammed by broadcasting interference at the frequency of the control-signal, thereby causing the torpedo to go off course.


Using knowledge of Torpedoes gained from her first husband, the munitions manufacturer Mandl ; Antheil and Lamarr devolped the idea of using frequency hopping: in this case using a piano roll to randomly change the signal sent between the control-center and torpedo at short bursts within a range 88 frequencies on the spectrum (there are 88 black and white keys on a piano keyboard). The specific code for the sequnce of frequencies would be held identically by the controlling ship and in the torpedo. This basically encrypted the signal as it was impossible for the enemy to scan and jam all 88 frequencies, as this would require too much power. Antheill would control the frequency-hopping sequence using a player-piano mechanism, which he had earlier used to score his ''Ballet Mecanique.''
Using knowledge of Torpedoes gained from her first husband, the munitions manufacturer Mandl ; Antheil and Lamarr devolped the idea of using frequency hopping: in this case using a piano roll to randomly change the signal sent between the control-center and torpedo at short bursts within a range 88 frequencies on the spectrum (there are 88 black and white keys on a piano keyboard). The specific code for the sequnce of frequencies would be held identically by the controlling ship and in the torpedo. This basically encrypted the signal as it was impossible for the enemy to scan and jam all 88 frequencies, as this would require too much power. Antheill would control the frequency-hopping sequence using a player-piano mechanism, which he had earlier used to score his ''Ballet Mecanique.''

Revision as of 17:16, 23 August 2013

Hedy Lamarr
File:Hedy Lamarr-Algiers-38.JPG
Hedy Lamarr in Algiers (1938)
Born
Hedwig Eva Maria Kiesler

(1914-11-09)9 November 1914 [1]
Vienna, Austria-Hungary
Died19 January 2000(2000-01-19) (aged 85)
Casselberry, Florida, U.S.
Occupation(s)Actress, inventor
Years active1930–1958
Spouse(s)Fritz Mandl
(m. 1933–1937; divorced)
Gene Markey
(m. 1939–1941; divorced; 1 child)
John Loder
(m. 1943–1947; divorced; 2 children)
Teddy Stauffer
(m. 1951–1952; divorced)
W. Howard Lee
(m. 1953–1960; divorced)
Lewis J. Boies
(m. 1963–1965; divorced)

Hedy Lamarr (/ˈhɛdi/; 9 November 1914 – 19 January 2000)[1] was an Austro-American actress and inventor, celebrated for her great beauty, who was a contract star of MGM's "Golden Age."[2]

Mathematically talented,[3] she and composer George Antheil invented an early technique for spread spectrum communications and frequency hopping, necessary for wireless communication from the pre-computer age to the present day.[4][5]

When Lamarr worked with Max Reinhardt in Berlin, he called her the "most beautiful woman in Europe" due to her "strikingly dark exotic looks", a sentiment widely shared by her audiences and critics.[6][7][8] She gained fame after starring in Gustav Machatý's Ecstasy, a film which featured closeups of her character during orgasm in one scene, as well as full frontal nude shots of her in another scene, both very unusual for the socially conservative period in which the bulk of her career took place.

Early life

Lamarr was born Hedwig Eva Maria Kiesler in Vienna, Austria-Hungary, the only child of Gertrud "Trude" Kiesler (née Lichtwitz; 3 February 1897 – 27 February 1977), a pianist and Budapest native who came from the "Jewish haute bourgeoisie", although she had converted to Catholicism and was a "practicing Christian", and the Lemberg-born secular Jewish Emil Kiesler (27 December 1876 – 14 February 1935), a banker.[9]

Film career

Europe

File:Hedy Lamarr-1942.JPG
Publicity photo, 1942

In early 1933, at age 18, she starred in Gustav Machatý's film, Ecstasy, (Extase in German and Czech), which was filmed in Prague, Czechoslovakia. Lamarr’s role was that of a neglected young wife married to an indifferent older man. The film became notorious for Lamarr’s face in the throes of orgasm filmed in close-up and her full nudity in scenes where she is seen swimming and running through the woods.[10][11]

Friedrich Mandl, her first husband, objected to what he felt was exploitation of his wife, and “the expression on her face” during the simulated orgasm. He purportedly bought up as many copies of Ecstasy as he could find in an attempt to restrict its public viewing. In an autobiography of Lamarr written in later years, she insists that all sexual activity in the film was simulated; the orgasm achieved using "method acting reality”. The authenticity of passion was attained by the film director's off-screen manipulation of a safety pin strategically poking her bottom. The 19-year old Lamarr had married Mandl on 10 August 1933. Friedrich Mandl, reputed to be the third richest man in Austria, was a munitions manufacturer. In her autobiography Ecstasy and Me, Lamarr described Mandl as an extremely controlling man who prevented her from pursuing her acting career and kept her a virtual prisoner, confined to their castle home, “Schloss Schwarzenau”. Although half-Jewish, Mandl had close social and business ties to the fascist governments of Italy and Germany, selling munitions to Mussolini.[9]

In her memoir, Ecstasy and Me, Lamarr wrote that Mussolini and Hitler had attended lavish parties hosted at the Mandl home. Mandl had Lamarr accompany him to business meetings where he conferred with scientists and other professionals involved in military technology. These conferences became Lamarr's introduction to the field of applied science and the ground that nurtured her latent talent in the scientific field. [citation needed]

Lamarr's marriage to Mandl became unbearable and she devised a ruse to separate herself from both the marriage and the country. In Ecstasy and Me, she claimed to have disguised herself as her own maid and fled to Paris. Rumors stated that Lamarr persuaded Mandl to let her wear all of her jewelry for a dinner, then disappeared.[12]

Hollywood

File:Paul Henreid - Hedy Lamaar.JPG
Hedy Lamarr with Paul Henreid in The Conspirators (1944)

First she went to Paris, then met Louis B. Mayer in London. Mayer hired her and insisted that she change her name to Hedy Lamarr—she had been known as "the Ecstasy lady"[12]—choosing the surname in homage to a beautiful film star of the silent era, Barbara La Marr, who had died in 1926 from tuberculosis. She received good reviews for her American film debut in Algiers (1938) with Charles Boyer, who asked that Lamarr be cast after meeting her at a party.[12] In Hollywood, she was invariably cast as the archetypal glamorous seductress of exotic origins. Lamarr played opposite the era's most popular leading men. Her many films include Boom Town (1940) with Clark Gable and Spencer Tracy, Comrade X with Gable, White Cargo (1942), and Tortilla Flat (1942) with Tracy and John Garfield. In 1941, Lamarr was cast alongside Lana Turner and Judy Garland in Ziegfeld Girl. [citation needed]

White Cargo, one of Lamarr's biggest hits at MGM, contains, arguably, her most memorable film quote delivered with hints of a provocative invitation: "I am Tondelayo. I make tiffin for you?" Lamarr made 18 films from 1940 to 1949 even though she had two children during that time (in 1945 and 1947). After leaving MGM in 1945, she enjoyed her biggest success as Delilah in Cecil B. DeMille's Samson and Delilah, the highest-grossing film of 1949, with Victor Mature as the Biblical strongman. However, following her comedic turn opposite Bob Hope in My Favorite Spy (1951), her career went into decline. She appeared only sporadically in films after 1950, one of her last roles being that of Joan of Arc in Irwin Allen's critically panned epic, The Story of Mankind (1957).

Frequency-hopping spread-spectrum invention

File:Hedy Lamarr-publicity.JPG
Publicity photo, c. 1930s
Main article: Frequency-hopping spread spectrum

Avant garde composer George Antheil (died 1959), a son of German immigrants and a neighbor of Lamarr in California, had experimented with automated control of musical instruments, including his music for Ballet Mécanique, originally written for Fernand Léger's 1924 abstract film. This score involved multiple player pianos playing simultaneously.

During World War II Lamarr, who was fiercely pro-American, realized that a single radio-controlled torpedo could severely damage or sink enemy ships causing irreparable damage. However, these radio-controlled torpedoes could easily be detected and jammed by broadcasting interference at the frequency of the control-signal, thereby causing the torpedo to go off course.

Using knowledge of Torpedoes gained from her first husband, the munitions manufacturer Mandl ; Antheil and Lamarr devolped the idea of using frequency hopping: in this case using a piano roll to randomly change the signal sent between the control-center and torpedo at short bursts within a range 88 frequencies on the spectrum (there are 88 black and white keys on a piano keyboard). The specific code for the sequnce of frequencies would be held identically by the controlling ship and in the torpedo. This basically encrypted the signal as it was impossible for the enemy to scan and jam all 88 frequencies, as this would require too much power. Antheill would control the frequency-hopping sequence using a player-piano mechanism, which he had earlier used to score his Ballet Mecanique.

On August 11, 1942, U.S. patent 2,292,387 was granted to Antheil and "Hedy Kiesler Markey", Lamarr's married name at the time. This early version of frequency hopping, although novel soon met with opposition from the U.S. Navy and was not adopted.[13]The idea was not implemented in the USA until 1962, when it was used by U.S. military ships during a blockade of Cuba after the patent had expired. Perhaps owing to this lag in development, the patent was little known until 1997, when the Electronic Frontier Foundation gave Lamarr a belated award for her contributions.[5] In 1998, an Ottawa wireless technology developer, Wi-LAN Inc., acquired a 49% claim to the patent from Lamarr for an undisclosed amount of stock (Eliza Schmidkunz, Inside GNSS).[14]

Lamarr's and Antheil's frequency-hopping idea serves as a basis for modern spread-spectrum communication technology, such as Bluetooth, COFDM used in Wi-Fi network connections, and CDMA used in some cordless and wireless telephones.[15] Blackwell, Martin, and Vernam's 1920 patent Secrecy Communication System (1598673) seems to lay the communications groundwork for Kiesler and Antheil's patent, which employed the techniques in the autonomous control of torpedoes. Lamarr wanted to join the National Inventors Council but was reportedly told by NIC member Charles F. Kettering and others that she could better help the war effort by using her celebrity status to sell War Bonds.[16][17]

Later years

John Hodiak and Lamarr in A Lady Without Passport (1950)

Lamarr became a naturalized citizen of the United States on 10 April 1953. In 1966, Lamarr was arrested for shoplifting in Los Angeles.[18] The charges were eventually dropped. In 1991, she was arrested on the same charge in Florida, this time for $21.48 worth of laxatives and eye drops. She pleaded "no contest" to avoid a court appearance, and in return for a promise to refrain from breaking any laws for a year, the charges were once again dropped.[19]

According to her autobiography, Ecstasy and Me (1966), while attempting to flee her husband, Friedrich Mandl, she reputedly slipped into a brothel and hid in an empty room. While her husband searched the brothel, a man entered the room and she had sex with him so she could remain hidden. She was finally successful in escaping when she hired a new maid who resembled her; she drugged the maid and used her uniform as a disguise to escape.[20] Lamarr later sued the publisher, saying that many of the anecdotes in the book, which was described by a judge as "filthy, nauseating, and revolting," were fabricated by its ghost writer, Leo Guild.[21] She was also sued in Federal Court by Gene Ringgold, who asserted the actress's autobiography contained material from an article he wrote in 1965 about her life for the magazine Screen Facts.[22]

The publication of her autobiography, Ecstasy and Me (1967), took place about a year after accusations of shoplifting, and a year after Andy Warhol's short film Hedy (1966), also known as The Shoplifter. The shoplifting charges coincided with a failed return to the screen in Picture Mommy Dead (1966). The role was ultimately filled by Zsa Zsa Gabor. Ecstasy and Me begins in a despondent mood, with this reference:

On a recent evening, sitting home alone suffering and brooding about my treatment at the police station because of an incident in a department store, and being replaced by Zsa Zsa Gabor in a motion picture (imagine how that pleased the ego!) I figured out that I had made – and spent – some thirty million dollars. Yet earlier that day I had been unable to pay for a sandwich at Schwab's drug store.

The 1970s were a decade of increasing seclusion for Lamarr. She was offered several scripts, television commercials, and stage projects, but none inspired her interest. In 1974, Lamarr filed an invasion of privacy lawsuit to the tune of $10 million for the unauthorized use of her name in the Mel Brooks satire Blazing Saddles; the case was settled out of court. Tired of the life of a celebrity and with her eyesight failing, Lamarr retreated from public life and settled in Miami Beach, Florida in 1981.[9]

For several years beginning in 1997, the boxes of CorelDRAW's software suites were graced by a large Corel-drawn image of Hedy Lamarr. The picture won CorelDRAW's yearly software suite cover design contest in 1996. Lamarr sued Corel for using the image without her permission. Corel countered that she did not own rights to the image. The parties reached an undisclosed settlement in 1998.[23][24]

For her contribution to the motion picture industry, Hedy Lamarr has a star on the Hollywood Walk of Fame at 6247 Hollywood Blvd.[25]

Death

Lamarr died in Casselberry, Florida on 19 January 2000, aged 85. Her death certificate cites three causes: heart failure, chronic valvular heart disease, and arteriosclerotic heart disease.[26] Her death coincided with her daughter Denise's 55th birthday. Her son Anthony Loder took her ashes to Austria and spread them in the Vienna Woods, in accordance with her last wishes.[27]

Marriages and relationships

Lamarr was married six times, and had three children, one of whom was adopted:

Child: James Lamarr Markey (born 9 January 1939), adopted on 12 June 1939, and adopted again by John Loder, who changed the boy's name to James Lamarr Markey Loder
Child: Denise Loder (born 19 January 1945)
Child: Anthony Loder (born 1 February 1947), featured in the 2004 documentary film Calling Hedy Lamarr[27]
  • Ernest "Ted" Stauffer (married 1951–1952), nightclub owner, restaurateur, and former bandleader
  • W. Howard Lee (married 1953–1960); a Texas oilman (who later married film actress Gene Tierney)
  • Lewis J. Boies (married 1963–1965); Lamarr's own divorce lawyer

Other media appearances

An Off-Broadway play, Frequency Hopping, features the lives of Lamarr and Antheil. The play was written and staged by Elyse Singer [who?] in 2008, and the script won a prize for best new play about science and technology from STAGE.[9][29]

The 2010 New York Public Library's exhibit: “Thirty Years of Photography at the New York Public Library” includes a photo of a topless Lamarr (ca. 1930) by Austrian-born American photographer Trude Fleischmann.

The story of Lamarr's frequency-hopping spread-spectrum invention was explored in an episode of the Science Channel show Dark Matters: Twisted But True, a series which explores the darker side of scientific discovery and experimentation, which premiered on 7 September 2011.[30] Her story was also featured in the premiere episode of the Discovery Channel show "How We Invented the World". According to actress Anne Hathaway, her portrayal of Catwoman in the 2012 film, The Dark Knight Rises, was based on Lamarr.[31]

In the comedic Mel Brooks film Blazing Saddles, Harvey Korman's character is named Hedley Lamarr; she objected to this and filed a lawsuit on the basis that it intruded upon her privacy, but the case was settled out of court for an undisclosed amount. [citation needed]

Filmography

Year Title Role Leading man Notes
1930 Gold on the Street Young Girl Georg Alexander Geld auf der Straße
1931 Storm in a Water Glass Secretary Paul Otto Sturm im Wasserglas
1931 The Trunks of Mr. O.F. Helene Alfred Abel Die Koffer des Herrn O.F.
1932 No Money Needed Käthe Brandt Heinz Rühmann Man braucht kein Geld
1933 Ecstasy Eva Hermann Aribert Mog Ekstase
1938 Algiers Gaby Charles Boyer
1939 Lady of the Tropics Manon deVargnes Carey Robert Taylor
1940 I Take This Woman Georgi Gragore Decker Spencer Tracy
1940 Boom Town Karen Vanmeer Clark Gable
1940 Comrade X Theodore Clark Gable
1941 Come Live With Me Johnny Jones James Stewart
1941 Ziegfeld Girl Sandra Kolter James Stewart
1941 H.M. Pulham, Esq. Marvin Myles Ransome Robert Young
1942 Tortilla Flat Dolores Ramirez Spencer Tracy
1942 Crossroads Lucienne Talbot William Powell
1942 White Cargo Tondelayo Walter Pidgeon
1944 The Heavenly Body Vicky Whitley William Powell
1944 The Conspirators Irene Von Mohr Paul Henreid
1944 Experiment Perilous Allida Bederaux George Brent
1945 Her Highness and the Bellboy Princess Veronica Robert Walker
1946 The Strange Woman Jenny Hager George Sanders
1947 Dishonored Lady Madeleine Damien Dennis O'Keefe
1948 Let's Live a Little Dr. J.O. Loring Robert Cummings
1949 Samson and Delilah Delilah Victor Mature
1950 A Lady Without Passport Marianne Lorress John Hodiak
1950 Copper Canyon Lisa Roselle Ray Milland
1951 My Favorite Spy Lily Dalbray Bob Hope
1953 The Lovers of Paris L'amante di Paride
1955 Eternal Woman Herself Massimo Serato
1957 The Story of Mankind Joan of Arc Ronald Colman
1958 The Female Animal Vanessa Windsor George Nader

See also

References

Citations
  1. ^ a b According to Stephen Michael Shearer's biography of Lamarr, Beautiful: The Life of Hedy Lamarr (pages 8, 339), she was born in 1914, not 1913. An email from Anthony Loder, Lamarr's son to this editor in response to a query regarding the correct year of birth also confirms 1914 as the year in question.
    Thomas Dunne Books, an imprint of St. Martin's Press © 2010; ISBN 978-0-312-55098-1.
  2. ^ Profile at edition-filmmuseum.com
  3. ^ "Scientificamerican" blogsite comments
  4. ^ "Hedy Lamarr: Inventor of more than the 1st theatrical-film orgasm". LA Times. 28 November 2010. Retrieved 26 July 2012.
  5. ^ a b "Movie Legend Hedy Lamarr to be Given Special Award at EFF's Sixth Annual Pioneer Awards" (Press release). Electronic Frontier Foundation. 11 March 1997. Retrieved 4 July 2007.
  6. ^ "European Exotic". New York Times. 10 December 2010. Retrieved 26 July 2012.
  7. ^ Profile at tcm.com
  8. ^ Profile at classicmoviechat.com
  9. ^ a b c d Shearer, Stephen Michael. Beautiful: The Life of Hedy Mamarr. Thomas Dunne Books. ISBN 978-0-312-55098-1. {{cite book}}: |access-date= requires |url= (help)
  10. ^ Poster of Ecstasy
  11. ^ "Secrets of a Hollywood Star" series at edition-filmmuseum.com
  12. ^ a b c Friedrich, Otto (1997 (reprint)). City of Nets: A Portrait of Hollywood in the 1940s. Berkeley and Los Angeles: University of California Press. pp. 12–13. ISBN 0520209494. {{cite book}}: Check date values in: |year= (help)CS1 maint: year (link)
  13. ^ Tony Long, This Day in Tech: Aug. 11, 1942: Actress + Piano Player = New Torpedo, Wired, 11 August 2011; accessed 17 October 2011.
  14. ^ Player Pianos, Sex Appeal, and Patent #2,292,387, Inside GNSS (September 2006)
  15. ^ MicroTimes: The Birth Of Spread Spectrum
  16. ^ Robert A. Scholtz, "The Origins of Spread-Spectrum Communications", IEEE Transactions on Communications, Vol. 30, No. 5, May 1982, p. 822.
  17. ^ Robert Price, "Further Notes and Anecdotes on Spread-Spectrum Origins," IEEE Transactions on Communications, Vol. 31, No. 1, January 1983, p. 85.
  18. ^ "Hedy Lamarr Shoplifting? - Only Had $14,000 Along" [1]
  19. ^ Orlando Sentinel (24 October 1991): "Hedy Lamarr Won't Face Theft Charges If She Stays In Line" [2] Retrieved 10 June 2010.
  20. ^ Hedy Lamarr, with Leo Guild and Cy Rice, Ecstasy and Me: My Life as a Woman, New York: Bartholomew House, 1966.
  21. ^ "Hedy Lamarr Loses Suit to Halt Book", The New York Times, 27 September 1966, p. 74.
  22. ^ "Lamarr Autobiography Prompts Plagiarism Suit", The New York Times, 7 February 1967, p. 18.
  23. ^ "Hedy Lamarr Sues Corel". 7 April 1998. Archived from the original on 6 July 2011.
  24. ^ Sprenger, Polly (30 November 1998). "Corel Caves to Actress Hedy Lamarr". Wired News.
  25. ^ Hollywood Chamber of Commerce. "Hollywood Walk of Fame directory". Archived from the original on 23 June 2007. Retrieved 5 July 2007.
  26. ^ Shearer, Stephen Michael. Beautiful: The Life of Hedy Lamarr, pg. 352. Thomas Dunne Books, an imprint of St. Martin's Press © 2010; ISBN 978-0-312-55098-1.
  27. ^ a b "Calling Hedy Lamarr", Mischief Films.
  28. ^ Ivanis, Daniel J. "The stars come out: Recruiting ad featuring Hedy Lamarr creates 'buzz't". Boeing Frontiers. Retrieved 16 February 2013.
  29. ^ "Frequency Hopping". Hourglass Group. Retrieved 11 February 2012.
  30. ^ "Positively Poisonous, Medusa's Heroin, Beauty and Brains". Dark Matters: Twisted But True. 7 September 2011. Science Channel.
  31. ^ "'Dark Knight Rises' star Anne Hathaway: 'Gotham City is full of grace'". Los Angeles Times. 29 December 2011. Retrieved 23 June 2012.
Bibliography
  • Barton, Ruth (2010). Hedy Lamarr: The Most Beautiful Woman in Film. Lexington: University of Kentucky Press. ISBN 978-0813136547.
  • Lamarr, Hedy (1966). Ecstasy and Me: My Life as a Woman. New York: Bartholomew House. ASIN B0007DMMN8.
  • Rhodes, Richard (2012). Hedy's Folly: The Life and Breakthrough Inventions of Hedy Lamarr. New York: Doubleday. ISBN 978-0307742957.
  • Shearer, Stephen Michael (2010). Beautiful: The Life of Hedy Lamarr. New York: St. Martin's Press. ISBN 0312550987.
  • Young, Christopher (1979). The Films of Hedy Lamarr. New York: Citadel Press. ISBN 978-0806505794.
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