1980s in fashion

The soap opera Dynasty had a large influence on western women's fashion in the 1980s.

While in the 1970s, the silhouette of fashion tended to be characterized by close fitting clothes on top with wider, looser clothes on the bottom, this trend completely reversed itself in the early 1980s as both men and women began to wear looser shirts and tight, close-fitting pants. Men wore power suits as a result of the greater tendency for people to display their wealth. Brand names became increasingly important in this decade, making Ralph Lauren and Calvin Klein household names.

During the Like A Virgin era, Madonna was titled the "Material Girl" and many young girls around the world looked to her for fashion statements. The popular 1983 movie Flashdance made ripped sweatshirts well-known in the general public. The television shows Dallas and, in particular, Dynasty also had a similar impact, especially in the area of the increasingly oversized shoulder pads.

In the United Kingdom and Ireland, the New Romantic music and fashion movement exerted a strong influence over the clothing worn by both males and females in the early years of the decade.

New Romantic

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The short, tight Lycra mini skirt was a popular fashion item for young women in the second half of the 1980s

New Romantic was a New Wave and fashion movement that occurred primarily in British and Irish nightclubs. Most of the fashion of this new period were taken and modified right from punk fashion...the streaky eyeliner, the spiked hair, etc. that was worn and displayed by most early 80s synth New Romantic groups. New romanticism emerged in the UK music scene in the early '80s as a direct backlash against the austerity of the punk movement. Where punk railed against life in Britain's council estates, the New Romantics celebrated glamour and partied regularly at local nightclubs. The make-up was streaky and bold. The notoriously outlandish designer/club host Leigh Bowery, known for his exuberant designs, became a muse for artists such as Boy George and had grown a huge status in the early 1980s underground club scene. The early designer of the romantic look was Vivienne Westwood who designed clothing specifically for bands, such as Adam and the Ants and later developed the "pirate look." The pirate look featured full-sleeved, frilled "buccaneer" shirts often made of expensive fabrics. Hussar-style jackets with gold-braiding were worn with the shirts as well as high-waisted, baggy trousers which tapered at the ankle. One element of this trend that went mainstream and remained popular for most of the decade were short shirt collars worn unfolded against the neck (popped collars) with the top one or two buttons unfastened. Except in the most conservative communities this became standard casual wear for both men and women. With the exception of business suits, to wear one's collar folded appeared awkward or stuffy. Leggings were also very popular.

Former punk posers had taken to glamor and romance in clothing and the club venues offered them a chance to show off that glamour at dedicated evenings. Theatrical ensembles were worn to selected clubs in London such as Blitz and St. Moritz. These were the recognized venues where the new romantic movement started.mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm

The early designers of the new romantic look were Vivienne Westwood, Colin Swift, Stevie Stewart and David Holah. Westwood began her romantic ideas with adaptations of dandified Regency designs which later she developed into a Pirate look. She designed especially for Adam and the Ants. Occasion wear included a return of cocktail dresses and evening suits with flared basque jackets, or Chanel line brocade jackets and just above knee short straight skirts, paired with heels.

Valley girl

Headbands became fashionable in 1981. The trend started in California and spread across the United States. Other associated trends were leg warmers and miniskirts, especially the ra-ra skirts, modelled after the short, flared skirts worn by American cheerleaders. Leg warmers, which had long been staple gear for professional dancers during rehearsals, became a teen trend in 1981; their popularity, and that of sweatshirts with their collars cut open, exploded following the 1983 release of Flashdance. Miniskirts returned for the first time since the early 1970s. These styles became associated with the Valley Girl trend that was popular at the time, based on a Valley Girl the movie in 1983 and popular song by Frank Zappa and Moon Unit Zappa. The mid eighties 84-87 saw more designer jeans and the rise of Leather in clothing, there was also a female trend for "Lace" accessories. As the decade closed the various other fads soon spent themselves, but miniskirts remained in style and became an option for women's business suits throughout the 1980s and early 1990s with dolly shoes. Frequently, these mini skirts were worn with leggings. These styles are shown in today's fashion with stores such as American Apparel, whose main look is solid colors and simple patterns and the same shapes and silhouettes of the 1980s. In Britain and Ireland, leg warmers were often worn with tight jeans, long jumpers or sweaters, and high heeled court shoes.

Power dressing

President Ronald Reagan and his wife, Nancy, another First Lady known for her style and elegance, are seen with Jacqueline Kennedy Onassis. Onassis is wearing a silk suit with the shoulder pads which were a fashion mainstay of the 1980s.

A jelly shoe.

Shoulder pads, popularized by Joan Collins and Linda Evans from the soap opera Dynasty, remained popular throughout the 1980s and even the first three years of the 1990s. The reason behind the sudden popularity of shoulder pads for women in the 1980s may be that women in the workplace were no longer unusual, and wanted to "power dress" to show that they were the equals of men at the office. Many women's outfits had Velcro on the inside of the shoulder where various sized shoulder pads could be attached.

The Dynasty television show, watched by over 250 million viewers around the world in the 1980s, influenced the fashion styles in mainstream America and most of the western world. The show, targeted towards females, influenced women to wear jewelry often to show one's economic status. Synthetic fabrics went out of style in the 1980s. Wool, cotton, and silk returned to popularity for their perceived quality.

Men's business attire saw a return of pinstripes for the first time since the 1970s. The new pinstripes were narrower and subtler than 1930s and 1940s suits but similar to the 1970s styles. Three-piece suits gradually went out of fashion in the early '80s and lapels on suits became very narrow (similar to 1950s styles). While vests in the 1970s had commonly been worn high with six or five buttons, those made in the early 1980s often had only four buttons and were made to be worn low. Neckties also became narrower in the 1980s and skinny versions appeared in leather. Button down collars made a return, both for business and casual wear.

Meanwhile women's fashion and business shoes returned to styles that had been popular in the 1950s and early 1960s with pointed toes and spiked heels. Some stores stocked canvas or satin covered fashion shoes in white and dyed them to the customer's preferred color. While the most popular shoes amongst young women were bright colored high heels, a trend started to emerge which saw 'Jellies'—colorful, transparent plastic flats—become popular. The top fashion models of the 1980s were Brooke Shields, Christie Brinkley, Joan Severance, , Kim Alexis, Carol Alt, Renée Simonsen, Kelly Emberg, Tatjana Patitz, Elle McPherson, and Paulina Porizkova.

Dancewear

The popularity of aerobics and dance-themed television shows and movies created a dancewear fashion sense—professional dancewear, such as leggings and leg warmers, were worn as street wear. The 1983 film Flashdance popularized among women ripped sweatshirts that exposed one bare shoulder. Leotards were also worn during this period and became colourful. Other dancewear inspirations included Olivia Newton John's Physical video and Jane Fonda's line of aerobic videos.

Miami Vice look

The 1980s brought an explosion of colorful styles in men's clothing.

Popularity of several television series’ leading men set fashion trends among young and middle-aged men.

Miami Vice was one such series, whose leading men donned casual t-shirts underneath expensive suit jackets—often in bright or pastel colors. The t-shirt-with-designer-jacket look was often accompanied by broad shoulders with padding, and a few days' growth of facial hair, dubbed "designer stubble", a look popularized by the series' leading man Don Johnson.

Similarly, another popular look for men, beginning in the early 1980s was the Hawaiian shirt, as worn by television's enormously popular—boasting both a large female and male audience—leading detective series Magnum, P.I., which aired on the CBS network from 1980 through 1988, starring mustached Tom Selleck: playing a former Naval Intelligence officer Thomas Magnum, who resigns his commission to become a private investigator on the north shore of Oahu, Hawaii, as he races around in a red Ferrari.

With the popularity of that TV show, Hawaiian shirts sales soared (as did the numbers of men, of all walks of life, donning moustaches), complemented with sport coats, often with top-stitched lapels (for a custom tailored look); easy-care micro-suede and corduroy jackets became popular choices, especially those with a western style. Cowboy boots, in the early 1980s, especially the brand Luchese (handmade and expensive; often costing, then, more than $500 the pair; whereas, comparatively, a choice pair of much coveted Gucci loafers would start at $350.00 USD), as worn by Tom Selleck in a famous cologne advertisement, became highly popular among men who could afford them. In counterpoint to the bright shirt, jackets were often gray, tan, rust or white, donned casually and in sunny locales doubled even as business attire, in which case they could be seen worn with a tie.

Another "off-the-charts" (indicating high popularity) late teens and young men’s look that emerged in the early 1980s, and remained popular for what became middle-aged men through the early 1990s, was the ubiquitous "Members Only", displayed as the brand’s namesake logo tag, sewn prominently on the front left breast pocket: a racer/golf style windbreaker jacket, with a slim, auto-racer’s, mandarin-style, neck-strap-snap.

Contemporaneously, there was a resurgence of another look, a throw back to the earlier 1950s Collegiate look or the more known "Ivy League look", which countervailed against "such tacky trendiness", whose wearers and advocates rallied against those styles of mens dress cited above: they favored natural fibers. This revival style held great snob appeal, and came to be definitively summarized in (what for some was taken at face-value as serious, and by others, had come to be viewed as a somewhat satirical text) an enormously popular paperback: The Official Preppy Handbook. That book quickly came to be accepted by many sartorially unsure men and women (many of whom who had grown up on the outrageous glittery fashions of the preceding Disco Era) as their creed, referencing it as an authoritative personal-image- guide, in their quest for attaining the perceived social benefits accorded by appearing “un-tacky”. This "preppy" cultural backlash spread like wildfire, inspiring a deep-seated social sensibility that extended to and included all manner of consumables and socialization.

While many men secretly wished that they could indulge their own “red Ferrari fantasy”, few could afford such a car, whose value, because of the popularity of the show had soared in the collectible cars market to over 1,000,000, garnering hefty insurance premiums of the insurance companies (against theft or vandalism). Significantly, many men, not wanting to be thought of as “homo” would never admit that they, too, enjoyed, at least vicariously, the adventures of Magnum, P.I.; meanwhile, many a housewife tuned in feverishly to see their dream-man; as what Farrah Fawcett of the 1970s had been to TV and young men’s fantasies, Tom Selleck, in the 1980s hailed as the bedroom fantasy for the average US female; likewise, many millions of women imitated Farrah’s hairdo and fashion styles, millions of men came to layer their curly hair and grow a moustache, like Tom’s.

But, as prescribed by their Preppy Handbook, preppy men and women were free to drive, excepting a Ferrari (even that car, Tom's, make and marquee was deemed "suspect tacky", despite its enormous popularity and cost) a Volvo, Saab or Porsche, verses, say, a Chrysler Cordoba (of Corinthian leather fame), which, itself, too, although an enormously popular car “among the masses” (and an attractive collector vehicle today, and by any time’s standards), came to be deemed by “Preppy-Culture types”, as “tacky, like Tom’s Hawaiian shirts”.

Equally, Preppies eschewed micro-suede jackets, instead, favored were single or double-breasted “genuine fiber” navy blue or midnight blue (nearly black to the uninitiated) seasonal weight wool or linen sports jackets in a traditional American shoulder and single back vent, or for the truly privileged and inured, favored was an English bespoke shouldered pattern, double vented: all styles boosted golden or actual gold buttons; or ideally, for total snob-appeal, these treasured button-sets were engraved with the owner’s initials, or an Alma Mater’s (the boarding school or university attended) insignia. Beneath the blue jacket, Preppies donned a variety of shirts; prized were candy-stripes and solid colors; flashy Hawaiian patterns or designs were to be avoided, at all costs, to protect one’s perceived upper-class status.

Significantly, then, it can be said that the 1980s men’s fashion scene was transfigured by a social class consciousness, whereto, expressing this tacit and exclusionary “code” for a man’s dress were parameters that determined his social status, as codified aptly in the Lisa Birnbach’s et al., The Official Preppy Handbook. Purportedly, such “in the know” standards came to be indicative of one’s background, education and upper class. Some sociologists would avoid or attempt discounting that pivotal, authoritative and tacit but insidious and fully dichotomous aspect of that American period in men’s fashion, which quickly came to far exceed in importance mere fashion statement.

However, that all said, by the mid-1980s European and US designers' popularity and re-focus on classical mens styles had captured yet another segment of the mens fashion market, which in a manner of speaking attracted a following from both the preppy and non-preppy haberdashery mindsets.

Thriller look

The Thriller look was inspired by Michael Jackson's record breaking album Thriller. Teenagers would attempt to replicate the look of Jackson, which included matching red/black leather pants and jackets, one glove, sunglasses, and jheri curl. Leather jackets popularized by Michael Jackson and films like The Lost Boys were often studded and left undone to create a messier look. Oversized, slouch shouldered faded leather jackets with puffy sleeves from Europe caught on. Gloves, sometimes fingerless, would also accompany the jacket. Late in the decade plain brown aviator jackets made a comeback, styled after World War II fighter pilot jackets. Already popular aviators were joined by other forms of sunglasses. It was not unusual for sunglasses or shades as they were known, to be worn at night.

Madonna

Actress Justine Bateman in 1987 wearing a cropped bolero-style jacket over a tight, flesh-coloured Lycra dress.

In the 1980s, rising pop star Madonna proved to be very influential to female fashions. She first emerged on the dance music scene with her "street urchin" look—short skirts over leggings, necklaces, rubber bracelets, fishnet gloves, hairbows, long layered strings of beads, bleached, untidy hair with dark roots, head bands, and lace ribbons. In her Like a Virgin phase, millions of young girls around the world emulated her fashion example that included brassieres worn as outerwear, huge crucifix jewellery, lace gloves, tulle skirts, and boytoy belts.

Gloves, sometimes lace and/or fingerless, were popularized by Madonna, as well as fishnet stockings and layers of beaded necklaces. Short, tight Lycra or leather mini-skirts and tubular dresses were also worn, as were cropped, bolero-style jackets. Black was the preferred colour. Another club fashion for women was lingerie as outerwear. Prior to the mid-1980s it had been taboo to show a slip or a bra strap in public. A visible undergarment had been a sign of social ineptness. In the new fad's most extreme forms, young women would forego conventional outer-garments for vintage-style bustiers with lacy slips and several large crucifixes. This was both an assertion of sexual freedom and a conscious rejection of prevailing androgynous fashions.

English singer Siouxsie Sioux in 1986 wearing black clothing, back-combed hair, and heavy black eyeliner. She was an inspiration for the gothic fashion trend that started in the early 1980s

Track suits

In the 1980s, tracksuits became popular as leisure clothing and Jogpants would become a general trend in the decades to come.

Dr. Martens

Dr. Martens shoes were worn by both sexes in the 1980s. They were an essential fashion accessory for the skinhead and punk subcultures in the United Kingdom. Sometimes Dr. Martens were paired with mini skirts or full, Laura Ashley- style dresses. They were an important feature of the post-punk 1980s gothic look which featured long, back-combed hair, pale skin, dark eyeshadow, eyeliner, and lipstick, black nail varnish, spiked bracelets and dog-collars, black clothing, often made of gabardine, leather or velvet trimmed in lace or fishnet material. Corsets were often worn by girls. British bands which inspired the gothic trend include The Cure, Siouxsie and the Banshees, and The Cult. This trend would resurge in the 1990s and 2000s.

Hair metal

By the late eighties, acid-washed jeans and denim jackets had become popular with both sexes. Acid washing is the process of chemically bleaching the denim, breaking down the fiber of material and forcing the dye to fade, thus leaving undertones of the original dye evidenced by pale white streaks or spots on the material. This became associated with the heavy metal trend (called "hair metal" in later decades for the large frizzy coiffures worn by both male and female enthusiasts).

Severely bleached and ripped jeans, either manufactured purposely or done by hand, become a popular fashion trend, being a main component of glam metal music acts such as Poison. Tattooing and piercing began to enter the mainstream.

Rap Music and designer sneakers

Converse shoes were popular in the first half of the 1980s. Air Jordan basketball shoes (named for basketball player Michael Jordan) made their debut in 1984. Athletic shoes had been worn as casual wear before, but for the first time they became a high-priced fashion item. The NBA banned these shoes from games when they first debuted, which increased their cachet. Soon other manufacturers introduced premium athletic shoes. Adidas sneakers took the decade by storm, popular amongst teenagers and young men; the Adidas sneaker was popularized by the Run-D.M.C. song My Adidas. Nike had a similar share of the market with Air Max and similar shoes. High-tops, especially of white or black leather, became popular.

Ensembles featuring the colors of Africa (green, yellow and red) became wildly popular among African Americans, as did kente cloth. In the urban hip-hop communities, sneakers were usually worn unlaced and with a large amount of gold jewelry as well as headwraps.

Preppy

Conservative teenagers, especially in the United States wore a style that came to be known as "preppy." Preppy fashions are associated with classic and conservative style of dressing and clothing brands such as Izod Lacoste, Brooks Brothers, Polo Ralph Lauren and clothing from The Gap. An example of preppy attire would be a button-down Oxford cloth shirt, cuffed khakis, and loafers. Also popular were argyle sweaters and vests. It was also considered "preppy" to wear a sweater tied loosely around the shoulders.In the 1980s, preppy fashions featured a lot of pastels and polo shirts with designer logos.

Casual Wear

In the 1980's and continuing through the mid 1990's casual wear became a fashion trend. Leggings were a big part of this trend. They were usually worn with oversized sweaters and sweatshirts in the cooler months and with oversized tee shirts in the warmers months. It was also popular to wear slouch socks and Keds with leggings. Plaid skirts with leggings were also worn with Keds and slouch socks or with flats or Boat shoes as part of the preppy look. Also bike shorts were popular under baby doll dresses and short dresses with Keds and no socks or Keds with slouch socks. Many girls in every Grade K through 12 for gym class would wear black leggings with white slouch socks, athletic sneakers or Keds and oversized tee shirts. Many women also wore this style as exercise wear. Many college girls wore the leggings and slouch socks with Keds and the dresses with bike shorts to classes and around campus. It was also not uncommon to see Moms dressed right along with their daughters in the slouch socks worn over leggings or sweatpants, oversized shirt or sweater and Keds.

Soccer shorts were popular to be worn by kids and teenagers in the mid 1980s through the mid 1990's.

From the late 1980s through the late 1990s shortalls, a version of overalls in which the legs of the garment resemble those of shorts, were popular.

Champion sweatshirts became popular for guys and girls to wear in the late 80's through 1997. In colder weather the sweatshirts were worn over a colourful turtle-neck.

Leotards, body suits and body shirts also became popular in the late 80's through to 1997 and 1998. They were worn as tops with jeans and skirts.

Opaque tights were very popular in the late 80's through the mid 90's and could be worn as part of casual wear or formal wear. A common outfit was to wear a skirt or baby doll dress or short dress with black opaque tights, white slouch socks and white Keds. Others colors of opaque tights such as all shades of blue from sky blue to navy and purple were hot with all females from kids and teens to adults. Opaque tights were also popular worn under dress shorts. Dress shorts were like regular shorts except they were dressier and could be worn in the winter with the tights.

Hairstyles

European teenager in 1985 with the trendy Big hair style achieved with liberal applications of mousse and hairspray.

Sideburns of the 1970s saw a massive decline in fashion in 1980, big and eccentric hair styles were popularized by film and music stars in particular amongst teenagers. There was generally an excessive amount of mousse used in styling an individual's hair which resulted in a desired shiny look and greater volume, some mousse even contained glitter. Hairsprays such as AquaNet were also used in excess such as hard rock band Poison. In 1984, sideburns made a comeback but were slightly thinner and shorter, and better groomed than those of the 1970s, lasting until the end of 1986. These sideburns were usually (but not always) used as an add-on to the Mullet haircut. The Mullet existed in several different styles, all characterized by hair short on the sides and long in the back. Mullets were popular in suburban and rural areas among working class men. This contrasted with a conservative look favored by business professionals, with neatly groomed short hair for men and sleekly straight hair for women. White collar men's haircuts were often shaved at the nape of the neck to create an artificially even hairline. Women's hairstyles became increasingly long in the latter part of the decade and blunt cuts dominated. Unlike 1970s blunt cuts, which were often longest at the spine, late 1980s long hair reached an equal length across the back. During the middle and late 1980s it was unfashionable to part either men's or women's hair.

Scrunchies and headbands in all different colours, styles and patterns were popular. Scrunchies were very popular in the side pony tail hair style. Bangs were another popular hair style during this time.

Frizzy hair was cemented as a common fashion style and was complemented by the attire of the times. "Banana" clips were another favorite. Young women wore wild earrings, often long or of peculiar design, and not always matching. A single earring was often worn. Shoulder length earrings often contrasted with hair that was chin length or shorter. Crimped hair, and contrasting colour streaks were the trends in the 80's popularised by teenagers. Many young women in Europe and North America dyed their hair a rich burgundy or plum-red in the last half of the decade.

Jewelry

Princess Diana is wearing a pearl choker, 1985

Earrings became a mainstream fashion for male teenagers. Jelly or thin metal bracelets (also known as bangles) were very popular in the 1980s, and would be worn in mass quantities on one's wrist. Designer jewelry, such as diamonds and pearls were popular among many women, not only for beauty, but as symbols of wealth and power.

Designer underwear

Underwear became a more important fashion accessory for both men and women. Women's looks tended to be in a wide array of pastel colors, with lacy trimmings. Camisoles with built in bras became popular for women, especially visible in the neckline of jackets worn for work. Men became more fashion conscious as well. Underwear was also colorful for men, and boxer shorts were "tapered", or styled after the side-vent running shorts, with a trimmer cut.

Both sexes were wearing stylish undies such as those modeled by celebrities and on television. Women began to favor polyester satin fabrics for lingerie, and the Jocks company, long known for its men's line, began manufacturing lace-trimmed, French-cut styles of g-bangers aimed at more conservative men. The teddy, or all-in-one camisole and tap pants, was often worn on television, by stars such as Cybill Shepherd in Moonlighting, and was very popular as a more modest garment that nearly eliminated the need for a slip. Bright jewel tones to match the silk charmeuse and satin blouses shown on Dallas and Dynasty were the rage. With baseball star Jim Palmer the new Jockey pitchman, focus on skimpy bikinis and bold prints worn by the athlete in print ads became popular. Fashion underwear was influenced by Michael J. Fox's lilac Calvin Klein briefs in Back to the Future, and Oakland Raiders star Howie Long in colorful Hanes bikini and colored brief ads. Colored, patterned, and figured men's bikinis or low-rise briefs, for the trim pant silhouettes, were available and widely popular with men of all ages.

Watches

At the beginning of the decade, digital watches with metal bands were the dominant fashion. They remained popular but lost some of their status in later years. Newer digital watches with built-in calculators and primitive data organizers were strictly for gadget geeks. Adult professionals returned to dial watches by mid-decade. Leather straps returned as an option. By late in the decade some watch faces had returned to Roman numerals. In contrast, one ultramodern status symbol was the Movado museum watch. It featured a sleek design with a single large dot at twelve o'clock. The Tank watch by Cartier was a fashion icon that was revived and frequently seen on Cartier advertisements in print. Rolex watches were prominently seen on Miami Vice tv show. Teen culture preferred vibrant plastic Swatch watches. These first appeared in Europe and reached North America by the middle of the decade. Young people would often wear two or three of these watches on the same arm.

Eyewear

Sylvester Stallone in 1983, sporting Aviator-style sunglasses

In the early-to-mid 1980s, glasses with large, plastic frames were in fashion for both men and women. Small metal framed eyeglasses made a return to fashion in 1984 and 1985, and in the late 1980s, glasses with tortoise-shell coloring became popular. These were smaller and rounder than the type that was popular earlier in the decade. Throughout the 1980s, Ray-Ban Wayfarer were extremely popular, as worn by Tom Cruise in the 1983 movie Risky Business. Sales of Ray-Ban Aviator sunglasses jumped 40%, following the release of the 1986 film Top Gun, in which they were worn prominently by Maverick and Iceman, played by Tom Cruise and Val Kilmer respectively.

Miami Vice, in particular Sonny Crockett played by Don Johnson, boosted Ray Ban's popularity by wearing a pair of Ray-Ban Wayfarer (Model L2052, Mock Tortoise), which increased sales of Ray Ban's to 720,000 units in 1984.

Happy Pants

80s happy pants were worn mostly by teenagers, especially girls. Fun kids fabrics were used to make 80s happy pants. This meant those who wore them, had their own unique pair of happy pants. In Australia, happy pants were a basic, elasticised pair of shorts, made from children's range of bright and bold designs in cotton fabric. The shorts were not too tight, not too baggy, and finished in length just above the knee. In 1986, Dolly Magazine released an 80s happy pants pattern for the basic elastic shorts. As most teenage girls had done Home Economics, they made their own shorts for happy pants.

United Kingdom

In the late 1980s, in Italy and most of Europe, it was the fashion for teenage girls and young women to dress completely in black. Note the wide belt worn low at the hips

London night clubs started to change their format from Friday and Saturday nights as being the only important music nights. The club 'Gossips' in Soho began to do David Bowie nights on Tuesdays and then more one night specials for niche tastes. That set the scene for special one night club evenings throughout London. Narrow tastes could be catered for. Dresses in slinky satins and foulard silks or polyesters were often batwing or with set in sleeves. Both styles had shoulder pads and frequently swathes of fabric were gathered and ruched onto hip bands, with falling silk, crepe de chine or chiffon asymmetric draped swirling skirts. Lace was popular for evening, especially cream lace bound with cream satin collars. Lace collars made an appearance after being worn by the Princess of Wales. Mohair sweaters were over-sized, but covered with lavish beading and satin appliqué they could be worn for evening too. Highly styled intarsia knit jumpers became fashionable. Glamorous occasion wear was a reaction and an alternative to the dressing down that was emerging from the wearing of sport and fitness wear as casual wear, due to the fitness craze inspired by Flashdance and Olivia Newton-John's popular single "Physical".

Fleece tracksuits were at first mostly worn by athletes, in the 1980s tracksuits became increasingly fashionable as leisurewear, though jackets and trousers tended to be worn separately rather than as a suit. Nylon Shell suits became particularly popular in the United Kingdom by the early 1990's.

The shell suit became a commonly-worn item, especially in the United Kingdom. In Britain, Ireland as well as most of Europe-Italy in particular, black was the preferred colour for teenage girls and young women. In Continental Europe, expensive, designer jeans were the preferred choice of casual attire for both sexes.

Image gallery

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  Women in Aerobics leggings, 1985. They remained in fashion for such activities until the early 1990’s. They were replaced by cycling shorts.
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  Girl in 1980 wearing a zebra-print top and short, black leather gloves, which shows the post-punk influence in the early years of the decade.
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  A French punk,1981.
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  American actress Suzanne Somers in 1981 wearing an off-the-shoulder top in leopard-print, black split skirt and a gold leather belt.
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  Mexican women, in Zocalo main square, Mérida, Yucatán, Mexico in 1981.
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  In 1983, pedal-pushers, in denim and other fabrics became a fashion alternative. They were usually worn with flat shoes and ankle socks.
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  Princess Diana in 1985 wearing a dress with shoulder pads.
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  Originally a fashion essential for the British skinhead subculture, Dr. Martens boots were popular among several different types of people in the 1980s.
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  Young woman in Europe wearing a jacket with shoulder pads, 1985.
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  Scottish singer Annie Lennox of the Eurythmics in 1986. She is wearing high-waisted trousers, a black leather coat with a pink lace bra underneath.
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  Irish girls in 1986. Black and yellow were popular colours that year. The girl on the far left is wearing a long strand of faux pearls, another fashion trend
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  Group of friends in Italy in 1987. The woman is wearing a short, bleached jean skirt.
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  Simon Le Bon of Duran Duran in 1987. Along with Adam and The Ants, Duran Duran helped initiate the New Romantic fashion movement in 1980. Here he is dressed casually in t-shirt and jeans, and he wears an earring in his left ear.
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  Swedish pop singer Marie Fredriksson in 1987. She is wearing a military-style bolero jacket.
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  Photo taken at a Los Angeles club, 1987.
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  Drew Barrymore and Corey Feldman in 1989. His jacket with tails shows a New Romantic influence. Her Lycra dress is short, tight, and worn off-the-shoulder.
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  In the late 1980s, young women in Europe and North America often dyed their hair burgundy-red or plum.

Also see

• 2000–2009 in fashion
• 1990–1999 in fashion

Notes

• John Peacock, The 1980s, ISBN 0-500-28076-2 (October 1, 1998)
• Tom Tierney, Great Fashion Designs of the Eighties, ISBN 0-486-40074-3 (Mar 18, 1998)
• Catherine McDermott, Made in Britain: Tradition and Style in Contemporary British Fashion, ISBN 1-84000-545-9 (May 9, 2002)
• Christopher Breward, Fashion, ISBN 0-19-284030-4 (Jun 1, 2003)

External links

• A guide to 80s Fashion
• 80s Fashion Information
• New Romantics 1980s Fashion History
• Museum of 1980s sports and leisurewear
• Rewind back to 80s Fashion
• Children's clothing from the 1980s
• 80s fashion: hair, clothes, makeup
• 80s fashion, happy pants and fancy dress