Synchron Stage Vienna
Synchron Stage Vienna is a recording facility specializing in recording large orchestras and film music.[1] The landmark protected building, formerly "Synchronhalle" ("Hall 6") of the historic film lot "Film City Vienna" in the Austrian capital's 23rd district is operated by Vienna Symphonic Library.[2]
History
[edit]
The building was constructed by the National Socialists from 1939 to 1941 for picture-synchronized sound recordings, from which the name "Synchronhalle" derived. Joseph Goebbels is said to have commissioned the construction himself in order to shoot Nazi propaganda films with the UFA film stars of the time in Vienna. A company-owned airport and a subway station directly in front of the entrance to the film studios were planned for fast transportation.[3]
This plan was considered in the construction of the facility: In order to shield noise and vibrations from the outside world, the hall was isolated from the rest of the building by a custom foundation and insulated against air traffic by an elaborate roof structure. The result was a house-in-house construction with the recording rooms inside. The outer shell provided office space as well as cutting rooms.[4]
Until the 1950s, the facility shared its history with the Rosenhügel-Filmstudios. At that time the "Synchronhalle" hosted as many as ten large orchestra film score projects per year. A remnant of the building's designated use is the preserved "Lenkwil" cinema organ with three manuals that features not only various instrumental timbres but also sound effects such as rolling thunder, car horns, clopping horses, twittering birds and ocean waves. It is the only cinema organ in the world that is still housed in its original scoring stage.[5] Because of this combination the Federal Monuments Office classified this building as a historical monument.
In the mid-1960s, the complex was acquired by the Austrian Broadcasting Corporation (ORF), initializing an era of revival. Eminent classical artists such as Karl Böhm, Herbert von Karajan, Yehudi Menuhin, Sviatoslav Richter and Mstislav Rostropovich discovered the exceptional acoustic properties and used the "Synchronhalle" for many legendary recordings.[6]
After a few years, the use of the hall came to a standstill. Until 1990, it was primarily used as a rehearsal stage for the Theater an der Wien. The ORF made several efforts to sell the entire area. The landmark protection of the two halls 1 (artificial light studio) and 6 (Synchronhalle) made this impossible. In the end, all surrounding buildings on the site were demolished.[7]
In 1990, a private investor planned to build a supermarket and shopping center in the Synchronhalle. This was prevented by the commitment of ORF's General Director, Thaddäus Podgorski. The ORF initially bought back the area and leased it to Filmstadt Wien GmbH. Subsequently, films such as Der Bockerer II - Österreich ist frei (1996), Comedian Harmonists (1997) and Die Klavierspielerin (2001) were shot on the Rosenhügel.[8]
2013: Acquisition and renovation
[edit]The hall was purchased by the Vienna Symphonic Library in 2013 and developed into a globally unique music production facility in collaboration with the renowned Walters-Storyk Design Group and architects Schneider+Schumacher.[9][10] It was completed in September 2015. The heart of the more than 2,000 m² area is the large recording hall, Stage A: with its 540 m², it offers space for an orchestra of up to 130 people.[11]
The first project was recorded in October 2015 with Grammy Award winning recording and mixing engineer Dennis Sands and composer/orchestrator/conductor, Conrad Pope.[12] Shortly after the official opening, Hans Zimmer's Remote Control Productions chose Synchron Stage Vienna to record a whole slate of productions, including music for Inferno, starring Tom Hanks (directed by Ron Howard, music by Hans Zimmer), and the Netflix series The Crown by Peter Morgan (music by Hans Zimmer and Rupert Gregson-Williams).[13]
In March 2016, the Vienna Symphonic Library business offices moved into the new facility.[14] Synchron Stage Vienna 's acoustic design was nominated for 32nd TEC Award at NAMM Show in Anaheim 2017.[15][16]
Recording facilities
[edit]
Synchron Stage Vienna is a recording facility that merges traditional and novel recording technologies and workflows with Vienna Symphonic Library's software innovations.[17] It combines a scoring stage with several studios, isolation booths and office space used by clients and Vienna Symphonic Library's software and sample development business.
Stage A, the large main hall, accommodates orchestras of up to 130 musicians and is built as a room-in-room construction, with an up to 10-foot gap between walls, ensuring entire sonic isolation from outside noise.[13] Additional studios and offices surround the central stage, including Stage B, another recording room, Control Rooms A and B, several lounges, isolation booths ("iso booths"), instrument storage rooms and a score archive.[14] The facility offers the ability to route any signal source to any room of the building, including offices, without any latency or loss of audio quality.[18] The stages and control rooms can be configured modularly depending on the recording requirements. Film composers can record their scores or augment their virtual symphonic cues with a real orchestra.
The basement comprises storage rooms for pianos and approximately 300 percussion instruments. All rooms are connected to the same ventilation system used by the recording stages, so the stored instruments are always pre-acclimated for recording.[19] An elevator connects the storage rooms directly with Stage A.[20]
Since 2021, Synchron Stage Vienna has been an official Dolby Atmos studio and can offer recordings in Auro-3D in addition to stereo and surround.[21]
Instruments
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Synchron Stage Vienna currently offers four concert grand pianos, a Steinway D-274 and two remotely accessible pianos, a Bösendorfer 290 Imperial with CEUS performance reproducing system and a Yamaha Disklavier CFX EN PRO and a Fazioli F308.[22][23]
The Bösendorfer CEUS technology[24] and the Yamaha Disklavier reproducing system incorporate computer controlled mechanisms to record performances and accurately play them back on the acoustic instrument. With the CEUS system, solenoids activate each key and pedal to mirror the original, recorded performance. The ability to accurately capture a performance in terms of timing and loudness is an important step in retaining the player's unique expression.[25] The performance reproducing pianos have several applications, e.g., a recorded piano performance can be edited in order to correct notes or to adjust dynamics and timing. Furthermore, a single pianist has the opportunity to perform a piece for four hands, accompanying an initial performance with a second take. A piano performance, played anywhere in the world, can be reproduced and recorded in one of Synchron Stage's rooms.[20]
Furthermore, the numerous percussion instruments and a Lyon & Healey harp are available for recordings.[26]
Synchron Stage Orchestra
[edit]The in-house "Synchron Stage Orchestra" is not a fixed ensemble but draws on a large pool of musicians from Vienna and the surrounding area. They play in all the major orchestras in Vienna and have been selected according to strict criteria to meet the demands of modern media music productions. Contractor Marton Barka is responsible for putting together the right instrumentalists for each project. Depending on the requirements, a wide range of styles can be covered, from classical film music and big band to pop/rock and jazz.[27]
Projects
[edit]In addition to sampling sessions for the Vienna Symphonic Library's products, the Synchron Stage Vienna has established itself as a fixture in the international film industry, regularly hosted music recordings for national and international film and television productions since its opening. Production companies from around the world, including Netflix, Sony Pictures Entertainment, Terra Mater Factual Studios, Marvel Studios and more, regularly record with the "Synchron Stage Orchestra".[28][29]
Recent notable projects include the film scores for The Meg (2018), Ad Astra (2019), Klaus (2019), as well as Promising Young Woman (2020) and Over the Moon (2020).[30][31][32] With the 2022 blockbuster Moonfall, Roland Emmerich had his film score recorded in Vienna for the second time in a row. For the final soundtrack, recordings with the Synchron Stage Orchestra were partially combined with samples from the Vienna Symphonic Library.[33]
The music for the successful Marvel miniseries WandaVision[34] (which was nominated 21 times for the 2021 Primetime Emmy Awards), Hawkeye, Moon Knight,[35] She-Hulk: Attorney at Law and Ms. Marvel[36] was also recorded at Synchron Stage.[37]
List of projects
[edit]2024
[edit]| Production | Type | Music |
|---|---|---|
| Marvel Rivals | Video game | Masahiro Aoki [1][38] |
2022
[edit]2021
[edit]| Production | Type | Music |
|---|---|---|
| Around the World in 80 Days | TV series | Christian Lundberg |
| The Unforgivable | Film | Hans Zimmer, David Fleming |
| Foundation | TV series | Bear McCreary |
| Epic | Music album | Schiller |
| Pennyworth - Season 2 | TV series | David E. Russo |
| Age of Empires IV | Video game | Tilman Sillescu, Alexander Röder, Henning Nugel,
Armin Haas, Mikolai Stroinski |
| Fortnite: Chapter 2 | Video game | Phill Boucher |
| Silent Night | Film | Lorne Balfe |
| Cinderella | Film | Mychael Danna, Jessica Weiss |
| Vivo | Film | Alex Lacamoire, Lin-Manuel Miranda |
| WandaVision | Miniseries | Christophe Beck |
| 9/11: Inside the President's War Room | Film | Segun Akinola |
| The Battle at Lake Changjin (Original: Chang jin hu) | Film | Elliot Leung, Zhiyi Wang |
| Diary of a Wimpy Kid | Animated Film | John Paesano |
| Back to the Outback | Animated Film | Rupert Gregson-Williams |
| Ophelia Riddle and the Book of Secret Stories | Music album | Harry Lightfoot |
| Innistrad: Midnight Hunt - Magic: The Gathering | Video game Trailer | Gordy Haab |
| Blade & Soul 2 | Video game | Taro Iwashiro |
| Built to Last | Song | David Tobin, Jeff Meegan |
| 2020 Summer Olympics opening ceremony | Song | Hans Zimmer |
| Symphony No. 41 in C Major | Live Concert Stream | Wolfgang Amadeus Mozart |
| Symphony No. 9 in E Minor | Live Concert Stream | Antonin Dvořák |
| Symphony No. 4 in E Minor | Live Concert Stream | Johannes Brahms |
2020
[edit]| Production | Type | Music |
|---|---|---|
| Moonbound | Animated Film | Ali N. Askin |
| We Can Be Heroes | Film | Robert Rodriguez |
| The Christmas Chronicles 2 | Film | Christophe Beck |
| The Arctic: Our Last Great Wilderness | Documentary Film | Alex Heffes |
| Rebuilding Paradise | Documentary Film | Lorne Balfe, Hans Zimmer |
| Dune | Film | Hans Zimmer |
| Jungleland | Film | Lorne Balfe |
| His Dark Materials - Season 2 | TV series | Lorne Balfe |
| Over the Moon | Animated Film | Steven Price |
| Tesla | Film | John Paesano |
| Genius: Aretha | TV series | Terence Blanchard |
| The Rescue | Film | Elliot Leung |
| Lost in Russia (Original: Jiong ma) | Film | Fei Peng |
| Promising Young Woman | Film | Anthony B. Willis |
| Fengshen Trilogy | Film | Gordy Haab |
| Source Elements | Documentary Short Film | Joe Cassidy |
| Game for Peace | Video game | Austin Wintory |
| Made in Abyss
(Original: Fukaki Tamashî no Reimei) |
Film | Kevin Penkin |
| The Stunt Double | Short Film | Lorne Balfe |
| Symphony No. 9 in D minor | Live Concert Stream | Ludwig van Beethoven |
2019
[edit]2018
[edit]| Production | Type | Music |
|---|---|---|
| Proud Mary | Film | Fil Eisler |
| Return of the Hero
(Original: Le retour du héros) |
Film | Mathieu Lamboley |
| Blue Planet II | Documentary TV Series | Hans Zimmer, David Fleming, Jacob Shea |
| Studio 54 | Documentary Film | Lorne Balfe |
| Pacific Rim: Uprising | Film | Lorne Balfe |
| Detroit: Become Human | Video game | Philip Sheppard, Nima Fakhrara, John Paesano |
| The Meg | Film | Harry Gregson-Williams |
| Ignite | Documentary Short Film | Max Aruj, Steffen Thum |
| Warning Shot | Film | Max Aruj, Steffen Thum |
| Hell Fest | Film | Bear McCreary |
| Mr. Sunshine (Original: Miseuteo Sunshain) | TV series | Nam Hye-seung |
| Legend of the Ancient Sword
(Original: Gu jian qi tan zhi liu yue zhao ming) |
Film | Lasse Enersen |
| The Girl in the Spider's Web | Film | Roque Baños |
2017
[edit]| Production | Type | Music |
|---|---|---|
| Cold Hell (Original: Die Hölle) | Film | Marius Ruhland |
| The Lego Batman Movie | Animated Film | Lorne Balfe |
| Ghost in the Shell | Film | Lorne Balfe, Clint Mansell |
| Raising a Rukus | VR-Animated Short Film | Sven Faulconer |
| Comrade Detective | TV series | Joe Kraemer |
| Bullyparade - Der Film | Film | Ralf Wengenmayr |
| Made in Abyss | TV series | Kevin Penkin |
| Sky Hunter (Original: Kong tian lie) | Film | Andrew Kawczynski |
| Maria Theresia | TV mini series | Roman Kariolou |
2016
[edit]| Production | Type | Music |
|---|---|---|
| Sisi – The Movie Trilogy Suite | Music Album | Anton Profes, Paul Hertel |
| Inferno | Film | Hans Zimmer |
| The Crown - Season 1 | TV series | Rupert Gregson-Williams |
| Epilogue - Volvo V90 | Commercial | Hans Zimmer |
| Ultimate Classix: The Hits | Music album | Lorne Balfe |
References
[edit]- ^ Burger, Susanna. "Library Of Sound" (PDF). Vienna Journal. 2016: 6. Retrieved 20 April 2017.
- ^ Hartlauer, Helena. "City of film music". Vienna Tourist Board. Retrieved 20 April 2017.
- ^ Enigl, Marianne (2013-07-05). "Rosenhügel-Studios: Joseph Goebbels langer Schatten". profil.at (in German). Retrieved 2023-02-01.
- ^ "A Sound History – Touring VSL's Synchron Stage". KVR Audio. Retrieved 2023-02-01.
- ^ Marz-Wagner, Sylvia. "Synchron Stage Vienna opening". OTS – Official Austrian press information (Press release). Austrian Press Agency. Retrieved 30 Nov 2016.
- ^ Schloegl, Stefan (26 September 2016). "Sounds like Rosenhuegel". Zeit Online. 40/2016: 1–2. Retrieved 19 April 2017.
- ^ Bohn, Marc (2017-02-07). "Synchron Stage Vienna – modernste Scoring-Stage Europas". SOUND & RECORDING (in German). Retrieved 2023-02-01.
- ^ Denkma[i]l, Mag Wolfgang Burghart, Dr Gerhard Hertenberger (2015-02-04). "Die Wiener Rosenhügel-Filmstudios". www.1133.at (in German). Retrieved 2023-02-01.
{{cite web}}: CS1 maint: multiple names: authors list (link) - ^ Molho, David. "VSL Synchron Stage". wsdg.com. Retrieved 2023-02-01.
- ^ "Projects | schneider+schumacher". schneider-schumacher.com. Retrieved 2023-02-01.
- ^ "SYNCHRON STAGE VIENNA - Vienna Symphonic Library". vsl.co.at. Retrieved 2023-02-01.
- ^ Mikusz, Thomas. "Grand Opening Of Europe's New Scoring Stage: Synchron Stage Vienna" (Press release). White Bear PR. Retrieved 18 July 2016.
- ^ a b Burlingame, Jon (2 May 2016). "Synchron Stage Vienna Offers Film Composers an Austrian Alternative". Variety. 2016 (5).
- ^ a b "Synchron Stage Vienna". Vienna Symphonic Library. Retrieved 16 April 2017.
- ^ Ebbinghaus, Peter. "Synchron Stage Vienna Nominated for NAMM TEC Award for Outstanding Creative Achievement". Soundtracks And Trailer Music. Retrieved 20 April 2017.
- ^ "32nd TecAwards Nominee: Studio Design Project". tecawards.org. Retrieved 20 April 2017.
- ^ McCue, Michelle. "Composers Hans Zimmer, Rupert Gregson- Williams Head To SynchronStage Vienna To Record Scores". IMDb. Retrieved 20 April 2017.
- ^ "SSL Case Study: Synchron Stage Vienna" (PDF). Solid State Logic. Retrieved 23 November 2016.
- ^ "VSL Launches Synchron Stage Vienna". Pro Sound News. 18 July 2016. Retrieved 20 April 2017.
- ^ a b "Synchron Stage Vienna". Synchron Stage Vienna. Retrieved 10 April 2016.
- ^ "Dolby Atmos Music Studios". professional.dolby.com. Retrieved 2023-02-01.
- ^ "Synchron Stage Vienna looks to the future with Yamaha CFX Disklavier". Yamaha Music Europe GmbH. Retrieved 20 April 2017.
- ^ "INSTRUMENTS - Synchron Stage Vienna". synchronstage.com. Retrieved 2023-02-01.
- ^ Cohen, Martin. "CEUS Reproducing System Of My Bösendorfer Imperial 290 Piano". www.company7.com. company7. Retrieved 22 April 2017.
- ^ Bernays, Michael (4 March 2014). "Investigating pianists' individuality in the performance of five timbral nuances through patterns of articulation, touch, dynamics, and pedaling". Frontiers in Psychology. 5: 157. doi:10.3389/fpsyg.2014.00157. PMC 3941302. PMID 24624099.
- ^ "INSTRUMENTS - Synchron Stage Vienna". synchronstage.com. Retrieved 2023-02-01.
- ^ "ORCHESTRA - SynchronStage Vienna". www.synchronstage.com. Retrieved 2023-02-07.
- ^ "Synchron Stage Orchestra". IMDb. Retrieved 2023-02-01.
- ^ "Projects". synchronstage.com. Retrieved 2023-02-01.
- ^ "Ad Astra Score - Recorded at Synchron Stage Vienna". ilio.com. Retrieved 2023-02-01.
- ^ "A Score Klaus to Perfection: A chat with Composer Alfonso G. Aguilar". Score It Magazine. 2019-12-13. Retrieved 2023-02-01.
- ^ "Vienna Symphonic Library". vienna.info. Retrieved 2023-02-01.
- ^ Marz-Wagner, Sylvia (2021-09-24). "SKYunlimited - Musik für neuen Roland Emmerich Blockbuster wieder aus Wien". SKYunlimited (in German). Retrieved 2023-02-01.
- ^ "Christophe Beck on scoring different eras for WandaVision". composer.spitfireaudio.com. Retrieved 2023-02-01.
- ^ Burlingame, Jon (2022-06-05). "Marvel Explores a Rich Musical Universe With Scores for 'Loki,' 'Moon Knight' and 'What If…?'". Variety. Retrieved 2023-02-07.
- ^ Burlingame, Jon (2022-07-11). "Behind the Music of 'Ms. Marvel': Laura Karpman Score Is as Colorful as the Disney+ Series Itself". Variety. Retrieved 2023-02-07.
- ^ "Project Poster Gallery - SynchronStage Vienna". www.synchronstage.com. Retrieved 2023-02-07.
- ^ https://www.youtube.com/watch?v=Hx2pc5XjQcs
External links
[edit]| International | |
|---|---|
| National | |
