Rubycon (album): Difference between revisions
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==Music== |
==Music== |
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The album consists of two long tracks, each just over 17 minutes long. “Rubycon, Part One,” the A side of the LP, “ebbs and flows through tense washes of echo and Mellotron choirs, as primitive sequencer lines bubble to the surface”.<ref |
The album consists of two long tracks, each just over 17 minutes long. “Rubycon, Part One,” the A side of the LP, “ebbs and flows through tense washes of echo and Mellotron choirs, as primitive sequencer lines bubble to the surface”.<ref name=allmusic /> The B side, “Rubycon, Part Two,” “opens in a wonderfully haunted way” before “the synthesizer arpeggios return to drive things along”.<ref name=allmusic /> |
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==Critical reception== |
==Critical reception== |
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{{Album ratings |
{{Album ratings |
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|rev1score = {{Rating|4.5|5}}<ref>{{allmusic|class=album|id=r83685|first=Glenn||last=Swan}}</ref> |
|rev1score = {{Rating|4.5|5}}<ref name=allmusic>{{allmusic|class=album|id=r83685|first=Glenn||last=Swan}}</ref> |
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Tom Moon includes ''Rubycon'' in his 2008 book ''[[1,000 Recordings to Hear Before You Die]]'': |
Tom Moon includes ''Rubycon'' in his 2008 book ''[[1,000 Recordings to Hear Before You Die]]'': |
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Revision as of 23:33, 29 April 2016
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Rubycon is the sixth studio album released in 1975 by German electronic music group Tangerine Dream.[1] It is widely regarded as one of their best albums. Rubycon further develops the Berlin School sequencer-based sound they ushered in with the title track from Phaedra.
Although not quite matching the sales figures for Phaedra, Rubycon reached number 10 in a 14-week run, their highest-charting album in the UK.[2]
Music
The album consists of two long tracks, each just over 17 minutes long. “Rubycon, Part One,” the A side of the LP, “ebbs and flows through tense washes of echo and Mellotron choirs, as primitive sequencer lines bubble to the surface”.[3] The B side, “Rubycon, Part Two,” “opens in a wonderfully haunted way” before “the synthesizer arpeggios return to drive things along”.[3]
Critical reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
Tom Moon includes Rubycon in his 2008 book 1,000 Recordings to Hear Before You Die: “This voyaging vision of sound, ever-unfolding and not quite ever arriving, has been imitated endlessly since 1975. But somehow its admirers haven’t quite captured the openness and faraway grandeur of Tangerine Dream”[4]
In his book Digital Gothic: A Critical Discography of Tangerine Dream, music journalist Paul Stump praises the album, noting: “Rubycon is simply a refinement of its predecessor—but to an acme of excellence, and demonstrates a mastery of primitive technology breathtaking in its audacity, tenacity and sheer artistic vision. It is probably the best album the band have made…” [5]
Tour
Christopher Franke's Moog synthesizer was damaged in transit during a tour after the album was released, and Franke himself was nearly killed from an electrical shock.[6]
Track listing
- "Rubycon, Part One" – 17:18
- Composed and played by:
- Edgar Froese: mellotron, guitar and VCS 3 synthesizer
- Christopher Franke: double Moog synthesizer, Synthi A, organ, modified Elka organ and prepared piano
- Peter Baumann: organ, EMS Synthi A, electric piano (Fender Rhodes) and prepared piano
- Composed and played by:
- "Rubycon, Part Two" – 17:35
Personnel
- Production credits
- Monique Froese – photography
- Mick Glossop – engineer
- Roland Paulick – technical assistance
References
- ^ Berling, Michael (29 September 2016). "Rubycon". Voices in the Net.
- ^ "TANGERINE DREAM | Official Charts Company". Officialcharts.com. Retrieved 21 April 2015.
- ^ a b c Swan, Glenn. Rubycon at AllMusic
- ^ Moon, Tom (2008). 1,000 Recordings to Hear Before You Die: A Listener’s Life List. 1,000… Before You Die Books. New York: Workman Publishing Company. p. 762. ISBN 076113963X.
- ^ Stump, Paul (1997). Digital Gothic: A Critical Discography of Tangerine Dream. Trowbridge: SAF Publishing Ltd. p. 67. ISBN 0946719187.
- ^ Prendergast, Mark (1994). "Tangerine Dream: Changing Use of Technology, Part 1: 1967-1977". Sound On Sound.