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Y tu mamá también

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This article is about the Mexican film. For the song by Asesino, see Cristo Satánico.
Y Tu Mamá También
Theatrical release poster showing the film's title on the upper half and the film's three main characters swimming in water on the bottom half. From left to right the characters are Diego Luna, Maribel Verdú and Gael García Bernal.
Theatrical release poster
Directed byAlfonso Cuarón
Written byCarlos Cuarón
Alfonso Cuarón
Produced byAlfonso Cuarón
Jorge Vergara
StarringMaribel Verdú
Gael García Bernal
Diego Luna
Narrated byDaniel Giménez Cacho
CinematographyEmmanuel Lubezki
Edited byAlex Rodríguez
Alfonso Cuarón
Music bySongs:
Natalie Imbruglia
Frank Zappa
Miho Hatori
Distributed by20th Century Fox (Mexico)
IFC Films (USA)
Good Machine (USA)
Release date
  • June 8, 2001 (2001-06-08)
Running time
106 minutes
CountryMexico
LanguageSpanish
Budget$5 million
Box office$33,616,692[1]

Y Tu Mamá También ([And Your Mother Too] Error: {{Lang-xx}}: text has italic markup (help)) is a 2001 Mexican drama film directed by Alfonso Cuarón and co-written by Cuarón and his brother Carlos. The film tells a coming-of-age story about two teenage boys who take a road trip with a woman in her late 20s. It stars Mexican actors Diego Luna and Gael García Bernal and Spanish actress Maribel Verdú in the leading roles. The film is part of the road movie genre, set in 1999 against the backdrop of the political and economic realities of present-day Mexico, specifically at the end of the uninterrupted 71-year line of Mexican presidents from the Institutional Revolutionary Party and the rise of the opposition led by Vicente Fox.

The film is recognized for its explicit depiction of sex and drug use, which caused complications in the film's rating certificate in various countries. In 2002, the film was released in English-speaking markets under its original Spanish title and opened in limited release in the United States. In Mexico, the film earned $2.2 million its first weekend in June 2001, making it the highest box office opening in Mexican cinema history.[2] In 2003, the film was nominated for Best Original Screenplay at the Academy Awards, as well as Best Foreign Language Film at the Golden Globe Awards in 2002.

Plot

The film uses an omniscient narrator to provide information on the characters and their personal life, historical Mexican events, and the settings depicted in the film. These "footnotes" also reveal the economic and political issues in Mexico, particularly the impoverished lifestyle of people living in rural areas across the country.

The story itself focuses on two boys at the threshold of adulthood: Julio (Gael García Bernal), from a leftist middle-class family, and Tenoch (Diego Luna), whose father is a high-ranking political official. The film opens with scenes of each boy having sex with his girlfriend one last time before the girls leave on a trip to Italy. Without their girlfriends around, the boys quickly become bored. At a wedding, they meet Luisa (Maribel Verdú), the Spanish wife of Tenoch's cousin Jano, and attempt to impress the older woman with talk of an invented, secluded beach called Boca del Cielo ("Heaven's Mouth"). She initially declines their invitation to go there with them, but changes her mind following a phone call in which Jano tearfully confesses cheating on her.

Although Julio and Tenoch have little idea where to find the promised beach, the three set off for it, driving through poor, rural Mexico. They pass the time by talking about their relationships and sexual experiences, with the boys largely boasting about their modest exploits, and Luisa speaking in more measured terms about Jano and wistfully of her first love, who died in a motorcycle accident when she was a teenager. On an overnight stop, she telephones Jano, leaving a "goodbye note" on his answering machine. Tenoch goes to her motel room looking for shampoo, but finds her crying. She seduces him, and he awkwardly but enthusiastically has sex with her. Julio sees this from the open doorway, and angrily tells Tenoch that he's had sex with Tenoch's girlfriend. The next day, Luisa tries to even the score by having sex with Julio; Tenoch then reveals he had sex with Julio's girlfriend. The boys begin to fight, until Luisa threatens to leave them.

By chance they find an isolated beach. They gradually relax and enjoy the beach and the company of a local family. In the nearby village, Luisa makes a final phone call to Jano, bidding him an affectionate but final farewell. That evening, the three drink excessively and joke recklessly about their sexual transgressions, revealing that the two boys have frequently had sex with the same women (their girlfriends, as well as Luisa). Julio adds "Y tu mamá también" (indicating he once had sex with Tenoch's mother), an opportunistic joke set against the background of the preceding shocking confessions. The three dance together sensually, then retire to their room. They begin to undress and grope drunkenly, both boys focusing their attentions on Luisa. As she kneels and stimulates them both, the boys grasp and kiss each other passionately.

The next morning, Luisa rises early, leaving the boys to wake up together, naked. They immediately turn away from each other, and are eager to return home. The narrator explains that they did so quietly and uneventfully, but Luisa stayed behind to explore the nearby coves. He further relates that the boys' girlfriends broke up with them, they started dating other girls, and they stopped seeing each other.

The final scene follows a chance encounter a year later, in 2000, the year that the Institutional Revolutionary Party lost the first election in 71 years. Both appear ill at ease. They are having a perfunctory cup of coffee together, awkwardly catching up on each other's lives and news of their friends. Tenoch informs Julio that Luisa died of cancer a month after their trip, and that she knew she was ill the whole time the three were together. Tenoch excuses himself, and they never see each other again.

Cast

Cuarón did not want to cast Diego Luna for the role of Tenoch because he was a teen idol and soap opera star [3]. Bernal convinced Cuarón to hire Luna, knowing their strong existing friendship would make the performance of their characters’ friendship much easier [3]. Cuarón ultimately hired Luna because he became convinced their bond would produce a natural and honest performance [3].

Production

Development

After working on Great Expectations and The Little Princess, Alfonso Cuarón envisioned a film that was not influenced by production techniques used in Hollywood cinema [4]. Cuarón wanted to reject commercial production techniques he had used in his previous films, like dollies, close ups, and dissolves [4]. Instead he embraced a documentary-realist style of filmmaking for Y tu mamá también [4]. Before making the film, Cuarón had worked for some time in Hollywood, prompting him to return to his roots in Mexican Cinema [5]. In an interview, Cuarón says: “I wanted to make the film I was going to make before I went to film school, and that was always going to be a film in Spanish, and a road movie involving a journey to the beach” [5].

Filming and Production

The director and screenwriter were not afraid of developing Y tu mamá también during the production process [5]. Carlos Cuarón’s script was minimal and unelaborate so the actors could contribute to its development during the rehearsal process [5]. Throughout the film the actors improvised [6]. Instead of using high-tech equipment, the entire film was shot with a handheld camera to create a documentary-realist look that mimicked candid footage [5]. In an interview, Cuarón said “This all goes back to our original idea of 15 years ago, in which we would do a low-budget road movie that would allow us to go with some young actors and semi-improvise scenes and have a bare storyline but not be afraid of adding things as we went” [5].

Locations

The beach scenes in the film were shot near to the resort Bahías de Huatulco, in Oaxaca.[7]

Distribution and Finance

Y tu mamá también was produced by Anhelo Producciones, a company co-founded by Cuarón and Jorge Vergara, a well-known Mexican businessman and the film’s producer[4]. The company provided sufficient funding to make the film and launch an impressive marketing campaign[4]. The $5 million film budget was substantial by Mexican film standards[4]. Advertisement and publicity appeared across Mexico[4]. The investment paid off and the film earned $2.2 million in the first week, breaking Mexico’s box office records for domestic films[4]. Along with the help of Anhelo Producciones, the ratings board controversy gave the film a lot of free publicity in Mexico[4].

The film became a global success after its distribution by major U.S. independent companies Good Machine and IFC Films[4]. The film was bought in the U.K. by the independent company Icon and in Mexico by major transnational corporation 20th Century Fox[4]. Overall, it made $13.62 million in profits within the Unites States and was distributed to forty countries[4].

Reception

Y Tu Mamá También was well received by critics upon its original release. The review aggregator website Rotten Tomatoes reported that 92% of critics gave the film positive reviews, based upon a sample of 130.[8] On Metacritic, which assigns a numbered rating out of 100 based on reviews from mainstream critics, the film has received an average score of 88 based on 35 reviews.[9] Roger Ebert gave the film four stars out of four, and referred to it as "One of those movies where 'after that summer, nothing would ever be the same again.' Yes, but it redefines 'nothing.'"[10]

Y Tu Mamá También won Best Screenplay Award at the Venice Film Festival. It was also a runner-up at the National Society of Film Critics Awards for Best Picture and Best Director and earned a nomination for Best Original Screenplay at the 2003 Academy Awards. The film made its U.S. premiere at the Hawaii International Film Festival.[11]

It was released without a rating in the U.S. because a market-limiting NC-17 was unavoidable.[12] The MPAA's presumed treatment of this film based on the graphic depiction of sex and drug use – in comparison to its much more accepting standards regarding violence – prompted critic Roger Ebert to question why movie industry professionals were not outraged: "Why do serious film people not rise up in rage and tear down the rating system that infantilizes their work?"[13]

Censorship Controversy

In 2001, Alfonso and Carlos Cuarón sued the Mexican Directorate of Radio, Television, and Cinema (RTC) for the film’s 18-and-over rating, which they considered illegal political censorship [5]. They took legal action to expose the government-controlled ratings board, prompting its transformation into an autonomous organization free of government involvement and political influence [5]. The brothers sought a 12-and-over rating with encouraged parental guidance because the film was aimed toward a teenage audience [5]. The 18+ rating was administered due to the film’s strong sexual content involving teens, drug use, and explicit language [5]. They claimed the ratings board was operating illegally by denying parents the responsibility to choose what their child can watch, violating fundamental legal rights in Mexico [5].

Awards

Wins
Nominations

Accolades

Soundtrack

No.TitleWriter(s)ArtistLength
1."Here Comes the Mayo"Barry Ashworth, Francisco "Paco" Ayala, Randy Ebright, Ismael Fuentes, Miguel Huidobro, Jason O'BryanMolotov and Dub Pistols4:06
2."La Sirenita"Ignacio JaimePlastilina Mosh3:55
3."To Love Somebody"Barry Gibb, Robin GibbEagle Eye Cherry3:55
4."Showroom Dummies"Ralf HütterSeñor Coconut5:29
5."Insomnio"Rubén Isaac Albarrán Ortega, Emmanuel del Real Díaz, Aleja Flores, Enrique Rangel Arroyo, José Alfredo Rangel ArroyoCafé Tacuba2:59
6."Cold Air"Corner, Coverdale-Howe, Natalie Imbruglia, PickeringNatalie Imbruglia5:01
7."Go Shopping"Bran Van 3000Bran Van 30002:52
8."La Tumba Será el Final"Felipe Valdés LealFlaco Jiménez2:44
9."Afila el Colmillo"E. Acevedo, Jay de la Cueva, J. B. Lede, María Rodríguez, Florentino Ruiz CarmonaTitán, La Mala Rodríguez2:52
10."Ocean in Your Eyes"Miho Hatori, Smokey HormelMiho Hatori, Smokey Hormel4:02
11."Nasty Sex"Fancisco Javier del Campo, Muriel Rojas Rodríguez, Óscar Rojas RodríguezLa Revolución de Emiliano Zapata4:02
12."By This River"Brian Eno, Dieter Moebius, Hans-Joachim RoedeliusBrian Eno3:03
13."Si No Te Hubieras Ido"Marco Antonio SolísMarco Antonio Solís4:47
14."Watermelon in Easter Hay"Frank ZappaFrank Zappa9:05
15."Y tu mama tambien"Upsurt ft. BeloslavaUpsurt ft. Beloslava3:55

Notes

References

  1. ^ Y Tu Mamá También at Box Office Mojo
  2. ^ "Trivia for Y tu mamá también". Internet Movie Database. Retrieved 7 October 2009.
  3. ^ a b c "Gael García Bernal and Diego Luna on Y Tu Mamá También." [[1]] The Criterion Collection. N.p., 13 Aug. 2014. Web. 14 Nov. 2014.
  4. ^ a b c d e f g h i j k l Shaw, Deborah. The Three Amigos. Manchester, United Kingdom: Manchester University Press, 2013. Print.
  5. ^ a b c d e f g h i j k Wood, Jason. The Faber Book of Mexican Cinema. London, United Kingdom: Faber and Faber Limited, 2006. Print
  6. ^ Julian Smith, Paul. Mexican Screen Fiction. Cambridge, United Kingdom: Polity Press, 2014. Print.
  7. ^ From the film credits
  8. ^ "Y Tu Mamá También – Rotten Tomatoes". Rotten Tomatoes. IGN Entertainment, Inc. Retrieved 2010-09-05.
  9. ^ "Y Tu Mamá También (2002): Reviews". Metacritic. CNET Networks, Inc. Retrieved 2009-05-06.
  10. ^ Ebert, Roger (5 April 2002). "Y tu mama tambien; Review". Chicago Sun-Times. Retrieved 8 October 2009.
  11. ^ Tsai, Michael (30 March 2005). "The 25th Hawaii International Film Festival". Honolulu Advertiser. Retrieved 14 December 2010.
  12. ^ [2] The movie business book By Jason E. Squire
  13. ^ Roger Ebert (2002-04-05). "Y Tu Mama Tambien". Chicago Sun-Times. Retrieved 2007-06-09.
  14. ^ "The 100 Best Films Of World Cinema | 20. Y tu mamá también". Empire. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  15. ^ "Films of the Decade". Los Angeles Film Critics Association.
  16. ^ "The Best 1,000 Movies Ever Made". The New York Times. 2003-04-29.
  17. ^ "25 Sexiest Movies Ever!". Entertainment Weekly. 2008-11-25.
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