The Razors Edge is an album by Australian hard rock band AC/DC. It was the band's eleventh internationally released studio album and the twelfth to be released in Australia. It was a major comeback for the band, featuring the hits "Thunderstruck" and "Are You Ready", which reached #5 and #16 respectively on Billboard's Mainstream Rock Tracks Chart, and "Moneytalks", which peaked at #23 on the Billboard Hot 100. The album went multi-platinum (5 million copies sold) and reached the US top ten. The album reached #2 on the US Billboard 200 and #4 in the UK, a smash commercial success that returned the band to the popularity of its glory years of the late 1970s and early 1980s. The album has been certified 5x platinum (5 million copies sold) in the US, and was re-released in 2003 as part of the AC/DC Remasters series. The album was produced by Bruce Fairbairn.
The Razors Edge was recorded at Windmill Road Studios in Dublin, Ireland and Little Mountain Studios in Vancouver, BC, Canada, and was mixed and engineered by Mike Fraser and produced by Bruce Fairbairn, who had previously worked with Aerosmith and Bon Jovi. According to the book AC/DC: Maximum Rock & Roll, George Young was involved early on but had to bow out because of personal issues. Lead singer Brian Johnson was unavailable for several months while finalising his divorce, so the Young brothers wrote all the songs for the next album, a practice they continued for all subsequent releases (In a 1995 interview, Johnson told Guitar World that he was relieved at not having to deal with the pressure of writing the lyrics anymore). The instantly recognizable opening riff to "Thunderstruck" features Young alternating between fretted notes and playing the open string. In a 1993 interview with Guitar World's Alan Di Perna, the guitarist recalls, "I was just fiddling with my left hand when I came up with that riff; I played it more by accident than anything. I thought, 'not bad,' and put it on a tape. That's how me and Malcolm generally work. We put our ideas down on tape and play them for one another." He expanded in greater detail in the liner notes of the 2003 re-release of The Razor's Edge:
It started off from a little trick I had on guitar. I played it to Mal and he said 'Oh, I've got a good rhythm idea that will sit well in the back.' We built the song up from that. We fiddled about with it for a few months before everything fell into place. Lyrically, it was really just a case of finding a good title...We came up with this thunder thing and it seemed to have a good ring to it. AC/DC = Power. That's the basic idea."
"Moneytalks" is also one of AC/DC's biggest hits, breaking the top 40 on the Billboard Hot 100, the UK Singles Charts, and the Australian ARIA Singles Chart. It is still the band's highest charting single in the United States, at number 23 (no other AC/DC single has even cracked the top 30). During their subsequent world tour, thousands of "Angus Bucks" were dropped on the audience during the song. A music video of the song, directed by David Mallet, was also released, featuring a live performance during the tour. Author Murray Engleheart states in his band memoir AC/DC: Maximum Rock & Roll: "On songs like 'Mistress for Christmas' and "Moneytalks,' Malcolm and Angus showed their working-class roots, despite multi-millionaire selling albums, by taking aim at the high flyers in the business world." In a February 1991 interview with Guitar World Angus Young stated, "I think the funniest song on this album is 'Mistress For Christmas.' That song's about Donald Trump. He was big news at the time, so we thought we'd have a bit of fun and humor with it." In the same interview, he declared that his best guitar solo on the LP was on the song "The Razors Edge," which also features a rare foray into finger picking. Although AC/DC had always remained apolitical when it came to their music, the title track was a commentary of sorts, with Young explaining to Muchmusic in 1992:
"The Razors Edge" comes from an old saying farmers used to use in Britain where you'd have a fine sunny day, you know, a very good day with a hot sun, and then all of a sudden right in the distance you could see these black clouds coming over the horizon, an ominous thing...I thought it was a great title. The world was at peace again and everyone thought, "Ah, the Berlin Wall's come down and it's all gonna be fun and games, a party every night," and you can see now that it's not that way. It's just our way of saying the world's not perfect and never will be.
With the release of The Razors Edge, AC/DC undertook a world tour, possibly the most publicised tour they had ever done. The success of the tour was fueled by the crowd-pleasing songs, such as "Thunderstruck", "Moneytalks", "Fire Your Guns", "The Razor's Edge", and "Are You Ready", which were also included on the AC/DC Live Collector's Edition album as live versions. Several shows on the Razors Edge Tour were recorded for the 1992 live album titled Live. Live was produced by Fairbairn, and is considered one of the best live albums of the 1990s. It was during this tour that AC/DC headlined the Monsters of Rock show, which was released on DVD as Live at Donington. The band also headlined 1991's "Rock Around The Bloc" festival at Tushino Airfield in Moscow, a free concert attended by close to one million fans.
The Razors Edge peaked at #2 on the Billboard 200 charts and stayed on the chart for 77 consecutive weeks. It also reached #4 on the UK charts. The album helped return AC/DC to its former glory. Currently, the album has sold 5 million copies in the US, certifying it at 5x platinum. The album has sold approximately ten to twelve million copies worldwide, making it the fourth highest selling AC/DC album (after Dirty Deeds Done Dirt Cheap, Highway to Hell and Back in Black and ahead of Who Made Who). The Razors Edge received generally mixed to positive reviews. AllMusic gave the album three out of five stars and complimented both the vocal performance by Brian Johnson and the guitar playing of Angus Young, and said that the album was "arguably [the band's] strongest album in over half a decade."Entertainment Weekly gave the album a grade of A-, saying that "this is one album that really delivers."Rolling Stone, on the other hand, gave the album two out of five stars, criticizing its similarity to past AC/DC works, and said that "with The Razors Edge, AC/DC sets a new record for the longest career without a single new idea." In a 2008 Rolling Stone cover story David Fricke wrote, "After a few albums that sounded like old ideas warmed over once too often, this is a near-comeback, busting out with Angus' wasp-army trills in the first song."