The track, with its prominent use of the Bo Diddley beat, was one of the first international disco hits and reached number 12 on the Billboard charts. It also made number one on the Billboardsoul singles chart for one week.[5] The phrases "got my sun roof down, got my diamond in the back" appeared as "diamond in the back, sun roof top" in William DeVaughn's 1974 hit "Be Thankful for What You Got"[6] and "one monkey don't stop no show" was used as the title of Honey Cone's 1971 hit "One Monkey Don't Stop No Show (Part 1)" and several others.
"Shame, Shame, Shame" also stayed at number one on the Billboarddisco/dance charts for four weeks.[7] A full-length album, Shame, Shame, Shame was subsequently recorded and released in 1975.[8]
Linda Fields & the Funky Boys recorded a version, sounding nearly identical and released it as a single in 1975; it was re-released in 1983 as a 12" EP. The version appears on several disco compilation albums and is often confused with the original. Their version charted concurrently with the original in New Zealand, reaching number 24.[29]
Ike & Tina Turner recorded a version that was released on the 1980 album The Edge,[30] it reached number 27 on the Billboard Disco chart.[31] In 1982, the song was released as a single in Europe and peaked at number 47 in the Netherlands.[32]
In 1974, French singer Henri Salvador recorded a parody, titled J'aime tes genoux (I like your knees).
Polish-Swedish singer, actress and model Izabella Scorupco recorded a very successful cover version of "Shame, Shame, Shame" in 1992, which was accompanied by a black-and-white music video directed by Swedish director Jonas Åkerlund.[33] It was produced by record producer and musician Christian Falk and became a chart hit in a number of European countries. In Norway and Sweden, it reached number two. The single was a Top 10 hit also in Belgium, Denmark and the Netherlands, where it peaked at number four and six. It appears on an extended version of her 1991 album, Iza.
In 1992, the song was also covered by British-American singer Sinitta and was released as a single, which peaked at number 28 in the UK Singles Chart and was later included on her third studio album, Naughty Naughty (1995).
Critical reception
Alan Jones from Music Week called the song "light, frothy, bouncy concentrated pop. A substantial hit."[46]