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Green Day

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Green Day

Green Day is a musical group, consisting of Billie Joe Armstrong (guitar, lead vocals), Mike Dirnt (bass) and Tré Cool (drums). Their back up players on guitar and keyboards are Jason White and Jason Freese. Green Day is widely credited, along with fellow California bands The Offspring and Rancid, with reviving mainstream popular interest in punk rock in the United States during the mid 1990s.[1][2] Their success has influenced prominent pop punk bands like Sum 41 and Good Charlotte.[2]

The band has sold over 30 million albums in the United States, and over 70 million records worldwide, thus[3][4] making them the most successful punk band of all time.[5] Green Day currently has three Grammy Awards under their belt for Alternative Album for Dookie, Best Rock Album for American Idiot, and Record of the Year for their single "Boulevard of Broken Dreams".

History

Formation and Lookout! years (1986–1992)

Template:Sound sample box align rightTemplate:Sample box end In 1986, childhood friends Billie Joe Armstrong and Mike Dirnt (both 14 years old) formed the two person band Sweet Children. The first Sweet Children show was on October 17, 1988, at Rod's Hickory Pit in Vallejo, California where Armstrong's mother was working. In 1989, drummer Al Sobrante joined Armstrong and Dirnt after his band Isocracy broke up. The trio decided to form a new band[citation needed], allegedly they chose the name, Green Day, after a marijuana reference, and performed their first show in the courtyard of Contra Costa College, a junior college in San Pablo where Sobrante attended.

Larry Livermore, who played guitar for The Lookouts and ran the Berkeley, California independent label Lookout! Records, offered the band a record deal after hearing them play. The band, he said, played the show like "The Beatles at Shea Stadium"[6][7] In late 1989 they released their first EP, 1,000 Hours, and quickly followed it up with their first LP, 39/Smooth in early 1990.

I.R.S. Records made an attempt to sign Green Day, but the band made it clear that they were loyal to Lookout! Records, saying that I.R.S. was a cheesy and washed-up label[8] They recorded two more EPs later that year: Slappy and Sweet Children, the latter of which included some older songs for the Minneapolis, Minnesota indie label Skene! Records. In 1991, Lookout! Records released 1,039/Smoothed Out Slappy Hours, a compilation of the 39/Smooth, Slappy, and 1,000 Hours EPs. In late 1990, shortly after the band's first nationwide tour, Sobrante moved to Arcata, California to attend college. Lookouts drummer Tré Cool began filling in as a temporary replacement, and when it became clear that Sobrante did not plan on committing to the band full time, Cool's position as Green Day's drummer became permanent.

In January 1991, Green Day wrote and recorded their second album, and first to feature Tré Cool on drums, Kerplunk!, it was released on Lookout! Records in 1992. The album included the track "Welcome to Paradise", which was re-recorded for Green Day's major-label debut, Dookie. The first track off of Kerplunk, "2000 Light Years Away", was also remixed with Reprise Records and was released on the Jerky Boys movie soundtrack. The band went on tour for most of 1992 and 1993, and played a stretch of shows overseas in Europe. The album sold about 50,000 copies in the U.S.,[9] which was considered quite a large amount for the independent punk scene in 1992. It eventually sold over 2 million albums worldwide.

Reprise Records and the '90s (1992–1999)

Template:Sound sample box align right Template:Multi-listen start Template:Multi-listen item Template:Multi-listen item Template:Multi-listen item Template:Multi-listen item Template:Multi-listen end Template:Sample box end Kerplunk!'s underground success led to a wave of interest coming from major record labels, and eventually they left Lookout! on friendly terms and signed with Reprise Records after attracting the attention of producer Rob Cavallo, who would produce almost all of the band's albums from then on. Signing to Reprise caused many punk rock fans to regard Green Day as sellouts.[10] Reflecting on the period, Armstrong told SPIN magazine in 1999, "I couldn't go back to the punk scene, whether we were the biggest success in the world or the biggest failure ... The only thing I could do was get on my bike and go forward."[11] They then went to work on recording their major label debut, Dookie.

Released in February of 1994, and recorded in a mere 3 weeks, Dookie became a commercial sensation, helped by extensive MTV airplay for the videos "Longview", "When I Come Around", and "Basket Case", all of which sat in the #1 position on the Modern Rock Tracks chart. That year, Green Day embarked on a nationwide tour with queercore band Pansy Division as their opening act. The band also joined the lineups of both the Lollapalooza festival and Woodstock 1994, where they started an infamous mud fight. During the concert, a security guard mistook bassist Mike Dirnt for a stage-invading fan and punched out some of his teeth. The Woodstock 1994 performance further aided Green Day's growing publicity and recognition,[12] and helped push their album to eventual diamond status.

Dookie had received a very positive response, with All Music calling it, "...a stellar piece of modern punk that many tried to emulate but nobody bettered."[13] Dookie appeared in the book 1,001 Albums You Must Hear Before You Die,[14] and in Rolling Stone Magazine's 500 Greatest Albums of All Time issue, Dookie was placed at number 193,[15] in the top 39%, and making it the highest placed punk album released since 1979. It beat out favorites such as Wish You Were Here by Pink Floyd, and Black Sabbath's eponymous debut album.

In 1995, Dookie won the Best Alternative Album and the band was nominated for 9 MTV Video Music Awards including Video of the Year, Best Group Video, Best Hard Rock Video, Best Alternative Video, Breakthrough Video, Best Direction, Best Editing, Best Cinematography, and Viewer's Choice. Green Day won the Outstanding Album, Outstanding Bassist, Outstanding Drummer and Outstanding Group at the Bay Area Music in San Francisco at Warfield Theatre. The music video for "Longview" was nominated at the MTV Video Music Awards for Best Group Video, Best New Artist and Best Alternative Video.[16]

In 1995, a new single for the Angus soundtrack was released, titled J.A.R.. The single went straight to #1 on the Billboard Modern Rock Tracks chart. The song was followed by their new album, Insomniac, which was released in the fall of 1995. Insomniac was a much darker response by the band, compared to the poppy, more melodic Dookie.[12] Insomniac opened to a warm critical reception, earning 4 out of 5 stars from Rolling Stone Magazine, raving "In punk, the good stuff actually unfolds and gains meaning as you listen without sacrificing any of its electric, haywire immediacy. And Green Day are as good as this stuff gets."[17]Insomniac used the a piece of art by Winston Smith intitled God told Me To Skin You Alive for its album cover. Smith said to drummer Tré Cool that if he ever needed album artwork, that he should call him. Singles released from Insomniac were "Geek Stink Breath", the radio-favorite double single "Brain Stew/Jaded", "Walking Contradiction", and "Stuck With Me" ("Stuck With Me"'s title should have gone to the b-side "Do Da Da", but was misprinted.) One track, "86," was a reference to the Gilman Street club refusing them entry after the release of Dookie, claiming that they had "gone too commercial." Though the album didn't approach the success of Dookie, it still sold seven million copies[10] in the United States. Insomniac won the band award nominations for Favorite Artist, Favorite Hard Rock Artist, and Favorite Alternative Artist at the 1996 American Music Awards, and the video for "Walking Contradiction" got the band a Grammy nomination for Best Video, Short Form, in addition to a Best Special Effects nomination at the MTV Video Music Awards.[18] After that, the band abruptly cancelled a European tour, claiming exhaustion.[19]

After taking a break in 1996, Green Day was back in the studio by 1997, at work on a new album. The result was nimrod., an experimental deviation from the band's standard pop-punk brand of music. The new album was released in October 1997. It provided a variety of music, with everything from upbeat pop-punk, laid-back surfer rock, and peppy, silly ska, to an acoustic ballad. nimrod. entered the charts at number 10, thanks to the surprise hit "Good Riddance (Time of Your Life)", an acoustic ballad that singer Billie Joe almost did not place on the album for being fear of it being "too girly." The success of "Good Riddance (Time of Your Life)" won the band an MTV Video Award for Best Alternative Video for the song's video, which depicted people undergoing major changes in their lives while Billie Joe Armstrong strummed his acoustic guitar.[20] Other singles released from nimrod. were Nice Guys Finish Last, Hitchin' a Ride and Redundant. nimrod. also featured one of the band's live staples, "King for a Day", which sometimes when played live, is accompianed by Billie Joe wearing a crown and/or cape. After the release of nimrod., Green Day took a two-year break, deciding to step back from the spotlight and spend some time with their new families.

The New Millennium (2000–Present)

Template:Sound sample box align right Template:Multi-listen start Template:Multi-listen item Template:Multi-listen item Template:Multi-listen item Template:Multi-listen end Template:Sample box end In 2000, Green Day released Warning:, a step further in the style that they had hinted at with nimrod. Changes in their personal lives were reflected in the more mature and straightforward approach they took to their music, replacing nearly adolescent mantras of masturbation with more introspective statements. Critics' reviews of the album were fairly positive, although the album was greeted with mixed reviews within their fan base, who had grown accustomed to their 1990s pop punk sound. Though it produced the #1 hit "Minority" and a smaller hit with "Warning", some observers were coming to the conclusion that the band was losing relevance, and a decline in popularity followed. While all of Green Day's past albums had reached a status of at least double platinum, Warning: was only certified gold. Although the band felt this was some of their strongest work to date, the lack of success fueled questions regarding the band's future.

At the 2001 California Music Awards, Green Day won all eight awards that they were nominated for. They won the awards for Outstanding Album (Warning:), Outstanding Punk Rock/Ska Album (Warning:), Outstanding Group, Outstanding Male Vocalist, Outstanding Bassist, Outstanding Drummer, Outstanding Songwriter and Outstanding Artist.[21]

The release of a Greatest Hits compilation, International Superhits!, and the token complementary assemblage of B-sides, Shenanigans, only fueled the theory that Green Day's career was on the rocks. International Superhits and its companion collection of music videos, titled International Supervideos! sold reasonably well, going platinum in the U.S. Shenanigans sported the band's b-sides, including "Espionage" which was featured in Austin Powers: The Spy Who Shagged Me and was nominated for a Grammy for Best Rock Instrumental Performance. "Ha Ha You're Dead", recorded specifically for the Shenanigans, is seen as the highlight of the album.

In 2002, Green Day co-headlined the Pop Disaster Tour with blink-182 helped to resurrect some of the band's popularity, and earned the group many positive concert reviews. The band decided to take some more time off after the Pop Disaster Tour closed, to spend time with their families.

Fighting burnout after Warning:, the band went into a studio to write and record new material for a new album, believed to be tentatively titled Cigarettes and Valentines. After completing 20 tracks, the master tapes were stolen from the studio. The band, understandably upset, chose not to try to re-create the stolen album (Armstrong feared that it would take their fan base "back to about 50"), but instead started over with a vow to be even better than before. In addition, they underwent serious "band therapy," engaging in several long talks to work out the members' differences after accusations from Dirnt and Cool that Armstrong was "the band's Nazi"[22] and a show-off bent on taking the limelight from the other band members.

The resulting 2004 album, American Idiot, debuted at #1 on the Billboard charts, the band's first ever album to reach #1, backed by the success of the album's first single, "American Idiot." The album was billed as a "punk rock opera" which follows the journey of the fictitious "Jesus Of Suburbia".[23] Also the album marked a significant growth in the band as musicians. On the background of their pop punk landmark albums Kerplunk and Dookie, American Idiot was noted by critics as far more mature and musically eclectic than its predecessors and is often cited as their best work to date. American Idiot won the 2005 Grammy for "Best Rock Album" and the band swept the 2005 MTV music awards, winning a total of seven of the eight awards they were nominated for, including the coveted Viewer's Choice Award.[24]

American Idiot also marked a major change of the band's image. Before, they dyed their hair wacky colors like pink, or green, and were getting into mud fights with the audience. American Idiot saw the band dying their hair more bland colors, such as black or white, and wearing eyeliner and makeup to concerts. Another change was the band's wardrobe. Instead of wearing t-shirts, the band constantly wore black and red clothes after the release of American Idiot, leading many to accuse Green Day of stealing The Icarus Line's "anti"-fashion statement by wearing black clothes with red ties, or vice-versa, while others think the band is following up with the colors of American Idiot's cover.

Through 2005, the band toured, promoting the album with about 150 dates — their longest tour in their career — visiting Japan, Australia, South America and England, where they drew a crowd of 130,000 people over a span of two days - one of the largest crowds ever drawn for a rock concert. While touring for American Idiot, they filmed and recorded the two concerts at the Milton Keynes National Bowl in England, which was voted 'The Best Show On Earth' in a Kerrang! Magazine Poll. These recordings were released as a live CD and DVD called Bullet in a Bible on November 15, 2005. This CD/DVD featured hits from American Idiot as well as older songs from Dookie and nimrod., among others. The DVD featured behind-the-scenes footage of the band, and showed how the band prepared to put on the show. The final shows of their 2005 world tour were in Sydney, Australia, and Melbourne, Australia, on December 14 and 17 respectively. On January 10, 2006 the band was awarded with a People's Choice Award for favorite group.

On August 1, 2005, it was announced that Green Day had rescinded the master rights to their pre-Dookie material from Lookout! Records, citing breach of contract regarding unpaid royalties that had been ongoing for some time, and with other Lookout! bands as well. The pre-Dookie material is set to be reissued by their label, Reprise, on December 19, 2006.[25]

In 2006 Green Day won the Grammy Award for Record of the Year for "Boulevard of Broken Dreams"[26] which spent 16 weeks at the number one position of Billboard's Modern Rock Tracks, a record it shares along with Red Hot Chili Peppers' Scar Tissue and Staind's "It's Been Awhile". Green Day was also nominated for Best Rock Video for "Wake Me Up When September Ends" at the 2006 MTV Video Music awards, but lost to AFI's "Miss Murder".

Future Plans

The video of Jesus of Suburbia is stated to be a prequel to their upcoming film, American Idiot: The Motion Picture. In an interview with Billboard magazine, Billie Joe Armstrong revealed that the group are still considering turning their punk rock opera into a film, in much the same spirit as the Beatles' Yellow Submarine, Marillion's Brave, Pink Floyd's The Wall and the Who's Tommy and Quadrophenia. The band has stated they have no intentions to act in the movie, although they may make an appearance. Lou Taylor Pucci and Kelli Garner from the "Jesus of Suburbia" music video could make an appearance if the motion picture does go into production. Frontman Billie Joe Armstrong has said "It's definitely unfolding. Every single week there's more ideas about doing a film for American Idiot, and it's definitely going to happen."[27]

The band's official website stated on September 1st that the band was back from their "summer vacation" and was back in the studio working on new material. On, Friday, September 8th, 2006, Green Day's web site announced that Green Day is teaming up with U2 and with producer Rick Rubin to record a cover of the song "The Saints Are Coming", originally recorded by The Skids. The song is to benefit Music Rising (musicrising.org), to raise money for musicians' instruments lost during Hurricane Katrina and to bring awareness on the eve of the one year anniversary of the disaster. This collaboration currently appears as a single, and on the U2 compilation album U218.

Musical style and influences

Green Day's sound is often compared to first wave punk rock bands such as the Ramones, The Clash, and the Buzzcocks.[28][19] The majority of their song catalogue is composed of distorted guitar, fast, manic drums, and low, heavy bass. Most of their songs are fast-paced and under the average song length of four minutes (4:00). Billie Joe Armstrong has however said his biggest influences are seminal alternative rock bands Hüsker Dü and The Replacements, and that their influence is particularly noted in the band's chord changes in songs.[19] In fact, Green Day has covered Hüsker Dü's "Don't Want to Know If You Are Lonely" as a b-side for the song "Warning", and the character "Mr. Whirly" in the song "Misery" is a reference to the Replacements song of the same name.[29] Armstrong's lyrics describe alientation, ("Jesus of Suburbia", "Reject"), hysteria ("Basket Case", "Panic Song"), girls ("She", "80"), doing drugs ("Geek Stink Breath", " Green Day") ; The Ramones had similar lyrical themes, like hysteria ("Anxiety", "Psycho Therapy"), alienation ("Outsider", "Poison Heart"), girls ("I Wanna Be Your Boyfriend", "Heidi Is a Headcase"), and drugs ("Now I Wanna Sniff Some Glue", "Chinese Rocks"). Green Day covered their song Outsider on the tribute album We're a Happy Family and they have also covered the Ramones' "Blitzkrieg Bop." Green Day's style also closely resembles that of other bands based around the 924 Gilman Street scene in the late 1980s and early 1990s, such as Crimpshrine, Screeching Weasel, and The Mr. T Experience.

Criticism and controversy

Beginning with the release of Dookie, and the subsequent explosion of MTV Airplay it received, Green Day has received considerable criticism from those who prefer to see the punk genre as a social movement independent of corporate sponsorship. With the release of American Idiot and the subsequent draw of many new fans, much of this criticism has been revived.


One of the more contentious issues is genre labeling. In reaction to both the style of music and the background of the band, some fans and musicians have taken heavy objection to the usage of the term "punk" when applied to Green Day. This is evidenced by the following comments issued by John Lydon, former front man of both the 70s punk band the Sex Pistols and 80s post-punk act, Public Image Ltd.. [30]:

"Don't try and tell me Green Day are punk. They're not, they're plonk and they're bandwagoning on something they didn't come up with themselves. I think they are phony.

"So there we are fending off all that and it [really annoys me] that years later a [terrible] outfit like Green Day hop in and nick all that and attach it to themselves. They didn't earn their wings to do that and if they were true punk they wouldn't look anything like they do."

Steve Diggle of the Buzzcocks commented on the band after meeting them:[31]

"I didn't have a clue who they were. And they're not punks."

Green Day are banned from 924 Gilman Street, a famous rock club in Berkeley that they used to frequent, because they left Lookout! Records to sign with major label Reprise.


Brandon Flowers of The Killers has recently gone on record claiming that Green Day's politically driven concept album American Idiot displays "calculated Anti-Americanism." He explained that he has problems with the album content itself and also the fact that the band's recent live DVD, Bullet in a Bible, was filmed overseas. Stating that he feels Green Day's DVD is a bit of a stunt, he went on to say that he feels The Killers' most recent release, Sam's Town, is a much more accurate representation of American culture.


Paul McPike, a grocery store clerk, recently filed a copyright infringement lawsuit against Green Day claiming that he wrote the song "American Idiot" almost 15 years ago. He alleges that he performed the song at a high school and a recording of the song made it into the hands of Green Day. McPike is currently seeking a share of the album's profits. U.S. Magistrate Judge John Cooney attempted to dismiss the case in early November 2006, but it is expected that McPike will file an amended lawsuit, with additional evidence. [32]: This is not the first time McPike has filed a lawsuit against a band, as he also claimed blink-182 stole his song 'Feeling This'. This case was again dismissed.

Related projects

Main article: Green Day related projects

Members

File:Wakemeuppromoshot.jpg
The "Wake Me Up When September Ends" music video, which featured Jason White as a back up performer of the band.

–

Although not an official member, Jason White has been providing backing vocals and guitar since 1999 for the Warning: and American Idiot tours. Jason also was featured in Bullet in a Bible. White can also be seen in the videos for "When I Come Around" and "Wake Me Up When September Ends".

Touring members

  • Jason Freese: Piano, Keyboard, Trombone, Saxophone, Accordion, Acoustic Guitar (2004-present)
  • Ronnie Blake: Trumpet, Timpani/Percussions (2004-present)

Session Members

  • Rob Cavallo: Piano (For the American Idiot recording sessions)
  • Petra Haden: Violin (For the nimrod. recording sessions)

Former members

Discography

Main article: Green Day discography
Date of release Title Record label
April 1990 39/Smooth Lookout! Records
January 7, 1992 Kerplunk! Lookout! Records
February 1, 1994 Dookie Reprise Records
October 10, 1995 Insomniac Reprise Records
October 14, 1997 Nimrod. Reprise Records
October 3, 2000 Warning: Reprise Records
September 21, 2004 American Idiot Reprise Records

See also

References

  • Cohen, Johnathan (2004). "Green Day's 'Idiot' Fueling Banner Year" (http). Billboard.com. Retrieved July 27. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  • Cohen, Johnathan (2005). "Green Day not ready to rest 'Idiot'" (http). Billboard.com. Retrieved July 27. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  • The Green Day Story (Broadcast on Radio 1 Mon 20 June 2005) (Alternate Link)
  • Green Day Biography

Notes

  1. ^ DeRogatis, Jim. Milk It!: Collected Musings on the Alternative Music Explosion of the 90's. Cambridge: Da Capo, 2003. Pg. 357, ISBN 0-306-81271-1
  2. ^ a b D'Angelo, Joe (2004). "How Green Day's Dookie Fertilized A Punk-Rock Revival". MTV.com. Retrieved July 26. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  3. ^ Myers, Ben. "Green Day: American Idiot and the New Punk Explosion" April, 2006.
  4. ^ "Online Data Status" mp3.com Retrieved on August 29, 2006
  5. ^ "Kerrang- Green Day: The Biggest Punk Band of All Time" Greenday.net. Retrieved on August 31, 2006.
  6. ^ "Interview with Lawrence Livermore: An inside look at Green Day's early years". greenday.net. Retrieved July 26. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  7. ^ Livermore, Larry. "Green Day's early history"
  8. ^ (their letter of response to I.R.S. is printed on the lyrics sheet of 39/Smooth').'
  9. ^ Thompson, Dave. "Green Day". Alternative Rock. San Francisco: Miller Freeman Books, 2000.
  10. ^ a b Guitar Legends. "What Happened Next...". Retrieved on September 26, 2006
  11. ^ Smith, RJ. "Top 90 Albums of the 90's". SPIN. August 1999.
  12. ^ a b "Green Day". Behind the Music. Vh1, 2000.
  13. ^ Erlewine, Stephen. "Dookie Overview". All Music Guide. August 1994.
  14. ^ Dimery, Robert. "1,001 Albums You Must Hear Before You Die listing". "Cassel Illustrated". 2005.
  15. ^ Various Music Professionals. "The Rolling Stone 500 - 101-200". "Rolling Stone Magazine". November, 2003.
  16. ^ Green Day Authority. "Band Awards - Dookie" "Green Day Authority".
  17. ^ Coleman, Mark. "Insomniac". Rolling Stone. November 1995.
  18. ^ Green Day Authority. Band Awards - Insomniac "Green Day Authority".
  19. ^ a b c Di Perna, Alan. "Young, Loud, and Snotty". Guitar World. August 1996.
  20. ^ Green Day Authority. Band Awards - nimrod. "Green Day Authority".
  21. ^ Green Day Authority. "Band Awards - Warning:" "Green Day Authority".
  22. ^ Hendrickson, Matt (2005). "Green Day — How the brats grew up, bashed Bush and conquered the world". Rolling Stone. Retrieved November 24. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  23. ^ Di Perna, Alan. "Combat Rock". Guitar World. Holiday 2004.
  24. ^ Green Day Authority. "Band Awards - American Idiot" "Green Day Authority".
  25. ^ http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003380303
  26. ^ "Green Day's Grammy Awards" Grammy.com.
  27. ^ "Green Day album update: The US trio speak out". NME.com. 2006. Retrieved June 15. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  28. ^ Azerrad, Michael. Our Band Could Be Your Life. Little Brown and Company, 2001. Pg. 496. ISBN 0-316-78753-1
  29. ^ Di Perna, Alan. "Far From The Maddening Crowd". Guitar World. December 2000.
  30. ^ GIGWISE "John Lydon Calls Green Day "Plonk" Not "Punk"" Retrieved on September 11, 2006.
  31. ^ Steve Diggle of Buzzcocks comment on Green Day at ContactMusic.com
  32. ^ Yahoo! Music "Grocery clerk sues Green Day" Retrieved on November 8th, 2006.

External links

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